expository writing - source #1 claims merits and flaws
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7/22/2019 Expository Writing - Source #1 Claims Merits and Flaws
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recognize but that is suddenly more horrid to live in, but rather concentrates on answering the
supposedly basal questions in relation to life at the end of days. While attempting to branch
outwards into the analysis of the overall meaning of the apocalypse might prove to be difficult,
the harder questions tend to lie in the meticulous details of life. How, exactly, does one truly
survive in the aftermath? McCarthy answers this fundamental but challenging notion with his
imaginative insight into how he believes survivors of the apocalypse would behave. One way
that he does this is by depicting the mundane practicalities that the man and the boy carry out in
order to survive. These include every instance in which they stop to eat, set up camp, and
scavenge for provisions. Wood explains that McCarthy has his painstaking minimalism, which
works splendidly here. Again and again he alerts us, in this simper mode, to elements of
hypothetical existence we had not thought about (Wood). Though it seems incredibly tedious,
the small tasks that the man and boy perform are still descriptively portrayed in McCarthys
writing, which helps readers to get a better sense of exactly how life would play out in an
apocalyptic scenario.
Though Wood accurately points out the stylistic route that McCarthy takes in order to
present an idea of life in the aftermath, Woods claims regarding the use of language and diction
in The Road, are flawed. Wood asserts that McCarthy uses language that is antiquarian, a kind
of vatic histrionic groping, in which the prose plumes itself up a flourishes a ostentatiously
obsolete lexicon (Wood). What Wood is claiming in this excerpt of his review is that
McCarthys writing is both overly emotional and obsolete. This claim can be challenged when
you consider McCarthys possible reasoning behind his use of uncommon language and sentence
structures. By combining elevated language and fragmented sentences, McCarthy creates a sense
of solemnity and a mood that reflects the bleak nature of the novels setting. An example of one
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such instance is when the man describes the landscape as gullied and eroded and barren
[with] middens of anonymous trash (McCarthy 177). McCarthys simple sentences are
enhanced with the use of archaic terms, allowing the somber mood to impact readers on a deeper
level. The supposedly obsolete lexicon that Wood refers to plays an important role in
establishing appropriate moods and relaying important messages. Wood also critiques
McCarthys use of the word autistic in his description of the darknessexperienced by the man.
He claims that it seems simply incorrect and somehow a little adolescent, and shakes ones
confidence in the writer (Wood). According to the Oxford English Dictionary, someone who is
autistic is defined to be characterized by severely limited responsiveness to other persons,
restricted behavior patterns, difficulty with abstract concepts, and usually abnormal speech
development (OED). At first glance, the term does not appear to fit well into the context of
McCarthys description. However, the unique description of the darkness as autistic helps to
iterate an important point about the landscape and setting of the novel: that it made one feel
lonely. Just as the common usage of the term autistic refers to children who tend to keep to
themselves and avoid interactions with others, even the darkness had isolated the man, leaving
him in a confused state of solitude. As analysis of the aforementioned excerpt of The Road
shows, Wood was inaccurate in his superficial claim that McCarthys use of language was
merely archaic without clear purpose as McCarthysdiction and sentence structure served
important roles in establishing elements of setting and mood.