fall 2016 - damiani editore · pierpaolo ferrari is a fashion and advertising photographer and...

Fall 2016

New Titles 5

Collector’s Editions 55

Toiletpaper 71

Backlist 75

Photography 76 Fashion & Lifestyle 86 Contemporary Art 87 Music 90 Urban Art 91 Architecture & Design 92 Antiques & Collectibles 93

Spazio Damiani 94

Contacts 95

Distributors 96

Contents

New Titles

In the late 1970s, as Hiroshi Sugimoto was defi ning his artistic voice, he posed a question to himself: “Suppose you shoot a whole movie in a single frame?” The answer that came to him: “You get a shining screen.” For almost four decades, Sugimoto has been photographing the interiors of theaters using a large-format camera and no lighting other than the projection of the running movie. He opens the aperture when a fi lm begins and closes it when it ends. In the resulting images, the screen becomes a luminous white box, its ambient light subtly bringing forward the rich architectural details of these spaces. He began the series by photographing the classic movie palaces built in the 1920s and 30s, their ornate architectural elements a testament to the cultural importance of the burgeoning movie industry. He continued with drive-in theaters. In the last decade, Sugimoto has photographed historic theaters in Europe as well as disused theaters that expose the ravages of time. Taken together, these photographs present an extended meditation on the passage of time, a recurring theme in his artwork. Theaters, the third in a series of books on Sugimoto’s art, presents 130 photographs, 18 of which have never before been published.

Hiroshi Sugimoto has defi ned what it means to be a multi-disciplined contemporary artist, blurring the lines between photography, painting, installation, and architecture. Preserving and picturing memory and time is a central theme of Sugimoto’s photography, including the ongoing series Dioramas, Theaters, and Seascapes. His work is held in numerous public collections including The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; The National Gallery, London; The National Museum of Modern Art, Tokyo; Smithsonian Institute of Art, Washington, D.C., and Tate, London, among others.

Text by Hiroshi Sugimoto25.4 x 27.9 cm | 10 x 11 inches176 pages, 130 b&w, clothbound with jacketRights world except FranceISBN 978-88-6208-477-2$60.00 | £40

Hiroshi SugimotoTheaters

Photography

New Titles 7

This is the fi rst book dedicated to the portraiture of legendary photographer Terence Donovan. Donovan’s interest in portraiture spanned the entirety of his four-decade career. During this time, he worked for major British and international magazines including Vogue, Marie Claire, Harper’s Bazaar and Elle. Donovan undertook numerous private portrait commissions, photographing public fi gures from the worlds of the arts, politics, and business, in addition to members of the British Royal family. Some of his many sitters include Yasser Arafat, Naomi Campbell, Sean Connery, Diana Princess of Wales, Laurence Olivier, and Charlotte Rampling, among many others. Along with his iconic portraits, this book will feature unseen work from Donovan’s archive, never previously published or exhibited. It will also include magazine spreads, contact sheets, and pages from diaries and daybooks—rare ephemera that provide a unique insight into Donovan’s working practice.

Terence Daniel Donovan (1936–1996) was an English photographer and fi lm director. Donovan was born in the East End of London and took his fi rst photo at the age of 15. The bomb-damaged industrial landscape of his home town became the backdrop of much of his fashion photography, and he set the trend for positioning fashion models in stark and gritty urban environments. Along with David Bailey and Brian Duff y, he captured, and in many ways helped create, the Swinging London of the 1960s: a culture of high fashion and celebrity chic. Donovan also directed some 3,000 television commercials.

Terence DonovanPortraits

Text by Philippe Garner24.5 x 28 cm | 9 ¾ x 11 inches176 pages, 160 color and b&w, hardboundISBN 978-88-6208-482-6$50 | £35

Photography

New Titles 9

After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper returned to Los Angeles in the mid-1980s. In 1987, Hopper began to use a Polaroid camera to document gang graffi ti. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffi ti had been covered up or written over, reminding him, he said, “that art is everywhere in every corner that you choose to frame and not just ignore and walk by.” The Polaroids presented for the fi rst time in this book are proof of that. Hopper fi rmly considered himself an “Abstract Expressionist and action painter by nature, and a Duchampian fi nger pointer by choice.” Hopper transformed the instantaneous, disposable nature of Polaroid fi lm into pictures as deliberate and fi nal as images achieved by an artist painting on canvas, and these images represent the fi rst part of his journey back to the world of photography, picking up where he had left off in the 1960s. Aaron Rose—curator, fi lm director, and the founder of the legendary Alleged Gallery in New York City—contributes a text, which is informed by his deep connection to the Beautiful Losers generation of artists, including Barry McGee, Mike Mills, Chris Johanson, Ari Marcopoulos, and Ed Templeton. This book is a companion to Drugstore Camera (Damiani, 2015) also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico.

Dennis Hopper (1936–2010) was born in Dodge City, Kansas. He fi rst appeared on television in 1954 and quickly became a cult actor, known for fi lms such as Rebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988, he directed the critically acclaimed Colors. Hopper was also a prolifi c photographer and published now-classic portraits of celebrities such as Andy Warhol and Martin Luther King, Jr. His works are housed in the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Los Angeles County Museum of Art, among others.

Dennis HopperPolaroids

Text by Aaron Rose23.5 x 20.3 cm | 9 ¼ x 8 inches132 pages 120 color, clothboundISBN 978-88-6208-476-5$45 | £30

Photography

New Titles 11

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the fi rst issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. He collaborated on No Soul for Sale—A Festival of Independents, which took place in the Turbine Hall of the Tate Modern in 2010. Cattelan also conceived the art magazines Permanent Food and Charley. Since retiring from art, after the acclaimed 2011 retrospective at the Guggenheim Museum in New York City, he has committed himself to publishing Toiletpaper magazine.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a productive contribution with L’Uomo Vogue that off ered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper. When he is not shooting, he can be found surfi ng in Costa Rica.

Maurizio Cattelan and Pierpaolo FerrariToiletpaper 13

22.5 x 29 cm | 8 ⅞ x 11 ½ inches 40 pages, 22 color, softboundISBN 978-88-6208-490-1$16 | £10

Limited edition of 500 copies with Toiletpaper fanISBN 978-88-6208-501-4$45 | £35

Toiletpaper

New Titles 13

Fashion photographer Alexi Lubomirski was inspired to create this book, which represents diverse beauty without boundaries, after photographing the actress Lupita Nyong’o. Lubomirski was so impressed by Nyong’o’s natural beauty that he felt she didn’t need studio lighting because she radiated light from within. After shooting her, it struck him that he rarely had the chance to photograph beautiful women with a range of diff erent “looks” for professional assignments. Often when he submitted a list of models he was interested in shooting, responses would be along the lines of “We love her, but . . . ”, “Her hair is a problem . . . ”, “She is too dark.” In response, Lubomirski conceived Diverse Beauty, which celebrates many diff erent types of female beauty through sophisticated and lively fashion photographs. Diverse Beauty embraces all beauty and aims to put every type of beauty on a pedestal, so that everyone who looks at it, no matter her race, size, color, or sexual orientation, can identify and see herself as beautiful.

Alexi Lubomirski was born in England to a Peruvian-English mother and a Polish-French father. Lubomirski has become an established name within the fashion industry, shooting for such publications as Harper’s Bazaar, Vogue, Elle, Numéro, W, GQ, and Allure. He has also shot cover stars such as Beyonce Knowles, Charlize Theron, Natalie Portman, Jennifer Lopez, Selma Hayek, Julia Roberts, Nicole Kidman, and Scarlett Johansson, among others. In 2008, Lubomirski had his fi rst exhibition, Transit, at MILK gallery in New York, a mixed media commentary on TV culture, comprised of pre-conceived fi lm stills. In 2014, he published his fi rst photography book, Decade, a collection of his celebrity and fashion work from 2003–13.

Alexi LubomirskiDiverse Beauty

Text by Lupita Nyong’o, Alexi Lubomirski25 x 34.5 cm (9 ⅞ x 13 ½ inches)192 pages, 135 color and b&w, hardbound ISBN 978-88-6208-479-6$50.00 | £35

Fashion & Lifestyle

New Titles 15

Retrospective spans 50 years of extraordinary photographs by this infl uential mid-20th-century fashion photographer. This is the fi rst time Moore’s work has been gathered into a single monograph. This book surveys his career, starting with Harper’s Bazaar in the 1960s, as well as his work for W, Vogue, Clairol, Cover Girl, and many other major publications and brands. Every image is an intricate exploration of space and beauty, showcasing his attention to detail and clever eye. Moore’s work infl uenced a generation of great fashion photographers. Accompanied by text from leading editors, models, photographers, and designers of the day, Retrospective is the original and ultimate collection of James Moore’s astounding career.

After studying with the legendary art director Alexey Brodovitch, James Moore (1936–2007) began working for Harper’s Bazaar in 1962. From the 1970s to the mid-1990s, Moore directed television commercials for Clairol, Cover Girl, and others, as well as working as a photographer. In the 1980s, he shot the majority of the covers for the Italian edition of Harper’s Bazaar. Moore taught photography at the School of Visual Arts in New York City and lectured at the Smithsonian as well as at the Rochester Institute of Photography. In 2004, a retrospective of his work was exhibited at the Carla Sozzani Gallery in Milan.

James MooreRetrospective

24.5 x 31.5 cm | 9 ¾ x 12 ⅜ inches208 pages, 190 color and b&w, hardboundISBN 978-88-6208-494-9$50 | £35

Photography

New Titles 17

Portraits is the fi rst monograph on the work of Antoine Le Grand and spans the 20-year career of this acclaimed celebrity photographer. Taken from the pages of leading fashion and lifestyle magazines such as Vogue, W, GQ, and Vanity Fair, Le Grand’s images provide an astonishing collection of portraits of the actors, musicians, and personalities who enliven our culture. Through his irony, witty storytelling, and concise visual aesthetic, Le Grand has created indelible imagery of celebrities such as Iggy Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim Burton, Woody Allen, and Jean Nouvel. The book includes over 250 portraits and an introduction by the French visionary Jean-Paul Goude.

French photographer Antoine Le Grand was born in 1956 and is widely known for his striking portraits of celebrities. The secret of his work is that he does not shoot “stars” but people and artists that he admires: fi lmmakers, actors and actresses, musicians, architects. He has photographed major fi gures in the contemporary art world, from Marina Abramović to David Lynch, from Charlotte Rampling to Al Pacino. His photography has appeared in Elle, Vanity Fair, The New Yorker, W, Libération, Vogue Hommes, and GQ, among others.

Antoine Le GrandPortraits

Introduction by Jean-Paul Goude27.5 x 27.5 cm | 11 x 11 inches316 pages, 280 color and b&w, hardboundISBN 978-88-6208-503-8$50 | £35

Photography

New Titles 19

Mariano Vivanco’s Portraits Nudes Flowers presents ten years of his photographs of the world’s most fashionable faces, including Cindy Crawford, Rihanna, Lady Gaga, Naomi Campbell, Ricky Martin, Antonio Banderas, Emma Watson, and Sam Smith, among many others. Often in black and white, his portraits, nudes, and editorial work apply the principles of pure photography; using simply light and shade, Vivanco renders visible the natural spirit of the sitter. Nudes have been a part of Vivanco’s work since his early studies in Melbourne, Australia, and have since become an integral part of his signature style. Flowers were also part of his early photographic explorations, and Portraits Nudes Flowers contains a never-before-seen series of his fl ower photographs. With a fresh and unexpected take on these highly popular subjects, Vivanco marries his collection of photographs in a modern way.

Lima-born Mariano Vivanco traveled the world with his family from a young age, leaving Peru at the age of ten and eventually settling in New Zealand, where his interest in photography began. Inspired by photographers such as Edward Steichen and Horst, he moved to London in 2000 to pursue his passion for fashion photography. Since then, he has become a leading editorial photographer, regularly shooting for Vogue, Vanity Fair, GQ, Dazed & Confused, and Numéro, among others. Vivanco has published several books, including Ninety Five Chapel Market (2008). Three of his portraits are in the permanent collection of the National Portrait Gallery in London. Vivanco currently lives in London.

Mariano VivancoPortraits Nudes Flowers

Foreword by Domenico Dolce, Stefano Gabbana. Text by Gianluca Longo. Conversation with Janet Mock24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches224 pages, 200 color, hardboundISBN 978-88-6208-489-5$50 | £35

Photography

New Titles 21

Eric Boman embarked on a career in fashion photography in the early 1970s, working for British Vogue, Harper’s & Queen, and The World of Interiors in London, and Marie Claire in Paris. Assignments or wanderlust took him to locations near and far, always with the same Leicafl ex that he would train on whatever caught his eye. This body of personal work has remained unseen for over 45 years, stored away as 35mm slides. Most of the photographs are devoid of people, in contrast to Boman’s professional work, which has almost always involved some form of portraiture. This book presents the photographs juxtaposed for the visual dialogue that emerges. A photograph of a glass merchant in Morocco faces a nearly identical one of a brass merchant in Tunisia; an image of a manicured Swedish topiary faces a lush rainforest around the corner from Boman’s house; and a sculptural memorial to a fallen soldier in Denmark faces a desert island in the Caribbean. Beautifully designed in collaboration with renowned book designer Miko McGinty, this book is a tribute to the poetry of a well-traveled eye.

