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 1 Fall 2014 Architecture Portfolio Ethan Ward

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Fall Semester, Second YearUNC CharlotteSchool of Architecture

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  • 1Fall 2014 Architecture PortfolioEthan Ward

  • 32

    Table of Contents

    1 - Rolling Bridge

    2 - Davidson Site Analysis

    3 - USPS Pavilion

    4 - Chicago Field Trip

    5 - Chicago Site Analysis

    6 - Maker Space

    5

    9

    15

    27

    33

    39

  • 54

    Rolling Bridge, Thomas Heatherwick Precedent Study

    The First assignment of the semester, the precedent analysis introduced a set of design themes to be carried throughout the rest of the semester. Each design theme was explored through the analysis of each precedent.

    Urban context Project contextuality Role of movement Human scale and proportion Program use and hierarchy Use of materials Modular design strategies

    Public and private space

    The Rolling Bridge is one of three

    bridges designed for Paddington

    Basin. Rolling Bridge is a unique

    drawbridge that doesnt break.

    It can exist as both a sculptural

    piece of art, and a functioning

    footbridge.

    Each precedent was explored through a series of analog drawings, as well as AutoCAD drawings. During the precedent study AutoCAD was introduced to us for the first time.

  • 6 7

    Analog DrawingsHand drawing was the most common throughout the precedent study because of the emphasis put on analog drawings in last years studio. The hand drawings also seemed the most developed. The analog drawings were used to explore the tensions created by the bridge, and how those tensions were different with the sculpture. Why a bridge? Why a sculpture? Why both? The drawings explore how the bridge affected the site by changing from a sculpture to a bridge.

    Digital DrawingsThe AutoCAD drawings were used to explore the materiality, modularity, and construction of the bridge. The drawings look at how the Rolling Bridge can be related to the building directly behind it.

  • 98

    Yelp

    Foursquare

    Best Match

    Highest Rated

    Most Reviewed

    Most Check-Ins Average Visits per Person

    under $10 =$11-$30 =

    Davidson, North Carolina Site Analysis

    Davidson, North Carolina is around thirty minutes north of Charlotte. The town was originally just Davidson College, but it was the combination of the college, textile industry, and the railroad that made the town what it is today.

    The Site analysis consisted of an Ex Situ (off site), and In Situ (on site) analysis of Davidson, North Carolina.

  • 10 11

    Yelp

    Foursquare

    Best Match

    Highest Rated

    Most Reviewed

    Most Check-Ins Average Visits per Person

    under $10 =$11-$30 =

    Yelp

    Foursquare

    Best Match

    Highest Rated

    Most Reviewed

    Most Check-Ins Average Visits per Person

    under $10 =$11-$30 =

    Ex SituSocial networking is a huge part of todays culture. You can learn a lot about a place by seeing how that place reacts with the social network. A lot can also be learned about a place by seeing how they celebrate food. For this analysis, I combined the two: social networking, and food. I used Yelp and Foursquare to learn about where the people of Davidson like to spend their time by looking at the highest rated, and most popular restaurants in Davidson, North Carolina.

  • 12 13

    Connection to Farmers Market

    Original Section

    Reduced Section

    9-10 a.m (with and without farmers market)

    12-1 p.m.

    6-7 p.m.

    In SituFor the in situ analysis I took the ex situ analysis to the next level by actually visiting the places I found on Yelp and Foursquare. By visiting these places I was able to see how the people reacted with each other, and how they reacted with our site by passing through it on the way to one of these restaurants, or by stopping by it just to enjoy the space.

  • 1514

    USPS Pavilion Davidson, North Carolina

    The site is immediately in front of Davidsons Post Office. The current space is almost completely empty aside from a few trees, some bushes, a sidewalk, and a very unusual sculpture. The space isnt used for anything, its just adds an extra thirty seconds to the walk to the post office. Our assignment is to design a U.S. Postal Service Pavilion. The pavilions need to open a discussion about the future of the Postal Service.Pavilions are inherently prototypical, experimental, even radical in their exploration of ideas and construction techniques.The project was presented in the format of an Architecture Contest, where architecture students submit their designs on a set of three boards for judging.Everything important to the project must be present on the boards.

