episode #309 written by joseph mallozzi and paul mullie ......locked production draft white –...

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Episode #309 Written by Joseph Mallozzi and Paul Mullie LOCKED PRODUCTION DRAFT WHITE – February 9, 2017 FULL PINK – February 10, 2017 FULL BLUE – February 15, 2017 YELLOW PAGES – February 17, 2017 22,25,27,28,30,32,34,39A,39B,49,52,58 GREEN PAGES – February 27, 2017 40 GOLDENROD PAGE – March 1, 2017 10 DOUBLE WHITE PAGES – March 2, 2017 40 DOUBLE PINK PAGES – March 2, 2017 16,17,40 DOUBLE BLUE PAGES – March 7, 2017 24,25 Prodigy Pictures Television ©2016 All Rights Reserved

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Page 1: Episode #309 Written by Joseph Mallozzi and Paul Mullie ......LOCKED PRODUCTION DRAFT WHITE – February 9, 2017 FULL PINK – February 10, 2017 ... DARK MATTER - EPISODE 309 - FULL

Episode #309

Written by

Joseph Mallozzi and Paul Mullie

LOCKED PRODUCTION DRAFT WHITE – February 9, 2017 FULL PINK – February 10, 2017 FULL BLUE – February 15, 2017 YELLOW PAGES – February 17, 2017 22,25,27,28,30,32,34,39A,39B,49,52,58 GREEN PAGES – February 27, 2017 40 GOLDENROD PAGE – March 1, 2017 10 DOUBLE WHITE PAGES – March 2, 2017 40 DOUBLE PINK PAGES – March 2, 2017 16,17,40 DOUBLE BLUE PAGES – March 7, 2017 24,25

Prodigy Pictures Television ©2016 All Rights Reserved

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CAST

TWO THREE RYO FIVE SIX ANDROID SARAH COMMANDER NIEMAN DEPUTY INMAN ETHAN GUEST #1 JAKE MADISON MR. CONNOR MRS. CONNOR PROFESSOR BROPHEY SHERIFF VARGAS VICTOR

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LOCATIONS

INTERIOR

INT. BROPHEY’S HOME

• BACK DOOR • BASEMENT

INT. CONNOR HOME • BASEMENT • KITCHEN • LIVING ROOM • SECOND FLOOR BEDROOM

INT. ISHIDA PALACE – WAR ROOM INT. MARAUDER INT. NIEMANS APARTMENT INT. RAZA

• BRIDGE • CORRIDOR • CORRIDOR OUTSIDE THE AIRLOCK • MESS • SIX’S QUARTERS • SYSTEMS CONTROL ROOM • TWO’S QUARTERS • FIVE’S QUARTERS

INT. SARAH’S ROOM INT. SHERIFF OFFICE INT. SUBURBAN HOME

• KITCHEN • UPSTAIRS • UPSTAIRS ROOM • INT. SHERIFF’S OFFICE

INT. VAN EXTERIOR EXT. BROPHEY’S HOME EXT. CONNOR HOME EXT. DOG PARK EXT. DOWNTON EXT. EDGE OF FOREST EXT. FOREST EXT. SUBURBAN HOME EXT. SUBURBAN NEIGHBORHOOD EXT. SUBURBAN STREET

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TEASE

1 VFX - SPACE 1

The Raza floats in space.

2 INT. RAZA - SYSTEMS CONTROL ROOM 2

We FIND the Android standing at the console, her eyes dark. Then, as we SLOWLY APPROACH - ZZZT - her eyes flashonline(VFX).

3 INT. RAZA - MESS 3

TWO opens her eyes, sits up. Glances over at THREE stirringawake beside her. WTF? She keys her comm.

TWOAndroid, what just happened?

4 INT. RAZA - SYSTEMS CONTROL ROOM 4

The Android looks around.

ANDROIDUnknown. I was temporarily offline.

INTERCUT:

TWOYeah, you're not the only one. Ithink I passed out.

FIVE begins to stir awake.

TWO (CONT'D)Is Five okay?

FIVEYeah, I'm fine. Sort of.

TWOSix, come in.

5 INT. RAZA - SIX'S QUARTERS 5

SIX begins to rouse himself.

(CONTINUED)

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5 CONTINUED: 5

SIXThis is Six, I'm reading you. Whatthe hell was that?

INTERCUT ALL THREE LOCATIONS:

ANDROIDI've run an analysis. The ship washit with some kind of electromagneticpulse.

TWOAre we under attack?

ANDROIDNegative. I believe the pulseemanated from the Blink Drive.

She and FIVE look up at the tower.

THREEPlease do not tell me you turnedthat thing on again. I thought wetalked about this.

FIVEWe didn't turn it on. We were justrunning a diagnostic.

ANDROIDIt would appear the drive self-initiated.

SIXHow is that possible?

ANDROIDTheoretically...it's not.

Off reactions -

6 INT. RAZA - BRIDGE 6

TWO and THREE join the others already on the bridge.

THREEWhere are we?

ANDROIDI'm not sure.

(MORE)

(CONTINUED)

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6 CONTINUED: 6

ANDROID (CONT'D)The navigational computer is havingtrouble fixing our position becausethe stars seem to be out of alignment.

TWOWas the computer damaged by the pulse?

FIVEI double-checked the system. Itseems fine.

ANDROIDI found something.

She brings up an image on the big screen. It shows an orange-hued star. It's small on the screen, only about the size ofa baseball relative to the size of the monitor.

ANDROID (CONT'D)This is a magnified image of thenearest star, approximately half alight year away. Mass andspectrographic analysis show it tobe an exact match for Pollux.

TWOWe were just in the Pollux system.

ANDROIDCorrect.

SIXSo we only traveled half a lightyear.

FIVEThat still doesn't explain why thestars are out of position.

ANDROIDMaybe it does.

The Android cocks her head, obviously calculating something.

ANDROID (CONT'D)Standby. I need to reconfigure ourstar maps to confirm my hypothesis.

THREEWhat hypothesis?

The Android continues to calculate. Beat.

(CONTINUED)

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6 CONTINUED: (2) 6

ANDROIDHypothesis confirmed. We didn'tmove at all. Pollux did. As wellas all the other stars.

SIXWhat does that mean?

THREEIt means she finally blew a gasket. It was only a matter of time.

ANDROIDIndeed, that's exactly what it is.

TWOAndroid, you're not making any sense.

ANDROIDOf course I am. The relative positionof the stars changes over time.

FIVE(realizing)

Oh, shit...

ANDROIDSix hundred years worth of stellardrift, approximately. It's the onlypossible explanation.

TWOWait, are you saying we traveledthrough time?

THREEWe went six hundred years into thefuture!?

ANDROIDNo, of course not.

THREE(relieved)

Good. You had me going there for asecond.

ANDROIDWe traveled six hundred years intothe past.

Off reactions -

END TEASE

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ACT ONE

7 VFX - SPACE 7

The Raza hangs in sublight.

8 INT. RAZA - BRIDGE 8

Everyone is still on the bridge.

ANDROIDAs I suspected, the station we knewas Pollux 4 is no longer here. Orperhaps I should say, it's not hereyet.

TWOWell, I guess that's confirmation.

THREE(still skeptical)

It's one system.

ANDROIDI've also been scanning all subspacefrequencies for typical interstellarchatter. There's nothing out there.

Beat, as it starts to sink in how alone they suddenly are.

SIXBut you can fix it, right? You canuse the drive to get us back.

ANDROIDI can try. But it may take sometime.

THREEVery funny.

He walks out.

ANDROID(to no one inparticular)

That wasn't a joke.

