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Film Studies, the state of things. A selective overview of resources and (recent) publications. This version was last updated at: March 2010 (17 pages).

on line available at http://comcom.uvt.nl/e-view/bosma.pdf and www.peterbosma.info Compilation by drs. Peter Bosma

Contents Part 1. The basic library of film studies – p. 2 • Bibliographies of Film Research and Indexes of Film Data • Film Lexica • Film Encyclopaedia • Recent Introductions Film Studies & Introductions Film Theory • a Selection of Anthologies of Film Theory • a Selection of General Film Histories & Introductions Film History • a Selection of Film Essays and Film Criticism • and furthermore … • Dutch section Part 2. International recent film research – p. 8 • Film History • Film Theory Part 3 neighbour fields of research – p. 11

• A Selection of Recent Introductions (English / Dutch) • Film and Philosophy • Film and Anthropology • Film and Social Theory • Film and History • Film/literature adaptation and remakes • Film and New Media • Other neighbour fields of research

Appendix 1: Internet sources for Film Studies - p. 13 Appendix 2: Film Studies in The Netherlands and Flanders (a list of phd-thesis) – p. 16 Introduction This compilation started as a personal project, I wanted to make an inventory of recent publications in the field of Film Studies. Thanks to the digital magazine E-view this personal project came available worldwide. I am aware of the existence of many comparable efforts, in print or on-line. My compilation is a work in progress, which could be elaborated and annotated. But, I think my inventory still is useful and relevant. • Part One is meant to give a complete overview of the basic library of Film Studies, • Part Two offers a selection of relevant recent publications of film history and film theory, • Part Three offers an overview of the neighbour fields of research. Many thanks to all friends who helped me to compile this overview. A special salute to the book reviewers of De Filmkrant, TMG and Skrien, among many others. For new books one goes to a bookshop or to a library:

• the library of the Dutch Filmmuseum in Amsterdam (http://bibcat.filmmuseum.nl/opc_internet/index.html). • the library of the Royal Filmarchive in Brussels (www.cinematek.be/?node=4&description=Bibliotheek). • the library of the British Film Institute in London (www.bfi.org.uk). • the Bibliothèque du Film, in Paris (www.bifi.fr).

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Part 1: The basic library of film studies Bibliographies of film research and indexes of film data Intention: to select the essential books – microfiche – cd rom - digital databank • Armour, R. Film: A Reference Guide. Westport: Greenwood Press, 1980. • Austin, B.A., The Film Audience. An International Bibliography with Annotations and an Essay, Metuchen: Scarecrow,

1983. • GERMAN: Bock, Hans-Michael (ed.), CineGraph - Lexikon zum deutschsprachigen Film. München: edition text +

kritik, 1984 ff. • Burrows, Elaine & Janes Moat & David Sharp & Linda Wood (ed.), The British Cinema Source Book. BFI Archive

Viewing Copies and Library Materials, London: BFI, 1995. • Dagrada, Elena, Bibliographie internationale du cinéma des premiers temps/ International Bibliography on Early Cinema.

Madison: DOMITOR, 1995. • Donaldson, G. Of Joy and Sorrow. A Filmography of Dutch Silent Film, Amsterdam: Nederlands Film Museum, 1997. • Film Literature Index, uitgave van State University of New York, vanaf 1973. • Footage. The Worldwide Moving Image Sourcebook, New York: Second Line Search, 1997. • Gebauer, D. & Harriet Harrison (eds.), Bibliography of National Filmographies, Brussel: FIAF, 1985. • Gerlach, John C. & Lana Gerlach (eds.), The Critical Index, New York: Teachers College Press, 1974. • Heinzkill, R. Film Criticism. An Index to Critics’ Anthologies. Metuchen: Scarecrow, 1975. • Hochman, S. (ed.) A Library of Film Criticism. New York: Ungar, 1974. • International Film Archive CD-Rom, Fédération Internationale des Archives du Film (FIAF). • International Index to Film Periodicals, Fédération Internationale des Archives du Film (FIAF), from 1972. • GERMAN: Jens Eder und Hans J. Wulff (eds.): Medienwissenschaft/Hamburg: Berichte und Papiere, on line:

http://www.rrz.uni-hamburg.de/Medien/berichte/ • Maccann, Richard Dyer & E.S. Perry, The New Film Index: A Bibliography of Magazine Articles in English, 1930-1970,

New York: Dutton, 1975. • Manchell, Frank (ed.) Film Study: Analytical Bibliography (vol. 1- 4), Madison: Fairleigh Dickinson UP, 1992. • Rehrauer, G. The MacMillan Film Bibliography (2 vols), New York: MacMillan, 1982. • Sheahan, Eileen, Moving Pitures. An Annotated Guide to Selected Film Literature. With Suggestions for the Study of

Film, New York: Barnes, 1979 • GERMAN: Wulff, H.J. et.al. (eds.) Bibliographie der Filmbibliographien, München: Saur, 1987. Film lexica Intention: to offer a complete list • Andrew, J.D., Concepts in Film Theory. Oxford: Oxford UP, 1984. • FRENCH: Aumont, Jacques & Michel Marie, Dictionnaire théorique et critique du cinema, Paris: Nathan/VUEF, 2001. • Beaver, Frank E., Dictionary of Film Terms, New York: McGraw-Hill, 1983/ New York: Twayne, 1994. • Blandford, Steven & Barry Keith Grant & Jim Hillier (ed), The Film Studies Dictionary, London: Arnold, 2001. • Browne, Steven E. Film-Video Terms and Concepts. Boston/London: Focall Press, 1992. • Cones, John W., Film Finance and Distribution. A Dictionary of Terms, Los Angeles: Silman-James Press, 1992. • Gartenberg, J. Glossary of Filmographic Terms, Brussels: FIAF, 1989 (2nd ed). • Hayward, Susan, Cinema Studies. The Key Concepts. London: Routledge, 2006 (3rd ed). • Koningsberg, Ira, Complete Film Dictionary, Harmondsworth: Penguin, 1997. • Lacey, N., Image and Representation. Key Concepts in Media Studies, London: Macmillan, 1998. • Pearson, Roberta & Philip Simpson (ed.), Critical Dictionary of Film and Television Theory, London: Routledge, 2000. • GERMAN: Rother, Rainer (ed.), Sachlexikon Film, Reinbek: Rowohlt, 1997. • Simpson, P & A. Utterson & K.J. Shepherdson (eds), Film Theory: Critical Concepts in Media and Cultural Studies,

London: Routledge, 2003. • Stam, Robert & Robert Burgoyne & Sandy Flitterman-Lewis (eds), New Vocabularies for Film Semiotics. Structuralism,

Poststructuralism and Beyond. New York: Routledge, 1992. • Watson, James & Ane Hill, A Critical Dictionary of Communication and Media Studies, London: Arnold, 1997 (4th ed). • Williams, Raymond, Key Words. A Vocabulary of Culture and Society, London: Fontana, 1988. Film encyclopaedia Intention: to offer a complete list • Abel, Richard (ed), Encyclopedia of Early Cinema, New York: Routledge, 2005. • Fane-Saunders, Kilmeny, Radio Times Guide to Films 2005, London: BBC Worldwide, 2004. • Goble, Alan, The Complete Index to World Film since 1895, (cd rom). • Hofman, Robert et.al. (eds.), De Speelfilmencyclopedie, Amsterdam: Luitingh-Sijthoff, 1995 (6th ed). • Katz, Ephraim & Fred Klein & Ronald Dean Nolan, The MacMillan International Film Encyclopedia, London:

MacMillan, 2002 (4th ed). • Koebner, Thomas et.al. (eds.), Filmklassiker. Beschreibungen und Kommentare (4 vols), Stuttgart: Reclam, 1995. • Magill, Frank N. (ed.) Survey of Cinema, Silent Films, Englewood Cliffs: Salem, 1982. • Magill, Frank N. (ed.) Survey of Cinema, English Language Films, Englewood Cliffs: Salem, 1980/81 (10 vols). • Magill, Frank N. (ed.) Survey of Cinema, Foreign Language Films, Englewood Cliffs: Salem, 1985 (8 vols).

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• Maltin, Leonard (ed.), Leonard Maltin's 2005 Movie Guide, New York: Plume, 2004. • Lourcelles, Jacques, Dictionnaire du cinéma. Les films, Paris: Robert Laffont, 1995. • Lyon, Ch. (ed.) The International Dictionary of Films and Filmmakers (5 vols), Chicago: St. James Press 1984-1997. • Nicolet, V. et.al. (eds.) The MacMillan Dictionary of Films and Filmmakers, London: Macmillan, 1997. • Pym, John (ed.), Time Out Filmguide 2005, London: Time Out Guides, 2004 (13th ed). • Roud, Richard (ed.) Cinema. A Critical Dictionary (2 vols), London, 1980. • Thomas, Nicholas (ed.) International Dictionary of Films and Filmmakers, Chicago/London: St.James Press, 1991 (3

vols). • Simsi, Simon, Ciné-Passions. Premier Guide Chiffré du Cinéma en France, Paris: Dixit, 2000. • Thomson, David, The New Biographical Dictionary of Film, New York: Knopf, 2002 (4th ed). • TV Guide Movie Database/ Cinebooks (ed.), The Twelfth Virgin Film Guide, London: Virgin Books, 2004. • Wakeman, John (ed.), World Film Directors, New York: Wilson, 1987/1988 (2 vols). • Walker, John (ed.), Halliwell's Film, Video and DVD Guide 2005, London: HarperCollins Entertainment, 2004. • Walker, John (ed.), Halliwell’s Who’s Who in the Movies, ….. 2001 (14th ed, sequel of Halliwell’s Filmgoer's

Companion). Introductions film studies and introductions film theory Intention: to offer a complete list of recent English pubications • Abrams, Nathan & Ian Bell & Jan Udris, Studying Film. London: Arnold, 2001. • Aitken, Ian, European Film Theory and Cinema. A Critical Introduction. Edinburgh: Edinburgh University Press, 2001. • Andrew, J. Dudley, The Major Film Theories. An Introduction. London etc: Oxford UP, 1976. • Aumont, Jacques et.al. Aesthetics of Film. Austin: University of Texas Press, 1992. Translation of: Esthétique du film,

Paris: Nathan, 1983. • Barsam, Richard. Looking at Movies: An Introduction to Film, New York: Norton, 2008 (2nd ed). • IN GERMAN: Bock, Hans-Michael & Wolfgang Jacobsen, Recherche: Film. Quellen und Methoden der Filmforschung,

München: edition text + kritik, 1997. • # Bordwell, David & Kristin Thompson. Film Art: An Introduction. New York: Mc Graw-Hill, 2008 (8th ed + CD-rom

and booklet: The McGraw-Hill Filmgoer's Guide). See also www.davidbordwell.net. • Boggs, Joseph M. & Dennis W. Petrie The Art of Watching Films, New York: Mc Graw-Hill, 2004 (6th ed + CD-rom). • Branston, Gill, Cinema and Cultural Modernity, Buckingham: Open University Press, 2000. • Buckland, Warren, How to Teach Yourself Film Studies, London: Hodder & Stoughton, 1998. • Caldwell, Thomas, Film analysis handbook: Essential Guide to Understanding, Analysing and Writing on Film, Victoria:

Insight Publications, 2005 • Casetti, Francesco, Theories of cinema 1945-1990, Austin: University of Texas Press, 1999. Translation of: Teorie del

cinema, dal dopoguerra ad oggi, Bompiani, 1993 (1978). • # Cook, Pam & Mieke Bernink (eds.), The Cinema Book (3rd ed), London: BFI, 2007. • Corrigan, Timothy, A Short Guide to Writing about Film. New York: Pearson/Longman, 2006 (6th ed). • Corrigan, Timothy & White, Patricia, The Film Experience. An Introduction, Boston/ New York: Bedford/ St.Martins,

2004. • Cousins, Mark, Scene by Scene, London: Faber & Faber, 2002. • Dick, Bernard F., Anatomy of Film. London: Macmillan Press, 2005 (5th ed). • Donald, James & Michael Renov (eds) The SAGE Handbook of Film Studies, London: SAGE publications, 2008. • Eidsvik, Charles, Cineliterarcy. Film Among the Arts, New York: Horizon Press, 1978. • Fabe, M., Closely Watched Films: An Introduction to the Art of Narrative Film Technique, Berkeley: University of

California Press, 2004. • IN GERMAN: Felix, Jürgen (ed.) Moderne Film Theorie, Mainz: Bender verlag, 2002. • IN FRENCH: Fozza, Jean Claude & Anne-Marie Garat & Françoise Parfait, Petite Fabrique de l’image, Paris: Magnard,

2003 (2nd ed). • Furby, Jacqueline & Karen Randell (eds), Screen Methods. Comparative Readings in Film Studies, London: Wallflower

Press, 2006. • Geiger, Jeffrey & R.L. Rutsky (eds) Film Analysis: a Norton Reader, New York/ London: W.W.Norton, 2005. • Gianetti, Louis D., Understanding Movies, Upper Saddle River: Prentice Hall, 2002 (9th ed). • # Gledhill, Christine & Linda Williams (eds.) Reinventing Film Studies. London: Arnold, 2000. • Gollin, Richard M. A Viewer’s Guide to Film. New York: McGraw-Hill, 1992. • Grieveson, Lee & Haidee Wasson (eds), Inventing Film Studies, Durham: Duke UP, 2008. • Grlic, Rajko (ed.) How to make Your Movie. An Interactive Filmschool (CD-rom). • Harbord, Janet, Film Cultures, London: Sage Publications, 2002. • # Hill, John & Pamela Church Gibson (eds). The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. • Hill, John & Pamela Church Gibson (eds.) Film Studies: Critical Approaches. Oxford: Oxford UP, 2000. • Hill, John & Pamela Church Gibson (eds.) World Cinema: Critical Approaches, Oxford: Oxford UP, 2000 . • Hill, John & Pamela Church Gibson (eds.) American Cinema and Hollywood: Critical Approaches, Oxford: Oxford UP,

2000. • Hollows, Joanne & Mark Jancovich (eds.) Approaches to Popular Film, Manchester/ New York: Manchester UP, 1995. • Katz,Steven, D. Film directing shot by shot, visualizing from concept to screen, Massachusetts: Focal Press, 1991. • Kawin, Bruce, How Movies Work, Berkeley: University of California Press, 1992. • Klevan, A., Film Performance: From Achievement to Appreciation, London: Wallflower Press, 2005. • Lacey, N., Narrative and Genre, London: Macmillan, 2000.

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• Lacey, Nick, Introduction to Film, London: Macmillan, 2005. • Lehman, Peter (ed.) Defining Cinema. New Brunswick: Rutgers UP/ London: The Athlone Press, 1997. • Lehman, Peter & William Luhr, Thinking About Movies. Watching, Questioning, Enjoying, London: Blackwell, 2002

(2nd ed). • Livingstone, Paisley & Carl Plantinga (eds) The Routledge Companion to Philosophy and Film, New York: Routledge,

2009. • # Miller, Toby & Robert Stam (eds.) A Companion to Film Theory, Oxford: Blackwell, 1999. • # Monaco, James. How to Read Film. Movies, Media, Multimedia, Oxford: Oxford UP, 2008 (4th ed). See also

www.readfilm.com. • Muller, Gilbert H. & John Alfred Williams, Ways In. Approaches to Reading and Writing about Literature and Film,

New York: McGraw-Hill, 2002. • # Nelmes, Jill (ed.), Introduction to Film Studies, London: Routledge, 2007 (4th ed). • Neupert, Richard & Marc Vernet, Aesthetics of Film, University of Texas Press, 1992 (First published as l’ Esthetique du

film, 1983). • Philips, Patrick, Understanding Film Text: Meaning and Experience, London: BFI, 2000. • Philips, William H. Film. An Introduction. Boston: Bedford/St.Martin’s, 2005 (3rd ed). • Piper, Jim, Get the Picture? The Movie Lover’s Guide to Watching Films, New York: Allworth Press, 2008 (2nd ed). • # Pramaggiore, Maria & Tom Wallis, Film: A Critical Introduction, London: Laurence King, 2005. • Prince, Sthephen, Movies and Meaning. An Introduction to Film, Needham Heights Allyn and Bacon, 1997. • Roberts, Graham & Heather Wallis, Introducing Film. London: Arnold, 2001. • Sobchak, Thomas & Vivian C. Sobchak, An Introduction to Film, Boston: Brown, 1987 (2nd ed). • # Stam, Robert, Film Theory: An Introduction. Malden/Oxford: Blackwell, 2000. • Stanley, Robert Henry, Making Sense of Movies, Filmmaking in the Hollywood Style, New York: McGrawHill, 2003. • Thompson, Kristin, Storytelling in the New Hollywood; Understanding Classical Narrative Technique, Cambridge:

Harvard UP, 1999. • Turner, Graeme, Film as Social Practice, London: Routledge, 2006 (4th ed, originally 1988). • Villarejo, Amy, Film Studies: The Basics, London: Routledge, 2006. • Ward, Paul, Documentary. The Margins of Reality, London: Wallflower, 2005. Anthologies of film theory Intention: to offer a complete list • GERMAN: Albersmeier, Franz-Josef (ed), Texte zur Theorie des Films, Stuttgart: Reclam, 1998 (3rd ed). • Badley, Linda & R. Barton Palmer & Steven Jay (eds) Traditions in World Cinema, Edinburgh: Edinburgh UP,

2006. • Braudy, Leo & Marshall Cohen (eds), Film Theory and Criticism: Introductory Readings. New York/Oxford: Oxford UP,

2009 (7th ed). First edition: Mast, Gerald & Cohen, Marshall (eds.), 1974. • Browne, Nick (ed), Refiguring American Film Genres. History and Theory, Berkeley: University of California, 1998. • Carson, D. & Dittman, L. & Welch, J.R. (eds), Multiple Voices in Feminist Film Criticism, Minneapolis: University of

Minnesota Press, 1994. • Copjec, Joan (ed), Shades of Noir: A Reader, London: Verso, 1993. • Cousins, Mark & Kevin MacDonald (eds) Imagining Reality. The Faber Book of Documentary, London: Faber & Faber,

2006 (2nd ed). • Dalle Vacche, Angela (ed), The Visual Turn: Classical Film Theory and Art History, Brunswick: Rutgers UP, 2003. • Furby, Jacqueline & Karen Randell (eds), Screen Methods. Comparative Readings in Film Studies, London: Wallflower

Press, 2006. • Geiger, J. & Rutsky, R.L. (eds), Film Analysis: A Norton Reader, New York: Norton, 2005. • Gibbs, John & Douglas Pye (eds), Style and Meaning: Studies in the Detailed Analysis of Film, Manchester: Manchester

UP, 2005. • Grant, B.K. (ed), Film Genre Reader II, Austin: University of Texas Press, 1995 (originally 1986). • Grieveson, L. & Krämer, P (eds), The Silent Cinema Reader, London: Routledge, 2004. • Hark, Ina Rae (ed.), Exhibition. The Film Reader. London: Routledge, 2001. • Hollows, Joanne & Peter Hutchings & Mark Jancovich (eds.), The Film Studies Reader. London: Arnold, 2000. • Miller, Toby & Robert Stam (eds.), Film and Theory. An Anthology. Malden/Oxford: Blackwell, 2000. • Nichols, B. (ed.), Movies and Methods, vol. 1. An Anthology. Berkeley: University of California Press, 1979 (2nd ed). • Nichols, B. (ed.), Movies and Methods, vol. 2. An Anthology. Berkeley: University of California Press, 1985. • Rosen, Philip (ed), Narrative, Apparatus, Ideology: a Filmtheory Reader, New York: Columbia UP, 1986. • Simpson, Philip, Andrew Utterson & K.J. Shepherdson (eds), Critical Concepts in Media and Cultural Studies, London:

Routledge, 2004 (4 vol). • Weiss, Elisabeth & John Belton (eds), Film sound: Theory and Practice, New York: Columbia UP, 1985. A selection of general film histories and introductions film history Some new overviews of film history: 1. Spain: Historia General del Cine (Catedra, 12 vols, Universidad de Valencia) 2. Italy: Storia del Cinema (Einaudi, 4 vols, Universita di Padova) 3. France/Belgium: Eléments d’une histoire du cinéma (De Boeck, 4 vols, Université de la Sorbonne Nouvelle, Paris 3) Some pioneering film historians: 1. Sadoul, Georges, Histoire générale du cinéma (6 volumes), Paris: Denoël, 1973-75.

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2. Mitry, Jean, Histoire du cinéma, art et industrie (3 volumes), Paris: Ed. Universitaires, 1967-73. 3. Toeplitz, Jerzy, Geschichte des Films (5 volumes), Berlin: Henschelverlag, 1972 (reprint: 1992). Some other voices - recent overviews of film history: • Abel, Richard (ed), Encyclopedia of Early Cinema, New York : Routledge, 2005. • # Allen, R.C. & D. Gomery, Film History: Theory and Practice. New York: Knopf, 1985. • FRENCH: Aumont, Jacques & André Gaudreault & Mochel Marie (eds.), L’histoire du cinéma: Nouvelles approches.

Paris: Publications de la Sorbonne, 1989. • FRENCH: Bessières, Irène & Jean A. Gili (eds), Histoire du cinéma: Problématique des sources. Paris: Association

Française de recherche sur l’histoire du cinéma; INHA; Maison des sciences de l’homme; Université de paris 1, 2004. • Barnouw, Erik, Documentary: A History of the Non-Fiction Film. New York: Oxford UP, 1993 (2nd ed). • Barsam, Richard M., Non-fiction film. A critical history. Indiana UP, 1992 (2nd ed). • Bendazzi, Giannalberto, Cartoons: One Hundred Years of Cinema Animation. London: John Libbey, 1994. • GERMAN: Bock, Hans-Michael & Wolfgang Jacobsen (eds.), Film. Quellen und Methoden der Filmforschung.