Originally Swedish, Eric Boman moved to England in the mid-1960s to enroll at London’s Royal College of Art and subsequently worked as an illustrator and designer in London and Paris. In 1978, having made his name as a fashion photographer, he moved to New York, where his work has been published in Vogue, Vanity Fair, House & Garden, and The New Yorker, among others. His publications include Eric Boman’s Dames (2005), Blahnik by Boman: Shoes, Photographs and Conversation (2005), and Rare Bird of Fashion: The Irreverent Iris Apfel (2007). Boman is a frequent contributor to American Vogue and divides his time between New York and Long Island.

Eric BomanA Wandering Eye. Photographs 1975–2005

Edition of 1,000 numbered copiesText by Kevin Moore23.5 x 17.1 cm (9 ¼ x 6 ¾ inches)128 pages, 120 color, hardboundISBN 978-88-6208-487-1$45 | £30

Photography

New Titles 23

Private Room is a series of photographs of eight diff erent women who Pamela Hanson photographed between 2012 and 2014 at Lafayette House, a small hotel in New York City. Beginning when she photographed Camille Rowe in 2012, the photographs in Private Room progressed into a series of nudes and semi-nudes. Although it began as a personal project, soon after starting Hanson wanted to develop it into a book. Hanson was inspired to shoot in the Lafayette House because of its European feeling. A brownstone built in the 19th century, the hotel is a place of forgotten beauty, with walls lined in gold-leafed wallpaper. Something not seen much in today’s modern New York, it is charming, sexy, romantic, and private. Women photographed by a woman: the intimate and feminine environment captures the essence of each subject. Hanson collaborated with stylist Susan Winget, and together they cast each woman for her individual beauty and personality.

With over 20 years of experience in the fashion industry, Pamela Hanson is a world-renowned photographer whose work has been regularly featured in Porter, Vogue, Vanity Fair, and numerous ad campaigns. Her photographs refl ect contemporary life as seen through the eyes of free-spirited, fun-loving, and fashionable young men and women. Hanson began her career as an assistant to Arthur Elgort. Previous books include Girls (2001) and Boys (2006). She grew up in Geneva, spent 20 years in Paris, and now lives in New York City.

Pamela HansonPrivate Room

Edition of 1,000 numbered copiesText by Jack Pierson17.1 x 22.9 cm (6 ¾ x 9 inches)96 pages, 60 color, clothboundISBN 978-88-6208-491-8$40 | £30

Photography

New Titles 25

Diary of a Set Designer is a book of Polaroids that Happy Massee shot over a 25-year period, while traveling the world as a production designer. This photographic journal is a journey through time—a collection of images taken with the now-defunct Polaroid camera, which at the time was as essential to the art of designing for fi lm as was a measuring tape. The images of personalities, sets, locations, and encounters all tell a story related to Massee’s work and travels, and the people he met while on them. The images in this book, which was designed by Fabien Baron, are raw, unretouched, and candid, and capture his art as well as his life.

After growing up in France and receiving his MFA from the School of Applied Arts in Paris, American-born Happy Massee moved to New York to establish himself as a top production designer. His career has spanned theater, fi lm, commercials, and fashion. He has worked with directors including Wes Anderson, David Lynch, Rob Marshall, and David Fincher. His fi lm credits include Broken English, Welcome to the Rileys, Two Lovers, and The Immigrant. In the world of fashion, he has worked with Mert and Marcus, Inez and Vinoodh, Peter Lindbergh, and Craig McDean. He also received a nomination for Best Production Design at the MTV Music Video Awards for Madonna’s “Take A Bow,” which was elected to the permanent video library of the Museum of Modern Art, New York.

Happy MasseeDiary of a Set Designer

Text by Happy Massee21 x 26 cm | 8 ¼ x 10 ¼ inches160 pages, 140 color, clothboundISBN 978-88-6208-485-7$50 | £35

Photography

New Titles 27

SILENT BEACHES. UNTOLD STORIESN E W Y O R K C I T Y ’ S FO RG OT T E N W A T E R F R O N T

Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront transports the reader into the extraordinary past and present embedded in New York City’s more than 600 miles of coastline through a stunning selection of rare photographs, history, new fi ction, and contemporary art. Each of ten chapters centers on one of New York City’s lesser-known waterfront spaces: Dead Horse Bay, where the pre-automobile city’s legions of horses once met their maker; Hart Island, New York City’s still-active potter’s fi eld, where over 800,000 of New York City’s unclaimed dead have been laid to rest; Sandy Ground, one of the earliest free black communities in the nation, made prosperous through oystering and strawberry farming. Elizabeth Albert has written historical texts on each location, setting the stage where history, fi ction, and image coalesce into a powerful and haunting experience. Silent Beaches features the work of internationally known and notable contemporary artists, including Joel Meyerowitz, Mary Mattingly, Carrie Mae Weems, Joel Sternfeld, and Spencer Finch. Silent Beaches also contains new fi ction by Susan Choi, Nelly Reifl er, Ravi Howard, Antoine Wilson, and others.

Elizabeth Albert is a Brooklyn-based visual artist and Associate Professor at St. John’s University in New York. She has received fellowships from the NEA/Mid-Atlantic Arts Council and the Pollock-Krasner Foundation, Inc., and residencies from Byrdcliff e and the MacDowell Colony. Her paintings are exhibited nationally and are in the collections of the Butler Institute, Youngstown, Ohio; the Naples Art Museum, Florida; and the International Museum of Collage, Assemblage, and Construction, Santa Fe. Silent Beaches, Untold Stories is based on the exhibition she curated for St. John’s University in 2013.

Elizabeth AlbertSilent Beaches, Untold Stories: New York City’s Forgotten Waterfront

Edited by Elizabeth Albert. Text by Elizabeth Albert, Bill Cheng, Susan Choi, Elizabeth Gaff ney, et al.24 x 30 cm | 9 ½ x 11 ⅞ inches128 pages, 80 color and b&w, softcoverISBN 978-88-6208-500-7$39.95 | £30

Contemporary Art

New Titles 29

Absence of Being is a haunting, intensely personal, yet universal exploration of the subconscious world, which began with Susan Burnstine’s fi rst, highly praised monograph, Within Shadows (2011). Burnstine’s creative journey began at the age of four, when she began to suff er from debilitating night terrors. Each morning, her mother encouraged her to try to neutralize the frightening images by reinterpreting them into some positive form of art. The process allowed her to hold this paralyzing unconscious world at bay. Burnstine’s night terrors have continued, with varying degrees of frequency and intensity, to this day. However, rather than let them defi ne her life, Burnstine has chosen to let them defi ne her art. Building on the childhood coping skill fostered by her mother, she now fi nds and captures images that psychologically purge her dreams and better allow her to experience reality. Finding no existing camera that could create what her mind envisioned, Burnstine began to build her own until she arrived at the prototype for the handmade cameras she continues to use. The results are instantly recognizable, dreamlike images, which have been described as 21st century Impressionism, and which speak directly to the viewer’s subconscious.

Susan Burnstine’s work has been widely published and is represented in galleries worldwide. She has had over 25 international solo exhibitions, and her work is held in numerous museum and private collections, including the Museum of Photographic Arts, San Diego; The Museum of Fine Arts, Houston; The University of Maine Museum of Art, Bangor; and The University of Texas Jerry and Marilyn Comer Collection, Dallas, among others. She is also a monthly columnist for Black + White Photography magazine.

Susan BurnstineAbsence of Being

Text by Del Zogg, Chantel Paul, Susan Burnstine24 x 24 cm | 9 ½ x 9 ½ inches96 pages, 80 b&w, hardboundISBN 978-88-6208-475-8$50 | £35

Photography

New Titles 31

Brian Young took the pictures in The Train NYC, 1984, the year he moved to New York, when the city was recovering from an economic depression that began in the mid-1970s but whose eff ects were still quite visible. The loss of manufacturing followed by loss of population to suburbs led to large-scale urban decay and a decline in social services. Abandoned shells of burnt-out cars littered roadways, and muggings were a fact of daily life. The beginnings of the crack cocaine epidemic, with its coincident escalating crime, created an atmosphere of citywide malaise. Graffi ti exploded and spread across the city landscape, in particular on the subway system. Although considered vandalism, graffi ti's proliferation can be thought of as an act of social protest, an outcry for relief and reform, or a platform for the dispossessed. It was a bleak time; it was Gotham.

After moving to New York in 1984 to attend classes the International Center for Photography, he began assisting Eugene Richards in the processing and printing production of materials for publication of the book Below The Line: Living Poor in America (1987). In addition to being a master printer, Brian Young has taught black-and-white photography at International Center of Photography, New York, since 1988 and has taught workshops in numerous countries, including Brazil, Mexico, and Spain. He continues to collaborate with prominent analogue photographers who believe in the unique beauty of fi lm and the gelatin silver print.

Brian YoungThe Train NYC, 1984

30 x 29.8 cm | 8 ¼ x 11 ¾ inches 112 pages, 80 color, hardboundISBN 978-88-6208-492-5$45 | £30

Photography

New Titles 33

Jacqueline Roberts makes portraits on glass and aluminum plates using a 150-year-old technique called wet plate collodion. The long exposures required by the process ease the subjects into detaching themselves from their immediate surroundings; they appear to the viewer almost as if suspended in time and in space. Roberts’s portraits emerge from that captivating state of limbo to evoke the transitional stage from childhood to adolescence. “Nebula,” Latin for mist, refl ects on the turmoil of growing up, with all its relational, psychological, and emotional changes.

Spanish photographer Jacqueline Roberts was born in Paris in 1969. Her portraits have been featured in magazines such as New York Magazine, Royal Photographic Society Journal, Drome, and Photographer’s Companion, among others. She has published three books and has exhibited her work internationally. Roberts lives in Germany.

Jacqueline RobertsNebula

Text by Frank Kalero25.5 x 30 cm | 10 x 11 ⅞ inches144 pages, 87 b&w, hardboundISBN 978-88-6208-486-4$45 | £30

Photography

New Titles 35

Nuevo New York is a collection of portraits and interviews with infl uential Latin Americans who moved to New York City to pursue their goals and ambitions. Each personality is an important fi gure in fashion, the arts, or philanthropy, and has called New York home for at least fi ve years. Readers will become acquainted with how these individuals came to be who they are today and understand how this city has been a muse and a keystone to their success. Nuevo New York showcases the great diversity of the Latin American community in the thriving cultural and artistic capital of the United States.

Hans Neumann was born in 1981 in Lima, Peru, and moved to new York in 2004, beginning his career assisting fashion photographers including fellow Peruvian Mario Testino. Neumann shoots editorial photography for clients such as Interview, W, and Condé Nast. He also shoots for J Crew, Stuart Weitzman, David Yurman, Armani Exchange, and Maybelline.

Born in Durango, Mexico, Gabriel Rivera-Barraza is the founder and president of GRB Communications, which develops and positions emergent Latin talents. He consults for a select group of artists and international brands, including the Spanish luxury fashion house Delpozo. He is also the chair of the Young International Circle for El Museo del Barrio, New York, where he has led fundraising activities.

Hans Neumann and Gabriel Rivera-BarrazaNuevo New York

Text by Ben Rodriguez-Cubeñas, Hans Neumann, Gabriel Rivera-Barraza25.5 x 30 cm | 10 x 11 ⅞ inches176 pages, 98 color and b&w, hardboundISBN 978-88-6208-495-6$50 | £35

Photography

New Titles 37

Australiana is the result of a cross-continental road trip photographer Simon Eeles took in his homeland of Australia after years of working in the U.S. and other countries. When he returned, he spent time at his mother’s house in Tasmania. Playing with his camera, he showed his nieces and nephews what it was their uncle had been doing during his long time away from home. Spending time with the people he loved, he noticed something in those moments. It was something about the hard Australian light and his family’s honest youthfulness that seemed very Australian. Roberts believes that Australia’s culture is “colorful and loud in a land of hardness,” and that this is due to the country’s perceived “newness” and even naivety. Australiana presents a portrait of the people who reside in the geographically separated, diverse landscapes that make up this unique country.

Born on a small dairy farm in Longford, Tasmania, in 1983, Simon Roberts Eeles studied photography at the Royal Melbourne Institute of Technology. He won Harper’s Bazaar’s young photographer of year in 2009 and was runner-up in the ANIYFF awards in 2010. He assisted acclaimed fashion photographer Craig McDean from 2012–15.

Simon EelesAustraliana

24.1 x 30.5 cm | 9 ½ x 12 inches96 pages, 60 color, hardboundISBN 978-88-6208-499-4$35 | £25

Photography

New Titles 39

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For the past eight seasons, photographer Landon Nordeman has infi ltrated the world of fashion, shooting hundreds of shows backstage at fashion weeks in New York, Milan, and Paris. Originally commissioned by New York magazine and the New York Times, Nordeman’s inimitable eye brings a fresh and bold perspective to contemporary photography. Nordeman sees photographs where most people don’t and has gained a cult following on Instagram for his surprising images, which are fi lled with vivid color, complex gesture, and funny juxtapositions. Searching for the eternal in the ephemeral, Nordeman blurs the line between reality and fi ction, document and art, and shows the exclusive world of fashion to itself and to us like never before.

For more than a decade, Landon Nordeman has traveled the world to photograph gatherings of people at animal competitions, sporting events, political rallies, and in the world of fashion. His photographs have appeared in The New Yorker, Time, Vanity Fair, and Vogue, among others. His photographs are in the collections of the Museum of Fine Arts Houston and the Columbus Museum of Art. Nordeman lives and works in New York City. This is his fi rst monograph.

