fine music 10-2011

1911the Revolution

- Music Before and After

辛亥前後的舊韻新聲

100 years ago, the Xinhai Revolution began in Wuchang. It was followed by a series of changes in various aspects of life in China. What happened to music? In preparing for an outline of music in China a century ago, there were many hurdles to overcome. Firstly, related materials had not been kept in good order, and it was hard to find enough music recordings to make a representative broadcast. Fortunately, with the help of a number of experts and scholars, we are finally able to present to you a series of four programmes entitled 1911 - Music Before and After the Revolution (in Cantonese). Special thanks goes to members of the Cantacore Society who came in to our studio to record music which, up to that point, had only been available in print. To tie in with the centenary, we also bring to you the Hong Kong’s world premiere of the Chinese orchestra version of Huang Ruo’s opera Dr. Sun Yat-sen.

Going even further back in time, we note that 200 years ago, Franz Liszt was born (1811-1886). In terms of versatility, he was the superstar of his time:

- He was a fabulous pianist who drew an exciting crowd everywhere he went.

- He was a prolific composer, recordings of merely his piano works (for piano solo and piano and orchestra), takes up a massive space of almost 100 CDs and this doesn’t even touch his symphonic output, art songs, organ works and oratorios.

- He was a forerunner. He created the genre of the symphonic poem, and although he was not the first one to use thematic transformation technique, he perfected it. Interestingly, when he first explored atonality, Schoenberg (1874-1951) was still a kid!

- He was an inspiring teacher. His students included big names such as Hans von Bülow and Carl Tausig.

- He was an influential music critic and writer whose works include a biography of Chopin.

In the two-month series – Liszt Superstar (in Cantonese), pianist and veteran arts administrator So Hau-leung brings you a range of different works by the great Hungarian master. To tie in with the bicentenary, Tuesdays’ Live on 4 will include works mostly written by Liszt.

Finally, on the subject of anniversary, we invite you to tune in to Live on 4 on 7 Oct for the New York Philharmonic’s performance last month of Mahler’s Resurrection Symphony to commemorate the 10th Anniversary of 911.

Jimmy Shiu

Head, Radio 4

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一百年前的10月，辛亥革命在武昌爆發，隨之而來的，是在各領域上的變化。音樂方面有甚麼變化呢？在那些日子中，神州大地上響起的，是甚麼音樂呢？革命有為中國帶來新的作品、曲種和演繹手法嗎？在準備有關特備節目的過程中，我們遇到一定難度。在那個大時代中，相關資料保存得頗為散亂，而音樂錄音就更加難求。幸好，我們得到多位專家和學者的支持，終於能夠在本月，推出一連四集的辛亥前後的舊韻新聲。在此也要多謝雅歌合唱團的成員，他們專程來到香港電台為我們示範演唱那些極少錄音的作品。此外為配合辛亥百週年，第四台亦會播出在香港作世界首演的大型新創作歌劇中山‧逸仙中樂版。

二百年前的10月，李斯特出生。若要數音樂史上的萬能泰斗，我會以他為首選：

— 他是一位炙手可熱的鋼琴家，所到之處，常常引起哄動。

— 他是多產作曲家，單是鋼琴獨奏和鋼琴與樂隊的作品的全集，就差不多有一百張CD，另外還有大量管弦樂、藝術歌曲、管風琴和神劇作品，不計其數。

— 他是先導者，是第一位寫交響詩的作曲家；雖然「主題變形」 (thematic transformation)手法並非由他首創，但在他手上被發展得淋漓盡致，更影響深遠；而當他嘗試寫「無調」音樂時，荀伯克還只是一個小孩子呢！

— 他是桃李滿門的老師，傑出音樂家如畢羅和鋼琴家陶西格都出於他的門下。

— 他是音樂評論家和作家，大量著作中包括為他的好友蕭邦而寫的別傳。

一生之中能在這麼多方面有如此傑出的成就，李斯特的才華實在令人驚嘆，亦有待我們去發掘。資深演藝行政人員兼鋼琴家蘇孝良會一連兩個月，在巨星李斯特中與你分享這位匈牙利音樂奇才是如何出類拔萃，多才多藝，其成就是如何的劃時代。此外，逢星期二播出的第四台音樂會中，也會選播多套李斯特的精彩作品。

最後，提到週年紀念，紐約愛樂剛以馬勒的復活交響曲來紀念911十週年，誠意邀請你收聽10月7日晚上播出的第四台音樂會。

第四台節目總監　蕭樹勝

FOREWORD 前言

1 FINE MUSIC | October 2011

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01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿04 The Young Music Makers Press Launch Flashback

樂壇新秀亮相大會剪影

07 《中山‧逸仙》的製作

25 我所認識的鄭延益老師

COVER STORY 封面故事08 1911 - Music Before and After the Revolution

辛亥前後的舊韻新聲

COLUMNS 專欄12 Liszt Superstar 巨星李斯特15 Live on 4 - The 14th International

Tchaikovsky Competition第四台音樂會　第十四屆柴可夫斯基大賽

21 Sunday Opera 歌劇世界26 All or Nothing 情有獨鍾31 Friends’ News 第四台之友情報站33 New Releases 新唱片大本營35 Concert Highlights 音樂會轉播精選39 Main Programme Chart 節目時間表 41 Programme Highlights 節目精華51 ‘FM’ Classified Board 《美樂集》分類廣告52 Coda

October 2011 二零一一年十月號

CONTENTS 目錄

08

04

15


12

24

After rounds of auditions, 13 Young Music Makers have been chosen. They were presented for the first time at a press launch, where they shared their love of music and showcased their talents for the media. Here is a glimpse of the day:

經過多輪甄選，十三位2011樂壇新秀經已順利選出。這群熱愛音樂的年青人趁開學前跟傳媒正式見面，還即席大顯身手、跟與會者分享他們喜愛的音樂。當日盛況如下：

Young Music Makers: suona player Kwan Lok-tin, clarinetist Claudia Ng, oboist Bobby Cheng and bassoonist Chan Ting-yuen talk to Raymond Chung on their special journeys in learning music.多位樂壇新秀－吹奏嗩吶的關樂天、單簧管的吳倩嵐、雙簧管的鄭智元和巴松管的陳定遠，跟大會主持鍾子豪分享他們學習音樂的趣事。

Here comes our 13 Young Music Makers! 十三位2011樂壇新秀正式亮相！

林家琦


SPECIAL FEATURES 特稿

Kathy Lam


樂壇新秀2011亮相大會在9月15日的「愛樂同盟」中播出，歡迎瀏覽香港電台網上廣播站(rthk.hk)重溫。有關2011樂壇新秀的播放詳情，請瀏覽：rthk.hk/special/ymm2011。

The YMMers Press Launch was broadcast in Four For Classics on 15 Sep. Visit RTHK’s website (rthk.hk) to listen to the programme archive.

For YMM 2011’s programme broadcast schedule, please visit rthk.hk/special/ymm2011

Young cellist Teddy Chow, guqin player John Yiu, saxophonist Charles Ng, harmonica player Gordon Lee, soprano Vivian Yau, and the ruan quartet 4x4 Plucked.演奏大提琴的周文鍵、古琴的姚錫安、薩克管的吳漢紳、口琴的李俊樂、女高音邱芷芊和合奏組合4x4 Plucked即場顯示他們的「功力」。

(From left) Project Coordinator Kathy Lam and the 2 adjudicators : pianist Nancy Loo and Head of Radio 4 Jimmy Shiu (左起)項目統籌林家琦和兩位評判：鋼琴家羅乃新和第四台節目總監蕭樹勝。


林：可談談你跟歌劇《中山‧逸仙》的淵源嗎？

莫：先說一下製作原因，故事早於兩三年前構思，我跟香港歌劇院主席呂慧瑜都認為需要有一套屬於我們，而且可以流傳下去的歌劇，因為八年來我們一直演出的，都是別人的經典歌劇，所以今年是時候推出一部由香港歌劇院委約創作的歌劇。即使以後我不再是總監，歌劇院都應擁有屬於自己的劇目。再加上今年是辛亥革命百週年紀念，孫中山先生是中山人，而他的革命思維基本上在香港學醫時已形成，跟香港、廣東一帶地區也非常有緣，所以覺得這個故事題材很適合。

另外，很有趣的一點，是我也走過他當時行過的路：夏威夷—美國—香港，所以特別有感受。我於是跟編劇莊梅岩和作曲家黃若商討，大家也不謀而合，認為這是一個很好的題材。其中莊小姐編寫劇本的過程，由開始我已參與，而歌劇內容則集中在愛情。

林：寫情是莊梅岩的強項！

莫：是的。其實革命領導者不只有風光偉大的一面，也擁有愛情。所以故事主要講述孫中山怎樣愛上宋慶齡，怎樣脫離封建的一夫多妻制、跟原配夫人離婚後才迎娶宋慶齡，情節十分感人。而音樂上的風格充滿現代特色，黃若認為應該多利用中國元素創作本地歌劇。

孫中山的友情與愛情，是香港歌劇院

首齣委約創作《中山‧逸仙》的著墨

之處。林家琦訪問劇中監製兼男主角

莫華倫，暢談製作因由。

為配合劇情，其中有些旋律以南音唱腔組成，音樂亦故意同時選用和聲及非和聲的配樂，是一個以美聲唱法演繹的現代歌劇。此外，是次演出有兩個音樂版本，交響樂版將在北京大劇院作世界首演，由李心草指揮；而在香港上演的中樂版，由香港中樂團演出、閻惠昌總監指揮，我也很期待聽到中樂版的效果。

林：我相信兩個版本的音樂大致相同，只是配器法有所分別。

莫：對，由於所有歌劇表演都不使用擴音器，部分彈撥樂器如箏、阮，可能需要先協調一下樂器的音量，才能在演出中作獨奏。

林：你同時擔任幕前(演孫中山)和幕後(監製)的重要工作。身為男主角，演唱交響樂和中樂兩個版本，聲音運用可有不同？

莫：直至今天訪問前我仍在摸索，因為這齣歌劇利用傳統意大利美聲唱法(bel canto)寫作，但當中卻有很多中國旋律。以普通話演唱，必須調整唱腔，才有最好的效果，希望在10月演出前我能找到最適合的唱法。在廿五年的歌劇生涯，這是我第三次用普通話演唱，對我是個大挑戰。

林：那麼中、西樂版本，你比較期待哪一個？

莫：兩個都期待，因為兩個版本風格完全不一樣。但當我在西方國家介紹《中山‧逸仙》，他們反而更期待中樂版，因為從未欣賞過。

林：是次佈景製作有什麼特別之處？　

莫：服裝和佈景分別由本地及北京頂尖設計師負責，是古典與現代的結合，都是一流的製作，所以各位切勿錯過。

第四台將於10月21日(星期五)晚8時正播放《中山‧逸仙》的香港首場演出。有關演出陣容，請參閱「節目精華」。

To commermorate the centenary of the Xinhai Revolution, Dr. Sun Yat-sen, a three-act epic produced by the Hong Kong Opera, is staged in Hong Kong this month. Radio 4 will broadcast its first Hong Kong performance on 21 Oct (Fri) at 8pm. For the cast list, please refer to the Programme Highlights.

