ethan ward - fall 2014 portfolio
DESCRIPTION
Fall Semester, Second YearUNC CharlotteSchool of ArchitectureTRANSCRIPT
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1Fall 2014 Architecture PortfolioEthan Ward
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Table of Contents
1 - Rolling Bridge
2 - Davidson Site Analysis
3 - USPS Pavilion
4 - Chicago Field Trip
5 - Chicago Site Analysis
6 - Maker Space
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9
15
27
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39
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Rolling Bridge, Thomas Heatherwick Precedent Study
The First assignment of the semester, the precedent analysis introduced a set of design themes to be carried throughout the rest of the semester. Each design theme was explored through the analysis of each precedent.
Urban context Project contextuality Role of movement Human scale and proportion Program use and hierarchy Use of materials Modular design strategies
Public and private space
The Rolling Bridge is one of three
bridges designed for Paddington
Basin. Rolling Bridge is a unique
drawbridge that doesnt break.
It can exist as both a sculptural
piece of art, and a functioning
footbridge.
Each precedent was explored through a series of analog drawings, as well as AutoCAD drawings. During the precedent study AutoCAD was introduced to us for the first time.
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6 7
Analog DrawingsHand drawing was the most common throughout the precedent study because of the emphasis put on analog drawings in last years studio. The hand drawings also seemed the most developed. The analog drawings were used to explore the tensions created by the bridge, and how those tensions were different with the sculpture. Why a bridge? Why a sculpture? Why both? The drawings explore how the bridge affected the site by changing from a sculpture to a bridge.
Digital DrawingsThe AutoCAD drawings were used to explore the materiality, modularity, and construction of the bridge. The drawings look at how the Rolling Bridge can be related to the building directly behind it.
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Yelp
Foursquare
Best Match
Highest Rated
Most Reviewed
Most Check-Ins Average Visits per Person
under $10 =$11-$30 =
Davidson, North Carolina Site Analysis
Davidson, North Carolina is around thirty minutes north of Charlotte. The town was originally just Davidson College, but it was the combination of the college, textile industry, and the railroad that made the town what it is today.
The Site analysis consisted of an Ex Situ (off site), and In Situ (on site) analysis of Davidson, North Carolina.
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Yelp
Foursquare
Best Match
Highest Rated
Most Reviewed
Most Check-Ins Average Visits per Person
under $10 =$11-$30 =
Yelp
Foursquare
Best Match
Highest Rated
Most Reviewed
Most Check-Ins Average Visits per Person
under $10 =$11-$30 =
Ex SituSocial networking is a huge part of todays culture. You can learn a lot about a place by seeing how that place reacts with the social network. A lot can also be learned about a place by seeing how they celebrate food. For this analysis, I combined the two: social networking, and food. I used Yelp and Foursquare to learn about where the people of Davidson like to spend their time by looking at the highest rated, and most popular restaurants in Davidson, North Carolina.
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Connection to Farmers Market
Original Section
Reduced Section
9-10 a.m (with and without farmers market)
12-1 p.m.
6-7 p.m.
In SituFor the in situ analysis I took the ex situ analysis to the next level by actually visiting the places I found on Yelp and Foursquare. By visiting these places I was able to see how the people reacted with each other, and how they reacted with our site by passing through it on the way to one of these restaurants, or by stopping by it just to enjoy the space.
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USPS Pavilion Davidson, North Carolina
The site is immediately in front of Davidsons Post Office. The current space is almost completely empty aside from a few trees, some bushes, a sidewalk, and a very unusual sculpture. The space isnt used for anything, its just adds an extra thirty seconds to the walk to the post office. Our assignment is to design a U.S. Postal Service Pavilion. The pavilions need to open a discussion about the future of the Postal Service.Pavilions are inherently prototypical, experimental, even radical in their exploration of ideas and construction techniques.The project was presented in the format of an Architecture Contest, where architecture students submit their designs on a set of three boards for judging.Everything important to the project must be present on the boards.
Parti
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The Postal Service Connectsand Unites this Country
The Postal Service isnt dead. The Post-
al Service doesnt need saving. Everybody
loves The Postal Service. The Postal Service
exists to bring this country together, and its
doing a great job. This Country is big. There
is a lot of space between the east coast and
the west coast. A void has to be crossed to
get something from one place to the other,
and there is no way to avoid it.
