fine prints & photography | skinner auction 2673b

FinePrints & Photography

Sale 2673B September 20, 2013 Boston

Fine Prints &Photography

View all lots online at www.skinnerinc.com

cover: 194; frontispiece: 175; back cover: 37

Robin S.R. StarrDepartment Director508.970.3259

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

Specialists

Department Inquiries: 508.970.3206

Auction Information

Auction 2673B Friday, September 2010AMfollowed by the Bunting Collection and Fine Paintings & Sculpture at 2PM

63 Park PlazaBoston, MA

Absentee Bidding

T: 617.874.4318F: 617.350.5429

General Inquiries: 617.350.5400

SkinnerLive!: skinnerinc.com

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Wednesday, September 1812 to 5PM

Thursday, September 1912 to 8PM There will be no preview day of sale

Michelle Lamunière508.970.3264

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Table of Contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Glossary of Terms

5 Lots 1–225

145 Artist Index

146 Conditions of Sale

147 Absentee Bid Form

148 Company Directors & Specialty Departments

149 Administrative Staff & Client Services

150 Map & Driving Directions

151 Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 146 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013

All rights reserved

MA/Lic. #2304

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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph EnnekingIn our judgment, the work is by the artist.

Attributed to John Joseph EnnekingIn our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph EnnekingIn our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph EnnekingIn our judgment, an intended copy of the work of the artist.

American School, 19th CenturyIn our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears SignatureIn our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

Glossary of Terms

FinePrints &MultiplesLots 1–182

1Josef Albers (German/American, 1888-1976)

Intaglio Solo V, 1958, edition of 30 (Danilowitz, 140). Signed and dated “Albers 58” in pencil l.r., titled and numbered “...8/30” in pencil l.l. Intaglio without ink (embossing) on cream wove paper, plate size 6 7/16 x 8 7/16 in. (16.3 x 21.3 cm), unmatted, unframed.Condition: Margins over 3 1/2 inches, tear (approximately 5/8 inches) with creasing to corner l.r., pale foxing.$1,000-1,500

8 Additional information and photos at www.skinnerinc.com

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9Online bidding at www.skinnerinc.com

2Josef Albers (German/American, 1888-1976)

Never Before f, from the NEVER BEFORE Portfolio, 1976, edition of 46 (Danilowitz, 231.6). Signed “Albers” in pencil l.r., titled and numbered “...17/46” in pencil l.l., identified on a label from the Horizon Gallery, Newton & Rockport, Massachusetts, affixed to the backing. Color screenprint on paper, image size 11 x 12 in. (27.8 x 30.4 cm), framed.Condition: Fading to colors, not examined out of frame.$600-800

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3Ivan Le Lorraine Albright (American, 1897-1983)

Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 80” in pencil l.r., dedicated “To Matt/My old friend/Ivan” in pencil l.l. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed.Condition: Deckled edges, subtle toning, very minor handling creases.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$300-350

4Ivan Le Lorraine Albright (American, 1897-1983)

Two Works: A First State and a Later State of Woman in Fur Coat. Both signed “Ivan Albright” in pencil l.r. and dedicated “To Matt...” in pencil l.c. Etchings (the first state in dark burgundy on cream paper; the other in black on white paper), plate sizes 9 x 6 in. (22.7 x 15.2 cm), unmatted, unframed.Condition: Deckled edges, subtle toning, very minor handling creases.



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5Heinrich Aldegrever (German, 1502-c. 1561)

Bathsheba at the Bath, 1535. Monogrammed and dated within the plate. Engraving on laid paper, plate size 5 3/4 x 3 15/16 in. (14.4 x 9.9 cm), unmatted, unframed.Condition: A good impression, trimmed to the plate mark, sheet backed with a fine Japan paper, the original sheet with minor losses along the left edge and thinned spots to verso.$300-500

6Edmond François Aman-Jean (French, 1858-1936)

La femme à la corbeille. Unsigned. Etching on paper, plate size 10 3/8 x 7 7/8 in. (26.3 x 19.8 cm), framed.Condition: Gentle rippling, not examined out of frame.$300-350


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7Sybil Andrews (Canadian/British, 1898-1992)

Haulers, 1929, edition of 50 (White, 4; Coppel, SA 4). Signed and numbered “Sybil Andrews/19/50.” in pencil l.l. Color linocut on Japan paper, image size 7 1/2 x 12 3/4 in. (18.9 x 32.3 cm), matted, unframed.Condition: All but the top edge deckled.$2,000-3,000


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8John Taylor Arms (American, 1887-1953)

Basilica of the Madeleine, Vézelay, 1929, third state of three (Fletcher, 223). Signed and dated “John Taylor Arms - 1929.” in pencil l.r., inscribed “Third State Personal collection ‘e’” in pencil l.l. Etching on paper, plate size 13 x 7 1/2 in. (32.8 x 18.9 cm), framed.Condition: Mat burn, subtle toning, not examined out of frame.$250-300

9John Taylor Arms (American, 1887-1953)

Two Architectural Views: La Colegiata, Toro, 1935, proof of the second state (Fletcher, 284); and Aspiration, La Madeleine, Verneuil-Sur-Avre, 1939, trial proof of the fifth state (Fletcher, 329). Both signed and dated “John Taylor Arms...” in pencil l.r. and annotated l.l. Etchings on paper, plate sizes to 9 3/4 x 12 3/4 in. (24.5 x 32.3 cm), matted, unframed.Condition: Deckled edges, pale staining, pencil annotations to lower margins.$500-700


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10George Copeland Ault (American, 1891-1948)

Came’s House, 1934, edition of 25. Signed and dated “G.C. Ault ‘34.” in pencil l.r., numbered “1/25” in pencil l.l. Lithograph on paper, image size 14 1/8 x 9 7/8 in. (35.7 x 25.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame.$500-700

11Wolfgang Aurifaber (German, 15th/16th Century)

Two Prints: The Madonna and Child with the Abbot Ludwig von Churwalden; probably an 18th century impression, and a counter proof of the same image. Identified within the plate and on labels affixed to the backing. Engraving on paper, sheet/image sizes 12 x 8 1/4 in. (30.4 x 20.8 cm), framed.Condition: Both trimmed inside of the plate mark, counter proof with losses, repairs, and staining to left corners, not examined out of frames.$800-1,200


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12Will Barnet (American, 1911-2012)

Interlude, 1982. Signed and dated “© Will Barnet 1982” in pencil l.r., titled in pencil l.l., inscribed “artist’s proof” in pencil l.c. Color screenprint on paper, image size 20 1/8 x 38 in. (51.0 x 96.4 cm), framed.Condition: Not examined out of frame.

N.B. This composition is based on Barnet’s painting of the same title, completed in 1980.$600-800

13Leonard Baskin (American, 1922-2000)

Short Bull Sioux, 1972-73, edition of 85 (Fern & O’Sullivan, 623). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, numbered “39/85” in pencil l.l., dry stamp l.l. Color lithograph on cream Arches paper with watermark, image size 23 x 21 in. (58.3 x 53.2 cm), unmatted, unframed.Condition: Minor handling creases.$400-600


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14Frank Weston Benson (American, 1862-1951)

High-Flying Ducks, 1917, edition of 150 from the published state (Paff, 128). Signed “FrankWBenson.” in pencil l.l., numbered “32” in pencil l.r. Etching on paper, plate size 7 15/16 x 5 7/8 in. (20.0 x 14.8 cm), framed.Condition: Not examined out of frame.$400-600

15Thomas Hart Benton (American, 1889-1975)

Planting, 1939, edition of 250, published by Associated American Artists, New York (Fath, 28). Signed “Benton” in the plate l.r., signed “Benton” in pencil below the image l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 7/8 x 12 5/8 in. (25.0 x 32.0 cm), framed.Condition: Margins 1 inch, light mat burn, taped to window mat on verso.$1,000-1,500


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16Thomas Hart Benton (American, 1889-1975)

The Race, alternatively titled Homeward Bound, 1942, edition of 250, published by Associated American Artists, New York (Fath, 56). Signed “Benton” in pencil l.r. and within the matrix, a label from AAA accompanies the lot. Lithograph on paper, image size 8 15/16 x 13 1/8 in. (22.5 x 33.3 cm), matted, unframed.Condition: Margins 1 inch or more with deckled edges.$4,000-6,000


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17Paul-Albert Besnard (French, 1849-1934)

Au bord du Gange a Benarès, 1912 (Delteil, 168). Monogrammed within the plate. Etching with plate tone on paper, plate size 6 1/4 x 4 1/2 in. (15.7 x 11.3 cm), framed.Condition: Not examined out of frame.$300-500

18Max Bill (Swiss, 1908-1994)

System of Four Equal Colour Groups, 1968, edition of 66. Signed and dated “Bill/1968” in pencil l.r., numbered “41/66” in pencil l.l., identified on a label from the William Weston Gallery, London, affixed to the backing. Color screenprint on paper, image size 7 7/8 x 7 7/8 in. (19.9 x 19.9 cm), framed.Condition: Not examined out of frame.$300-350


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19William Blake (British, 1757-1827)

Two Plates from The Book of Job, 1825: Frontispiece and The Upright Man is Laughed to Scorn, both published in 1874 by John Linnell. Both identified within the plate and on a label from the William Weston Gallery, London, affixed to the backing. Engraving on paper, plate sizes approximately 8 1/2 x 6 1/2 in. (21.4 x 16.4 cm), framed.Condition: Not examined out of frames.$1,200-1,800


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20Mel Bochner (American, b. 1940)

White Island, 1985, from a proof edition of 12. Signed and dated “Mel Bochner 1985” in pencil l.r., numbered and titled “W.P. 10/12...” in pencil l.l. Aquatint on paper, plate size 29 1/2 x 22 7/8 in. (74.8 x 58.0 cm), framed.Condition: Margins over 3 inches with deckled edges, gentle rippling, floated within the frame, pale soiling/staining to right margin, not examined out of frame.$700-900

21Mel Bochner (American, b. 1940)

Untitled (Cubes), 1989, from a proof edition of 9. Signed and dated “Mel Bochner 1989” in pencil l.r., inscribed “A.P. IX/IX” in pencil l.l. Aquatint on paper, plate size 27 x 41 3/4 in. (68.3 x 105.9 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges.$700-900


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22Angel Botello (Puerto Rican, 1913-1986)

Apples, c. 1975, edition of 50. Signed “Botello” within the image l.r., numbered “10/50” in pencil within the image l.l. Color linocut on paper, image size 16 7/8 x 15 in. (42.7 x 38.0 cm), framed.Condition: Not examined out of frame.$300-500

23After Georges Braque (French, 1882-1963)