9 VFX - SPACE 9

The RAZA moves through normal space.

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10 INT. RAZA - MESS 10

THREE, FIVE, and SIX are seated, finishing up their meal. TWO walks in from the back, tablet in hand.

TWOWell, I just finished the inventory. We've got enough protein packs tolast us a few more weeks, but that -

Indicating their empty plates -

TWO (CONT'D)Was the last of the fresh fruit andvegetables.

Panicked reactions from FIVE and SIX -

SIXWhat?!

FIVEAre you serious?!

THREEGuys, it's not the end of the world.

TWOThat's also the last of the coffee.

THREE(panicked)

What?! Are you serious?!

TWO/THREE/FIVE/SIXGotta do something! What about freshwater? Are you sure? I double-checked. What're we gonna do?

Suddenly, they fall silent at the sight of the Androidstanding in the doorway, hands clasped behind her back.

TWOTell me you figured it out.

ANDROIDI've spent forty-eight hours analyzingthe drive and am no closer to asolution. I still don't know why itself-initiated or how to repair it.

THREESo what are our options?

(CONTINUED)

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10 CONTINUED: 10

TWO(informs the Android)

We're running low on supplies.

ANDROIDThen I suggest we set a course forthe only recorded civilization ofthis time period - Terra Prime, Earth.

(beat)It's difficult to be precise, but Ibelieve we'll be visiting some timein the early twenty-first century.

SIXWhat is that, the dawn ofcivilization?

THREEDid they even have working toiletsback then?

TWOWe'll use our own toilets. Okay,Android. We're going to Earth.

11 VFX - SPACE 11

The Raza drops out of FTL near Earth.

12 INT. RAZA - CORRIDOR 12

TWO, THREE, FIVE and SIX are marching down the corridor.

FIVEI've been reading up on this timeperiod. They have satellites.

TWONothing that can detect a ship withthe Raza's capabilities. The Androidsays most of their tech is devotedto communications, entertainment andsocial media posturing.

They enter the bridge -

13 INT. RAZA - BRIDGE 13

To find the Android standing, back to them, listening toELEVATOR MUSIC. The music switches to COUNTRY AND WESTERN. And then abruptly changes to very loud, raging DEATHCORE.

(CONTINUED)

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13 CONTINUED: 13

TWO has to shout to get the Android's attention.

TWOAndroid!

The Android turns.

ANDROIDAh, there you are.

THREE points into the air, to indicate the noise.

THREEDo you mind?

ANDROIDOh. Sorry.

The music turns off.

ANDROID (CONT'D)An interesting cultural mix.

THREEThis what you've been doing -listening to old-timey music?

ANDROIDNot exclusively. I also accessedthe planet's data hub. The securityprotocols in place are quite primitiveand easily defeated. I should beable to find us accommodations,transport - whatever we might need.

TWOTo do what?

ANDROIDLive on the planet.

FIVEYou want us to abandon the Raza?

TWOI thought you were bringing us hereto find what you need to fix thedrive.

ANDROIDIn this time period, I'm afraid that'sextremely unlikely.

(CONTINUED)

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13 CONTINUED: (2) 13

SIXSo we're supposed to stay here forthe rest of our lives?

ANDROIDI'm sorry, but there is nowhere elseto go.

Off - reactions.

14 INT. RAZA - MESS 14

SIX pours drinks for himself and THREE.

SIXWell, at least if we stay, we don'thave to go back to a galactic war.

THREEI don't know much about history, butI'm willing to bet they got plentyof wars and violence in this periodtoo.

He downs his drink.

SIXThen we'll fit right in.

THREEI can't leave the ship - not withoutdoing something about Sarah.

SIXShe's safe for now.

THREEAnd I'm supposed to just leave heralone up here, living in a fantasyworld?

SIXI'm sorry, but you can't bring herwith us - they don't have computerspowerful enough to run that program.

THREEYeah, I figured as much.

SIX can only pour him another drink.

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15 INT. RAZA - TWO'S QUARTERS 15

TWO enters and takes a moment - looks around at the familiarsurroundings - is this the last time she'll see them?

FIVE (O.S.)You're not seriously thinking ofdoing this.

She turns to see FIVE in the open doorway.

TWOWe've got a few days worth of suppliesleft. We don't have to make anydecisions just yet.

FIVEThis ship is our home.

TWOThe ship is a floating metal box. And besides, if the Android is rightand we do have to abandon it, it'llalways be here if we want to comevisit.

FIVEMaking the best of a bad situation.

TWOWell, there are a few things I'm notgoing to miss - and being in constantdanger is at the top of the list.

She considers a disappointed FIVE -

TWO (CONT'D)Besides, if the Android can't fixthe drive, what else can we do?

OFF FIVE, wondering - is there any other way?

16 INT. SARAH'S ROOM 16

THREE sits with Sarah -

SARAHSo you're leaving.

(CONTINUED)

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16 CONTINUED: 16

THREENo. We're going to head down to theplanet, set things up and then...I'llcome back.

SARAHBut if what the Android's saying istrue, then what's the point?

THREEThe point is you'll still be here. I'm not going to abandon you.

SARAHAnd I'm not going to guilt you intopaying me the occasional pity visits.

THREEWhat are you talking about?

(CONTINUED)

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16 CONTINUED: (2) 16

SARAHCan't you see how this changes things? You're not stuck here on this shipanymore. You can go down there,start a new life, have a chance with someone else. Someone real.

THREEYou're real.

She stands up, throws her arms wide.

SARAHBut this isn't. As much as I wantit to be, it's not. It's a fantasy.

THREEOkay, but you know what IS real? How I feel about you.

SARAHNow, but how long until you startresenting me, stop coming to see me?

She motions to their surroundings.

SARAH (CONT'D)How long are we going to keeppretending this is enough?

THREEWhen did you start feeling this way?

SARAHFrom the moment I woke up alone inhere. At first, I thought convincingyou that we could be happy wouldmake it okay, but I've come to realizeI was just being selfish.

(beat)I can't live like this. I need more.

ON THREE. Suddenly, we hear the Android's voice -

ANDROID (O.S.)I require everyone's presence on thebridge.

THREE throws Sarah a look, then moves off.

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17 INT. RAZA - BRIDGE 17

The Android calls up an image on the big screen. It appearsto be North America, a small red point pulsing somewherewithin the state of Wisconsin. The others look on.

ANDROIDI've been running a detailed sensorsweep of the planet's surface. Ialmost didn't notice this. The signalis very faint.

TWOWhat is it?

ANDROIDIt's another Blink Drive. Or perhapsa past version of the same one.

Everyone is stunned.

THREEYou gotta be kidding me.

TWOHow do you know?

ANDROIDIt's a subspace signal, identical tothe one our drive was giving offbefore we found a way to mask it.

FIVEAnother Blink Drive? But...thatdoesn't make any sense.

ANDROIDIt's true that no technology evenremotely like this should exist inthe time period. There can only beone possible explanation.

TWOSomeone else from the future is downthere.

Off reactions - holy shit.

END ACT ONE

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ACT TWO

18 INT. RAZA - BRIDGE 18

Picking up where we left off.

THREEThis is perfect. Another drive isjust what we need. We go down there,grab it, and get the hell out ofhere.

ANDROIDThe signal is too weak to pinpointfrom orbit. I've determined it issomewhere within a small communitycalled Fort Falls, Wisconsin.

She calls up an image, no doubt taken from the internet, ofa leaflet that has the look of something put out by the localchamber of commerce, with a picture of the town and "WELCOMETO FORT FALLS" emblazoned on it.

