fiddler on the roof - omf.festivalopatija.hr knjizica... · fiddler on the roof hnk ivana pl....

Saša Anoèiæ:BendTeatar Exit, ZagrebSrijeda, 18. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Mel Brooks i Thomas Meehan:ProducentiPozorište na Terazijama, BeogradPetak, 13. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Joe Masteroff / Fred Ebb / John Kander:CabaretZagrebaèko gradsko kazalište KomedijaSrijeda, 4. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Jean Poiret:KrletkaSatirièko kazalište Kerempuh, ZagrebUtorak, 26. lipnja 2012., u 21:30 satiMala ljetna pozornica, Opatija

J. Bock, S. Harnick i J. Stein:Guslaè na krovuHNK Ivana pl. Zajca, RijekaSrijeda, 20. lipnja 2012., u 21:30 satiLjetna pozornica, Opatija

J. Bock, S. Harnick and J. Stein:Fiddler on the roofHNK Ivana pl. Zajca, RijekaWednesday, June 20, 2012 at 21:30Open Air Theatre, Opatija

Jean Poiret:The BirdcageSatirièko kazalište Kerempuh, ZagrebTuesday, June 26, 2012 at 21:30Open Air Theatre, Opatija

Joe Masteroff / Fred Ebb / John Kander:CabaretZagrebaèko gradsko kazalište KomedijaWednesday, July 4, 2012 at 21:30Open Air Theatre, Opatija

Mel Brooks and Thomas Meehan:The ProducersPozorište na Terazijama, BeogradFriday, July 13, 2012 at 21:30Open Air Theatre, Opatija

Saša Anoèiæ:The BandTeatar Exit, ZagrebWednesday, July 18, 2012 at 21:30Open Air Theatre, Opatija

OMF 2012.OPATIJA MUSICAL FESTIVAL20. lipnja - 18. srpnja 2012. / ljetna pozornica, opatijajune 20 - july 18, 2012 / open air theatre, opatijaomf.festivalopatija.hr

Ljeto je pravo vrijeme za sve ono što tijekom godine ne stižemo. Proèitati knjigu više, pogledati predstavu, pobjeæi na neki nezaboravan koncert... opustiti se i uživati u malim stvarima koje život znaèe...

Imate li namjeru poslušati svoje srce, uživati i opustiti se, Opatija je pravo mjesto za vas! Dobro ste došli na Ljetnu pozornicu, jednu od najljepših i najatraktivnijih prostora takve namjene na Mediteranu i idealno mjesto za izvedbu velikih glazbeno-scenskih spektakala.

Jeste li znali da je još davne 1934. godine na Ljetnoj pozornici svoj koncert održao operni slavuj, tenor nenadmašne slave, Beniamino Gigli, a da je veæ sljedeæe godine Ljetna ugostila prvi meðunarodni festival operete posveæen djelima Franza Lehara. U Opatiji je, 1958. godine, održan prvi Festival zabavne glazbe koji uskoro postaje vodeæim promotorom popularne glazbe na ovim prostorima.

U razdoblju od 1985. do 2011. godine opatijska Ljetna pozornica mjesto je velikih glazbenih koncerata: ...Joe Zawinul, Vlatko Stefanovski, Ðorðe Balaševiæ, Seal, Randy Crawford, Geoffrey Oryema, Gibonni, Natalie Cole, Matt Bianco, All Jareaux, Joe Satriani...

Na Ljetnoj pozornici, 2011. godine, održan je prvi Festival mjuzikla, spojivši kulturu i turizam u zajednièki suvenir toliko potreban u ponudi opatijske ljetne sezone. Glazbena, scenska i plesna izvedbena umjetnost uklopila se u promidžbu Opatije oživljavajuæi ulice, parkove, terase i restorane kraljice turizma!

Festival Opatija i ovoga ljeta priprema pravo malo èudo s velikim umjetnicima...Na najljepšoj pozornici uz more pjevat æe se, plesati, i zasigurno, kreativno zabaviti u društvu vrhunskih glumaca i glazbenika. Iznenaðenja je puno!

Ono što možemo obeæati još je jedno nezaboravno Ljeto na Ljetnoj!

Rajna Milošravnateljica ustanove Festival Opatija

Ljetna pozornica, OpatijaOpen Air Theatre, Opatija

Summer is the right time to catch up on everything that we have missed out on during the year. To read an extra book, go and see a play, escape to some unforgettable concert... relax and enjoy the little things that make life worth living...

If you are going to listen to your heart, enjoy and relax, then Opatija is the right place for you! We more than welcome you to the Open Air Theatre of Opatija, one of the most beautiful and spectacular spots on the Mediterranean to serve this purpose, and also an ideal venue for big 'performing arts and music' entertainment formats.

Did you know that already way back in 1934 Beniamino Gigli, one of the very finest and greatest operatic tenors of his time, had held his concert here and that already in the following year the Open Air Theatre hosted the first international operetta festival dedicated to the works of Franz Lehar. In 1958, Opatija hosted the first Festival of Contemporary Light Music that was soon to become the leading promoter of pop music in this region.