Landon NordemanOut of Fashion

23.5 x 16 cm | 9 ¼ x 6 ¼ inches128 pages, 112 color, hardboundISBN 978-88-6208-496-3$45 | £30

Photography

New Titles 41

FAQ is an art publication conceived and edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. The fi rst volume will be published to coincide with the tenth anniversary edition of Le Dictateur, and will then be published annually. FAQ, or Frequently Asked Questions, references an attempt to synthesize a recurrent fl ow, a tenor, an ideal visual representation of a given and very subjective “now.” Born out of an acute image consumption disorder, FAQ refl ects the mental assimilation of a relentless roving within physical and virtual art spaces: from galleries to Tumblr accounts, museums, or artists studios. It can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object that you can leaf and scroll through. Far from being a rational enterprise, its lack of rules, hierarchy, order—or concept for that matter—make it expressly and brazenly as personal and biased as possible. FAQ refl ects the obsessive mannerism of its authors. The fi rst issue includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith Bernstein, among many others.

FAQ

Edited by Maurizio Cattelan, Myriam Ben Salah15.5 x 21 cm | (6 x 8 ¼ inches)120 pages, 80 color, accordion foldISBN 978-88-6208-502-1$35 | £25

Contemporary Art

New Titles 43

Surrounded and inspired by a group of powerful female artists, Xavier Guardans created Self-Portraits over more than a decade, a body of work that exudes the confi dence of women in the 21st century. Rooted in the classicism of his European origins, Guardans returns to black-and-white photography in his third publication with a new perspective in portraiture, subverting the common understanding of self and the relationship between photographer and subject. This new book off ers his interpretation of the interchangeable roles of masculine and feminine today. Guardans utilizes the voice of each artist to accompany the images. What results is a personal narrative of their experience with the artist in nature. The intriguing balance of his vision with the selection of abstract surfaces and textures makes this a timeless, poignant volume.

Fine art photographer Xavier Guardans was born in Barcelona and currently lives and works in Brooklyn, New York. Guardans’s previous publications include Traveling Lights (2015) and Windows (2014), both published by Damiani.

Xavier GuardansSelf-Portraits

Text by Emilie Lee, Sarita Louise Moore, Anja Skidan, Grace Villamil28 x 28 cm | 11 x 11 inches96 pages, 46 b&w, clothbound with jacketISBN 978-88-6208-484-0$50 | £35

Photography

New Titles 45

Curt Richter’s portraits reveal insights into his sitters beyond the visible surface. His ability to connect to his subjects is apparent in their faces, and their candor makes evident the trust he gains. He approaches portraiture with the belief that a photograph can steal a bit of a subject’s soul. The intention with all his photographs, regardless of the subject matter, is to create a storyline. The narrative thread that bonds Thousand Words is the Key West Literary Seminar. There is probably no island in the world that holds the literary heritage that Key West can claim. For the last eight years, Richter has photographed anyone involved with the seminar willing to sit for a portrait, and this series documents a slice of time in a community with a long history.

Curt Richter was born and raised in New York City and picked up his fi rst camera at the age of 12. Those streets, movie theaters, and museums were a fertile playground for anyone hoping to become an artist. He has received many grants and commissions including a Guggenheim Fellowship and commissions from the N.E.A. and N.E.H. His prints are in numerous public collections including the Museum of Modern Art, New York; The National Portrait Gallery, Washington, D.C.; Victoria and Albert Museum, London; and Bibliothèque Nationale, Paris. His fi rst monograph, A Portrait of Southern Writers, was published in 2000. He moved to Finland as a Fulbright Senior Scholar in 1997 and continues to work and live in New York and Helsinki.

Curt RichterThousand Words. Portraits from the Key West Literary Seminar

Text by Ann Beattie29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches96 pages, 48 b&w, hardboundISBN 978-88-6208-478-9$45 | £30

Photography

New Titles 47

No Circus brings together a collection of Randi Malkin Steinberger’s photographs of buildings tented for termite fumigation around Los Angeles. Randomly coming across these shrouded structures aroused her sense of wonder from the time she arrived in this city in the early 1990s. Whenever she spotted the colorful stripes, she pulled her car off the road to photograph them, knowing that the tent could be undraped at any moment. Intrigued by the way the colors and shapes of the tents “show off ” the forms below and highlight the beauty of the poor plants on the outside, still fl ourishing, unaware that they are slowly being poisoned. These cloaked structures are ubiquitous in the Los Angeles landscape yet they are most often seen as a mere fl ash of color as one drives by. Beyond their intended purpose of fumigation, they unwittingly allow us to stop and contemplate not only architectural form and the meaning of home, but also the Southern California lifestyle that currently has all eyes upon it.

Randi Malkin Steinberger is an American photographer and documentary fi lmmaker whose work has been shown worldwide. Malkin Steinberger’s experience as a photographer and fi lmmaker was shaped by her studies in Italy, where she lived for ten years while launching a photography school and gallery. She has produced artists’ books that are now part of the permanent collections of New York’s Museum of Modern Art and The Whitney Museum of American Art, and The Art Institute and Museum of Contemporary Art in Chicago. Malkin Steinberger’s documentary fi lms include Holi-days, which was shot in Jerusalem, Florence, and Las Vegas, and aired on the Sundance Channel. She is represented by Sears Peyton Gallery in New York and Los Angeles. Malkin Steinberger resides in Los Angeles.

Randi Malkin SteinbergerNo Circus

Text by D.J. Waldie22.9 x 17.8 cm | 9 x 7 inches128 pages, 69 color, hardboundISBN 978-88-6208-480-2$35 | £25

Photography

New Titles 49

In NYC Marathon: Do Not Cross, the Milanese photographer Marco Craig gathers the photos he took as he ran the New York City Marathon. Craig describes his experience at the most famous marathon in the world through images from inside the race and not from the edges, thus off ering a perspective from someone who experiences the atmosphere and the energy of the competition in person. “The idea was to produce portraits of the real element that nourishes and makes this race special: the public,” says Craig. “Every year, tens of thousands of people pour into the streets to encourage all the participants in the Marathon. Through the boroughs of Brooklyn, Queens, the Bronx, and Manhattan, the crowd accompanies you with its support, aff ection, inventiveness, off ering water and food, encouraging you and screaming the name printed on your shirt. And all this even manages to give you respite from the atrocious eff ort needed to fi nish the race. New York can be a cruel and merciless city, but not on the day of the Marathon.”

Marco Craig, born in Milan in 1970, began his career as an assistant at the prestigious photography studio Ballo&Ballo. He has collaborated with signifi cant fashion and design magazines such as Wallpaper, Vogue, Elle Decor, Io Donna, Vanity Fair, Brutus Japan, and many others. He has also collaborated with major Italian and international advertising agencies. Aside from photographing for fashion and design, Craig is responsible for the international public image of artists in the music world, as well as advertising campaigns for international brands such as Diesel, Audi, Trussardi, Ikea, and L’Oréal.

Marco CraigNYC Marathon: Do Not Cross

Text by Federico Rampini30.5 x 22.9 cm | 12 x 9 inches 80 pages, 60 color, hardboundISBN 978-88-6208-497-0$45 | £30

Photography

New Titles 51

In The Persephones, internationally known poet Nathaniel Tarn and photographer Joan Myers have collaborated on an elegant retelling of the myth of Persephone’s abduction by Hades into the Underworld. First published in 1974, and again in 2009 in a limited collector’s edition (both of which are out of print), Tarn’s poems have attracted a devoted readership. This beautifully designed and produced edition pairs the poems with Myers’s stunning photographs, many of which were shot at the sites from which the myth originated.

Nathaniel Tarn is an American poet, essayist, translator, and former publisher whom poet and critic Kenneth Rexroth has called “one of the most outstanding poets of his generation.” He has published over 30 books in his various disciplines and his work has been translated into ten languages.

Joan Myers is the author of Fire and Ice: Timescapes (Damiani, 2014). Her highly acclaimed work has been the focus of three Smithsonian exhibitions, more than 50 solo and 80 group shows, and eight books. Her work is held in the permanent collections of Bibliothèque National de Paris, Center for Creative Photography in Tucson, and the Museum of Modern Art in New York, among others.

Joan Myers and Nathaniel TarnThe Persephones

Edition of 500 numbered copiesText by Nathaniel Tarn18 x 23.8 cm | 7 x 9 inches60 pages, 30 color, hardboundISBN 978-88-6208-498-7$40 | £30

Photography

New Titles 53

Collector’s Editions

New for fall 2016Edition of 25 signed and numbered printsCash Meier Barn, 2012Archival inkjet print Image size: 35.5 x 27.7 cm (14 x 11 inches)Sheet size: 50.8 x 40.6 cm (20 x 16 inches)

Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks24.8 x 34.3 cm (9 ¾ x 13 ½ inches)140 pages, 73 color, hardboundISBN 978-88-6208-470-3$600 | £450

Andrew MooreDirt Meridian

Carrie Mae WeemsKitchen Table Series

Kitchen Table Series is the fi rst publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships—with lovers, children, friends—and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness, and solitude. Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist’s words “unrequited love.” The collector’s edition of Kitchen Table Series includes a signed and numbered silver gelatin print of Untitled (Man Reading Newspaper), 1990/1999.

The acclaimed photographer Andrew Moore takes to the air to create an intimate vision of the High Plains. The title refers to the 100th meridian, the longitude that neatly bisects the United States and has long been considered the dividing line between the fertile green East and dry brown West. Much of the meridian traverses America’s “fl yover country,” those remote and sparsely populated landscapes with a long history of repeated drought and failed dreams. Yet other parts of the meridian overlap bustling and contentious zones such as the heavily fracked Bakken formation in North Dakota. Dirt Meridian interweaves both these stories together: the enduring myths and rich history of a place where so little meets the eye, alongside a portrayal of those who continue to live amidst its vast and severe magnifi cence. The collector’s edition of Dirt Meridian includes a signed and numbered color print of Cash Meier Barn, 2012.

New for fall 2016Edition of 25 signed and numbered printsUntitled (Man Reading Newspaper), 1990/1999Silver gelatin print Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches)Sheet size: 27.7 x 35.5 cm (11 x 14 inches)

Text by Sarah Lewis and Adrienne Edwards24.8 x 34.3 cm (9 ¾ x 13 ½ inches)86 pages, 34 b&w, hardbound with jacketISBN 978-88-6208-471-0$3,000 | £2,200

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Edition of 15 signed and numbered printsPalais Garnier, 2009C-printImage size: 35.6 x 28.2 cm | 14 x 11 inchesSheet size: 38.1 x 30.5 cm | 15 x 12 inches

Text by Plácido Domingo, Marvin Heiferman, Thomas Mellins33.8 x 28 cm | 13 ¼ x 11 inches120 pages, 40 color, clothbound with jacketISBN 978-88-6208-440-6Release date: spring 2016$700 | £490

Photographing the interiors of some of the most storied and illustrious opera houses around the world, David Leventi has constructed an arresting, visually rich survey of grand architecture. Opera brings together in one publication images from over 40 opera houses, spanning four continents and over 400 years of history, and includes a foreword by Plácido Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous approach to his subject, revealing these temples of music in all their wealth of architectural detail and design. The collector’s edition of Opera includes a color print of Palais Garnier, 2009.

David LeventiOpera

Dennis HopperPolaroids

New for fall 2016Edition of 25 numbered printsUntitled (Diamonds), 1987Giclée printImage size: 19.1 x 19.3 cm (7 ½ x 7 ⅝ inches)Sheet size: 21.5 x 25.5 cm (8 ½ x 10 inches)

Text by Aaron Rose23.5 x 20.3 cm | 9 ¼ x 8 inches132 pages 120 color, clothboundISBN 978-88-6208-488-8$500 | £350

This limited edition of Polaroids (see p. 11) includes a numbered print of Untitled (Diamonds), 1987, which has been certifi ed authentic by the Hopper Art Trust.


Each an edition of 25 signed and numbered printsTop: Lightning Fields 289, 2014Bottom: Lightning Fields 304, 2014Gelatin silver printsImage size: 25.5 x 32 cm | 10 x 12 ⅝ inchesSheet size: 27.5 x 34.2 cm | 10 ⅞ x 13 ½ inchesISBN 978-88-6208-460-4$11,000 | £7,200

An exclusive edition of 50 copies of The Long Never includes one signed and numbered copy of the book and one of two silver gelatin prints by Sugimoto, Lightning Fields 289 or Lightning Fields 304. Each artwork, which the artist produced for this edition only, was printed in an edition of 25 with 5 artist’s proofs. Each numbered print is signed by Sugimoto. The book and print are housed in a custom-made brushed aluminum box.

Hiroshi SugimotoThe Long Never

The Long Never is a unique collector’s edition book containing 65 artworks by Hiroshi Sugimoto. Composed of photographs from fi ve series—Meteorites, Dioramas, Pre-Photographic Time Recording Devices, Lightning Fields, and Seascapes—the sequence of images conjures a natural history of the planet, perhaps even one untouched by humans. The black-and-white photographs are hand-tipped onto the pages of the book, which is wrapped in silk cloth. Celebrated author Jonathan Safran Foer has written an original story. Foer’s text sits on the page underneath each artwork, so the reader must lift up each photograph in order to read the story.

The Long Never is limited to an edition of 360 copies. Three hundred copies of the edition, signed and numbered by Sugimoto, are available with a custom-made brushed aluminum slipcase.