    Parti

  • 16 17

    The Postal Service Connectsand Unites this Country

    The Postal Service isnt dead. The Post-

    al Service doesnt need saving. Everybody

    loves The Postal Service. The Postal Service

    exists to bring this country together, and its

    doing a great job. This Country is big. There

    is a lot of space between the east coast and

    the west coast. A void has to be crossed to

    get something from one place to the other,

    and there is no way to avoid it.

    A void has been created on the site.

    There is no way around it. It is impossible for

    people to cross it without help. A tube has

    been placed on the site, a passage across

    the void. The only way to get you from one

    side to the other is to pass through it. Sym-

    bolic of the journey our mail takes, a journey

    that is impossible without the Postal Ser-

    vice.

    What do people think about when they think of death? The Postal Service is Dead. There is no saving the Postal Service. It would be futile to try and save it. Its time is over. We dont need it anymore. It has been replaced. But the Postal Service has not always been doomed to die. It was once a great, and thats how it needs to be remembered. It played a vital roll in the creation of this country. It is a part of our history. A history that should not be forgotten. A memorial to the Postal Service. You cant walk up to the post office anymore. You dont need to. But you can always see it. A pool of water separates you from the post office. The water brings an idea of re-flection. Dont reflect on the Postal Service, reflect on the nation that created the Postal Service and its core ideas. In the center of the pool sits two large stones. Representa-tive of the Two Postal Tributes Chiseled in Stone, the two mottos that let this nation know what the Postal Service stood for.

    The Postal Service Is Dead

    What do people think about when they think of death? The Postal Service is Dead. There is no saving the Postal Service. It would be futile to try and save it. Its time is over. We dont need it anymore. It has been replaced. But the Postal Service has not always been doomed to die. It was once a great, and thats how it needs to be remembered. It played a vital roll in the creation of this country. It is a part of our history. A history that should not be forgotten. A memorial to the Postal Service. You cant walk up to the post office anymore. You dont need to. But you can always see it. A pool of water separates you from the post office. The water brings an idea of re-flection. Dont reflect on the Postal Service, reflect on the nation that created the Postal Service and its core ideas. In the center of the pool sits two large stones. Representa-tive of the Two Postal Tributes Chiseled in Stone, the two mottos that let this nation know what the Postal Service stood for.

    The Postal Service Is Dead

    A memorial to the Postal Service. You cant walk up to the post office

    anymore. You dont need to. But you can always see it. A pool of

    water separates you from the post office. The water brings an idea of

    reflection.

    Phase OnePhase one of the Postal Service Pavilion was meant only to get ideas out. In this Phase we create decide what the future of the USPS is to us, and we use those ideas to inform our design process.

    The Post Office is Dead.The Post Office is Important.The Post Office needs something.The Post Office is on life support.

    In this stage of design we need to have multiple ideas so that we can actively decide what ideas are best to move forward with.

    The NarrativeA large part of this project was the architecture narrative. Because of the nature of the architecture contest, our final review was silent. The boards had to say everything that we wanted say. The Narratives had to speak to every part of the design process, and inform how each decision was made in the project, and do all these things while simultaneously telling a story about the Pavilion.

  • 18 19

    The Postal Service Connectsand Unites this Country

    The Postal Service isnt dead. The Post-

    al Service doesnt need saving. Everybody

    loves The Postal Service. The Postal Service

    exists to bring this country together, and its

    doing a great job. This Country is big. There

    is a lot of space between the east coast and

    the west coast. A void has to be crossed to

    get something from one place to the other,

    and there is no way to avoid it.

    A void has been created on the site.

    There is no way around it. It is impossible for

    people to cross it without help. A tube has

    been placed on the site, a passage across

    the void. The only way to get you from one

    side to the other is to pass through it. Sym-

    bolic of the journey our mail takes, a journey

    that is impossible without the Postal Ser-

    vice.