FIVEWait a minute. If it does turn outto be the same Blink Drive, only sixhundred years earlier, then we can'ttake it without creating a paradox.

SIXWhat are you talking about?

ANDROIDA paradox results from any change inthe timeline that eliminates thecircumstances that brought us backin the first place.

FIVEIf it's the same drive, then sixhundred years from now, somehow it'ssupposed to wind up on that station,where I found it. But if we takeit, then it never gets there, andthen we never go back in time totake it.

Beat.

SIXThen problem solved. Who cares ifit doesn't make sense, just as longas it works.

(CONTINUED)

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18 CONTINUED: 18

ANDROIDIt's also possible that in a moredistant future, beyond even our own,more blink drives will be createdand used to travel through time. This could be one of them.

THREE looks at FIVE.

THREEThere, you see.

ANDROIDHowever, Five is right to beconcerned. If we do create a paradox,the results could be...less thandesirable.

TWOCare to be a little more specific?

ANDROIDOf course no one knows for certainwhat would happen, there are competingtheories. We may simply return to afuture that we find unrecognizable.

SIX shrugs.

SIXIt wasn't that great to begin with.

ANDROIDOr we may all simply cease to exist.

Yikes.

TWOThen we better hope it's not thesame drive.

ANDROIDIt's not just the drive. As I said,any significant change to the timelinecould result in a paradox, so Isuggest we maintain a low profile.

She looks at them.

ANDROID (CONT'D)We might want to start with a changein wardrobe.

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19 VFX - SPACE 19

The Raza hangs in planetary orbit.

20 INT. RAZA - CORRIDOR OUTSIDE THE AIRLOCK 20

THREE rounds the corner in his regular clothes, looking nodifferent than usual. He comes upon the rest of the crew -looking decidedly different in outfits that are reworkedversions of their own, altered hairstyles and make-up.

THREEYou guys look ridiculous.

ANDROID (O.S.)They look contemporary.

They turn as the Android approaches. She's done her hair,make-up, concealed her tattoo, and wears a beautiful outfit.

ANDROID (CONT'D)Each of you are archetypes of theera.

Steps up to TWO in a t-shirt, sweater, her hair in a ponytail -

ANDROID (CONT'D)Soccer mom.

On to FIVE wearing black clothing, black mascara -

ANDROID (CONT'D)Goth chick.

On to SIX wearing the suit he wore to EOS-7 but with glasses -

ANDROID (CONT'D)Salary man.

And, finally, THREE wearing his regular outfit -

ANDROID (CONT'D)And slob.

TWOAnd you're...?

ANDROIDAn upwardly mobile suburbanprofessional.

(CONTINUED)

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20 CONTINUED: 20

SIXShouldn't you be staying back herewith the ship?

ANDROIDI can place the ship under lockdownand maintain neural monitoring. Itshould be perfectly safe given theirlevel of technology.

THREEYou might have a hard time fittingin.

ANDROIDUnfortunately, the upgrade was damagedby the mind-hack, but my ability toaccess the planetary data hub makesme an indispensable source ofinformation for this outing.

SIXStill, I'm not so sure -

ANDROIDIndispensable.

TWOOkay. Let's go.

They pick up a couple of carrying bags sitting by the airlock.

ANDROIDI was able to manipulate the planetarydata hub to establish false identitiesand bank accounts for all of us.

THREEIf it's that easy to steal, I mightstart to like it here.

ANDROIDI also rented a house under TWO'salias.

SIXYou really think we'll be here thatlong?

ANDROIDBetter safe than sorry. And homeless.

SIX inputs a sequence. The airlock doors slide open

(CONTINUED)

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20 CONTINUED: (2) 20

ANDROID (CONT'D)The Marauder should be able to evadedetection. However, we will need toland in a forested area approximatelysix kilometers from the community.

THREEGuess we're hiking.

ANDROIDOnly to a local dealership whereI've arranged for us to pick up thevehicle I pre-purchased on DriveDealdot com. I got double reward points.

They head out.

21 OMITTED 21

22 VFX - SPACE 22

The Marauder exits The Raza and flies down toward the planet.

23 INT./EXT. CONNOR HOME - SECOND FLOOR BEDROOM -- DAY 23

A van pulls into the driveway of a quaint suburban home. It's passengers disembark - an odd-looking bunch - our crew.

REVEAL they are being observed through some window slatsfrom an upper floor of the house across the street. We heara young boy's voice -

JAKE (O.S.)The Shapiro's finally rented theirhouse.

ON three twelve year olds spying on the new neighbors fromacross the street: Jake, ETHAN, and MADISON.

MADISONThey look weird.

ON our crew taking their carrying bags out of the van. TheAndroid seems stiffer, awkward.

(CONTINUED)

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23 CONTINUED: 23

ETHAN (O.S.)They're like the family from BloodHouse.

BACK ON the kids.

JAKEWhat's that?

ETHANIt's a horror movie I watched withmy brother when my parents were away. It's about these new neighbors whomove in, and it turns out they eatpeople.

MADISONWhy?

ETHANBecause they're cannibals.

MADISONYeah but why people?

ETHANI don't know. Maybe they tastebetter.

JAKEYou're right. There's somethingabout them...

On our crew. THREE has finished offloading their stuff. Hegoes to pick up multiple bags and struggles under the weight. He sets them down, checks his aching back. The Androidreaches over and grabs the bags with one hand, lifting themeasily.

Suddenly she turns her head and stares directly at our POV.

BACK ON the kids, dropping and ducking, spooked -

JAKE (CONT'D)Crap!

Suddenly, we hear the voice of Jake's mom, MRS. CONNOR

MRS. CONNORJake! Jake?!

JAKE (sighs)

Coming!

He leaves his friends.

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24 INT. SUBURBAN HOME -- DAY 24

The crew walk into the home, it's fully furnished. TWOinforms THREE and SIX -

TWOBetter put that stuff out of sight.

THREE and SIX head upstairs with their carrying bags as TWO, FIVE, and the Android look around -

FIVEIt's like moving into a museum.

TWODid people actually live like this?

Suddenly, the DOORBELL RINGS. TWO throws a look to theAndroid who walks over to the window, peeks out -

25 INT./EXT. SUBURBAN HOME -- DAY 25

The family from across the street - MR. CONNOR, MRS. CONNOR,and young Jake - stand outside. Mrs. Connor holds a pie.

THREE (O.S.)What was that?

26 INT. SUBURBAN HOME -- DAY 26

THREE and SIX hurry back down.

TWOSomeone's at the door.

ANDROIDI believe it's the neighbors.

They all exchange uncertain looks.

ANDROID (CONT'D)Does everyone remember their assignednames?

CREWYes. Yeah.

TWO answers the door.

TWOHello.

(CONTINUED)

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26 CONTINUED: 26

MRS. CONNORHi. Welcome to the neighborhood. We're the Connors.

TWOHi.

Beat.

TWO (CONT'D)Come in.

The Connors walk in.

MRS. CONNORI'm Debra. This is my husband Miles. And our son, Jake.

TWOI'm Elaine. This is my husband Mitch.

THREE gives a wave.

TWO (CONT'D)Our daughter, Apple.

FIVE(unenthusiastic)

Hey.

TWOThis is my brother-in-law, Mal.

SIXHi.

MR. CONNORMal? What's that short for?

SIXUh, Mal...vik.

ANDROIDIt's old Norse. His mother is onequarter Viking.

TWOAnd this is my sister -

ANDROIDRhianna.

MRS. CONNORWell, welcome to Fort Falls.

(CONTINUED)

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26 CONTINUED: (2) 26

She presents TWO with the pie.