Edition of 300 signed and numbered booksText by Jonathan Safran Foer26.6 x 35.5 cm | 10 ½ x 14 inches140 pages, 65 b&w, clothbound with aluminum slipcaseRelease date: fall 2014ISBN 978-88-6208-384-3$750 | £500

58

Joel MeyerowitzMorandi’s Objects

Edition of 25 signed and numbered printsThe Last Object, 2015Archival digital printImage size: 22.8 x 28 cm (9 x 11 inches)Sheet size: 25.4 x 30.5 cm (10 x 12 inches)ISBN 978-88-6208-453-6

Edition of 25 signed and numbered printsWhite Bottles, 2015Archival digital printImage size: 22.8 x 28 cm (9 x 11 inches)Sheet size: 25.4 x 30.5 cm (10 x 12 inches)ISBN 978-88-6208-473-4

Text by Joel Meyerowitz, Maggie Barrett25.4 x 32 cm (10 x 12 5/8 inches)116 pages, 65 color, clothboundRelease date: spring 2016$1,000 / £750

In the spring of 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied, and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-fi lled bottles, silk fl owers, tins, cans, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. Meyerowitz’s portraits of these dusty, aged objects are not only works of art themselves, but they off er insight into the humble subjects that Morandi transformed into his subtle and luminous paintings. For this collector’s edition of Morandi’s Objects, Joel Meyerowitz has printed an edition of 25 each of the photographs The Last Object and White Bottles.


Edition of 25 signed and numbered printsFeet I, 2014C-printImage size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inchesSheet size: 21.6 x 28 cm | 8 ½ x 11 inches

Text by Marie-Agnès Gillot21.5 x 28.7 cm | 8 ½ x 11 ¼ inches68 pages, 40 b&w, hardboundRelease date: spring 2016ISBN 978-88-6208-467-3$450 | £290

Matthew BrookesLes Danseurs

Peter SchlesingerA Photographic Memory 1968–1989

The photographs of artist Peter Schlesinger are a visual diary of an extraordinary life that has intersected with some of the brightest names in the worlds of art, fashion, and society. Schlesinger’s remarkable journey began in 1966 when, as an 18-year-old student at UCLA, he met the artist David Hockney. The couple moved to London, where Schlesinger met and photographed luminaries including Cecil Beaton, Paloma Picasso, and Manolo Blahnik. This monograph presents the full range of Schlesinger’s photographic work. The collector’s edition includes a signed and numbered color print of The Deck at La Piscine Deligny, 1975.

Matthew Brookes’s style of photography leans toward the natural, raw emotion of his subjects. In his fi rst book, Brookes has turned his lens toward the professional male ballet dancers of Paris. For a year in the life of these dancers, he took them out of their regular environment of rehearsals and performances and photographed them in a raw space, where they were allowed to explore the physicality of dance in its essential form. Brookes’s stunning series of portraits depicts the pure physicality of the male dancer. This collector’s edition includes a signed and numbered black-and-white print of Feet I, 2014.

Edition of 30 signed and numbered printsThe Deck at La Piscine Deligny, 1975C-printImage size: 30. 5 x 22.8 cm | 12 x 9 inchesSheet size: 35.5 x 28 cm | 14 x 11 inches

Text by Peter Schlesinger, Hilton Als24.8 x 28.6 | 9 ¾ x 11 ¼ inches176 pages, 150 color, hardboundRelease date: spring 2016ISBN 978-88-6208-459-8$500 | £300

60

Edition of 17 unique signedand numbered prints, mattedContainer, 2014C-printImage size: 28.4 x 35.4 cm | 11 x 14 inchesSheet size: 37 x 44.5 cm | 14 x 17 ½ inches

35 x 28 cm | 13 ¾ x 11 inches176 pages, 120 color, hardboundRelease date: fall 2014ISBN 978-88-6208-375-1$3,000 | £2,000

For his series Lakes & Reservoirs, Matthew Brandt photographed lakes and reservoirs in the western United States and then submerged each print in water collected from the subject of the photograph. Prints are soaked for days, weeks, or even months, and this process infl uences the layers of color that comprise the image. The resulting photographs range from mostly representational to completely abstract. This series considers the current condition not only of our lakes and reservoirs, but also of traditional color photography. This edition of Lakes & Reservoirs is limited to 17 copies and includes the book and a unique matted print numbered and signed by the artist. Each of the 17 prints in the Lakes & Reservoirs series is titled Container, plus its unique number. The prints comprising this collector’s edition are not reproduced in the book.

Matthew BrandtLakes & Reservoirs

Dan MartensenWolves Like Us: Portraits of the Angulo Brothers

Edition of 25 signed and numbered printsMukunda as Death in the Graveyard, 2015C-printImage size: 20.5 x 26.5 cm | 8 x 10 ½ inchesSheet size: 21.6 x 28 cm | 8 ½ x 11 inches

Text by Crystal Moselle, Joseph Akel21.6 x 28 cm | 8 ½ x 11 inches160 pages, 168 color, softcoverRelease date: spring 2016ISBN 978-88-6208-461-1$300 | £200

In 2010, photographer Dan Martensen was introduced to the Angulo brothers by fi lmmaker Crystal Moselle, who had just begun work on her hit documentary The Wolfpack. The fi lm chronicles the lives of six home-schooled boys, who gained most of their knowledge of the outside world from the movies they watched at home. Confi ned to their four-bedroom apartment in New York City’s Lower East Side for 14 years, the siblings recreated cult-classic fi lms, fashioning props as well as costumes from the contents of their apartment. Martensen photographed the boys, capturing the cinema-inspired world they had created, while also documenting their fi rst forays into to the world outside. The collection of intimate portraits and still lifes in Wolves Like Us adds another layer to the captivating story of the Angulo brothers and is a testament to the enduring spirit of creativity. The collector’s edition of Wolves Like Us includes a signed and numbered color print of Mukunda as Death in the Graveyard, 2015.


Edition of 50 signed and numbered printsCasa de Verano, El Vedado, 1999Archival inkjet printImage size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inchesSheet size: 30 x 38 cm | 11 ¾ x 15 inches

Text by Joel Smith, Orlando Luis Pardo Lazo40 x 30 cm | 15 ¾ x 11 ¾ inches128 pages, 68 color, hardbound with slipcaseRelease date: fall 2012ISBN 978-88-6208-258-7$750 | £500

Cuba off ers a series of poignant interiors that display the changing fortunes of the country over its 500-year history, with portraits and landscapes that hint at the changes coming to this island nation. Originally published as Inside Havana in 2002 to wide acclaim, this new version expands that book with fi ner and larger reproductions, older photographs never before seen or published, as well as new work made specifi cally for this edition. This collector’s edition includes a signed and numbered photograph and is housed in a slipcase.

Also availableEdition of 300 signed and numbered booksISBN 978-88-6208-236-5$150 | £100

Andrew MooreCuba

Joseph SzaboRolling Stones Fans

Edition of 20 signed and numbered printsDelight, 1978Gelatin silver printImage size: 25.4 x 33 cm | 10 x 13 inchesSheet size: 27.9 x 33.5 cm | 11 x 14 inches

24.5 x 22.5 cm | 9 ¾ x 9 inches104 pages, 100 b&w, hardboundRelease date: fall 2014ISBN 978-88-6208-435-2$650 | £450

On June 17th, 1978, Joe Szabo accompanied two of his high school students to a Rolling Stones concert. The kids needed the ride from Philadelphia to JFK Stadium in Long Island, New York, and Szabo thought he would be able to take some good photographs. Thirty-fi ve years after the event, Szabo selected the best shots from that day when 90,000 fans gathered to hear the Stones and presents them here in Rolling Stones Fans. This collector’s edition is limited to 20 copies and includes a signed and numbered print, Delight.

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Edition of 50 signed and numbered printsWaiting Room with Snowdrift, 2008Archival C-printImage size: 28 x 35.5 cm | 11 x 14 inchesSheet size: 30.5 x 38 cm | 12 x 15 inches

Text by Andrew Moore, Philip Levine34.5 x 27 cm | 13 ½ x 10 ½ inches128 pages, 70 color, hardbound with jacket and slipcaseRelease date: fall 2010ISBN 978-88-6208-140-5$ 750 | £500

Andrew MooreDetroit Disassembled

For Andrew Moore, the wonder of Detroit’s transformation is its demonstration of nature’s power to devour, and, through destruction, to renew. He has remarked, “One could say that Detroit has become America’s version of an open city. It’s been left undefended against an onslaught of scrappers, vandals, and the forces of nature. It’s a city of hundreds, if not thousands, of empty homes, apartment buildings, factories, libraries, hospitals, schools, and churches. All are abandoned and most are unguarded, barely salvageable, and slated for demolition that gets delayed year after year.” His depiction of Detroit questions what the changing, precarious future of America holds.

This collector’s edition of Detroit Disassembled includes the book and one of the two prints at left, signed, numbered, and titled on its verso. Moore printed these photographs in 2015 in an edition of 5 copies each.

Each an edition of 5 signed and numbered printsTop: National Time, 2009Bottom: The Rouge, 2008Archival inkjet prints Image size: 42.6 x 53.3 cm | 16 ¾ x 21 inches Sheet size: 50.7 x 60.8 cm | 20 x 23 ⅝ inchesISBN 978-88-6208-118-4RT (National Time)ISBN 978-88-6208-118-4FR (The Rouge)$4,000 | £2,700


Julian WasserThe Way We Were: The Photography of Julian Wasser

Ari MarcopoulosShit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos

Edition of 50 signed and numbered printsMarcel Duchamp and Eve Babitz, 1963Silver gelatin printImage size: 30.7 x 20.5 cm | 12 x 8 inchesSheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches

Edited by Brad Elterman24.1 x 31.7 cm | 9 ½ x 12 ½ inches144 pages, 150 b&w, hardbound with slipcaseRelease date: fall 2014ISBN 978-88-6208-377-5$700 | £420

Edition of 25 signed and numbered prints, matted Maurizio Cattelan by Ari Marcopoulos, 2014C-printImage size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inchesSheet size: 30.5 x 45.6 cm | 12 x 18 inches

Edited by Maurizio Cattelan, Myriam Ben Salah, Marta Papini23 x 29 cm | 9 x 11 ½ inches160 pages, 120 color, softcoverRelease date: fall 2014ISBN 978-88-6208-409-3$500 | £350

This long-overdue monograph presents an astonishing panorama of a bygone Los Angeles from photographer Julian Wasser. The Way We Were is replete with iconic images such as a 1968 shot of Joan Didion leaning against a Corvette Stingray in Hollywood. But photographs of Jack Nicholson and Angelica Huston at Nicholson’s Mulholland Drive home, or the Fonda family lined up on the family sofa, paint a picture of a very private Hollywood of the 1960s and 70s, when privacy was possible and celebrity culture had not yet completely consumed the country. This collector’s edition includes a numbered and signed photograph and is issued in a cloth slipcase. Wasser’s famous print captures Marcel Duchamp playing chess with a naked Eve Babitz at his seminal 1963 exhibition at the Pasadena Art Museum.

Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos is a limited edition that includes a portrait of Maurizio Cattelan by Ari Marcopoulos, the book Shit and Die, and a zine by Marcopoulos. Shit and Die was published to accompany an exhibition of the same name at Palazzo Cavour in Turin, curated by Cattelan, Myriam Ben Salah, and Marta Papini in 2014. Marcopoulos’s zine documents the exhibition backstage.

64

Derek Ridgers78–87 London Youth

Tom BianchiFire Island Pines: Polaroids 1975–1983

Edition of 15 signed and numbered printsTuinol Barry, Kings Road, 1983C-printImage size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inchesSheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches

Text by John Maybury21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches160 pages, 120 b&w, hardboundRelease date: fall 2014ISBN 978-88-6208-405-5$650 | £450

Edition of 67 signed and numbered printsUntitled, 250, 1978Giclée printImage size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inchesSheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches

Edited by Ben Smales. Text by Edmund White, Tom Bianchi21.5 x 25.5 cm | 8 ½ x 10 inches212 pages, 350 color, hardcover with jacket and slipcase Release date: spring 2014ISBN 978-88-6208-314-0$750 | £500

Taken in the streets, clubs, basements, and bars of London between 1978 and 1987, this book brings together an incredible series of images from the British photographer Derek Ridgers. Since fi rst picking up a camera in 1971, Ridgers has felt compelled to record the characters that make up the social scenes around him. These photographs bridge the extremities of youth culture in the U.K., from punk through the birth of acid house, and document the changing faces of fashion, music, and culture through individuals and infl uential social scenes in a time of DIY attitudes. This collector’s edition includes the numbered and signed print Tuinol Barry, Kings Road.

Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one, he found a photograph of bodybuilder Glenn Bishop on Fire Island. Years later, Bianchi began traveling to New York and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, parties, and private moments. These photos, accompanied by Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines conjures a magical bygone era. This collector’s edition of 67 numbered copies comes in an orange cloth slipcase with a tipped-in cover image and contains a signed and numbered giclée print.