林：林家琦莫：莫華倫

歌劇《中山‧逸仙》演出在即，男高音兼監製莫華倫積極籌備。

《中山‧逸仙》的佈景設計，邀請了國家大劇院舞美總監高廣健操刀。



COVER STORY 封面故事



鴉片戰爭後，中國傳統音樂的新發展

鴉片戰爭後的洋務運動，令交通運輸日益改善，加上城市劇院的建立，加

速了民間音樂的發展和交流，如反映社會現實的「時調小曲」遍佈各地、

北方的「北京單弦」、「山東大鼓」和「京韵大鼓」流傳至南方，而地方

戲曲也逐步形成了昆腔、高腔、梆子、皮黃四大聲腔系統的三百多種劇

種。就京劇而言，清末時西方話劇傳入，一種新的藝術形式「文明戲」在

各大城市興起，影響了「戲曲改良運動」。及至辛亥革命後，以梅蘭芳、

尚小雲、荀慧生和程硯秋等四大名旦，豐富和改革了旦角的舞台表演藝

術，尤其是梅蘭芳，更實現了王瑤卿等前輩提出發展「花衫」，創造了許

多以旦角為主的「古裝新戲」。器樂方面，則出現了多個重要的民樂演奏

組織，如上海的「文明雅集」、濟南的「德音琴社」，以至1920年的「大

同樂會」，於整理和改革中國傳統器樂的工作上有不少的貢獻。

傳�士來華的影響

西方傳�士，早如明朝的利瑪竇、十九世紀初的馬禮遜，以至1870

年代的李提摩太夫婦，除了來華傳道外，也把西方音樂和音樂�育

模式帶來中國。為迎合中國文化，馬禮遜編寫《養心神詩》時，按

蘇格蘭格律詩譯成散文，再由華人改成韻文，以日內瓦詩篇集的第

100首(Old Hundredth)為調；而太平天國期間，在拜上帝�崇拜中頌

唱的《三一頌》也是用日內瓦詩篇集的第100首為調，不過以中樂伴

奏。李提摩太夫婦在山西時，以中國的工尺譜�授音樂。及至1901

年，女傳�士亮樂月在《中國嗓音之訓練》中，提到中國學生已不

再只能演出以五聲音階為主的齊唱曲，還能演繹海頓、莫扎特的合

唱作品。隨着�會學校音樂水平的提高，上海、福州等海港城市以至

內陸城市均有大型的合唱節，如韓德爾的《彌賽亞》和孟德爾遜的

《以利亞》分別於1916和1917年，在湖北省的牯嶺上演。

李嘉盈

梅蘭芳

李提摩太

袁世凱

袁世凱酷愛音樂，早於清末出任山東巡撫時已組織西式樂隊。

逢星期五，下午3時

一百年前的一場革命，改寫了中華民族的命運；一班熱血青年，憑着無比的毅力，推

翻了滿清政權，在這片土地上建立了第一個共和國。在鴉片戰爭後，以慈禧太后為首的政權，以「師

夷之長技以制夷」，推行一系列的洋務運動；但積弱多年，加上內有太平天國和義和團的騷亂，外有

列強步步進逼，以致民怨沸騰。1911年5月，朝廷推出的兩項新政─皇族內閣及鐵路國有，更令清政

府盡失民心。同年10月10日武昌起義的成功，加上袁世凱倒戈，達成南北議和，中華民國在1912年於

南京成立，由孫中山擔任臨時大總統；「辛亥革命」揭開了中國歷史的新篇章，匯聚了萬千人民的力

量和夢想，大家盼望透過轉變，尋找新出路；政治如是，音樂也如是。



學堂樂歌

以梁啟超為代表的維新派，積極建立新式學堂，透過音樂�

育，喚起民眾的愛國情緒，而學堂樂歌便成為宣揚「富國強

兵」的工具。學堂樂歌以西方的簡譜或五線譜記載，大多採用

日本歌曲曲調進行填詞，成為供學生集體詠唱的齊唱曲，如秋

瑾的《勉女權》便配上日本歌曲《風車》的旋律。後來，學堂

樂歌逐漸改以歐美的歌曲進行填詞，如沈心工的《竹馬》的旋

律是來自華格納的《婚禮進行曲》，而李叔同的《送別》則根

據美國民謠寫成。至1920年代，學堂樂歌的發展更趨成熟，由

中國人作曲和作詞的歌曲也愈來愈多，且成為中國藝術歌曲的

前哨，趙元任於1926年創作的《�我如何不想他》便是一例。

孫中山身處地的音樂國父孫中山宣揚革命信息時，曾活躍於中國、香港和日本，這

三地皆有其獨特的音樂發展。在辛亥革命中，除孫中山外，袁

世凱在政治和音樂上也扮演了一個重要的角色。袁世凱在天津

小站練兵時，採納德藉顧問高斯達的建議，在軍中廢除中國樂

器，改用西方銅管樂器，招收數十人，組成中國第一隊軍樂

隊。孫中山在1883年到香港讀書，以至1923年，造訪香港大

學，並在大禮堂(即陸佑堂)發表歷史性的演講，國父與香港有

不解之緣；而當時香港的音樂發展正處於萌芽期。早期的香港

學校音樂�育，由�會主理，當時鋼琴尚未普遍，通常採用脚

踏小風琴，頌唱簡單的聖詩。另外，國父流亡日本時，曾被稱

為「中山樵」，其後便慣稱為「孫中山」。當時日本在明治維

新後，深受西方影響；日本作曲家已能夠以西方音樂語言，創

作大型的作品，如山田耕筰在1921年所寫的交響曲。

準備這四集節目時，曾遇到不少困難，因為這段時期的音樂歷史

資料散亂，而且只有極少量的錄音。幸好，得到蔣慧民和雅謌合

唱團在百忙之中，抽空到香港電台灌錄歌曲，重現昔日音樂的

風采；另外，陳永華�授也借出大量的錄音，令音樂的問題得

以解決。這次更邀請到一眾嘉賓，如蔣慧民、陳永華、費明

儀、周光蓁、莫華倫、莊梅岩、陳敢權、辛偉強等，娓娓道出

他們的見解。

Fridays, 3pm

the Revolution- Music Before and After

雅謌合唱團作曲家蕭友梅(前排左一)赴德國萊比錫音樂學院考取音樂博士學位前，曾被任命為總統秘書，輔助孫中山(前排中)。照片攝於1912年，記錄於《蕭友梅自編影集》，載於《蕭友梅編年記事稿》。


This year marked the centenary of the 1911 Revolution, which brought an end to the imperial rule in China. The changes occurred not only in politics, but also in music. In the programme series 1911 - Music Before and After the Revolution (in Cantonese), Jenny Lee, together with her guests, will discover the musical development in this significant time. You will also hear songs of that period, performed by the Cantacore Society under Chiang Wai-man, recently recorded at RTHK Studio 2.

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巨星的誕生

二百年前的10月22日，李斯特 (Franz Liszt 1811-1866) 出生於匈牙

利的雷汀。他的父母與今天的家長一樣，對兒子百般栽培。李斯特也

不負所望，自幼已經聰明過人，七歲起隨父親習琴更是進步神速；才

兩年時間，已經在匈牙利舉行演奏會，技驚四座，之後更獲貴族的支

持，遷居納也納，隨當時歐洲享負盛名的鋼琴家車爾尼(Carl Czerny)

習琴，並隨沙利烈(Antonio Salieri，即傳說中莫扎特的對頭)學習作

曲。又過了兩年，李斯特在巴黎演奏，隨即應邀到歐洲多國演出，引

起轟動。雖然當時未有錄音或錄像，但只需閱讀有關他演出的文獻記

錄，或聽聽他之後幾十年創作的無數鋼琴曲，我們不難想像這位巨星

在琴鍵上風馳電掣、迷倒萬千樂迷的情景。

二百年後的今天，儘管樂壇已經有翻天覆地的變化，但李斯特那鋼琴

之王的地位卻未被動搖。今年，全球樂壇齊紀念李斯特出生二百年，

第四台邀請蘇孝良主持全新節目「巨星李斯特」。對從事幕後音樂行

政的行內人來說，蘇孝良是個熟悉的名字。他曾經是香港管弦樂團職

業化後的首位總經理，也是流行音樂圈的多位名星，包括梅艷芳的經

理人；但對資歷較深的古典樂迷來說，他也屬於幕前，早在七十年代

已經舉行多場鋼琴演奏會，也為香港電台主持古典音樂節目。李斯特

一直是蘇孝良的偶像，由他主持有關特輯，從不同角度介紹這位音樂

家和選播有關的精彩錄音，可說非常適合。

舞台上無可匹敵的鋼琴巨星、極具原創性的作曲家、十九世紀後半葉的樂壇�父、還有慈善家、情聖、神職人員⋯⋯ 李斯特的多重身份令他成為樂壇中一位傑出卻又難於定位，甚至被低估及誤解的傳奇人物。今年10月是這位奇才出生二百年的紀念，正是重新認識李斯特的好時機。

難於取捨

邀請蘇孝良「出山」，他的第一個反應是：「這個李斯特特輯可能長達半年！」的確，單數重

要的作品，李斯特的獨奏曲如匈牙利狂想曲、超技練習曲不可忽略；他極具原創性的交響詩

和交響曲不可不聽；鋼琴協奏曲和B小調奏鳴曲都是承先啟後之作，怎能不選？還有多首改編

曲、較冷門的歌曲、神劇、管風琴曲若今次不播，也不知何時才有機會介紹！李斯特的創作量

極豐富，即使走馬看花地選曲，內容之豐富也是極驚人的。

對李斯特這位二百年一遇的音樂巨星，蘇孝良提出更多有趣的主題，例如李斯特與當時樂壇多

位重要人物的互動關係，包括偶像小提琴家巴格尼尼、行家蕭邦和女婿華格納；李斯特如何用

音樂表現文學，甚至視覺藝術的意境；他如何早人一步，在十九世紀末創作無調性音樂，還有

入世一點的—他在舞台上的風采、他為人津津樂道(或詬病)的浪漫情史，以及他數以百計的出

色弟子，其中關係差不多觸及當時整個樂壇的人事脈絡！

Franz Liszt

逢星期日中午12時

蘇孝良，賴建群

文：賴建群

漫畫化的李斯特，刋登於1873年匈牙利報刋《胡椒傑克》。12 FINE MUSIC | October 2011

樂壇的壞孩子？

最後敲定，「巨星李斯特」共分九集，除

了選播李斯特的重要作品，更會剖析李

斯特的作品特色和生平軼事。在蘇孝良眼

中，李斯特的性格充滿矛盾：「他一方面

是位虔誠的天主�徒，但在意識上卻與魔

鬼非常親近。他的性格是外向的，生活多

姿多彩、風流成性，也充滿表演慾。但另

一方面，他容易相處、善良慷慨，在歷史

上大概很難找到另一位願意貢獻如此多時

間、精力和金錢去扶助他人的藝術家了。

正所謂樹大招風，他在鋼琴演奏上無可比

擬，但在音樂創作上和生活風格上卻經常

招人話柄。他對樂壇貢獻良多，但晚年卻

並不快樂！」

在你心目中，李斯特只是位創作超技鋼琴

曲的作曲家嗎？誠邀你收聽「巨星李斯

特」，與蘇孝良和我賴建群，一起發掘更

立體的李斯特形象！

Join So Hau-leung and Calvin Lai in Liszt Superstar (in Cantonese), a nine-episode series on the Hungarian pianist and composer Franz Liszt, who is probably the greatest virtuoso in history, as well as a revolutionary composer of his day. Sundays at 12pm, here on Radio 4.

在匈牙利布達佩斯，李斯特居所中的鋼琴。

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5 and 12 Oct (Wed) 8pm

Stacey Rodda

Piano1st Prize, Gold Medal and Prize for the Best Performance of the Chamber Concerto: Daniil Trifonov (Russia) with Tchaikovsky’s Piano Concerto No. 1.

A few weeks before winning the Tchaikovsky Competition, Daniil Trifonov was awarded the First Prize and Gold Medal at the 13th Arthur Rubinstein International Piano Master Competition, which took place in Tel Aviv. He was also the winner of 3rd Prize in the 16th International Fryderyk Chopin Piano Competition in Warsaw (2010).

2nd Prize, Silver Medal; Prize for the Best Performance of the Chamber Concerto; and Prize for the Best Performance of the Commissioned Work by Rodion Shchedrin : Yeol Eum Son (South Korea) with an extract from Prokofiev’s Piano Concerto No. 2.

3rd Prize, Bronze Medal: Seong Jin Cho (South Korea) plays Tchaikovsky’s Dumka, Op. 59 and

4th Prize and winner of the Special Vladimir Krainev Award: Alexander Romanovsky (Ukraine) plays Chopin’s Nocturne in C sharp minor.

Daniil Trifonov

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For more than fifty years, the International Tchaikovsky Competition has been regarded as one of the major events in the global music community, and as an outstanding opportunity for extraordinary young musicians to gain international recognition and establish their careers. In Russia, the event is considered one of the main competitions of the country.

The International Tchaikovsky Competition is held once every four years. The first, in 1958, embraced two disciplines: piano and violin. In 1962, a cello category was added, and the vocal division (with separate prizes for men and women) was introduced at the third competition in 1966.

Among the competition winners who have achieved worldwide recognition are pianists Vladimir Ashkenazy and Mikhail Pletnev; violinists Gidon Kremer and Victoria Mullova; cellists Antonio Meneses and Mario Brunello; and singers Evgeny Nesterenko and Elena Obraztsova.

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Valery Gergiev

An unprecedented number of applicants from almost 50 countries for this year’s 14th International Tchaikovsky Competition was evidence of the re-birth of this prestigious international music event. The considerable number of worldwide applications received was a clear reflection of the 2011 re-launch under the new management of Valery Gergiev, Chairman of the Organising Committee, and Richard Rodzinski, General Director of the Competition.

The competition saw applicants from New Zealand and Brazil, with non-European countries representing almost a third of applications. Asian countries comprised three out of the top five most popular countries - notably Japan, China and South Korea - the latter of which is the second most popular contributing country overall. Russia remained the strongest contributor, with the greatest number of overall candidates hailing from the competition’s home country.

In 2011, for the first time, the competition was presented simultaneously at halls in Moscow and St. Petersburg. Moscow hosted the piano and cello competitions, while St. Petersburg presented the violin and vocal competitions.

The Winner’s Gala Concert was recorded on 2 July in the Mariinsky Theatre, St. Petersburg, with the Mariinsky Theatre Orchestra conducted by Valery Gergiev. It will be broadcast on Radio 4 on 5 Oct (Part 1) and 12 Oct (Part 2) featuring:

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Narek Haknazaryan

Sun Young Seo

Jong Min Park

Sergei Dogadin

Itamar Zorman

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Cello1st Prize, Gold Medal and Prize for the Best Performance of the Chamber Concerto: Narek Hakhnazaryan (Armenia) with Tchaikovsky’s Rococo Variations

Narek is a recipient of scholarships from the Mstislav Rostropovich Foundation and has performed throughout Europe and North America. As a result of receiving first prize at the Young Concert Artists International Auditions in 2008, he made his debut that year at Carnegie Hall’s Zankel Hall in New York and at the Kennedy Centre Terrace Theatre in Washington, D.C.