A void has been created on the site.
There is no way around it. It is impossible for
people to cross it without help. A tube has
been placed on the site, a passage across
the void. The only way to get you from one
side to the other is to pass through it. Sym-
bolic of the journey our mail takes, a journey
that is impossible without the Postal Ser-
vice.
What do people think about when they think of death? The Postal Service is Dead. There is no saving the Postal Service. It would be futile to try and save it. Its time is over. We dont need it anymore. It has been replaced. But the Postal Service has not always been doomed to die. It was once a great, and thats how it needs to be remembered. It played a vital roll in the creation of this country. It is a part of our history. A history that should not be forgotten. A memorial to the Postal Service. You cant walk up to the post office anymore. You dont need to. But you can always see it. A pool of water separates you from the post office. The water brings an idea of re-flection. Dont reflect on the Postal Service, reflect on the nation that created the Postal Service and its core ideas. In the center of the pool sits two large stones. Representa-tive of the Two Postal Tributes Chiseled in Stone, the two mottos that let this nation know what the Postal Service stood for.
The Postal Service Is Dead
What do people think about when they think of death? The Postal Service is Dead. There is no saving the Postal Service. It would be futile to try and save it. Its time is over. We dont need it anymore. It has been replaced. But the Postal Service has not always been doomed to die. It was once a great, and thats how it needs to be remembered. It played a vital roll in the creation of this country. It is a part of our history. A history that should not be forgotten. A memorial to the Postal Service. You cant walk up to the post office anymore. You dont need to. But you can always see it. A pool of water separates you from the post office. The water brings an idea of re-flection. Dont reflect on the Postal Service, reflect on the nation that created the Postal Service and its core ideas. In the center of the pool sits two large stones. Representa-tive of the Two Postal Tributes Chiseled in Stone, the two mottos that let this nation know what the Postal Service stood for.
The Postal Service Is Dead
A memorial to the Postal Service. You cant walk up to the post office
anymore. You dont need to. But you can always see it. A pool of
water separates you from the post office. The water brings an idea of
reflection.
Phase OnePhase one of the Postal Service Pavilion was meant only to get ideas out. In this Phase we create decide what the future of the USPS is to us, and we use those ideas to inform our design process.
The Post Office is Dead.The Post Office is Important.The Post Office needs something.The Post Office is on life support.
In this stage of design we need to have multiple ideas so that we can actively decide what ideas are best to move forward with.
The NarrativeA large part of this project was the architecture narrative. Because of the nature of the architecture contest, our final review was silent. The boards had to say everything that we wanted say. The Narratives had to speak to every part of the design process, and inform how each decision was made in the project, and do all these things while simultaneously telling a story about the Pavilion.
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The Postal Service Connectsand Unites this Country
The Postal Service isnt dead. The Post-
al Service doesnt need saving. Everybody
loves The Postal Service. The Postal Service
exists to bring this country together, and its
doing a great job. This Country is big. There
is a lot of space between the east coast and
the west coast. A void has to be crossed to
get something from one place to the other,
and there is no way to avoid it.
A void has been created on the site.
There is no way around it. It is impossible for
people to cross it without help. A tube has
been placed on the site, a passage across
the void. The only way to get you from one
side to the other is to pass through it. Sym-
bolic of the journey our mail takes, a journey
that is impossible without the Postal Ser-
vice.
The Postal Service Connectsand Unites this Country
The Postal Service isnt dead. The Post-
al Service doesnt need saving. Everybody
loves The Postal Service. The Postal Service
exists to bring this country together, and its
doing a great job. This Country is big. There
is a lot of space between the east coast and
the west coast. A void has to be crossed to
get something from one place to the other,
and there is no way to avoid it.
A void has been created on the site.
There is no way around it. It is impossible for
people to cross it without help. A tube has
been placed on the site, a passage across
the void. The only way to get you from one
side to the other is to pass through it. Sym-
bolic of the journey our mail takes, a journey
that is impossible without the Postal Ser-
vice.
Phase TwoIn Phase two all of our designs underwent another round of revisions. We also narrowed down our possible designs for final to three pavilions. During this phase we were also given a list of available materials for the pavilions, which made it a lot easier to narrow it down to three pavilions, because some of the ideas just wouldnt work within the parameters of the materials.
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The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.
A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.