In the period from 1985 through 2011, the Open Air Theatre of Opatija has been the venue of major musical events and concerts ...Joe Zawinul, Vlatko Stefanovski, Ðorðe Balaševiæ, Seal, Randy Crawford, Geoffrey Oryema, Gibonni, Natalie Cole, Matt Bianco, All Jareaux, Joe Satriani...

In 2011, the Open Air Theatre hosted the first Opatija Musical Festival, having connected culture and tourism into a joint souvenir that is so necessary in the summer-season offer of Opatija. All the performing arts (music, play and dance) found their place in the promotion of Opatija by enlivening the streets, parks, terraces and restaurants of this jewel of tourism!

This summer, as well, Festival Opatija has in store a real little miracle with great artists... On the most beautiful stage by the sea there will be song and dance and, most certainly, creative entertainment in the company of brilliant top actors and musicians. Many a surprise awaits you!

What we can promise, is yet another unforgettable Summer Season at the Open Air Theatre of Opatija!

Rajna MilošFestival Opatija General Manager

Maratonci trèe poèasni krug / The Marathon FamilyPozorište na Terazijama, Beograd, Srbija/ Pozorište na Terazijama Theatre, Belgrade, SerbiaOmf 2011.

Prièa sa zapadne strane / West Side StoryAnsambl predstava Gradskog kazališta Brno, Republika Èeška/ Brno City Theatre, Czech RepublicOmf 2011.

Kazalište pod zvijezdama Mediterana

Za mjuzikl bi se moglo ustvrditi da je najstarija i najcjelovitija kazališna forma.

Premda je na prvi pogled tvrdnja 'bogohulna', teško bi je bilo opovrgnuti. Kazalište je oduvijek sinkretièka umjetnost, ona koja spaja sve elemente kreativnog izraza. U njemu se stapaju gluma, ples, glazba i likovnost, a prouèimo li samo malo pažljivije nastanak kazališta kao forme svi su ti elementi prisutni još od roðenja scenske umjetnosti. Iako danas antièku tragediju (dramu) definiramo kao mjesto i vrijeme nastanka scenske umjetnosti europskog kazališnog kruga ta je forma bila puno više od iskljuèivo dramske manifestacije, aristotelovsko oponašanje tek je jedna njezina dimenzija. Polubog Dioniz, u slavu kojega je nastalo kazalište nije bio niti glumac, niti pisac, a povorke njemu u èast iz kojih se razvila kazališna forma bile su festivali plesa, poezije, glume i pjesme. Eshil, Sofoklo i Euripid stvarali su zapravo jedan oblik glazbene drame, u kojem su, osim što su pisali tekstove, sami komponirali glazbu te radili koreografiju. Kazališna umjetnost nastaje kao sinkretièka manifestacija svih ljudskih kreativnih moæi.

Kada se danas govori o nastanku mjuzikla, najèešæe se spominje 19. stoljeæe, a pritom se ignorira èinjenica da je predstava s 'pjevanjem i prièom' najstarija kazališna forma, ona koja slavi sveukupan ljudski umjetnièki potencijal.

Festival mjuzikla na otvorenoj opatijskoj sceni u ovakvoj konstelaciji postavlja se kao logièan povratak kazališta iskonu antièke Grèke; scenskoj umjetnosti koja objedinjuje pjesmu, dramu, glazbu i ples, a sve to pod otvorenim nebom Mediterana.

Zato, pridružite nam se slavljenju scenske umjetnosti na otvorenom!

Jasen Bokoizbornik Omf-a

FootlooseOmf 2011.

Skidajte se do kraja / The Full MontyGradsko kazalište Komedija, Zagreb/ Komedija Theatre, ZagrebOmf 2011.

Djeèji mjuzikl "Novi dan"/ Children's musical "A New Day"Plesna udruga Ri Dance / Ri Dance groupOmf 2011.

Theatre Under the Starry Mediterranean Sky

Musical could be defined as the oldest and the most wholesome theatrical form.

Although this might seem 'blasphemous' at first, it would be hard to deny it. It is because theatre has always been a syncretic art form, one that combines all the elements of creative expression. It unites acting, dancing, music and visual effects, and if we study only a little closer the birth of theatre as a form, all these elements have been there ever since the birth of performing arts. Although we today define the antic tragedy (drama) as the place and the time of emergence of performing arts of the European theatrical circle, this form has been much more than solely a drama by its manifestation, Aristotelian imitation (mimesis) being but one of its dimensions. Dionysius, as a semi-God to whose honor theatre has come into being, was neither actor nor writer, and processions to his honor, from which the theatrical form has evolved, were festivals of dancing, poetry, acting and singing. Eshil, Sofoklo and Euripidus were actually creating a form of musical drama, in which, next to writing lyrics, they also composed the music and choreographed it themselves. The theatrical art thus evolves as a syncretic manifestation of all human creative powers.

When talking about the birth of musical today, it is most commonly placed into the 19th century, thereby ignoring the fact that a performance with "song and storyline" is the oldest theatrical form, the one that celebrates the overall human artistic potential.