Nick WaplingtonAlexander McQueen: Working Process

Jessica Todd HarperThe Home Stage

Edition of 100 signed and numbered printsUntitled, 2009C-printImage size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inchesSheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches

Edited by Alexander McQueen, Nick Waplington. Text by Susannah Frankel26.3 x 30.5 cm | 10 ⅜ x 12 inches304 pages, 200 color, hardcover with jacket and slipcaseRelease date: spring 2014ISBN 978-88-6208-356-0$1,500 | £990

Edition of 15 signed and numbered printsSelf Portrait with Nicholas, Becky, and Marshall, 2009Inkjet pigment printImage size: 35.5 x 28 cm | 14 x 11 inchesSheet size: 38 x 30.5 cm | 15 x 12 inches

Text by Alain de Botton, Alison Nordström28 x 24 cm | 11 x 9 ½ inches112 pages, 50 color, hardboundRelease date: fall 2014$650 | £450ISBN 978-88-6208-406-2

In 2008, Alexander McQueen commissioned the photographer Nick Waplington to document the creation of his Fall 2009 collection—all the way from inception to runway showing. Unfortunately, this fall/winter collection was to be the last that McQueen would stage before his untimely death. Every step of the creative process is documented in fascinating detail, and readers receive a rare insight into the inner workings of McQueen’s creative process. Waplington was given unprecedented access to McQueen and his staff , including Sarah Burton, the current creative director. Most notably, McQueen edited the sequence of photographs in the book’s layout. This collector’s edition includes a signed and numbered print and is housed in a linen slipcase.

The title of Jessica Todd Harper’s The Home Stage is a double entendre that alludes to both the homebound lifestyle of families with small children as well as to the idea that home is the stage on which children fi rst learn how to live. Her nuanced treatment of her subjects and environs, coupled with her elegant compositions, unique color palette, and theatrical handling of light transforms each room and yard into stage sets. No detail is left untouched by her eye. Private but universal, she is genuine, tender, uninhibited, and humorous. This collector’s edition includes the signed and numbered print Self Portrait with Nicholas, Becky, and Marshall.

66

Richard CormanMadonna NYC 83

Xavier GuardansWindows

Edition of 50 signed and numbered printsCinderella, 1983Archival pigment printImage size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inchesSheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches

24 x 31.5 cm | 9 ½ x 12 ½ inches96 pages, 80 color and b&w, clothbound with slipcaseRelease date: spring 2014ISBN 978-88-6208-346-1$750 | £500

Edition of 25 signed and numbered printsNangorot. Turkana, Loiyangalani, 2006Archival pigment printImage size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inchesSheet size: 28 x 28 cm | 11 x 11 inches

Text by Christopher Harth, Amanda Schmitt28 x 28 cm | 11 x 11 inches80 pages, 25 b&w, clothbound with jacket and slipcaseRelease date: fall 2014ISBN 978-88-6208-350-8$390 | £250

Madonna NYC 83 celebrates a moment in early 1980s New York that has been reappraised in recent years for its fecund interactions and overlaps between the worlds of fashion, art, and music. The vital, edgy restlessness in the city spawned adventurous personal styles and music that merged rap, funk, punk, and pop. Madonna represented this sensibility like no one else, and she was determined to defi ne a look for herself, and to carve out a space in the public imagination. After her countless subsequent incarnations over the past three decades, it is extraordinary to revisit these early years. This collector’s edition is housed in a silk slipcase and includes a signed and numbered print, Cinderella.

Windows is the debut volume of photographer Xavier Guardans. The photographs in Windows were taken in 2006 while he was exploring the Kenyan bush. Guardans’ portraits of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot people were shot through the window of his Toyota Land Cruiser. His world is both dark and light, expressed elegantly through black-and-white fi lm. The balance in these images is both solid and ephemeral. This collector’s edition is housed in a slipcase and includes a signed and numbered print.


Tierney GearonAlphabet Book

Klaus MitteldorfWork: Klaus Mitteldorf Photographs 1983–2013

Edition of 100 signed and numbered printsInstant Incognito, 2010Archival pigment printImage size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inchesSheet size: 24 x 18 cm | 9 ½ x 7 inches

23.5 x 16.5 cm | 9 ¼ x 6 ½ inches56 pages, 25 color, hardcover with jacket and slipcaseRelease date: spring 2014ISBN 978-88-6208-351-5$490 | £330

Edition of 10 signed and numbered printsTributo a Tarsila, 1997Ultrachrome inkjet printPrint size: 45.1 x 30 cm | 17 ¾ x 11 ¾ inchesSheet size: 48.9 x 33.8 cm | 19 ¼ x 13 ¼ inches

Text by Rubens Fernades Junior, Simonetta Persichetti, Diogenes Moura24 x 30 cm | 9 ½ x 11 ¾ inches360 pages, 800 color and b&w, softcoverEnglish & PortugueseRelease date: spring 2015ISBN 978-88-6208-425-3$600 | £450

This book by Tierney Gearon takes the form of a children’s alphabet book. Each letter of the alphabet is illustrated with a photograph by Gearon that animates the letter: A is “Airplane Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and so on. At once an inventive photo book and an enchanting take on the classic children’s alphabet book, this volume is Gearon’s most charming and lighthearted work to date. This collector’s edition includes a signed and numbered color print.

Work: Klaus Mitteldorf Photographs 1983–2013 is a catalogue raisonné of the work of Brazilian photographer Klaus Mitteldorf from 1983 to 2013. Now primarily involved in fashion photography, Mitteldorf began his career as a surf photographer in Brazil in the 1970s. This collector’s edition includes the numbered and signed photograph Tributo a Tarsila.

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Ed TempletonDeformer

Edition of 200 signed and numbered printsCross, 2004C-printImage size: 20.3 x 29 cm | 8 x 11 ⅜ inchesSheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches

24 x 29 cm | 9.5 x 11.5 inches176 pages, 150 color, hardboundRelease date: fall 2008ISBN 978-88-6208-060-6$600 | £300

Eleven years in the making and compiling more than 30 years worth of material, Ed Templeton’s Deformer is a multimedia scrapbook of his upbringing in suburban Orange County, California. Its photographs give a sun-drenched glimpse of what it might be like to be young and alive in what Templeton refers to as “the suburban domestic incubator.” Deformer intertwines photographs, paintings, drawings, sketchbook pages, disciplinary letters from his grandfather, and religious notes from his mother into a magnifi cent narrative of teenage isolation and social criticism. This collector’s edition includes a signed and numbered photograph.


Toiletpaper

Maurizio Cattelan and Pierpaolo FerrariToiletpaper Volume II: Platinum Collection23.8 x 34.5 cm | 9 ½ x 13 ½ inches240 pages, 200 color, hardboundLimited to 1,000 copiesIncludes Toiletpaper watchISBN 978-88-6208-445-1$150 | £100

InI

Toiletpaper is an artists’ magazine and book series created by Maurizio Cattelan and Pierpaolo Ferrari, born out of a shared obsession with images. Each picture in a Toiletpaper publication springs from an idea, often simple, but through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Toiletpaper creates a world that displays ambiguous narratives and a troubled imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The resulting publications are themselves works of art that, through the accessible and widely distributed media of magazines and books, challenge the limits of the contemporary art economy.

Maurizio Cattelan and Pierpaolo FerrariToiletpaper Diamond CollectionLimited edition of 1,000 copies includes the book and a special issue magazine22.9 x 30.5 cm | 9 x 12 inchesBook: 256 pages, 150 color, hardbound with jacketMagazine: 40 pages. 20 color, softcoverISBN 978-88-6208-347-8$130 | £85

Maurizio Cattelan and Pierpaolo FerrariToiletpaper Volume II22.9 x 30.5 cm | 9 x 12 inches240 pages, 200 color, hardbound$65 | £45ISBN 978-88-6208-427-7

Toiletpaper

Kenzine is a collaboration between Toiletpaper magazine and the Parisian clothing label Kenzo. Founder Kenzo Takada is known for his synthesis of Japanese style with Parisian high fashion. The current creative directors, Humberto Leon and Carol Lim, embarked on the Kenzine project with Kenzo’s avant-garde aesthetic sense. Set in a graphic and futuristic universe, the magazine conveys an optimistic utopia with an element of surprise. The viewer witnesses at once something instantly recognizable and familiar, but upon closer refl ection records an observation into the unknown. The images in Kenzine contain subtle visual tricks that become more powerful the longer you are exposed to them.

Maurizio Cattelan and Pierpaolo FerrariToiletpaper Volume I (second edition, red cover)Edited by Dennis Freedman22.9 x 30.5 cm | 9 x 12 inches232 pages, 150 color, hardbackISBN 978-88-6208-210-5$65 | £40

72

Maurizio Cattelan and Pierpaolo FerrariToiletpaper Magazine 722.5 x 29 cm | 9 x 11 ½ inches40 pages, 22 color, softcoverISBN 978-88-6208-280-8 $16 | £10





Maurizio Cattelan and Pierpaolo FerrariToiletpaper Magazine 1222.5 x 29 cm | 9 x 11 ½ inches40 pages, 22 color, softcoverISBN 978-88-6208-428-4$16 | £10

Kenzo and ToiletpaperKenzine Vol. 122.5 x 29 cm | 9 x 11 ½ inches40 pages, 22 color, softcoverISBN 978-88-6208-343-0 $35 | £25




Toiletpaper 73

Backlist

Mark AbrahamsText by James Frey24 x 31.4 cm | 9 ½ x 12 ½ inches304 pages, 150 b&w, clothboundRights world except GermanyISBN 978-88-6208-138-2$70 | £45

James CasebereWorks 1975–2010Edited and with text by Okwui Enwezor. Text by Toni Morrison, Hal Foster, Ford Morrison29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches320 pages, 250 color, hardbound with jacketISBN 978-88-6208-186-3$80 | £50

Cass BirdRewildingText by Sally Singer, Jack Halberstam18 x 24 cm | 7 x 9 ½ inches88 pages, 42 b&w, clothboundISBN 978-88-6208-218-1$35 | £20

Marco AnelliPortraits in the Presence of Marina AbramovićText by Marina Abramović, Klaus Biesenbach, Chrissie Iles 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches192 pages, 1,600 color, softcoverISBN 978-88-6208-249-5$40 | £25

Tom BianchiFire Island Pines: Polaroids 1975–1983Edited by Ben Smales. Text by Edmund White, Tom Bianchi21.5 x 25.5 cm | 8 ½ x 10 inches212 pages, 150 color, hardbound with jacketISBN 978-88-6208-270-9$50 | £35

Matthew BrookesLes DanseursText by Marie-Agnès Gillot21.5 x 28.7 cm | 8 ½ x 11 ¼ inches68 pages, 40 b&w, hardboundISBN 978-88-6208-433-8$45 | £30

Matthew BrandtLakes & Reservoirs35 x 28 cm | 13 ¾ x 11 inches176 pages, 120 color, hardboundISBN 978-88-6208-374-4$65 | £40

Photography

Kristin CappBrasilText by Paulo Venancio Filho, Sergio Alcides22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches120 pages, 98 b&w, hardboundEnglish & PortugueseISBN 978-88-6208-455-0$40 | £25

Stephanie BergerMerce Cunningham: Beyond the Perfect StageText by Nancy Dalva22.8 x 22.8 cm | 9 x 9 inches96 pages, 100 color, hardbound with slipcaseISBN 978-88-6208-465-9$50 | £35

Mariam AmurvelashviliEndless Questions22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches112 pages, 70 b&w, hardboundISBN 978-88-6208-447-5$35 | £24

76

Gusmano CesarettiFragments of Los Angeles, 1969–1989In association with Alleged PressEdited by Aaron Rose. Text by Jeff rey Deitch, Michael Mann24 x 30.5 cm | 9 ½ x 12 inches 164 pages, 100 b&w, hardboundISBN 978-88-6208-275-4$50 | £35

Mariana CookJustice: Faces of the Human Rights RevolutionText by Anthony Lewis 25 x 29.2 cm | 9 ⅞ x 11 ½ inches216 pages, 99 b&w, clothbound with jacketISBN 978-88-6208-261-7$50 | £35

Ludovic CesariDamiani Factory Text by Phil Bicker24 x 28 cm | 9 ½ x 11 inches160 pages, 100 color, hardboundISBN 978-88-6208-421-5$40 | £25

Mariana CookStone Walls: Personal BoundariesText by Wendell Barry, Susan Allport, Lucy Breathitt, Thomas Cummins, Robert O. Paxton, et al28 x 28 cm | 11 x 11 inches192 pages, 82 b&w, hardbound with sleeveISBN 978-88-6208-169-6$50 | £35

Richard CormanMadonna NYC 8324 x 31.5 cm | 9 ½ x 12 ½ inches96 pages, 80 color and b&w, clothboundISBN 978-88-6208-288-4$49.95 | £34

Alessandro Cosmelli and Gaia LightBrooklyn BuzzText by Gavin Keeney, Jamie Wellford16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches208 pages, 94 color, softcoverISBN 978-88-6208-241-9$40 | £25

Alessandro Cosmelli and Gaia LightMilano Buzz17.1 x 22.8 cm | 6 ¾ x 9 inches208 pages, 120 color, softcover ISBN 978-88-6208-393-5$40 | £25

Stéphane CoutelleInsomnies24 x 17 cm | 9 ½ x 6 ¾ inches160 pages, 100 color, clothboundISBN 978-88-6208-303-4$40 | £25

Michel ComteMichel Comte and MILK: A Collaboration 1996–2016Interview by Bobby Woods24.1 x 34 cm | 9 ½ x 13 ⅜ inches336 pages, 265 color, clothbound with jacketISBN 978-88-6208-446-8$75 | £50

Chris CraymerFrom the Heart24.1 x 30.5 cm | 9 ½ x 12 inches192 pages, 48 color, 87 b&w, hardboundISBN 978-88-6208-452-9$50 | £35

Backlist 77

Hans FeurerText by Gianni Jetzer24 x 34 cm | 9 ½ x 13 ½ inches200 pages, 175 color, clothboundISBN 978-88-6208-292-1$65 | £40

Tierney GearonAlphabet Book23.5 x 16.5 cm | 9 ¼ x 6 ½ inches56 pages, 26 color, hardbound with jacketISBN 978-88-6208-320-1$40 | £25