2nd Prize, Silver Medal and Prize for the Best Performance of the Commissioned Work by Krzysztof Penderecki: Edgar Moreau (France) with Penderecki’s Violoncelle totale

3rd Prize, Bronze Medal: Ivan Karizna (Belarus) plays the Quadrille from Shchedrin’s Not Love Alone

Violin1st Prize, Gold Medal: not awarded

2nd Prize, Silver Medal: Sergey Dogadin (Russia) with extracts from Tchaikovsky’s Violin Concerto in D major

Dogadin is the winner of ten international music competitions including the Niccolò Paganini International Violin Competition (First Prize in Moscow, 2005). He is the grant-holder of the Ministry of Culture of the Russian Federation, Foundation ‘New Names’, laureate of the ‘Temirkanov’s Prize’ and laureate of ‘Prize of the President of Russia’.

2nd Prize, Silver Medal: Itamar Zorman (Israel) with the Adagio from Mozart’s Violin Concerto No. 3

He previously won the first prize and special prize for best performance of a Mozart Concerto at the 2010 Freiburg International Violin Competition in Germany. In April 2011, upon winning the Juilliard Berg Concerto Competition, he made his Avery Fisher Hall debut with the Juilliard Orchestra led by James DePreist.

3rd Prize, Bronze Medal and Prize for the Best Performance of the Chamber Concerto: Jehye Lee (South Korea) plays Wieniawski’s Polonaise de Concert No. 1

4th Prize and Prize for the Best Performance of the Commissioned Work by John Corigliano: Nigel Armstrong (USA) plays Corigliano’s STOMP

Voice Female1st Prize, Gold Medal: Sun Young Seo (South Korea) sings ‘Ebben?’ from Catalani’s La Wally

Sun Young Seo’s most recent achievements include the first prize at the Francisco Viсas International Vocalists’ Competition in Barcelona (Spain, 2010) and the Grand Prix at the Maria Callas Grand Prix Competition in Athens (Greece, 2011). The singer’s operatic repertoire includes the roles of Fiordiligi (Così fan tutte), Donna Anna (Don Giovanni), Adina (L’elisir d’amore), Agathe (Der Freischütz), Marguerite (Faust), Micaëla (Carmen), Mimì (La Bohème), Liù (Turandot), Nedda (Pagliacci) and Wally (La Wally).

Voice Male1st Prize, Gold Medal: Jong Min Park (South Korea) sings King Rene’s arioso from Tchaikovsky’s Iolanta

In 2007 he won the international competition for admittance to the Accademia Teatro alla Scala, where he is studying under the guidance of Mirella Freni, Luciana Serra, Luigi Alva, and Renato Bruson. He has performed at the Teatro alla Scala in Milan in 2008 as a soloist in Mozart’s Vesperae solennes de confessore, under the baton of Myung-Whun Chung. He has sung in the Bolshoi Theatre in Moscow, the Philharmonia in St. Petersburg, and the Teatro Pergolesi in Jesi, Italy.

2nd Prize, Silver Medal: Amartuvshin Enkhbat (Mongolia) sings a Mongolian folk song

為世界樂壇發掘年輕新星的重要賽事：第十四屆柴可夫斯基大賽經已完滿結束。第四台將於10月5日和10月12日

(星期三)晚上8時的「第四台音樂會」中，播出於聖彼得堡舉行的優勝者音樂會。詳情請參閱「節目精華」。


藝壇快訊Arts Happenings

This year’s Nobel Peace Prize nominee, Daniel Barenboim, led a peace concert with his West-Eastern Divan Orchestra (WEDO) in Imjingak near Korea’s Demilitarized Zone on South Korea’s Independence Day, 15 August. During this tour in Seoul, the WEDO performed the Beethoven symphony cycle during its three-day concert, culminating in the magnificent Symphony No. 9 in D minor, ‘Choral’, at the Korean border. Four renowned Korean soloists were hand-picked by the 69–year old Maestro: soprano Sumi Jo, mezzo-soprano Lee Ah-Kyung, tenor Park Ji-Min, and bass Maurice Hamm. Three Korean choirs also joined in the concert.

Beethoven’s Symphony No.9, with its final movement ‘Ode to Joy’, was chosen to deliver a message of peace and humanity, hoping to encourage dialogue between the two Koreas, as Daniel Barenboim said in a video message prior to the concert.

WEDO, composed of about 100 young musicians from Israel, Palestine, and other Arab countries, was co-founded in 1999 by Daniel Barenboim and Edward Said, the late Palestinian literary scholar. The orchestra has performed in areas struck by political divide such as Ramallah and Palestine, as well as in the Gaza strip with members of other prominent orchestras.

巴倫邦在南韓的獨立日舉行和平音樂會本年度諾貝爾和平獎的候選人，指揮家兼鋼琴家巴倫邦於8月中一連三天

帶領東西合集管弦樂團，在南韓首爾演出貝多芬全套交響曲，其中高潮

是在8月15日，即南韓的獨立日，在非武裝區臨津閣公園舉行宣揚和平

的音樂會，演奏貝多芬的第九交響曲。四位韓裔歌唱家也是由69歲的巴

倫邦親自挑選，包括女高音曹秀美、女中音李娥炅、男高音朴智敏和男

低音咸錫憲。參與演出的還有三隊韓國合唱團。

在貝多芬的第九交響曲「合唱」中，《歡樂頌》帶出和平和仁愛的訊

息。巴倫邦於音樂會前透露，希望能透過音樂鼓勵南北韓的交流。

東西合集管弦樂團的成員大概有一百人；這班年青樂手來自以色列、巴

勒斯坦和其他阿拉伯國家。樂團於1999年，由巴倫邦和前巴勒斯坦學者

薩伊德創立，並曾在政局紛亂的地方，如拉姆安拉、巴勒斯坦及加沙，

聯同其他樂團舉行音樂會。

Arts Happenings 藝壇快訊

The Hong Kong Philharmonic Orchestra (HKPO) welcomes Moscow-born violinist Igor Yuzefovich, Baltimore Symphony Orchestra’s Assistant Concertmaster since 2005, as its new Concertmaster.

Born in a musical family, Yuzefovich began his violin study at the age of five. He emigrated to the US in 1991 and continued his musical training at the Preparatory Division of the Peabody Institute and continued on to the Peabody Conservatory, where he obtained his Bachelor of Music degree and Graduate Performance Diploma. Yuzefovich has won numerous competitions. His concerts have taken him from Carnegie Hall in New York to the Cairo Opera House in Egypt. He has also performed in Canada, England, Scotland, Ireland, Russia, France, Israel, Jordan, and South Africa.

Yuzefovich is an active chamber musician. He is a member of the Russian Quartet and has led the group in winning the 1996 Fischoff International Chamber Music Competition. He is also a co-founder of the Monument Piano Trio in Baltimore.

Yuzefovich will officially take up his post with HKPO from 1 January 2012, but will appear as Guest Concertmaster for six weeks from September to December.

港樂新團長香港管弦樂團(港樂)決定，委任波爾的摩交響樂團助理

團長尤一弓為樂團新任團長。

尤一弓出生於莫斯科一個音樂家庭。他自五歲開始習

琴，1991年移居美國後在皮博迪音樂學院繼續深造，並

取得音樂學士及演奏文憑。尤一弓曾在多個比賽掄元，

演奏足跡遍及美加、英國、俄國、法國、以色列、約旦

及南非；由紐約卡奈基音樂廳至埃及開羅歌劇院都踏足

過。尤一弓亦熱愛室樂演奏。他是俄羅斯四重奏的成

員，並帶領組合贏得費沙確夫國際室樂比賽冠軍；他亦

是波爾的摩紀念碑鋼琴三重奏的創辦人。

尤一弓將於2012年1月正式履任港樂新團長一職，並將

於今年9至12月期間參與樂團共六星期的演出。

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Daniel Barenboim and the WEDO 巴倫邦及東西合集管弦樂團


2 October : Puccini’s Suor Angelica and Gianni Schicchi

The idea of presenting three different one-act operas as a single evening’s entertainment had been with Giacomo Puccini (1858-1924) for a number of years since the 1900s. It was not until a decade later that he was able to create three short pieces under the generic title Il Trittico (The Triptych). All three works were given their world premiere in December 1918 at the Metropolitan Opera New York.

Suor Angelica (Sister Angelica) is a mystical story about a woman spending a life of atonement in a convent for the sin of having had an illegitimate child. Upon being told about the death of her young son, she drinks a poison and prays. A vision of the Virgin and a child appears as her soul is received into heaven. The music is poignantly lyrical with an unmistakable Puccinian touch, movingly interpreted by soprano Victoria de los Angeles and mezzo-soprano Fedora Barbieri. The Rome Opera Chorus and Orchestra are conducted by Tullio Serafin.

Gianni Schicchi is the story of the sharp-witted character who is helping a group of disinherited mourners to recover their share of deceased relative’s fortune. Schicchi simply impersonates the dead man and dictates a new will, leaving each relative a small portion, but the biggest share for himself. This is Puccini’s only true comedy, which many critics regard as his masterpiece. Baritone Leo Nucci sings the title role with soprano Mirella Freni portraying his daughter and tenor Roberto Alagna her fiancé. The orchestra gives excellent support under maestro Bruno Bartoletti.

Sundays 2:00pm

Lo King-man

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The ‘New Will Reading’ scene in the premiere performance of Gianni Schicchi in 1918

The October listing for Sunday Opera consists of seven complete works, including a rare German comic opera containing Gustav Mahler’s unique contribution to operatic composition, and a special feature dedicated to the memory of an exceptionally gifted young tenor who passed away in September, aged 43.

9 October : Puccini’s Il Tabarro and La Rondine

The dark melodramatic thriller Il Tabarro (The Cloak) was the first of the Il Trittco operas. Giorgetta, young wife of the barge-owner Michele, is in love with the young stevedore Luigi. They meet on the barge by the Seine at night, after Michele has retired to sleep. This night, Michele stays on the deck and he lights a pipe. Luigi mistakes the match-light as Giorgetta’s usual signal for him to appear. Michele throttles him and hides the body under his cloak. When his wife comes on to the deck, he opens his cloak and forces her face upon her lover’s corpse.

Our recording features baritone Carlo Guelfi as Michele, soprano Maria Guleghina as Giorgetta, and tenor Neil Shikoff as Luigi. Antonio Pappano conducts the London Voices and the London Symphony Orchestra.

La Rondine (The Swallow) was commissioned as an operetta by a Viennese publisher in 1912, but was completed only after the First World War, by which time the situation in Europe had changed drastically, making it necessary for Puccini to refashion the work into a light lyric opera. Magda is a rich banker’s mistress. She falls in love with young Ruggero and runs away with him for an idyllic life in the country. When Ruggero’s parents give consent for them to marry, Magda tells him the truth: She is a courtesan and cannot be his bride. Sadly, like a swallow, she returns to her protector in Paris.

Ruggero and Magda are sung by the celebrated then-husband-wife team, tenor Roberto Alagna and soprano Angela Gheorghiu. The London Voices and London Symphony Orchestra perform under the baton of Antonio Pappano.

16 October : Weber / Mahler’s Die drei Pintos

Carl Maria von Weber (1786-1826) began to compose the music for the three-act comedy Die drei Pintos (The Three Pintos) in 1821, but left it unfinished at his death. In 1886, the young conductor at the Leipzig Stadttheater, Gustav Mahler (1860-1911), was approached by Weber’s grandson and became keenly interested in completing the unfinished work. He took over the fragmentary manuscript, orchestrated the existing music in accordance with Weber’s wishes, and, making use of Weber’s themes and motifs, composed a large amount of new music (nearly two-thirds) to fill up the missing parts.


Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

COLUMNS 專欄

Carl Maria von Weber started the opera, and Gustav Mahler finished it around 65 years later.

Salvatore Licitra

The completed work was premiered in Leipzig in January 1888 with Mahler conducting. This was the only occasion of the great symphonist venturing into the field of opera as composer, though as opera conductor, Mahler was at the top of the world in his position as Director Absolute of the Vienna State Opera and later the Metropolitan Opera of New York.

Die drei Pintos tells the story of Don Pinto de Fonseca and the complicated intrigues involving his two imposters and his promised bride, who is eventually won by one of the impostors. We present a rare live recording made during performances at the 2009 Wexford Festival, featuring bass Alessandro Svab, soprano Barbara Zechmeister, and tenor Peter Furlong. Paolo Arrivaberi is the conductor.

We offer this programme to commemorate the centenary of Gustav Mahler’s death.

the queen to safety in France. At news of his loss, the bride loses her mind and expresses her grief in a moving mad scene. In the end the couple are united and peace is restored.

The Paris première in 1835 was a great success, and 17 performances were given in its first season. The opera was then staged in the major capitals of Europe to enthusiastic audiences. Our recording boasts of a magnificent cast led by diva Beverly Sills and tenor Nicolai Gedda. Julius Rudel conducts the Ambrosian Opera Chorus and the London Philharmonic Orchestra.

30 October : Verdi’s Il Trovatore

Our last programme of this month is offered as a tribute to one of the most gifted operatic tenors of the new generation, Salvatore Licitra, who died on 5 September as the result of a severe scooter accident, at the age of 43.