The Musical Festival at the Open Air Theatre of Opatija in this constellation is set as the logical return of theatre to its origins of the antic Greece: a performing art that embodies song, drama, music and dance, and all of it under the open and starry Mediterranean sky.

Therefore: do join us in this celebration of performing arts under the stars!

Jasen BokoOmf selector

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Dirigent / Conductor: Igor VlajniæRedatelj / Director: Ozren ProhiæScenografkinja / Set Designer: Dinka JerièeviæKostimografkinja / Costume Designer:Irena SušacKoreografkinja / Choreographer:Snježana Abramoviæ-MilkoviæOblikovatelj svjetla / Light Designer:Zoran MihanoviæSuradnica scenografkinje / Set Designer's Assistant: Marta CrnobrnjaSuradnica kostimografkinje / Choreographer's Assistant: Manuela Paladin ŠabanoviæZbor uvježbao / Choir Practice: Igor VlajniæKoncertni majstor / Concert Pianist:Danijela Maras MendikoviæKorepetitori / Accompanists:Ana Anconelli, Igor Vlajniæ, Nina SimèiæInspicijentica / Stage Manager:Branka Kušen-KajdiŠaptaè / Prompter: Nina Simèiæ

Zbor i orkestar Opere i èlanovi Baleta HNK Ivana pl. Zajca, Rijeka / Opera Choir & Orchestra and Ballet of the Croatian National Theatre Ivan pl. Zajc Rijeka

www.hnk-zajc.hr

Uloge / CastTevye, mljekar / The Milkman: Bojan ŠoberGolde, njegova žena / His Wife: Olivera BaljakTzeitel, kæer / His Daughter:Andreja Blagojeviæ, Leonora SurianHodel, kæer / His Daughter:Leonora Surian, Vivien GallettaChava, kæer / His Daughter:Elena Brumini, Miriam MonicaYente, ugovaraèica brakova / The Matchmaker: Biljana ToriæMotel, krojaè / The Tailor: Dario BercichPerchik, student / Student: Saša MatovinaLazar Wolf, mesar / The Butcher: Voljen GrbacMordcha, krèmar / The Innkeeper:Predrag SikimiæRabbi: Davor JureškoMendel, njegov sin / Rabbi's son:Marijan PadaviæAvrahm, prodavaè knjiga / The Book Salesman: Zdenko BotiæNachum, prosjak / Beggar: Mensur PuhovacGrandma Tzeitel: Anðelka RušinFruma Sarah: Marijana Prohaska, Vanja ZelèiæConstable (Rus / Russian): Bruno NacinovichFyedka (Rus / Russian): Andrei KiitelesSasha (Rus / Russian): Svebor Zguriæ

J. Bock, S. Harnick and J. Stein:Fiddler on the roof HNK Ivana pl. Zajca, RijekaWednesday, June 20, 2012 at 21:30 / Open Air Theatre, Opatija

On-line prodaja ulaznica / On-line ticket sales:www.kulturaplus.com

Cijene ulaznica / Ticket prices:100,00 kn, 120,00 kn, 150,00 kn (1/6 - 19/6/2012)120,00 kn, 150,00 kn, 180,00 kn (20/6/2012)

Klasik u novom èitanju

Guslaè na krovu, jedan je od najpoznatijih svjetskih mjuzikala, koji je svoju praizvedbu doživio 1964. godine, te predstavlja svojevrstan novi stil u skladanju ove glazbene forme. U originalnoj brodvejskoj produkciji Guslaè na krovu prvi je mjuzikl koji je premašio brojku od 3000 izvedbi i cijelo je desetljeæe bio apsolutni rekorder ovog žanra, sve do pojave Briljantina. Osvojio je èak devet Tonyja, nagrade za najbolje produkcije na Broadwayu i do dan-danas je ostao poznat kao jedan od najuspješnijih mjuzikala svih vremena.

Nastao na temelju prièa Sholoma Aleichema, mjuzikl tematizira židovsko selo u caristièkoj Rusiji unutar kojega se 1905. godine dogaðaju promjene. Vrijeme je to kad se naèin života radikalno mijenja, modernizacija ulazi u tradicionalni naèin seoskog života i ondje ostavlja posljedice vidljive na primjeru jedne obiteljske prièe. Partitura u potpunosti odgovara svrsi prièe, a sama radnja kreæe od sentimentalnosti, ljubavi i odiše tradicionalnim humorom. Uspješnost ovog djela nastavila je i njegova filmska verzija.

Zanimljiva glazba prepuna atraktivnih brojeva èvrsto je uklopljena u samu radnju i prièu. Podjela koja kombinira pjevaèe i glumce iziskuje i posebne produkcijske uvjete. Unutar repertoara rijeèkog HNK-a Ivana pl. Zajca koji uz klasiènu i suvremenu operu, njeguje i operetu, a napose mjuzikl, ovaj naslov potvrðuje takav repertoar i nastavlja ga u najboljoj tradiciji.

