fibonacci sequence and the golden ratio in music teagan lombardo math 371

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Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

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Page 1: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Fibonacci Sequence and The Golden Ratio

In Music

Teagan LombardoMath 371

Page 2: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Fibonacci Sequence

1,1,2,3,5,8,13,21,34,55,89,…

Each number is the sum of the previous two numbers, starting at 1,1, or in more modern use, 0,1.

Page 3: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

The Golden Ratio

• The golden ratio is represented by Φ (phi)• Φ = 1 + √5 = 1.6180339887………

2

• The reciprocal of phi is represented by φ (small phi)

• φ = 0.6180339887……..

Page 4: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Relation Between Fibonacci Numbers and Phi

• If you take a Fibonacci number and divide it by the previous Fibonacci number, you get phi (approximately)!

• Ex) 8/5= 1.6 ; 55/34=1.6176…….• If you take a Fibonacci number and divide it by

the next Fibonacci number, you get small phi (approximately)!

• Ex) 3/5=0.6 ; 21/34= 0.6176…….

Page 5: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Fibonacci Sequence In Music

• The Fibonacci sequence is seen in music various ways

• One way is with the keys of a piano:• There are 8 white keys in an octave when you

play a C major scale. 8 is a Fibonacci number!

1 2 3 4 5 6 7 8

Page 6: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

• There are 5 black keys in an octave! • 5 is a Fibonacci number! • The 5 black keys are divided into a group of 2

and a group of 3- two more Fibonacci numbers!

1 2 3 4 5

Page 7: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

• With the 8 white keys and 5 black keys, there are 13 keys total in the octave.

• 13 is a Fibonacci number

1 3 5 6 8 10 12 13

2 4 7 9 11

Page 8: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

• It is said that composers use the golden ratio to choose the “climax” or bridge of the song

• Also, Fibonacci numbers are used to mark important measures in the music.

Page 9: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

The Golden Ratio in Music

• http://www.youtube.com/watch?v=uv7rpcU29Nk

• (1:45)

Page 10: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Formula By Gary Ewer

• Convert length of song to seconds• [Length of song x 0.618…(small phi)]• 60• Take the result of that and multiply the

decimal part by 60 to get the exact point in the song

Page 11: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Skyscraper- Demi Lovato

• Song is 3:42• 3:42-> 60x3 = 180 + 42 = 222 • 222 x 0.618… = 137.196 = 2.2866• 60 • 0.2866 x 60 = 17.196• So the bridge of the song is at 2:17196

Page 12: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Wrecking Ball- Miley Cyrus

• Song is 3:43• 3:43-> 60x3=180 + 43= 223• 223 x 0.618….= 137.814 = 2.2969• 60• 0.2969 x 60 = 17.814• So the bridge of the song is at about 2:18

Page 13: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

We Are Young- Fun.

• Song is 4:12• 4:12-> 252• 252 x 0.618 = 155.736 = 2.5956 600.5956 x 60 = 35.737So the bridge of the song is at about 2:36

Page 14: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Can You Feel The Love Tonight- The Lion King

187 x 0.618 = 115.566 = 1.9261 600.9261 x 60 = 55.566

So the bridge is at about 1:56.

Page 15: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Thinking of You- Katy Perry

• 4:06=246• 246 x 0.618 = 152.028 = 2.5338 600.5338 x 60 = 32.028So the bridge is at 2:32

Page 16: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

• When most composers use Fibonacci numbers and the golden ratio in their compositions, these were not the basis of their musical style.

• Casey Mongoven of Germany designed a very complicated style of music in which the basis was Fibonacci numbers and the golden ratio.

Page 17: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Bar 5

Page 18: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Bar 55

Page 19: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

• As you could see, the vocals come in on measure 5, a Fibonacci number.

• On bar 55 (a Fibonacci number), the vocals come back in after a long instrumental, which is a high point in the song.

• This long instrumental is 8 measures long (a Fibonacci number)

Page 20: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Exam Question

• What are two ways that Fibonacci numbers or the Golden Ratio are found in music?

• In the keys on a piano (8 white keys, 5 black keys, 13 total in an octave)

• Fibonacci numbers marking important measures in a song

• Reciprocal of phi used to determine where the bridge of a song is.

Page 21: Fibonacci Sequence and The Golden Ratio In Music Teagan Lombardo Math 371

Referenceshttp://www.youtube.com/watch?v=uv7rpcU29Nk

http://www.goldennumber.net/music/

Mongoven, Casey. (2010). A Style of Music Characterized By Fibonacci Numbers and the Golden Ratio.

Leonard, Hal. Contemporary Rock: Keyboard Play-Along Volume 4.

https://garyewer.wordpress.com/2010/05/27/songwriting-and-the-golden-mean/