Ron GalellaNew YorkEdited by Nick Vogelson. Text by William Van Meter22.8 x 28 cm | 9 x 11 inches176 pages, 150 b&w, hardboundISBN 978-88-6208-355-3$49.95 | £34

Greg GormanOutside the StudioText by James Nachtwey, Greg Gorman30.5 x 30.5 cm | 12 x 12 inches156 pages, 140 b&w, hardbound with jacketISBN 978-88-6208-391-1$50 | £30

FischerspoonerEgosEdited by Meredith Mowder. Text by Klaus Biesenbach, Gavin Brown, Jeff rey Deitch, Warren Fischer, Casey Spooner24.2 x 28 cm | 9 ½ x 11 inches 96 pages, 70 color, hardboundISBN 978-88-6208-429-1$45 | £30

Brad EltermanDog Dance: The Photographs of Brad EltermanEdited by Sandy Kim. Text By Olivier Zahm16.8 x 23.8 cm | 6 ½ x 9 ½ inches96 pages, 100 color and b&w, hardboundISBN 978-88-6208-297-6$35 | £25

Deborah FeingoldMusicIntroduction by Anthony DeCurtis25.4 x 25.4 cm | 10 x 10 inches108 pages, 60 b&w, hardboundISBN 978-88-6208-311-9$45 | £30

Philip-Lorca diCorciaElevenEdited by Dennis Freedman. Interview by Jeff Rian24.8 x 33 cm | 9 ½ x 13 inches272 pages, 144 color, hardbound with jacketISBN 978-88-6208-167-2$75 | £50

Sasha EisenmanCalifornia Girls24.2 x 30 cm | 9 ½ x 11 ¾ inches240 pages, 200 color, softcoverISBN 978-88-6208-366-9$50 | £35

Cheryl DunnFestivals Are GoodIn association with Standard Press29.2 x 19 cm | 11 ½ x 7 ½ inches128 pages, 80 color, hardboundISBN 978-88-6208-466-6$40 | £25

78

Torkil GudnasonBody Vase25.4 x 30.5 cm | 10 x 12 inches80 pages, 70 color, clothboundISBN 978-88-6208-296-9$40 | £25

Philippe HalsmanPhilippe Halsman’s Jump Book22 x 28 cm | 8 ⅝ x 11 inches96 pages, 194 b&w, hardbound with jacketISBN 978-88-6208-420-8$45 | £30

Charles HarbuttDepartures and Arrivals24 x 29 cm | 10 ½ x 11 ½ inches120 pages, 93 b&w, clothboundISBN 978-88-6208-243-3$50 | £35

Xavier GuardansWindowsText by Christopher Harth, Amanda Schmitt28 x 28 cm | 11 x 11 inches80 pages, 25 b&w, clothboundISBN 978-88-6208-323-2$60 | £39

Xavier GuardansTraveling LightsText by Amelia Rina 27.9 x 27.9 cm | 11 x 11 inches84 pages, 39 b&w, clothboundISBN 978-88-6208-387-4$50 | £30

Dennis HopperDrugstore CameraEdited by Michael Schmelling. Text by Marin Hopper23.5 x 20.3 cm | 9 ¼ x 8 ½ inches96 pages, 60 b&w, clothboundISBN 978-88-6208-403-1$45 | £30

Jessica Todd HarperInterior ExposureText by Larry Fink. Interview by Sarah A. McNear28 x 24 cm | 11 x 9 ½ inches112 pages, 50 color, hardboundEnglish & ItalianISBN 978-88-6208-016-3$45 | £24.99

Jessica Todd HarperThe Home StageText by Alain de Botton, Alison Nordström28 x 24 cm | 11 x 9 ½ inches112 pages, 50 color, hardboundISBN 978-88-6208-364-5$45 | £30

Daniel KingUkraine Youth, Between Days22.8 x 30.5 cm | 9 x 12 inches96 pages, 80 color, hardboundISBN 978-88-6208-398-0$40 | £25

David Lykes KeenanFair WitnessText by Eli Reed24.1 x 20.3 cm | 9 ½ x 8 inches160 pages, 100 b&w, hardboundISBN 978-88-6208-389-8$45 | £29

Backlist 79

Magnum Photos with Reda: 15024 x 28 cm | 9 ½ x 11 inches180 pages, 102 color and b&w, clothboundISBN 978-88-6208-408-6$50 | £35

Eric MailletSilent ConversationsText by Jérôme Sans24.6 x 30.5 cm | 9 ¾ x 12 inches192 pages, 150 color and b&w, hardboundISBN 978-88-6208-415-4$50 | £35

Joan LiftinMarseille30.5 x 23.5 cm | 12 x 9 ¼ inches112 pages, 64 b&w, hardboundISBN 978-88-6208-449-9$50 | £35

Lima, PeruEdited by Mario Testino. Text by Mario Vargas Llosa23 x 33 cm | 9 x 13 inches224 pages, 190 color, hardboundEnglish, Italian & SpanishISBN 978-88-89431-92-4$65 | £35

David LachapelleLandscapeText by Shana Nys Dambrot, Paul Watson33 x 30 cm | 13 x 11 ¾ inches88 pages, 80 color, softcoverISBN 978-88-6208-331-7$45 | £29

Gillian LaubSouthern Rites24.1 x 26.7 cm | 9 ½ x 10 ½ inches160 pages, 100 color, clothboundISBN 978-88-6208-413-0$50 | £35

Jeremy KostFracturedInterview by Franklin Sirmans. Text by Glenn O’Brien, Garrett Neff 23 x 28 cm | 9 x 11 inches208 pages, 180 color, hardboundISBN 978-88-6208-363-8$49.95 | £35

David LeventiOperaText by Plácido Domingo, Marvin Heiferman, Thomas Mellins33.8 x 28 cm | 13 ¼ x 11 inches120 pages, 40 color, clothbound with jacketISBN 978-88-6208-397-3$50 | £30

Julien LevyEvery Day Is Doomsday28 x 19 cm | 11 x 7 ½ inches144 pages, 110 color, clothboundISBN 978-88-6208-442-0$50 | £35

Lipstick Flavor: A Contemporary Art Story with PhotographyEdited by Jérôme Sans, Marla Hamburg Kennedy24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches208 pages, 120 color and b&w, hardboundISBN 978-88-6208-426-0$50 | £35

80

Ari MarcopoulosOut & AboutIn association with Alleged PressEdited by Aaron Rose. Text by Harmony Korine, Diego Cortez24 x 31.5 cm | 9 ½ x 12 ½ inches248 pages, 200 b&w, clothbound with sleeveItalian & EnglishISBN 978-88-89431-13-9$65 | £35

Dan MartensenPhotographs from the American Southwest30 x 24.5 cm | 11 ¾ x 9 ½ inches100 pages, 60 color, clothboundISBN 978-88-6208-232-7$50 | £35

Caleb Cain MarcusGoddessText by Richard Ford25 x 29.1 cm | 8 ½ x 11 ½ inches116 pages, 90 color, hardboundISBN 978-88-6208-418-5$50 | £35

William MeyersOuter Boroughs: New York Beyond Manhattan22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches208 pages, 160 b&w, hardbound with jacketISBN 978-88-6208-401-7$50 | £30

Sabine Mirlesse As If It Should Have Been a QuarryDamiani FactoryText by Eduardo Cadara30 x 24 cm | 11 ¾ x 9 ½ inches64 pages, 60 color, clothboundISBN 978-88-6208-310-2$40 | £25

Bart MichielsThe Course of HistoryText by Sonja Fessel, Simon Schama31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches156 pages, 70 color, clothboundISBN 978-88-6208-305-8$65 | £39

Dan MartensenWolves Like Us: Portraits of the Angulo BrothersText by Crystal Moselle, Joseph Akel21.6 x 28 cm | 8 ½ x 11 inches160 pages, 168 color, softcoverISBN 978-88-6208-443-7$35 | £24

Rania MatarL’Enfant-FemmeIntroduction by Her Majesty Queen Noor. Text by Lois Lowry, Kristen Gresh24.1 x 31.7 cm | 9 ½ x 12 ½ inches152 pages, 97 color, clothboundISBN 978-88-6208-450-5$50 | £35

Joel MeyerowitzMorandi’s ObjectsText by Joel Meyerowitz, Maggie Barrett25.4 x 32 cm | 10 x 12 ⅝ inches116 pages, 65 color, clothboundISBN 978-88-6208-453-6$50 | £35

Klaus MitteldorfNextText by Joseph Akel25 x 30.5 cm | 9 ⅞ x 12 inches96 pages, 60 color, hardboundISBN 978-88-6208-456-7$50 | £35

Backlist 81

Tom MunroText by Madonna. Interview with Pierre Alexandre de Looz 24 x 34 cm | 9 ½ x 13 inches240 pages, 127 color and b&w, clothbound with jacketISBN 978-88-6208-125-2$75 | £50

Andrew MooreDirt MeridianText by Kent Haruf, Toby Jurovics, Inara Verzemnieks34.5 x 27.9 cm | 13 ½ x 11 inches132 pages, 60 color, hardboundISBN 978-88-6208-412-3$50 | £35

Andrew Moore Detroit Disassembled22.5 x 33 cm | 10 x 13 inches 136 pages, 70 color, hardboundISBN 978-88-6208-118-4$50 | £34.95

Andrew Moore CubaText by Joel Smith, Orlando Luis Pardo Lazo40 x 30 cm | 15 ¾ x 11 ¾ inches128 pages, 68 color, hardboundISBN 978-88-6208-252-5$75 | £50

Carlo MollinoPolaroidsText by Fulvio Ferrari, Napoleone Ferrari, James Crump, Silvio Curto21.5 x 26.5 cm | 8 ½ x 10 ½ inches288 pages, 400 color, clothboundISBN 978-88-6208-378-2$65 | £40

Elizabeth PeytonPortrait of an Artist: Photographs 1994–2008Text by Richard Klein, Rirkrit Tiravanija28 x 20 cm | 11 x 8 inches112 pages, 62 color, clothboundISBN 978-88-6208-077-4$45 | £24.99

Marc Ohrem-LeclefOlympic FavelaText by Luis Perez-Oramas, Itamar Silva, David Kelley24.1 x 31.1 cm | 11 x 11 inches88 pages, 50 color, hardboundISBN 978-88-6208-338-6$50 | £30

Joan MyersFire and Ice: TimescapesText by Joan Myers, Kathleen Stewart Howe31.1 x 24.1 cm | 12 ¼ x 9 ½ inches 160 pages, 140 color, hardboundISBN 978-88-6208-392-8$50 | £30

Christine OsinskiSummer Days Staten IslandInterview by A. H. Data. Text by Paul Moakley30.5 x 24.1 cm | 12 x 9 ½ inches96 pages, 51 b&w, hardboundISBN 978-88-6208-448-2$40 | £25

Klaus MitteldorfWork: Photographs 1983–201324 x 30 cm | 9 ½ x 11 ¾ inches360 pages, 800 color and b&w, softcover English & PortugueseISBN 978-88-6208-291-4$50 | £35

82

Portraits of an Urban Hymn

HIP HOPPHOTOGRAPHS

DAVID SCHEINBAUM

Giuseppe PinoThe Way They Were: Portraits & Stories from the 20th Century30 x 30 cm | 11 ¾ x 11 ¾ inches304 pages, 250 b&w, hardboundISBN 978-88-6208-341-6$70 | £45

David ScheinbaumHip Hop: Portraits of an Urban HymnText by Brian Hardgrove, Michael Eric Dyson, Gaye Theresa Johnson. Interview with Frank H. Goodyear III26 x 30 cm | 10 ¼ x 11 ¾ inches160 pages, 100 color and b&w, hardboundISBN 978-88-6208-273-0$50 | £34

Lynn SavilleDark City: Urban America at NightText by Geoff Dyer33.8 x 27 cm | 13 ¼ x 10 ⅝ inches128 pages, 80 color, hardboundISBN 978-88-6208-411-6$50 | £35

Derek Ridgers78–87 London YouthText by John Maybury21.5 x 31.5 cm | 8 ½ x 12 ½ inches160 pages, 120 b&w, hardboundISBN 978-88-6208-359-1$50 | £30

Peter SchlesingerA Photographic Memory 1968–1989Text by Peter Schlesinger, Hilton Als24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches176 pages, 150 color, hardboundISBN 978-88-6208-436-9$50 | £35

David SeltzerKnowledge of the RawText by Eric Fischl24.1 x 30.4 cm | 9 ½ x 12 inches160 pages, 100 color and b&w, hardboundISBN 978-88-6208-417-8$45 | £30

Andres SerranoHoly WorksText by Germano Celant, James Frey24 x 31 cm | 9 ½ x 12 inches112 pages, 60 color, clothboundISBN 978-88-6208-209-9$50 | £30

David Benjamin SherryIt’s TimeText by Neville Wakefi eld22 x 30 cm | 9 x 12 inches96 pages, 60 color, clothboundISBN 978-88-6208-093-4$50 | £29.99

Terry RichardsonTerrywoodText by Jeff rey Deitch, Al Moran25 x 30 cm | 10 x 12 inches228 pages, 150 color, hardbound with jacketISBN 978-88-6208-251-8$60 | £40

Norma I. QuintanaCircus: A Traveling LifeText by Mona Simpson28 x 28 cm | 11 x 11 inches144 pages, 120 b&w, hardboundISBN 978-88-6208-365-2$60 | £39