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A Classic in a Redesigned Version

Fiddler on the Roof, one of the world's most famous musicals that opened in 1964 marked a new approach in the composing style of this music form. The original Broadway production was the first musical ever that surpassed the number of 3000 performances and for one whole decade held the absolute record in this genre, all the way until the appearance of "Grease". It won even nine Tony Awards, prizes for the best Broadway productions, and has remained famous as one of the most successful musicals of all times until the present day.

Its theme was adapted from the stories by Sholom Aleichem and the play is set in the tiny Jewish town of Anatevka in Tsarist Russia in 1905, and focuses on changes occurring within the village. It was the time of radical changes and the traditional village way of life was becoming modernized, leaving visible consequences on the example of one family-story. The score is completely adjusted to the purpose of the story, and the story itself evolves from sentimentality, love and is brimming with traditional humour. The success of this stage musical was carried on by the film musical as well.

The interesting music, full of very attractive songs, is firmly incorporated into the action and the story themselves. Its division of roles, which calls for a combination of singers and actors, demands also special production conditions. As part of the repertoire of the HNK Ivan pl. Zajc, Rijeka (Croatian National Theatre, Rijeka), which next to classical and contemporary opera also cultivates operetta and musical as forms, this title validates that repertoire and continues it in the best of tradition.

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Jean Poiret:The Birdcage Satirièko kazalište Kerempuh, ZagrebTuesday, June 26, 2012 at 21:30 / Open Air Theatre, Opatija

Prijevod / Translation: Vladimir GeriæRedatelj / Director: Krešimir DolenèiæAdaptacija teksta / Text Adaptation:Željka Udovièiæ i Krešimir DolenèiæScenografkinja / Set Designer: Marta CrnobrnjaKostimograf / Costume Designer: Neven MihiæOblikovatelj svjetla / Light Designer: Deni ŠesniæKoreograf / Choreographer: Dinko BogdaniæAsistentica koreografa / Assistant to Choreographer: Tina Vrtar StipiæObrade pjesama / Song Arrangements:Mario Mirkoviæ, Zvonko PreseèkiAsistentica redatelja / Assistant to Director:Lea Anastazija FlegerAsistentica produkcije / Production Assistant: Petra Jagušiæ

www.kazalistekerempuh.hr

Uloge / CastGeorges: Željko KönigsknechtAlbin: Hrvoje KeèkešFrancis: Mario MirkoviæFilip: Ivan ÐurièiæLulas: Luka PetrušiæMercedes: Borko Periæg. Tabaro: Velimir ÈokljatOrnela: Maja PosavecSalomé: Filip Deteliæg. Petir: Edo Vujiægða Petir: Branka TrlinAndrea: Ana MarasSimoné: Linda Begonja


Cijene ulaznica / Ticket prices:100,00 kn (1/6 - 25/6/2012)120,00 kn (26/6/2012)

Duhoviti scenski urnebes

Krletka u izvedbi Satirièkog kazališta Kerempuh najbolje pokazuje koliko tanka može biti crta koja razdvaja dramsko i glazbeno. Komedija Jeana Poireta praizvedena je u Parizu 1973. godine, a u èetiri desetljeæa igranja postala je poznata u cijelom svijetu kao uspješna komedija. Osim brojnih kazališnih izvedbi najbolji dokaz popularnosti je i nekoliko filmskih adaptacija. Nakon svoje praizvedbe na Broadwayu 1983. godine pod naslovom La Cage aux Folles (istoimeni naslov i popularnog filma iz 1978.), za koju je libreto napisao Harvey Fierstein, a stihove i glazbu Jerry Herman zapoèeo je i novi uspjeh ove sjajne komedije, ovaj put kao - mjuzikla.

Režija Kreše Dolenèiæa u produkciji Kerempuha vraæa se originalnoj komediji, ali je obogaæuje glazbenim songovima u adaptaciji Marija Mirkoviæa i Zvonka Preseèkog pa se stvara novi hibridni žanr koji u sebi sadrži sve elemente izvorne komedije, ali im dodaje i najbolje od mjuzikla. Ova èarobna scenska kombinacija postaje tako izuzetno duhovita glazbena prièa koja nas vodi kroz životne probleme sina homoseksualnog para koji pokušava organizirati upoznavanje svojih oèeva s konzervativnim roditeljima buduæe supruge. Kako dobroj komediji i prilièi ova produkcija nudi intrigantan zaplet, obilje zabuna i vrlo slikovite karaktere, a sve je protkano glazbom, plesom i pjesmom.

Bulevarsko kazalište èesto je bilo sinonim za nešto negativno, manje vrijedno, frivolno i neozbiljno. Krletka pokazuje da bulevar može biti sinonim za dobru zabavu, a da pritom kazalište ništa ne izgubi od svoje umjetnièke težine.

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A Humorous Dramatic Uproar

The Birdcage production by the Satirièko kazalište Kerempuh shows in the best way how thin a line can be that separates the dramatic and musical aspect. This comedy by Jean Poiret was first performed in Paris in 1973, and over the four decades since its birth it has become globally known as a successful comedy, which is best proved by the fact that apart from numerous theatrical performances it has also had a number of film premiers. After the opening night on Broadway in 1983, under the title "La Cage aux Folles" (which was the original title of a very popular film from 1978), for which the libretto was written by Harvey Fiersten and lyrics and music by Jerry Hermann, a new road to success has been paved for this successful comedy, this time in the form of a - musical.