Il Trovatore (The Troubadour) is a powerful musical melodrama by Giuseppe Verdi (1813-1901), created in his early maturity. The libretto by Salvatore Cammarano has often been criticized as confusing and uninspiring, but Verdi’s music is of a very high order, especially in its capacity to dramatize characters and situations and raise the quality of the whole opera above the level of a dire tale of jealousy and revenge.

Each of the principals is assigned at least one great solo scene, with the hero, his beloved Leonora, and his gypsy foster mother being given the most beautiful and effective passages.

A gypsy woman, intent on avenging the death of her mother, has abducted the infant son of her enemy. The boy grows up as Manrico, leader of the rebel forces fighting against the powerful Count di Luna. The two opponents, without themselves knowing it, are, in fact, brothers. They both love Leonora but the lady chooses to follow Manrico, and the ensuing battler results in the lovers’ death in captivity.

23 October : Bellini’s I Puritani

Vincenzo Bellini (1801-1835) is considered by many the greatest exponent of bel canto opera, a musical style that emphasizes beauty of voice and virtuosity. He is admired for his finely-spun melodies, subtly supported by extended harmony and fluid orchestral accompaniment. The gentle flow of his delicate lines exercised an important influence on many major composers, most notably Chopin in his nocturnes and other lyrical pieces.

In his short life, Bellini composed 11 operas. I Puritani (The Puritans) was his last work, containing pages of unsurpassed lyrical beauty. The action takes place in England during the civil war between the Puritan supporters of Cromwell and the Stuarts, the Royalists. Elvira, daughter of a Puritan commander, is betrothed to Arturo, a Royalist, who disappears on their wedding day on a secret mission to escort

Salvatore Licitra as Manrico led a team of energetic singers including soprano Barbara Frittoli, mezzo-soprano Violeta Urmana, and baritone Leo Nucci in a committed, urgent interpretation supported by the Chorus and Orchestra of the Theatre of La Scala conducted by Riccardo Muti.

© S

ony

Cla

ssic

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也許，你在學生時期也有過這樣的經歷：在眾老師當中有一位是你

特別敬佩的，可能是因為喜歡他(她)所�的科目，又可能是因為他

學識淵博，又或者是他講學方式深入淺出、井然有序，令人容易領

悟⋯⋯我真幸運，在工作的時期，也能遇到這樣一位良師──鄭延

益老師。

我與鄭老師的合作，最初是從「馬仔」做起的。那時我初入第四

台，其中的工作是當「鐳射唱片室」的助理（除了我以外，還有楊

以芬）。我們負責聯絡樂評，約定錄音時間，把錄音室預訂好。錄

音過後，還需要剪輯有關聲音片段。鄭老師就是其中一位樂評。後

來，我主持第二代的「鐳射唱片室」，增設了比較版本的環節，每

次和鄭老師談論小提琴的演奏版本，都談得過癮。後來我們仍經常

合作，他曾多次擔任節目「演繹縱橫談」的嘉賓主持，我也是他個

人主持的幾個特輯如「小提琴藝術的欣賞」的節目監製。

從不「ＮＧ」

鄭老師主持節目，從不預備講稿，也從不「ＮＧ」，所講的內容精

警，很有見地，也鋪排得宜。除了偶然說多了「呢個」或「噤呀」

需要剪掉，其他全不需要剪輯！他另外的一大特色是說話聲如隆

鐘，鏗鏘有力（他曾告訴我他是練氣功的，而且又是上海人）。我

在錄音室裏雖然隔著玻璃，但感覺就如在課堂裡聽著�授講解、給

迷住了！事隔十多年，我還能清楚記得他好幾則�導：

「你知道Kriesler除了拉琴棒，還有甚麼成功之處？就是他爸爸要

他接受普通�育，這對他的發展，有極正面的影響。」

「如果一百年才有像 Heifetz 這樣的大師出現，那麼如Hassid 這樣

的奇才，要二百年才有一個！」

「Midori灌錄的Encore是值得推介的。她的演奏很有東方人獨有的

幼細。」

最愛白飯魚、煎蛋和桂花魚

當時，鄭老師都是在早上錄音。工作過後，我們都有個習慣，就是

到港台的飯堂吃午飯。鄭老師最愛吃的是白飯魚煎蛋和蒸桂花魚。

他不止一次的說：「你們飯堂的菜真的不比其他大酒樓遜色！」。

午飯過後，他總會拿出煙斗來，「飯後一口煙，勝過做神仙」。鄭

老師一邊吸煙、一邊就會娓娓道來不同的故事，例如他小時候在新

加坡長大，首次現場聽到樂隊奏出巴赫的觸技曲與賦格曲是如何震

撼，又或者是他與各音樂家會面時的精彩情況。

還記得有一次飯敍，我很惆悵的跟他說：「鄭老師，我很緊

張，Amy（當時第四台台長鄺思燕）跟我說，要我主持一個新的清

談節目，要與音樂文化有關的。怎麼辦，我怕做不好。」鄭老師施

施然的回答道：「唉呀，怕甚麼？有甚麼新事情，都應該欣然嘗

試。」對於作為金牛座、極怕改變的我，這是一生受用的忠告！

如果鄭老師還健在的話，我想我還有很多音樂上和人生上的問題要

向他請�。但想到他能在另一個國度與他敬佩的大師，如Heifetz,

Kreisler, David Oistrakh 等互相交流切磋，那可是另一番熱鬧

光景！

10月起一連三個月，第四台會重播鄭延益老師主持的「小提琴藝術的欣賞」，星期日早上10時，請勿錯過。

Radio 4 will repeat For the Violin (in Cantonese) hosted by the late Professor Tseng Yen-yih. Do listen once again to Professor Tseng’s recommendation on violin music and its recordings here on Radio 4, every Sunday at 10am.

筆者的婚宴，鄭老師到賀

鄭延益老師與沙函(Gil Shaham)交流琴藝。

鄭老師與中外多位小提琴家稔熟，左起：林耀基�授、陳曦、力茲 (Ruggiero Ricci) 和錢舟。

廖碧楨



COLUMNS 專欄

古語有云：「絲不如竹，竹不如肉」，就是說既然演奏音樂的目的是抒發情感，

那麼產生音樂的媒界越是接近我們的心靈，那就愈能表達出我們的本性；因此說

拉弦樂器的不及吹管樂器，吹管樂器又不及親口吟唱。當然，我們都知道，不同

種類的樂器其實是各有特色，各擅勝長，都是值得欣賞。而吹管，尤其是木管

樂，這種發聲方法以至聲音特質都最接近人聲的樂器，就更獨具魅力。

說木管樂接近人聲，又的確有其學理根據。人類發出聲音，靠的是空氣帶動聲帶

震動，或是空氣在聲帶間旋動而產生(那就是所謂假聲)。回顧木管樂器的發聲原

理，正正是以簧片震動或是在吹嘴旋動而發出聲音！

文：朱振威

長笛和短笛我很喜歡傳統上以「家族」來命名西方樂器的分類，因為對我而

言，每一件樂器都有著人一般的個性。說說木管家族的成員。長笛

與短笛是兩姊妹。姊姊高貴大方，有著天使般的聲音。聽聽德布西

《牧神之午後序曲》一開始的長笛獨奏，作曲家原意是模仿牧神手

上的排簫，但當圓潤笛聲奏出那充滿神秘感的異國旋律，始終流露

出一份成熟女性的嬌美動態，也許這正好為了表達牧神心底潛藏的

欲望，以及預示了之後與仙女嬉遊的情境吧？

與之相反，短笛給人的感覺是一個佻皮的小女孩，愛玩且有無限精

力，把大人們逗樂，卻又筋疲力竭！還記得看狄信湯馬士(Michael

Tilson Thomas)一套介紹柴可夫斯基第四交響曲的紀錄片，當中短

笛手就不斷強調第三樂章如何為她帶來巨大壓力：全首交響曲奏幾

句，稍有差池等於整晚心機白費了。的確，短笛的亮相機會比起長

笛少得多，但全屬不鳴則已，一鳴驚人。同是柴可夫斯基，《胡桃

鉗子》的「中國舞」就靠短笛添上一份靈巧，而蘇沙《永遠的星條

旗》中對位樂段的短笛主奏，又把音樂變成生氣勃勃！雙簧管和巴松管

雙簧管與巴松管就似是兩父子。雙簧管是管弦樂團裡面的真正主角－不

是嗎？每次管弦樂團音樂會開始前，他那君臨天下的A音，果真「號令

天下，莫敢不從」！以兩塊簧片同時震動產生的音色，比起長笛要來得

堅實集中。西方古典名曲當然都會見到雙簧管的足跡，可是不說不知，

雙簧管是香港流行音樂�父顧嘉煇編曲時常用的樂器，最經典的段落，

當然要數八十年代電視劇《難為正邪定分界》那幽鬱的獨奏。

巴松管是永遠的甘草演員，總是在低音聲部穩住和聲，可是在唐尼采第

歌劇《愛情靈藥》的著名男高音詠嘆調「偷灑一滴情淚」的序奏中，卻

漂亮地為男主角描劃出動情之苦。到了史達拉汶斯基手上，巴松管又變

得詭異起來，在《春之祭》中帶聽眾到遠古的俄羅斯部落。

逢星期六下午5時


單簧管

單簧管只用一塊簧片發聲，讓他的音色特質

可以成為長笛與雙簧管的橋樑。強烈的歌唱

性與個性讓他的性格有點特立獨行，聽歌舒

詠《藍色狂想曲》序奏那長長的滑音，就知

道此子非池中物，最終必定鋒芒畢露，而他

在二十世紀中葉，確是在爵士音樂的領域中

大放異彩，只是發展到今天，他同父異母的

兄弟薩克管卻更受注視。這倒沒有所謂，

能夠得莫扎特親炙，擁有A大調協奏曲，

K. 622 這般絕美樂章，夫復何求？

10月份的「情有獨鍾」，馬盈盈和彭禮傑會以木管音樂為主題，為你送上這個樂器家族的豐富曲目。不容錯過！

In October’s All or Nothing, Tina Ma and Ben Pelletier bring you compilations of nice tunes from the woodwind repertoire, played mostly back-to-back. Tune in on Saturdays from 5pm to 7pm.

On 5 September, Il Messaggero, Italy’s leading newspaper, published

this sad announcement: ‘Salvatore Licitra non ce l’ha fatta: il tenore

muore dopo 9 giorni di coma.’ (Salvatore Licitra did not make it: the tenor

dies after 9 days in a coma.)

Born in Switzerland to Sicilian parents, Licitra grew up in Milan. He

began to study singing at the age of 18, first at the Music Academy of

Parma and later at the vocal school established by Carlo Bergonzi in

Busseto. He made his debut as a principal artist in 1998, substituting for

the lead tenor in Verdi’s Un Ballo in Maschera at the Verona Arena on

the opening night of the season. His success led to an invitation to star

in a new production of Verdi’s La Forza del Destino at La Scala of Milan

conducted by Riccardo Muti. He soon appeared on the stages of many

great opera houses throughout Italy and in Vienna, London and Berlin.

In 2002, Licitra made his New York Metropolitan debut in Puccini’s Tosca,

substituting for Luciano Pavarotti at two hours’ notice. He was received

with standing ovations and thereafter became one of the most popular

opera singers everywhere including Japan and Taiwan. Hundreds of music

lovers heard him in recital at the Hong Kong Academy for Performing Arts

on 25 June this year.

On 27 August 2011, while riding his motor scooter in Donnalucata in

Ragusa Province, Sicily, Licitra lost control of his vehicle and crashed

into a wall. He suffered severe head and chest injuries and remained in a

coma until pronounced dead nine days later. A beautiful voice falls silent

at its prime.

In this month’s Sunday Opera, you can hear Salvatore Licitra plays the

role as Manrico in Verdi’s Il Trovatore. For details, please refer to page 23.

Lo King-man

意大利男高音里契特拉被譽為

巴筏諾堤的接班人，是歌劇舞

台上的明星。他不幸於 9 月 5

日因車禍不治，結束四十三年

人生。10月30日下午2時播出

的「歌劇世界」會特別選播威

爾第的《遊吟武士》，有關錄

音由里契特拉擔任男主角曼里

科。詳情請參閱第23頁。

Salvatore Licitra 里契特拉

Arts Happenings 藝壇快訊

Suffering from a series of health problems and severe back pain, James Levine, the Metropolitan Opera’s music director, has withdrawn from a number of productions at the Met. While resting on vacation this summer, he suffered a fall and damaged a vertebra in his back. As a result, Levine has decided to cancel all his appearances with the Met for the rest of 2011. The Met has therefore elevated its principal guest conductor, Fabio Luisi, to the title of principal conductor. He will take over most of Levine’s conducting assignments, including the new production of Mozart’s Don Giovanni and Wagner’s Siegfried, which is part of the new Robert La Page staging. Met’s General Manager Peter Gelb stressed that Levine will remain as its music director. Although he has turned down several performances over the past years, Levine still has the support of Gelb, who rejected the suggestion that Levine’s latest health setback would lead to his departure from the Met.