München: edition text + kritik, 1997. • Bordwell, D., On the History of Film Style. Cambridge: Harvard UP, 1997. • Bruzzi, Stella, New Documentary. A Critical Introduction, London: Routledge, 2000. • Buscombe, E. Cinema Today, London: Phaidon, 2003. • Chapman, James, Cinemas of the World, London: Raktionbooks, 2003. • Chaudhuri, Shohini, Contemporary World Cinema. Europe, the Middle East, East Asia and South Asia, Edinburgh:

Edingburg UP, 2005. • # Cherchi Usai, Paolo, Silent Cinema: An Introduction. London: British Film Institute, 2000 (2th ed). • # Cook, David A., A History of Narrative Film. New York/London: W.W. Norton, 2004 (4th ed). • # Cousins, Mark, The Story of Film. A Worldwide History of Film, from the host of the BBC’s Scene by Scene. London:

Pavillon Books, 2004. Dutch Translation: Close-Up, wereldgeschiedenis van de film, Houten/Antwerpen: Van Holkema & Warendorf, 2005.

• Ellis, Jack C & Betsy A. McLane, A New History of Documentary Film, New York/London: Continuum, 2005. • # GERMAN: Faulstich, Werner & Helmut Korte (eds.), Fischer Filmgeschichte (5 vols), Frankfurt: Fischer, 1991-1995. • Forbes, Jill & Sarah Street (eds) European Cinema. An Introduction, New York/ Houndmills: Palgrave, 2000. • Fullerton, John (ed.), Celebrating 1895. The Centenary of Cinema, Sydney: John Libbey, 1998. • Fullerton, John & Astrid Soderbergh Widding (eds.), Moving Images. From Edison to Webcam, London/Sydney etc:

John Libbey, 2000 (Aura Film Studies Journal, vol. 5, nrs. 3&4). • Giannetti, Louis & Scott Eyman, Flashback. A Brief History of Film, Upper Saddle River: Prentice Hall, 2001 (4th ed). • Harding, Colin & Simon Popple, In the Kingdom of Shadows: a Companion to Early Cinema, London: Cygnus Arts,

1996. • Herbert, Stephen (ed.), A History of Pre-Cinema, London: Routledge, 1999 (3 vols.). • Herbert, Stephen (ed.), A History of Early Film, London: Routledge, 2000 (3 vols). • Klepper, Robert K., Silent Films 1877-1996. A Critical Guide to 646 Movies. Jefferson: McFarland, 1999. • Langford, Barry, Film genre. Hollywood and beyond, Edinburgh: Edinburgh UP, 2005. • Macdonald, Kevin & Mark Cousins (eds.), Imagining Reality. The Faber Book of Documentary. London: Faber & Faber,

1996. • # Mast, Gerald & Bruce F. Kawin, A Short History of the Movies. London etc: Longman, 2002 (8th ed). • # Nowell Smith, Geoffrey (ed.), The Oxford History of World Cinema, Oxford: Oxford UP, 1996. • Parkinson, D., History of Film, London: Thames & Hudson, 2002. • Sklar, Robert, A World History of Film. New York: Abrams, 2002. • # Thompson, Kristin & David Bordwell, Film History: An Introduction. New York: McGraw-Hill, 2009 (third ed). A selection of film essays and film criticism (English) • Andrew, Geoff (ed.), Film: The Critic’s Choice. 150 Masterpieces of World Cinema Selected and Defined by the

Experts, New York: Billboard, 2001. • Andrew, Geoff, Stranger Than Paradise: Maverick Film-makers in Recent American Cinema, New York: Limelight,

1999. • Balcerzak, Scott & Jason Sperb (eds) Cinephilia in the Age of Digital Reproduction. Film, Pleasure and Digital Culture,

vol. 1, London: Wall Flower Press, 2009. • Bazin, André, Bazin at Work. Major Essays & Reviews from the Forties & Fifties, New York/London: Routledge, 1997

(ed. B. Cardullo). • Burch, Noel, In and Out of Synch. The Awakening of a Cine-Dreamer, Aldershot: Scolar, 1991. • Carrière, Jean Claude, The Secret Language of Film. London: Faber& Faber, 1995. French ed: Le film qu’on ne voit pas,

Paris : Plon, 1996. • Burgin, V. The Remembered Film, London: Reaktion Books, 2004. • Carroll, Noël, Interpreting the Moving Image, Cambridge: Cambridge UP, 1998. • Carroll, Noël, Engaging the Moving Image, New haven/London: Yale UP, 2004. • Cherchi Usai, Paolo, The Death of Cinema. History, Cultural Memory and the Digital Dark Age. London: BFI, 2001. • Clair, René, Cinema Yesterday and Today, New York: Dover, 1972, transl. of: Cinéma d’hier, cinéma d’aujourd’hui,

Paris: Gallimard, 1970. • Cousins, Mark, Widescreen. Watching Real People Elsewhere, London: Wallflower Press, 2008. • Darke, Chris. Light Readings. Film Criticism and Screen Arts. London: Wallflower Press, 2000.

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• Ebert, Roger, Awake in the Dark: the Best of Roger Ebert. Forty Years of Reviews, Essays, And Interviews, Chicago: Chicago UP, 2006.

• Forbes, J. & S. Street. European Cinema: An Introduction. Houndsmill: Palgrave, 2000. • Geiger, Jeffrey (ed), Film Analysis: A Norton Reader. …: W.W.Norton, 2005. • Harvey, James, Movie Love in the Fifties. New York: Alfred A. Knopf, 2001. • Robert Kolker, Robert, A Cinema of Loneliness, New York: OUP, 2004 (3rd Edition). • Lehman, Peter (ed), Close Viewings. An Anthology of New Film Criticism. Tallahassee: Florida State UP, 1990. • Levy, Emmanuel, Cinema of Outsiders. The Rise of American Independent Film, New York: New York UP 1999. • Martin, A. & J. Rosenbaum (eds.), Movie Mutations, Berkeley/London: University of California Press/BFI, 2003. • Mathijs, Ernest (ed) The Cinema of the Low Countries London: Wall Flower Press, 2004. • Naficy, Hamid, An Accented Cinema. Exilic and Diasporic Filmmaking. Princeton: Princeton UP, 2001. • Naremore, James, Acting in the Cinema, Berkeley: University of California, 1988. • Naremore, James, More Than Night: Film Noir in Its Contexts. Berkeley: University of California Press, 1998. • Neale, Steve & Murray Smith (eds) Contemporary Hollywood Cinema, London: Routledge, 1998. • Perez, Gilberto, The Material Ghost: Films and their Medium, Baltimore: John Hopkins UP, 1998 • Powrie, Phil (ed.) French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford: Clarendon Press, 1997. • Powrie, Phil (ed.) French Cinema in the 1990s: Continuity and Difference. Oxford: Oxford UP, 1999. • Rivette, J., Texts and Interviews (ed. J. Rosenbaum). London: BFI, 1977. German transl: Schriften furs Kino, München:

1989. • Rohmer, E. The Taste for Beauty. Cambridge: Cambridge UP, 1989. Transl. of Le goût de la beauté, Paris: Flammarion,

1989. • Rotheroe, Dom, Chris Marker. Silent Movie and Selected Screenings, .... :The Pier Trust, 1999. • Scorsese, M. & M.H.Wilson, A Personal Journey with Martin Scorsese Through American Movies, London: Faber, 1997. • Stalpaert, Christel (ed.), Peter Greenaway’s Prospero’s Books. Critical Essays, Gent: Academia Press, 2000 (Studies in

Performing Arts and Film 3). • Tarkovsky, Andrei Sculpting in Time. Reflections on the cinema. London: Faber, 1989. Dutch transl.: De verzegelde tijd.

Beschouwingen over de filmkunst. Groningen: Historische uitgeverij, 1991. • Tasker, Yvonne (ed.), Fifty Contemporary Filmmakers, London: Routledge, 2002. • Toles, Geore, A House Made of Light. Essays on the Art of Film, Detroit: Wayne State UP, 2001. • Trinh, T. Minh-Ha, Cinema Interval, London: Routledge, 1999. • Truffaut, François, The Films in My Life, New York: Simon & Schuster, 1978, transl. of: Les Films de ma Vie, Paris:

Flammarion, 1975. • Truffaut, F., Les Films de ma Vie, Paris: Flammarion, 1975 + Truffaut by Truffaut, New York: Abrams, 1987, transl. of:

Truffaut par Truffaut, Paris: Editions du Chène, 1985 + Plaisir des yeux. Paris: Cahiers du Cinéma, 1987 + Le cinéma selon François Truffaut, Paris: Flammarion, 1988.

• Turan, Kenneth, Sundance to Sarajevo. Film festivals and the World they Made, Berkeley: University of California Press, 2002.

• Wenders, W., On Film, London: Faber & Faber, 2001 (combines Emotion Pictures; The Logic of Images; The Act of Seeing), transl. of: Die Logistik der Bilder. Essays und Gespräche, Frankfurt: Verlag der Autoren, 1988 + Der Akt des Sehens. Texte und Gespräche. Frankfurt: Verlag der Autoren, 1991).

• Wollen, Peter Paris Hollywood. Writings on Film, London: Verso, 2002. and furthermore...

• Kemps International Film & Television Year Book • BFI-Film Classics” + “BFI Modern Classics” (British Film Institute) • Rutgers Films in Print (Rutgers UP) • Cambridge Film Handbooks (Cambridge UP) • Pocket Essentials Film; • Projections, ed. John Boorman et.al. (Faber & Faber) + Directors on directing (Faber & Faber).

Introductions Filmstudies, in Dutch

• Biltereyst, D. & Ph. Meers (eds.) Film / Tv / Genre, Gent: Academia Press, 2004. • Biltereyst, D. & Roel Vande Winkel, Bewegend geheugen, Gent: Academia Press, 2004. • Bosma, Peter, (ed.), Filmkunde. Een inleiding. Nijmegen: Sun/Open universiteit, 1991. • Driel, Hans van (ed.) Beeldcultuur, Amsterdam: Boom, 2004. • Elsaesser, Thomas & Pepita Hesselberth (eds), Hollywood op straat. Film en televisie in de hedendaagse

mediacultuur. Amsterdam: Vossiuspers/Amsterdam UP, 2000. • Maden, Frank van (ed), Audiovisuele collecties, Hilversum: uitgeverij Verloren, 1993. (2e editie) • Pauwels, Luc & J.-M. Peters (eds), Denken over beelden. Theorie en analyse van het beeld en de beeldcultuur,

Leuven: Acco, 2005. • Pauwels, Luc (ed) Methodisch kijken. Aspecten van onderzoek naar film- en beeldcultuur, Leuven: Acco, 2007 • Peters, Jan Marie, Het bezielde beeld. Inleiding in de filmmontage, Amsterdam: Amsterdam UP, 2003. • Pisters, Patricia, Lessen van Hitchcock. Een inleiding in de mediatheorie. Amsterdam: Amsterdam UP, 2002. • Verstraten, Peter, Handboek Filmnarratologie, Nijmegen: Vantilt, 2006. • Verstraten, Peter, Kernthema’s in de filmwetenschap, Amsterdam: Boom, 2008. • Vos, Chris. Het verleden in bewegend beeld. Inleiding in de analyse van audiovisueel materiaal, Amsterdam:

Boom, 2005 (2e druk, oorspronkelijk 1991).

