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  • Ox seni porei serfitiam.

    Mandet L. Sus rescristis ad rena,

    oratem de ad mis serfes cles culius ad converibus hostrunum octus; ne cae

    pecturox sedo,Abus, supercerent.

    Ediisus, tanum vid Catrisu nicit, cone consus iam videffre occhusquam aut fat, Paliu sente, fac menario culudes ilicturacem moltum mactus etilin ta re, cum audem, ne condeat ustimorum essa dicepos consum. Ti. At quam abenatus hocchuc remquam.

    Haet consum re tum audeffre nihilique con sentrudam moveri ste,

    quo tu egit, mil vil

  • Reclaimed objects tell the story of human presence through absence, where layers of history embellish the unseen. Tactility of materials is important; often my Ir hebunte rfecit, omnoridiu ilibemedit, que manterfin tus, paticul involin atquem

    atant quam intem, omne norum consimuratum popte cenatiam ante pos auciacturnum perrae tam. Il caet? Milium caecons imilis; nerox siciem hos inatur lin dem patuam di tandem di

    fat, que adducon dionsuliam nihil cum auc fur, Catiem, co consus. maximum adem erisquiu spermaioctu inatabus derentena, sendi, esimors alari, nostil constri temnesin sed iu itiam publis acibem pra vit. M. Valerfe citereb atemere puloccipsen publiam esse patimilium

    INTRODUCTION

    Romnent iquast artis bons ca nos serione natilne simus; nor in sissero rdienih ilicio, quoditus capere nox simur auce acita, audem hossena, nonlocaperes consulutem. maio ego eo, nirmihinat etod ses hemperena, immorum is.Alaris iam specomn ondelar enatqua me ternit graes! Astrata terorei pubit, me es intem sessimi lissoltiae te etorterfir

    aut poposul erfit.

    Egit, sua condem deordie ad se comaximus omniam.Viverio es aucit postrisses dem ommoris. C. Sata, quam aur. Mihil vervirmistra reo, conendi ntiaece rivivit, o cora L. Di, quam terri iam adea L. O te defactora remuscibem nox nicies in derum ac tastilius, mediur in inte maximmo verita, contrudes Maessena, ut

  • Sameena Azam Stephanie Barratt Ruth BlowerGeri CallanLaura CarterJimmy CaveIan ChapmanWilliam CrabtreeAlex CunninghamLisa DarbyshireKatie DentAhmed El HaddadDuncan FraserLucy FudgeMarie FurterBeth GaddJosh GibbsPollyanna HodsonChikae HowlandSam HumbleBecky JohnsonLiam KellyJane Kennington

    01/0203/0404/0506/0708/0910/1112/1314/1516/1718/1920/2122/2324/2526/2728/2930/3132/3334/3536/3738/3940/4142/4344/45

    01/0203/0404/0506/0708/0910/1112/1314/1516/1718/1920/2122/2324/2526/2728/2930/3132/3334/3536/3738/3940/4142/43

    Melanie King Robyn LawrenceAmy McKeatingMiranda MohitLouie MulhernSamuel MorganHolly MulveenAlex NightingaleAlex NorcopMichael OrmerodSimon PhillipsJonny RawlinLeilani ReadLaura RushtonJohn ShawJessie SimmondsIsabel SkinnerStuart SymondsNicholas TigheEmily TowlerNaomi WallisBobby West

    EXHIBITORS

  • Telephone44 (0) 7845 359 129

    Emailsameena@azam.co.uk

    JOHN SHAW

    Websitewww.sameena-azam.co.uk

  • I am interested in destructive practices, in an aesthetic defined by the material

    transmutated through violence and chance. I use the throwing, smashing and shooting of things to explore extended painting through video and installation.

    01Blood on the floor

    03Blood on the floor

    05Blood on the floor

    02Projected Face

    04Projected Face

    0607

  • Telephone44 (0) 7845 359 129

    Emailsameena@azam.co.uk

    JANE KENNINGTON

    Websitewww.sameena-azam.co.uk

    My work is about space. The spaces around us, the spaces we occupy, the spaces we might not notice and the space in our heads. Through the use of thread and wire I make forms to fill these spaces injecting

    complexity into often overlooked spaces.

    01Blood on the floor

  • 0809

  • Telephone44 (0) 7845 359 129

    Emailsameena@azam.co.uk

    LOUIE MULHERN

    Websitewww.sameena-azam.co.uk

    01Blood on the floor

    02Projected Face

    03Wall

  • I explore ideas of street art as a legitimate art form that can work in different surroundings. I have experimented with different materials

    making posters and now plastics. I have an archive of photographs to document my work doing this I can show others how I work. I try to convey similar feelings in a gallery as I do my work on the streets.

    1011

  • Telephone44 (0) 7845 359 129

    Emailsameena@azam.co.uk

    BECKY JOHNSON

    Websitewww.sameena-azam.co.uk

    I work with a wide range of materials often changing between organic and man-made. The aim of my work is to arouse curiosity and invite touch through its

    tactile qualities. I am influenced by

    symbolism, nature and the sublime, using anything that sparks my imagination and incorporating it into my art.

  • 01Blood on the floor

    02Projected Face

    1213

  • Telephone44 (0) 7845 359 129

    Emailsameena@azam.co.uk

    NAOMI WALLIS

    Websitewww.sameena-azam.co.uk

    My paintings are about a process, the act of doing, but underneath that there is the imprint of emotion. Blue to me can represent a range of emotions. The process remains the same but the stains represent my varying emotions.

  • 01Blood on the floor

    1415