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EXPLORE AFRICAN CULTURES By Geremie Sawadogo

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Page 1: EXPLORE AFRICAN CULTURES

EXPLORE AFRICAN CULTURES

By Geremie Sawadogo

Page 2: EXPLORE AFRICAN CULTURES

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OBJECTIVES

Learn methods to for adapting and flexing your style for success in Africa

A brief on AfricanXculture & Q/A

Understand the case for an African culture and 6 shared cultural values found across Africa

Page 3: EXPLORE AFRICAN CULTURES

THE AFRICAN CONTINENT

Page 4: EXPLORE AFRICAN CULTURES

Can One Really Talk About an African Culture?

• Size

• Linguistic/cultural

diversity & Barriers

• Conflicts

• Political differences

• Racial Difference; etc.

Page 5: EXPLORE AFRICAN CULTURES

Africa’s Linguistic Diversity

Page 6: EXPLORE AFRICAN CULTURES

THE Real Size of Africa

Page 7: EXPLORE AFRICAN CULTURES

How Big is Africa

Page 8: EXPLORE AFRICAN CULTURES
Page 9: EXPLORE AFRICAN CULTURES
Page 10: EXPLORE AFRICAN CULTURES

THE CASE FOR AN AFRICAN CULTURE

LéopoldSenghor Cheikh Anta DiopJohn Mbiti

Janheinz Jahn Lylian Kesteloot

Is there an American; European …or a Russian culture?

Page 11: EXPLORE AFRICAN CULTURES

THE CASE FOR AN AFRICAN CULTURE

LéopoldSenghor

Cheikh Anta Diop

LéopoldSenghor (1906-2001) is the father of Négritude, the African essence is

externalized in a distinctive culture and philosophy. This claim is supported by Senghor’s

assertion that Negritude – the rooting of identity in one’s natural essence – is ‘diametrically

opposed to the traditional philosophy of Europe’ (the colonizer). To Senghor, European

philosophy is essentially static and objective. It is founded on separation and opposition: on

analysis and conflict. In contrast, African philosophy is based on ‘unity’, ‘balance’

negotiation and an appreciation of ‘movement and rhythm.

Cheikh Anta Diop (1923-1986). Diop was an historian, anthropologist, physician –

Afrocentrist – and Egyptologer who researched the African origin of civilization. Key

publications include: Nations nègres et culture. Paris: Éditions Africaines. Second edition

(1955), Nations nègres et culture: de l'antiquité nègre-égyptienne aux problèmes culturels

de l'Afrique noire d'aujourd'hui, Paris: Éditions Africaines. Third edition (1973) Paris:

Présence Africaine, ISBN 2-7087-0363-3, ISBN 2-7087-0362-5. Fourth edition (1979), ISBN

2-7087-0688-8.

Page 12: EXPLORE AFRICAN CULTURES

THE CASE FOR AN AFRICAN CULTURE

John Mbiti

John Mbiti (1931-2019). Mbiti's seminal book, African Religions and

Philosophy (1969), was the first work to challenge Christian assumption that

traditional African religious ideas were "demonic and anti-Christian".[6] His

sympathetic treatment of traditional religions was based on massive field

work. Mbiti was clear that his interpretation of these religions was from a

firmly Christian perspective, and this aspect of his work was sometimes

severely criticized.[7][8]

Mbiti's research interests included theology in Africa and Asia,

and ecumenism. He also collaborated on a book of African proverbs,

collected from across the continent.

Mbiti (1969) observed “wherever the African is there is his religion; he

carries it to the fields where he is sowing seeds or harvesting a new

crop; he takes it with him to the beer party or to attend a funeral

ceremony”

Page 13: EXPLORE AFRICAN CULTURES

THE CASE FOR AN AFRICAN CULTURE

Janheinz Jahn

Lylian Kesteloot

Janheinz Jahn (1918-1973)- Of all his intellectual contributions, the one for which

Jahn attained worldwide renown[1] is Muntu: Umrisse der neoafrikanische Kultur

(in English "Muntu: An Outline of Neo-African Culture." It was first published in

German in 1958.[2] The English translation "Muntu: African Culture and the

Western World" was first published in 1961 by Grove Press. The New York

Times called the book "...a rare piece of scholarship..." (Faber and Faber

published the book in London in 1961 under the title "Muntu: An Outline of Neo-

African Culture.")

Lilyan Kesteloot (1931-2018). Kesteloot was a pioneer in her own right- Her

contributions were on the black African literature but mot importantly on

communication style- which I will come back to in a moment.

At a time where people were questioning the existence of an African culture she

spent a lot of time, intellectual capital in writing about African literature –

including oral literature and style as propagated by the griots.

Page 14: EXPLORE AFRICAN CULTURES

SHARED CULTURAL CONSTRUCTS

Omnipresence of religion

Supremacy of the community

Respect for authority and age

Page 15: EXPLORE AFRICAN CULTURES

SHARED AFRICAN VALUES

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Can One Really Talk About an African Culture?

• Cultural Values must be described along a continuum that is affected by factors

such as modern education; rural versus urban divide; personal traits and

preferences, etc.