    The Postal Service Connectsand Unites this Country

    The Postal Service isnt dead. The Post-

    al Service doesnt need saving. Everybody

    loves The Postal Service. The Postal Service

    exists to bring this country together, and its

    doing a great job. This Country is big. There

    is a lot of space between the east coast and

    the west coast. A void has to be crossed to

    get something from one place to the other,

    and there is no way to avoid it.

    A void has been created on the site.

    There is no way around it. It is impossible for

    people to cross it without help. A tube has

    been placed on the site, a passage across

    the void. The only way to get you from one

    side to the other is to pass through it. Sym-

    bolic of the journey our mail takes, a journey

    that is impossible without the Postal Ser-

    vice.

    Phase TwoIn Phase two all of our designs underwent another round of revisions. We also narrowed down our possible designs for final to three pavilions. During this phase we were also given a list of available materials for the pavilions, which made it a lot easier to narrow it down to three pavilions, because some of the ideas just wouldnt work within the parameters of the materials.

  • 20 21

    The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.

    A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.

    Movement - Plan

    Movement - Elevation

    Parti Diagrams

    Human and Site Scale

    Modularity due to Material Constraints

    Void Diagram

    The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.

    A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.

    Movement - Plan

    Movement - Elevation

    Parti Diagrams

    Human and Site Scale

    Modularity due to Material Constraints

    Void Diagram

    The site in Davidson is all about movement. People dont inhabit the space for a long period of time. The main purpose of the site is to get you from the street to the post oce, or from the post oce back to the street. The Pavilion calls out that procession. Its not a place to gather, its a passage to get you from one side to the other.

    A void has been created on the site, a break. Just as the Postal Service bridges the gap, so does the Pavilion. The Pavilion becomes the Postal Service, serving as the only way across the void, vital to the procession from one side to the other. The break in the Pavilions structure calls your attention back to the void, and the role that the Postal Ser-vice plays by bridging the gap.

    Movement - Plan

    Movement - Elevation

    Parti Diagrams

    Human and Site Scale

    Modularity due to Material Constraints

    Void Diagram

    Final (Bridging the Gap)The final pin up consists of our narrative, a site plan, a building plan, sections, elevations, a set of relevant diagrams, three details, and a site model. As previously stated, everything we needed to say had to be present in the three submitted design boards.

  • 22 23

    U.S. POSTAL SERVICE PAVILIONEthan Ward

    Site Plan - 1/32=1

    Site Plan - 1/8=1Generative Diagrams

    The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.

    U.S. POSTAL SERVICE PAVILIONEthan Ward

    Site Plan - 1/32=1

    Site Plan - 1/8=1Generative Diagrams

    The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.

    U.S. POSTAL SERVICE PAVILIONEthan Ward

    Site Plan - 1/32=1

    Site Plan - 1/8=1Generative Diagrams

    The Postal Service bridges the gap between people; it makes the unreachable, reachable. It brings the nation together. The United States Postal Service handles over 40 percent of the worlds mail. Soon they will even be delivering groceries straight to your doorstep. It has been around since the 1700s, and theres a reason its still around today. It works, and the people can depend on it.