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A selection of film essays (Dutch)

• Albers, R. et.al. (eds) Film in Nederland, Amsterdam: Ludion/Filmmuseum, 2004. • Burg, Jos van der, et.al. (eds.). Feit Fictie Fake. Documentaire in beweging. Amsterdam: International Theatre &

Film Books, 1997. • Biltereyst, Dniel & Chrristel Stalpaert, Filmsporen. Opstellen over film, verleden en geheugen, Gent: Academia

Press, 2007. • Dantzig, A. van ,Films: voor gezien getekend. Amsterdam/Meppel, 1993. • Dantzig, A. van, Films 2. Psychologische beschouwingen. Amsterdam/Meppel: Boom, 1996 • Delpeut, Peter, Cinéma Perdu (1997, videotape + book). • Delpeut, Peter, Diva Dolorosa. Reis naar het einde van een eeuw. Amsterdam: Meulenhof, 1999. • Dibbets, K. et.al. (eds.), Jaarboek Media Geschiedenis 8: Honderd jaar film in Nederland, het begin. Amsterdam:

Stichting Mediageschiedenis, 1997. • Everaerts, J.P., Film in België. Een permanente revolte. Brussel: Mediadoc, 2000. • Haakman, Anton, Achter de spiegel. Film en fictie. Amsterdam: De Bezige Bij, 1977. • Haute, Luk Van, Revival van de Japanse film, Amsterdam: Amsterdam UP, 2002. • Hommel, Michel & Mark-Paul Meyer & Gertjan Zuilhof, Sovjetfilms:NFM/IAF catalogus. Amsterdam: Nederlands

Filmmuseum, 1991. • K. Schippers et.al., Een maan van Saturnus. De film temidden van de kunsten, Baarn: Anthos, 1989. • Kuyper, Eric de, De verbeelding van het mannelijk lichaam. Nijmegen: Sun, 1993. • Lauwaert, Dirk, Dromen van een expeditie. Geschriften over film 1971-2001, Nijmegen: Vantilt, 2006. • Linssen, Céline et.al., Het gaat om de film! Een nieuwe geschiedenis van de Nederlandse Filmliga 1927-1933.

Amsterdam ( Bas Lubberhuizen/ Filmmuseum) 1999. • Meskens, Ann, De passie van Ann Meskens: Tati, Rotterdam: Lemniscaat, 2005. • Otten, Willem Jan, Het museum van licht. Essays over film. Amsterdam: uitgeverij G.A. van Oorschot, 1991. • Schoots, Hans, Van Fanfare tot Spetters. Een cultuurgeschiedenis van de jaren zestig en zeventig. Amsterdam: Bas

Lubberhuizen/Filmmuseum, 2004. • Sparreboom, Max (ed) De kunst van Péter Forgács, Amsterdam: Balans, 2007. • Stevens, Christa (ed.) Africa in the picture. Schetsen van de Afrikaanse cinema, Amsterdam ( Notorious

Film/Plano), 1995. • Verstraten, Peter, Celluloid echo’s. Cinema kruist postmodernisme, Nijmegen: Vantilt, 2004.

Interviews: • Heesen Hans & Lex Veerkamp, Een volstrekt onverklaarbaar wonder. De eerste stappen op het filmpad van twaalf

Nederlandse filmmakers, Utrecht: Louis Hartlooper Stichting, 2004. • Hendriks, Annemieke, De pioniers – Interviews met 14 wegbereiders van de Nederlandse cinema, Amsterdam:

International Theatre & Film Books / Skrien / Filmmuseum, 2006. • Ieperen, Ab van, Filmster is een vak, Amsterdam: Landhoff, 1976. Recent interviews: URL:

www.vn.nl/verhalen/archief/filmsterren.htm And furthermore (Dutch):

• TMG, tijdschrift voor Media Geschiedenis ( sinds 1998) + E-view (sinds 1999). • NFM-themareeks = uitgave van het Filmmuseum, Amsterdam + Kroniek van de stille film (uitgave van het

Koninklijk Filmarchief, Brussel) + publicaties van het International Film Festival Rotterdam. • Nederlandstalige filmtijdschriften, opgeheven: Versus (1982 - 1992), Skoop (1963 - 1993), Andere Film Informatie

(1973-1978). • Nederlandse en Vlaamse filmtijdschriften, lopende jaargangen: Skrien (vanaf 1968, zie www.skrien.nl ), AS

(Andere Sinema, vanaf 1978, zie www.antwerpen.be/cvb/as/), Filmmagie (in 1956 gestart als Film & Televisie, later Film & Televisie-Video, zie www.filmmagie.be), CineMagie. Driemaandelijks filmstudietijdschrift voor filmkunst en beeldopvoeding (vanaf 1961) & nog steeds, elke maand, gratis: de Filmkrant! (vanaf 1981, zie www.filmkrant.nl) .

• de serie boekjes “Zin in Film” (uitgeverij Kok, Kampen, onder redactie van de Katholieke Filmactie Nederland).

Part 2: International recent film research Film history - Things to do: to elaborate and to annotate • Abel, R. (ed.) Silent Film, New Brunswick: Rutgers University Press, 1996. • Abel, Richard, The Ciné Goes to Town: French Cinema 1896-1904, Los Angeles: University of California Press, 1993. • Abel, Richard, The Red Rooster Scare: Making American Cinema 1900-1910, Berkeley: University of California Press,

1999. • Aumont, Jacques, Le couleur en cinema, Paris: Cinémathèque Française, 1995. • Balio, Tino, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. Berkeley: University of California

Press, 1995/1993 (History of the American Cinema, vol. 5). • Barnes, John, The Beginnings of the Cinema in England, 1894-1901, vol. 1-5, University of Exeter Press, 1998. • Blom, Ivo, Jean Desmet and the Early Dutch Film Trade, Amsterdam: Amsterdam UP, 2002.

8

• Bordwell, David, Janet Staiger & Kristin Thompson, The Classical Hollywood. Film Style and Mode of Production to 1960, New York: Columbia UP, 1987.

• Bordwell, David, On the History of Film Style, Cambridge: Harvard UP, 1997. • GERMAN: Bordwell, David, Visual Style in Cinema. Vier Kapitel Filmgeschichte, Frankfurt: Verlag der Autoren, 2003

(2nd ed, A. Rost ed, M.Ciletti transl.). • Bordwell, David, Figures Traced in Light. On Cinematic Staging, University of California Press, 2005. • Bordwell, David, The Way Hollywood Tells It, Story and Style in Modern Movies, Berkeley: University of California

Press, 2006. • Bowser, Eileen The Transformation of Cinema, 1907-1915, Berkeley: University of California Press, 1994/1990 (History

of the American Cinema, vol. 2). • Brewster, Ben & Lea Jacobs, Theatre to Cinema: Stage Pictorialism and the Early Feature Film, Oxford, Oxford UP,

1997. • Buscombe, Edward, Cinema Today, London: Phaidon, 2003. • Chapman, James & Mark Glancy & Sue Harper (eds), The New Film History: Sources, Methods, Approaches, London;

Palgrave MacMillan, 2007. • Charney, Leo & Vanessa R. Schwartz (ed.), Cinema and the Invention of Modern Life. Berkeley: University of

California Press, 1995. • Corrigan, Timothy, A Cinema Without Walls. Movies and Culture after Vietnam. New Brunswick: Rutgers UP, 1991. • Crafton, Donald, The Talkies: American Cinema’s Transition to Sound, 1926-1931. Berkeley: University of California

Press, 1999/1997 (History of the American Cinema, vol. 4). • Dibbets, Karel & Bert Hogenkamp (eds.) Film and the First World War. Amsterdam: Amsterdam UP, 1995. • Dimendberg, Edward, Film Noir and the Spaces of Modernity, Harvard UP, 2004. • Donaldson, Geoffrey. Of Joy and Sorrow. A Filmography of Dutch Silent Fiction. Amsterdam: Nederlands Filmmuseum,

1997. • Dyer, Richard, Stars. London: BFI, 1997 (2nd ed). • Dyer, Richard, Heavenly Bodies. Film Stars and Society, London: Routledge, 2003. • Dyer, Richard, Pastiche, London: Routledge, 2006. • Elsaesser, T. & Adam Barker (eds.) Early Cinema: Space-Frame-Narrative. London: BFI, 1990. • Elsaesser, T. Weimar Cinema and After. Germany’s Historical Imaginary. London/New York: Routledge, 2000. • Elsaesser, T. European Cinema. Face to Face to Hollywood, Amsterdam: Amsterdam UP, 2005. • Everaerts, J.P. Oog voor het echte. De geschiedenis van de Vlaamse documentaire film, televisie en video, Brussel: BRT,

1987. • Fullerton, John (ed.) Celebrating 1895: The Centenary of Cinema. Sydney: John Libbey, 1998. • Gomery, D. Shared Pleasures. A History of Movie Presentation in the United States. London: BFI, 1992. • Gomery, Douglas, The Hollywood Studio System: A History, London: Bfi Publishing, 2005. • Grant, Barry Keith (ed.). Film Genre Reader II. Austin: University of Texas Press, 1995. • Gunning, Tom, D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana:

University of Illinois Press, 1991. • Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge: Harvard UP, 1991. • Harding, Colin & Simon Popple, In the Kingdom of Shadows. A Companion to Early Cinema, London: Cygnus Arts,

1996. • Hertogs, Daan & Nico de Klerk (eds.) Uncharted Territory. Essays on Early Nonfiction Film. Amsterdam: Nederlands

filmmuseum, 1997. • King, Geoff, American Independent Cinema, London: I.B.Tauris, 2005. • Klepper, Robert K. Silent Films 1877-1996. a Critical Guide to 646 Movies. Jefferson: McFarland, 1999. • Koszarski, Richard, An Evening’s Entertainment. The Age of the Silent Feature Picture, 1915-1928, Berkeley: University

of California Press, 1994/1990 (History of the American Cinema, vol. 3). • Kovacs, Andras Balint, Modern European Art Cinema. From the 1950s to the 1970s, Chicago: Chicago University Press,

2007. • Lack, Russell, Twenty-Four Frames Under: A Buried History of Film Music, London: Quartet, 1997. • Maltby, R. & M. Stokes & R. Allen (eds), Going to the Movies: Hollywood and the Social Experience of

Moviegoing, Exeter: University of Exeter Press, 2007. • Marks, Martin Miller, Music and the Silent Film: Contexts and Case Studies 1895-1924, New York: Oxford UP, 1997. • Mosley, Philip, Split Screen. Belgian Cinema and Cultural Identity. Albany: State University of New York Press, 2001. • Musser, Charles, The Emergence of Cinema: The American Screen to 1907. Berkeley: University of California Press,

1994/1991 (History of the American Cinema, vol. 1). • Naremore, James, More Than Night. Film Noir in its Contexts, Berkeley: University of California Press, 1998. • Neale, Steven & Murray Smith (eds.) Contemporary Hollywood Cinema. New York: Routledge, 1998. • Robinson, David, From Peep Show to Palace: The Birth of American Film. Columbia UP, 1996. • Rossell, Deac Living Pictures: The Origins of the Movies. Albany: State University of New York Press, 1998. • Schatz, Thomas, Boom and Bust: American Cinema in the 1940s. Berkeley: University of California Press, 1999/1997

(History of the American Cinema, vol. 6). • Schoots, Hans, Living Dangerously, Amsterdam: Amsterdam UP, 2000. Transl. of Gevaarlijk leven. Een biografie van

Joris Ivens, z.p.: uitgeverij Jan Mets, 1995. • Sjocher, F. La Kermesse héroïque du cinema belge, Paris: l’Hermattan, 1999. • Staiger, Janet (ed.) The Studio System. New Brunswick: Rutgers UP, 1995. • Thompson, Kristin, Breaking the Glass Armor. Neoformalist Film Analysis, Princeton: Princeton UP, 1988.

