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Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

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Page 1: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

f i d e l i

Page 2: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Page 3: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Page 4: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

ContextSociety of elite, borgeoisie

Impose ideals of class in a city once known for it’s sophistication

Gained power and influence

Severely strict with policies

Guarantees privilege and access

High ranking members choose aspiring invidivuals

Page 5: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Page 6: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Page 7: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Aim

Provides a set of rules and obligations for aspiring members

Must be accomplished in order to be accepted

Control system (reward and punishment)

Page 8: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Aim

Aspiring members demonstrate they are worthy

Presents the user different choices in diverse situations

User keeps up with strict policy

Page 9: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Aim

Interaction varies

The program doesn’t tell the user explicitly if he or she answered or acted correctly

Ambiguous response

Page 10: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Function

Package that contains a cell phone arrives

Cell phone includes program, monitors their progress and behavior.

Once the cell is on, the user is expected to comply and follow different set of rules

Program monitors correct and bad behavior

Page 11: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Function

Based on performance, user accumulates points

Points accumulated are not shown

Numbers of points obtained or lost gives the user privileges or problems

User has a vague idea of performance because the program responds ambiguously after each action (suspense)

Page 12: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Function

Creates aristocrats with perfect manners and elite social skills

Serves as a system of control for the high-ranking members of the society

Page 13: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Users

Ages might vary but most are young and within a range of 25-40 years.

Accepted the rules of the society and have agreed to comply with them.

Enough acquisition power

High cultural and educational level

Page 14: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Noah Lennoxhigh ranked member // bon vivant

60 years old.Born in Scotland.Lives in Venice since 2000.Entrepreneur and politician

Enjoys sailing, sport fishing and plays golf when he travels outside of Venice. He is highly educated and cultured and among his peers he is seen as a fashion savvy. He has gained respect among the group because of his commitment to the elite.

Dislikes poor fashion judgments, lack of culture, poor manners, communism and contact sports.

Page 15: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Luigi de Sanctisnew member // Social climber

24 years old.Born in Milan.Lives in Venice since 2007.Fine art gallery curator

Enjoys fine cuisine, traveling to exotic places and attending opera and jazz recitals. He recently began his commencement in the group. He aspires to become the director of an important museaum such as the Musée du Louvre.

Dislikes fast food, crowded tourist destinations and corporate sponsored carnivals and music festivals.

Page 16: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Emma Firschsteinerlow ranked member // socialite & philantropist

28 years old.Born in Berlin.Lives in Venice since 2005.Theater actress

Loves the theater, classical films and to practice photography. Despite being highly educated and cultured, her lack of interest and discipline have caused her to lose acceptance among the group and faces expulsion.

Dislikes hollywood, contemporany dancing, digital cameras and discourteous behavior.

Page 17: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Page 18: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Stakeholders

Highranked

members

Aspiringmembers

Controlmonitoring

Restaurantowners

Museumcurators

Culturerep.

Tailors

Amba-ssadors

Fidelio stakeholders

Page 19: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Building abourgeois

Speechvalidator

Dinneretiquette

guide

How tospeak

How towrite

How toprojectvoice

Appropiatemanners

Appropiateconduct

Dress code

Clothingvalidator

Control

Adapt

“Bourgeois” spider web

Page 20: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Behaviour control

What kind of greeting do in case of official meeting?

a. Greeting as friend

b. Greeting with inchino

c. greeting with hand

read judgement

Dinner etiquette

Appetizer arrives. What knife do you use?

read judgement

Speech validator

start rec

Dress code

make a photo of shoes

take photo

You have an assignmenttoday

read

Assignment description

Your must go to a dinner.It’s an official situation at Harry’s bar in Calle Larga at 9 o’clock. You are a part of aristocratic elite, you must speak about political situation. The other people are entrepreineus, actor, and politician.

start trainer

You have to use

1. Speech validator

2. Behaviour control

3. Dinner etiquette

4. Dress code

start point 1.

Page 21: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

You have an assignmenttoday

read

You must use

1. Speech validator

2. Behaviour control

3. Dinner etiquette

4. Dress code

start point 1.

Speech validator

Choose:

1. Write text

2. Record speech

Assignment description

You must go to a dinner party. It’s formal gathering at Harry’s bar in Calle Larga at 9 o’clock. You are part of the aristocratic elite. Important people will be there and you are expected to keep up with the conversations.

start trainer

Initial stage Mission worksas a filter

Applications required Initial stage

Page 22: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Speech validator

start rec

Speech validatorJudgement

Based on your capacity I expected something else.

read correction

Speech validatorsuggestion

Epero doluptatia eribea do-loria sinonimo etus rae vel erum aturestorest ex exce-atenis moluptat optatquae. Me non etur ad sinonimo totaes dolum facessita dis in por audipide quiati ipsa sinonimo et volorepro do-lores similla.

Speech validatorreport

Epero doluptatia eribea do-loria sinctate etus rae vel erum aturestorest ex exce-atenis moluptat optatquae. Me non etur ad utasinc totaes dolum facessita dis in por audipide quiati ipsa seque et volorepro dolores similla ceaqui officil luptat

start validator

Record screen Displays speech Message Suggestion screen

Page 23: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

You have to use

1. Speech validator

2. Behaviour control

3. Dinner etiquette

4. Dress code

start point 2.

Behaviour control

How do you greet properly a stranger in a formal situation?

a. Greet as a friend

b. Bow

c. Handshake

Behaviour control

You are introduced to someone's wife. How do you greet her?

a. Greet as a friend

b. Kiss in the cheek

c. Kiss in the hand

read judgement read judgement

Behaviour controlJudgement

Do you think you are worth it?

read 2° question

Checklist Displays question Message Next question

Page 24: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

You have to use

1. Speech validator

2. Behaviour control

3. Dinner etiquette

4. Dress code

start point 3.

Dinner etiquette

Appetizer arrives. What knife do you use?

read judgement

Checklist Displays question Next question Message

Dinner etiquetteJudgement

Someone is watching.

read 2° question

Dinner etiquette

Red wine is served. What glass is used?

read judgement

Page 25: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

You have to use

1. Speech validator

2. Behaviour control

3. Dinner etiquette

4. Dress code

start point 3.

Dress code

take a photo of shoes

take photo

Dress codeconfirm photo?

yes no

continue with pants

Checklist Assigns photo subject Photo confirmation

Dress code

take a photo of pants

take photo

Next photo subject

Page 26: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Dress code

make a photo of a shirt

take photo

Dress codeconfirm photo?

yes no

Dress codeconfirm photo?

yes no

display messagecontinue with shirt

Photo confirmation Next photo subject Photo confirmation

Dress codejudgement

Your selections have caused interest among some people

Display final screen

Message

Page 27: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Final message

Goodbye

Assigment completed.

Page 28: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

question

start

answer

end

no

no nono

yes

yes

yes yes

correct?

is the 10° question?

increase reputation

decrease reputation

counter a+1

counter b+1

counter a> 9

counter b> 5

“Behaviour control” flowchart

Page 29: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Advantages

Political benefits

Access to high profile jobs

Gain power

Win social status

Receive gifts and benefits

Priviliged services

Page 30: f i d e l i - interaction-venice.com · Interaction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola Vittori

Fidelio. Alberto Elizondo + Fabrizio Tronchin + Nicola VittoriInteraction Design Lab 1, 2009–10 - Gillian Crampton Smith with Philip Tabor

Disadvantages

Once inside is not easy to get out

Risk of losing reputation

Risk of losing job

Risk of death