Backlist 83

ERICA SIMONE

NUE YORK

Brian Bowen SmithProjects24 x 30.5 cm | 9 ½ x 12 ½ inches168 pages, 100 b&w, hardboundISBN 978-88-6208-263-1$60 | £40

Aaron SternI Woke Up in My ClothesText by David Wagoner, Rich Appel24 x 30 cm | 9 ½ x 11 ¾ inches96 pages, 50 color, clothboundISBN 978-88-6208-352-2$45 | £25

Joseph SzaboRolling Stones Fans24.5 x 22.5 cm | 9 ¾ x 9 inches104 pages, 100 b&w, hardboundISBN 978-88-6208-399-7$39 | £25

Hiroshi SugimotoSeascapes25.2 x 27.8 cm | 10 x 11 inches272 pages, 213 b&w, clothbound with jacketRights world EnglishISBN 978-88-6208-416-1$70 | £45

Hiroshi SugimotoDioramas25.2 x 27.8 cm | 10 x 11 inches118 pages, 56 b&w, clothbound with jacketRights world except FranceISBN 978-88-6208-327-0$65 | £40

Joni SternbachSurf Site Tin TypeText by Lyle Rexer, April M. Watson, Chris Malloy, Johnny Abegg30.5 x 24.8 cm | 12 x 9 ¾ inches192 pages, 123 b&w, hardboundISBN 978-88-6208-380-5$45 | £29

Michael ThompsonPortraitsEdited by Vince Aletti. Text by Julianne Moore26 x 33 cm | 10 x 13 inches216 pages, 147 color, clothbound with jacketEnglish, Italian & FrenchRights world except Germany and AsiaISBN 978-88-6208-156-6$65 | £45

Alexey TitarenkoThe City Is a NovelText by Alexey Titarenko, Gabriel Bauret, Brett Abbott, Sean Corcoran24.1 x 26.7 cm | 9 ½ x 10 ½ inches208 pages, 122 b&w, clothbound with jacketISBN 978-88-6208-414-7$60 | £40

Erica SimoneNue York: Self-Portraits of a Bare Urban Citizen30.5 x 24.7 cm | 12 x 9 ¾ inches88 pages, 48 color, hardboundEnglish & FrenchISBN 978-88-6208-464-2$40 | £25

David Benjamin SherryQuantum Light Text by Collier Schorr 21 x 27 cm | 8 ¼ x 10 ⅝ inches72 pages, 70 color, clothboundISBN 978-88-6208-213-6$50 | £30

84

Charles H. TraubDolce Via: Italy in the 1980’sText by Max Kozloff , Luigi Ballerini30 x 24 cm | 11 ¾ x 9 ½ inches112 pages, 60 color, hardboundISBN 978-88-6208-344-7$50 | £30

Jork WeismannAsleep at the ChateauText by Bret Easton Ellis33 x 24 cm | 12 x 9 inches184 pages, 87 color, clothboundISBN 978-88-6208-242-6$50 | £35

Amani Willett Disquiet Damiani Factory16.5 x 24 cm | 6 ½ x 9 ½ inches128 pages, 60 color, clothboundISBN 978-88-6208-274-7$40 | £25

James WellingGlass HouseText by Noam Elcott, Sylvia Lavin 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches112 pages, 45 color, hardboundISBN 978-88-6208-161-0$50 | £35

Diego UchitelPolaroidsText by Diane von Furstenberg25 x 31.5 cm | 9 ¾ x 12 ½ inches240 pages, 200 color and b&w, clothboundISBN 978-88-6208-239-6$50 | £35

Carlo Van de RoerThe Portrait Machine Project Damiani Factory24,5 x 30.5 cm | 9 ¾ x 12 inches88 pages, 40 color, clothboundISBN 978-88-6208-268-6$40 | £25

Julian WasserThe Way We Were: The Photography of Julian WasserEdited by Brad Elterman. Text by Julian Wasser24.1 x 31.7 cm | 9 ½ x 12 ½ inches176 pages, 150 b&w, hardboundISBN 978-88-6208-349-2$60 | £39

Ben WattsMontauk Dreaming22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches144 pages, 140 color, hardboundISBN 978-88-6208-388-1$45 | £29

Stephan WürthIkingaText by Joseph Akel24.1 x 24.1 cm | 9 ½ x 9 ½ inches72 pages, 31 color, clothboundISBN 978-88-6208-444-4$45 | £30

Charles H. TraubLunchtime21.5 x 21.5 cm | 8 ½ x 8 ½ inches140 pages, 100 color, hardboundISBN 978-88-6208-423-9$45 | £30

Backlist 85

Fashion & Lifestyle

Harri PeccinottiH.P.Text by Derek Birdsall23 x 30 cm | 9 ½ x 12 inches228 pages, 200 color, hardbound with jacketEnglish & ItalianISBN 978-88-6208-074-3$60 | £34

Ara GallantEdited by David Wills. Text by Anjelica Huston23.5 x 31 cm | 9 ½ x 12 ½ inches260 pages, 100 color, hardboundEnglish & FrenchISBN 978-88-6208-120-7 (English)ISBN 978-88-6208-126-9 (French)$60 | £39

Fashion at the Time of Fascism: Italian Modernist Lifestyle, 1922–1943Edited by Mario Lupano, Alessandra Vaccari23 x 29.5 cm | 9 x 11 ½ inches400 pages, 700 color and b&w, hardboundEnglish & ItalianISBN 978-88-6208-051-4 (English)ISBN 978-88-6208-061-3 (Italian)$60 | £39

MaripolLittle Red Riding HoodText by Maripol. Conversation with Marc Jacobs24 x 30 cm | 9 ½ x 11 ½ inches268 pages, 350 color, hardboundEnglish & FrenchISBN 978-88-6208-136-8 (English)ISBN 978-88-6208-143-6 (French)$65 | £40

Embroidery Italian FashionText by Giusy Ferra, Valentino, Gianfranco Ferre, Anna Molinari, Roberto Cavalli, et al24 x 31.5 cm | 9 ½ x 12 ½ inches280 pages, 240 color, clothbound with embroideryEnglish & ItalianISBN 978-88-89431-23-8 (English)ISBN 978-88-89431-39-9 (Italian)$99 | £60

Bob RecineAlchemy Of BeautyText by René Ricard. Photographs by Mario Sorrenti, Robbie Fimmano and Bob Recine 24 x 31.2 cm | 9 ½ x 12 inches 164 pages, 130 color and b&w, hardbound with jacketISBN 978-88-6208-212-9$65 | £40

Nick WaplingtonAlexander McQueen: Working ProcessEdited by Alexander McQueen and Nick Waplington. Text by Susannah Frankel24 x 29 cm | 9 ½ x 11 ½ inches304 pages, 160 color, hardbound with jacketISBN 978-88-6208-295-2$60 | £40

Stephen Sprouse: Xerox / Rock / Art: An Archive of Drawings and Ephemera 1970s–1980sEdited by Carol McCranie, Javier Magri. Text by Debbie Harry, Carol McCranie21.5 x 28 cm | 8 ½ x 11 inches208 pages, 200 color, hardboundISBN 978-88-6208-370-6$50 | £35

Vivienne Westwood ShoesEdited by Luca Beatrice, Matteo Guarnaccia24 x 31.5 cm | 9 ½ x 12 ½ inches192 pages, 120 color, hardbound with sleeveEnglish & ItalianISBN 978-88-89431-84-9 (English)ISBN 978-88-89431-83-2 (Italian)$65 | £39

Nick WaplingtonThe Isaac Mizrahi Pictures: New York City 1989–199325 x 28.4 cm | 9 ⅞ x 11 ¼ inches168 pages, 119 color, hardboundISBN 978-88-6208-451-2$50 | £35

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Colors: A Book About a Magazine About the Rest of the WorldText by Francesco Bonami. Interview with Luciano Benetton and Oliviero Toscani24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches240 pages, 300 color, clothbound with jacketISBN 978-88-6208-424-6$50 | £35

Okwui Enwezor and Chika Okeke-AguluContemporary African Art Since 198024 x 31.5 cm | 9 ½ x 12 ½ inches368 pages, 400 color, softcoverISBN 978-88-6208-092-7$60 | £45

Johan CretenIn association with Galerie PerrotinText by Jan Hoet. Interview by Léa Chauvel-Lévy21 x 27 cm | 8 ¼ x 10 ½ inches264 pages, 200 color, hardboundISBN 978-88-6208-308-9$50 | £34

Monir Shahroudy FarmanfarmaianCosmic GeometryEdited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist24.5 x 29.4 cm | 9 ½ x 11 ½ inches296 pages, 200 color, clothboundISBN 978-88-6208-175-7$70 | £45

Jennifer BartlettEpic SystemsText by Barry Schwabsky28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches88 pages, 75 color, clothboundISBN 978-88-6208-410-9$45 | £30

Electrical Banana: Masters of Psychedelic ArtText by Paul McCartney, Norman Hathaway, Dan Nadel23.5 x 26 cm | 9 ½ x 10 ¼ inches208 pages, 150 color, softcoverISBN 978-88-6208-204-4$39.95 | £27

Daniel FirmanIn association with Galerie PerrotinText by Emmanuel Latreille, Thierry Raspail. Interview by Hou Hanru21 x 27 cm | 8 ¼ x 10 ½ inches192 pages, 250 color, hardboundISBN 978-88-6208-309-6$40 | £25

DzineNailed: The History of Nail Culture and DzineIn association with Standard PressText by Kim Hastreiter, Luis Gispert, Yone, Jamel Shabazz, Fred Braithwaite a.k.a. Fab 5 Freddy24.4 x 29.3 cm | 9 ½ x 11 ½ inches216 pages, 290 color, hardboundISBN 978-88-6208-205-1$45 | £30

Daniel BrushText by Oliver Sacks, David Revere McFadden, Brett Littman. Interview by Paul Keegan34.2 x 33 cm | 13 ½ x 13 inches276 pages, 250 color, hardbound with jacketRights world except USAISBN 978-88-6208-278-5$85 | £50

Contemporary Art

Fischerspooner: New TruthEdited with text by Meredith Mowder. Text by Klaus Biesenbach, Gavin Brown, Jeff rey Deitch, Warren Fischer, Casey Spooner24.2 x 28 cm | 9 ½ x 11 inches256 pages, 220 color, hardboundISBN 978-88-6208-328-7$50 | £35

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Natalie FrankTales of the Brothers Grimm Drawings by Natalie Frank. Edited by Karen Marta. Text by Claire Gilman, Linda Nochlin, Julie Taymor, Jack Zipes22.8 x 30.5 cm | 9 x 12 inches272 pages, 250 color, hardboundISBN 978-88-6208-386-7$60 | £39

JR and Art SpiegelmanThe Ghosts of Ellis Island21.7 x 27 cm | 8 ½ x 10 ½ inches120 pages, 90 color, hardboundISBN 978-88-6208-395-9$39.95 | £25

Barry McGeeIn association with Alleged PressEdited by Aaron Rose24 x 31.5 cm | 9 ½ x 12 ½ inches204 pages, 200 color, hardboundISBN 978-88-6208-096-5$49.95 | £29.99

JR and José ParláThe Wrinkles of the City: Havana CubaIn association with Standard PressText by Clara Astiasarán, Janet Batet, Michael Betancourt, Jeff rey Deitch30 x 30 cm | 11 ¾ x 11 ¾ inches160 pages, 150 color, hardbound with jacketISBN 978-88-6208-250-1$49.95 | £35

Chris JohansonPlease Listen I Have Something to Tell You About What IsIn association with Alleged PressText by Aaron Rose, Sean Kennerly, Jack Hanley24 x 31.5 cm | 9 ½ x 12 ½ inches208 pages, 180 color, hardboundEnglish & ItalianISBN 978-88-89431-45-0$50 | £27.50

Gianni MottiIn association with Galerie PerrotinText by Elisabeth Lebovici, Françoise Ninghetto, Marie-Olivier Wahler, Jade Lindgaard, Fabrice Stroun, et al21 x 27 cm | 8 ¼ x 10 ⅝ inches240 pages, 200 color and b&w, hardboundISBN 978-88-6208-361-4$50 | £34

Mike MillsGraphics / FilmsIn association with Alleged Press24 x 31.5 cm | 9 x 12 inches164 pages, 100 b&w, hardboundEnglish & ItalianISBN 978-88-6208-075-0$50 | £24.99

Parallel Views: Italian and Japanese Art from the 1950s, 60s and 70sEdited and with text by by Allan Schwartzman. Text by Joshua Mack, Carolyn Christov-Bakargiev, Nicholas Cullinan, Ming Tiampo28 x 30.5 cm | 11 x 12 inches408 pages, 249 color, clothbound with jacketISBN 978-88-6208-400-0$75 | £45

Kaz OshiroIn association with Galerie PerrotinText by Michael Duncan, Ed Schad21 x 27 cm | 8 ¼ x 10 ½ inches144 pages, 120 color, hardboundISBN 978-88-6208-342-3$40 | £25

José ParláIn Medias ResText by Manon Slome, Greg Tate, Carlo McCormick, Michael Betancourt, Isolde Brielmaier, et al24 x 29.2 cm | 9 ½ x 11 ½ inches256 pages, 220 color, hardboundISBN 978-88-6208-362-1$60 | £39

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José ParláSegmented RealitiesText by Michael Rooks, Rey Parlá, Steve Swieter, Mike Jensen, Farzad24 x 29.2 cm | 9 ½ x 11 ½ inches96 pages, 70 color, hardboundISBN 978-88-6208-422-2$45 | £30