Poissons, edition of 300 (Maeght, no. 1001; Vallier, p. 292). Signed “G. Braque” in pencil l.r., numbered “159/300” in pencil l.l. Color etching and aquatint on paper, plate size 13 5/8 x 17 5/8 in. (34.4 x 44.6 cm), framed.Condition: Pale toning, not examined out of frame.$1,500-2,000


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24After Georges Braque (French, 1882-1963)

Verengeville, edition of 300 (Maeght, no. 1023; Vallier, p. 294). Signed “G. Braque” in pencil l.r., numbered “164/300” in pencil l.l., Atelier Crommelynck dry stamp l.l. Color etching and aquatint on Arches paper with watermark, plate size 10 1/8 x 25 3/8 in. (25.6 x 64.3 cm), unmatted, unframed.Condition: Pale toning and fox marks.$700-900


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25Gerald Leslie Brockhurst (British, 1890-1978)

Young Womanhood, 1931, edition of 111 (Brumbaugh et al., 62). Signed “G.L. Brockhurst.” in pencil l.r., signed and dated within the plate, identified on a label from Arthur H. Harlow & Co. Inc., New York, affixed to the backing. Etching and drypoint on paper, plate size 9 1/8 x 6 15/16 in. (23.2 x 17.5 cm), framed.Condition: Mat burn, not examined out of frame. $300-500

26Richmond Burton (American, b. 1960)

Untitled, 1996, edition of 40. Signed and dated “Richmond Burton 1996” in pencil l.r., numbered “12/40” in pencil l.l. Color lithograph on Somerset paper with watermark, image size 25 1/4 x 17 1/2 in. (64.0 x 44.4 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, minor handling creases.$600-800


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27Alexander Calder (American, 1898-1976)

Plate from MAGIE EOLIENNE, 1972, outside of the edition of 75, published by Société Internationale d’Art XXe Siècle, Paris. Signed “Calder” in pencil within the image l.r., inscribed “HC” in pencil l.l. Color lithograph on paper, image/sheet size 25 1/2 x 19 13/16 in. (64.6 x 50.3 cm), framed.Condition: Deckled right edge, minor creasing at very corners, floated within the mat, not examined out of frame.

Provenance: Purchased by the present owner from Galerie Lelong, Paris.$1,500-1,800


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Plate from MAGIE EOLIENNE, 1972, outside of the edition of 75, published by Société Internationale d’Art XXe Siècle, Paris. Signed “Calder” in pencil within the image l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image/sheet size 25 1/2 x 19 5/8 in. (64.6 x 49.8 cm), framed.Condition: Deckled edges, subtle toning, floated within the mat, not examined out of frame.$1,000-1,500


Beastie, 1974, from THE FLYING COLORS COLLECTION, published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on cream paper, image size 16 3/4 x 22 5/8 in. (43.4 x 57.3 cm), framed.Condition: Pale staining and/or toning, not examined out of frame.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600


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Un drôle de poisson, outside of the edition of 90. Signed “Calder” in pencil within the image l.r., inscribed “HC” in pencil l.l. Color lithograph on Rives paper with partial watermark, image/sheet size 19 3/4 x 25 5/8 in. (50.0 x 65.0 cm), framed.Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: Purchased by the present owner from Galerie Lelong, Paris.$1,500-2,000


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31Agostino Carracci (Italian, 1557-1602)

Apollo and the Python, c. 1589-1592 (Bartsch, 107). Identified within the plate. Etching and engraving on paper, plate size 9 7/8 x 13 5/8 in. (25.0 x 34.5 cm), framed.Condition: Margins approximately 1/8 inches (to the plate mark on the left side), pale staining, foxing, tear into image u.c., floated within the mat, not examined out of frame.$300-500

32Eugène Carrière (French, 1849-1906)

Le nouveau-né au bonnet, 1890, second state of two (Delteil, 9). Signed “Eugène Carrière” in pencil l.l., signed and dated within the matrix. Lithograph on chine collé, image size 9 7/8 x 7 3/8 in. (25.1 x 18.6 cm), unmatted, unframed.Condition: Foxing to supporting sheet, pencil annotation to lower edge of same.$200-250

33Eugène Carrière (French, 1849-1906)

Two Portrait Heads of Women: Rêverie (2e planche), 1892, from the second state of two, published in VIE ARTISTIQUE (Delteil, 4), drypoint in sepia ink; and Madame Eugène Carrière (petite planche), 1893 (Delteil, 13), lithograph. Both identified within the matrix. Image sizes to 7 3/16 x 5 in. (18.0 x 12.6 cm), matted, former unframed.Condition: Minor toning and old hinges to right edge on verso to former, latter not examined out of frame.$300-350


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34Edgar Chahine (French, 1874-1947)

Nina, 1923. Signed “Edgar Chahine” in pencil l.l. Etching and drypoint on paper, plate size 12 5/8 x 8 5/8 in. (32.0 x 21.7 cm), framed.Condition: Not examined out of frame.$300-500

35Sandro Chia (Italian, b. 1946)

Two Works: Untitled (Figures) and Untitled (Two Bathers), published by Stamperia d’Arte Berardinelli, Verona. Both signed “S Chia” in pencil l.r. and numbered “A.P...” in pencil l.l., both with publisher’s dry stamp l.l. Color etchings with aquatint on paper, plate sizes 15 1/8 x 10 11/16 in. (38.2 x 27.0 cm), unmatted, unframed.Condition: Deckled right edge, minor soiling to margins.$700-900


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36Christo and Jeanne-Claude (American, b. 1935)

Wrapped Monument to Vittorio Emmanuele (Project for Piazza del Duomo, Milano), 1975, edition of 75, published by Editions Poligrafa, Barcelona. Numbered and signed “59/75 Christo” in pencil within the image l.r., identified within the matrix. Color lithograph with collage on paper, image/sheet size 28 x 22 in. (71.1 x 55.8 cm), framed.Condition: Floated within the mat with gentle rippling, not examined out of frame.$2,000-3,000


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37Chuck Close (American, b. 1940)

Phil I (White), 1982, edition of 15 plus proofs (Butler Institute/Zona, 23). Signed and dated “C Close 1982” in pencil l.r., numbered “13/15” in pencil l.l. Pressed paper pulp in white, grays, and black, image size 51 1/2 x 41 1/2 in. (130.6 x 105.4 cm), framed.Condition: Irregular deckled edges (a result of the process of creating the work), floated within the frame, not examined out of frame.

Provenance: A private Massachusetts collection.

N.B. The subject of this work is the artist’s close friend, composer Philip Glass.$50,000-70,000


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38Corneille (Dutch, 1922-2010)

The Green Sofa, 1979, printer’s proof, printed at Atelier Dumas, Inc., New York. Inscribed, signed, and dated “P/P Corneille ‘79” in pencil within the image u.l., printer’s dry stamp l.l. Color lithograph on paper, image sheet size 19 1/2 x 25 3/4 in. (49.4 x 65.1 cm), unmatted, unframed.Condition: Subtle soiling to verso.$400-600


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39Robert Cottingham (American, b. 1935)

For Jesse, from the ROLLING STOCK Series, 1992, edition of 60. Signed and dated “COTTINGHAM 1992” in pencil l.r., titled and numbered “...39/60” in pencil l.l. Color etching and aquatint on paper, plate size 14 x 8 7/8 in. (35.5 x 22.4 cm), framed.Condition: Margins over 6 inches with deckled edges, floated within the frame, not examined out of frame.$800-1,200

40Robert Cottingham (American, b. 1935)

For Mark, from the ROLLING STOCK Series, 1992, edition of 60. Signed and dated “COTTINGHAM 1992” in pencil l.r., titled and numbered “...39/60” in pencil l.l. Color etching and aquatint on paper, plate size 8 1/4 x 19 1/8 in. (20.9 x 48.4 cm), framed.Condition: Margins over 6 inches with deckled edges, floated within the frame, not examined out of frame.$800-1,200


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41John Steuart Curry (American, 1897-1946)

Stallion and Jack Fighting, 1943, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1943.012). Signed “John Steuart Curry” in pencil l.r., initialed and dated within the matrix, a label from AAA accompanies the lot. Lithograph on paper, image size 11 13/16 x 15 1/2 in. (30.0 x 39.3 cm), matted, unframed.Condition: Margins 1 inch or more with deckled upper and lower edges.$800-1,200


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42Salvador Dalí (Spanish, 1904-1989)

Flowers and Fruit, from the CURRIER & IVES Suite, 1971, from the edition of 250 (Michler & Löpsinger, 1350). Signed “Dalí” in pencil within the image l.r., numbered “218/250” in pencil l.l., identified on a label affixed to the backing. Color lithograph with collage on paper, image/sheet size 21 3/4 x 29 7/8 in. (55.4 x 75.8 cm), framed.Condition: Floated within the mat, not examined out of frame.$800-1,200


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43Salvador Dalí (Spanish, 1904-1989)

VISIONS OF CHICAGO/A Suite of Four Works, 1972, edition of 100, published by Merrill Chase, Chicago (Michler & Löpsinger, 529-532). Each signed “Dalí” in pencil l.r. and numbered “26/100” in pencil l.l. Color drypoints with stencil on paper, plate sizes 19 1/4 x 12 1/2 in. (48.8 x 31.7 cm), framed.Condition: Pale mat burn, not examined out of frames.

Provenance: Purchased by the family of the present owner from Merrill Chase Galleries, Chicago, 1972.$2,000-3,000


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44Warren B. Davis (American, 1865-1928)

Three Female Figures: Woodland Nymph, 1924; Naiad, edition of 150; and Leap. Two signed “Warren Davis” in pencil l.r., Naiad titled and numbered “...71/150” in pencil l.r. Etchings with drypoint on paper, plate sizes approximately 8 x 5 3/4 in. (20.3 x 14.5 cm), partially matted, unframed.Condition: Margins over 2 inches.$600-800


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45Willem de Kooning (Dutch/American, 1904-1997)

Reflections: To Kermit for our Trip to Japan, 1970-71, edition of 28 plus proofs, published by Knoedler, New York, printed by Hollanders Workshop, New York (Graham, 22). Dated and signed “’70 de Kooning” in pencil within the image l.r., numbered “19/28” in the image l.l., printer’s dry stamp l.l. Lithograph on paper, image size 45 7/8 x 33 1/4 in. (116.5 x 84.3 cm), framed.Condition: Floated within the frame, minor creasing (some possibly from the printing process), not examined out of frame.$3,000-5,000


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46Sonia Delaunay-Terk (Ukrainian, 1885-1979)

Untitled. Signed “Sonia Delaunay” in pencil l.r. Color aquatint on Arches paper with watermark, plate size 19 1/2 x 15 3/4 in. (49.4 x 39.8 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, minor toning and soiling, several unpressed creases to right margin.$600-800

47Jim Dine (American, b. 1935)

Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 58/144 1968” in pencil within the image u.l. Color offset lithograph on paper, image/sheet size 35 x 24 3/4 in. (88.8 x 62.8 cm), unmatted, unframed.Condition: Minor handling creases.$800-1,200


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48Jim Dine (American, b. 1935)

Etching Lesson, from EIGHT SHEETS FROM AN UNIDENTIFIED NOVEL, STATE II, 1979, edition of 35 plus proofs (D’Oench & Feinberg, 39). Signed and dated “Jim Dine 1979” in pencil l.r., numbered “22/35” in pencil l.l. Etching with soft ground, aquatint and tooling on paper, plate size 29 7/9 x 22 1/4 in. (75.7 x 56.4 cm), unmatted, unframed.Condition: Margins over 1 inch with deckled edges.