9

• Thijs, Marianne, Belgian cinema – Le cinema Belge – Belgische Film, Gent/Brussel: Ludion/KFA, 1999. • Tsivian, Yuri. Early Cinema in Russia and its Cultural Reception. London: Routledge, 1994. • Ulricchio, William & R. Pearson. Reframing culture. The case of the Vitagraph quality films, 1993. • Tsivian, Yuri & Pablo Cherchi Usai (eds.), Silent Witnesses: Russian Films 1908 - 1919. London: BFI, 1990. • Vasey, Ruth, The World According to Hollywood, 1928-1939, Madison: University of Wisconsin Press, 1997. • Waller, Gregory A. (ed), Moviegoing in America: A sourcebook in the history of film exhibition, London: Blackwell,

2001. • Williams, Alan The Republic of Images. Cambridge: Harvard UP, 1992. • Youngblood, Denise J., The Magic Mirror: Moviemaking in Russia, 1908-1918. Madison: University of Wisconsin Press,

1999. • Youngblood, Denise J., Soviet Cinema in the Silent Era, 1918-1933, Austin: University of Texas Press, 1991 (1985). Film theory - Things to do: to elaborate and to annotate

• Allen, Richard. Projecting Illusion. Film Spectatorship and the Impression of Reality. Cambridge: Cambridge UP, 1997.

• Altman, Rick (ed.), Sound Theory Sound Practice. New York: Routledge, 1992 • Altman, Rick Film/Genre. London: BFI, 1999. • Armes, Roy, Action and Image: Dramatic Structure in Cinema. Manchester: Manchester UP, 1994. • # Aumont, Jacques, The Image, London: BFI, 1997. Transl. of: L' image, Paris: Nathan, 1990 (L' image 2, Paris:

Nathan, 2000). • Barker, Martin & Thomas Austin, From ANTZ to TITANIC. Reinventing Film Analysis, London: Pluto Press,

2000. • Bellour, Raymond, The Analysis of Film, Bloomington/ Indianapolis: Indiana UP, 2000. Transl. of Analyse du

film, Paris: Albatros, 1979. • # Bordwell, D. & N. Carroll (eds.). Post-Theory. Reconstructing Film Studies, Wisconsin: University of Wisconsin

Press, 1996. • Bordwell, D, Narration in the Fiction Film, Madison: University of Wisconsin, 1985. • Bordwell, D. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge: Harvard UP,

1989. • Bordwell, David, Figures Traced in Light. On Cinematic Staging, University of California Press, 2005. • Bordwell, David, The Way Hollywood Tells it. Story and Style in Modern Movies, Berkeley: University of

California, 2006. • Bordwell, David, Poetics of Cinema, London: Routledge, 2007. • Branigan, Edward. Narrative Comprehension in Film. New York: Routledge, 1992. • Buckland, Warren (ed.), The Filmspectator. From Sign to Mind. Amsterdam: Amsterdam UP, 1995. • Carroll, Noël, Theorizing the Moving Image, Cambridge: Cambridge UP, 1996. • Casetti, Francesco, Inside the Gaze: The Fiction Film and Its Spectator. Bloomington: Indiana UP, 1998. Oorspr.:

“Dentro lo sguardo: il filme e il sou spettore, Milaan: Bompiani, 1986. • Chion, Michel, Audio-Vision. Sound and Screen. New York: Columbia UP, 1994. Transl. of L' audio vision, Paris:

Nathan, 1990. • Chion, Michel, The Voice in Cinema, New York: Columbia UP, 1999. Transl. of Le Voix du cinéma, Paris: Cahier

du cinéma, 1993/ Editions de l’Etoile 1982. • Chion, Michel, Film, a sound art, Irvington: Columbia UP 2009. Transl. of Un art sonore, le cinéma : histoire,

esthetique, poétique, Paris : Cahiers du Cinéma / Editions de l’ Etoile, 2003. • # Collins, Jim & Hillary Radner & Ava Preacher Collins (eds.). Film Theory Goes to the Movies. New York:

Routledge, 1993. • Dixon, Winston Wheeler, The Transparency of Spectacle: Meditations on the Moving Image, Albany: State

University of New York Press, 1998. • Dixon, Winston Wheeler (ed), Film Genre 2000, new Critical Essays, Albany: State University of New York Press,

2000. • Elsaesser, Thomas & Kay Hoffmann (eds.), Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital

Age, Amsterdam: Amsterdam UP, 1998. • Elsaesser, Thomas & Warren Buckland, Studying Contemporary American Film. A Guide to Movie Analysis.

London: Arnold, 2002. • Elsaesser, Thomas, European Cinema: Face to Face With Hollywood, Amsterdam: Amsterdam UP, 2005 • Furniss, Maureen. Art in Motion: Animation Aesthetics. Sydney: John Libbey, 1998. • Grodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings and Cognition. New York: Oxford UP,

1997. • Guynn, William, A Cinema of Nonfiction, Rutherford: Fairleigh-Dickinson UP, 1990. • Harbord, Janet, The Evolution of Film. Rethinking Film Studies, London: Polity Press, 2007. • Hjort, Mette & Scott McKenzie (eds) Cinema and Nation, New York: Routledge, 2000. • Issacs, Bruce, Towards a New Film Aesthetic, London: Continuum, 2008. • Miller, T. et.al., Global Hollywood 2, London: BFI / University of California Press, 2004 (2nd ed). • Müller, Jürgen E. (ed), Towards a Pragmatics of the Audiovisual. An Introduction. Theory and Cases, Verlag VZ,

1994 (2 vols). • Neale, S, Genre and Hollywood, London: Routledge, 2000. • Nichols, Bill Representing Reality. Issues and Concepts in Documentary. Indiana UP, 1991.

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• Orr, John. Cinema and Modernity. Cambridge: Polity Press, 1993. • Pisters, Patricia, The Matrix of Visual Culture. Working with Deleuze in Film Theory, Stanford: Stanford UP,

2003. • Plantinga, R. Rhetoric and Representation in Nonfiction Film. Cambridge: Cambridge UP, 1997. • Plantinga, Carl & Greg M. Smith, Passionate Views. Film, Cognition and Emotion. Baltimore: John Hopkins UP,

1999. • Renov, Michael (ed.) Theorizing Documentary. London: Routledge, 1993. • Rodowick, D.N. The Virtual Life of Film, Cambridge: Harvard UP, 2007. • Rosen, Philip, Change Mummified. Cinema, Historicity, Theory, Minneapolis: University of Minnesota Press,

2001. • Smith, Murray Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 1995. • Staiger, J., Interpreting films. Studies on the Historical Reception of American Cinema, Princeton: Princeton UP,

1992. • Staiger, J., Perverse Spectators. The Practices of Film Reception, New York: New York University Press, 2000. • Stokes, M. & R. Maltby, American Movie Audiences, London: BFI, 1999. • Strauven, W. (ed), The Cinema of Attractions Reloaded, Amsterdam: Amsterdam UP, 2006. • # Thompson, Kristin, Storytelling in the New Hollywood: Understanding Classical Narrative Technique.

Cambridge: Harvard UP, 1999. • Valck, Marijke de, Film Festivals. From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam

University Press, 2007. • Willemen, Paul. Looks and Frictions. London: BFI, 1994. • Williams, Christopher (ed.), Cinema: The Beginnings and the Future, London: University of Westminster Press,

1996. • Williams, Linda (ed.) Viewing Positions: Ways of Seeing Film. New Jersey: Rutgers UP, 1997 (1989). • Winston, Brian, Claiming the Real. The Documentary Film Revisited. London: BFI, 1995. • Winston, Brian, Lies, Damn Lies and Documentaries. London: BFI, 2000.

Part 3: Neighbour fields of research recent introductions to neighbour fields of research • Bignell, Jonathan, An Introduction to Television Studies, London: Routledge, 2004. • Burton, Graeme, Talking Television. An Introduction to the Study of Television, London: Arnold, 2000. • Deacon, David & Michel Pickering & Peter golding & Graham Murdock (eds.), Researching Communications. A

Practical Guide to Methods in Media and Cultural Analysis, London/New York: Arnold, 1999. • Ellis, John, Visible Fictions: Cinema - Television - Video, London: Routledge & Kegan Paul, 1993 (2nd ed). • Fiske, John, Television Culture, New York: Routlege, 1987. • Fiske, John, Introduction to Communication Studies, London: Routledge, 1990 (2nd ed). • Gripsrud, Jostein, Understanding Media Cultures, New York: Arnold, 2002. • Kilborn, R. & J. Izod. Introduction to Television Documentary. Manchester, 1997. • Mattelart, Michele & Armand Mattelart, Theories of Communciation. A Short Introduction, London: Sage, 1998. • Lister, M. et.al. (eds), New Media. A Critical Introduction, London: Routledge, 2003. • Miller, T., Television Studies, London: BFI, 2002. • Mirzoeff, Nicholas, An Introduction to Visual Culture. London/ New York: Routledge, 1999. • Sturken, Marita & Lisa Cartwright, Practices of Looking. An Introduction to Visual Culture. Oxford: Oxford UP, 2001. • Thompson, John B., The Media and Modernity. A Social Theory of the Media, Cambridge: Polity Press, 1995. • Thompson, Kristin, Storytelling in Film and Television, Cambridge/London; Harvard UP, 2003. • Turner, Graeme, Introduction to British Cultural Studies. London: Routledge, 1992. • Walker, John A. & Sarah Chaplin, Visual Culture. An Introduction. Manchester/ New York: Manchester UP, 1997. Some Dutch introductions to neighbour fields of research

• Baeten, Jan & Ginette Verstraete (eds.) Cultural Studies. Een inleiding Kampen: Kok Agora, 2002. • Biltereyst, Daniel, Yen Peeren (eds), Nieuws, democratie en burgerschap. Onderzoek over hedendaagse

nieuwsmedia, Gent: Academia Press, 2004. • Braembussche, A.A. van den. Denken over kunst. Een kennismaking met de kunstfilosofie. Bussum: Coutinho, 2000

(3rd ed). • Costera Meijer, Irene & Maarten Reesink (eds.).Reality Soap! Big Brother en de opkomst van het

multimediaconcept. Amsterdam: uitgeverij Boom, 2000. • D’Hoine, Pieter (ed), Denkbeelden: Van film naar filosofie, Kampen: uitgeverij Klement, 2009. • Peters, J.M. Van Woord naar beeld: de vertaling van romans in film, Muiderberg: Coutinho, 1980. • Reesink, Maarten & Joke Hermes, Inleiding Televisiestudies, Amsterdam: Boom, 2003. • Simons, Jan, Interface en Cyberspace: een inleiding in de nieuwe media, Amsterdam: Amsterdam UP, 2002. • Smelik, A. & R. Buikema & M. Meijer, Effectief beeldvormen. Theorie, praktijk en analyse van

beeldvormingsprocessen, Assen: Van Gorcum, 1999. • Wijk, Kees van, De media-explosie. Trends en issues in massacommunicatie. Schoonhoven : Academic Service,

2003 (2e druk).