MRS. CONNOR (CONT'D)It's blueberry. I made a bunch forthe upcoming bake sale at Jake'sschool.

TWOThat's very kind of you.

MR. CONNORSo where did you move from?

ANDROIDPort Land.

MR. CONNORYou mean Portland?

ANDROIDCorrect.

JAKEHey, can I use the bathroom?

MRS. CONNORJake, why don't you wait until weget home.

JAKEIt's an emergency.

MRS. CONNOR(sighs)

She throws a look to TWO who glances around -

TWOSure. It's -

Jake bounds up the stairs -

JAKEI know where it is!

Mrs. Connor explains to TWO -

MRS. CONNORHe used to come over here all thetime to play with the Shapiro's boy.

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27 INT. SUBURBAN HOME - UPSTAIRS -- DAY 27

Jake heads down the hall toward the bathroom then, holds up,and backtracks. While he's skulking, we hear -

MR. CONNOR (O.S.)Listen, we're hosting a little get-together later and would love youall to come.

TWO (O.S.)Oh, I don't know...

MRS. CONNOR (O.S.)It's nothing fancy, but it'd be aperfect opportunity for you to meetsome of the other neighbors.

TWO (O.S.)That's really kind of you but -

ANDROID (O.S.)We'd love to!

MR. CONNOR (O.S.)Great. Four o'clock. Just come asyou are.

He approaches a door, peeks inside -

Just a normal bedroom.

He moves on to another -

This bedroom has a bunch of carrying cases. He steals alook back down the hall and and slips inside -

28 INT. SUBURBAN HOME - UPSTAIRS ROOM -- DAY 28

Jake approaches the carrying cases, hunkers down, and unzipsone. He reaches in and pulls out a strange, hand-held device. Brow furrowed, he puts it back, moves onto the next bag. Pulls out FIVE's hacking box. He puts it back. Moves ontothe next bag. He opens it.

His eyes widen. He reaches in, pulls out -

JAKEWhoa.

The Duran Duran gun. Holy shit!

END OF ACT TWO

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ACT THREE

29 INT. SUBURBAN HOME -- DAY 29

Three portable hand-held detectors sit on the table.

ANDROID (O.S.)I've reconfigured these radiationdetectors to scan for the BlinkDrive's signal.

TWO, THREE, FIVE, SIX and the Android gathered around a table. The Android picks up one of the portable devices and flicksit on. Onscreen, data and fluctuating power bars.

ANDROID (CONT'D)In order to triangulate the signal,we'll need to take readings frommultiple positions around the town.

She slides one over to TWO, the other to FIVE, and keeps onefor herself.

TWOOkay, we'll split up. THREE, you'rewith me. SIX, you're with FIVE. Android -

ANDROIDNot so fast.

They hold up. The Android produces a note pad and proceedsto hand each of them a piece of paper -

ANDROID (CONT'D)We also need supplies.

TWO reads from her list -

TWOTwo quarts of milk. One dozen eggs. Butter -

ANDROIDUnsalted!

THREETwelve by nineteen non-stick cookiesheet?

(CONTINUED)

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29 CONTINUED: 29

ANDROIDI'm making something to bring tothis afternoon's party - as is thecustom.

SIXWe don't have time to be runningerrands.

TWOOr going to parties.

ANDROIDI sincerely hope we're able to quicklypinpoint the source of the signal,but in the event we don't, we may behere a while so the less we drawattention to ourselves, the better. We must fit in.

The others consider. Maybe she has a point. FIVE checksher list -

FIVEToilet paper?

ANDROID2-ply. But see what's on special.

30 EXT. DOWNTOWN -- DAY 30

It's pouring rain. TWO and THREE have sought cover under anawning.

**

THREELook at this place. It's soprimitive. Where are the hyperloops? The aero-cars? The mag-lev boots?

*

TWOWhen was the last time you rode ahyper-loop, drove an aero-car, orwore mag-lev boots?

(CONTINUED)

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30 CONTINUED: 30

THREEThat's not the point. The point isI no longer have options.

TWOI kind of like it. Fresh air, freshfood -

**

THREE *Rain. *

TWO *And the closest G.A. ship is sixhundred years away.

*

THREE *Can we get started here?

TWO pulls out the device, checks it.

TWOBaseline readings.

They head off. *

31 EXT. DOWNTOWN -- DAY 31

The Android steps out of the parked van and onto the sidewalk.

POV of the Android pulling out the device, consulting it. She starts to walk down the street. Stops. She glances upat the sign for a nearby shop.

MADISON (O.S.)What's she doing?

ETHAN (O.S.)I don't know.

ON the kids - Jake, Ethan, and Madison - spying on the Androidfrom across the street, hidden behind some bushes.

JAKEI'm telling you. She's a spy. They're all spies.

MADISONFor who? The Russians?

(CONTINUED)

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31 CONTINUED: 31

ETHANShe looks Swedish.

The Android turns. The kids drops behind the bush.

MADISONWe should report this to SheriffVargas.

ETHANThe Sheriff isn't going to believeus.

JAKEWe need proof.

They exchange looks, then slowly peer back up in unison -

To lock eyes with the Android, across the street, staringright at them. They quickly duck back down.

32 EXT. DOG PARK -- DAY 32

THREE stands, holding two cups of hot chocolate.

THREEYour hot chocolate's getting cold.

TILT DOWN TO REVEAL TWO happily petting a dog. She throws alook up at THREE.

THREE (CONT'D)We are not getting a dog.

TWOIt would be great for crew morale.

She straightens, reclaims her hot chocolate. Out of earshotof the other people in the dog park -

THREEWe could screw up the timeline. What if the dog we bring back isinstrumental in finding a cure forSokolsky Sydrome or something?

They grab a seat on a bench. TWO kicks back, takes a sip ofher hot chocolate. THREE throws her a look.

TWOWhat?

(CONTINUED)

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32 CONTINUED: 32

THREEThis is the happiest I've seen youin a long time.

TWO, suddenly self-conscious.

THREE (CONT'D)I've missed seeing this side of you.

TWOYeah, well, it's been a tough month.

THREEYou may think you call the shots buttruth is we all have a say - in wherewe go, in what we do.

(beat)It's not all on you. It's neverbeen. We're the crew of The Raza. We carry each other.

TWO considers THREE's words, then pulls out the device, checksit. Her face registers -

THREE (CONT'D)What?

She shows him.

TWOReadings are spiking.

They scan the park...

33 EXT. DOWNTOWN -- DAY 33

FIVE and SIX walk down the sidewalk, carrying some groceries. SIX glances into his bag, and pulls out a box of minicupcakes.

SIXThis wasn't on the list.

FIVETeens of this era probably lovedmini cupcakes. I'm trying to stayin character.

SIXWhat kind of readings are we getting?

FIVE checks.

(CONTINUED)

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33 CONTINUED: 33

FIVEStronger now than before, but stilldispersed. We won't know for suretill we compare them with what theothers get.

34 INT. SUBURBAN HOME -- DAY 34

The Android, tablet in hand, informs TWO, THREE, FIVE, andSIX -

ANDROIDI'm afraid the results areinconclusive. We can take morereadings tomorrow, but right now weshould get ready for the party

THREEAgain with the party? What's withyou?

ANDROIDIf triangulation doesn't work, we'llneed to find the drive by other means. The party is an opportunity to gatherintelligence.

TWOShe's got a point. This is a smalltown - everyone knows everyone else'sbusiness. If there really is someoneelse from the future here they mighthave gotten themselves noticed.

35 INT. CONNOR HOME -- AFTERNOON 35

ON the front door. The DOORBELL RINGS. Mrs. Connor answersit to reveal - the neighbors from across the street: TWO,THREE, FIVE, SIX, and the Android holding a tray of cookies.