Krešo Dolenèiæ's directing in this Kerempuh production goes back to the original comedy but enriches it with song scores adapted by Marijo Mirkoviæ and Zvonko Preseèki, so a new, hybrid genre is created that embodies all the elements of the original comedy, but also adds them the best of musical features. This magical performing combination thus becomes an exceptionally humorous musical story that takes us through a series of life problems encountered by a gay couple's son who is trying to organize a meeting between his fathers and the conservative parents of his future wife. As one would expect from a good comedy, this production offers an intriguing plot, a series of errors and a gallery of very colourful characters, all of it interwoven with music, song and dance.

Boulevard theatre was often synonymous with something negative, of a lesser value, frivolous and not to be taken seriously. "The Birdcage" shows us that boulevard theatre can be synonymous with superb fun, with theatre itself losing nothing of its artistic value in the process!

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Joe Masteroff / Fred Ebb / John Kander:Cabaret Zagrebaèko gradsko kazalište KomedijaWednesday, July 4, 2012 at 21:30 / Open Air Theatre, Opatija

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Prijevod / Translation: Iva JeliæRedateljica / Director: Dora Ruždjak PodolskiDirigent / Conductor: Dinko AppeltKoreografkinja / Choreographer: Petra HrašæanecScenograf / Set Designer: Ivo KnezoviæKostimografkinja / Costume Designer:Mirjana ZagorecKorepetitor / Accompanist: Krešimir BatiniæKoncert majstor / Concert Pianist: Melita ŠafranInspicijent / Stage Manager: Zlatko KelneriæŠaptac / Prompter: Boris Štefanèiæ

Orkestar Kazališta 'Komedija' / Kazalište -'Komedija' Orchestra

Uloge / CastMaster of Ceremonies (Emcee): Dražen ÈuèekClifford Bradshaw: Ronald ŽlaburFräulein Scneider: Jasna BilušiæHerr Schultz: Dražen BratuliæFräulein Kost: Sanja MarinSally Bowles: Renata SabljakErnst Ludwig: Davor SvedružiæDjevojka / Girl: Ana Kraljeviæ

www.komedija.hr

Ansambl / EnsembleMorana Paškieviæ, Stela Gajski, Ivana Mesec, Ana Haniæ, Kristina Škoriæ, Tamara Masnjak, Dragan Peka, Boris Barberiæ, Zoran Simikiæc, Nikola Milat, Božidar Perièiæ, Bojan Valentiæ, Petar Banda, Matija Škvorc, Emil Kuzminski, Dejan Jakovljeviæ, Lana Blaæe, Jadranka Gospodnetiæ, Ana Klabuèar, Irena Raduka Bulatoviæ, Željka Veverec, Zlatko Kelneriæ, Mislav Luliæ



Cabaret našeg vremena

Nakon velikog i uspješnog hita, mjuzikla Chicago, èije je uprizorenje u Kazalištu Komedija nagraðeno svim važnijim nagradama hrvatskoga kazališta, redateljica Dora Ruždjak postavila je još jednu uspješnicu poznatog trojca Isherwood/Kander/Ebb. Mjuzikl Cabaret nastao je po motivima drame Johna van Drutena I am a camera iz 1951. godine, koja je pak nastala adaptacijom romana Christophera Isherwooda Goodbye to Berlin. Zahvaljujuæi filmu Boba Fossea iz 1972. godine gledatelji znaju sve (ili gotovo sve) o kabaretskoj pjevaèici iz Kit Kat kluba koja živi vrlo neurednim životom, u Berlinu, poèetkom tridesetih godina dvadesetog stoljeæa. Na neuspjeh osuðena ljubavna veza izmeðu Sally Bowles i mladog amerièkog pisca Cliffa Bradshawa jedan je od motiva ovog mjuzikla koji oslikava vrijeme rasta nacizma, neimaštinu i bijedu ispod sjajnih reklama, ekonomsku krizu koja razjeda meðuljudske odnose i veze kao i neobiènu sposobnost ljudi da ne žele vidjeti zlo i zloèin kada im se dogaða pred oèima. Ipak, u središtu svega je Kit Kat klub i njegov konferansije èiji ironièni komentari i dekadentno kabaretsko ozraèje funkcioniraju kao metafora predratne Njemaèke.

Mjuzikl Cabaret veæ je nakon prvog uprizorenja 1966. godine doživio veliki uspjeh, nagraðen je mnogim nagradama, a svako novo uprizorenje, kojih je u proteklih èetrdesetak godina bilo mnogo, takoðer nije prošlo nezapaženo. Kazalište Komedija svojom tradicijom postavljanja vrhunskih svjetskih mjuzikala želi publici pružiti užitak gledanja vrhunske glazbene produkcije kakvu Komedijin ansambl zna i može napraviti.

