field notes and plant bits and bears, oh my!
TRANSCRIPT
A little about us—we collect USDA materials, heavily leaning toward research and history.
And sometimes other stuff. We are reasonable staffed, with 5 professional FTEs and one
almost-FT technician. I have no idea how many rare books we have, but the oldest is an
Herbal from 1509.
We have both the manuscript and published volumes of James Bolton’s History of Fungeses.
We also have his unpublished manuscript for Icones Fungorum Spontenascentium, with
select images from that work shown beside the bound volumes. This Brit loved his
mushrooms. With the History manuscript, we have 3 specimens from volume 1—the Kew
Gardens have others. Most of the collections I’m going to talk about have samples or
specimens in them, because I suspect that’s something that makes us unique.
Romeyn Beck Hough was an American botanist so enamored of wood that he invented a
machine for slicing it. Unsurprisingly, he also liked forestry and natural history in general,
and we have a number of journals chronicling his journey across the states in search of
trees.
These journals surprised us with some leaves between its leaves! My coworker carefully put
them in a sleeve of Mylar to keep them from crumbling. Sometimes specimens require
more careful care—we’ve sent grape leaves from our Presetele watercollection to CCAHA to
be carefully pieced back together and conserved.
The final result of hough’s journey and invention was a 14-volume bound set of American
wood samples, with a separate volume of explanatory text. We have several editions—
Volume 7 from the 1890s and 19502 are shown here.
Here are the wood samples beneath the covers, sliced with his invention. For reasons we’ve
not yet discerned, the order of samples was re-arranged in the 1957 edition.
Charles Valentine Riley brought his talent for natural history drawing and description to the
USDA in 1878, as the 2nd chief entomologist. Shown here are two pages from his Natural
History of Insects, which he put together in 1858 at the tender age of 15. This collection also
includes some samples in insect, rather than plant, form, which I haven’t included because
yuck.
I love this collection, because of the many “Tramps” journals contained within. Charles C.
Plitt taught botany in Maryland from 1891 to 1932, and he records his tramps through the
woods of MD, DE, and NY in great detail..
The USDA Fiber Collection includes hundreds of samples and documents related to fibrous
plants other than cotton.
Our favorite is a jar of colorful milkweed threads, which contained a note that it should be
refrigerated, but not why.
Abraham Stoesz was a soil conservationist at the USDA from the late 1920s to the early
1960s. This collection is composed entirely of 35mm slides and small books of field notes.
The last are divided between green memo books and simpler card stock field notepads. He
clearly preferred the memo books, as the notepads are each about one quarter full to the 3
quarter full memo books.
As part of his job, he looked at plants which help prevent erosion, leading to this sample
between pages of notes. He’s also one of the few doodlers in evidence in our collections.
The Forest Service History Collection contains the things you’d expect—oral histories,
photos of parks,
Photos of people enjoying the parks, etc. It also mysteriously contains a thick binder titled
“Forestry and Outerspace.”
This was apparently some sort of diplomatic/publicity stunt, were seeds were taken into
space on one of the Apollo missions, and gifted to other nations. Who wouldn’t want their
very own “moon tree?”
Finally, I wanted to end with the message that only YOU can prevent forest fires. We have
two Smokey Bear—no definite articles here!—collections, which between them have
hundreds of photos,
..and photos of people holding those paintings. In this photo, Rudy Wendelin and his wife
are holding the painting featured on the previous slide. Wendelin was not the first Smokey
artist, but he is the most well known.