N.B. The original version of the series was executed in 1976, and the images were based on drawings completed by the artist in the previous year. According to D’Oench & Feinberg, Dine wanted to express the fact that this second version was a revision to earlier versions of these images by exploiting slightly off-register impressions.$1,200-1,800


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49Jean Dubuffet (French, 1901-1985)

Immeuble, 1976, edition of 50 (Webel, 1181). Initialed and dated “J.D. 76” in pencil l.r., numbered “28/50” in pencil l.l. Color screenprint on paper, image size 23 1/2 x 26 1/2 in. (59.5 x 67.2 cm), unmatted, unframed.Condition: Minor handling creases.$4,000-6,000


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50Albrecht Dürer (German, 1471-1528)

The Whore of Babylon, from THE APOCALYPSE, with Latin text on the verso (Bartsch, 73; Meder/Hollstein, 177). Monogrammed in the block, collector’s dry stamp l.c. Woodcut on paper, image/sheet size 15 3/16 x 11 in. (38.5 x 27.8 cm), framed.Condition: Good impression, trimmed approximately 1 cm into the image along the upper edge, all other edges trimmed to the boardline, adhered to a supporting sheet along the left edge on verso.

Provenance: Ex-collection of Alexandre-Pierre-François Robert-Dumesnil (1778-1864), Paris (Lugt, 2200).$2,000-3,000


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51Max Ernst (German, 1891-1976)

La forèt bleue, 1962, edition of 75 (Spies & Leppien, 89). Signed “max ernst” in pencil l.r., numbered “6/75” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 9 3/4 in. (31.3 x 24.6 cm), framed.Condition: Subtle toning, not examined out of frame.$250-300

52Richard Estes (American, b. 1932)

Manhattan, from URBAN LANDSCAPES III, 1981, edition of 250 plus proofs (Arthur, p. 121). Signed “RICHARD ESTES” in pencil l.r., numbered “239/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 1/8 in. (35.5 x 51.2 cm), framed.Condition: Not examined out of frame.$1,200-1,500


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53Henri Fantin-Latour (French, 1836-1904)

Two Nudes: Sara la baigneuse, c. 1888 (Hédiard, 84); and Vérité (petite planche) (Hédiard, 156). Both unsigned, the latter identified in text on supporting sheet. Lithographs on chine collé, image sizes to 9 5/16 x 6 in. (23.5 x 15.2 cm), framed.Condition: Not examined out of frames.$300-350

54Lyonel Feininger (German/American, 1871-1956)

Buttelstedt, 1920 (Prasse, W208). Unsigned. Woodcut on paper, image size 8 x 6 1/8 in. (20.2 x 15.5 cm), framed.Condition: Not examined out of frame.$400-600


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55Aaron Fink (American, b. 1955)

Wave, 1981, edition of 50. Signed and dated “Aaron Fink ‘81” in pencil l.r., numbered “7/50” in pencil l.l. Lithograph on heavy cream paper, image size 26 x 40 1/2 in. (66.0 x 102.8 x 59.9 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, handling creases to margins.



Spoon, 1985, edition of 35. Signed and dated “Aaron Fink ‘85” in pencil l.r., numbered “15/35” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 17 7/8 x 35 1/2 in. (45.2 x 90.0 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, minor handling creases (primarily to lower margin).



55

56


Three Abstract Prints, 1998, printed at Segura Publishing Company, Arizona. Each signed and dated “Aaron Fink ‘98” in pencil or similar along the lower edge. Color monotypes on Arches paper with watermarks, image/sheet sizes 22 1/4 x 30 in. (56.4 x 76.2 cm), unmatted, unframed.Condition: Deckled edges.$1,200-1,800


57

58Léonard Tsuguharu Foujita (Japanese/French, 1886-1968)

Deux amies. Signed “Foujita” in pencil l.r. and within the matrix. Lithograph on Japan paper, image size 12 1/2 x 15 1/2 in. (31.5 x 39.3 cm), unmatted, unframed.Condition: Toning, handling creases, glue residue to verso.$250-300

59Jane Freilicher (American, b. 1924)

Bouquet, 1992, edition of 75. Signed “Jane Freilicher” in pencil l.r., numbered “37/75” in pencil l.l. Color aquatint on paper, plate size 25 1/4 x 23 3/16 in. (64.0 x 58.8 cm), framed.Condition: Not examined out of frame.$400-600

60Buckminster Fuller (American, 1895-1983)

Geodesic Structures - Monohex, 1981, edition of 60. Dated, signed, and numbered “© 1981 Buckminster Fuller 27/60” in ink on the Mylar sheet l.r., identified within the matrix. Screenprint on paper overlaid with screenprint on Mylar (or similar), sheet sizes 30 x 40 in. (76.2 x 101.4 cm), unmatted, unframed.Condition: Good.$400-600


58

59

60

61Frank Gallo (American, b. 1933)

Secrets, 1980, edition of 200. Signed “Frank Gallo” in pencil l.r., signed and dated within the matrix, numbered “197/200” in pencil l.l. Cast paper, sheet size 53 1/2 x 40 1/2 in. (135.5 x 102.7 cm), framed.Condition: Deckled edges, floated within the frame, not examined out of frame.

N.B. Sold to benefit the Edward-Dean Museum, Beaumont, California.$1,000-1,500

62Eliza Draper Gardiner (American, 1871-1955)

Mait, edition of 50. Signed and numbered “Eliza D. Gardiner 2/50” in pencil l.l., titled in pencil l.c. Color woodcut on paper, image size 4 11/16 x 4 11/16 in. (11.7 x 11.7 cm), framed.Condition: Even toning, not examined out of frame.$500-700


62

61

63Albrecht Glockendon, the Elder (German, Late 15th/Early 16th Century)

Crucifixion, an early impression. Monogrammed within the plate. Engraving on paper, image/sheet size 10 3/4 x 7 3/8 in. (27.3 x 18.6 cm), framed.Condition: Trimmed to or just into boardline, several creases and repaired tears (primarily within the sky), abrasions u.r., even toning, not examined out of frame.$400-600

64Michiel Gloeckner (American, 1915-1989)

Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Curves and Quadrilaterals), 1974, edition of 110. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 20 3/4 x 16 1/2 in. (52.5 x 41.8 cm), unmatted, unframed.Condition: Margins 1/2 inch or more.$400-600


63

64

65Hendrik Goudt (Dutch, 1583-1648), After Adam Elsheimer (German, 1578-1610)

Jupiter in the House of Philemon and Baucis, 1612, a 17th century impression. Identified within the plate. Engraving on paper, sheet size 8 3/8 x 8 7/8 in. (21.3 x 22.4 cm), framed.Condition: 1 inch tear u.l., repair and/or creasing to corner l.l., not examined out of frame.$400-600

66Hendrik Goudt (Dutch, 1583-1648), After Adam Elsheimer (German, 1578-1610)

The Flight into Egypt, 1613. Identified within the plate. Engraving on laid paper, sheet size (without additions at edges) 13 7/8 x 15 3/4 in. (35.2 x 39.8 cm), unmatted, unframed.Condition: Trimmed to or just within the plate mark, repairs along vertical crease, side and top edges augmented, minor nicks to lower edge, rubs and/or insect damage near lower corners.$500-700


65

66

67Philip Guston (American, 1913-1980)

Sea, 1980, edition of 50 plus 11 proofs, published by Gemini G.E.L., Los Angeles (Gemini, 21.3). Signed and dated “Philip Guston ‘80” in pencil l.r., titled and numbered “...30/50” in pencil l.l., publisher’s and copyright dry stamps l.r. Lithograph on gray HMP Koller paper, image size 23 1/2 x 39 1/4 in. (59.5 x 99.5 cm), framed.Condition: Deckled edges, floated within the frame, not examined out of frame.$1,000-1,500


67

68Dimitri Hadzi (American, 1921-2006)

Two Works: W12 (Concentric Triangles) and Untitled (Curves and Triangles), 1991, editions of 4, printed at the Garner Tullis Workshop, New York. Both signed and dated “Hadzi ‘91” in pencil l.r. and numbered “1/4” in pencil l.l. Relief prints on heavy handmade paper, image sizes approximately 10 x 10 in. (25.4 x 25.4 cm), presented together in a single frame.Condition: Floated within the mat, not examined out of frame.$400-600

69William Lee Hankey (British, 1869-1952)

Two Images of Reflection: The Trinket Box, 1919 (Hardie, 157); and Sewing, 1920 (Hardie, 183). Both signed “W. Lee-Hankey inv + imp” in pencil l.c., with artist’s dry stamp (Lugt 2637a), and monogrammed within the plate. Etchings on paper, plate sizes to 8 3/8 x 6 1/2 in. (21.2 x 16.4 cm), framed.Condition: Unobtrusive toning and mat burn, not examined out of frames.$200-250


68

69

70Keith Haring (American, 1958-1990)

Silence Equals Death, 1989, edition of 200, published by the Outreach Fund for AIDS. Numbered, signed, and dated “38/200 K. Haring 89...” in pencil l.r., lizard dry stamp l.l. Color screenprint on paper, image size 33 x 33 in. (83.7 x 83.7 cm), framed.Condition: Floated within the frame, subtle surface inconsistencies u.c., not examined out of frame.$7,000-9,000


70

71Hans Hartung (German, 1904-1989)

Untitled (Blue and Black), c. 1970. Signed “Hartung” in pencil l.r., numbered “95/200” in pencil l.l. Color lithograph on paper, image size 17 x 23 3/8 in. (43.2 x 59.3 cm), framed.Condition: Not examined out of frame.$300-500

72Damien Hirst (British, b. 1965)

Follow my Leader, from IN A SPIN/THE ACTION OF THE WORLD ON THINGS II, 2002, printer’s proof outside of the edition of 68, published by The Paragon Press, London. Signed “Damien Hirst” in pencil l.r. and within the plate, inscribed “PP” in pencil l.l., titled and dated within the plate. Color etching and engraving on paper, circular plate diameter 32 5/8 in. (82.7 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, minute handling creases.$4,000-6,000


72

71

73Morris Henry Hobbs (American, 1892-1967)