Na opatijskoj otvorenoj sceni Cabaret dobiva novu dimenziju i postaje drugaèije i uzbudljivo kazališno iskustvo za ljubitelje mjuzikla.

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A Cabaret of Our Time

After its big smash hit, the musical Chicago, the staging of which by the Kazalište Komedija Zagreb was awarded every single important award on the Croatian theatre scene, the director, Dora Ruždjak, staged another successful hit by a well-known trio Isherwood/Kander/Ebb. The stage musical Cabaret is based upon John van Druten's play "I am a Camera" from 1951 which, in turn, was adapted from Christopher Isherwood's novel "Goodbye to Berlin". Thanks to Bob Fosse's film from 1972, the spectators know everything (or almost everything) about the cabaret performer from the Kit Kat Klub who leads a very Bohemian life in Berlin, in the early thirties of the 20th century. The love story between Sally Bowles and a young American writer, Cliff Bradshaw, that is doomed to failure is one of the motives of this musical that portrays the gloomy times of the rise of Nazism, poverty and squalor in the shadows of the bright and shiny advertisements, the economic crisis that is destructing interpersonal relations and relationships, as well as the peculiar ability of people to refuse to recognize evil and crime even when it is unravelling in front of their very eyes. Still, the centre stage belongs to the Kit Kat Klub and their master of ceremonies, whose ironic comments, combined with the decadent cabaret atmosphere, serve as a constant metaphor for the pre-war Weimar Germany of that time.

The musical Cabaret scored huge success immediately after its opening performance in 1966, received a series of awards and each subsequent production, and there have been quite a few over the past forty years, has not gone unnoticed. Kazalište Komedija, with its tradition in staging top world musicals, wishes to enable the audience to experience the pleasure of watching top musical production that the Komedija's ensemble is fit and able to do.

At the Open Air Theatre of Opatija, Cabaret gains a new dimension and becomes a completely different and exciting experience for all musical lovers.

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Mel Brooks and Thomas Meehan:The Producers Pozorište na Terazijama, BeogradFriday, July 13, 2012 at 21:30 / Open Air Theatre, Opatija

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Tekst / Book: Mel Brooks, Thomas MeehanGlazba i songovi / Music and Lyrics: Mel Brooks Redatelj / Director: Jug RadivojeviæKoreograf / Choreographer: Igor BarberiæPrijevod / Translation: Slobodan ObradoviæGlazbeni aranžer / Song Arrangements: Ivan IliæDirigent / Conductor: Milan NedeljkoviæScenograf / Set Designer: Aleksandar DeniæKostimograf / Costume Designer:Marina MedenicaLektor / Proof-reader: Radovan Kneževiæ

Uloge / CastMax Bialystock: Nebojša DugaliæLeopold Leo Bloom: Slobodan StefanoviæFranz Liebkind: Andrija Miloševiæ / Milan AntoniæUlla Inga Hansen: Jelena JovièiæRoger De Bris: Nikola SimiæCarmen Ghia: Miroljub Turajlija

www.pozoristeterazije.com

Ansambl / EnsembleLjubiša Dinèiæ, Dušan Šida, Dušan Kalièanin, Nemanja Naumoski, Igor Naumoski, Igor Grabovica, Milan Gromiliæ, Nebojša Gromiliæ, Miloš Mitiæ, Kristina Saviæ, Biljana Pekoviæ, Mirjana Stojanoviæ, Barbara Milovanov, Milica Pavloviæ, Elena Gromiliæ, Lidija Novakoviæ, Milica Saviæ, Tamara Martinoviæ, Mirela Božiæ, Bojana Raèiæ



Producenti ili zašto je mjuzikl uspješan žanr

Mjuzikl Producenti, premijerno je izveden na Broadwayu 2001. godine, a nastao je po istoimenom filmu Mela Brooksa iz 1968. godine. Predstava je izvedena više od 2500 puta i prevedena je na 15 svjetskih jezika. Dva dana nakon premijere Producenti su oborili rekord prodaje karata na blagajni u jednom danu - sa zaraðenih više od 3 milijuna dolara, da bi dvije godine kasnije popravili vlastiti rekord s preko 3,5 milijuna dolara prihoda od prodaje karata u samo jednom danu!

Producenti su osvojili èak 12 Tonyja (od ukupno 15 nominacija), èime su oborili rekord, koji je 37 godina držao mjuzikl Hello, Dolly!, s osvojenih 10 Tonyja.

Predstava je te godine osvojila gotovo sve nagrade koje mjuzikl može dobiti pa su Producenti jedan od najuspješnijih mjuzikala svih vremena. Amerièki filmski institut (AFI) 2000. godine napravio je listu najboljih komedija svih vremena, na kojoj se film Producenti iz 1968. godine (po kojem je predstava nastala) nalazi na 11 mjestu, dok je popularni song Springtime for Hitler uvršten meðu 100 najboljih pjesama.