MRS. CONNORYou made it.

ANDROIDWe baked cookies for the occasion. How many guests are you expecting?

MRS. CONNOROh, maybe about forty -

The Android hands them over.

(CONTINUED)

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35 CONTINUED: 35

ANDROIDSo 1.67 cookies per guest. Pleaseapportion them accordingly.

MRS. CONNORUh, okay. Why don't you come in,grab a drink and mingle.

Our crew step into the house as Mrs. Connor disappears downthe hall. Ahead, the party is in full swing - neighborsmingling over drinks and paper plate meals.

ANDROIDRemember -

Points to TWO and THREE -

ANDROID (CONT'D)You're a couple.

Indicates her and SIX -

ANDROID (CONT'D)We're a couple.

Points to FIVE -

ANDROID (CONT'D)And you're a disaffected youthcommitted to sulking and avoidingsocial discourse.

FIVE frowns. The Android points.

ANDROID (CONT'D)Perfect.

They head into the party and split up.

ON TWO and THREE. TWO scans the room while THREE grabs apaper plate and starts helping himself to the buffet. Mr.Connor walks over.

MR. CONNORElaine, Mitch - good to see you. Sohow're you liking Fort Falls so far?

TWOIt's lovely.

MR. CONNORProbably seems a little quiet comparedto Portland.

(CONTINUED)

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35 CONTINUED: (2) 35

THREEYeah, a little. Guess you don't gettoo much excitement around here,huh?

MR. CONNOROh, you'd be surprised. For instance,at last week's potluck, Mario Vidalimade wings so spicy they sent MaeveBarclay to emergency.

THREE(laughs)

Then trails off as Mr. Connor stares back at him, stonefaced.

THREE (CONT'D)Oh. You're serious.

Moving on -

MR. CONNORSo what do you guys do for a living?

THREEOh, we're hired guns.

MR. CONNORFreelancers.

THREEYeah. We pull the odd job, alwayslooking for the big score -

TWOWe run a small business. Importexport.

THREEMostly import.

MR. CONNORWhat countries do you do businesswith?

TWOOh, we have partners all over theplanet.

A perplexed Mr. Connor nods.

36 OMITTED 36

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37 INT. CONNOR HOME - KITCHEN -- AFTERNOON 37

Three guests in discussion -

GUEST #1Did you see the last episode ofInfamy?

ANDROID (O.S.)Yes.

They turn to find the Android suddenly there.

ANDROID (CONT'D)Ava choosing Ryan, Emma dying on herwedding night, and then Liam turningout to be the secret stalker - well,it was a very shocking finale.

They stare back at her.

GUEST #1The finale's not until next week.

(CONTINUED)

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37 CONTINUED: 37

ANDROIDOh. Well. I have a feeling you'llbe pleasantly surprised.

She moves off.

38 INT. CONNOR HOME - LIVING ROOM -- AFTERNOON 38

ON SIX, surrounded by a trio of lovely locals. He chucklesand raises a cup in toast to

THREE frowning at him from across the room. He and TWO arestill with Mr. Connor -

MR. CONNOR...Of course Mario felt terrible. He usually samples his wings but hewas in such a rush -

Mr. Connor notices someone behind them - a slightly nerdy-looking man in his forties, holding a glass of white wine.

MR. CONNOR (CONT'D)Oh, hey Professor, glad you couldmake it. Have you met our newneighbors, Elaine and Mitch?

TWO and THREE turn. When the man - PROFESSOR BROPHEY - seestheir faces, he is startled, and drops his glass to the floor.

PROFESSOR BROPHEYOh, uh...I'm so sorry about that.

Mr. Connor kneels down to clean up the mess.

MRS. CONNORNo problem. Better white than red,huh?

A very nervous Professor Brophey nods to TWO and THREE.

(CONTINUED)

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38 CONTINUED: 38

PROFESSOR BROPHEYNice to meet you.

And then he turns, and beats a hasty retreat.

TWOWho was that?

MR. CONNORProfessor Brophey. He teaches physicsat Harding High. Supposedly quitethe genius.

THREEHe always that jumpy?

MR. CONNORA little, yeah.

As Mr. Connor leaves them, TWO and THREE look over at theAndroid and SIX who also witnessed the moment from acrossthe room. They all come together, talking quietly.

TWODid you see that?

THREEI'd swear that guy recognized us.

SIXWell, in about six hundred years ourmug shots are going to be plasteredall over the galaxy.

TWOCould be our guy, but we need to besure.

ANDROIDI'll go back to the Marauder, linkwith the ship and run a facialrecognition program through the G.A.database. In the meantime, see ifyou can find out more about him.

38A OMITTED 38A

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38B EXT. SUBURBAN STREET -- DAY 38B

Jake, Ethan and Madison, on their bikes, in heatedconversation.

JAKEBut I don't get it. Who are theyspying on?

ETHANIt's not "who", it's "what".

JAKEOkay. What?

ETHANI dunno.

MADISONObviously something top secret.

ETHANLike?

MADISONWell obviously if I knew, it wouldn'tbe very top secret.

They all swing a look across the street as -

The Android exits the Connor house.

The kids take cover and watch as she crosses the street. She throws them a look in passing, acknowledging theirpresence -

ANDROIDChildren.

Then she gets into her van.

MADISONWhere do you think she's going?

As she pulls out and slowly rolls off -

ETHANCome on!

They give chase on their bikes.

39 OMITTED 39

40 EXT. EDGE OF A FOREST -- AFTERNOON 40

The van pulls up. The Android gets out, and looks around. No one in sight. She turns, and trudges into the forest.

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41 EXT. FOREST -- AFTERNOON 41

The Android approaches the Marauder and disappears inside(VFX).

REVEAL Jake, Madison, and Ethan watching from cover in wide-eyed disbelief.

JAKEThey're not spies. They're aliens.

And off our amazed trio we...

END OF ACT THREE

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ACT FOUR

42 EXT. SUBURBAN HOME -- DAY 42

The van parks and the Android steps out. She crosses thestreet and heads back to the Connor house party. Beat.

Jake, Ethan, and Madison roll up on their bikes.

MADISONI can't believe your neighbors arealiens. You are so lucky.

JAKEThis is the greatest thing to happento me since Lila Marks got scabiesand they shut down the school for aweek.

Ethan pulls out his phone, shows them the photo he took ofthe Marauder.

ETHANI bet this picture can get me over amillion - no, two million upvotes onreddit.

JAKEYou can't show that to anyone. I'mserious. All three of us have todecide who we tell and when. Deal?

ETHAN/MADISONDeal!

JAKEAlright. See you guys tomorrow.

Ethan and Madison ride off as Jake.

42A INT. CONNOR HOME -- DAY 42A

The Android returns to the party, makes her way over to TWO,THREE and SIX.

ANDROIDUnfortunately, I was unable to finda match in the database.

They look over at Professor Brophey sampling a fingersandwich.

(CONTINUED)

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42A CONTINUED: 42A

SIXMaybe he's not our guy. Could bejust someone with a nervous twitch.

THREENo, he recognized us. I'm sure ofit.

ANDROIDI did manage to obtain a local addressunder his name from an onlinedirectory.

TWOAlright, Three and I will check itout. The rest of you stay here andkeep an eye on him. Give us a headsup when he's on the move.

The Android hands them the keys. TWO and THREE exit.

43THRU47

OMITTED 43THRU47

(CONTINUED)

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48 OMITTED 48

48A INT. CONNOR HOME - BASEMENT -- AFTERNOON 48A

Jake comes in and holds up, shocked. REVEAL FIVE seated ona couch, playing some video game. She throws him a look.