雷西成為大都會歌劇院首席指揮大都會歌劇院音樂總監利雲，近年因為背痛問題經常

辭演。上月在家休養時，更不幸從高處墮下弄傷脊椎

骨，唯有決定退出大都會歌劇院下半年所有演出。有

見及此，歌劇院宣佈晉升首席客席指揮雷西為首席指

揮，並接替利雲演出餘下年度的演出，當中包括重新

製作莫扎特的「唐喬萬尼」和華格納的「齊格弗里

德」。大都會的總經理說，縱使利雲未能踏上指揮

台，但他在歌劇院當音樂總監的身份會保持不變，並

排除利雲會以身體不佳為理由而離職的可能性。

© B

arba

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Fabio Luisi 雷西


亞斯頓�育．Aston Education伯樂音樂學院．Baron School of Music嘉林琴行．Collin Music Co. Ltd.琴之屋．Eddie’s House of Strings偉樂琴行．Eddy Music Co. Ltd.香港鋼琴�育專業學院．HK Prof. Piano Education Academy繆斯琴行．Muse Music Company向日葵文化良品．Sole Cultural Goods華偉音樂藝術中心．S T Music & Art Centre通利琴行．Tom Lee Music Co. Ltd.

Friends’ Discounts

Friends of Radio 4 Society Limited第四台之友協會有限公司

www.finemusic.org.hk

會籍年費 Annual Membership Fee

個人會員 Individual Member : HK$120家庭會員 Family Member : HK$150半費會員 Concession Member : HK$60

Friends of Radio 4 Membership Application Form第四台之友協會會員申請表

Name 姓名：

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Membership 會籍：

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* Concession Member 半費會員 HK$60

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* Please enclose photocopy of student ID, senior citizen card or registration card for people with disabilities.

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請將表格連同劃線支票寄往：九龍尖沙嘴郵政局郵箱97497號，第四台之友協會收（抬頭請填「第四台之友協會有限公司」）

Please send your application form and cheque to: Friends of Radio 4 Society P.O. Box No. 97497 at Tsim Sha Tsui Post Office (payable to “Friends of Radio 4 Society Limited”)

Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。

(This part is optional 可選擇不填此部分)

（只供學生、65歲或以上長者及殘疾人士）(Only for students, senior citizens aged 65 or above, and people with disabilities)

Friends’ Exclusive Benefits• 《美樂集》郵寄至府上• 各大琴行、唱片公司及種種不同的優惠• 優先獲得指定的第四台音樂會門券• 參加第四台之友特備活動• Fine Music delivery to your home• Purchasing discount from major piano companies, music shops and other institutes• Priority in getting designated Radio 4 recital tickets • Exclusive activities and programmes

會員優惠

商戶折扣

音樂會門票折扣

音樂新文化2011第四台之友協會會員購買「音樂新文化2011」的門票，可享九折優惠。

詳情請參閱第30頁。

Musicarama 2011Members of Friends of Radio 4 can enjoy 10 % off on tickets for the Musicarama 2011. For programme details, please refer to page 30.

香港中樂團第四台之友會員購買香港中樂團本樂季的音樂會門票，可享八折優惠。請於

城市電腦售票網購票時出示會員証。節目詳情，請瀏覽：www.hkco.org

Hong Kong Chinese OrchestraMembers of Friends of Radio 4 can enjoy 20% off tickets for the Hong Kong Chinese Orchestra’s concerts during the current orchestral season. Please show your membership card when purchasing tickets at URBTIX outlets. For programme details, please visit www.hkco.org.


馬盈盈和彭禮傑邀請你加入「新唱片大本營」，一同欣賞市面上新近推出的影

音製作；節目更可於網上重溫：radio4.rthk.hk。

馬盈盈彭禮傑

逢星期一晚上8時

Tina Ma 馬盈盈

Tina Ma and Ben Pelletier guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The programmes are also available on Radio 4’s website for streaming: radio4.rthk.hk

Tina Ma, Ben Pelletier

Mondays 8:00pm

Ben Pelletier 彭禮傑

10/10

3/10

17/10

31/10

24/10


COLUMNS 專欄

Date 日期 Highlights 重點推介

8/10 (Sat 六) 8:00pm

13/10(Thu 四) 2:00pm

Repeat 重播

Hong Kong International Jazz FestivalThe 4th Hong Kong International Jazz Festival has now grown into an 8-day event, with exhibitions, workshops, concerts, by more than 40 performance groups with 300 artists from around the globe. Radio 4 brings you the performance by singer Maria João and pianist Mário Laginha from Portugal. Maria João is known for her vocal flexibility and improvisational skills. The two met in 1983 and since then they have performed and recorded extensively.

香港國際爵士音樂節

由西九龍文化區支持，第四屆香港國際爵士樂節已發展成為一連8天的大型盛事，包括展覽、工作坊、音樂會。參與演出的團體超過 40 隊；還有 300 位來自世界各地的演出者。第四台為你帶來其中一場精彩演出，主角是葡萄牙歌手裘奧和鋼琴家拉季那。裘奧的聲樂技巧和即興的靈活性令人讚嘆。她在1983年遇上拉季那，自此擦出火花，一同舉行無數音樂會和錄製唱片。

14/10 (Fri 五) 8:00pm

19/10(Wed 三) 2:00pm

Repeat 重播

Il GardellinoFounded 23 years ago, Il Gardellino has gained an outstanding reputation in the world of historical per formance. This UK Baroque ensemble borrows its name from Vivaldi’s concerto, Il Gardellino. In this concert, they juxtapose J.S. Bach’s music with those of his contemporaries whose repertoire is often neglected, such as Alessandro Marcello and Johann Gottlieb Janitsch.

加德連奴古樂團

自1998年成立以來，加德連奴古樂團一直在仿古演奏的世界裡享負盛名。這隊來自英國的巴羅克合奏團以韋華第的協奏曲《加德連奴》命名。在這場音樂會當中，他們除了帶來巴赫的音樂外，還會送上與巴赫同期但鮮為人知的作曲家，如亞歷山德羅．馬徹奴和真列茨的作品。

22/10 (Sat 六) 8:00pm

27/10(Thu 四) 2:00pm

Repeat 重播

Harp ExtravaganzaThe City Chamber Orchestra of Hong Kong opens its new season with an extravaganza of harp music. A star line-up of six local and international harpists are featured in an exquisite selection of multiple harp concertos, including the Asian premiere of Karl Jenkins’s Double Harp Concerto and the highly anticipated world premiere of Dancing Reflection by the legendary eighty-five-year-old Chinese composer Mao Yuan. The program concludes with Bantock’s

Celtic Symphony for Strings and Six Harps.

豎琴華麗派對香港城市室樂團以華麗的豎琴音樂為樂季揭開序幕。六位本地和國際的豎琴手會送上多套優美的豎琴協奏曲，當中包括祖健士的雙豎琴協奏曲的亞洲首演和一首期待已久的世界首演－85歲中國作曲家茅沅的《舞影》，還有班托克的《六豎琴弦樂凱爾特交響曲》。

Maria João and Mário Laginha 裘奧和拉季那

Il Gardellino 加德連奴古樂團

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(from top left) The six harpists: Skaila Kanga, Claire Jones, Kateřina Englichová, Teresa Suen, Michelle Abbott, Edith Pun (從左上角起) 六位豎琴手分別為史佳拉．簡嘉、瓊斯、英格列霍娃、孫尹婷、艾美雪及潘嘉筠

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Mon- Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes –三分鐘錦囊 Topic 內容 Host 主持星期一 : 樂壇新秀李德芬星期二 : 辛亥前後的舊韻新聲李嘉盈 Wed : Arts News Jenny Lee 星期四 : 今日話當年馬盈盈 Fri : Arts News Jonathan Douglas Sat : Operetta Lo King-man 星期日 : 新CD介紹馬盈盈

Date 日期 Highlights 重點推介

28/10 (Fri 五) 8:00pm

2/11(Wed 三) 2:00pm

Repeat 重播

The World is For AllCommemorating the centennial of the 1911 Revolution, this concert presents presents music talents from the mainland China, Hong Kong, and Taiwan - the Chinese Orchestra of the Jiangsu Per forming Ar ts Group, Hong Kong Chinese Orchestra and the Taipei Chinese Orchestra to per form epic music to illustrate the historical significance of the 1911 Revolution. Huqin vir tuoso, Song Fei, together with the Hong Kong Chinese Orchestra led by Yan Huichang per form the world premiere of Kuan Nai-chung’s erhu concerto - A Heroine and a Martyr.

天下為公兩岸三地的精英－江蘇省演藝集團民族樂團、香港中樂團及中華國樂學會中華國樂團，以百人大型樂隊音樂，展示辛亥革命的歷史意義。胡琴大師宋飛會聯同閻惠昌帶領的香港中樂團，演出全新創作－關迺忠的二胡協奏曲《風雨思秋》。

29/10 (Sat 六) 8:00pm

3/11(Thu 四) 2:00pm

Repeat 重播

Alexandre Tharaud Plays Bach and MozartHailed by the Gramophone as having ‘immaculate technique’, the French pianist Alexandre Tharaud is one of today’s most sought-after pianists. Together with the Hong Kong Sinfonietta under Alexander Liebreich, Tharaud guides you through Bach’s decorative lines in the Piano Concerto No. 5 and Mozart’s Piano Concerto No. 9, ‘Jeunehomme’, which has been described by Alfred Brendel as ‘one of the greatest wonders of the world’

巴赫及莫扎特鋼琴協奏曲被《留聲機》評為擁有「近乎完美的技巧」，泰羅是現今最優秀的法國鋼琴家之一。泰羅與李布賴希指揮的香港小交響樂團演奏巴赫的第五鋼琴協奏曲和莫扎特的「茱諾姆」鋼琴協奏曲，後者更被鋼琴大師布蘭杜譽為「世界偉大的奇蹟之一」。

Alexander Liebreich, conductor 李布賴希，指揮

Alexandre Tharaud, piano 泰羅，鋼琴

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The conductors from Mainland China, Hong Kong, and Taiwan: Wang Aikang, Yan Huichang, Su Wen-cheng 中港台指揮：王愛康、閻惠昌、蘇文慶

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CONCERT HIGHLIGHTS 音樂會轉播精選

Bilingual 雙語B Cantonese 粵語C English 英語E

Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas 清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics 美樂無休

Bethan Greaves / Ben Pelletier / Stacey Rodda 紀碧琳 / 彭禮傑 / 盧迪思

Play by Ear 週末隨想Synthia Ko

高德儀

For the Violin 小提琴藝術的欣賞

Tseng Yen-yih 鄭延益

Church Service 主日崇拜

ArtbeatJonathan Douglas 杜格尊

Liszt Superstar 巨星李斯特

So Hau-leung, Calvin Lai 蘇孝良，賴建群

News at One

Music à la Carte 午間精點 Kathy Lam / Daphne Lee / Tina Ma 林家琦 / 李德芬 / 馬盈盈

Live on 4 第四台音樂會

(Repeat 重播)

Young Music Makers 樂壇新秀2011

(Repeat 重播)

R4 Buddies四台插班生

Raymond Chung / Carmen Leung

鍾子豪 / 梁倍嘉

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

1911 - Music Before and After the Revolution

辛亥前後的舊韻新聲Jenny Lee 李嘉盈

Four for Classics with Jenny Lee 愛樂同盟李嘉盈

Collage點指美樂

All or Nothing情有獨鍾

Tina Ma 馬盈盈

Children’s Corner 親親童樂日

News at Six Arts News 藝壇快訊

Appassionata只愛音樂

Raymond Chung 鍾子豪

Happy Hour with Kathy Lam 歡樂時光林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

New Releases新唱片大本營

Tina Ma / Ben Pelletier 馬盈盈 / 彭禮傑

Live on 4 第四台音樂會

Young Music Makers 樂壇新秀2011

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Nocturne with Calvin Lai

夜心曲賴建群

Tunes to Remember

夜夜笙歌Emma Liu 廖碧楨

Jazzing Up爵士靈感

Tim Wilson 衛庭新

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Music Exploration擴闊音樂領域

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk


MAIN PROGRAMME CHART 節目時間表

PROGRAMME HIGHLIGHTS 節目精華

安傑利希（鋼琴）李斯特：「第一年：瑞士遊記」，選自《旅遊歲月》，S.160

5/10/2011 (Wed 星期三)11:00am BEETHOVEN 貝多芬String Quartet No. 1 in F major, Op. 18 No. 1 30’ Medici String QuartetF大調第一弦樂四重奏，作品18第1首麥迪芝弦樂四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）The Ethnic Song and Dance Troupe of Rongjiang Hong Kong Chinese Orch. / Yan Huichang

A concert of music and dances of China’s ethnic minority groups, performed with the Hong Kong Chinese Orchestra.

Presented by Hong Kong Chinese Orchestra. Recorded at Hong Kong Cultural Centre Concert Hall on 23/9/2011.

榕江縣民族歌舞藝術團香港中樂團 / 閻惠昌香港中樂團將與民族舞蹈團同台演出傳統與現代的歌舞。

香港中樂團主辦。2011年9月23日香港文化中心音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會14th International Tchaikovsky Competition Winners’ Gala Concert, St. Petersburg (Part 1)Daniil Trifonov, Yeol Eum Son, Seong Jin Cho (p)Sergey Dogadin, Itamar Zorman (v)Narek Hakhnazaryan, Edgar Moreau, Ivan Karizna (vc)Sun Young Seo (s) Jong Min Park (b)Mariinsky Theatre Orch. / Valery Gergiev

Programme Highlights節目精華

1/10/2011 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Music includes Drum Feast in China, Prosperity Brought by Dragon and Phoenix, and Gaiety of Festivals.