Film snimljen kao crna komedija okarakteriziran je kao drska satira pa se veliki filmski studiji nisu usudili stati iza ovog projekta. Film je konaèno distribuiran kao umjetnièki film neovisne produkcije koji je brzo osvojio publiku, a osvojeni Oskar za najbolji originalni scenarij bio je najbolja potvrda kvalitete filma.

Mel Brooks, pisac, redatelj i glumac, slovi za jednog od najboljih komièara svih vremena, malobrojnih umjetnika koji su osvojili sve važnije nagrade, a zapamæen je po izjavama kako je jedini Židov koji je imao koristi od Hitlera, te kako je dobar ukus neprijatelj komedije.

Produkcija Pozorišta na Terazijama koje se ponovno predstavlja na opatijskoj sceni, na najbolji naèin, potvrðuje kvalitete ovog mjuzikla i jasno pokazuje zašto su Producenti u toliko zemalja oduševili publiku.

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The Producers, or Why the Musical is Such a Successful Genre

The Producers, a musical that premiered on Broadway in 2001, was adapted by Mel Brooks and Thomas Meehan from Brooks'1968 film of the same name. The show ran for 2502 performances and was translated into 15 world languages. Two days after the opening night, The Producers broke the record of the largest ticket-box sale in one single day - more than 3 million dollars' worth, just to surpass this result with a new record only two years later: over 3.5 million dollars' worth of tickets sold in only one day!

The Producers won a record-breaking 12 Tony Awards (from a total of 15 nominations), by which they set yet another record: the one of total number of nominations - which had until then been held for 37 years by the musical Hello, Dolly! that had won 10 Tony Awards.

That year, this musical actually won almost all the awards that a musical can receive, and is thus listed as one of the most successful musicals of all times. In 2000, The American Film Institute (AFI) compiled a list of the best comedies of all times, in which the film The Producers from 1968, which served as the basis for the musical, was listed in the 11th place, whereas the popular song Springtime for Hitler made it into the 100 best songs.

The film, shot as a "comedy noire", was labelled a "brazen satire" so the big film studios did not dare back up this project. The film was in the end distributed as an independent production art film that soon won the hearts of the audience, and the Oscar for the best original screenplay was the best proof as to the quality of this film.

Mel Brooks, the writer, director and actor, is considered to be one of the best comedians ever, one of the few artists who won all significant awards, and who is remembered by his statements that he is "the only Jew who benefited from Hitler" and how "good taste is the enemy of comedy. "

The production by Pozorište na Terazijama, who are performing again on the Opatija scene, confirms the quality of this musical in the best way and clearly shows why The Producers have thrilled the audiences of so many countries.

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Saša Anoèiæ:The Band Teatar Exit, ZagrebWednesday, July 18, 2012 at 21:30 / Open Air Theatre, Opatija

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Tekst i režija / Book and Director: Saša AnoèiæAsistent redatelja / Director's Assistant:Ivana ÈohKostimograf / Costume Designer:Danica Dedijer MarèiæAsistent kostimografa / Costume Designer's Assistant: Ana TrišlerKoreografija / Choreography:Marina Lamot and Radovan RuždjakGlazbeni suradnik / Music Assistant:Matija Antoliæ and the Performance CrewMajstor rasvjete / Light Designer:Marino FrankolaTonski suradnik / Sound Assistant:Nebojša Paunkoviæ, Davor Mrkonjiæ, Daniel BiffelProjekcije / Projections: Dragan MiciæOrganizacija / Organization:Antonija Putiæ, Valentina Bastalec

www.teatarexit.hr

Uloge / CastSaša AnoèiæMatija AntoliæTvrtko JuriæDamir KlemeniæMarina LamotTihana LazoviæMateja MajerleJerko MarèiæNera StipièeviæNeven Šverko


Cijene ulaznica / Ticket prices:100,00 kn (1/6 - 18/7/2012)120,00 kn (19/7/2012)

Život za trenutak sreæe

Ovo je prièa o bendu. Ustvari, to je prièa o ljudima koji su odluèili poèeti živjeti jedino što im je preostalo, a to je - trenutak. Osnovna gradivna jedinica života. A oni su živjeli za to - za trenutak sreæe... za svaki trenutak sreæe za koji su se mogli izboriti. Dok su svirali.

Iz ovih nekoliko reèenica u Teatru Exit nastao je novi projekt. Umjetnièki tim predstave pod vodstvom Saše Anoèiæa jamstvo je uzbudljive kazališne veèeri.

Anoèiæ u ovoj glazbeno-scenskoj bravuri spaja naizgled nespojive krajnosti, novinske naslove i svijet legendi što je rezultiralo predstavom koja æe u sljedeæoj sezoni sigurno obilježiti hrvatski kazališni život, a opatijska publika bit æe meðu prvom koja æe imati priliku vidjeti ovaj novi projekt.

Bend prati nastanak i razvoj grupe Nemirne noge i sastoji se od niza glazbenih toèaka okupljenih oko prièa malih ljudi koji ovaj bend èine. Radi se o izuzetno dinamiènoj i scenski provokativnoj mješavini glazbe, ritma, plesa, stepanja i glume, kazalištu koje sebi ne postavlja granice i istražuje sve moguænosti glumaèke igre.