Two Views of the French Quarter: Old Madison St., 1939, edition of 300; and Pirate’s Alley, 1943, edition of 300. Both signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., numbered in pencil l.c., and titled and dated within the plate. Etchings on paper, plate sizes to 9 7/8 x 6 7/8 in. (24.8 x 17.4 cm), framed.Condition: Subtle toning, Madison with pale staining or foxing, not examined out of frames.$700-900

74Morris Henry Hobbs (American, 1892-1967)

Fan Window at 648 Toulouse St. Old New Orleans, edition of 200. Signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., numbered “29/200” in pencil l.c. Etching on paper, plate size 8 x 6 in. (20.3 x 15.2 cm), framed.Condition: Toning, not examined out of frame.$400-600


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73

75Howard Hodgkin (British, b. 1932)

Mango, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 83). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 29 1/2 x 43 1/2 in. (74.8 x 110.3 cm), framed.Condition: Deckled edges, floated within the frame, with gentle rippling, not examined out of frame.$4,000-6,000


In an Empty Room, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 84). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 47 1/2 x 59 in. (120.5 x 149.7 cm), framed.Condition: Deckled upper and lower edges, floated within the frame, with gentle rippling, not examined out of frame.$4,000-6,000


76

75


Night Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 86). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed.Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame.$5,000-7,000


Street Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 87). Numbered, initialed, and dated “10/55 HH 51 [sic]” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 59 x 47 1/2 in. (149.7 x 120.5 cm), framed.Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame.$5,000-7,000


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Palm and Window, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 88). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed.Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame.$6,000-8,000


Flowering Palm, 1990-1991, edition of 55, published by Waddington Graphics, London, printed by Jack Shirreff (Heenk, 89). Numbered, initialed, and dated “10/55 HH 91” in pencil within the image l.c. Color etching and carborundum with hand-coloring on paper, image/sheet size 58 1/2 x 47 1/2 in. (148.4 x 120.5 cm), framed.Condition: Deckled left and right edges, gentle rippling, floated within the frame, not examined out of frame.$5,000-7,000

81Frances Mary Hodgkins (British, 1869-1947)

Arrangement of Jugs, 1937, published by Contemporary Lithographs Ltd., London. Signed “Frances Hodgkins” in pencil within the image l.r., publisher identified in text l.l., identified on a label from the William Weston Gallery, London, affixed to the backing. Color lithograph on paper, image size 18 1/8 x 24 in. (46.0 x 60.8 cm), framed.Condition: Text partially trimmed along lower edge, floated within the mat, not examined out of frame.$600-800

82Louis Icart (French, 1888-1950)

Blancheurs, 1932 (Holland et al., 426). Signed “Louis Icart” in pencil l.r., identified in publication text u.l., artist’s dry stamp l.l. Etching with hand-coloring on chine collé, plate size 19 1/2 x 15 1/2 in. (49.4 x 39.3 cm), framed.Condition: Toning, mat burn, not examined out of frame.$600-800


82

81

83Marcel Janco (Israeli, 1895-1984)

Three Artist’s Proofs: Mandolin au dé, 1930, color screenprint with embossing; Don Quichotte, 1940, lithograph in black and yellow; and Les speculants, 1960, color screenprint. Each signed and dated in pencil l.r., titled in pencil l.l., and inscribed and dedicated “Epreuve d’artiste...” l.c. Image sizes to 20 1/2 x 25 1/4 in. (52.0 x 64.1 cm), unmatted, unframed.Condition: Most edges deckled, some edges with minor nicks and tears, minor toning, minor ink losses to Mandolin, fine crease line to image of Speculants.$600-800

84Wolf Kahn (German/American, b. 1927)

Barn, 1969, edition of 40. Signed and dated “W Kahn 69” in pencil l.r., numbered “34/40” in pencil l.l., identified on a label affixed to the backing. Color lithograph on paper, image size 17 1/2 x 20 7/8 in. (44.4 x 52.8 cm), framed.Condition: Unobtrusive toning and mat burn, not examined out of frame.$500-700


84

83

85Wassily Kandinsky (Russian, 1866-1944)

Kleine Welten IV, 1922, edition of 200 published by Propyläen Verlag, Berlin (Roethel, 167). Signed “Kandinsky” in pencil l.r., monogrammed within the matrix. Lithograph printed in yellow, green, lavender and black, on wove paper, image size 10 5/8 x 9 3/4 in. (27.0 x 24.6 cm), framed.Condition: Pale mat burn, fading to lavender, hinged at upper corners.$5,000-7,000

86Wassily Kandinsky (Russian, 1866-1944)

Untitled, from XXe SIÈCLE, 1939, edition of 1,200 (Roethel, 201). Monogrammed within the matrix. Woodcut in red and blue on paper, image size 8 3/4 x 11 in. (22.2 x 28.0 cm), framed.Condition: Subtle toning to sheet, floated within the mat, not examined out of frame.$500-700


86

85

87Alex Katz (American, b. 1927)

Mac, Nabil, and Ron/Three Plates from GIVE ME TOMORROW, 1983, edition of 40, published by Atelier Aldo Crommelynck, Paris (Maravell, 140-142). Each signed and numbered “Alex Katz.../40” in pencil l.l. Aquatints on paper, plate sizes 12 1/8 x 10 1/2 in. (30.5 x 26.5 cm), unmatted, shrink-wrapped.Condition: Margins 2 1/2 inches or more with deckled edges, not examined out of wrap.$1,500-2,000


87

88Robert Ellis Kushner (American, b. 1949)

Hiroko, 1986, edition of 170, published by Solo Press, New York. Signed “Robert Kushner” in pencil l.r., numbered “58/170” in pencil l.c., titled in pencil l.l. Color lithograph on Japan paper, image size 28 1/2 x 22 1/2 in. (72.2 x 57.1 cm), framed.Condition: Deckled edges, floated within the frame, not examined out of frame.$500-700

89Edward August Landon (American, 1911-1984)

Gothic, 1954, edition of 35 (Mary Ryan Gallery, 92). Signed “E Landon” in pencil l.r., titled and numbered “...17/35” in pencil l.l. Screenprint in black and grays on paper, image size 18 x 6 5/8 in. (45.7 x 16.7 cm), framed.Condition: Light-struck, not examined out of frame.$600-800


8988

90Marie Laurencin (French, 1885-1956)

Suzanne, 1927, published in Le chien de Piqut (Marchesseau, 131). Signed “Laurencin” in pencil l.c., numbered “4/150” in pencil l.r., dry stamp l.r. Lithograph on heavy wove paper, image size 9 1/2 x 8 1/2 in. (24.0 x 21.5 cm), matted, unframed.Condition: Margins over 2 inches with deckled edges, light-struck, subtle toning to sheet.$700-900

91Marie Laurencin (French, 1885-1956)

Colombine, 1928 (Marchesseau, 136). Signed “Marie Laurencin” in pencil l.r., numbered “7/150” in pencil l.l. Lithograph on heavy wove paper, image size 14 7/8 x 11 1/8 in. (37.6 x 28.1 cm), matted, unframed.Condition: Margins over 2 inches with deckled edges, light-struck, subtle toning to sheet.$700-900


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90


93

92

92Hans Sebald Lautensack (German, c. 1520-c. 1560)

Two Pines and a Church across from a Rivertown, 1553 (Bartsch, 42). Monogrammed within the plate, unidentified pictorial collector’s mark on the reverse. Etching on paper, sheet size 4 7/16 x 6 3/4 in. (11.2 x 17.0 cm), framed.Condition: Trimmed to the boardline on the upper and left edges, trimmed within the plate mark to the right and lower edges, subtle toning, not examined out of frame.$1,000-1,500

93Auguste Louis Lepère (French, 1849-1918)

Two French River Views: Nantes, 1900; and La Seine à l’embouchure du Canal Saint-Martin, 1904, second state. Both signed “...ALepere...” in pencil l.r., the latter with an A. Sagot, Paris, dry stamp l.r., and “ECC” collector’s mark l.l. Etching (the former with aquatint) on paper, plate sizes to 6 1/2 x 10 5/8 in. (16.4 x 26.8 cm), matted, unframed.Condition: Most edges deckled.$300-500

94Sol LeWitt (American, 1928-2007)

Three Sets of Tumblers, 2002, sets number 82, 83, and 90 from the edition of 250, produced by ARTEL, Prague. One in each set signed and dated “Sol LeWitt 2002” on the underside, another in each set numbered “.../250” on the underside. Etched crystal tumblers, height 5 in. (12.5 cm), each set presented in its original box.Condition: Good.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$800-1,200


94

95Lucas van Leyden (Dutch, 1494-1533)

Faith, an early impression. Monogrammed and titled within the plate. Engraving on paper, image/sheet size 6 1/2 x 4 5/16 in. (16.4 x 10.9 cm), framed.Condition: Trimmed unevenly into image, several abrasions within the image, staining c.l., not examined out of frame.$300-500

96After Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.Condition: Subtle toning, very minor handling marks and creases.$500-700


95

96

97Bertha Boynton Lum (American, 1869-1954)

Three Goddesses. Signed “Bertha Lum” in pencil within the image l.c. Raised line woodcut with hand-coloring on paper, image size 17 1/8 x 11 1/8 in. (43.3 x 28.2 cm), frame accompanies the lot.Condition: Pale foxing.$1,200-1,800

98René Magritte (Belgian, 1898-1967)

Les bijoux indiscrets, 1963, from the edition of 2,000 (Kaplan & Baum, 3). Signed and titled within the matrix. Color lithograph on paper, image size 9 1/4 x 12 in. (23.3 x 30.3 cm), framed.Condition: Not examined out of frame.$300-350


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97

99Conrad Marca-Relli (American, 1913-2000)

Untitled A, 1967, edition of 30. Signed and dated “MARCA-RELLI/67” l.r., numbered “17/30” l.l., identified on a label from the Marlborough Graphics Gallery, New York, affixed to the backing. Metal collage, 18 x 18 in. (45.7 x 45.7 cm), framed.Condition: Surface rubs.$700-900


99

100John Marin (American, 1870-1953)

Downtown, the El, 1921, an impression from the 1924 edition made from the plate after steel-facing (Zigrosser, 134). Signed “John Marin” in pencil l.l., signed and dated within the plate. Etching on paper, plate size 6 3/4 x 8 3/4 in. (17.2 x 22.2 cm), framed.Condition: Unobtrusive toning, pale fox marks, not examined out of frame.$3,000-3,500

101Reginald Marsh (American, 1898-1954)

Girl Walking, 1945, edition of 250, published by Associated American Artists, New York (Sasowsky 28; AAA/Czestochowski, 1945.056). Signed “Reginald Marsh” in pencil l.r., signed and dated within the matrix. Lithograph on paper, image size 10 9/16 x 7 15/16 in. (27.0 x 20.0 cm), framed.Condition: Margins over 1 3/4 inches with deckled upper and right edges, pale staining and mat burn.$400-600