播放樂曲包括《中華鼓宴》、《龍鳳呈祥》和《節日的歡樂》。

9:00pm MUSIC FOR THE NATIONAL DAY FIREWORKS DISPLAY 2011 2011年國慶煙花匯演音樂

2/10/2011 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Puccini: Suor AngelicaSuor Angelica: Victoria de los Angeles (s)Lazia principessa: Fedora Barbieri (s)Cho. & Orch. Rome Opera / Tullio Serafin

Puccini: Gianni SchicchiGianni Schicchi: Leo Nucci (br)Lauretta: Mirella Freni (s)Orch. del Maggio Musicale Florentino / Bruno Bartoletti

浦契尼：安潔莉卡修女安潔莉卡修女：狄羅斯安卓利斯（女高音）拉斯亞公主：巴比艾里（女高音）羅馬歌劇院樂團及合唱團 / 薩拉芬

浦契尼：祖安尼‧斯基基祖安尼‧斯基基：奴西（男中音）蘿莉塔：費蘭妮（女高音）佛羅倫斯馬茲奧古樂團 / 巴圖烈第

8:00pm YOUNG MUSIC MAKERS 樂壇新秀Chow Man-kin (vc) Yap Man-shan (p)Locatelli (Piatti arr.): Cello Sonata in D major (arr. from Op. 6, No. 6 and 12) 14’Martinů: Variations on a Theme of Rossini 8’Tchaikovsky: Nocturne, Op. 19 No. 4 5’

Recorded at RTHK Studio 2 on 11/7/2011.

周文鍵（大提琴）葉敏姍（鋼琴）羅卡泰利（皮亞提編）：D大調大提琴奏鳴曲（編自作品6第6及12首）馬天奈：羅西尼主題變奏曲柴可夫斯基：夜曲，作品19第4首

2011年7月11日香港電台二號錄播室錄音。

3/10/2011 (Mon 星期一)11:00am SHOSTAKOVICH 蕭斯達高維契String Quartet No. 5 in B flat major, Op. 92 30’Borodin Quartet降B大調第五弦樂四重奏，作品92鮑羅丁四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Julia Kleiter (s)Karl Kaiser (f)Freiburg Baroque Orch. / Petra Muellejans Telemann: Overture in D major, from Tafelmusik II 20’ Bach: Cantata No. 204, ‘Ich bin in mir vergnügt’ 31’ W.F. Bach: Flute Concerto in D 20’

Bach: Cantata No. 51, ‘Jauchzet Gott in allen Landen’ 17’

克萊特（女高音）卡爾‧啟沙（長笛）夫來堡巴洛克樂團 / 慕勒楊斯泰利文：D大調序曲，選自《宴席音樂II》巴赫：第二○四清唱劇，「我為自己而快樂」W.F.巴赫：D大調長笛協奏曲巴赫：第五十一清唱劇，「全地讚美神」

4/10/2011 (Tue 星期二)11:00am SCHUBERT 舒伯特 Symphony No. 6 in C major, D. 589 32’The Classical Band / Bruno Weil

C大調第六交響曲，D. 589古典樂隊 / 般盧‧偉爾

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Janine Jansen (v) Royal Concertgebouw Orch. /

Sakari Oramo

Lindberg: Chorale 7’ Janácek: Taras Bulba 23’ Shostakovich: Violin Concerto No. 1 in A minor, Op. 77 36’

恩遜（小提琴）阿姆斯特丹音樂廳樂團 / 奧拉姆連保：合唱楊納傑克：塔拉斯‧布巴蕭斯達高維契：A小調第一小提琴協奏曲，作品77

8:00pm LIVE ON 4 第四台音樂會Nicholas Angelich (p)

Liszt: Years of Pilgrimage, First Year: Switzerland, S. 160 58’

Chow Man-kin 周文鍵

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第十四屆柴可夫斯基大賽聖彼得堡優勝者音樂會（一）特夫諾夫，宋悅雲，趙成珍（鋼琴）杜葛丁，蘇曼（小提琴）哈特拿沙揚，莫盧，卡里茲拿（大提琴）徐善英（女高音）朴鐘民（男低音）馬林斯基歌劇院樂團 / 葛濟夫

6/10/2010 (Thu 星期四)11:00am MOZART 莫扎特Piano Concerto No. 17 in G major, K. 453 31’London Sym. Orch. / Rudolf Serkin (p & cond.)G大調第十七鋼琴協奏曲，K. 453倫敦交響樂團 / 魯道夫‧舒爾健（鋼琴及指揮）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 1/10/2011, 8pm節目與2011年10月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Ellen Corver (p)Royal Concertgebouw Orch. / Mariss JansonsSmetana: Overture to ‘The Bartered Bride’ 9’Martinů: Double Concerto for Two String Orchestras, Piano and Timpani, H. 271 22’ Brahms: Symphony No. 4 in E minor, Op. 98 43’

歌爾花（鋼琴）阿姆斯特丹音樂廳樂團 / 楊遜斯史麥塔納：《被出賣的新娘》序曲馬天奈：為雙弦樂團、鋼琴及定音鼓而作的雙協奏曲，H. 271布拉姆斯：E小調第四交響曲，作品98

7/10/2011 (Fri 星期五)11:00am WAGNER 華格納Vorspiel and Good Friday Music from ‘Parsifal’ 27’ BBC Sym. Orch. / Arturo Toscanini序曲及受難節音樂，選自《帕西發爾》英國廣播電台交響樂團 / 托斯卡尼尼

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 2/10/2011, 8pm節目與2011年10月2日晚上8時相同

浦契尼：外套米斯爾：卡盧‧顧飛（男低音）喬基他：古利堅娜（女高音）盧茲：史確夫（男高音）兩個情人：安祖娜‧基柯基沃（女高音）及亞蘭尼亞（男高音）倫敦合唱團倫敦交響樂團 / 柏巴奴

浦契尼：燕子瑪大：安祖娜‧基柯基沃（女高音）盧哲羅：亞蘭尼亞（男高音）倫敦合唱團倫敦交響樂團 / 柏巴奴

8:00pm YOUNG MUSIC MAKERS 樂壇新秀Kwan Lok-tin (suona) Kennth Wong (p) Tyson Wu (sheng)Zhu Yi: Farewell My Concubine 19’Trad. (Chen Jieqi arr.): Hundred Birds Worshipping the Phoenix 6’Huang Anlun (Guo Yazhi trans.): Chinese Rhapsody No. 3, Op. 46a (first movement) 4’Ji Zhe: Nostalgia 6’


關樂天（嗩吶）黃冠彥（鋼琴）胡君裕（笙）朱毅：霸王別姬古曲（陳家齊整理）：百鳥朝鳳黃安倫（郭雅志移植）：第三中國暢想曲，作品46a，第一樂章吉喆：懷鄉曲


10/10/2011 (Mon 星期一)11:00am FAURÉ 佛瑞Piano Quintet No. 2 in C minor, Op. 115 31’DomusC小調第二鋼琴五重奏，作品115都瑪仕鋼琴四重奏

8:00pm LIVE ON 4 第四台音樂會Dorothea Röschmann (s) Michelle DeYoung (ms)New York Choral ArtistsNew York Phil. / Alan Gilbert Mahler: Symphony No. 2 in C minor, ‘Resurrection’ 80’

蘿絲曼（女高音）迪楊（女中音）紐約合唱藝術家紐約愛樂樂團 / 基爾拔馬勒：C小調第二交響曲，「復活」

8/10/2011 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Hong Kong International Jazz Festival 2011Maria João (vocal) Mário Laginha (p)

Presented by the Hong Kong Jazz Association. Recorded at Hong Kong City Hall Theatre on 30/9/2011.

香港國際爵士音樂節2011裘奧（主唱）拉季那（鋼琴）

香港爵士樂會主辦。2011年9月30日香港大會堂劇院錄音。

9/10/2011 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Puccini: Il TabarroMichele: Carlo Guelfi (b)Giorgetta: Maria Guleghina (s)Luigi: Neil Shicoff (t)Due amanti: Angela Gheorghiu (s) Roberto Alagna (t)London VoicesLondon Sym. Orch. / Antonio Pappano

Puccini: La RondineMagda: Angela Gheorghiu (s)Ruggero: Roberto Alagna (t)London VoicesLondon Sym. Orch. / Antonio Pappano

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Kwan Lok-tin 關樂天



13/10/2011 (Thu 星期四)11:00am DITTERSDORF 狄特斯多夫Sinfonia on Ovid’s Metamorphoses, No. 4 in F major, ‘The Rescuing of Andromeda by Perseus’ 23’Cantilena / Adrian ShepherdF大調交響曲，「珀爾修斯拯救安德洛墨達」根達蓮拿室樂合奏團 / 蕭柏特


8:00pm LIVE ON 4 第四台音樂會Wilke te Brummelstroete (ms)Arthur Jussen, Lucas Jussen (p)Netherlands Radio Ch. Phil. / Michael SchønwandtMozart: Overture to ‘Die Entführung aus dem Serail’ 5’Poulenc: Concerto for Two Pianos and Orchestra 20’Delage: Quatre poèmes hindous 10’Bizet: L’Arlésienne (excerpts) 34’

布魯梅爾斯特羅特（女中音）亞瑟‧毓森及盧嘉斯‧毓森（鋼琴）荷蘭電台室樂愛樂樂團 / 舒昂萬德特莫扎特：《後宮誘逃》序曲浦郎克：雙鋼琴協奏曲德拉日：四首印度詩篇比才：「阿萊城姑娘」選段

14/10/2011 (Fri 星期五)11:00am KHACHATURIAN 哈察都量Spartacus 25’ Royal Phil. Orch. / Yuri Simonov

斯巴達克斯皇家愛樂樂團 / 西門諾夫

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 9/10/2011, 8pm節目與2011年10月9日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Il GardellinoAlessandro Marcello: Oboe Concerto in D minorBach: Die friede sei mit dir, BWV158Janitsch: Quartet in G major for oboe, violin and basso continuoVivaldi: Al santo sepolcro for Strings, RV130Bach: Ich Habe Genug, BWV82Bach: Triple Concerto in A minor for Flute, Violin and Harpsichord, BWV1044

Presented by the Hong Kong Academy for Performing Arts. Recorded at the Academy Concert Hall on 30/9/2011.

加德連奴古樂團亞歷山德羅‧馬徹奴：D小調雙簧管協奏曲巴赫：「和平與你同在」，BWV158真列茨：G大調雙簧管、小提琴及數字低音四重奏韋華第：在聖墓中，RV130巴赫：「我已足夠」，BWV82巴赫：A小調長笛、小提琴及古鍵琴三重協奏曲，BWV1044

香港演藝學院主辦。2011年9月30日演藝學院音樂廳錄音。

15/10/2011 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Andrew Kennedy (t) Nigel Kennedy (v) BBC Sym. Cho. BBC Concert Orch. / Paul DanielBax: The Garden of Fand 16’Finzi: Intimations of Immortality 40’Elgar: Violin Concerto 50’ 安德魯‧甘迺迪（男高音）甘迺迪（小提琴）英國廣播電台交響樂團英國廣播電台音樂會樂團 / 丹尼爾巴斯：范德公園費茲：不朽的揭示艾爾加：小提琴協奏曲

16/10/2011 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Weber / Mahler: Die drei PintosDon Pinto de Fonseca: Alessandro Svab (b)Don Gomez de Freiros: Peter Furlong (t)Clarissa: Barbara Zechmeister (s)Laura: Sophie Marilley (ms)Wexford Festival Opera Cho.Nat. Phil. Orch. of Belarus / Paolo Arrivabeni

韋伯 / 馬勒：三個品托唐‧平托：史華博（男低音）唐‧高美士：富朗（男高音）克拉莉莎：薩克邁爾斯特（女高音）羅拉：瑪里莉（女中音）維克斯福節日歌劇合唱團白俄羅斯國家管弦樂團 / 亞里華比尼

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11/10/2011 (Tue 星期二)11:00am MICHAEL HAYDN 米高‧海頓Violin Concerto in B flat major 23’Franz Liszt Ch. Orch. / Thomas Zehetmair (v & cond)降B大調小提琴協奏曲李斯特室樂團 / 薩赫米亞（小提琴及指揮）


8:00pm LIVE ON 4 第四台音樂會Nicholas Angelich (p)Liszt: Years of Pilgrimage, Second Year: Italy, S. 161 60’

安傑利希（鋼琴）李斯特：「第二年：意大利遊記」，選自《旅遊歲月》，S.161

12/10/2011 (Wed 星期三)11:00am VAUGHAN WILLIAMS 佛漢威廉士 Songs of Travel 25’

Bryn Terfel (br) Malcom Martineau (p)旅行者之歌泰科爾（男中音）馬田尼奧（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 7/10/2011, 8pm