  • 24 25

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

    Detail 1 - 1/2=1

    Detail 2 - 1/2=1

    Detail 1, 2, 3

    Detail 3 - 1/2=1

    Elevation 1 - 1/4=1

    Elevation 2 - 1/4=1

    Section - 1/4=1

    Sun Diagrams - Noon

    SummerSpring/FallWinter

  • 2726

    Chicago Field Trip

  • 28 29

  • 30 31

  • 3332

    Site

    Architecture of the University of Chicago

    Chicago Site Analysis

    Smart Museum of Art1974 Duchossois Center for Advanced Medicine

    1996

    Max Palevsky Residential Commons2001

    Gerald Ratner Athletics Center2003

    Knapp Center2009

    Chicago Booth2004

    Regenstein Library2003

    Center for the Arts2012

    Chicago Seminary2011

    William Eckhart Center2015

    Mansueto Library2011

    Utility Plant2010

    Center for Care and Discovery2013

    Chiller Plant2010

    Horizontal and Vertical Elements Size RangePlan and Section

    Smart Museum of Art1974 Duchossois Center for Advanced Medicine

    1996

    Max Palevsky Residential Commons2001

    Gerald Ratner Athletics Center2003

    Knapp Center2009

    Chicago Booth2004

    Regenstein Library2003

    Center for the Arts2012

    Chicago Seminary2011

    William Eckhart Center2015

    Mansueto Library2011

    Utility Plant2010

    Center for Care and Discovery2013

    Chiller Plant2010

    Horizontal and Vertical Elements Size RangePlan and Section

    Smart Museum of Art1974 Duchossois Center for Advanced Medicine

    1996

    Max Palevsky Residential Commons2001

    Gerald Ratner Athletics Center2003

    Knapp Center2009

    Chicago Booth2004

    Regenstein Library2003

    Center for the Arts2012

    Chicago Seminary2011

    William Eckhart Center2015

    Mansueto Library2011

    Utility Plant2010

    Center for Care and Discovery2013

    Chiller Plant2010

    Horizontal and Vertical Elements Size RangePlan and Section

    Architecture Timeline of The University of ChicagoPlan and Elevation

    Cobb Lecture Hall1892

    William Rainey Harper Memorial Library

    1912

    Laboratory School1896

    Ida Noyes Hall1916

    Cobb Gate1897

    Joseph Bond Chapel1926

    Oriental Institute1931

    Hall for Economics1928

    International House1932

    Tower Group1903

    Rockefeller Memorial Chapel1928

    Administration Building1948

    Cummings Life Science Center1973

    School of Social Services1965

    New Graduate Residence Hall1962

    Laird Bell Law Quadrangle

    1960

    Architecture Timeline of The University of ChicagoPlan and Elevation

    Cobb Lecture Hall1892

    William Rainey Harper Memorial Library

    1912

    Laboratory School1896

    Ida Noyes Hall1916

    Cobb Gate1897

    Joseph Bond Chapel1926

    Oriental Institute1931

    Hall for Economics1928

    International House1932

    Tower Group1903

    Rockefeller Memorial Chapel1928

    Administration Building1948

    Cummings Life Science Center1973

    School of Social Services1965

    New Graduate Residence Hall1962

    Laird Bell Law Quadrangle

    1960

    Architecture Timeline of The University of ChicagoPlan and Elevation

    Cobb Lecture Hall1892

    William Rainey Harper Memorial Library

    1912

    Laboratory School1896

    Ida Noyes Hall1916

    Cobb Gate1897

    Joseph Bond Chapel1926

    Oriental Institute1931

    Hall for Economics1928

    International House1932

    Tower Group1903

    Rockefeller Memorial Chapel1928

    Administration Building1948

    Cummings Life Science Center1973

    School of Social Services1965

    New Graduate Residence Hall1962

    Laird Bell Law Quadrangle

    1960

    University of ChicagoStarting our analysis at the large scale, our site sits in the armpit of the University of Chicago. A university that is extremely diverse in its architecture. For this portion of the analysis I looked at all the architecture of the University to see if their design choices could help to inform any of my design choices when we started to design. I mainly looked for any patterns, or common design moves among the many different buildings.

    The University of Chicago

  • 34 35

    Visual Thresholds on the SiteClock Tower Robie House Chicago Booth

    Build up to the intersection Sources of each threshold

    Visual thresholds of individual structures

    Overlayed thresholds compared to the site

    Site Isovist

    Robie House

    Clock Tower

    Visual Thresholds on the SiteClock Tower Robie House Chicago Booth

    Build up to the intersection Sources of each threshold

    Visual thresholds of individual structures

    Overlayed thresholds compared to the site

    Site Isovist

    Robie House

    Clock Tower

    Views and ThresholdsAt a smaller scale, I looked at the buildings immediately adjacent to our site. This analysis began by looking at what buildings around the site my building would be competing with for attention. It later turned into what buildings near the site I would want my building to have enhanced views of, such as the Robie House. These views could influence the program of the building, and where each programmatic element needs to be placed on the site.