100

101

102Michael Mazur (American, 1935-2009)

Amaryllis/Calla II, 1982 (Hansen, 233). Signed and dated “Mazur ‘82” in pencil l.r., titled in pencil l.l., inscribed “a.p.” l.c. Color etching, aquatint and monotype on paper, plate size 35 1/2 x 24 in. (90.0 x 60.9 cm), framed.Condition: Margins over 2 inches with deckled edges, floated within frame, not examined out of frame.$800-1,200

103Michael Mazur (American, 1935-2009)

Slide #6. Signed “Mazur” in pencil l.r., titled l.l., identified on a label from Robert Miller Gallery, New York, and with the artist’s stamp on the backing. Monotype with pastel, 36 x 32 in. (91.4 x 81.3 cm), framed.Condition: Foxing, rippling.$300-500


103102

104John McCrady (American, 1911-1968)

Swing Low, Sweet Chariot, 1941, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1941.048; Marshall, 64). Signed “John McCrady” in pencil l.r., titled in pencil l.l., a label from AAA accompanies the lot. Lithograph on paper, image size 10 15/16 x 14 13/16 in. (27.7 x 37.5 cm), matted, unframed.Condition: Margins 1/2 inch or more with deckled lower edge.$700-900

105John McCrady (American, 1911-1968)

Wreck of the Old ‘97, 1942, edition of 250, published in 1943 by Associated American Artists, New York (AAA/Czestochowski, 1943.036; Marshall, 71). Signed “John McCrady” in pencil l.r., initialed within the matrix, titled in pencil l.l., a label from AAA accompanies the lot. Lithograph on paper, image size 10 5/8 x 14 3/4 in. (26.9 x 37.3 cm), matted, unframed.Condition: Margins 1/2 inch or more with deckled upper and lower edges.$1,200-1,800


105

104

106Charles Meryon (French, 1821-1868)

Rue des Chantres, 1862, final state of four (Delteil, 42). Identified within the plate. Etching on paper, plate size 11 7/8 x 5 7/8 in. (30.0 x 14.8 cm), framed.Condition: Toning, mat burn, not examined out of frame.$200-250

107Sam Messer (American, b. 1955)

Untitled Diptych, 1988. The left panel signed and dated “Messer 88” in pencil within the image l.r., the right panel signed in pencil on verso. Color monotype on Somerset paper with watermark, image/sheet sizes each 30 x 22 1/4 in. (76.2 x 56.4 cm), unmatted, unframed.Condition: Deckled edges, minor handling marks/creases.$400-600


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107

108Peter Milton (American, b. 1930)

THE JOLLY CORNER, a suite of twenty-one images plus an original printing plate for the story by Henry James, 1971, published by Aquarius Press, Baltimore and New York, from the preferred edition of 21. Numbered and signed “XIVXXI/Peter Milton” on the colophon page, one etching signed and dated in pencil. Etchings with drypoint and aquatint on Rives paper, sheet sizes 19 x 15 in. (48.2 x 38.1 cm), presented in the original portfolio.Condition: Deckled edges; the set contains only one set of the etchings.$2,500-3,500


108

109Joan Miró (Spanish, 1893-1983)

Galerie Maeght Miró Sculptures Art Graphique, 1950, edition of 500 (Picazo, 5; Mourlot, 92). Identified within the matrix, identified on a label from the William Weston Gallery, London, affixed to the backing. Color lithographic poster on paper, image size 22 3/4 x 16 1/4 in. (57.7 x 41.2 cm), framed.Condition: Centralized horizontal and vertical fold, rippling, not examined out of frame.$500-700


Le chevelure de Bérénice I, 1963, edition of 75, printed and published by Maeght, Paris (Dupin, 354). Signed “Miró” l.r., numbered “41/75” in pencil l.l. Etching with color aquatint on paper, plate size 18 1/2 x 26 7/8 in. (46.8 x 68.2 cm), framed.Condition: Margins 1 1/2 inches or more, gentle rippling, not examined out of frame.$4,000-6,000


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110


Escalade, 1969, edition of 75 (Dupin, 494). Signed “Miró” l.r., numbered “32/75” in pencil l.l. Color etching with aquatint and carborundum on paper, plate/sheet size 26 1/8 x 19 3/4 in. (66.3 x 50.2 cm), framed.Condition: Deckled edges, rippling, staining to edges, floated within mat, not examined out of frame.$3,000-5,000


Ceramiques, 1974, published by Maeght Éditeur, Paris (Maeght, 928). Signed within the matrix. Color lithograph on cream paper, image size 16 1/2 x 24 1/4 in. (41.8 x 61.5 cm), framed.Condition: Not examined out of frame.$800-1,200


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111

113Joan Mitchell (American, 1925-1992)

Sunflower VI, 1972, edition of 75 plus proofs, published by Maeght Éditeur, Paris. Signed “Joan Mitchell” in pencil l.r., inscribed “EA” in pencil l.l. Color etching with aquatint on paper, plate size 23 3/8 x 19 1/2 in. (59.3 x 49.4 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.$3,000-4,000


113

114Thomas Moran (American, 1837-1926)

Sunrise - The Pond, Easthampton, L.I., alternatively titled Morning: Hook Pond and Old Bridge, 1883 (Klackner, 39; Morand & Friese, 47). Monogrammed within the plate. Etching and drypoint on paper, plate size 4 1/2 x 7 1/8 in. (11.4 x 18.0 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame.$400-600

115Thomas Moran (American, 1837-1926)

Half Dome: View from Moran Point, 1887. Signed “T.Moran” in pencil l.l., signed and dated within the plate. Etching in dark brown ink on paper, plate size 12 3/4 x 9 in. (32.3 x 22.8 cm), unmatted, unframed.Condition: Unobtrusive toning, soiling to margins, crease to margin at corner l.l.$400-600


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115

116Berthe Morisot (French, 1841-1895)

Jeune fille au repos, 1889, impression from the canceled plate. Unsigned. Drypoint on wove paper, plate size 3 1/4 x 4 3/4 in. (8.2 x 13.0 cm), matted, unframed.Condition: Mild soiling to margins.$300-350


116

117Robert Motherwell (American, 1915-1991)

Three Figures, 1989, edition of 80 plus proofs published by Tyler Graphics Ltd., Mount Kisco, New York (Walker Art Center, 489). Signed and numbered “RMotherwell/22/80” in pencil within the image l.r., publisher’s dry stamp l.r. Color lithograph on paper, image/sheet size 56 x 40 in. (142.2 x 101.4 cm), framed.Condition: Deckled edges, floated within the mat, not examined out of frame.$7,000-9,000

118Robert Motherwell (American, 1915-1991)

Untitled (A), an uneditioned print. Inscribed and signed “Bon à tirer R Motherwell” in pencil l.r., inscribed “bon à tirer R Motherwell PKXTT” on verso. Lithograph on BFK Rives paper with watermark, plate size 37 5/8 x 29 1/2 in. (95.4 x 74.8 cm), unmatted, unframed.Condition: Deckled edges (deckles with some mild staining), handling marks and creases.$1,000-1,500

79Online bidding at www.skinnerinc.com118

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119Thomas Willoughby Nason (American, 1889-1971)

Old Boston Houses, 1925, edition of 40 (Comstock & Fletcher, 52). Signed and dated “T W Nason 1925” in pencil l.r. Wood engraving on paper, 4 x 3 3/4 in. (10.4 x 9.4 cm), framed.Condition: Margins 5/8 inch or more, small, soft smudge in u.l. margin.$150-250

120John Newman (American, b. 1952)

Auto-de-fé, 1990, edition of 43, published by Tyler Graphics Ltd., Mount Kisco, New York. Numbered, signed, and dated “13/42 John Newman 1990” in pencil within the image l.r., publisher’s dry stamp l.r. Color lithograph with etching and aquatint on paper, image size 56 x 56 in. (142.1 x 142.1 cm), framed.Condition: Deckled edges, floated within frame, not examined out of frame.$400-600


120

119

121Dale William Nichols (American, 1904-1995)

Partners, 1950, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1950.049). Signed “+Dale Nichols” in pencil l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 1/2 x 13 1/4 in. (24.1 x 33.4 cm), framed.Condition: Not examined out of frame.$800-1,200

122Denji Noma (Japanese, b. 1935)

Hyotoko - Mask, edition of 20. Signed “Denji Noma” in pencil l.r., titled in pencil l.l., numbered “5/20” in pencil l.c. Color aquatint on paper, plate size 20 1/2 x 16 1/2 in. (52.0 x 41.8 cm), framed.Condition: Subtle toning, not examined out of frame.$600-800

81Online bidding at www.skinnerinc.com122

121

123Claes Oldenburg (American, b. 1929)

Double Punching Bag, 1967, edition of 80, published by HKL Ltd., Boston & New York (Axson & Platzker, 48). Signed “Oldenburg” in pencil l.r., numbered “55/80” in pencil l.l. Color lithograph on cream paper, image size 36 x 19 7/8 in. (91.0 x 50.3 cm), framed.Condition: Deckled right and lower edges, several pale fox marks, gentle rippling, not examined out of frame.$300-500

124Claes Oldenburg (American, b. 1929)

Miniature Soft Drum Set, 1969, edition of 200. Initialed and numbered “CO 21/200” in marker on the bass drum, stamped and numbered on the underside of the stand. Mixed media multiple with screenprinted canvas, rope, and wood, stand measures 2 x 14 x 18 in. (5.0 x 35.4 x 48.2 cm).Condition: Minor soiling to some elements, losses to paper on stand.$3,000-5,000


124123

125Ray Parker (American, 1922-1990)

Untitled, edition of 90. Numbered and signed “24/90 R. Parker” in pencil l.l. Color screenprint on paper, image size 33 1/2 x 44 1/4 in. (85.0 x 112.3 cm), framed.Condition: Subtle rippling near edges, water stain u.r., not examined out of frame.$500-700

126Philip Pearlstein (American, b. 1924)

Temple at Paestum, 1983, edition of 50. Titled, numbered, signed, and dated “...32/50 Philip Pearlstein ‘83” in pencil within the image l.r. Color aquatint on paper, image/sheet size 28 5/8 x 40 1/4 in. (72.5 x 102.0 cm), framed.Condition: Deckled edges, floated in frame, not examined out of frame.$800-1,200


126

125

127Gabor F. Peterdi (American, 1915-2001)

Vertical Rocks, 1959, edition of 45 (Peterdi & Johnson, 166). Signed and dated “G Peterdi 59” in pencil l.r., titled in pencil l.c., numbered “22-45” in pencil l.l. Etching with engraving and aquatint on paper, plate size 32 1/2 x 22 3/4 in. (82.5 x 57.7 cm), framed.Condition: Not examined out of frame.$300-350

128Pablo Picasso (Spanish, 1881-1973)