Movement - Plan
Movement - Elevation
Parti Diagrams
Human and Site Scale
Modularity due to Material Constraints
Void Diagram
The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.
A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.
Movement - Plan
Movement - Elevation
Parti Diagrams
Human and Site Scale
Modularity due to Material Constraints
Void Diagram
The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.
A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.
Movement - Plan
Movement - Elevation
Parti Diagrams
Human and Site Scale
Modularity due to Material Constraints
Void Diagram
Final (Bridging the Gap)The final pin up consists of our narrative, a site plan, a building plan, sections, elevations, a set of relevant diagrams, three details, and a site model. As previously stated, everything we needed to say had to be present in the three submitted design boards.
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U.S. POSTAL SERVICE PAVILIONEthan Ward
Site Plan - 1/32=1
Site Plan - 1/8=1Generative Diagrams
The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.
U.S. POSTAL SERVICE PAVILIONEthan Ward
Site Plan - 1/32=1
Site Plan - 1/8=1Generative Diagrams
The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.
U.S. POSTAL SERVICE PAVILIONEthan Ward
Site Plan - 1/32=1
Site Plan - 1/8=1Generative Diagrams
The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.
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Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
Detail 1 - 1/2=1
Detail 2 - 1/2=1
Detail 1, 2, 3
Detail 3 - 1/2=1
Elevation 1 - 1/4=1
Elevation 2 - 1/4=1
Section - 1/4=1
Sun Diagrams - Noon
SummerSpring/FallWinter
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Chicago Field Trip
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3332
Site
Architecture of the University of Chicago
Chicago Site Analysis
Smart Museum of Art1974 Duchossois Center for Advanced Medicine
1996
Max Palevsky Residential Commons2001
Gerald Ratner Athletics Center2003
Knapp Center2009
Chicago Booth2004
Regenstein Library2003
Center for the Arts2012
Chicago Seminary2011
William Eckhart Center2015
Mansueto Library2011
Utility Plant2010
Center for Care and Discovery2013
Chiller Plant2010
Horizontal and Vertical Elements Size RangePlan and Section
Smart Museum of Art1974 Duchossois Center for Advanced Medicine
1996
Max Palevsky Residential Commons2001
Gerald Ratner Athletics Center2003
Knapp Center2009
Chicago Booth2004
Regenstein Library2003
Center for the Arts2012
Chicago Seminary2011
William Eckhart Center2015
Mansueto Library2011
Utility Plant2010
Center for Care and Discovery2013
Chiller Plant2010
Horizontal and Vertical Elements Size RangePlan and Section
Smart Museum of Art1974 Duchossois Center for Advanced Medicine
1996
Max Palevsky Residential Commons2001
Gerald Ratner Athletics Center2003
Knapp Center2009
Chicago Booth2004
Regenstein Library2003
Center for the Arts2012
Chicago Seminary2011
William Eckhart Center2015
Mansueto Library2011
Utility Plant2010
Center for Care and Discovery2013
Chiller Plant2010
Horizontal and Vertical Elements Size RangePlan and Section
Architecture Timeline of The University of ChicagoPlan and Elevation
Cobb Lecture Hall1892
William Rainey Harper Memorial Library
1912
Laboratory School1896
Ida Noyes Hall1916
Cobb Gate1897
Joseph Bond Chapel1926
Oriental Institute1931
Hall for Economics1928
International House1932
Tower Group1903
Rockefeller Memorial Chapel1928
Administration Building1948
Cummings Life Science Center1973
School of Social Services1965
New Graduate Residence Hall1962
Laird Bell Law Quadrangle
1960
Architecture Timeline of The University of ChicagoPlan and Elevation
Cobb Lecture Hall1892
William Rainey Harper Memorial Library
1912
Laboratory School1896
Ida Noyes Hall1916
Cobb Gate1897
Joseph Bond Chapel1926
Oriental Institute1931
Hall for Economics1928
International House1932
Tower Group1903
Rockefeller Memorial Chapel1928
Administration Building1948
Cummings Life Science Center1973
School of Social Services1965
New Graduate Residence Hall1962
Laird Bell Law Quadrangle
1960
Architecture Timeline of The University of ChicagoPlan and Elevation
Cobb Lecture Hall1892
William Rainey Harper Memorial Library
1912
Laboratory School1896
Ida Noyes Hall1916
Cobb Gate1897
Joseph Bond Chapel1926
Oriental Institute1931
Hall for Economics1928
International House1932
Tower Group1903
Rockefeller Memorial Chapel1928
Administration Building1948
Cummings Life Science Center1973
School of Social Services1965
New Graduate Residence Hall1962
Laird Bell Law Quadrangle
1960
University of ChicagoStarting our analysis at the large scale, our site sits in the armpit of the University of Chicago. A university that is extremely diverse in its architecture. For this portion of the analysis I looked at all the architecture of the University to see if their design choices could help to inform any of my design choices when we started to design. I mainly looked for any patterns, or common design moves among the many different buildings.