節目與2011年10月7日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會14th International Tchaikovsky Competition Winners’ Gala Concert, St. Petersburg (Part 2)Daniil Trifonov, Yeol Eum Son, Seong Jin Cho (p)Sergey Dogadin, Itamar Zorman (v)Narek Hakhnazaryan, Edgar Moreau, Ivan Karizna (vc)Sun Young Seo (s) Jong Min Park (b)Mariinsky Theatre Orch. / Valery Gergiev

第十四屆柴可夫斯基大賽聖彼得堡優勝者音樂會（二）特夫諾夫，宋悅雲，趙成珍（鋼琴）杜葛丁，蘇曼（小提琴）哈特拿沙揚，莫盧，卡里茲拿（大提琴）徐善英（女高音）朴鐘民（男低音）馬林斯基歌劇院樂團 / 葛濟夫


8:00pm YOUNG MUSIC MAKERS 樂壇新秀Lee Chun-lok (hm) Michael Ho-tung Ng (p)Gershwin: Rhapsody in Blue (arr. for harmonica and piano) 8’Franck: Violin Sonata in A major (arr. for harmonica) 27’

Recorded at RTHK Studio 2 on 30/8/2011. 李俊樂（口琴）吳浩東（鋼琴）歌舒詠：藍色狂想曲（口琴及鋼琴版本）法朗克：A大調小提琴奏鳴曲（口琴版本）


17/10/2011 (Mon 星期一)11:00am PAGANINI 巴格尼尼Terzetto in D major 23’Paganini TrioD大調三重奏巴格尼尼三重奏


18/10/2011 (Tue 星期二)11:00am GROFE 告魯夫Grand Canyon Suite 36’ Pittsburgh Sym. Orch. / Lorin Maazel大峽谷組曲匹茲堡交響樂團 / 馬錫爾


8:00pm LIVE ON 4 第四台音樂會Nicholas Angelich (p)Liszt: Years of Pilgrimage, Third Year, S. 163 57’

安傑利希（鋼琴）李斯特：「第三年」，選自《旅遊歲月》， S.163

19/10/2011 (Wed 星期三)11:00am BRAHMS 布拉姆斯 Variations and Fugue on a Theme by Handel, Op. 24 27’Shura Cherkassky (p)韓德爾主題變奏及賦格曲，作品24卓加斯基（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Alexander Rozhdestvensky (v)State Sym. Capella of Russia / Gennady RozhdestvenskyTchaikovsky: Serenade in C 33’ Violin solos from Tchaikovsky’s Ballets 28’ 1812 Overture 16’

亞歷山大‧羅狄士雲斯基（小提琴）俄羅斯國家交響樂團 / 羅狄士雲斯基柴可夫斯基：C大調小夜曲數段小提琴獨奏，選自柴可夫斯基的芭蕾舞音樂「1812」序曲

20/10/2011 (Thu 星期四)11:00am GLASS 格拉斯Violin Concerto 26’ Robert McDuffie (v) Houston Sym. Orch. / Christopher Eschenbach小提琴協奏曲麥杜飛（小提琴）侯斯頓交響樂團 / 艾遜巴赫


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8:00pm LIVE ON 4 第四台音樂會Johannes Moser (vc)Royal Concertgebouw Orch. / Mariss JansonsShostakovich: Cello Concerto No. 1 in E flat major, Op. 107 30’Beethoven: Symphony No. 3 in E flat major, Op. 55, ‘Eroica’ 50’

約翰尼斯‧慕莎（大提琴）阿姆斯特丹音樂廳樂團 / 楊遜斯蕭斯達高維契：降E大調第一大提琴協奏曲，作品107貝多芬：降E大調第三交響曲，作品55，「英雄」

21/10/2011 (Fri 星期五)11:00am DEBUSSY 德布西 String Quartet in G minor, Op.10 26’ Orpheus String QuartetG小調弦樂四重奏，作品10奧菲斯弦樂四重奏

2:00pm YOUNG MUSIC MAKERS (REPEAT) 樂壇新秀（重播）Prog. as 16/10/2011, 8pm節目與2011年10月16日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Huang Ruo: Dr. Sun Yat-senSun Yat-sen: Warren Mok (t)Soong Chingling: Yao Hong (s)Lu Muzhen: Yuki Ip (s)Charlie Soong’s Wife: Yang Guang (ms)Charlie Soong: Gong Dongjian (b) Opera Hong Kong Cho.,Hong Kong Chinese Orch. / Yan Huichang

Presented by the Leisure and Cultural Services Department. Recorded at Hong Kong Cultural Centre Grand Theatre on 13/10/2011.

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比拉索夫斯基（鋼琴）李斯特：第一梅菲斯托圓舞曲，S. 514蕭邦：幾首圓舞曲及馬祖卡舞曲李斯特：超技練習曲，S. 139亞爾班尼斯：小夜曲及阿斯圖里亞斯

26/10/2011 (Wed 星期三)11:00am PROKOFIEV 浦羅歌菲夫 Piano Sonata No. 6 in A major, Op. 82 29’ Van Cliburn (p)A大調第六鋼琴奏鳴曲，作品82格拉賓（鋼琴）


8:00pm LIVE ON 4 第四台音樂會State Sym. Capella of Russia / Gennady Rozhdestvensky Tchaikovsky: Suite No. 1, Op. 43 45’ Symphony No. 7 in E flat major 32’

俄羅斯國家交響樂團 / 羅兹戴斯特文斯基柴可夫斯基：第一組曲，作品43 降E大調第七交響曲

27/10/2011 (Thu 星期四)11:00am HOVHANESS 賀凡尼斯Symphony No. 22, Op. 236, ‘City of Light’ 29’Seattle Sym . / Alan Hovhaness第二十二交響曲，作品236，「光之城」西雅圖交響樂團 / 賀凡尼斯


8:00pm LIVE ON 4 第四台音樂會Joyce Yang (p)The Hague Phil. / Edo de WaartKeuris: Capriccio 10’Mozart: Piano Concerto No. 24 in C minor, K. 491 30’Richard Strauss: Ein Heldenleben, Op. 40 48’

黃若：中山‧逸仙孫中山：莫華倫（男高音）宋慶齡：么紅（女高音）盧慕貞：葉葆菁（女高音）宋嘉澍夫人：楊光（女中音）宋嘉澍：龔冬健（男低音）香港歌劇院合唱團香港中樂團 / 閻惠昌

康樂及文化事務處主辦。2011年10月13日香港文化中心大劇院錄音。

22/10/2011 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Skaila Kanga, Claire Jones, Kateřina Englichová, Teresa Suen, Michelle Abbott, Edith Pun (h) City Ch. Orch. of Hong Kong / Jean ThorelMao Yuan: Suite for Chamber Orchestra, ‘Dancing Reflection’Karl Jenkins: Concerto for Two Harps, ‘Over the Stone’Bach: Concerto for Four Harps in A minor, BWV 1065Bantock: Celtic Symphony for Strings & Six Harps

Presented by the City Chamber Orchestra of Hong Kong. Recorded at Hong Kong Cultural Centre Concert Hall on 11/10/2011.

史佳拉‧簡嘉，瓊斯，英格列霍娃，孫尹婷，艾美雪及潘嘉筠（豎琴）香港城市室樂團 / 尚‧托勞茅沅：管弦樂組曲「舞影」祖健士：雙豎琴協奏曲，「在石頭上」巴赫：A小調四豎琴協奏曲，BWV1065班托克：凱爾特交響曲

香港城市室樂團主辦。2011年10月11日香港文化中心音樂廳錄音。

23/10/2011 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Bellini: I PuritaniElvira: Beverly Sills (s)Lord Arturo Talbo: Nicolai Gedda (t)Sir Giorgio: Paul Plishka (b)Ambrosian Opera Cho.London Phil. Orch. / Julius Rudel

貝利尼：清�徒愛爾薇拉：蕭斯（女高音）泰爾博勳爵：基達（男高音）喬治奧爵士：皮連殊卡（男低音）亞布斯安歌劇合唱團倫敦管弦樂團 / 路迪

8:00pm YOUNG MUSIC MAKERS 樂壇新秀Charles Ng Hon-sun (sx) Annie Yuen On-yee (p)Dubois: Pièces Caractéristiques en Forme de Suite, Op. 77 (excerpts) 11’Piazzolla: Adios Nonino 4’Tomasi: Ballade 15’


吳漢紳（薩克管）袁桉頤（鋼琴）杜保華：性格小品組曲，作品77（選段）皮亞蘇拉：再見爺爺杜馬斯：敍事曲


24/10/2011 (Mon 星期一)11:00am VIVALDI 韋華第Gloria in D, RV589 30’ Lynda Russell, Patrizia Kwella (s) Anne Wilkens (ms) Cho. of St. John’s College, Cambridge / George GuestD大調榮耀頌，RV589羅素，古維拉（女高音）韋健士（女中音）劍橋大學聖約翰書院合唱團 / 佐治‧基斯特


25/10/2011 (Tue 星期二)11:00am MARTINŮ 馬天奈 Cello Concerto No.2 36’ Raphael Wallfisch (vc) Czech Phil. Orch. / Jiří Bělohlávek第二大提琴協奏曲拉菲奧‧華費殊（大提琴）捷克愛樂樂團 / 貝勞拿域


8:00pm LIVE ON 4 第四台音樂會Boris Berezovsky (p)Liszt: Mephisto Waltzes No. 1, S. 514 8’Chopin: Selection of Waltzes and Mazurkas 23’Liszt: Transcendental Etudes, S. 139 54’Albéniz: Serenata and Asturias 08’

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梁喜媛（鋼琴）海牙愛樂樂團 / 迪華特庫瑞斯：隨想曲莫扎特：C小調第二十四鋼琴協奏曲，K. 491李察‧史特勞斯：英雄的一生，作品40

28/10/2011 (Fri 星期五)11:00am BEETHOVEN 貝多芬 String Quartet No. 14, Op. 131 36’Alban Berg Quartet第十四弦樂四重奏，作品131貝爾格四重奏

2:00pm YOUNG MUSIC MAKERS (REPEAT) 樂壇新秀（重播）Prog. as 23/10/2011, 8pm節目與2011年10月23日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Luo Jing (zheng) Wei Jinying (vocal) Song Fei & Zhu Changyao (erhu) Tung Hiu-lo (Eco. Gehu)Diocesan Boys’ School and Diocesan Girls’ School Mixed Cho., Diocesan Girls’ Junior School Cho., Diocesan Boys’ School Primary Division Cho.Chinese Orch. of the Jiangsu Performing Arts Group, Hong Kong Chinese Orch. Zhonghua Chinese Orch. of Chinese Music Association / Wang Aikang, Yan Huichang, Su Wen-cheng Wang Danhong: A Glorious Chapter in History – On the Centenary of the 1911 RevolutionWang Ming (Liu Xijin arr.): Kindred SpiritsLiu Tianhua (Peng Xiuwen arr.): Song of a Promising FutureKuan Nai-chung (Peng Xiuwen arr.): A Heroine and a MartyrSu Wen-cheng: Capriccio ‘Taiwan’Zhong Limin & Zhou Lanping (Zhao Dongsheng arr.): Looking Across the StraitZhao Jiping: Ode to PeaceCheng Dazhao: The World is for All

Presented by Hong Kong Chinese Orchestra. Live at Hong Kong Cultural Centre Concert Hall.

羅晶（古箏）尉金瑩（聲樂）宋飛、朱昌耀（二胡）董曉露（環保革胡）拔萃男書院及拔萃女書院混聲合唱團、拔萃女小學合唱團及拔萃男書院附屬小學合唱團江蘇演藝集團民族樂團，香港中樂團，中華國樂學會中華國樂團 / 王愛康，閻惠昌，蘇文慶王丹紅：百年華章王酩（劉錫津編）：知音劉天華（彭修文編）：光明行關迺忠（彭修文編）：風雨思秋蘇文慶：台灣追想曲鍾立民、周蘭萍（趙東升編）：相望趙季平：和平頌程大兆：天下為公

香港中樂團主辦。香港文化中心音樂廳現場直播。

29/10/2011 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會 Alexandre Tharaud (p)Hong Kong Sinfonietta / Alexander LiebreichBach: Piano Concerto No. 5 in F minor, BWV1056

Mozart: Piano Concerto No. 9 in E flat major, K. 271, ‘Jeunehomme’

Schubert: Symphony No. 9 in C major, D. 944, ‘The Great’

Presented by Hong Kong Sinfonietta. Recorded at

Hong Kong City Hall Concert Hall on 14/10/2011.