Figures, 1927, edition of 50, printed in 1960 (Bloch, 81; Geiser, 122). Signed “Picasso” in pencil l.r., numbered “20/50” in pencil l.l. Etching on paper, plate size 7 5/8 x 11 in. (19.3 x 27.9 cm), framed.Condition: Margins 1/2 inch or more, mat burn, not examined out of frame.$4,000-6,000


127

128


Peintre entre deux modèles regardant une toile, from LE CHEF-D’OEUVRE INCONNU, 1927, edition of 99 (Bloch, 83; Geiser, 124). Signed “Picasso” in brown ink l.r., numbered “89/99” in brown ink l.l. Etching on paper, plate size 7 5/8 x 11 in. (19.3 x 27.9 cm), framed.Condition: Margins over 1 1/4 inches, not examined out of frame.$4,000-6,000


Dessins d’un demi-siècle, 1956, edition for the cover of the catalogue for L’exposition 1956 de Berggruen & Cie (Bloch, 792). Signed within the matrix. Color lithograph on paper, image/sheet size 8 5/8 x 9 1/4 in. (21.8 x 23.5 cm), framed.Condition: Two vertical central creases (corresponding to the bound edge of the cover), very subtle toning, floated within the frame, not examined out of frame.$500-700


130

129

131After Pablo Picasso (Spanish, 1881-1973)

Les Menines, 1959, edition of 1,500, printed by Mourlot, Paris (Czwiklitzer, 141). Signed and identified within the matrix. Color lithograph on paper, image size 24 3/4 x 17 1/2 in. (62.7 x 44.4 cm), framed.Condition: Not examined out of frame.$1,500-2,000


131

132Rona Pondick (American, b. 1952)

Sweet Tooth, 1998, edition of 35, published by the New Museum, New York. Unsigned. Mixed media with linen, acid-free binder board, basswood, rubber, and plastic, 12 1/8 x 12 1/2 in. (30.6 x 31.5 cm).Condition: Good.



132

132AJosé Guadalupe Posada (Mexican, 1851-1913)

Five Double-sided Pages: Despues del Balle, 1902; Tiernas Suplicas, 1903; La Noche Serena, 1904; De los Prontosticos Va, and Los Cocineros. Each titled within the matrix. Zincographs on paper (two on green sheets), sheet sizes approximately 11 1/2 x 7 1/2 in. (29.2 x 19.0 cm), unmatted, unframed.Condition: Minor nicks to edges, unobtrusive toning, Balle with tear u.c.$800-1,200

132BJosé Guadalupe Posada (Mexican, 1851-1913)

Five Double-sided Pages: Una Triste Despedida, 1903; Corrido de Acelgas, 1908; Senor de Chalmita, 1912; El Jesus!; and Ni un Cigaro que Fumar. Each titled within the matrix. Zincographs on paper, sheet sizes approximately 11 1/2 x 7 1/2 in. (29.2 x 19.0 cm), unmatted, unframed.Condition: Minor nicks to edges, unobtrusive toning.$1,000-1,500


132B

132A

133Robert Rauschenberg (American, 1925-2008)

Twelve Works from XXXIV DRAWINGS FOR DANTE’S INFERNO: Plank, plus eleven of the thirty-four reproductions, 1964, total edition of 300. Plank titled, numbered, signed, and dated “...34/43 RAUSCHENBERG 1964” in pencil within the image l.r. and with ULAE dry stamp, the set signed “RAUSCHENBERG” and numbered “34” on the colophon. Plank an original lithograph, the rest color offsets, sheet sizes to 17 x 17 in. (43.2 x 43.2 cm), presented in the original clamshell box (wear).Condition: Good.



133

134Rembrandt van Rijn (Dutch, 1606-1669)

Beggar in a High Cap, Standing and Leaning on a Stick, c. 1630, only state, probably a lifetime impression (Hind, 15; White & Boon/Hollstein, 162), collector’s stamp to verso (see below). Etching on laid paper, plate size 6 3/16 x 4 3/4 in. (15.6 x 11.9 cm), framed.Condition: Margins approximately 1/8 inch, a good impression, pencil annotations to verso, brown paper tape hinges to upper corners on verso.

Provenance: Ex-collection of Friedrich Kalle (1804-1875), Cologne and Bonn (Lugt, 2021).$800-1,200


The Strolling Musicians, c. 1635, probably a 17th century impression (Hind, 142; White & Boon/Hollstein, 119 I/II). Etching on laid paper, plate size 5 9/16 x 4 1/2 in. (14.0 x 11.4 cm), framed.Condition: Margins approximately 1/8 inch, a good impression, pencil and ink annotations to verso, rub to corner of image u.r., brown paper tape hinges to upper corners on verso.$1,000-1,500


135

134


Jan Uytenbogaert, Preacher of the Remonstrants, 1635, final state of six, a posthumous impression (White & Boon/Hollstein, 279). Signed, dated, and identified within the plate. Etching and drypoint on paper, sheet size 9 x 7 3/8 in. (22.8 x 18.6 cm), framed.Condition: Trimmed at or within the plate mark (sheet in the form of an octagon), small tears into image along the right sides, pale toning and foxing, not examined out of frame.$2,000-2,500


136


Three Heads of Women, One Asleep, 1637, only state, an 18th century impression (White & Boon/Hollstein, 368). Signed and dated within the plate, identified on a label from Bellette Hofmann Fine Art Inc., New York, affixed to the backing. Etching on laid paper, sheet size 5 5/8 x 3 7/8 in. (14.2 x 9.6 cm), framed.Condition: Pale staining and/or fox marks, not examined out of frame.$800-1,200

137ARembrandt van Rijn (Dutch, 1606-1669)

Old Man with Divided Fur Cap, 1640, probably a late 17th century impression (Bartsch, 265). Signed and dated within the plate. Etching on laid paper with figural watermark, plate size 6 1/16 x 5 7/16 in. (15.3 x 13.7 cm), framed.Condition: Margins approximately 1/8 in., pale toning and foxing, pencil annotation to verso.$6,000-8,000


137A

137

138Robert Riggs (American, 1896-1970)

Casualty Award, 1942-45 (Bassham, 83). Signed within the matrix. Lithograph on paper, image size 15 1/2 x 12 3/8 in. (39.3 x 31.5 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches with deckled edges to two sides, gently light-struck, old hinges to verso along upper edge.$250-300

139George Rodrigue (American, b. 1944)

Blue Dog (AH10), 2008. Signed “Rodrigue” in silver marker within the image l.r. Acrylic over color screenprint on foiled paper, sight size 17 x 17 in. (43.2 x 43.2 cm), framed.Condition: Not examined out of frame.$3,000-5,000


139

138

140James Rosenquist (American, b. 1933)

Terrarium, 1978, edition of 100 (Glenn, 154). Signed and dated “James Rosenquist 1978” in pencil l.r., numbered and titled “8/100...” in pencil l.l., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color lithograph on cream paper, image size 22 x 40 in. (55.8 x 101.5 cm), framed.Condition: Deckled edges, floated in frame, extremely gentle rippling, not examined out of frame.


141Ed Ruscha (American, b. 1937)

Every Building on the Sunset Strip/A Book, 1966, edition of 1,000. Identified on the title page. Offset lithographs on attached and accordioned sheets, book size 7 1/8 x 5 5/8 in. (17.9 x 14.3 cm), presented in the original Mylar-covered slipcase.Condition: Minor wear (primarily to case).$1,000-1,500


141

140

142Kiyoshi Saito (Japanese, 1907-1997)

Winter in Aizu. Signed “Kiyoshi Saito” in ink within the image and with chop c.r. Woodcut on paper, image size 10 5/8 x 15 1/2 in. (26.8 x 39.3 cm), framed.Condition: Floated in frame, not examined out of frame.$300-500

143Birger Sandzen (American, 1871-1954)

Riverbank with Cedars, 1927. Signed “Birger Sandzen” in pencil l.l., signed and dated within the matrix, titled in pencil l.r. Lithograph on paper, image size 10 x 13 7/8 in. (25.4 x 35.2 cm), framed.Condition: Toning, not examined out of frame.$300-500


143

142

144Mike Schacht (American, 1936-2001)

Three Impressions: Running Batter, 1993, one in red, one in yellow, one in green, editions of 125. Each signed and dated “M. Schacht 93” in pencil l.r., and numbered in pencil l.l. Color screenprints on paper, image sizes 10 1/2 x 13 in. (26.5 x 33.0 cm), framed.Condition: Not examined out of frames.$600-800

145Fritz Scholder (Native American, 1937-2005)

American Family, 1974, edition of 115, published by Tamarind, New Mexico (Adams, 92; Tamarind, 74-728). Signed “Scholder” in pencil l.r., numbered “39.115” in pencil l.l., publisher’s dry stamp l.l., unidentified dry stamp l.r. Lithograph on cream paper, image size 26 1/8 x 19 1/4 in. (66.2 x 48.8 cm), framed.Condition: Deckled edges, floated within the frame, not examined out of frame.$1,000-1,500


145

144

146Fritz Scholder (Native American, 1937-2005)

War Cry, edition of 100. Signed “Scholder” in pencil within the image l.r., numbered “53.100” in pencil within the image l.l. Color lithograph on paper, sight size 33 x 22 in. (83.7 x 55.7 cm), framed.Condition: Gentle rippling, not examined out of frame.