The University of Chicago
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Visual Thresholds on the SiteClock Tower Robie House Chicago Booth
Build up to the intersection Sources of each threshold
Visual thresholds of individual structures
Overlayed thresholds compared to the site
Site Isovist
Robie House
Clock Tower
Visual Thresholds on the SiteClock Tower Robie House Chicago Booth
Build up to the intersection Sources of each threshold
Visual thresholds of individual structures
Overlayed thresholds compared to the site
Site Isovist
Robie House
Clock Tower
Views and ThresholdsAt a smaller scale, I looked at the buildings immediately adjacent to our site. This analysis began by looking at what buildings around the site my building would be competing with for attention. It later turned into what buildings near the site I would want my building to have enhanced views of, such as the Robie House. These views could influence the program of the building, and where each programmatic element needs to be placed on the site.
Site Isovist
Thresholds on the street
Sources of Threshold
Threshold Model
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Morning (9)
SummerSolstice
SummerSolstice
WinterSolstice
Chicago Booth
Robie House
Site
Spring, FallEquinox
Spring, FallEquinox
Noon (12) Afternoon (4)
Morning (9)
All Summer Shadows
All Spring, Fall Shadows
All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice
Variations in Shadows from the South
Shadows From the Surrounding Buildings
Winter Solstice
Noon (12) Afternoon (4)
Morning (9)
SummerSolstice
SummerSolstice
WinterSolstice
Chicago Booth
Robie House
Site
Spring, FallEquinox
Spring, FallEquinox
Noon (12) Afternoon (4)
Morning (9)
All Summer Shadows
All Spring, Fall Shadows
All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice
Variations in Shadows from the South
Shadows From the Surrounding Buildings
Winter Solstice
Noon (12) Afternoon (4)
Morning (9)
SummerSolstice
SummerSolstice
WinterSolstice
Chicago Booth
Robie House
Site
Spring, FallEquinox
Spring, FallEquinox
Noon (12) Afternoon (4)
Morning (9)
All Summer Shadows
All Spring, Fall Shadows
All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice
Variations in Shadows from the South
Shadows From the Surrounding Buildings
Winter Solstice
Noon (12) Afternoon (4)
Morning (9)
SummerSolstice
SummerSolstice
WinterSolstice
Chicago Booth
Robie House
Site
Spring, FallEquinox
Spring, FallEquinox
Noon (12) Afternoon (4)
Morning (9)
All Summer Shadows
All Spring, Fall Shadows
All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice
Variations in Shadows from the South
Shadows From the Surrounding Buildings
Winter Solstice
Noon (12) Afternoon (4)
Morning (9)
SummerSolstice
SummerSolstice
WinterSolstice
Chicago Booth
Robie House
Site
Spring, FallEquinox
Spring, FallEquinox
Noon (12) Afternoon (4)
Morning (9)
All Summer Shadows
All Spring, Fall Shadows
All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice
Variations in Shadows from the South
Shadows From the Surrounding Buildings
Winter Solstice
Noon (12) Afternoon (4)
ShadowsAt the smallest scale I looked at the site itself. At this scale I wanted to bridge to our Environmental Systems class that we are also taking this semester by looking at the shadows on the site. How the building is receiving sun should highly influence how the building is designed and how the programmatic elements should be placed throughout the building. By compiling all the shadow information I found that there is one place on the site that never sees any shadows, the perfect spot for an outdoor space in Chicago.