    Site Isovist

    Thresholds on the street

    Sources of Threshold

    Threshold Model

  • 36 37

    Morning (9)

    SummerSolstice

    SummerSolstice

    WinterSolstice

    Chicago Booth

    Robie House

    Site

    Spring, FallEquinox

    Spring, FallEquinox

    Noon (12) Afternoon (4)

    Morning (9)

    All Summer Shadows

    All Spring, Fall Shadows

    All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice

    Variations in Shadows from the South

    Shadows From the Surrounding Buildings

    Winter Solstice

    Noon (12) Afternoon (4)

    Morning (9)

    SummerSolstice

    SummerSolstice

    WinterSolstice

    Chicago Booth

    Robie House

    Site

    Spring, FallEquinox

    Spring, FallEquinox

    Noon (12) Afternoon (4)

    Morning (9)

    All Summer Shadows

    All Spring, Fall Shadows

    All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice

    Variations in Shadows from the South

    Shadows From the Surrounding Buildings

    Winter Solstice

    Noon (12) Afternoon (4)

    Morning (9)

    SummerSolstice

    SummerSolstice

    WinterSolstice

    Chicago Booth

    Robie House

    Site

    Spring, FallEquinox

    Spring, FallEquinox

    Noon (12) Afternoon (4)

    Morning (9)

    All Summer Shadows

    All Spring, Fall Shadows

    All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice

    Variations in Shadows from the South

    Shadows From the Surrounding Buildings

    Winter Solstice

    Noon (12) Afternoon (4)

    Morning (9)

    SummerSolstice

    SummerSolstice

    WinterSolstice

    Chicago Booth

    Robie House

    Site

    Spring, FallEquinox

    Spring, FallEquinox

    Noon (12) Afternoon (4)

    Morning (9)

    All Summer Shadows

    All Spring, Fall Shadows

    All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice

    Variations in Shadows from the South

    Shadows From the Surrounding Buildings

    Winter Solstice

    Noon (12) Afternoon (4)

    Morning (9)

    SummerSolstice

    SummerSolstice

    WinterSolstice

    Chicago Booth

    Robie House

    Site

    Spring, FallEquinox

    Spring, FallEquinox

    Noon (12) Afternoon (4)

    Morning (9)

    All Summer Shadows

    All Spring, Fall Shadows

    All Winter ShadowsSummer Solstice Spring and Fall Equinox Winter Solstice

    Variations in Shadows from the South

    Shadows From the Surrounding Buildings

    Winter Solstice

    Noon (12) Afternoon (4)

    ShadowsAt the smallest scale I looked at the site itself. At this scale I wanted to bridge to our Environmental Systems class that we are also taking this semester by looking at the shadows on the site. How the building is receiving sun should highly influence how the building is designed and how the programmatic elements should be placed throughout the building. By compiling all the shadow information I found that there is one place on the site that never sees any shadows, the perfect spot for an outdoor space in Chicago.

    Site Shadows

    Site Sunspot

  • 3938

    Program Analysis

    Tertiary Division of Space

    Public

    Combined

    Final Bubble

    Concentration of People

    Lobby

    ReceptionOutdoorSpace

    Gallery

    Classroom

    Fab Lab

    Restroom

    Fab Lab Oce

    Restroom

    Stair/Elevator

    Reception/Waitng

    Conference

    Directors Oce

    Admin. Assistant

    Private Restroom

    Lobby

    ReceptionOutdoorSpace

    Gallery

    Classroom

    Fab Lab

    Restroom

    Fab Lab Oce

    Restroom

    Stair/Elevator

    Reception/Waitng

    Conference

    Directors Oce

    Admin. Assistant

    Private Restroom

    Lobby

    ReceptionOutdoorSpace

    Gallery

    Classroom

    Fab Lab

    Restroom

    Fab Lab Oce

    Restroom

    Stair/Elevator

    Reception/Waitng

    Conference

    Directors Oce

    Admin. Assistant

    Private Restroom

    Private

    General Info

    Matrix

    Master Builder Maker Space Chicago

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    Toilet

    Director

    Conference

    Second Floor

    Section

    Parti

    Fab LabLobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    ToiletDirector

