exploring lines

23
7 March 2011 Ashleigh Benn Use of line.. Exploration of Line * principles of line * types of line * line in nature * line in design QuickTime™ and a decompressor are needed to see this picture.

Upload: ashbenn

Post on 27-Jan-2015

1.687 views

Category:

Documents


1 download

DESCRIPTION

 

TRANSCRIPT

Page 1: Exploring lines

7 March 2011 Ashleigh Benn

Use of line..

Exploration of Line* principles of line * types of line * line in nature * line in design

QuickTime™ and a decompressor

are needed to see this picture.

Page 2: Exploring lines

7 March 2011 Ashleigh Benn

Principles of line

Qualities of line• Depth, Tone (thickness)• Gradient• Direction (movement)• Organic• Geometric• Curvilinear• Rectilinear

Page 3: Exploring lines

7 March 2011 Ashleigh Benn

Types of line

QuickTime™ and a decompressor

are needed to see this picture.

http://cnx.org/content/m24870/latest/

Page 4: Exploring lines

7 March 2011 Ashleigh Benn

Depth, Tone and Thickness

• As one can see in the picture here, alternative pressures and thickness' used in line can create depth and tone. The closer the line the deeper the image.

QuickTime™ and a decompressor

are needed to see this picture.

Page 5: Exploring lines

7 March 2011 Ashleigh Benn

Gradient

• The intense usage of line here creates an intensity in the mark making, one can almost feel the depth that has been created.

QuickTime™ and a decompressor

are needed to see this picture.

Page 6: Exploring lines

7 March 2011 Ashleigh Benn

Direction, Movement

• In this image, fast paced movements are shown in the lines that are very close together and dark in colour. The less ‘angry’ lines depict the ‘froth’ of the wave, which is lighter and more gentle.

QuickTime™ and a decompressor

are needed to see this picture.

http://artandwater.blogspot.com/2010_04_01_archive.html

Page 7: Exploring lines

7 March 2011 Ashleigh Benn

Continuous

• Continuity in line can give a soft feminine emotion, and can also give depth without having to place intensive tonal elements.

QuickTime™ and a decompressor

are needed to see this picture.

http://johngushue.typepad.com/blog/2008/01/continuity.html

Page 8: Exploring lines

7 March 2011 Ashleigh Benn

Organic

• Organic lines are found in nature and form irregular shapes. In this image the loosely drawn lines give a smooth texture to the drawing as well as a relaxed emotional quality.

QuickTime™ and a decompressor

are needed to see this picture.

http://perfect-imperfection.com/2009/06/organic/

Page 9: Exploring lines

7 March 2011 Ashleigh Benn

Geometric

• This picture shows thought and measurements. There are calculations in the line and this depicts an almost clinical approach in the mark making.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.abcteach.com/directory/clip_art/art_and_artists/

Page 10: Exploring lines

7 March 2011 Ashleigh Benn

Curvilinear

• This image is characterized by curved lines. Here the piece takes on a feminine, mystical feeling because of the ‘fairytale’ quality of the line.

QuickTime™ and a decompressor

are needed to see this picture.

Page 11: Exploring lines

7 March 2011 Ashleigh Benn

Rectilinear

• A masculine form of line that is characterized by straight lines. Here the straight lines are used to give an accurate perspective.

QuickTime™ and a decompressor

are needed to see this picture.

Page 12: Exploring lines

7 March 2011 Ashleigh Benn

Drawn line

• Hand drawn lines add an emotional emphasis to an image that is rarely seen in any other form of mark making, the creator of the images shows part of their own emotional path on the paper.

QuickTime™ and a decompressor

are needed to see this picture.

Page 13: Exploring lines

7 March 2011 Ashleigh Benn

Horizontal

• This is one of artist Dana McClure’s line series, I thought this piece was breathtaking and loved the way she enforced texture by using changes in tone and colour in her line work. Horizontal lines evoke a restful feeling, the line also has a masculine quality.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.lostateminor.com/2010/12/18/dana-mcclures-line-series/

Page 14: Exploring lines

7 March 2011 Ashleigh Benn

Vertical

• I thought this was an interesting example of vertical line usage. If you look closely at the eye, one can see all the actual marks that have been made are vertical. This gives the piece a ‘somber’ emotion and a slightly more masculine quality.

QuickTime™ and a decompressor

are needed to see this picture.

http://feathertickler.deviantart.com/art/Vertical-Line-Drawing-140491768

Page 15: Exploring lines

7 March 2011 Ashleigh Benn

Contour

• Contour lines give shape and movement with little tonal value. There is something rather beautiful in the imperfections found in the contours.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.quia.com/jg/426706list.html

Page 16: Exploring lines

7 March 2011 Ashleigh Benn

Varying Pressure

• As we can see here, varying pressure in line gives ones eye subtle notification where depth in the image should be. Lighter areas feel thin and more airy.

QuickTime™ and a decompressor

are needed to see this picture.

http://drawsketch.about.com/od/flowerdrawing/ss/flower_drawing_2.htm

Page 17: Exploring lines

7 March 2011 Ashleigh Benn

Form

• I really love drawings that depict ‘form’ in a free handed approach. Sketches depicting form can create movement. Here, our eyes almost see the figure moving.

QuickTime™ and a decompressor

are needed to see this picture.

http://blogs.hebali.com/itp/?p=92

Page 18: Exploring lines

7 March 2011 Ashleigh Benn

Diagrammatic

• These lines are used to show structure and how something could be fitted together or made to work.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.bogdanskikonstruktion.de/en/front_content.php?idcat=96

Page 19: Exploring lines

7 March 2011 Ashleigh Benn

Cross hatching

• Thought this example of cross-hatching was apt because of the ‘literal’ representation of the thumb ‘coming out’ of the cross- hatch. Cross hatching creates a tonal value that makes an image very realistic.

QuickTime™ and a decompressor

are needed to see this picture.

http://paulrodecker.blogspot.com/2009/01/drawing-of-day-cross-hatch.html

Page 20: Exploring lines

7 March 2011 Ashleigh Benn

Invisible line

• Notice the line drawn down the centre of these figures. To have this kind of invisible line, it makes it easier to create proportions.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.wetcanvas.com/forums/showthread.php?t=574793

Page 21: Exploring lines

7 March 2011 Ashleigh Benn

Line in Nature

• This image I think is a great depiction of how we find lines in the world around us.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.woodka.com/2005/10/15/horizon/

Page 22: Exploring lines

7 March 2011 Ashleigh Benn

Line in design

• Here a continuous line is shown in a piece of jewellery. This bracelet is given an organic feel because of the lack of detail.

QuickTime™ and a decompressor

are needed to see this picture.

http://www.ldnfashion.net/2011/02/new-h-stern-collection-launches-at-harrods/

Page 23: Exploring lines

7 March 2011 Ashleigh Benn

Thank you