Site Shadows
Site Sunspot
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Program Analysis
Tertiary Division of Space
Public
Combined
Final Bubble
Concentration of People
Lobby
ReceptionOutdoorSpace
Gallery
Classroom
Fab Lab
Restroom
Fab Lab Oce
Restroom
Stair/Elevator
Reception/Waitng
Conference
Directors Oce
Admin. Assistant
Private Restroom
Lobby
ReceptionOutdoorSpace
Gallery
Classroom
Fab Lab
Restroom
Fab Lab Oce
Restroom
Stair/Elevator
Reception/Waitng
Conference
Directors Oce
Admin. Assistant
Private Restroom
Lobby
ReceptionOutdoorSpace
Gallery
Classroom
Fab Lab
Restroom
Fab Lab Oce
Restroom
Stair/Elevator
Reception/Waitng
Conference
Directors Oce
Admin. Assistant
Private Restroom
Private
General Info
Matrix
Master Builder Maker Space Chicago
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
Toilet
Director
Conference
Second Floor
Section
Parti
Fab LabLobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
ToiletDirector
Conference
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
ReceptionAdmin oce
Toilet
DirectorConference
Stair
Stair
Elevator
Stair
Elevator
Stair
StairElevator
Stair
Stair
Elevator
Stair
Elevator
Stair
Stair
Elevator
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
Toilet
Director
Conference
Second Floor
Section
Parti
Fab LabLobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
ToiletDirector
Conference
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
ReceptionAdmin oce
Toilet
DirectorConference
Stair
Stair
Elevator
Stair
Elevator
Stair
StairElevator
Stair
Stair
Elevator
Stair
Elevator
Stair
Stair
Elevator
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
Toilet
Director
Conference
Second Floor
Section
Parti
Fab LabLobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
Reception
Admin oce
ToiletDirector
Conference
Second Floor
Section
Parti
Fab Lab
Lobby
Gallery
Classroom
Fab lab oce
Reception
Toilet
Toilet
ReceptionAdmin oce
Toilet
DirectorConference
Stair
Stair
Elevator
Stair
Elevator
Stair
StairElevator
Stair
Stair
Elevator
Stair
Elevator
Stair
Stair
Elevator
Space Area Quantity Total Area Notes
sqft sqft
Public
Lobby 500 1 500 Accessible entrance from the street
Reception 250 1 250 Locate near entry: Provide counter access to public
Public Toilets 250 2 500 Provide access to and from lobby: Verify area is adequate to meet code requirements
Gallery* 750 1 750 For exhibition of artfiacts created, education tool for the public to better understand FLW's "Total Design"
Interactive Classroom 750 1 750 Classroom/Tutorial Space with 25 desks / worktables
Fabrication Lab* 1,500 1 1,500 Provide space for a minimum of 3 digital fabrication tools: Specific tools selected by each designer
Private
Fab Lab Admin Office 250 1 250 Direct access to Fab Lab
Reception/ Waiting 250 1 250 Dedicated to Administration
Director's Office 300 1 300 Visual privacy from Reception/Waiting: Must be above Ground Floor
Administrative Assistant 150 1 150 Direct acess to Director's Office
Conference 300 1 300 Direct access from Reception/Waiting: Must be above Ground Floor
Executive Toilet Room 100 1 100
Vertical Circulation
Egress Stairs 200 2 400 Minimum of 2 10'x20' egress stairs at each floor: Stairs must stack floor-to-floor
Elevator 100 1 100 Minimum of 10'x10' that serves all floors
Exterior
Exterior Reception Space 1,000 1 1,000 Used for both entertainment and display
5,600 Total Heated Square Footage (Net)
1,120 20% Horizontal Circulation Space
560 10% Mechanical Space: SF can be split amongst multiple floors
7,280 Total Gross Square Footage
University of Chicago Gesamtkunstwerk Program: Master Builder Maker Space
Spaces denoted with a * need a minimum floor-to-floor height of 20'. All other spaces need a minimum floor-to-floor height of 10'.
Program AnalysisBefore any physical design of the building can be started, the program should be fully understood. This phase of the design process is to learn about how the programmatic elements react with each other, which spaces need to be closer to other spaces, which spaces dont need to be near other spaces, and if there are any clear ways the spaces should be grouped. These decisions should be informed by more than just square footage.