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• Zoonen, Liesbet van, Media, cultuur en burgerschap. Een inleiding, Amsterdam: Aksant, 2002. Film and philosophy

• Allen, Richard & Murray Smith (eds.). Film Theory and Philosophy. Oxford: Clarendon Press, 1997 • Andrew, Dudley, Film in the Aura of Art, Princeton: Princeton UP, 1984. • Andrew, Dudley (ed.) The Image in Dispute. Art and Cinema in the Age of Photography, Austin:

University of Texas Press, 1997. • Balkema, A.W. & H.Slager (eds) Screen-based art, Amsterdam/Atlanta: Rodopi, 2000. • Caroll, Noël & Jinhee Choi (eds), The Philosophy of Film: An Anthology, Oxford: Blackwell, 2005. • Falzon, Christopher, Philosophy Goes to the Movies: An Introduction to Philosophy. London: Routledge,

2007 (2nd ed). • Freeland, Cynthia A. & Thomas E. Wartenberg (eds.), Philosophy and Film. London: Routledge, 1995. • Jameson, Frederic. The Geopolitical Aesthetic: Cinema and Space in the World System. Bloomington:

Indiana UP, 1992. • Jarvie, Ian Philosophy of the Film. Epistemology, Ontology, Aesthetics. New York: Routledge & Kegan

Paul, 1987. • Nichols, Bill. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington:

Indiana UP, 1994 • Pisters, Patricia, The Matrix of Visual Culture: Working with Deleuze in Film Theory, Palo Alto:

Stanford UP, 2003. • Read, Rupert & Jerry Goodenough (eds.), Film as Philosophy: Essays on Cinema After Wittgenstein

and Cavell, Basingstoke: Macmillan / New York:Palgrave, 2005. • Rothman, William & Marian Keane, Reading Cavell’s “The World Viewed”: A Philosophical

Perspective on Film. Detroit: Wayne State UP, 2000. • Slade, Christina, The Real Thing: Doing Philosophy with Media, New York: Lang, 2002. • Smith, Murray & Thomas E. Wartenberg (eds.), The Journal of Aesthetics and Art Criticism, Special

Issue: Thinking Through Cinema: Film as Philosophy, Malden/Oxford: Blackwell Publishing, 2006

• Valenti, F.M., More Than a Movie: Ethics in Entertainment, Boulder: Westview Press, 2000. • Wartenberg, Thomas E. & Angela Curran (eds), The Philosophy of Film: Introductory Text and

Readings. Oxford: Blackwell, 2005. • Wartenberg, Thomas E., Thinking on Screen: Film as Philosophy, London: Routledge, 2007.

Film and social theory

• Becker, Howard S. Art Worlds. Berkeley: University of California Press, 1982. • Charney, Leo & Vanessa Schwartz (ed.), Cinema and the Invention of Modern Life, Berkeley: University of

California Press, 1995. • Charney, Leo, Empty Moments: Cinema, Modernity and Drift. Durkham/London: Duke UP, 1998. • Denzin, Norman K. Images of Postmodern Society. Social Theory and Contemporary Cinema. London: Sage,

1991. • Denzin, Norman K. The Cinematic Society. The Voyeur’s gaze. London: Sage, 1995. • Friedberg, Anne Window Shopping. Cinema and the Postmodern, Berkeley: University of California Press, 1993. • Gabler, Neal, Life: the Movie. How Entertainment Conquered Reality. New York: Knopf, 1998. • Maltby, R. & M. Stokes & R. Allen (eds), Going to the Movies: Hollywood and the Social Experience of

Moviegoing, Exeter: University of Exeter Press, 2007. • Monaco, Paul. Cinema and Society. New York: Elsevier, 1976 • Jarvie, I.C., Movies and Society, New York: Basis Books, 1970 / English edition: Towards a sociology of the

cinema, London, 1970. • Sorlin, Pierre. European Cinemas, European Societies 1939-1990. London: Routledge, 1991. • Tudor, Andrew, Images and Influence. Studies in the Sociology of Film. London: Allen & Unwin, 1974. • Turan, Kenneth, Sundance to Sarajevo. Filmfestivals and the World they Made, Berkeley: University of California

Press, 2002. • Turner, G., Film as Social Practice. London/New York: Routledge, 2006 (4th ed). • Turner, Graeme (ed), The Film Cultures Reader, London/New York: Routledge, 2001.

Film and Anthropology

• Banks, Markus & Howard Morphy (eds) Rethinking Visual Anthropology, New Haven: Yale UP, 1997. • Dissanayake, Wimal (ed.) Cinema and Cultural Identity. Reflections on Films from Japan, India and China.

Lanham: University Press of America, 1988. • MacDougall, David & Lucien Taylor (eds) Transcultural Cinema. Princeton: Princeton UP, 1998. • Ruby, Jay, Picturing Culture. Explorations of Film and Anthropology. University of Chicago Press, 2000. • Russell, Catherine, Experimental Ethnography: the Work of Film in the Age of Video, Durham: Duke UP, 1999. • Shohat, Ella & Robert Stam, Unthinking Eurocentrism. Multiculturalism and the Media, London/ New York:

Routledge, 1994. • Sklar, Robert, Movie Made America. A Cultural History of American Movies, New York: Vintage 1994 (1973). • Taylor, Lucien (ed) Visualizing Theory: Selected Essays from the Journal of Visual Anthropology 1990-1994,

London: Routledge, 1994.

12

Film and history See also www.historyinfilm.com; www.latrobe.edu.au/screeningthepast; www.historychannel.com; www.uwstout.edu/socsci/burkholder2/home.htm. • Barta, Tony (ed.) Screening the Past: Film and the Representation of History. Westport: Praeger, 1998. • Burke, Landy, Eyewitnessing: The Uses of Images as Historical Evidence, Ithaca, Cornell UP, 2001. • Carnes, M., Past Imperfect: History According to the Movies, New York: Henry Holt, 1996/ London: Cassell, 1996 (2nd

ed). • Chapman, James & Mark Glancy & Sue Harper (eds), The New Film History: Sources, Methods, Approaches, London;

Palgrave MacMillan, 2007. • Cook, Pam, Screening the Past. Memory and Nostalgia in Cinema, London: Routledge, 2004. • Devine, Jeremy M. Vietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films About the

Vietnam War Jefferson, NC: McFarland, 1995. • Engelen, Leen & Roel Vande Winkel (eds), Perspectives on European Film and History, Gent: Academia Press, 2007. • Ferro, Marc, Cinema and History. Detroit: Wayne State UP, 1988. Transl. of Histoire et Cinéma, Paris: Denoël-Gonthier,

1975. • Fuller-Seeley, Katryn, Looking Past the Screen. Case Studies in American Film History and Method, ... • Grindon, Leger. Shadows on the Past: Studies in the Historical Fiction Film. Philidelphia: Temple UP, 1994. • Groot, Jerome de, Consuming History: Historians and heritage in contemporary popular culture, London: Routledge,

2008. • Guynn, William, Writing History in Film, London: Routledge, 2006. • GERMAN: Hickethier, Kurt & Eggo Müller & Rainer Rother (eds) Der Film in der Geschichte, Berlin: Sigma,

1997. • Hughes-Warrington, Marnie, History Goes to the Movies. Studying History on Film, London: Routledge, 2006. • Kaes, A., From Hitler to Heimat: The Return of History as Film, Cambridge/London: Harvard UP, 1989. • Kester, Bernadette. Film Front Weimar. Representations of the First World War in German Films of the Weimar Period

1919-1933, Amsterdam: Amsterdam UP, 2003. • Landy, Marcia (ed), The Historical Film: History and Memory in Media, New Brunswick: Rutgers UP, 2000. • O’Connor, John E (ed), Image as Artifact: The Historical Analysis of Film and Television. Malabar: Krieger, 1990. • Rosen, Philip, Change Mummified. Cinema, Historicity, Theory, Minneapolis/London: University of Minnesota Press,

2001. • Rosenstone, Robert A. History on Film / Film on History, Harlow: Pearson Longman, 2006. • Rosenstone, Robert A. (ed.) Revisioning History: Film and the Construction of a New Past. Princeton: Princeton UP,

1995. • Rosenstone, Robert A. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge/London: Harvard

UP, 1995. • Short, K.R.M. (ed.) Feature Films as History. London, 1981. • Sklar, Robert & Charles Musser (eds.). Resisting Images. Essays on Cinema and History. Philidelphia: Temple UP, 1990. • Smyth, J.E. Reconstructing American Historical Cinema, UP of Kentucky, 2006. • Sobchack, V. (ed), The Persistence of History: Cinema, Television and the Modern Event, New York/London:

Routledge, 1996. • Skoller, Jeffrey, Shadows, specters, shards: Making history in avant-garde film. Minneapolis, University of

Minnesota Press, 2005. • Sorlin, Pierre. The Film in History. Restaging the Past. Oxford, 1980. • Toplin, Robert Brent, Reel History. In Defense of Hollywood, Lawrence: UP pf Kansas, 2002. • Toplin, Robert Brent, History by Hollywood. The Use and Abuse of the American Past, Urbana: University of Illinois

Press, 1996. • Vidal, G. Screening History, London: Andre Deutsch, 1992. • Youngblood, Denise, Russian War Films: On the Cinema Front, 1914-2005, Lawrence: University Press of Kansas, 2006. Film/literature adaptation and remakes

• Cartmell, Deborah Cartmell & Imelda Whelehan (eds), Adaptations: from text to screen, screen to text, London/New York: Routledge, 1999.

• Horton, Andrew & Stuart McDougal, Play it again Sam: Remakes on remakes, University of California Press, 1998. • McFarlane, B, Novel to Film: an Introduction to the Theory of Adaptation, Oxford: Clarendon, 2000. • Naremore, J (ed), Film Adaptation, London: Athlone Press, 2000. • Stam, Robert & Alessandro Raengo (eds), Literature through Film: realism, magic and the art of adaptation, London: Blackwell,

2004. • Stam, Robert & Alessandro Raengo (eds), Literature and Film: a guide to theory and practice of film adaptation, London:

Blackwell, 2004. • Stam, Robert & Alessandro Raengo (eds), A companion to Literature and Film, London: Blackwell, 2004. • Verevis, Constantine, Film remakes, Edinburgh: Edinburgh UP, 2006.

Film and new media • Bolter, Jay David & Richard Grusin, Understanding New Media, ….:MIT Press, 1998. • Castells, M. The Information Age: Economy, Society and Culture (The Rise of the Network Society, vol 1-3). Cambridge: Blackwell,

1996. • Collins, Jim. Architecture of Excess: Cultural Life in the Information Age. London: Routledge, 1995. • Harries, Dan (ed), The New Media Book, London: BFI, 2002. • Murray, K., Hamlet on the Holodeck. The Future of Narrative in Cyberspace, New York: The Free Press, 1997.

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• Raessens, J. & J. Goldstein, Handbook of Computer Game Studies, Cambridge: MIT Press, 2004. • Rieser, Martin & Andrea Zapp (eds), New Screen Media. Cinema/ Art/Narrative, London: BFI, 2002. • Wardrip-Fruin, Noah & Nick Montfort (eds), The New Media Reader, Cambridge: MIT Press, 2002. • Wasko, Janet, Hollywood in the Information Age, Cambridge: Polity, 1994. Other recent publications other neighbour fields of research • Bourdieu, Pierre, On Television, New York: The New press, 1998. Transl of Sur la télévision, 1996. Dutch transl Over televisie.