'Zaboravili smo kako živimo i da u svakom trenutku moramo biti svjesni i zahvalni što smo i gdje smo. Prièa je zasnovana na istinitim dogaðajima. Svi su se ti ljudi o kojima govori predstava sakrili iza nekih svojih obrambenih mehanizama, navlaèe oklope, ljušture... Zbog toga nas drugi gledaju kao niža biæa i ostavljaju nas na miru' - komentira Anoèiæ ovaj projekt i ljude u njemu.

Ali, ako takve ljude zaista svi ostavljaju na miru, ova vas predstava sigurno neæe ostaviti na miru, dugo nakon što utihnu njezini posljednji taktovi ostat æe vam u glavi i srcu. A to i jest smisao scenske umjetnosti: da ostaje u nama i nakon što se ugase svjetla.

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Life for a Moment of Happiness

This is a story about a band. Actually, it is a story about people who decided to start living the only thing that they still had and that was - the moment. This basic building block of life. And they did live for that - a moment of happiness... for every moment of happiness that they could grind out and obtain. While they played.

It is from these several sentences that a new project was born in Teatar Exit. The artistic team of this performance, led by Saša Anoèiæ, is a guarantee for an exciting theatre night.

Anoèiæ, in this dramatico-musical bravura combines the apparently incompatible extremes - newspaper headlines with a world of legends, all of which resulted in a play that will most certainly mark the Croatian theatrical scene in the coming season - and the Opatija audience will have the privilege of being among the first ones to see this new project.

The Band follows the birth and development of the band 'Restless Legs' and consists of a number of musical acts gathered around life stories of the small people who constitute this band. This is an exceptionally dynamic and dramatically provocative mixture of music, rhythm, dance, stepping and acting, a theatre that sets no limits to itself and explores all the options of actors' play.

'We have forgotten how to live and how at every moment we need to remind ourselves and be grateful for what we are and where we are. This story is based on true events. All of these characters that the play talks about have hidden behind some kind of their defence mechanisms; they have put on armours, protective shells... And because of that, the others view us as some lesser creatures and leave us alone' - comments Anoèiæ on this project and the characters portrayed in it.

But, if such characters are really left alone by everybody, you will certainly not be left unmoved by them and by this performance, and for a very long time after the last of its music will have faded away, it will still go on in your head and in your heart. And this is the substance of performing arts: to stay on with us long after the lights go out.

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Festival Opatija · Zert BB: PP83 · Hr-51410 OpatijaUstanova za organizaciju, promidžbu i posredovanje u oblasti kulture/ Institution for Organization, Promotion and Intermediation in Domain of Culture

Izadavaè / Publisher: Festival OpatijaZa izdavaèa / For the Publisher: Rajna MilošPrevela / Translated by: Sanja BedravaGrafièki dizajn / Graphic design: Krepelnik GraftwerkTisak / Print: Tiskara Zambelli, RijekaNaklada / Copies: 1500 kom / pcsOpatija, lipanj 2012. / June 2012

Sponzor / Sponsor:

Zagrebaèka banka

Medijski pokrovitelji / Media partners:

Radio Rijeka Novi list Radio Trsat

Primorski Radio

Saša Anoèiæ:BendTeatar Exit, ZagrebSrijeda, 18. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Mel Brooks i Thomas Meehan:ProducentiPozorište na Terazijama, BeogradPetak, 13. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Joe Masteroff / Fred Ebb / John Kander:CabaretZagrebaèko gradsko kazalište KomedijaSrijeda, 4. srpnja 2012., u 21:30 satiLjetna pozornica, Opatija

Jean Poiret:KrletkaSatirièko kazalište Kerempuh, ZagrebUtorak, 26. lipnja 2012., u 21:30 satiMala ljetna pozornica, Opatija

J. Bock, S. Harnick i J. Stein:Guslaè na krovuHNK Ivana pl. Zajca, RijekaSrijeda, 20. lipnja 2012., u 21:30 satiLjetna pozornica, Opatija

J. Bock, S. Harnick and J. Stein:Fiddler on the roofHNK Ivana pl. Zajca, RijekaWednesday, June 20, 2012 at 21:30Open Air Theatre, Opatija

Jean Poiret:The BirdcageSatirièko kazalište Kerempuh, ZagrebTuesday, June 26, 2012 at 21:30Open Air Theatre, Opatija

Joe Masteroff / Fred Ebb / John Kander:CabaretZagrebaèko gradsko kazalište KomedijaWednesday, July 4, 2012 at 21:30Open Air Theatre, Opatija

Mel Brooks and Thomas Meehan:The ProducersPozorište na Terazijama, BeogradFriday, July 13, 2012 at 21:30Open Air Theatre, Opatija

Saša Anoèiæ:The BandTeatar Exit, ZagrebWednesday, July 18, 2012 at 21:30Open Air Theatre, Opatija

omf.festivalopatija.hr

fiddler on the roof - omf.festivalopatija.hr knjizica... · fiddler on the roof hnk ivana pl....

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