fiction - pc\| ?· types of short fiction 1. fable –brief humorous narrative told to illustrate...
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What is Fiction? The name for stories not entirely factual
May be based on facts, but must at least be partially made up or imagined
From the Latin fictio meaning a sharpening, a counterfeiting
Reading a StoryCHAPTER 1
Types of Short Fiction1. Fable brief humorous narrative told to
illustrate a moral (message). Animals represent human qualities
The North Wind and the Sun pg. 8
The Tortoise and the Geese pg. 9
2. Parable brief narrative to teach a moral, but the plot is plausible and the characters are human.
Independence pg. 11
Types of Short Fiction (continued)3. Tall Tale fold story that recounts the
deeds of a superhero or of the storyteller.
4. Fairy Tale story set in a world of magic and wonder
Godfather Death Pg. 12
Plot is the literary element that describes the structure of a story. It shows the a causal arrangement of events and actions within a story.
Teaching Plot Structure Through Short Stories
Types of Linear PlotsPlots can be told in
In media res (in the middle of things) when the story starts in the middle of the action without exposition
Elements of Plot1. Protagonist The main or central character in a narrative.
Usually initiates the main action of the story
2. Antagonist The most significant character or force that opposes the protagonist in a narrative. Does NOT have to be a person.
3. Exposition Opening portion of a narrative. Sets the scene, introduces the protagonist, and discloses background.
Conflict is the dramatic struggle between two forces in a story. Without conflict, there is no plot.
Elements of Plot (con.)5. Complication The Introduction of a significant development in the central
conflict between characters (or a character and his situation) Can be EXTERNAL or INTERNAL
6. Crisis The part of the narrative when the crucial action, decision, or realization must take place.
7. Climax The moment of greatest intensity in a story, which almost inevitably occurs toward the end. May be a confrontation between the protagonist and the antagonist.
8. Conclusion the logical end or outcome Resolution or denouement
Types of Complications
Human vs Nature
Human vs Society
Human vs Self
Human vs Human
Narrative TechniquesFlashback action that interrupts to show an event that happened at an earlier time which is necessary to better understanding.
Foreshadowing A suggestion of what is going to happen in a story.
Epiphany a moment of profound insight or revelation by which a character's life is greatly altered
Point of ViewCHAPTER 2
Types of Narrators1. All-knowing or omniscient-
sees into any or all of the characters.
2. Limited omniscience- sees into one character
3. Objective - does not see into any characters, reports events from outside
Poe The Tell Tale Heart
Types of Characters
1. Flat character with only one outstanding trait or feature and stay the same throughout the storyStock characters stereotype characters
2. Round Have many characteristics and tend to change throughout the story
3. Dynamic character that changes
4. Static character that does not change
Hero v. Anti-hero
Hero bravery, skill, idealism, sense of purpose
Antihero unglorious citizen of the modern world, usually drawn as someone groping, puzzled, cross, mocking, frustrated, and isolated (OFaolain). Often a loner.
Cause of a characters actions
1. Animates a story
2. Justifies the behavior of each character
3. Not always pure or simple
4. Makes the plot feel inevitable
Everyday Use Alice WalkerCharacters Mama, Maggie, Dee (Wangero), and Hakim-a-Barber
Setting Small town Georgia
Conflict True meaning of valuing heritage represented by the quilts
Climax Mama takes the blankets from Miss Wangero to give to Maggie
Setting -Time and place of a story. May also include the climate and even the social, psychological, or spiritual state of the characters
Locale location where the story takes placeAtmosphere dominant mood or feeling that pervades all or part of a literary work. Conveyed by language, images, and physical settingRegionalism The literary representation of a specific locale that consciously uses the particulars of geography, custom, history, folklore, or speech. Naturalism social and economic setting is important to story; grim realism
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was -- but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me -- upon the mere house, and the simple landscape features of the domain -- upon the bleak walls -- upon the vacant eye-like windows -- upon a few rank sedges -- and upon a few white trunks of decayed trees -- with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium -- the bitter lapse into everyday life -- the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart -- an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it -- I paused to think -- what was it that so unnerved me in the contemplation of the House of Usher?
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. The Great Gatsby
To Build a Fire Jack London
What is the place like?
To Build a Fire Jack London1. How much of the story is devoted to the
setting? What details make it memorable?
2. What is the conflict? To what extent does setting determine what happens in the story?
3. From what point of view is the story told? Does this make a difference?
4. Why is the protagonist simply called the man?
5. What are the most serious mistakes the man makes? Why?
To consider1. Is the Man American?
2. Why is the man nameless?
3. Should we be ashamed that we Americans are likely to be motivated more by material or commercial impulses than by other more exalted motives (e.g., religious piety, love of justice)? Why, or why not?
A Man Without an Imagination
Tone and StyleCHP 5
ToneTone Whatever leads to infer the authors attitude; like a tone of voice.
Shown through Dialogue - talking Descriptions authors diction [word choice]
May be objective or subjective, logical or emotional, intimate or distant, serious or humorous. It can consist mostly of long, intricate sentences, of short, simple ones, or of something in between.
Words that describe TONE
*Mood is the feeling the reader gets from a story.
*Mood is shown through Setting
AtmosphereRemember Hawthorne yesterday?
Words to describe MOOD
Diction Word choice or vocabulary. The class of words that an author decides is appropriate.
Style - The way in which something is written, as opposed to the meaning of what is written
Example:Formal Diction Casual Diction Slang (very informal)are not angry