Carlos RolonBoxed: A Visual History and the Art of BoxingEdited and with text by Carlos Dzine Rolon. Text by Franklin Sirmans24 x 29.2 cm | 9 ½ x 11 ½ inches208 pages, 150 color, hardboundISBN 978-88-6208-354-6$60 | £39

Paola PiviIn association with Galerie PerrotinText by Massimiliano Gioni, Jens Hoff mann21 x 27 cm | 8 ¼ x 10 ½ inches192 pages, 100 color, hardboundISBN 978-88-6208-319-5$50 | £34

Shit and DieEdited by Maurizio Cattelan, Myriam Ben Salah, Marta Papini23 x 29 cm | 9 x 11 ½ inches152 pages, 100 color, softcoverEnglish & ItalianISBN 978-88-6208-402-4$30 | £19

Kenny ScharfKolorsIn association with Standard PressText by Jeff rey Deitch 21.6 x 26.7 cm | 8 ½ x 10 ½ inches96 pages, 68 color, hardboundISBN 978-88-6208-287-7$40 | £25

Claude RutaultIn association with Galerie PerrotinText by Claude Rutault. Interview by Hans Ulrich Obrist21 x 27 cm | 8 ¼ x 10 ⅝ inches238 pages, 200 color, hardboundISBN 978-88-6208-321-8$50 | £34

John SeversonJohn Severson’s SurfText by Gerry Lopez, Drew Kampion. Interview by Nathan Howe24 x 31 cm | 9 ½ x 12 ¼ inches212 pages, 200 color and b&w, hardboundISBN 978-88-6208-326-3$45 | £29

Tabboo! The Art of Stephen TashjianEdited by Lia Gangitano. Text by Jack Pierson, Elisabeth Kley, Lia Gangitano24 x 30.5 cm | 9 ½ x 12 inches224 pages, 150 color, hardboundISBN 978-88-6208-264-8$50 | £35

Gary SimmonsParadiseText by Gwen Allen, Nancy Princenthal, Charles Wylie. Conversation with Okwui Enwezor24.2 x 29.2 cm | 9 ½ x 11 ½ inches192 pages, 150 color, clothboundISBN 978-88-6208-240-2$50 | £35

Ed TempletonDeformerIn association with Alleged Press24 x 29 cm | 9 ½ x 11 ½ inches176 pages, 150 color and b&w, hardboundISBN 978-88-6208-050-7$55 | £25

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Cy TwomblyParadiseEdited by Julie Sylvester. Text by Walter Hartsarich, Gabriella Belli, Philip Larratt-Smith25 x 34.5 cm | 9 ¾ x 13 ½ inches172 pages, 90 color, clothbound with jacketISBN 978-88-6208-376-8$60 | £39

Peter ZimmermannIn association with Galerie Perrotin21 x 27 cm | 8 ¼ x 10 ½ inches96 pages, 250 color, hardboundISBN 978-88-6208-307-2$40 | £25

Moby Destroyed29 x 22.8 cm | 11 ½ x 9 inches128 pages, 55 color, hardback, includes Destroyed CDEnglish, Italian, German, Spanish & FrenchISBN 978-88-6208-155-9$39.95 | £25

Keziah Jones and Native MaqariCaptain Rugged16.5 x 24 cm | 6 ½ x 9 ½ inches120 pages, 110 color, hardbound, includes a card to download an album by Keziah JonesEnglish & FrenchISBN 978-88-6208-340-9 (English)ISBN 978-88-6208-336-2 (French)$45 | £29

Sound ZeroTexts by Fabio de Luca, Uwe Husslein, Aaron Rose, Valerio Dehò16.5 x 23 cm | 6 ½ x 9 inches200 pages, 150 color, hardboundEnglish, Italian & GermanISBN 978-88-89431-65-8 (English)ISBN 978-88-89431-64-1 (Italian)ISBN 978-88-89431-63-4 (German)$48 | £27.50

Sound & VisionTexts by Luca Beatrice, Alberto Campo20 x 28 cm | 8 x 11 inches260 pages, 200, softcoverEnglish & ItalianISBN 978-88-89431-98-6 (English)ISBN 978-88-89431-55-9 (Italian)$35 | £22

Roger HarrisThis Is My Generation. Rock Legends of the 1950s, 60s, 70s and 80s on Stage TodayText by Bob Eisenberg, Roger Harris22.9 x 22.9 cm | 9 x 9 inches 96 pages, 80 color, hardboundISBN 978-88-6208-493-2$30 | £20

Music

Carrie Mae WeemsKitchen Table SeriesText by Sarah Lewis and Adrienne Edwards24.8 x 34.3 cm | 9 ¾ x 13 ½ inches86 pages, 34 b&w, hardboundISBN 978-88-6208-462-8$50 | £35

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Alex FaksoFast or DieText by Andrea Caputo, Alessandro Zuek Simonetti24 x 31 cm | 9 ½ x 12 ½ inches112 pages, 60 color, softcoverISBN 978-88-6208-164-1$35 | £19.95

Alex FaksoHeavy MetalText by Alex Fakso, Giovanna Calvenzi, Jamel Shabazz30 x 18 cm | 12 x 7 inches164 pages, 100 color, hardboundISBN 978-88-89431-49-8$35 | £19

Dumbo Acts of Vandalism and Stories of LoveText by Barry McGee, Federico Sarica, Kyri Chenven20 x 29 cm | 8 x 11 ½ inches136 pages, 130 color, hardboundEnglish & ItalianISBN 978-88-89431-95-5$35 | £19

Frontier: The Line of StyleEdited by Claudio Musso, Fabiola Naldi. Text by Mubi Brighenti, Claire Calogirou, Dado, Stewart Home, Christian Omodeo, et al16.5 x 23 cm | 6 ½ x 9 inches176 pages, 100 color, softcover English & ItalianISBN 978-88-6208-300-3$40 | £25

Rae Martini24 Carat Dirt24 x 30 cm | 9 ½ x 11 ½ inches208 pages, 150 color, hardboundISBN 978-88-6208-207-5$40 | £25

Phil FrostText by Pushead, Carlo McCormick28 x 28 cm | 11 x 11 inches162 pages, 164 color, hardboundEnglish & Italian ISBN 978-88-6208-024-8$45 | £24.99

Stefano PanePeople Think I’m Cool: The Life and Art of Pane23 x 28.7 cm | 9 ½ x 11 inches208 pages, 140 color, hardboundEnglish & ItalianISBN 978-88-6208-183-2$39 | £24.95

RaptuzMother RoadText by Lorenzo Bonini, Raptuz22.8 x 22.8 cm | 9 x 9 inches144 pages, 100 color, hardboundISBN 978-88-6208-229-7$35 | £20

Tsang Tsou ChoiThe King of Kowloon: The Art of Tsang Tsou ChoiEdited and with text by David Spalding. Text by Hans Ulrich Obrist, Hon Hanru, Ou Ning24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches240 pages, 150 color, hardboundEnglish & Chinese ISBN 978-88-6208-271-6$50 | £35

Chaz Bojorquez The Art and Life of Chaz BojorquezEdited by Mario Klefi sch, Alberto Scabbia. Text by François Chastenet, Greg Escalante, Usugrow24 x 28 cm | 9 ½ x 13 inches160 pages, 140 color, hardboundISBN 978-88-6208-121-4$50 | £30

Urban Art

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Diller Scofi dio & Renfro Lincoln Center Inside Out23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches288 pages, 800 color, clothboundISBN 978-88-6208-244-0$85 | £50

The Haas BrothersHaas BrothersText by Laura Dern, Vincent Gallo, Simon and Nikolai Haas 22 x 29 cm | 8 ½ x 11 ½ inches176 pages, 150 color, softcoverISBN 978-88-6208-373-7$50 | £35

Qualities of Duration: The Architecture of Phillip Smith and Douglas ThompsonText by Alastair Gordon22.9 x 22.9 cm | 9 x 9 inches222 pages, 357 color, hardboundISBN 978-88-6208-231-0$50 | £35

The Haas BrothersHaas Brothers Volume II: Afreaks21.6 x 29.2 cm | 8 ½ x 11 ½ inches160 pages, 120 color, softcoverISBN 978-88-6208-434-5$50 | £35

Maria PergayComplete Works 1957–2010Text by Suzanne Demisch, Stephane Danant, Adam Lindeman25.4 x 29.8 cm | 10 x 11 ¾ inches290 pages, 300 color, hardbound with jacketISBN 978-88-6208-174-0$80 | £50

Village: One Land Two Systems and Platform ParadiseEdited and with text by Malkit Shoshan, Maurizio Bortolotti16.5 x 24 cm | 6 ½ x 9 ½ inches256 pages, 200 color, softcoverISBN 978-88-6208-254-9$30 | £19

Jeff ZimmermanText by John Drury. Interview by Sean Kelly24 x 28 cm | 9 ½ x 11 inches224 pages, 210 color, hardboundISBN 978-88-6208-358-4$60 | £39

Thomas R. Schiff ProspectText by Michael Speaks, Ann Cotter42.5 x 24.8 cm | 16 ½ x 10 inches304 pages, 250 color, clothbound with jacketISBN 978-88-6208-195-5$80 | £50

Walter Vallini Walter Vallini Architect: Works 2000–2012 19 x 22 cm | 7 ¾ x 8 ¾ inches96 pages, 80 color, hardboundISBN 978-88-6208-279-2$30 | £20

Architecture & Design

Stewart GrimshawThe Loveliest Valley: A Garden in SussexText by Stewart Grimshaw, Christopher Gibbs, Mary Keen, Julian and Isabel Bannerman, William Pye, and Tessa Traeger30 x 25 cm | 11 ¾ x 9 ⅞ inches240 pages, 265 color, hardbound with jacketISBN 978-88-6208-441-3$65 | £40

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Longines WatchesEdited by John Goldberger. Text by Giampiero Negretti21 x 29 cm | 8 ½ x 11 ½ inches304 pages, 280 color, hardboundEnglish, Italian & FrenchISBN 978-88-89431-40-5 (English)ISBN 978-88-89431-41-2 (Italian)ISBN 978-88-89431-47-4 (French)$99 | £60

Omega SportswatchesEdited by John Goldberger. Text by Giampiero Negretti21.5 x 29 cm | 8 ½ x 11 ½ inches144 pages, 450 color, hardboundEnglish & ItalianISBN 978-88-89431-70-2 (English)ISBN 978-88-89431-97-9 (Italian)$89 | £50

John Goldberger Patek Philippe Steel WatchesLimited edition of 300 copies numbered and signed by the author24 x 32.5 cm | 9 ½ x 12 ¾ inches440 pages, 900 color, hardbound with cork, plexiglass slipcaseISBN 978-88-6208-304-1$800 | £500

Manfred RösslerZenith21 x 29 cm | 8 ½ x 11 ½ inches328 pages, 700 color, hardboundEnglish & Italian ISBN 978-88-6208-069-9 (English)ISBN 978-88-6208-068-2 (Italian)$150 | £80

100 Superlative Rolex WatchesEdited by John Goldberger. Text by Giampiero Negretti24 x 32 cm | 9 ½ x 12 ½ inches256 pages, 700 color, hardbound with leatherEnglish & Italian ISBN 978-88-6208-031-6 (English)ISBN 978-88-6208-032-3 (Italian)$200 | £99.99

Omega WatchesEdited by John Goldberger. Text by Giampiero Negretti21 x 29 cm | 8 ½ x 11 ½ inches272 pages, 200 color, hardbound English & ItalianISBN 978-88-89431-27-6 (English)ISBN 978-88-89431-24-5 (Italian)$89 | £55

Antiques & Collectibles

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Via dello Scalo, 3/2 ABC40131 Bologna, ItalyTel. +39 051 438 07 [email protected]

In June 2015, Damiani opened a new gallery space, Spazio Damiani. Past exhibitions include Morandi’s Objects by Joel Meyerowitz and Dirt Meridian by Andrew Moore. Spazio Damiani off ers a continuing program of exhibitions devoted to showcasing the work of signifi cant contemporary artists along with lectures and other events. Spazio Damiani is open to the public from Monday to Friday, 12:00 to 6:00 pm, and by appointment.

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Contacts

DamianiVia dello Scalo, 3/2 ABC40131 Bologna, ItalyTel. +39 051 635 68 [email protected]

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LondonClaire [email protected], Media, Brand ManagementT: +44 (0)20 7722 4114

New YorkArtbook | D.A.P.Luke P. [email protected] 6th Avenue, 2nd fl oorNew York, NY 10013-1507T: +1 212 627 1999F: +1 212 627 9484www.artbook.com

Printed in April 2016 by Grafi che Damiani – Faenza Group, Italy

Design: Robin Brunelle, Matsumoto Incorporated, New YorkEditor: Amy Wilkins, Matsumoto Incorporated, New York

Unless otherwise indicated, all photographs are copyright the artists.

Cover: Antoine Le Grand, Iggy Pop (detail), 2002. From Portraits (p. 19)Pages 4–5: Susan Burnstine, Across the Line (detail), 2010. From Absence of Being (p. 31)Pages 54–55: Andrew Moore, Cash Meier Barn (detail), 2012. From Dirt Meridian (p. 82)Pages 70–71: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 72–73)Pages 74–75: Cy Twombly, Untitled (detail), 1989. From Cy Twombly Paradise (p. 90)

Information in this catalogue is accurate at press time. Prices, specifi cations, and terms are subject to change without notice.

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Artbook | D.A.P.

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