explore! 2013 jesús piqueras exploring the exhibition

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Exploring the exhibition Jesús Piqueras, Stockholm University Susanna Edvall, Swedish Museum of Natural History Piqueras & Edvall / Explore 2013

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Explore! 2013 Conference. Presentation from the Exploring the exhibition workshop by Jesús Piqueras, Stockholm University and Susanna Edvall, Swedish Museum of Natural History

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Page 1: Explore! 2013 Jesús Piqueras Exploring the Exhibition

Exploring the exhibition

Jesús Piqueras, Stockholm UniversitySusanna Edvall, Swedish Museum of Natural History

Piqueras & Edvall / Explore 2013

Page 2: Explore! 2013 Jesús Piqueras Exploring the Exhibition
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Piqueras & Edvall / Explore 2013

Learning science in interaction with the exhibit in a museum of natural history

• PEA-analysis: Learning treated on a discursive level as a description of what student say and do as a part of an activity (Wickman, 2004; Wickman & Östman, 2002).

• Analysis of the significance of the encounters and relations for the purpose of the activity (to explain a natural event by making observations on a diorama in the museum exhibition).

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Learning as a process where participants continuously notice

gaps and fill them with relations to what stands fast in

encounters.

Noticing aGap

SomethingStands Fast

ConstruingRelations

A Gap isFilled

Yes Yes

No No

Stopped or changed activity

New Gapis noticed

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GAPS RELATIONS

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0.00-1.42

6.46-7.12

Conversation segmented according to the six themes discussed.

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9. The behaviour of the crows

GAPS RELATIONS

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Discussion

• For this group of students, the six different themes represent alternative paths for the direction of the learning process.

• The students - by means of observations and previous experiences - suceceded in finding an interpretation of the scene, suported by a set of ecological explanations (cf. the purpose of the activity and the purpose of the exhibit).

• The carrion was a problematical part in the exhibit.

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Expanding the scope

A. Crows

B.

C.

B.

D. Carrion

E.

D. Carrion

E.

A. Crows

E.

F.

D. Carrion

D. Carrion

C.

B.

D. Carrion

B.

E.

C.

E.

A. Crows

E.

F.

C.

B.

G.

B.

C.

D. Carrion

G.

A. Crows

E.

F.

• Which are the possible themes in the encounter with the exhibit?

• What is the relevance of different themes for students’ meaning making?

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Thank you!

[email protected]@nrm.se