泰羅（鋼琴）香港小交響樂團 / 李布賴希巴赫：F小調第五鋼琴協奏曲，BWV1056莫扎特：降E大調第九鋼琴協奏曲，K. 271，「茱諾姆」舒伯特：C大調第九交響曲，D. 944，「偉大」

香港小交響樂團主辦。2011年10月14日香港大會堂音樂廳錄音。

30/10/2011 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Verdi: Il Trovatore

Manrico: Salvatore Licitra (t)

Leonora: Barbara Frittoli (s)

Il Conte di Luna: Leo Nucci (br)

Cor. e Orch. del Teatro alla Scala / Riccardo Muti

威爾第：遊吟武士曼里科：里契特拉（男高音）萊奧諾拉：芙里托莉（女高音）盧納伯爵：奴西（男中音）米蘭斯卡拉大劇院樂團及合唱團 / 梅狄

8:00pm YOUNG MUSIC MAKERS 樂壇新秀4X4 Plucked (yuen, liuqin & yueqin) Janson Leung (dab) Kong Wai-kei (cond.)Wang Ming & Pan Yu-zhang (Wang Zhi-wei arr.): Girls at Water Splashing Festival 4’

Shi Guangnan (Zhou Chenglong arr., Ho Man-hin prep.): The Grapes at Turpan are Ripe 5’

Joshua Chan: Game 7’

Guan Ming: Dance Music of the Western Region 4’

Clarence Mak: Somewhere in the Clouds 10’


4X4 Plucked（阮、柳琴及月琴）梁正傑（手鼓）江偉基（指揮）王明、龐玉璋（王志偉編）：潑水姑娘施光南（周成龍編、何旻軒整理）：吐魯番的葡萄熟了陳錦標：遊戲關銘：玉關引麥偉鑄：雲深不知處


31/10/2011 (Mon 星期一)11:00am HAYDN 海頓Symphony No. 90 in C major, Hob. I/90 26’Hanover Band / Roy GoodmanC大調第九十交響曲，Hob. I/90漢諾威樂隊 / 古特文


1/11/2011 (Tue 星期二)11:00am GRIEG 葛利格 Piano Concerto in A minor, Op. 16 29’

Leif Ove Andsnes (p)Berlin Phil. / Mariss JansonsA小調鋼琴協奏曲，作品16安斯涅斯（鋼琴）柏林愛樂樂團 / 楊遜斯

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• Radio Television Hong Kong • Music Office • Hong Kong Cultural Centre • Hong Kong Cultural Centre • Hong Kong City Hall • Shatin Town Hall • Tsuen Wan Town Hall • Tuen Mun Town Hall • Kwai Tsing Theatre • Yuen Long Theatre • 香港電台 • 音樂事務處 • 香港文化中心 • 香港大會堂 • 沙田大會堂 • 荃灣大會堂 • 屯門大會堂 • 葵青劇院 • 元朗劇院 •• Tom Lee Music Co. Ltd. Retail branches including: Tsimshatsui, Kowloon Bay, Causeway Bay, Wanchai, Quarry Bay, Aberdeen, Western District, Shatin, Tai Po, Tsuen Wan, Ma On Shan, Sheung Shui, Tuen Mun, Yuen Long, Telford • Eddy Piano Co. Ltd. Retail Branches including: Kowloon City, Mongkok, Hung Hum, Tseung Kwan O, Tai Po, Homantin • Tsang Fook Piano Co. Ltd. Wanchai • Muse Music Company • Harmony Music Co. Ltd. Prince Edward • Hong Kong Records Tsimshatsui, Kowloon Tong & Admiralty • Pro-sound Ltd. • ST Music & Art Centre • Rosealan Music • Sole Cultural Goods • Seaview Crescent (SVC) • Coastal Skyline • Youth Square • 通利琴行分行包括：尖沙咀、九龍灣、銅鑼灣、灣仔、鰂魚涌、香港仔、西環、沙田、大埔、荃灣、新港城中心、上水、屯門、元朗、德福 • 偉樂琴行分行包括：九龍城、旺角、紅磡、將軍澳、大埔、何文田 • 曾福琴行灣仔 • 繆斯琴行 • 凱聲琴行太子 • 香港唱片有限公司尖沙咀、九龍塘及金鐘 • 寶韻 Pro-sound Ltd • 華偉音樂藝術中心 • 樂爵士琴行 • 向日葵文化良品 • 東堤海堤灣畔會所 – 海堤會 • 藍天海岸 • 青年廣場 • Hong Kong Children’s Choir • Music Department of the University of Hong Kong • Music Department of the Chinese University of Hong Kong • Music Department of the Hong Kong Baptist University • The Hong Kong Academy for Performing Arts • Hong Kong Music Institute • The United Academy of Music • Hong Kong International Institute of Music • Hong Kong Percussion Centre • Baron School of Music • Hong Kong Professional Piano Education Academy Tin Hau, QuarryBay & Tsuen Wan • The Hong Kong Institute of Education • 香港兒童合唱團 • 香港大學音樂系 • 香港中文大學音樂系 • 香港浸會大學音樂系 • 香港演藝學院 • 香港音樂專科學校 • 聯合音樂學院 • 香港國際音樂學校 • 香港敲擊樂中心 • 伯樂音樂學院 • 香港鋼琴�育專業學院天后、鰂魚涌、荃灣 • 香港�育學院 •• Hong Kong Public Libraries Including: Hong Kong Central Library, North Point, Shatin, Sheung Shui, Tai Po, Tsuen Wan, Tuen Mun, Yuen Long, North Kwai Chung • Hong Kong Museum of Art • Hong Kong Museum of History • 香港公共圖書館包括：香港中央圖書館、北角、沙田、上水、大埔、荃灣、屯門、元朗、北葵涌 • 香港藝術館 • 香港歷史博物館 •

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Publisher Friends of Radio 4 Society Limited P.O. Box No.97497 at Tsim Sha Tsui Post OfficeFM Magazine is officially endorsed by RTHK Radio 4Editor Calvin LaiEnglish Editor Maureen BujaEditorial Assistant Virginia Cheng/Chung Siu SunArt Director Ming LamAdministrator Anna WongISSN 1814-8433Production Pinpoint Advertising Limited

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Recent issues of FM magazine are available at : 網上閱讀近期《美樂集》，請登入： http://www.rthk.org.hk/culture/mag_main.htm#fm

出版人：第四台之友協會有限公司九龍尖沙咀郵政局郵箱97497號「美樂集」乃香港電台第四台確認刊物編輯：賴建群英文編輯：布慕蓮編輯助理：鄭瑋菁 / 鍾兆燊美術總監：林思明行政經理：黃嘉欣製作：天邦廣告設計有限公司

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© 2011 by Friends of Radio 4 Society.All rights reserved. No part of this publication may be reproduced without the prior permission of the publisher.

© 2011第四台之友協會。版權所有。未經出版人許可，不可擅自複印或轉載。

www.finemusic.org.hk

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8:00pm LIVE ON 4 第四台音樂會Jean-Frédéric Neuburger (p)Liszt: Funérailles 10’ Legends, Nos. 1 and 2 16’Messiaen: Le merle de roche 17’Neuburger: Trois chants de Maldoror 19’Chopin: Piano Sonata No. 2 in B flat minor, Op. 35 24’

奴貝傑（鋼琴）李斯特：葬禮傳奇曲，第1、2首梅西安：藍磯鶇奴貝傑：馬多羅歌三首蕭邦：降B大調第二鋼琴奏鳴曲，作品35

2/11/2011 (Wed 星期三)11:00am RAMEAU 拉摩 Harpsichord Suite in D major 29’ William Christie (hc)D大調古鍵琴組曲克里斯蒂（古鍵琴）


8:00pm LIVE ON 4 第四台音樂會Yuri Bashmet (va) Moscow Soloists Ch. EnsembleGrieg: Holberg Suite 19’Bruch: Kol Nidrei 9’Mozart: Divertimento in D major, K. 136 11’Bruch: Romance in F major, Op. 85 9’Tchaikovsky: Serenade for Strings in C major, Op. 48 29’

巴舒密（中提琴）莫斯科獨奏家室樂團葛利格：霍爾堡組曲布魯赫：希伯來禱歌莫札特：D大調嬉遊曲，K.136布魯赫：F大調浪漫曲，作品85柴可夫斯基：C大調弦樂小夜曲，作品48

3/11/2011 (Thu 星期四)11:00am BRUCKNER 布魯克納Mass No. 2 in E minor 36’ Collegium Vocale Cho., La Chapelle Royale Cho. Ensemble Musique Oblique / Philippe HerrewegheE小調第二彌撒曲古樂合唱團，巴黎皇家合唱團奧貝克音樂合奏團 / 賀力韋格


8:00pm LIVE ON 4 第四台音樂會Royal Concertgebouw Orch. / Daniel HardingJanáček: Lachian Dances 22’Mahler: Symphony No. 1 in D major, ‘Titan’ 58’Bartók: Divertimento for Strings, Sz. 113 27’

阿姆斯特丹音樂廳樂團 / 哈丁楊納傑克：拉肯舞曲馬勒：D大調第一交響曲，「巨人」巴托：弦樂嬉遊曲，Sz. 113


專業音樂治療中心註冊音樂治療師:伍偉文

Professional Music Therapist: NG Wai Man

MUSIC THERAPY SERVICE

for autism, ADHD, global delay, depression, performance anxiety, failure in love, trauma,

stress and emotional issues;

TRAINING COURSES & WORKSHOPS

for interested individuals and organizations.

www.mtpro.com.hk 3175 8591 Shop 109, 290-296 Un Chau Street,

Cheung Sha Wan廣告查詢： Miss Wong 黃小姐

Tel 電話： 9073 3575

Email 電子郵箱： [email protected]

Contact Us SINGINGEdD (Mus) candidate, UK; MEd, B.A.(Hons.) Head of Secondary School Music, 18 years

Delightful, resourceful, methodical

Details: www.holaiman-sophia.com 9812 9612 Ms Sophia Ho

Piano TeachingBA(Hon) HKU, LTCL, CTABRSM

[email protected] Mr. Chiu 9360 7410

Piano, Theory, Aural, Accompaniment FRSM, LRSM, ACABRSM,

BA(Hons.) Music, AMusTCL All levels / ages.

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Piano, Theory Tuition, Aural Training

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Experienced Piano Accompanist

[email protected] 6080 9721 Ms. Leung (Wan Chai)

聯合音樂院師資優良收費合理

姚漢輝 (Vienna Conservatory, HKAPA, LRSM)

灣仔駱克道282號12樓

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歌唱英國聖三一學院士、碩士

歌唱家，學生多考獲皇家音樂試優異成績

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專業鋼琴調律 Professional Piano Tuning

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「正式錄音前請留意：黃燈亮起，代表預備；看見我示手勢後，紅燈亮起，

表示錄音正式開始。」

每一次為「樂壇新秀2011」的入圍者錄音時，我必定不厭其煩地重覆以上

說話。

十個入圍單位，合共十三位新秀，以不同樂器演奏不同曲目。每一次錄音，我

都覺得新鮮又興奮。有些新秀是第一次在專業錄音室錄音，還未踏進二號錄音

室已感到驚恐萬分，馬上要上廁所；有些在排練時還很自然，一見紅燈亮起便

突然蹦緊起來，直至完成錄音，歡呼一聲後才再現笑容。

無論如何，這群九十後的年青人，要在有限時間內灌錄三十分鐘音樂，真的不

簡單。他們的每一段錄音都不經剪接，絕對是真材實料。除了音樂演奏以外，

他們還要完成不少項目，也算是新挑戰！其中包括要面對咪高峰和攝影機，在

訪問中親身介紹自己和要演奏的曲目，以及配合錄製唱片的「奄尖」要求。他

們年輕有為，除了先天的才能，我在訪問後，發覺原來後天努力才是最重要！

要一聽他們的精彩演出，務必留意逢星期日晚上8時於第四台播放的「樂壇新

秀2011」。節目會在星期五下午2時重播。如欲一睹各新秀的廬山真面目，請

留意無綫電視明珠台逢星期二上午10時15分或星期五上午9時45分、亞洲電視

國際台逢星期二下午3時30分或星期三下午3時正的「樂壇新秀2011」特備節

目。亦可登入以下網頁重溫節目：

電台：rthk.hk/special/ymm2011

電視：eTVonline.tv

李德芬

Daphne Lee

It is very exciting to be the recording producer of Young Music Makers

2011. The 13 performers, ranging in age from 13 to 20, are young

and energetic, showcase their extraordinary talent on their own

musical instruments. They all have a passion for performing music

and sharing beautiful melodies. It is definitely a challenging task for

them to record 30 minutes of music within a tight schedule, whilst the

music recorded is raw, without editing. This group of ‘post 90s’ are

busy with various activities relating to the YMM programme, such as

recording the radio programmes, being interviewed for the television,

and participating in CD recording sessions.

To watch or listen to the exciting and refreshing performances of YMM

2011, please take note of the following schedule:

On Radio: Every Sunday at 8pm and Friday at 2 pm at Radio 4

(FM 97.6-98.9)

On TV: Every Tuesday at 10:15 am and Friday at 9:45 am on TVB Pearl

Every Tuesday at 3:30 pm and Wednesday at 3 pm on ATV World

Or visit the following websites:

On RADIO -- rthk.hk/special/ymm2011

On eTV -- eTVonline.tv

香港電台二號錄音室 The entrance of Studio 2

8月30日上午於二號錄音室為吹奏口琴的李俊樂錄音，前左為錄音工程師甘國威，右為筆者。 Harmonica player Lee Chun-lok’s recording session at RTHK Studio 2. Left: recording engineer Kam Kwok-wai, right: recording producer Daphne Lee.

電視部工作人員正訪問吹奏薩克管的吳漢紳 Our TV crew interviewing saxophonist Charles Ng


fine music 10-2011

Documents

seong jin

tenor roberto

yeol eum son

jong min park

hong kong

sun young

international

hong kong