FIVEHey.

He stares at her, too stunned to say anything.

FIVE (CONT'D)Hope you don't mind. I kind of helpedmyself. The party's pretty boring.

He cautiously approaches.

JAKEThat controller was broken.

FIVEYeah. I fixed it.

JAKEHow?

FIVEOh, I'm pretty good with electronicsand stuff.

She resumes playing. He swings a look over to the screen. She's killing it.

JAKEYou've played this game before.

FIVENope. First time.

WTF?

JAKEYou're on level eleven. I've hadthis game since Christmas and onlygot as far as eight.

FIVE pats the spot on the couch beside her.

FIVECome on. I'll give you some pointers.

He hesitates, then somewhat reluctantly joins her. Sherestarts the game. He throws her a look, intrigued.

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49 INT. BROPHEY'S HOME - BACK DOOR -- DAY 49

TWO kicks in the back door. TWO and THREE walk in, TWO hasher detector out, scanning.

50 INT. BROPHEY'S HOME - BASEMENT -- DAY 50

TWO and THREE come down the stairs and discover a lab set-up -a mix of the contemporary and the futuristic.

TWOWell, this seems...out of place.

She walks over, picks up a futuristic stun gun.

THREEAnd this looks familiar.

She joins him. Sitting on a shelf is a familiar-lookingbriefcase. He flips it open to reveal - The Blink Drive.

THREE throws her a look, all smiles.

THREE (CONT'D)Mission accomplished.

He flips it shut, goes to take it and - a charge plays throughthem, dropping them both (VFX).

50A INT. CONNOR HOME -- DAY 50A

The Android spots SIX in conversation with Mr. Connor. Sheapproaches.

MR. CONNORIf they can establish a running game,they'll be tough to beat this year.

SIXI think they're going all the way.

MR. CONNORLet's hope so.

They toast and Mr. Connor walks off. SIX turns to the Android -

SIXWhat's football?

(CONTINUED)

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50A CONTINUED: 50A

ANDROIDA team sport that was greatly reveredin this era. Its popularity evenrivaled that of e-sports and qwiddich.

SIX(in disbelief)

Get out of here.

ANDROID (OVER RADIO)We may have a problem. The Marauder'sproximity alert has been triggered.

SIXShit.

FIVE approaches, drink and cookie in hand.

FIVEWhat's up?

SIXThe Android says the Marauder'sproximity alert's been triggered.

FIVEShit.

SIXThat's what I said.

ANDROIDIt could simply be local wildlife. But we need to be sure.

SIXAlright, I'll go check it out.

ANDROIDHow? Two and Three took the van.

The Android casts a quick glance to make sure she's not beingobserved and then tries contacting her crew mates -

ANDROID (CONT'D)Two. Three. What's your status?

(beat)TWO. THREE. Are you there?

No response.

The Android throws FIVE and SIX a look.

(CONTINUED)

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50A CONTINUED: (2) 50A

ANDROID (CONT'D)They're maintaining radio silence.

SIXGreat. Now how am I supposed totravel six kilometers to get to theMarauder?

FIVE considers, then looks over at Jake helping himself tosome cookies.

FIVEI've got an idea.

Jake catches her eye and smiles.

50B EXT. SUBURBAN STREET -- DAY 50B

SIX pedals a kid's bike down the street. We hear FIVE'svoice come over his comm -

FIVE (over radio)SIX, over.

SIXYeah, what is it?

50C INT. CONNOR HOME - BASEMENT -- DAY 50C

FIVE, standing off by the stairs, keys her comm. Jake, overon the couch, plays the video game, oblivious.

FIVEJake says to stop by the gas stationand top up the back tire, it mightbe a bit flat.

50D INT. SUBURBAN STREET -- DAY 50D

SIXYeah, I noticed.

He pedals off.

50E INT. CONNOR HOME -- DAY 50E

The Android samples one of the finger sandwiches, respondsquizzically, looks around, then puts the half-eaten sandwichback on the tray. As she looks up she notices -

(CONTINUED)

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50E CONTINUED: 50E

Professor Brophey shaking hands with the Connors and duckingout.

She hurries up to the front window, peers outside.

ANDROIDTwo, Three. Are you there? Two,Three. The professor's on the move.

50F OMITTED 50F

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51 INT. CONNOR HOME - BASEMENT -- DAY 51

Jake shows FIVE his various games -

JAKEPirates, monsters, or magic?

FIVEMagic!

JAKEDungeon Siege III it is!

Jake puts the game in. As they start up, both he and FIVEare all smiles. FIVE is a kid once again.

FIVEHey, do you know anything about thatProfessor Brophey?

JAKENot much, why?

FIVEI'm looking for a physics tutor. Ihear he's pretty smart.

JAKEEthan's brother had him last semester. He said he was weird.

FIVEWeird how?

JAKEI dunno. Just weird.

ETHAN (O.S.)Jake!

They glance over at - Ethan and Madison standing on thestairs. Both look surprised, uneasy.

ETHAN (CONT'D)What are you doing?

FIVEYou guys want a turn?

MADISONWe need to talk to Jake.

Jake gets up, joins his friends and they retreat to a corner. FIVE restarts, resumes play -

(CONTINUED)

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51 CONTINUED: 51

ON Jake, Ethan, and Madison -

JAKEWhat are you guys doing here?

ETHANWhat are YOU doing?

JAKEShe's really cool.

ETHANShe's an alien.

JAKEA really cool alien - who's reallygood at video games.

MADISONDoes she know we know?

They throw a look over to FIVE who throws them a look back,then casually redirects focus to her game.

JAKEI didn't tell her anything.

ETHANMy dad knows.

Jake at Ethan who's looking like he's made a horrible mistake.

JAKEWhat?

ETHANThat's what we came here to tellyou. I got in trouble for cominghome late. My dad took my phone,and he saw the picture of their ship.

JAKEWhat did he do?

ETHANHe called Sheriff Vargas.

FIVE (O.S.)Hey.

They look over at - FIVE standing now a foot away.

FIVE (CONT'D)Everything okay?

Jake, Madison, and Ethan exchange uncertain looks then lookover at a confused FIVE.

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52 EXT. FOREST -- DAY 52

SIX makes his way through the forest.

FIVE (OVER RADIO)SIX, come in.

SIX keys his comm -

SIXThis is SIX. Over.

53 INT. CONNOR HOME - BASEMENT -- DAY 53

FIVE is talking to SIX as Jake, Ethan, and Madison look on.

FIVEYou need to be careful.

INTERCUT:

SIXWhat do you mean?

FIVESomeone may've tipped off the sheriff. You should move the Marauder, justin case.

SIX steps through some trees and sees -

The Marauder sitting forlornly in the distance (VFX).

SIXThere doesn't seem to be anyone...

SHERIFF VARGAS (O.S.)Don't move.

SIX turns, to see SHERIFF VARGAS behind him, gun leveled. Amoment later, two deputies step out of cover. SIX issurrounded, and outgunned. SIX raises his hands.

FIVEWhat was that? SIX, you there? SIX?

And off SIX we -

END OF ACT FOUR

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ACT FIVE

54 INT. BROPHEY'S HOME - BASEMENT -- DAY 54

THREE awakens to find himself seated beside TWO, bound to achair. He struggles. Suddenly FOOTSTEPS. They look up asProfessor Brophey comes down, stunner in hand.

PROFESSOR BROPHEYWho sent you?

THREENobody sent us.

Brophey puts the stunner down, and turns his laptop aroundso that they can see their G.A. mugshots on screen.

