finale 2002 - [partita brasileira para violino...
TRANSCRIPT
GUILHERME BAUER
Partita Brasileiraviolino solo
PrelúdioClamorCanto
AbaianadoRabecando
GOLDBERGEDIÇÕES MUSICAIS
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Guilherme Bauer
1. Prelúdio**
©2002 by Goldberg Edições Musicais Ltda.All rights reserved. International copyright secured.
*) Brazilian Partita **) Prelude
Partita Brasileira*
violino solopara Erich Lehninger
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ca. 2'45" - set./out. 2000
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2. Clamor*
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ca. 2'28" - junho 1994
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- 7 -
3. Canto*
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5. Rabecando*uma homenagem a Guerra-Peixe**
*) Sobre o Andantino do Concertino para violino e orquestra de Guerra-Peixe Fiddling - On Guerra-Peixe's Andantino from Concertino for violin and orchestra. **)A homage to Guerra-Peixe
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- 12 -
ca. 2'32" - set./out. 2001
Partita Brasileira [1994 / 2001]
Originalmente concebida como 3 peças para violino solo. Mais tarde, o violinistaErich Lehninger sugeriu ao compositor que escrevesse mais 2 peças (Prelúdio eRabecando) que, somadas às outras, formariam uma Partita - e por que não PartitaBrasileira, disse ele.
Prelúdio: À maneira de J.S.Bach, esta partita inicia-se com um prelúdio polifônicoque nos remete imediatamente à introdução das "Cadências para Violino e Orquestra".
Clamor: Este trecho caracteriza-se pelo seu aspecto declamatório que aproxima-ode um movimento à maneira dos compositores românticos.
Canto: Neste movimento, o compositor baseou-se numa escala dórica transpostade lá a lá com fá sustenido, o que dá um caráter mais modal a este movimento.
Abaianado: Rítmos de baião e uma concepção dançante tradicional dão a estemomento da obra um caráter leve e quase popular que lembram os prelúdios docompositor mineiro Flausino Valle.[1894-1954].
Rabecando: Este último movimento é uma homenagem a Guerra-Peixe. Ocompositor baseou-se numa peça original de seu antigo mestre, "Rabeca Triste" paraviolino solo, que também aparece como sendo o 2o. movimento: andantino, no seuConcertino para violino e orquestra. A peça vai gradualmente transformando-se numacomplexa e alegre polifonia onde podemos nitidamente perceber contraste entre osestilos de Guerra-Peixe e Guilherme Bauer.
Brazilian Partita (dedicated to Erich Lehninger)
Originally composed as 3 pieces for solo violin. Later, violinist Erich Lehningersuggested that these three should be turned into a "Brazilian Partita"with the addition oftwo (Prelúdio e Rabecando) more pieces.
Prelude: In the manner of J.S.Bach, this partita starts with a polyphonic prelude. Itimmediately brings the composer's earlier piece, Cadences for violin and orchestra, tomind.
Clamor: This is a rather romantic piece which displays a declamatory style.Chant: The chant is based in a Dorian mode transposed to "A" with an "F sharp"
which gives the piece a modal character.In Bahian-mode: "Baião" rhythm and traditional ball dancing were introduced in
this movement to make it sound light and almost like a folk dance. It reminds us ofFlausino Valle, a Brazilian violinist who wrote many preludes for solo violin in acountryside style.
Fiddling: The last movement is a homage to Guerra-Peixe, composer's masterand friend. It's based on Guerra-Peixe's solo violin piece "Sad Fiddle". There is also aversion for violin and orchestra which is his Concertino's 2nd movement: andantino. Thepiece is gradually transformed into a rather both complex and joyful polyphony thatestablishes a clear contrast between Guerra-Peixe's and Guilherme Bauer's musicalstyles.
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