finale 2006 - [hymn 127 full] - cuthbertpraise

14
Thank you for purchasing this CuthbertPraise! download product. Your download entitles you to unlimited copies of parts and scores contained herein for your specific ministry or personal use. Please do not pass copies outside of your own use or ministry. Our prices are ridiculously low, and we give away about as much as we sell, but there is a substantial cost in both time and money to keep this collection of music growing and available to everyone. Please help us by honoring this request to keep this music for your own uses and those of your ministry, and by telling your friends and colleagues about our services. If you should ever happen to lose or misplace your copy of this music, please contact us and we’ll be more than happy to send you another copy at no cost. Performance Suggestions Your hymn arrangement is designed to be very flexible in accommodating many different instruments. Along with the standard brass quartet/quintet and timpani parts you will also find parts written for duet and/or trio instruments. The Duet parts are interchangeable between different instruments so that if you have a trumpet, alto sax and trombone (or any other combination), each instrument may use its own part, and you can have them alternate between 1 st , 2 nd and descant parts. You may want to use parts for the first verse, solo or unison melody with different instruments on various middle verses, and then parts with descant on the final verse. It’s your choice depending on your needs and the abilities of your musicians. The brass arrangement will work as a trio, quartet, quintet, large brass choir or even a band of mixed brass, wind and string instruments. All the parts are marked with doublings and substitutions, and performance suggestions are listed on the bottom of the page. You may want to begin the hymn with a brass introduction – either the entire verse, or a portion of it – then have them play with the congregation for the 1 st verse; the second verse can be accompanied by piano/organ alone (and guitars if you have them); for the third verse you may want to feature a solo instrument with piano/organ, and then bring in the entire ensemble along with descant for the final verse. Again, it’s your choice. Experiment with different colors and combinations. Along with duet, band and orchestra parts you will also find a guitar and voice lead sheet in this hymn edition. The guitar chords will work with the piano and instrumental parts, or you may use the guitar by itself – perfect for small gatherings, retreats or services where no piano is available. If you have any questions, or if we can ever help you in any way, please contact us. We’re here for you, and we’re always happy to help. www.cuthbertpraise.com [email protected]

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  Thank you for purchasing this CuthbertPraise! download product. Your download entitles you to unlimited copies of parts and scores contained herein for your specific ministry or personal use. Please do not pass copies outside of your own use or ministry. Our prices are ridiculously low, and we give away about as much as we sell, but there is a substantial cost in both time and money to keep this collection of music growing and available to everyone. Please help us by honoring this request to keep this music for your own uses and those of your ministry, and by telling your friends and colleagues about our services. If you should ever happen to lose or misplace your copy of this music, please contact us and we’ll be more than happy to send you another copy at no cost.

Performance Suggestions Your hymn arrangement is designed to be very flexible in accommodating many different instruments. Along with the standard brass quartet/quintet and timpani parts you will also find parts written for duet and/or trio instruments. The Duet parts are interchangeable between different instruments so that if you have a trumpet, alto sax and trombone (or any other combination), each instrument may use its own part, and you can have them alternate between 1st, 2nd and descant parts. You may want to use parts for the first verse, solo or unison melody with different instruments on various middle verses, and then parts with descant on the final verse. It’s your choice depending on your needs and the abilities of your musicians. The brass arrangement will work as a trio, quartet, quintet, large brass choir or even a band of mixed brass, wind and string instruments. All the parts are marked with doublings and substitutions, and performance suggestions are listed on the bottom of the page. You may want to begin the hymn with a brass introduction – either the entire verse, or a portion of it – then have them play with the congregation for the 1st verse; the second verse can be accompanied by piano/organ alone (and guitars if you have them); for the third verse you may want to feature a solo instrument with piano/organ, and then bring in the entire ensemble along with descant for the final verse. Again, it’s your choice. Experiment with different colors and combinations. Along with duet, band and orchestra parts you will also find a guitar and voice lead sheet in this hymn edition. The guitar chords will work with the piano and instrumental parts, or you may use the guitar by itself – perfect for small gatherings, retreats or services where no piano is available. If you have any questions, or if we can ever help you in any way, please contact us. We’re here for you, and we’re always happy to help.

www.cuthbertpraise.com [email protected]

