final
DESCRIPTION
final for t206 - snarky productionsTRANSCRIPT
When creating the visuals for the black class the aim was to lower saturation, too add
more blacks and greys, but also mix it with touches of the 'scene' style and anarchy.
Characters of the black class are those of rebellion who live in the run down, tightly
populated parts of urban society. They put off a tough, I don't give a shit attitude which
comes across in their style, a mixture of punk accents and contrasts of black and white
colors. Even in their state of repression, images of hope and and freedom should also be
assoicated with them
The general aesthetic I was trying to capture in the gold class was that of vintage class,
power and grace of the monarchy, but with a modern twist. Warm tones are the obvious
choice here, one mainly being gold. Also, prominent pops of red were an addition to not
only outline the seductive allure of the gold class, but also have the hint of power come
across.The architecture will be modern with a twist of old world grace, a lot of open
spaces but with touches of classic royalty. The dress will be similar, one with couture like
dreaminess mixed with defined lines and luxiourious fabrics.
Here is our scouted area for scene 4. The location needed to be a college
classroom. The classroom needed to look futuristic, because the show is placed in the
future. That’s why I took one picture from behind the desk, to see all the technology that
was there. I wanted the room to seem blank, nothing special, just a classroom with no
personality. I also wanted to show that this classroom held both classes, Gold and Silver.
I had a thought about “separate but equal,” so the Gold sit on the side with the windows,
where light comes. Their side is clean and nice. The Silver side on the other hand, has
some trash on the floor and is in the darker side of the room. We can also see from the
teachers desk that it is easier to see the Gold side so they have preference. Even in this
“integrated” classroom, there are class separations.
Shot 1: Scene 1
City Skyline: Clear separations between
different class districts
Shot 2: Scene 1
Fast zoom through city, passing through
different districts
Shot 3: Scene 1
Wide shot, high angle of airport. Planes
taking off
Shot 4: Scene 2
Overhead Shot of Airport Interior.
Shot 5: Scene 2
Over the Shoulder Shot. Man holding
hologram. Slow zoom on name
on hologram
Shot 6: Scene 2
Close up of Harris looking down,
light pan up
Shot 7: Scene 2
Flight board, pan across.
Shot 8: Scene 2
Focus on “CanadAIR”
Shot 9: Scene 2
Harris looks around crowded airport
Shot 10: Scene 2
Crowd walking around airport
Shot 11: Scene 2
Harris sees Natalie
Shot 12: Scene 2
Overhead shot of Natalie and Harris
Shot 13: Scene 2
Harris grabs Natalie’s bags
Shot 14: Scene 3
Gold Subway Car passes
Shot 15: Scene 3
The two sit on subway
Shot 16: Scene 4
The subway is seen again in the tunnel
Shot 17: Scene 4
Dialogue between Harris and Natalie
Shot 18: Scene 4
Natalie Rolls her eyes
Shot 19: Scene 4
Outside of Subway, looking in on the two
talking
Shot 20: Scene 4
Harris and Natalie sit in the subway
Shot 21: Scene 4
Natalie turns and talks with Harris
Shot 22: Scene 4
Gold Subway Car passes as Natalie and Harris speak
Shot 23: Scene 4
Natalie rolls her eyes
Shot 24: Scene 4
Harris and Natalie talk
Shot 25: Scene 5
Zoom in on Fam’s Apartment
Shot 26: Scene 6
Outside Fam’s Apartment door
Shot 27: Scene 6
Low angle as Natalie enters Fam’s apartment
Shot 28: Scene 6
Natalie speaks with Harris and Fam in Fam’s
living room
Shot 29: Scene 6
Pan around Natalie
Shot 30: Scene 6
Gold Subway Car passes as Natalie turns