• Focus must be on commonalities versus differences

• Prior work on intercultural communication constructs can be used to articulate

these common values and behaviors

Page 17: EXPLORE AFRICAN CULTURES

SHARED AFRICAN VALUES

Short-term Long-term

Polychronic Monochronic

Hierarchical Egalitarian

High Context Low Context

Collectivistic Individualistic

Low High

Informal

Term Orientation

Time

Power Distance

Communication

Group Orientation

Uncertainty Avoidance

Page 18: EXPLORE AFRICAN CULTURES

COLLECTIVISM / INDIVIDUALISM

This dimension refers to the degree to which individuals are integrated into groups.

In collectivist mindset cultures, people are integrated from birth into strong, cohesive

in-groups, often extended families (with uncles, aunts and grandparents) which play a

role in their upbringing thus also creating a strong sense of loyalty to these groups.

By contrasts, in individualistic societies, the emphasis is put on personal

achievements and individual rights. People are expected to stand up for themselves

and their immediate family, and to choose their own affiliations. In individualistic

cultures, one is responsible for one’s own success, and individuals are not

accountable to group norms or expectations.

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POWER DISTANCE

Power distance is the extent to which the less powerful members of organizations and

institutions (like the family) accept and expect that power is distributed unequally.

Societies with a high power distance typically accept and value varying levels of

“inequality” and this is endorsed by the followers as much as by the leaders. Such

societies tend to be more hierarchical and often have layers of ascribed powers and

people in certain roles – clergy, religious elders, and politicians yield a great deal of

power. Power distance affects non-verbal behaviors such as those between

subordinates and superiors and interclass interactions.

Cultures that endorse low power distance expect and accept power relations that are

more equal. Low power distance cultures thrive on informality and acquired power is

sought after.

Page 20: EXPLORE AFRICAN CULTURES

COMMUNICATION

In high context communication cultures, there is greater reliance on contextual cues

such as age, status, and non-verbals that give meaning to messages. Less verbal

people are often perceived as more culturally acceptable and desirable in high context

cultures.

By contrast, low context communication cultures utilize detailed, factual information to

explicitly convey meaning. In low context communication, information has only one

single meaning. No additional information is necessary to encode the meaning. Low

context cultures are said to value facts and directness. Communicators are expected

to be straightforward, concise in telling what action is expected.

Page 21: EXPLORE AFRICAN CULTURES

TIME

The cultural concept of time has been framed as either monochronic or polychronic

by Edward T. Hall.

In polychronic cultures, people tend to handle multiple things concurrently (or

intermittently during a time period) and to emphasize the number of completed

transactions. Being on time is less important in polychronic cultures than in

monochronic cultures. In Polychronic time cultures, meetings may start late, run

overtime, and allow outside issues to interrupt team meetings.

Monochronic time cultures emphasize schedules, a precise reckoning of time, and

promptness. Time is viewed as a discrete commodity.

Page 22: EXPLORE AFRICAN CULTURES

UNCERTAINTY AVOIDANCE

This describes the extent to which a society shows tolerance for uncertainty and

ambiguity. It reflects the extent to which members of a society attempt to cope with

anxiety by minimizing uncertainty.

In low uncertainty avoidance cultures, people accept and feel comfortable in

unstructured situations or volatile environments. They try to have as few rules as

possible. People in these cultures tend to be more pragmatic and tolerant of

change.

People in cultures with high uncertainty avoidance tend to minimize the occurrence

of the unknown and unusual circumstances with careful planning and by

implementing rules, laws and regulations.

Page 23: EXPLORE AFRICAN CULTURES

SHORT-TERM & LONG-TERM ORIENTATION

Term orientation refers to a societies' time horizon.

Cultures associated with short-term orientation have shown to respect traditions,

fulfilling of social obligations, and protection of one's 'face’. These societies reward

perseverance, loyalty, and commitment, and avoid doing anything that would cause

another to "lose face”.

By contrast, long-term oriented societies attach more importance to the future and

are willing to delay short-term gains for future goals.

Page 24: EXPLORE AFRICAN CULTURES

AN AFRICAN CULTURE

From an incredible cultural diversity, a case can

be made for shared African cultural values and a

shared African world view.

Understanding these behaviors is a window into

African cultural tendencies, which can facilitate

and enhance communication and interactions

with Africans in a variety of social, professional

and business settings.

Page 25: EXPLORE AFRICAN CULTURES

Q&A WITH GEREMIE SAWADOGO

Page 26: EXPLORE AFRICAN CULTURES

DIGITAL HOMEWORK WITH CULTUREWIZARD

1. Look for an email from CultureWizard

with a link to access the African

Cultures Course.

2. At a minimum, complete the African

Cultures Calculator assessment to

learn where there are gaps or

similarities with the shared African

cultural values.

3. Access the any of the African Country

Profiles to research the cultural norms

and other details that are key to

adapting in culturally appropriate ways.

Email [email protected] help accessing CultureWizard

Page 27: EXPLORE AFRICAN CULTURES

QUESTIONS? COMMENTS?

Email [email protected]