    Conference

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    ReceptionAdmin oce

    Toilet

    DirectorConference

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    StairElevator

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    Stair

    Elevator

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    Toilet

    Director

    Conference

    Second Floor

    Section

    Parti

    Fab LabLobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    ToiletDirector

    Conference

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    ReceptionAdmin oce

    Toilet

    DirectorConference

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    StairElevator

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    Stair

    Elevator

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    Toilet

    Director

    Conference

    Second Floor

    Section

    Parti

    Fab LabLobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    Reception

    Admin oce

    ToiletDirector

    Conference

    Second Floor

    Section

    Parti

    Fab Lab

    Lobby

    Gallery

    Classroom

    Fab lab oce

    Reception

    Toilet

    Toilet

    ReceptionAdmin oce

    Toilet

    DirectorConference

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    StairElevator

    Stair

    Stair

    Elevator

    Stair

    Elevator

    Stair

    Stair

    Elevator

    Space Area Quantity Total Area Notes

    sqft sqft

    Public

    Lobby 500 1 500 Accessible entrance from the street

    Reception 250 1 250 Locate near entry: Provide counter access to public

    Public Toilets 250 2 500 Provide access to and from lobby: Verify area is adequate to meet code requirements

    Gallery* 750 1 750 For exhibition of artfiacts created, education tool for the public to better understand FLW's "Total Design"

    Interactive Classroom 750 1 750 Classroom/Tutorial Space with 25 desks / worktables

    Fabrication Lab* 1,500 1 1,500 Provide space for a minimum of 3 digital fabrication tools: Specific tools selected by each designer

    Private

    Fab Lab Admin Office 250 1 250 Direct access to Fab Lab

    Reception/ Waiting 250 1 250 Dedicated to Administration

    Director's Office 300 1 300 Visual privacy from Reception/Waiting: Must be above Ground Floor

    Administrative Assistant 150 1 150 Direct acess to Director's Office

    Conference 300 1 300 Direct access from Reception/Waiting: Must be above Ground Floor

    Executive Toilet Room 100 1 100

    Vertical Circulation

    Egress Stairs 200 2 400 Minimum of 2 10'x20' egress stairs at each floor: Stairs must stack floor-to-floor

    Elevator 100 1 100 Minimum of 10'x10' that serves all floors

    Exterior

    Exterior Reception Space 1,000 1 1,000 Used for both entertainment and display

    5,600 Total Heated Square Footage (Net)

    1,120 20% Horizontal Circulation Space

    560 10% Mechanical Space: SF can be split amongst multiple floors

    7,280 Total Gross Square Footage

    University of Chicago Gesamtkunstwerk Program: Master Builder Maker Space

    Spaces denoted with a * need a minimum floor-to-floor height of 20'. All other spaces need a minimum floor-to-floor height of 10'.

    Program AnalysisBefore any physical design of the building can be started, the program should be fully understood. This phase of the design process is to learn about how the programmatic elements react with each other, which spaces need to be closer to other spaces, which spaces dont need to be near other spaces, and if there are any clear ways the spaces should be grouped. These decisions should be informed by more than just square footage.

