fine art magazine
Post on 15-Mar-2016
Embed Size (px)
DESCRIPTIONFaculty of Fine Arts Chiang Mai University
: / : . . : . , . , . , , , . : , . : . : . : , . : . : , .
. ( 053-944801 - 11)
/ : 50200 053-211724 053-944805 Email Address: firstname.lastname@example.org
/ 6 / 2552 500 . 053-944801-13
/ email address: email@example.com 053-211724
100 : (Futurism100)
Filippo Tommaso Marinetti Futurist Manifesto 5 1909 ( .. 2009 100 ) La gazzetta dell Emilia, Le Figaro 20 1909.
Futurism was an art movement that originated in Italy in the early 20th
century. It was largely an Italian phenomenon, though there were parallel
movements in Russia, England and elsewhere.
The Italian writer Filippo Tommaso Marinetti was its founder and most
infl uential personality. He launched the movement in his Futurist Manifesto,
which he published for the fi rst time on 5th February 1909 in La gazzetta
dellEmilia, an article then reproduced in the French daily newspaper Le Figaro
on 20 February 1909. In it Marinetti expressed a passionate loathing of
everything old, especially political and artistic tradition. We want no part of
it, the past, he wrote, we the young and strong Futurists! The Futurists
admired speed, technology, youth and violence, the car, the airplane and the
industrial city, all that represented the technological triumph of humanity over
nature, and they were passionate nationalists.
The Futurists practiced in every medium of art, including painting,
sculpture, ceramics, graphic design, industrial design, interior design, theatre,
fi lm, fashion, textiles, literature, music, architecture and even gastronomy.
Futurist painting and sculpture in Italy 1910-1914The Futurists repudiated the cult of the past and all imitation, praised
originality, however daring, however violent, bore proudly the smear of
madness, dismissed art critics as useless, rebelled against harmony and
good taste, swept away all the mes and subjects of all previous art, and
gloscience. Their manifesto did not contain a positive artistic programme,e
subsequent Technical Manifesto of Futurist Painting. The Technical Manifesto
committed them to a universal dynamism, which was to be directly
represented in painting. Objects in reality were not separate from one
another or from their surroundings: The sixteen people around you in a
rolling motor bus are in turn and at the same time one, ten four three; they
are motionless and they change places. ... The motor bus rushes into the
houses which it passes, and in their turn the houses throw themselves upon
the motor bus and are blended with it.
The Futurist painters were slow to develop a distinctive style and subject
matter. In 1910 and 1911 they used the techniques of Divisionism, breaking
light and color down into a fi eld of stippled dots and stripes, which had been
originally created by Giovanni Segantini and others. Later, Severini, who
lived in Paris, attributed their backwardness in style and method at this time
to their distance from Paris, the centre of avant garde art. (Continuous page 10)
UNESCO, ., (.) Museum to Museum Partnership Project: Pilot Training in Collections Management 3 .
The Field Museum
- - ( 16)
( ) UNESCO, , , Museum to Museum
( ) ( ) ( 9)
/ 6: 2552
An artistic movement
originating in Italy
around 1909 whose
aim was to express the
and violent quality of
especially as embodied
in the motion and force
of modern machinery.
Futurism: the early 20th centuryItalian writer Filippo Tommaso Marinetti was its founder and most infl uential personality
Futurism1909 - 2009
: UNESCO Museum-to-Museum Partnership Project
Museum to Museum
(UNESCO) (UNESCO Museum-to-Museum Partnership Project)
25 UNESCO Museum Capacity-Building Program for Asia and the Pacific region
2551 UNESCO . Award of Merit 2008 Asia-Pacific Architectural Heritage Award
1. : ,
, , , , , , ,
2. UNESCO Museum Capacity Building Program, Lampang Workshop 16 - 21 2552 Deakin, Australia
Award of merit 2008 Asia-Pacific Heritage
. firstname.lastname@example.org 053-211724, 053 944817-8
Installation art describes an artistic genre of site-specific, three-dimensional works designed to transform the perception of a space.
- 22 .. 10 .. 2552
(Installation Art) . 10 .. 2552 - 7 . . 2552 lightning Conductor : Art exhibi t ion by Supachai Satsara 10.07.2009-07.08.2009
Wood Sculpture 09
Awareness or delicate perception, especially of aesthetic qualities
... (Static Image of Unstatic World) () 8.30 -17.00 . ()
constructivism (knowledge) A picture is worth a thousand words
(self-directed learning) ( 14)
A person whose work shows exceptional creative ability or skill.
FOFABy Art Instructors of Faculty of Fine Arts: Chiang Mai University
Faculty of Fine
20 (Tolstoy) (Dostoyevsky) (Hermann Hesse)
ANU (School of Art at the Australian National University)
Artist in Residence ANU 1-3
Artist in Residence 1
( Skyler & I, My Skyler Temple Dogs) ARTFORUM LECTURE ARTFORUM the ACT Government
Artist in Residence (abstract) 1
16.00-18.00 . 3-4
2 2552 The Dog Show 1 2552 1 Artist in Residence 5 The Dog Show
Artist in Residence
Artist in Residence ANU
Art unlimited 15
. Feruccio Busoni
. intonarumori Russolo Stravinsky, Honegger, Antheil, Edgar Varese, Stockhausen John Cage. Pacific 231, Honegger George Antheil. Airplane Sonata, Death of the Machines, 30 Ballet mecanique. The Ballet mecanique Fernand Leger, 2 . (percussion) () 3 , 4 , , 3 , 7 , , 2 , 16 . Antheil
(Futurism in literature)
F.T. Marinetti (Manifesto of Futurism) (1909), . , (). parole in liberta (word autonomy) () . . Depero Prampolini .
. . Marinetti (Partito Politico Futurista) 1918, (Benito Mussolini) 1919, Marinetti (National Fascist Party) Marinetti 1920 3 ; 1944. 1922
. Novecento Italiano 1923
Margherita Sarfatti, Marinetti, Novecento group Marinetti . ( ) 1930s, (degenerate art)
Marinetti . (the Lateran Treaty) ..1929 (Jesus was a Futurist). . Marinetti, ..1924 .
(The legacy of Futurism)
20 Art Deco, Constructivism, Surrealism Dada. 1944 Marinetti,
Ridley Scott SantElia Blade Runner ( 1982). Marinetti Shinya Tsukamoto, Tetsuo (lit. Ironman)
Marinetti transhumanism ( ), . cyberpunk Stelarc Mariko Mori,
1988 Neo-Futurist (*) . Neo-Futurist . Post-Futurist, Sleepytime Gorilla Museum (**), 1916.
: Art Criticism & Art in Theory
c 100 5
Mar inet t i , .