147Peter Schuyff (Dutch, b. 1958)

THE NETHERLANDS/Portfolio of Five Works, 1993, edition of 25, published by Pace Editions, Inc., New York. Each numbered, signed, and dated “4/25 Schuyff XCIII” in pencil along the lower edge. Letterpress on paper, sheet sizes 26 x 19 3/4 in. (65.9 x 50.0 cm), framed.Condition: Deckled edges, floated within the frames, not examined out of frames.$600-800


147

146

148Junichiro Sekino (Japanese, 1914-1988)

Boy and Rooster, c. 1955. Signed “Jun Sekino” in ink and with chop within the image l.r. Color woodcut on paper, sight size 23 3/4 x 17 3/4 in. (60.2 x 45.0 cm), framed.Condition: Possible subtle toning, gentle rippling, not examined out of frame.$700-900

149David Alfaro Siqueiros (Mexican, 1896-1974)

Mexico, 1947, proof impression. Signed “DASiqueiros” in pencil l.r., inscribed “E/E” in pencil l.l. Lithograph on paper, image size 11 3/4 x 8 7/8 in. (29.6 x 22.4 cm), framed.Condition: Unobtrusive toning, mat burn, not examined out of frame.$300-500

150Tom Slaughter (American, b. 1955)

Construction, 1989, edition of 75. Numbered, signed, and dated “27/75 T. Slaughter 1989” in pencil within the image l.c., lizard dry stamp l.l. Color screenprint on paper, sight size 43 1/2 x 29 1/2 in. (110.5 x 74.8 cm), framed.Condition: Not examined out of frame.$400-600


149148

150

151Tom Slaughter (American, b. 1955)

Hats, 1989, edition of 75. Numbered, signed, and dated “27/75 T. Slaughter 1989” in pencil within the image l.c., lizard dry stamp l.l. Color screenprint on paper, image/sheet size 44 x 30 in. (111.6 x 76.2 cm), framed.Condition: Floated within the mat (but slipping), not examined out of frame.$300-350

152Kiki Smith (American, b. 1954)

Moment (T), 2006, published by Universal Limited Art Editions, West Islip, New York. Signed and dated “Kiki Smith T 2006” in pencil l.r., publisher’s dry stamp l.l. Monotype with lithograph, pencil, watercolor, gouache, and stencil on paper, image/sheet size 22 1/2 x 31 in. (57.0 x 78.5 cm), unmatted, shrink-wrapped.Condition: Deckled edges, not examined out of wrap.$2,000-3,000


152

151

153Joan Snyder (American, b. 1940)

Two Compositions: Red/Yellow, 1977, edition of 20, etching and aquatint; and Our Foremothers, 1995, edition of 90 plus proofs, color etching, lithograph and woodcut. Signed and dated “...Snyder...” in pencil l.l. and l.r., respectively, both numbered in pencil l.l. Plate/image sizes 24 x 34 in. (60.9 x 86.3 cm), the former matted, both unframed and shrink-wrapped.Condition: Not examined out of wrap.$800-1,200

154Théophile Alexandre Steinlen (French/Swiss, 1859-1923)

Exposition à la bodinière, 1894, published by Charles Verneau, Paris (Bargiel & Zagrodzki, 14B1). Monogrammed and identified within the matrix. Color lithographic poster on paper, sight size 23 1/2 x 31 1/2 in. (59.6 x 79.9 cm), framed.Condition: Toned, water staining, mounted onto linen, two indentations into the sheet u.r., not examined out of frame. $1,200-1,800


153

154

155Pat Steir (American, b. 1938)

Wish #1, 1974, edition of 50, published by Landfall Press, Inc., Santa Fe, New Mexico (Broun & Howard, 3.1). Numbered, titled, signed, and dated “43/50...Pat Steir ‘74” in pencil within the image l.l., publisher’s and copyright dry stamps l.l. Color lithograph on cream paper, image/sheet size 31 3/4 x 32 1/2 in. (80.5 x 82.4 cm), framed.Condition: Deckled edges, floated in frame, not examined out of frame.$500-700

156Antoni Tàpies (Spanish, 1923-2012)

Untitled, 1966, total edition of 125, published for the book 50 Jahre Kestner-Gesellschaft by Fackelträger-Verlag, Hanover (Galfetti, 135). Signed “tàpies” in pencil within the image l.r. Color lithograph on paper, image size 17 1/2 x 25 1/2 in. (44.4 x 64.4 cm), framed.Condition: Not examined out of frame.$500-700


156

155

157Walasse Ting (Chinese/American, 1929-2010)

Two Untitled Compositions, 1964, edition of 30. Both numbered, signed, and dated “30/30 Ting...64” in pencil within the image, both identified on a label from Harcus Krakow, Boston, affixed to the backing. Color lithographs on paper, image/sheet sizes 16 x 11 5/8 in. (40.5 x 29.3 cm), framed.Condition: Minor wear to corners, not examined out of frames.$300-500

158Walasse Ting (Chinese/American, 1929-2010)

Reclining Nude, 1977, edition of 100. Signed and dated “Ting 77” in pencil l.r., numbered “54/100” in pencil l.l. Color lithograph on heavy wove paper, image size 24 x 35 3/4 in. (60.8 x 90.5 cm), unmatted, unframed.Condition: Toning, crease to margin at corner l.l., bleed-through to verso.$500-700


158

157

159Mark Tobey (American, 1890-1976)

Untitled, 1961. Signed and dated “Tobey 61” in pencil l.r., identified in information affixed to the backing. Color monotype on paper, image size 4 7/8 x 3 5/8 in. (12.3 x 9.0 cm), framed.Condition: Rippling with minor creasing, not examined out of frame.

Provenance: Purchased from the artist by his student Helen Boyd Keen, New York; through to Jeffrey R. Brown Fine Arts, Longmeadow, Massachusetts; through to the present owner.$500-700

160Mark Tobey (American, 1890-1976)

Four Figures, 1967, proof impression. Signed and dated “Tobey ‘67” in pencil l.r., inscribed “artist’s proof” in pencil l.l. Lithograph with watercolor on paper, image size 5 x 7 1/4 in. (12.6 x 18.3 cm), framed.Condition: Not examined out of frame.$300-500


160

159

161Henri de Toulouse-Lautrec (French, 1864-1901)

Divan Japonais, 1892-93, edition size uncertain but probably 1,000-3,000 (Adriani, 8; Wittrock, P11). Signed and identified within the matrix. Color lithograph in black, olive, yellow, and red-orange on thin paper, image size 32 1/16 x 23 3/4 in. (81.3 x 60.4 cm), framed.Condition: Mounted onto stretched linen with margins wrapping around to the sides at all but the lower edge, minor wear/losses at folds in sheet, toning and staining.$10,000-15,000


161

162Henri de Toulouse-Lautrec (French, 1864-1901)

Cycle Michael, 1896, edition of 200, printed by Chaix, Paris (Adriani, 188; Wittrock, P25). Monogrammed and identified within the matrix, numbered “69” l.l. Lithographic poster printed in olive on paper, sight size 32 1/4 x 47 in. (81.9 x 119.3 cm), framed.Condition: Losses, repaired, staining, toning, numerous small creases, not examined out of frame.$2,500-3,000

163Jack Tworkov (American, 1900-1982)

The Dartmouth Print, 1973. Signed and dated “Tworkov/73” in pencil l.r. Screenprint in grays on paper, image size 24 x 17 in. (60.8 x 43.0 cm), unmatted, frame accompanies the lot.Condition: Margins over 3 inches.



162

163

164Victor Vasarely (Hungarian/French, 1906-1997)

Untitled (Hexagon), proof edition of 25. Signed “Vasarely-” in pencil l.c., numbered “VII/XXV” in pencil l.r. Color screenprint on paper, image size 18 3/4 x 16 1/2 in. (47.5 x 41.7 cm), framed.Condition: Small (1/2 in.) break to ink in green area, not examined out of frame.$300-500

165Jacques Villon (French, 1875-1963)

Femme se coiffant, 1899 (Ginestet & Pouillon, E28). Signed and dated “Jacques Villon/1899” in pencil l.r. Etching in blue with hand-coloring on paper, image size 13 1/2 x 10 in. (34.0 x 25.5 cm), framed. Condition: Old crease from upper edge extending into image, some other subtle handling marks, lightly toned, gentle rippling, not examined out of frame.$1,000-1,500


165

164


La Normande, 1905, edition of 50 (Ginestet & Pouillon, E141). Signed “Jacques Villon” in pencil l.r. and within the plate, numbered “4/50” l.l. Color aquatint on paper, plate size 6 5/8 x 9 3/4 in. (17.0 x 25.0 cm), framed. Condition: Subtle foxing, not examined out of frame.$600-800


Jeune fille vue de dos, 1906, edition of 50 (Ginestet & Pouillon, E155). Signed “Jacques Villon” in pencil l.r. and within the plate, dated “06” within the plate, Sagot dry stamp l.r. Etching and aquatint on paper, plate size 5 7/8 x 3 5/8 in. (15.0 x 9.3 cm), framed.Condition: Not examined out of frame.$400-600


167

166


Le pédicure, 1907, a trial proof impression (Ginestet & Pouillon, E195). Signed “Jacques Villon” in pencil l.r., inscribed “Essai” in pencil l.l., signed within the plate. Etching and aquatint on paper, plate size 9 5/16 x 6 9/16 in. (23.5 x 16.5 cm), framed.Condition: Unobtrusive toning, foxing, not examined out of frame.$400-600


L’Épingle à chapeau, 1909, edition of 20 (Ginestet & Pouillon, E242). Signed “Jacques Villon” in pencil l.r., numbered “12/20” in pencil l.l. Drypoint on paper, plate size 15 5/8 x 12 3/8 in. (31.0 x 39.6 cm), framed.Condition: Foxing, toning, not examined out of frame.$800-1,200


Dans la forêt, alternatively titled La belle et la bête, 1909 (Ginestet & Pouillon, E244). Signed “Jacques Villon” in pencil l.r. Etching and drypoint on Arches laid paper with watermark, plate size 15 3/4 x 12 1/2 in. (39.9 x 31.6 cm), matted, unframed.Condition: Margins 2 1/2 inches or more with deckled edges, soiling to margins, pencil annotations to lower edge.$500-700


169

168


Les Haleurs, 1930, edition of 50 (Ginestet & Pouillon, E332). Signed “Jacques Villon” in pencil l.r., numbered “31/50” in pencil l.l., signed and dated within the plate. Etching and aquatint on paper, plate size 7 1/8 x 8 3/4 in. (18.0 x 22.0 cm), framed.Condition: Subtle foxing in margins, not examined out of frame.$500-700


L’Aventure, 1935, final state of four, edition of 108 (Ginestet & Pouillon, E387). Signed “Jacques Villon” in pencil l.r., numbered “16/108” in pencil l.l. Etching with drypoint on paper, plate size 12 1/2 x 8 1/4 in. (32.0 x 21.0 cm), framed.Condition: Gentle rippling, not examined out of frame.$300-500


171170

172


Magi, from POÈMES DE BRANDEBOURG, 1947, total edition of 190 (Ginestet & Pouillon, E506). Signed “Jacques Villon” in pencil l.r. Etching in color on paper, image size 10 x 8 in. (25.6 x 21.0 cm), framed. Condition: Subtly toned, scattered light foxing at edges of image, not examined out of frame.$300-500


Paysage, from LA MAGIE QUOTIDIENNE, c. 1960 (Ginestet & Pouillon, App. 113). Signed “Jacques Villon” in pencil l.r., numbered “20/70” in pencil l.l. Color lithograph on paper, image size 11 7/8 x 15 1/4 in. (30.0 x 39.0 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600


174

173

175Andy Warhol (American, 1928-1987)

After the Party, 1979, edition of 1,000 plus proofs, published by Grosset and Dunlap, Inc., New York (Feldman & Schellmann, II.183). Signed and numbered “Andy Warhol 626/1000” in pencil l.r., dry stamp l.l. Color screenprint on paperboard, image/sheet size 21 1/2 x 30 1/2 in. (54.5 x 77.4 cm), framed.Condition: Deckled edges to all but the upper edge, gentle rippling, foxing or similar to verso along left side.$8,000-12,000


175

176After Andy Warhol (American, 1928-1987)