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    Scheme 1

    Section 2Section 1

    South Elevation

    Three FrontsResponse to Site

    PartiPlan and Section

    Divisions of Space

    Axis and Threshold

    Gallery Visitor ProcessionUser ProcessionTourist Procession

    Generative Diagrams

    Second FloorFirst Floor

    Site Plan and Section

    Section 2

    Section 1

    PublicPrivate

    PrivateService

    Public

    Public

    Scheme 1

    Section 2Section 1

    South Elevation

    Three FrontsResponse to Site

    PartiPlan and Section

    Divisions of Space

    Axis and Threshold

    Gallery Visitor ProcessionUser ProcessionTourist Procession

    Generative Diagrams

    Second FloorFirst Floor

    Site Plan and Section

    Section 2

    Section 1

    PublicPrivate

    PrivateService

    Public

    Public

    Scheme 1

    Section 2Section 1

    South Elevation

    Three FrontsResponse to Site

    PartiPlan and Section

    Divisions of Space

    Axis and Threshold

    Gallery Visitor ProcessionUser ProcessionTourist Procession

    Generative Diagrams

    Second FloorFirst Floor

    Site Plan and Section

    Section 2

    Section 1

    PublicPrivate

    PrivateService

    Public

    Public

    Scheme 2

    Second Floor

    West Elevation

    Section 2Section 1

    Generative Diagrams

    Gallery Visitor ProcessionUser Procession

    Administrative Procession

    FIrst Floor

    Plan Parti

    Section Parti

    Sun Diagram

    Relation to Site

    Axis and Threshold

    Site Plan and Section

    Division of Space

    Public

    Public

    Private

    PrivateSemi Public

    Section 1

    Section 2

    Scheme 3

    Second Floor

    Generative Diagram

    User Procession

    Section 2

    Section 2

    Gallery Visitor Procession

    South Elevation

    Site Plan and SectionParti Plan and Section

    Axis and Cross Axis

    Division of Space

    Hidden Entrance

    Administrative Procession

    Section 1

    Section 1

    PublicService

    Private

    PublicPublic

    PrivateSemi Public

    First Floor

    Relation to Site

    Scheme 3

    Second Floor

    Generative Diagram

    User Procession

    Section 2

    Section 2

    Gallery Visitor Procession

    South Elevation

    Site Plan and SectionParti Plan and Section

    Axis and Cross Axis

    Division of Space

    Hidden Entrance

    Administrative Procession

    Section 1

    Section 1

    PublicService

    Private

    PublicPublic

    PrivateSemi Public

    First Floor

    Relation to Site

    Schematic DesignOne of the largest parts of the design process is schematic design. During this time we focused on getting out our ideas, and making them as clear as possible so that we could make an informed decision on which design to move forward with. We presented three ideas. Each idea needed to clearly be informed by the site and the program of the building.

    1. Maker space for the wanderer2. Fab Lab + Gallery combined3. Frank Wrights maker space

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    Bay Diagram

    Section 1

    Section 2

    Roof Structure

    Bay Diagram

    Section 1

    Section 2

    Roof Structure

    Design DevelopmentThe next stage of design is where we take our ideas, and make them work structurally. It is more than just making the building stand up. The structure should be designed in a way that strengthens the main idea of the building. The bay diagram informs how the structure strengthens the grain of the building, and calls out the processional space in a building that is all about the procession.During this phase we began to look at the facade. I wanted my facade to inform you about the structure and what is happening inside the building. For the wanderer, I wanted this to spark a curiosity that would bring you to the building.

    Facade Designs

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    Maker Space for the WandererEthan Ward

    Detail 1 - 1/2=1 Detail 2 - 1/2=1 Detail 3 - 1/2=1

    Detail 1

    Detail 2Detail 3

    Parti

    Site Section - 1/32=1

    Response to Grid

    Three FrontsGenerative Diagrams

    Wanderer Procession

    Site Plan - 1/64=1

    Division of Spaces

    Priv

    ate

    Public

    Public

    PublicPrivateSemi Private

    Maker Space for the WandererOur site sits immediately adjacent to the Robie House so the majority of the traffic that our site will see will be from people that arent coming to see the maker space, but from people who have come only to see Frank Wrights work. To bring in these people I rotated my whole project 30 degrees to make the entry onto the site more gradual, and accepting. Next I cut the building along a regulating line created by the front of the Robie house, but I didnt cut the roof plane. The combination of both the rotation and cut creates a unique building with three fronts. The spine of the building is solid, with only holes for entry into these spaces. The gallery and fab lab are more transparent, continually showing you hints of what is happening as you explore the building. As you exit the building, the paths were to give you a new, different experience without taking you out of the back of the building into the alley. Once you exit you can easily continue on your way.

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    The Rotation The Cut

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    First Floor - 1/8=1

    Section A - 1/8=1 Section B - 1/8=1

    Second Floor - 1/8=1

    A

    B

    First Floor - 1/8=1

    Section A - 1/8=1 Section B - 1/8=1

    Second Floor - 1/8=1

    A

    B