PROFESSOR BROPHEYTry again - Mitch. Or should I sayMarcus Boone and Portia Lin, thegalaxy's future most wanted.

Off their looks -

PROFESSOR BROPHEY (CONT'D)I downloaded the G.A. database beforeI left.

TWOWho are you?

PROFESSOR BROPHEYHow did you find me?

TWOWe ran a planetary scan and pickedup the Blink Drive's subspace signalemanating from this location. Wecame down to check it out -

PROFESSOR BROPHEYNo. How did you find me in thistime?

THREEThat was an accident.

PROFESSOR BROPHEY(dubious)

An accident?

(CONTINUED)

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TWOWe were running a diagnostic andsomething happened. There was aflash - and the next thing we knewwe'd traveled six hundred years intothe past.

Something twigs. He smiles.

PROFESSOR BROPHEYThe recall worked.

THREEWhat recall?

PROFESSOR BROPHEYWhat happened to the drive?

TWODamaged beyond repair.

PROFESSOR BROPHEYGood. This is perfect.

THREEHow is it perfect?

PROFESSOR BROPHEYIt means there's now only one workingBlink Drive in existence, and it'ssafe here in the past.

THREEThere is one slight problem withthat - we'd kinda like to go home.

PROFESSOR BROPHEYI'm afraid that's not going to bepossible.

Off a captive TWO and THREE -

55 INT. SUBURBAN HOME -- DAY 55

The front door bursts open, and FIVE runs up the stairs.

56 INT. SUBURBAN HOME - UPSTAIRS ROOM -- AFTERNOON 56

She goes for the bag of weapons, and pulls out a stunner. The Android appears at the door.

(CONTINUED)

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ANDROIDFive, what are you doing?

FIVECops found the Marauder. They'vegot Six. Two and Three aren'tresponding.

She goes to leave.

ANDROIDWait. We have to be careful. Thetimeline is in danger.

FIVEI think we're a little bit past thatnow.

ANDROIDOkay, but it's a lengthy walk, Isuggest we take an uber.

FIVEAn uber what?

Beat.

FIVE (CONT'D)Never mind. I trust you.

She hurries out. The Android follows.

57 INT. BROPHEY'S HOME - BASEMENT -- DAY 57

TWO and THREE are still tied up. Brophey is busying himselfwith his equipment - typing commands on his laptop, adjustingdials and knobs.

(CONTINUED)

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57 CONTINUED: 57

PROFESSOR BROPHEYHow'd you get the drive?

THREEIt's a long story.

PROFESSOR BROPHEYYou stole it.

THREEOkay, that's the short version.

TWOHow'd you get yours?

PROFESSOR BROPHEYI made it.

TWO and THREE react - holy shit.

PROFESSOR BROPHEY (CONT'D)I was the lead scientist on a teamthat Electus Corp put together to research wormhole technology.

He leaves off fiddling with the equipment, turns to them.

PROFESSOR BROPHEY (CONT'D)At first it was exciting. We weretrying to do something no one hadever done before. But the closer wegot to success, the more I realizedhow dangerous it was. And how muchdanger we were in ourselves.

TWOFail and you're useless. Succeed,and you're a potential resource thatsomeone else could exploit.

PROFESSOR BROPHEYI was the only one who saw it coming,and the only one who got out alive. I couldn't take the drive with me,so instead I hid a recall command inthe programming.

TWOThen you built another one, andescaped to the past.

(CONTINUED)

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57 CONTINUED: (2) 57

THREEYou ran away.

PROFESSOR BROPHEYI was being hunted by a corporation.

THREESo? Join the club.

TWOWhy didn't the recall program workuntil now?

PROFESSOR BROPHEYI'm not sure. When I got out, thedrive was still an unfinishedprototype, prone to instability.

TWOYeah, we noticed. Our Android'sbeen tinkering with it.

PROFESSOR BROPHEYWell whatever she did, it triggeredthe program.

THREEStill fried the damn thing. Whichis why we need yours.

PROFESSOR BROPHEYThat's not going to happen.

Then he takes the case holding the drive, and fits it into aslot in a large power unit - it lights up.

THREEWhat are you going to do? Keep uslocked in your basement forever? Kill us?

PROFESSOR BROPHEYThere's only one thing I can do -take the drive even further into thepast, where no one will ever findme.

FIVE (O.S.)I don't think so.

The Professor turns to find FIVE at the bottom of the stairs,stunner at the ready, the Android beside her.

(CONTINUED)

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THREEHey, just in time!

(then he realizes)No pun intended.

The Professor eyes his own stunner, lying on a nearby table.

FIVEYou know you're not that fast.

The Professor sags - she's right.

FIVE (CONT'D)Now. Untie them.

58 INT. SHERIFF'S OFFICE -- DAY 58

An open police office with several desks (one of which isoccupied my Inman) maps on the wall, coffee machine off tothe side, etc. SIX is handcuffed to one of the desks. Sheriff Vargas sits opposite him, eyeing SIX's fake driver'slicence. (A couple of Deputies busy themselves in the BG.)

SHERIFF VARGASMalvik?

SIXIt's Old Norse.

SHERIFF VARGAS(re: the fake id)

This is actually a pretty good fake. I've seen enough of them to know thedifference. What's your real name?

SIX is silent.

SHERIFF VARGAS (CONT'D)What do you know about that thing inthe forest?

Again, no answer.

SHERIFF VARGAS (CONT'D)You know I already called in thefeds. They thought it was a joke atfirst until I showed them pictures. Then they got serious real fast,flying in a team as we speak. Youmight want to consider the possibilityit'll be a lot more pleasant talkingto me than them.

(CONTINUED)

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58 CONTINUED: 58

SIX remains silent. The Sheriff gets up, puts on his hat.

SHERIFF VARGAS (CONT'D)Suit yourself.

59 INT. BROPHEY'S HOME - BASEMENT -- DAY 59

TWO is already released. Brophey finishes untying THREE.

TWOHow many cops at the landing site?

FIVEI have no idea.

PROFESSOR BROPHEYBy now the whole area will be crawlingwith cops. You'll never see thatship again.

THREEWait a minute, I know how we fixthis - we got a time machine rightin front of us!

He points to Brophey's equipment.

FIVEDoes it have a power source?

THREEHe was just about to turn it on. Anyway we only need to go back tothis morning, to warn the others.

PROFESSOR BROPHEYIf you warn yourselves, then you'llnever be in the position you're innow, which means you'll never goback in time to warn yourselves. You'll create a paradox.

ANDROIDAnd you think we would cease to exist.

PROFESSOR BROPHEYNo. I think you would tear a holein the spacetime continuum with enoughexplosive force to kill everyonewithin a hundred mile radius.

Beat.

(CONTINUED)

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59 CONTINUED: 59

THREEHe's bluffing.

PROFESSOR BROPHEYYou think I want this to happen, forthe government to get their hands ontechnology that's not supposed toexist for hundreds of years? Thatby itself will change the timelinebeyond recognition. In fact, I'msurprised we haven't felt the effectalready.

FIVEThat means there's still a chance. I know what to do.

60 EXT. FOREST -- DAY 60

Sheriff Vargas and two deputies approach the landing site.

There is a dozen local law enforcement offiers swarming aroundthe Marauder, setting up perimeter tape and securing thearea.

Sheriff Vargas turns to one of his deputies.

SHERIFF VARGASI want a one mile perimeter aroundthat thing. No one in or out.

61 INT. BROPHEY'S HOME - BASEMENT -- DAY 61

FIVE is now standing on a platform that is connected to thepower unit. She is wearing a watch that Brophey gave her.

