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Page 1: faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/styles fauve005.pdf · Impressionism) which had been enthusiastically received when exhibited in Paris in 1904. While Monet's
Page 2: faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/styles fauve005.pdf · Impressionism) which had been enthusiastically received when exhibited in Paris in 1904. While Monet's
Page 3: faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/styles fauve005.pdf · Impressionism) which had been enthusiastically received when exhibited in Paris in 1904. While Monet's

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Pollock statements... · BARNETT NEWMAN The Plasmic Image (1943-45) The subject matter of creation is chaos. The present

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 imp 1.pdf · MODERNIZATION: SPECTACLE AND IRONY 113 stew of Argenteuil; not a line, not a plane, not a shape carried

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Wittig straight.pdf · who will deny that Lacan scientifically acknowledged, through the "analytical ... from speaking

faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2001.pdf · Albers, Hans Arp, and Wassily Kandinsky.l Arp and Kandinsky used the term "con- ... Biederman's

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/crimp museum's ruins.pdf · Museum and mausoleum are connected by more than phonetic asso- clation. ... the foolishness

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/owen postmodern.pdf · 3 Craig Owens (1950—1990) ... however, for their importance becomes apparent only after the

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Chave... ·  · 2009-08-24264 Anna C. Chave Minimalism and the Rhetoric of Power Source: Anna C. Chave, 'Mimmalism

faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-

faculty.winthrop.edufaculty.winthrop.edu/Stockk/Modernism/Styles impression001.pdfImpressionism Wallpaper in its embryonic state is more finished than that seascape. LOUIS LEROY, 1874

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 gender 1.pdf(as beautiful spectacle, penitent Magdalen or pious Madonna) stand for the position in which actual women

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buren museum.pdf · The museum preserves art, reinforcing the idea of the masterpiece; the museum collects work, thereby

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Nochlin Morisot.pdf · MORISOT'S WET NURSE The Construction of Work and Leisure in Imþressionist Painting LINDA NOCHLIN

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/styles neo dada001.pdfAmsterdam + Dada Purism De Stijl Arbeitsrat fúr Kunst + Novembergruppe + Bauhaus Precisionism

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Pollock spaces of femininity.pdf · publication The Painting of Modern Life; Paris in the Art of Manet and his Followers,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Sandler ch 2...THE IMPACT OF 1968 ON EUROPEAN ART cal of established values, an iconoclastic perspective that would

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/schneider body001.pdf · The Feminism and Visual Culture Reader Second edition Edited by Amelia Jones Routledge Taylor

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker... · Sofonisba Anguissola (1532/35—1625) belonged to a family of five sisters who were encouraged by an enlightened

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/sandler ch 12 part A.pdf · 376 ART OF THE POSTMODERN ERA capitalism. Although they numbered only some six dozen during

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 cubism.B.pdf · Roland Barthes and Claude Lévi-Strauss, who became known as 'structura ists' ... not in the language

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Beuys.pdf · BEUYS Benjamin H. D. Buchloh Appendix THE TWILIGHT OF THE IDOL Preliminary Notes for a Critique

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 cubism.pdf · At first sight, Cézanne's Still ... in Guitar, Sheet Music and Glass ... It can, of course also be literally

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Raven...ular gigantic working rocking horse, makes adults feel child- sized, there are three other bedrooms— Personal

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker essential... · 2012-05-12 · If truth is not to be found in the British Museum ... categorization—a 'stereotype

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod005.pdf · Part 2: Abstract Expressionism and the politics of criticism Clement Greenberg and the ascendance of the

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/McPherson Cezanne (A).pdf · In Merleau-Ponty's existential phenomenology, which is grounded in the fundamental ambiguity

Monet's House

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/Steinberg, Las Meninas.pdf · ATHt.S. Created Date: 8/10/2005 12:50:50 PM

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Chadwick women (B).pdf · Rosalind Krauss has noted that for the Surrealists, "the primacy of vision—its perceptual

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT Fried... · 2009-08-24 · 7 Michael Fried (b. 1939) 'Art and Objecthood' This was Fried's riposte to the claims

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Warhol part a.… · ANDY WARHOL'S ONE-DIMENSIONAL ART: 1956-1966 "Ifyou want to know all aboutAndy Warhol,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 ch 2 imp 1.pdfMODERN ART PRACTICES AND DEBATES Modernity and Modernism French Painting in the Nineteenth Century Francis

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT morris notes on... · 6 Robert Morris (b. 1931) 'Notes on Sculpture 1—3' Like Judd, Morris argues a claim to

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 prim 1.pdf'Primitivism' in Twentieth-Century Art: Affinity of the Tribal and the Modern, edited by Wil- liam Rubin,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Hopkins ch 5 part b.pdf · Riley's 'Op' paintings of the ... hand in hand with a changing sense of art's academic