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Scheme 1
Section 2Section 1
South Elevation
Three FrontsResponse to Site
PartiPlan and Section
Divisions of Space
Axis and Threshold
Gallery Visitor ProcessionUser ProcessionTourist Procession
Generative Diagrams
Second FloorFirst Floor
Site Plan and Section
Section 2
Section 1
PublicPrivate
PrivateService
Public
Public
Scheme 1
Section 2Section 1
South Elevation
Three FrontsResponse to Site
PartiPlan and Section
Divisions of Space
Axis and Threshold
Gallery Visitor ProcessionUser ProcessionTourist Procession
Generative Diagrams
Second FloorFirst Floor
Site Plan and Section
Section 2
Section 1
PublicPrivate
PrivateService
Public
Public
Scheme 1
Section 2Section 1
South Elevation
Three FrontsResponse to Site
PartiPlan and Section
Divisions of Space
Axis and Threshold
Gallery Visitor ProcessionUser ProcessionTourist Procession
Generative Diagrams
Second FloorFirst Floor
Site Plan and Section
Section 2
Section 1
PublicPrivate
PrivateService
Public
Public
Scheme 2
Second Floor
West Elevation
Section 2Section 1
Generative Diagrams
Gallery Visitor ProcessionUser Procession
Administrative Procession
FIrst Floor
Plan Parti
Section Parti
Sun Diagram
Relation to Site
Axis and Threshold
Site Plan and Section
Division of Space
Public
Public
Private
PrivateSemi Public
Section 1
Section 2
Scheme 3
Second Floor
Generative Diagram
User Procession
Section 2
Section 2
Gallery Visitor Procession
South Elevation
Site Plan and SectionParti Plan and Section
Axis and Cross Axis
Division of Space
Hidden Entrance
Administrative Procession
Section 1
Section 1
PublicService
Private
PublicPublic
PrivateSemi Public
First Floor
Relation to Site
Scheme 3
Second Floor
Generative Diagram
User Procession
Section 2
Section 2
Gallery Visitor Procession
South Elevation
Site Plan and SectionParti Plan and Section
Axis and Cross Axis
Division of Space
Hidden Entrance
Administrative Procession
Section 1
Section 1
PublicService
Private
PublicPublic
PrivateSemi Public
First Floor
Relation to Site
Schematic DesignOne of the largest parts of the design process is schematic design. During this time we focused on getting out our ideas, and making them as clear as possible so that we could make an informed decision on which design to move forward with. We presented three ideas. Each idea needed to clearly be informed by the site and the program of the building.
1. Maker space for the wanderer2. Fab Lab + Gallery combined3. Frank Wrights maker space
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Bay Diagram
Section 1
Section 2
Roof Structure
Bay Diagram
Section 1
Section 2
Roof Structure
Design DevelopmentThe next stage of design is where we take our ideas, and make them work structurally. It is more than just making the building stand up. The structure should be designed in a way that strengthens the main idea of the building. The bay diagram informs how the structure strengthens the grain of the building, and calls out the processional space in a building that is all about the procession.During this phase we began to look at the facade. I wanted my facade to inform you about the structure and what is happening inside the building. For the wanderer, I wanted this to spark a curiosity that would bring you to the building.
Facade Designs
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Maker Space for the WandererEthan Ward
Detail 1 - 1/2=1 Detail 2 - 1/2=1 Detail 3 - 1/2=1
Detail 1
Detail 2Detail 3
Parti
Site Section - 1/32=1
Response to Grid
Three FrontsGenerative Diagrams
Wanderer Procession
Site Plan - 1/64=1
Division of Spaces
Priv
ate
Public
Public
PublicPrivateSemi Private
Maker Space for the WandererOur site sits immediately adjacent to the Robie House so the majority of the traffic that our site will see will be from people that arent coming to see the maker space, but from people who have come only to see Frank Wrights work. To bring in these people I rotated my whole project 30 degrees to make the entry onto the site more gradual, and accepting. Next I cut the building along a regulating line created by the front of the Robie house, but I didnt cut the roof plane. The combination of both the rotation and cut creates a unique building with three fronts. The spine of the building is solid, with only holes for entry into these spaces. The gallery and fab lab are more transparent, continually showing you hints of what is happening as you explore the building. As you exit the building, the paths were to give you a new, different experience without taking you out of the back of the building into the alley. Once you exit you can easily continue on your way.
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The Rotation The Cut
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First Floor - 1/8=1
Section A - 1/8=1 Section B - 1/8=1
Second Floor - 1/8=1
A
B
First Floor - 1/8=1
Section A - 1/8=1 Section B - 1/8=1
Second Floor - 1/8=1
A
B