fall of the byzantine empire the black plague reformation
TRANSCRIPT
Art Reflects and Reacts to LIFE!
Fall of the Byzantine Empire
Why does art change?
The Black Plague Reformation
• Feudalism - Hierarchy• Famine and disease – bubonic plague• Gutenberg printing press• Patronage of the arts – Medici, Pope Julius II
and Pope Leo X• Women and Childhood
Legacy textbook – Pages 21-26 Question
Society in the Renaissance
• Influx of scholars of antiquity from Constantinople
• Curriculum of a “humanist” (teacher) was rhetoric, grammar, poetry, history and moral philosophy (ethics)
• Merchant class established• Florence, Italy (1450 onwards)• Ancient ideals
Humanism
Boticelli’s Primavera, 1480
Return to the Greek and Roman Classical style
Proportions/balance
Linear perspective- realism
New paint – oil!
Humanism-emotion
The ideal
Pyramid compositions
Attributes of Renaissance Art
~1500 onwards
• Gothic influence• Secular Humanism• Landscapes • Reformation
– Brought religious art almost to a complete end
Albrecht DürerThe Four Apostles, 1526
Northern Renaissance: Outside of Italy
Mannerism (1520-1600)
Baroque
Protestant viewpoint
Catholic viewpoint
Council of Trent
Art during the Reformation and Counter Reformation
Protestant viewpoint
• Humans are made in God’s image. Therefore, all scenes of secular life are valid subjects for art
• Portraits• Iconoclastic movements• Glorify God through the
beauty of his creations
Catholic viewpoint
• Council of Trent (1563)• Focus on religious scenes
and allegories• Veneration paid to the
person him/herself and not the image.
• Images realistic – nothing confusing or decorative
Reformation and Counter Reformation
Exaggerated poses, in unrealistic settings
Two Mannerist Portraits
Parmigianino's Madonna of the Long Neck
More emotional approach to art with a sometimes distorted point of view
Elegance
Mystery, aloofness
Flaw for perfection
Mannerism
BerniniBaroque
Emotion
Two paintings in the Baroque era
Chiaroscuro and Tenebriso
Movement
Natural
Diagonal, “X” compositions