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This is a final product of our COMENIUS project: EUID, it's about traditional games, sports, dancings, music


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  • Possibly Spain is the country that has cultivated the dance from the most remote antiquity.People has invented the way for expressing through the music.Each place has its own andtraditionalmusic, ownrythmsor typical dancings , everything belongs to its folck. This painting is from Cogull, Lerida, North of Spain

Women dancing SPAIN 9. Puellae gaditanae

  • The Romans had our dancers from Cadiz who were called Puellae gaditanae by the most beautiful and elegant dancers in the world.

SPAIN 10. In Mlaga: The Verdiales It is an ancient form, pre-flamenco. It's also one of the earliest forms of fandango. The verdiales were danced by the poor peasants when theycollected their grape or olive oil harvest, as well in the weddings or in the Christenings. SPAIN 11. The origin of the name

  • The origin of Verdiales is
  • uncertain, but like much of
  • Andalucan culture, it probably
  • has rootsintheArabic Music
  • Introduced by the Berbers in the
  • eighthcentury.The Verdiales
  • name can be two origings:
  • Verdial, a type of an olive oil
  • Verdear The action of
  • collecting olive oil.

SPAIN 12. Where do the verdiales come from?

  • The verdiales can come
  • from The Creta Island
  • (2800a.C) where its
  • menhad thecustom of
  • crowningthemselves
  • with flowered hats


  • Its accompaniment: violin,
  • guitars,mandolins small
  • cymbals-crtalos, castanets
  • tambourines, etc., has
  • evolvedfrom its origins , yet
  • retaining its primitivenature
  • of toughness and authenticity
  • impressive.

castanets crtalos mandolin tambourines guitar violin SPAIN 14. EL VITO from Cdoba Vito melody runs in three of eight compass. The Vito is sung with different lyrics, humorous or serious, among which are well known the following: It is a traditional dancing from(Crdoba)Andalusia, whose name refers to the diseas called Saint Vitusdance: ( Huntington's disease)by the animated and lively character of this dance. SPAIN 15. The Mueiras in Galicia ( North west of Spain Galicianmusic might owe some of its roots to the ancient Celtic history of the region, in which it is presumed that some of this ancient influence has survived despite the long evolution of the local musical traditions since then, and despite the centuries of Roman and Germanic influences. SPAIN 16. THE JOTA (ARAGN). Northeast of Spain Themusic of Aragon , like its culture, has through history absorbed Roman, Celtic, Moorish and French influences. Traditional instruments includebagipes , drumps,flutes,tambourines , rattles and, perhaps most distinctively,the guitar.SPAIN 17. El Robao: A fandango from Baza (Granada) Being a visual representation, the jota is danced and sung accompanied by castanets and the interpreters tend to wear regional costumes. The jota tends to have a 3/4 rhythm SPAIN 18. 19. 20. 21. 22. 23. 24. 25. 26. We are partners of Comenius project EuID COMENIUS PROJECT 27. The New Grove Dictionary of Musical Instruments published in England in 1984 mentions 48 Lithuanian musical instruments. The major among them -kankles(the zither),ragai (horns),skuduciai(pan pipes) are all popular musical instruments today. Children have never forgotten whistles made of clay and wood bark.Lithuanian national musical instrument kankles ragai skuduciai COMENIUS PROJECT 28. The skuduciai is a pipeof8-20 cm l e ng ht , 1-3 cm in diameter, they are made of wood (ash, alder, buckthorn, osier), of willow or linden bark, or of the hollow stems of umbelliferous plants. Each pipe produces one stable note. The sound is of short duration.Lithuanian national musical instrument SKUDUTIS( panpipe) COMENIUS PROJECT 29. Panpipes were extremely popular in middle and northern Aukstaitija. Both instrumental and vocal sutartines (ancient polyphonic songs) and accompaniment to dances were played on them. In the 1920s this instrument was modified.Lithuanian national musical instrument skuduciai is popular infolklore groups In the middle of this century music played on this instrument was introduced into the repertoire of professional folk companies, later on - in folklore groups.COMENIUS PROJECT 30. Let's meet in Kaunas, Lithuania COMENIUS PROJECT 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43.

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