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b

b

b

b

c

c

c

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Timpani

Bass Guitar

Voice/Guitar

Descant

œ œ œ œ

œ œ œ œ œ œ

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F

1.)Earth2.)Fair3.)East4.)Sa5.)Je

haser

erncredsus,

manthansa

giftswhom

y'athegesofthe

œ .œJœ œ

œ œ ˙

œ œ œœ

œ œ œ œ

G m C F

nosunat

mysGen

bleathistic

tiles

cimorncra

meanwor

ty;ingdleing:

shiped

œ œ œ œ œ

œ œ œ œ

œ œ œ œ œ

œ œ œ œC F Bb

Bethwas

makeinat

lehemtheob

censethy

thoustarla

dothglad

dostthattionstheir

e

œ œ œ œ œ œ

œ œ ˙

œ œ ˙

œ œ ˙Csus C F

alltoldrichGodpiph

exhisanddisa

cell:birth,rare;close,

ny,

.œJœ œ œ

œ

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Timp.

Bass

5

5

œ œ œ œ#

5

œ œ œ œD m G m6/D A 7

outtoseegoldun

ofthe

themtheto

theeworldfive,Kingthee,

theitsinof

with

œ œ œ œ œ œ#

œ œ œ œ

œ œn œ œ

œ œ œ œ

D m G Csus C

LordGoddeepkingsGod

fromandeprothe

heanounc

voclaim

Fa

vening

tion,eth,ther

œ œn œ œ

œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ

F Bb F

cameseengodl

myrrhand

toin

andhisthe

rulefleshfranksepSpi

hislyinulrit,

œ œ œ œ œ œ

œ œ ˙

œ œ ˙

œ œ ˙

Csus C F

Isformcensecherglo

raonandforery

el.earth.myrrh.shows.

be.

œ œ œ ˙-

---

--

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--

--

--

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-

-

-

Earth Has Many a Noble City(For Voice, Guitar, Bass and Timpani) 127

CuthbertPraise! 2005

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Epiphany

& b c œ œ œ œ

F

1.)Earth2.)Fair -3.)East -4.)Sa -5.)Je -

hasererncredsus,

man -thansa -

giftswhom

y'athegesofthe

œ œ œ œ

Gm3fr.

C F

no -sunat

mys -Gen -

bleathistic

tiles

ci -morn-cra -

mean-wor-

ty;ingdleing:

shiped

œ œ œ œ

C F Bb

Beth -was

makein -at

lehemtheob -

censethy -

thoustarla -

dothglad

dostthattionstheir

e -

œ œ ˙

Csus C F

alltoldrichGodpiph -

ex -hisanddis -a -

cell:birth,rare;close,

ny,

& b5

œ œ œ œ

Dm Edim/D A7

outtoseegoldun -

ofthe

themtheto

theeworldfive,Kingthee,

theitsinof

with

œ œ œ œ

Dm G Csus C

LordGoddeepkingsGod

froman -de -pro -the

hea -nounc -

vo -claim -

Fa -

vening

tion,eth,ther

œ œ œ œ

F Bb F

cameseengodl

myrrhand

toin

andhisthe

ruleflesh -frank -sep -Spi -

hislyin -ul -rit,

œ œ ˙

Csus C F

Is -formcensecherglo -

ra -onandfore -ry

el.earth.myrrh.shows.

be.

Earth Has Many a Noble City(For Voice and Guitar) 127

2006 CuthbertPraise!

Voice and Guitar

Other harmonizations, 66 and 414Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

#127 Episcopal Hymnal - Earth Has Many a Noble City

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b

b

c

c

Descant

Flute

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5 œ œ œ œ œ œ#

œœ œœ œœ œœ

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œœ œœ œœ œœ

œ œ œ ˙

œœ œœ ˙̇

Earth Has Many a Noble City(For Two Flutes with Descant) 127

CuthbertPraise! 2005

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Flute

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Descant

Bb Trumpet

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œ

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5 œ œ œ œ œ œ#

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œœ œœ ˙̇

Earth Has Many a Noble City(For Two Bb Instruments with Descant) 127

CuthbertPraise! 2005

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Bb Trumpetor Clarinet/Tenor Sax

#127 Episcopal Hymnal - Earth Has Many a Noble City

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b

c

c

Descant

Trpt. in C

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œœ œœ ˙̇

Earth Has Many a Noble City(For Two C Instruments with Descant - Duet or Brass Version) 127

©2006 CuthbertPraise!