Amsterdam: Boom, 1998. • Cowie, Elizabeth, Representing the Women: Cinema and Psychoanalysis. London: Macmillan, 1997. • Donnelly, K.J. (ed.), Film Music. Critical Approaches. Edinburgh: Edinburgh UP, 2001. • Devereaux, Leslie & Roger Hillman (ed.), Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, Berkeley:

University of California Press, 1995. • Gordon, Ian et.al. (eds) Film and Comic Books: How Comic Books Inspire Film and Create New Realms of Visual Art, Jackson:

University Press of Mississippi, 2007. • Grimshaw, Anna, The Ethnographer’s Eye. Ways of Seeing in Anthropology. Cambridge: Cambridge UP, 2002. • Hill, John & Martin Mc Loone (eds.) Big Picture, Small Screen. The Relations Between Film and Television. Luton: University of Luton

Press, 1996. • Hockings, Paul (ed.) Principles of Visual Anthropology. Den Haag etc: Mouton, 1975. • Hollander, Anne, Moving Pictures, Cambridge: Harvard UP, 1991 (reprint). • Horak, J.C. Making Images Move. Photographers and Avant-Garde Cinema. Washington: Smithsonian Institution Press, 1997. • Jacobs, L., The Wages of Sin, Censorship and the Fallen Woman Film, Madison: University of Wisconsin Press, 1991. • Kaplan, Ann E. (ed.) Psychoanalysis and Cinema. London: Routledge, 1990. • Kolker, Robert, Film, Form and Culture, Boston: McGraw-Hill, 2002 (2nd ed). • Pink, Sarah, Doing Visual Ethnography. Images, Media and Representation in Research, London: Sages, 2001. • Quaresima, L. & L.Vichi, La decimea musa: il cinema e la alter arti/ The tenth muse: cinema and other arts. Udine: Forum, 2001. • Sobchack, Vivian. The Adress of the Eye. A Phenomenology of Film Experience. Princeton: Princeton UP, 1992. • Sobchack, Vivian Carol (ed.) The Persistence of History. Cinema, Television and the Modern Event. New York/London: Routledge,

1996 (AFI filmreader). • Werker, Anke, By a Lady. Jane Austen’s Female Archetypes in Fiction and Film. Tilburg: Tilburg UP, 1998.

Appendix 1:

Internet sources for Film Studies The internet offers a lot of opportunities and possibilities: One can fish for data in the big digital ocean, through search machines. One can explore a particular area of the internet through portals. One can visit the office, or home or shop of members of the big digital neighbourhood, through their personal websites. And one can browse through the files of specialized journals: some of them are so generous to offer you easy access to their complete volumes for free, other journals are more exclusive and you’ll need a password or a credit card. Some general search machines www.alltheweb.com; www.findarticles.com; www.google.com; www.kartoo.com; www.metafind.com; www.questia.com; www.salon.com. Dutch: www.zoekprof.nl; www.voelspriet.nl; www.soople.nl some useful internet portals for Film Studies • http://filmstudiesforfree.blogspot.com/2008/11/online-and-open-access-writing-of-note.html • www.cmstudies.org • www.cinema-sites.com • www.faol.org (film archives on line) • http://afi.cinemedia.org • http://dir.yahoo.com/entertainment/movies_and_film/ • http://users.ox.ac.uk/~ctitext2/tchfilm.html (CTI Textual Studies, Engeland) • www.allonesearch.com • www.dmoz.org (open directory project) • www.earlymodernweb.org.uk/film/filmbibliog.htm • www.film.nl (startpagina) • www.filmfestivals.com • www.film-philosophy.com/portal/ • www.filmsite.org • www.geocities.com/moviemags (= The site of movie magazines) • www.ptnostalgia.com/movlinks.html (past nostalgia) • www.film.queensu.ca/Links/StudyLinks.html (Queens University Film Studies, Canada) • www.kcl.ac.uk/humanities/cch/filmstudies/courses/research (a guide to research in Film Studies, for students in London) • www.moviesite.net • www.refdek.com • www.swt.edu/~JP50825/ (Film Research Links, compiled by James W. Parsons) • www.tdfilm.com (the definitive online film ressource) a selection of college libraries and on-line bibliographies Film Studies • www.filmmuseum.nl (website Dutch Filmmuseum, with on-line catalogue of the library) • www.movingimagesource.us/research/guide/80/20/14 • http://cinetext.philo.at/filmbooks.html (on-line magazine,Vienna) • www.amianet.org (= Association of Moving Image Archivists) • www.cinemastudies.org (Society for Cinema Studies) • www.domitor.org (Domitor, International Association to Promote the Study of Early Cinema) • www.lcweb.loc.gov/rr/mopic (Library of Congress)

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• www.dsi.cnrs.fr/AFRHC / www.sosi.cnrs.fr/AFRHC/AFRHC.html (Ass. Fr. De Recherche sur l’Histoire du Cinéma) • http://www.fachinformation-filmwissenschaft.de/index.html • http://www2.let.uu.nl/Solis/Bibliotheek/pagina/theater/internetbronnenfilm.htm (University of Utrecht) • www.uba.uva.nl/nl/digitalebib/film_en_tv (University of Amsterdam) • www.lib.berkeley.edu/MRC (= Media Resource Centre van University of California) • www.movingimagesource.us • www.sa.ua.edu/TCF/Welcome.html (Screensite film & TV Studies) • www.film.queensu.ca/links/studylinks.html (Queen's University Film Studies, Canada) • www.montagetheorie.de (bibliographie compiled by Gerhard Schumm) • www.objectif-cinema.com (French) • www.precinemahistory.net (Paul T. Burns) • www.swt.edu/~JP50825/ (annotated bibliography by James W. Parsons) • www.swp.com/~cmora/cine.html (Filmstudies Universiteit Barcelona) • www.tcf.ua.edu/screensite/contents.html • www.uark.edu/~aca/studies/film.html (American Communication Association) • www.utoronto.ca/innis/library/cinema.html • www.visualanthropology.net / www.visualculture.nl a selection of personal websites of film historians and film researchers • www.abacon.com/mast (website Bruce F. Kawin) • www.cri.histart.umontreal.ca/grafics (website André Gaudreault) • www.earlycinema.com • www.footagesources.com • www.geschiedenisenbeeld.nl • www.let.kub.nl/people/westerm/index.htm (website Marc Westermann) • www.lobsterfilms.com • www.mhhe.com/filmart (website Bordwell & Thompson) • www.otal.umd.edu/~rkolker (website Robert Kolker) • www.readfilm.com (website James Monaco) • www.xs4all.nl/~kd/ (Netherlands Cinema History, website Karel Dibbets) a selection of on-line Film Journals (and some websites of printed Film Journals) See also the International Index to Film Periodicals (compiled by FIAF) • www.audiencemag.com • www.16-9.dk (Danish Journal of Film Studies) • www.6degrees.co.uk • www.brightlightsfilm.com • www.cadrage.net (1ère revue en ligne universitaire française de cinéma) • www.cineaste.com (launched in 1967) • http://wwwmmc.Murdoch.edu.au/readingroom/conted.html (Continuum, The Australian Journal of Media & Culture) • www.ejumpcut.org (Jump Cut, a review of contemporary media, launched in 1974) • http://comcom.uvt.nl/e-view/ (Duch: E-View, een elektronisch magazine over theater, film, tv, digitale media) • www.filmlinc.com/fcm/fcm.htm (Film Comment) • www.film-philosophie.com • www.filmquarterly.org • www.thefilmjournal.com • www.filmkrant.nl (Dutch) • www.frameworkonline.com (Framework) • www.flowtv.org • www.imageandnarrative.be/index.htm (Image & Narrative, online magazine of the Visual Narrative) • www.indiewire.com • www.interactivefilmschool.com • http://journal.media-culture.org.au/ • www.mfj-online.org (Millenium Film Journal) • www.latrobe.edu.au/www/screeningthepast (Screening the Past) • http://pov.imv.au.dk/POV.html (P.O.V. - Danish Journal of Film Studies (Danish/English) • www.scope.nottingham.ac.uk (Scope) • www.sensesofcinema.com • www.screendaily.com (trade journal) • www.bfi.org.uk/sightandsound/ • www.skrien.nl (Dutch) • www.tausendaugen.com (German) • www.variety.com (trade journal) • Some related (American) sites: Ainât It Cool News: www.aintitcool.com - Coming Attractions: www.corona.bc.ca/films - The Daily Script: www.dailyscript.com - Dark Horizons: www.darkhorizons.com - Film Threat: www.filmthreat.com - IGN Film Force: www.filmforce.ign.com - The Online Film Critics Society: www.ofcs.org - Reel: www.reel.com - Rough Cut: www.roughcut.com - Upcoming Movies: www.upcomingmovies.com. some databases of film information • http://let.kub.nl/cgi-bin/filmlit/filmlit (Dutch) • www.absoluteauthority.com/film_studies • www.allmovie.com • * www.apolloguide.com • www.bbc.co.uk/films/

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• www.cineGraph.de (German films) • * www.cinema.nl (Dutch: Volkskrant & Vpro) • www.cinemedia.org • www.chinesecinemas.org • www.chireader.com/movies (Chicago Reader) • www.film.com • www.filmcritic.com • www.filmsite.org of: www.greatestfilms.org (website Tim Dirks) • * www.imdb.com (Internet Movie Database) • www.inblackandwhite.com • www.indiewire.com • * www.mastersofcinema.org • www.mavicanet.com • www.metacritic.com • www.mdle.com/classicfilms (The silent majority) • www.movie2movie.nl (Dutch) • * www.moviediva.com • www.movieweb.com • www.movieworld.com • * www.mrqe.com ( Movie Review Query Engine) • www.reelclassics.com • www.rottentomatoes.com • * www.rouge.com.au • www.suntimes.com/ebert/index.html (reviews of Roger Ebert) • www.tvguide.com/movies/database/ (Cinebooks) • www.virtualchina.org/archive/leisure/film/index.html • www.worldfilm.about.com • www.wsws.org (world socialist web site) a selection of European newspapers with extensive film information on-line • http://film.guardian.co.uk (English) • www.lemonde.fr (French); www.liberation.com (French) • www.nrc.nl (Dutch); www.parool.nl (Dutch); www.standaard.be (Dutch); www.trouw.nl (Dutch); www.volkskrant.nl +

www.cinema.nl (Dutch) • www.sueddeutsche.de (German) a selection of Film Institutes • http://lcweb.loc.gov/film/ (National Film Preservation Board) • www.afi.com (American Film Institute) • www.afi.org.au/index1.html (Australian Film Institute) • www.bfi.org.uk/ (British Film Institute) • www.bifi.fr (Bibliothèque du film) • www.cinemathequefrancaise.com • www.crac.asso.fr • www.fiafnet.org (International Federation of Film Archives) • www.filmarchief.be • www.filmmuseum.nl • www.filmeducation.org (National Grid for Learning, UK) • www.filminstitut.de (Deutsches Filminstitut) • www.filmlinc.com (The Filmsociety of Lincoln Center + Film Comment) • www.inst-jeanvigo.asso.fr (Institut Jean Vigo) • www.ledoux.be/archimedia (Koninklijk Filmarchief van België + Archimedia netwerk) • www.niaf.nl (Nederlands Instituut voor Animatiefilm) • www.nibg.nl of www.beeldengeluid.nl (Nederlands Instituut voor Beeld en Geluid) • www.nmpft.org.uk (National Museum of Photography, film and Television, Bradford) a selection of festivals of film heritage • http://www.cinetecadelfriuli.org/gcm (festival Giornate del Cinema Muto, Pordenone) • www.cinetecadibologna.it (festival Cinema Retrivato) • www.cinephiles.org Some interactive filmwebsites • www.edgecodes.com (website of the Canadian Documentary Edge Codes, Alex Shuper, 2003) • www.saulbass.net (here you can, among other things, re-edit the shower scene of Psycho) Publishers of filmstudies (draft version) Europe

• www.aup.nl (Amsterdam University Press) • www.arnoldpublishers.com / www.hodderheadline.co.uk • www.bfi.org.uk/booksvideo/ (British Film Insitute Publishing) • www.oup.co.uk/ (Oxford UP) • www.blackwell.co.uk / www.blackwellpublishing.com • www.ibtauris.com/ • www.wallflowerpress.co.uk/

US-University Press McGraw Hill; Routledge; Rutgers; Wayne State; Cornell; Princeton; Texas; Illinois; California; Columbia; Cambridge; Indiana.