TWOI should be the one doing this.

FIVEYou know it has to be me.

Professor Brophey finishes adjusting the equipment.

PROFESSOR BROPHEYRemember, you have to stay out ofsight of yourself and the others.

FIVEI know.

(CONTINUED)

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61 CONTINUED: 61

THREEAnything happens to her, you and Iare going to have a problem.

Brophey types in the final sequence. FIVE checks the watch,as the power unit begins to HUM. Suddenly there is FLASH,and FIVE is gone. Beat.

TWOWell, we're still here.

Another beat, then FIVE comes running down the stairs.

FIVESorry, got here as fast I could.

THREE looks at her, then back at the platform.

THREESonuvabitch.

ANDROIDIs it done?

FIVEYes, but we need to hurry.

TWO pulls the case with the drive out of the power unit.

TWOLast chance, Professor. You sureyou want to stay here?

PROFESSOR BROPHEYI've had my fill of the future. I'msorry.

They exit, taking the drive, and leaving him alone.

62 INT. SHERIFF OFFICE -- DAY 62

SIX is still cuffed to the desk.

SIXI need to go to the bathroom.

(CONTINUED)

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62 CONTINUED: 62

The only Deputy remaining the station, DEPUTY INMAN, looksover.

DEPUTY INMANWith everyone else out at the site,I'm here all by my lonesome.

SIXI won't try anything.

DEPUTY INMANYou're just gonna have to hold it.

She turns to pour herself a coffee - and gets ZAPPED fromoff camera. SIX turns -

- To see TWO, THREE, FIVE and the Android.

SIXGlad to see you guys, but we've gota problem. The landing site -

TWOWe know. It's crawling withgovernment agents. We madearrangements.

She grabs the keys from the deputy.

FIVEI preset the Marauder's engines tofire up in about ten minutes, and Itweaked them to give off a sonicpulse that'll disable everyone inthe area.

TWO uncuffs SIX.

SIXWhen did you do that?

FIVEEarlier today. Turns out I was theone who set off the proximity alert.

SIX(confused)

Wait a minute -

TWOWe'll explain on the way. Let's go.

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63 EXT. EDGE OF A FOREST -- DAY 63

The van pulls up.

64 INT. VAN -- DAY 64

Everyone is in the van. FIVE checks her watch.

FIVEOkay, hold on. We don't want to getany closer.

BEAT.

FIVE (CONT'D)Now!

65 EXT. FOREST 65

As the cops mill around the Marauder, suddenly they hear thesound of the ENGINES FIRING UP. Everyone looks at the ship.

SHERIFF VARGASWhat the hell?

BOOM! A sonic wave blasts out from the ship in alldirections, dropping everyone in it's path.

66 EXT. EDGE OF A FOREST -- DAY 66

Everyone gets out of the van.

TWOThey'll only be out for a few minutes,so we need to get moving.

JAKE (O.S.)Wait!

They turn to see Jake, Ethan and Madison ride up on theirbikes, Ethan doubling Madison. Jakes sports a backpack.

THREEWhat the hell are they doing here?

FIVEIt's okay. They helped me.

She leaves the others to come over to talk to Jake, who isslightly ahead of the other two kids.

(CONTINUED)

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66 CONTINUED: 66

JAKEYou're leaving aren't you?

FIVEYeah.

JAKETake me with you.

FIVEYou know I can't do that. You'vegot a life here, a family.

JAKEI want to see the future.

FIVEYou will. Your own. And I bet it'llbe amazing.

FIVE turns to go -

JAKEBut - I think I love you!

FIVEJake, you're in love with the ideaof being in love with me. Plus, I'mfive years older than you.

JAKEMy uncle Bill is dating a girl twenty-five years younger than him.

FIVEWell good for your uncle Bill butthis is different.

Off Jake -

FIVE (CONT'D)Trust me, some day you'll find thatspecial someone. Who knows. Maybethat someone is already closer thanyou think.

Jake follows her gaze to Madison, standing out of earshot,looking over at them curiously. Beat.

JAKEWhat? No. No! She's my cousin.

(CONTINUED)

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FIVEOh, well, maybe not her. But someonefor sure.

Jake takes of his backpack and hands it to her.

JAKEThen I want you to have this.

FIVE checks the backpack and discovers the game console,controllers, and some games. She is genuinely touched.

FIVEThanks, Jake.

TWOAlright, are we ready to go?

FIVEGoodbye.

She gives him a quick kiss on the cheek. Then she turns andhurries off with the others. Jake watches her go.

67 INT. BROPHEY'S HOME - BASEMENT -- DAY 67

Professor Brophey is alone amongst all his equipment. Heshuts off the various machines, turns down the dials. Hechecks his watch, then he looks around, beginning to wonderif he made the right call.

68 INT. EDGE OF A FOREST -- DAY 68

The kids are still waiting by the van. Suddenly, they hearthe sound of Marauders ENGINES, as the ship swoops overhead,then up and away.

JAKEGoodbye.

END OF ACT FIVE

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TAG

69 VFX - SPACE 69

The Raza blinks into existence.

70 INT. RAZA - BRIDGE 70

THREE and SIX join the Android, TWO and FIVE on the bridge.

THREESo, did we make it back?

ANDROIDWe have returned to our own time. The drive is working flawlessly.

TWOGood, now disconnect it.

They all look at her.

FIVEReally?

THREEAfter all that?

TWOWe can't trust Brophey not to tryand recall it again. From now on,the drive is only a last resort.

SIXWhat about the timeline? Any changes?

ANDROIDI've been scanning multiplefrequencies, including the GNN newsfeed. Everything is as it was.

SIXSo we had no effect at all.

ANDROIDI'm not so sure about that. I alsoran a historical sweep on the peoplewe met in the past - and made acurious discovery.

A file photo of a scientist appears on the big monitor.

(CONTINUED)

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70 CONTINUED: 70

SIXWho's that?

ANDROIDDr. Christine Connor, inventor ofthe FTL engine.

FIVEWait. Connor?

The onscreen image changes to that of a grown-up Jake.

ANDROIDGreat granddaughter of Jake Connor. According to the records, his talesof potential space travel inspiredher to pursue a career in astro-engineering.

THREESo what does that mean? We DID affectthe timeline?

SIXBut isn't that a paradox?

FIVEUnless we were always meant to goback in time and affect the timelinein which case...maybe it's not?

71 VFX - SPACE 71

The ship jumps to FTL.

72 INT. NIEMAN'S APARTMENT -- NIGHT 72

Ryo's face flashes up on the holo-screen (VFX).

RYOCommander Nieman, how can I helpyou?

73 INT. ISHIDA PALACE - WAR ROOM -- DAY 73

ONSCREEN, Nieman is joined by Portia and Boone who step intoview from other side of him.

COMMANDER NIEMANActually, I'd like to discuss how wecan help each other.

(CONTINUED)

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OFF Ryo, intrigued...

74 VFX - SPACE 74

The ship flies through sub-light.

74A INT. THE RAZA - FIVE'S QUARTERS 74A

ON FIVE who has managed to hook up the game console to hercomputer. She is playing lights out, and having the time ofher life. PULL BACK TO REVEAL - TWO is playing with her.

75 INT. RAZA - BRIDGE 75

The Android stands on the bridge as the ship flies throughsub-light. One of the consoles CHIRPS. She turns, gives ita curious look. Another CHIRP. She throws a look to thebig monitor as it comes alive -

Victor is onscreen. The Android is surprised.

ANDROIDVictor.

VICTORAndroid - we need your help.

OFF our surprised Android...

END OF SHOW