Trumpet in COboe or Violin

#127 Episcopal Hymnal - Earth Has Many a Noble City

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

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c

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Descant

Horns in F

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œœ œœ ˙̇

Earth Has Many a Noble City(For Two Horns in F with Descant - Duet Version) 127

©2006 CuthbertPraise!

#127 Episcopal Hymnal - Earth Has Many a Noble City

Horn in F

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

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b

c

c

Descant

Trombones

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œœ œœ œœ œœ

œ œ œ ˙

œœ œœ ˙̇

Earth Has Many a Noble City(For Two Bass Clef Instruments - Duet Version) 127

©CuthbertPraise!

Trombones/Euph.Bassoon/Cello

#127 Episcopal Hymnal - Earth Has Many a Noble City

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

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c

c

Descant

Alto Sax.

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œœ œœ œœ œœ

œ œ œ ˙

œœ œœ ˙̇

Earth Has Many a Noble City(For Two Eb Alto Saxophones with Descant) 127

©CuthbertPraise!

Eb Alto Saxophone

#127 Episcopal Hymnal - Earth Has Many a Noble City

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

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#

b

b

b

c

c

c

c

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Descant in Bb

Bb Trumpets

*Trombone

*Tuba

*Horn in F

Timpani

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œœ œœ œœ œœ

œ œ œ œ œ œœ œ œ œ

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.œJœ œ œ

œ

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Desc.

Bb Tpt.

Tbn.

Tuba

Hn.

Timp.

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œ œ œ œ#

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œœ œœ œœ œœ

œ œn œ œœ œ œ œ

œ œn œ œ

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œœ œœ ˙̇̇

œ œ ˙œ œ ˙

œ œ ˙

œ œœ ˙̇

œ œ ˙

Earth Has Many a Noble City(For Brass and Timpani)

127

©CuthbertPraise!

*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Horn plays Gs if doubling Trombone

Brass Quartet,Quintet, or Sextetwith Timpani

#127 Episcopal Hymnal - Earth Has Many a Noble City

& cHorn in F œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙

&5

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ ˙̇

Earth Has Many a Noble City(Brass and Timpani) 127

©CuthbertPraise!

(Play Gs if doubling Trombone)

*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams(2005)

Horn in F(*Sub for Tromb 1)

#127 Episcopal Hymnal - Earth Has Many a Noble City

? b cTrombone œ œ œ œ œ œœ œ œ œ œ œ œ

œœ œ œ œ œ œ œ œ œœ œ œ œ œ œ ˙

œ œ ˙

? b5

œ œ œ œ#œ œ œ œ œ œn œ œœ œ œ œ

œ œ œ œ œ œœ œ œ œ œ œ œ ˙

œ œ ˙

Earth Has Many a Noble City(Brass and Timpani) 127

©CuthbertPraise!

*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Trombone*(Sub for Horn and Tuba)

#127 Episcopal Hymnal - Earth Has Many a Noble City

? b cTubaœ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ ˙

? b5

œ œ œ œ# œ œn œ œ œ œ œ œ œ œ œ œ ˙

Earth Has Many a Noble City(Brass and Timpani) 127

©CuthbertPraise!

*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Tuba*(Sub for Tromb 2)

#127 Episcopal Hymnal - Earth Has Many a Noble City

? b cTimpani œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙

? b5

wæ œ œ œ œ œ œ œ œ œ œ ˙

Earth Has Many a Noble City(Brass and Timpani) 127

©CuthbertPraise!

Words: Marcus Aurelius Clemens Prudentius (348-410?); tr. Hymns Ancient and Modern, 1861, altMusic: Stuttgart, melody from Psalmodia Sacra, oder Andachtige und Schone Gesange, 1715; adapt. William Henry Havergal (1793-1870); harm. K. D. Smith (b. 1928)Descant, guitar chords, brass arr: Randy Adams (2005)

Timpani

#127 Episcopal Hymnal - Earth Has Many a Noble City