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Appendix 2:

Film studies in The Netherlands & Flanders • Bosma, P, ‘Een panoramaschets van filmstudies’, in: Boekmancahier, tijdschrift voor kunst, cultuur en beleid (16e jrg, zomer

2004), blz.102-109. URL: www.boekman.nl/bosma.html. • Bosma, P. ‘Filmstudies in Nederland en Vlaanderen. Een panoramaschets’ (aangevulde versie), in: E-view 2004, nr 2, URL:

http://comcom.uvt.nl/e-view/04-2/inhoud.htm. Overzicht van (recente) proefschriften in Nederland en Vlaanderen (intentie: een compleet overzicht vanaf de jaren tachtig - zie ook www.narcis.info/index/tab/narcis) • Aasman, S. I. , Ritueel van huiselijk geluk: een cultuurhistorische verkenning van de familiefilm, Amsterdam: Het

Spinhuis, 2004 (dissertatie RuG). • Beusekom, Ansje van. Film als kunst. Reacties op een nieuw medium in Nederland, 1895-1940 (Amsterdam: Vrije

Universiteit, 1998). Handelseditie: Kunst en Amusement. Reacties op de film als nieuw medium in Nederland 1895-1940, Haarlem: Arcadia, 2001.

• Bildereyst, Daniel, American Television Fiction Hegemony in Europe, Brussel: VUB, 1993. • Blom, Ivo, Pionierswerk. Jean Desmet en de vroege Nederlandse filmhandel en bioscoopexploitatie 1907-1921

(Amsterdam: Universiteit van Amsterdam,2000). Handelseditie: Jean Desmet and the Early Dutch Film Trade, Amsterdam: Amsterdam UP, 2003.

• Bordewijk, Cobi, Pinter Appeal. A Comparitive Study of Respons to Homecoming, Amsterdam, 1988. • Canjels, Rudmer, Beyond the Cliffhanger: Distributing Silent Serials. Local Practices, Changing Forms, Cultural

Transformation, Utrecht, dissertation Utrecht University, 2005. • Convents, Guido, Cultuurvernieuwing in het groot en ondernemerschap in het klein. Ontstaan en doorbraak van een

universeel filmvermaak in België. Leuven: universiteit van Leuven, 1999. Handelseditie: Van kinetoscoop tot café-ciné. De eerste jaren van de film in België 1894-1908. Leuven: Universitaire Pers Leuven, 2000.

• Desloovere, Karl, De geschreven audiovisuele articulatie van het filosofische denken, Brussel: VUB (4 dvd). • Dibbets, Karel. Handelseditie: Sprekende film. De komst van de geluidsfilm in Nederland, 1928 – 1933, Amsterdam:

Cromwinckel, 1993. • Dittrich, Kathinka, Achter het doek. Duitse emigranten in de Nederlandse speelfilm in de jaren dertig, UvA, 1987.

Handelseditie: idem, Houten: Het Wereldvenster, 1987. • Driel, Hans van. De semiosis. De semiotiek van C.S. Peirce in verband gebracht met het verschijnsel film (Tilburg, KUB,

1993). • Engelen, Leen, De verbeelding van de Eerste Wereldoorlog in de Belgische speelfilm (1913-1939), Leuven: KU

Leuven, 2005. • Feenstra, Pietsie, La Construction de Nouvelles Figures Mythiques dans le Cinéma Espagnol de l’ Après-Franquisisme

(1975-1995), Paris, Sorbonne Nouvelle/ Paris III, 2001. • Förster, Annette, Histories of Fame and Failure. Adriënne Solser, Musidora, Nell Shipman: Women Acting and Directing

in the Silent Cinema in The Netherlands, France and North America, Utrecht, dissertatie 2005. • Goossens, Guido, Verloren zonsondergangen: Hans Jürgen Syberberg en het linkse denken over rechts in Duitsland,

dissertatie Universiteit Maastricht, 2003. Handelseditie: Amsterdam: Amsterdam UP 2004. • Hagener, Malte, Moving Forward, Looking Back. The European Avant-garde and the Invention of Film culture

1919-1939, Amsterdam: Amsterdam University Press, 2007. • Hofstede, Bart. In het wereldfilmstelsel. Identiteit en organisatie van de Nederlandse film sedert 1945 (Delft: Eburon,

2000). Handelseditie: Nederlandse cinema wereldwijd. De internationale positie van de Nederlandse film.Amsterdam: Boekmanstudies, 2000.

• Hogenkamp, Bert, Handelseditie: Deadly Parallels, Film and the Left in Britain 1929 - 1939. London: Lawrence & Wishart, 1986. Vervolgonderzoek: Film, Television and the Left in Britain 1950 to 1970, London: Lawrence & Wishart, 2000.

• Kattebelt, Chiel. Theater en film: een aanzet tot een systematische vergelijking vanuit een rationaliteits-theoretisch perspectief, Utrecht, UU, 1991.

• Kester, Bernadette.Handelseditie: Filmfront Weimar. Representatie van de Eerste Wereldoorlog in Duitse films uit de Weimarperiode (1919 - 1933). Hilversum: Verloren. 1998. English edition: Film Front Weimar. Representations of the First World War in German Films of the Weimar Period 1919-1933, Amsterdam: Amsterdam UP, 2003.

• Mathijs, Ernest, Referentiekaders van filmkritiek. Een onderzoek naar het gebruik van referenties in de interpretatie en evaluatie van David Cronenberg. Brussel: Vrije Universiteit Brussel, 2000.

• Lameris, Bregje, Opnieuw belicht: de pas de deux tussen de filmmuseale praktijk en filmhistorische debatten, Utrecht: Igitur (proefschrift Universiteit Utrecht), 2007.

• Meers, Philippe, De Europese film op zoek naar een publiek. Een multimethodisch publieksonderzoek naar de filmbeleving van jongeren in het kader van de Europees-Amerikaanse verhoudingen in de mondiale ‘filmed entertainment’-industrie, Gent: Werkgroep Film-en Televisiestudies, vakgroep Communicatiewetenschappen, Universiteit Gent, 2003.

• Oort, Thunnis van, Film en het moderne leven in Limburg. Het bioscoopwezen tussen commercie en katholieke cultuurpolitiek, 1909-1929, Hilversum: Verloren, 2007.

• Özen, Mustafa, De opkomst van het moderne medium cinema in de Ottomaanse hoofdstad Istanbul, 1896-1914, Utrecht: proefschrift Universiteit Utrecht, 2007.

17

• Pisters, Patricia. From Eye to Brain. Gilles Deleuze: Refiguring the Subject in Film Theory (Amsterdam: Universiteit van Amsterdam, 1998). Handelseditie: Stanford UP, 2001.

• Pol, Gerwin van der, In the author we trust, Universiteit van Amsterdam, 2009. • Post, Jack, Optische effecten in de film: Aanzetten tot een semiotische analyse, Leuven: uitgeverij Peeters, 1998. • Punt, Michael. Early Cinema and the Technological Imaginary (Amsterdam: Universiteit van Amsterdam, 2000).

Handelseditie: Trowbrdige: Cromwell Press, 2000. • Raesens, Joost. Film en filosofie. Vivre la Difference. Deleuze en de cinematografische moderniteit (Budel: Damon,

2001). • Schiweck, Ingo " (…) Weil wir lieber im Kino sitzen als in Sack und Asche". Der deutsche Spielfilm in den besetzten

Niederlanden 1940-1945, Münster: Waxmann Verlag, Niederlande-Studien, 2002. • Schoots, Hans, Handelseditie: Bert Haanstra. Filmer van Nederland, Amsterdam, Mets & Schilt, 2009. • Simons, Jan. Film, Language and Conceptual Structures. Thinking Film in the Age of Cognitivism (Amsterdam:

Universiteit van Amsterdam, 1995). • Smelik, Anneke. And the Mirror Cracked. A Study of Rhetoric in Feminist Cinema. (Amsterdam, UvA, 1995).

Handelseditie: London: Macmillan, 1998. • Stalpaert, Christel, De ‘Belgische vrouwelijke filmtaal’ in haar discursieve en visuele praktijk, Gent, 2002. • Tan, Ed Film als emotiemachine. De affectstructuur van de traditionele speelfilm. Een psychologische studie

(Amsterdam, UvA, 1991). English edition: Emotion and the Structure of Narrative Film. Film as Emotion Machine, Mahwah (NJ): Lawrence Erlbaum, 1996.

• Thanouli, Eleftheria, Post-classcical narration: a new paradigm in contemporary world cinema, Amsterdam: UvA, 2005. • Thissen, Judith, Moyshe Goes to the Movies. Jewish immigrants, popular entertainment and ethnic identity in New York

City (1880-1914), Utrecht, Universiteit Utrecht, 2001. • Stapele, Peter van, Poetics of the Screenplay as Drama-Text, Leiden, 2005. • Verdaasdonk, D. Beroep: filmregisseur. Het verkrijgen van continuïteit in een artistiek beroep, Zeist: Kerckebosch, 1990

(Erasmus Universiteit Rotterdam). • Verhoeff, Nanna, After the Beginning. Westerns Before 1915, (Universiteit van Utrecht), Enschede: Printpartners

Ipskamp, 2002. Handelseditie: The West in early cinema: After the beginning, Amsterdam: Amsterdam UP, 2005. • Valck, Marijke de, Film Festivals. History and Theory of a European Phenomenon That Became a Global Network,

Amsterdam: UvA/ASCA, 2006. Handelseditie: Film Festivals. From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press, 2007.

• Verstraten, Peter. Screening Cowboys.Reading Masculinities in Westerns, Amsterdam: Universiteit van Amsterdam, 1999.

• Vojkovic, Sasha, Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts, Amsterdam: ASCA Press, 2001.

• Winkel, Roel Vande, Film(journaals) en propaganda in bezet België (1940-1944), … • Wolff, J. Ph. Production is the key in the film industry. Evaluatie van het speelfilmbeleid in het kader van het

mediabeleid van de Europese Unie. (Lelystad: stichting IVO, 1998). Attention: this overview is a work in progress! Things to do: 1) to elaborate; 2) to annotate 3) keeping it update.