Marilyn (Announcement), 1981, published by Castelli Graphics, New York, printed by Colour Editions, Inc. Signed “Andy Warhols” in marker or similar within image along the right edge, identified in publication text to verso. Color screenprint on smooth paperboard, image/sheet size 12 1/8 x 12 in. (30.6 x 30.4 cm), framed.Condition: Possible extremely subtle fading, bleed-through from signature to verso.$8,000-12,000


176

177Neil Welliver (American, 1929-2005)

Ducktrap, 1973, edition of 144 (Welliver, 31). Signed “Welliver” in pencil l.r., numbered “3/144” in pencil l.l. Color screenprint on paper, image size 35 1/2 x 36 in. (90.0 x 91.4 cm), framed.Condition: Not examined out of frame.$1,500-2,500


177

178James Abbott McNeill Whistler (American, 1834-1903)

Billingsgate, 1859, edition of 100, sixth state or later (Kennedy 47). Signed and dated “Whistler 1859” within the plate l.r. Etching with drypoint on paper, image size 5 7/8 x 8 3/4 in. (14.9 x 22.0 cm), framed.Condition: Margins 3/4 inch or more, softly light-struck, scattered faint foxing in sky.$800-1,200


178

179James Abbott McNeill Whistler (American, 1834-1903)

The Smith’s Yard, 1895, from the edition of 3,000 published by The International Studio, 1897 (Spink, Stratis & Tedeschi, 124). Unsigned, publisher’s dry stamp l.c. Lithograph on smooth paper, image size 7 1/2 x 6 1/4 in. (18.9 x 15.6 cm), matted, unframed.Condition: Toning, light-struck, pale foxing.$400-600

180Erich Wolfsfeld (German, 1884-1956)

The Bound Man, c. 1907-09 (Furness, 24). Signed “Erich Wolfsfeld” in pencil l.r. Etching on paper, plate size 25 1/2 x 19 3/4 in. (64.6 x 50.1 cm), framed.Condition: Subtle toning, not examined out of frame.$300-500


180

179

181Zao Wou-Ki (Chinese/French, 1921-2013)

Les poissons, 1952, edition of 55 plus proofs (Ågerup, 79). Signed (in Chinese characters) and dated “...52” in pencil l.r., numbered “14/55” in pencil l.l., identified on a label from Galerie Chalette, New York, affixed to the backing. Color lithograph on BFK Rives with watermark, image size 17 x 23 in. (43.2 x 58.5 cm), framed.Condition: Deckled edges, toning to area of mat opening, handling creases, several minute nicks to deckles, foxing (primarily visible on verso), cloth tape to edges.$3,000-5,000


181

FinePhotography Lots 182–225

182Berenice Abbott (American, 1898-1991)

Pingpank Barber Shop, 413 Bleecker Street, 1935, probably printed c. 1980. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH BERENICE ABBOTT ABBOTT, MAINE 04406” on the reverse of the mount. Gelatin silver print, sheet size 12 1/8 x 9 3/4 in. (30.6 x 24.6 cm), matted, unframed.Condition: Good.

Provenance: Purchased by the present owner from Christie’s New York, February 17, 2004, Sale 1345, Lot 43.$1,200-1,800


182

183Berenice Abbott (American, 1898-1991)

Hardware Store, 316-318 Bowery at Bleecker Street, 1938, probably printed c. 1980. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH BERENICE ABBOTT ABBOTT, MAINE 04406” on the reverse of the mount. Gelatin silver print, sheet size 10 3/4 x 13 3/8 in. (27.3 x 33.8 cm), matted, unframed.Condition: Minute wear at corners of sheet.

Provenance: Purchased by the present owner from Christie’s New York, February 17, 2004, Sale 1345, Lot 44.$1,200-1,800


183

184Ansel Adams (American, 1902-1984)

Winnowing Grain Taos Pueblo, New Mexico, c. 1929, a later printing. Signed “Ansel Adams” in pencil on the mount l.r., identified with the artist’s stamp “Photograph by Ansel Adams, Route 1, Box 181, Carmel, California 93921” and inscription on the reverse of the mount. Gelatin silver print, image/sheet size 13 1/2 x 10 1/4 in. (34.3 x 26.0 cm), matted, unframed.Condition: Good.$5,000-7,000


184

185Ansel Adams (American, 1902-1984)

Petroglyphs, Monument Valley, Utah, 1958, from ANSEL ADAMS PORTFOLIO V, published by Parasol Press, Ltd., New York, 1970. Signed “Ansel Adams” in pencil on the mount l.r., numbered “V-6 24/110” in pencil on the mount l.l., identified with stamp and inscription on the reverse of the mount. Gelatin silver print, image/sheet size 15 1/4 x 19 3/4 in. (38.6 x 50.1 cm), matted, unframed.Condition: Minor soiling to mount (primarily to verso).$4,000-6,000


185

186American School, 20th Century

Plantings of The Sea/A Diptych. Titled and signed “...K...S...” on the reverse. Dye destruction prints, image/sheet sizes 20 x 16 in., matted, framed.Condition: Tape-hinged to the backing mat.$100-150

187Manuel Alvarez Bravo (Mexican, 1902-2002)

Retrato Postumo, Guanajuato, 1939. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 11 x 13 7/8 in. (27.8 x 35.3 cm), matted, unframed.Condition: Possible subtle toning, unmounted.$1,200-1,800


186

187


Cruce de Chalma, 1942. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 15 7/8 x 12 in. (40.3 x 30.4 cm), matted, unframed.Condition: Subtle handling creases, wear at very corners, unmounted.$2,000-3,000


Casa de Lava. Signed and titled “M. Alvarez Bravo...” in pencil on the reverse. Gelatin silver print, sheet size 11 x 14 in. (27.7 x 35.5 cm), matted, unframed.Condition: Possible subtle toning, unmounted.$1,500-2,500


189

188

190Josef Breitenbach (German/American, 1896-1984)

Angkor Cambodia, 1962. Identified on a label from the photographer affixed to the mount. Gelatin silver print, image/sheet size 13 7/8 x 11 in. (35.0 x 28.0 cm), unmatted, unframed.Condition: Minor wear to edges of image, silvering out.


191Imogen Cunningham (American, 1883-1976)

Merrie [sic] Renk, 1953. Signed and dated “Imogen Cunningham 1953” in pencil on the mount, identified on the artist’s label “PHOTOGRAPH BY Imogen Cunningham...1331 GREEN STREET, SAN FRANCISCO 9” on the reverse. Gelatin silver print, image/sheet size 9 3/4 x 7 1/4 in. (23.8 x 18.4 cm), unframed, matted.Condition: Very subtle wear to right edge, extremely pale foxing to mount.$1,000-1,500


191

190

192Edward Sheriff Curtis (American, 1868-1952)

Three Works: Kutenai Girls, 1910; Fish-Weir Across the Trinity River - Hupa, 1923; and Hupa Jumping Dance Costume, 1923. Each identified within the plate, both Hupa images stamped “University of SOUTHERN CALIFORNIA LIBRARY” on verso, Kutenai Girls with embossed stamp “LIBRARY OF THE PEABODY INSTITUTE” on recto. Photogravures, plate sizes 13 3/4 x 16 1/2 in. (34.8 x 41.8 cm), unmatted, unframed.Condition: Deckled edges (with minor wear), several pale fox marks.$500-700

193Cy DeCosse (American, b. 1929)

Wild Violet, c. 1998, edition of 30. Signed and dated “Cy DeCosse 1998” in pencil in the margin l.r., identified, dated, and numbered “(1999)...#3...” on a label affixed to the reverse. Platinum print, image size approximately 19 x 19 in. (48.3 x 48.3 cm), matted, framed.Condition: Not examined out of frame.$600-800


192

193

194Lalla Essaydi (Moroccan, b. 1956)

Converging Territories #30, from the CONVERGING TERRITORIES Series, 2004, edition of 40. Signed, numbered, and dated “...20/40 2004” in felt-tip pen or similar on the reverse, identified on a label from the Aperture Foundation, New York, affixed to the backing. C-print, sheet size 20 x 24 in. (50.7 x 60.9 cm), framed.Condition: Good.$10,000-15,000


194

195Walker Evans (American, 1903-1975)

Two Different Views: Abandoned Anti-Bellum Plantation House, Vicksburg, Mississippi, 1936, both later printings. Both stamped “Walker Evans” and inscribed in pencil on the reverse. Gelatin silver prints, image/sheet sizes 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.Condition: Unmounted, minor wear to edges of sheets (more so to corners), one with rippling or handling creases.$2,500-3,500


Two Text Views: Lower Manhattan, Painted Sign (WORK-PRAY), 1963; and Example of Sign Painting, East Side Water Front, New York City, 1963. Both signed and dated “Walker Evans 1963” in pencil on the mount l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount. Gelatin silver prints, image/sheet sizes to 8 x 12 5/8 in. (20.5 x 30.4 cm), matted, unframed.Condition: Minute nicks to left edge of East Side, minor wear to lower corners of Manhattan.$2,500-3,500


196

195

196AWalker Evans (American, 1903-1975)

Clapboard Church. Unsigned. Gelatin silver print, image size 11 5/8 x 10 1/4 in. (29.4 x 26.0 cm), unmatted, unframed.Condition: Unmounted, indentations to sheet at corners outside of the image.



Two Text Views: Lower Manhattan, Painted Sign (Italian Whale), 1963; and Emma, Colorado, 1967. Both signed and dated “Walker Evans...” in pencil on the mount l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount, Emma stamped “WALKER EVANS/BOX 310 RTE. 3/OLD LYME. CONN. 06371...” on the reverse of the mount. Gelatin silver prints, image/sheet sizes to 8 1/8 x 12 in. (20.5 x 30.4 cm), Manhattan matted, both unframed.Condition: Good.$2,500-3,500


197

196A


Two New Hampshire Interiors: Living Room, Enfield, New Hampshire, 1972; and Kitchen Detail, Enfield, New Hampshire, 1972. Both signed and dated “Walker Evans 1972” in pencil on the facing mat l.r. and stamped “Walker Evans” and inscribed in pencil on the reverse of the mount or backing mat. Gelatin silver prints, image sizes 7 x 7 in. (17.7 x 17.7 cm), matted, unframed.Condition: Kitchen unmounted and with wear and creasing at the corners (outside of the image).$2,000-3,000


Workmen. Stamped “Walker Evans” on the reverse. Gelatin silver print, image 6 3/8 x 9 3/8 in. (15.0 x 23.5 cm), matted, unframed.Condition: Unmounted, minor wear to corners.$2,000-3,000


199

198

200Louis Faurer (American, 1916-2001)

Two Images of Children: Paris, 1973, and NYC, 1975. Both titled, dated, and signed “...Louis Faurer...” on the verso. Gelatin silver prints, image sizes approximately 4 1/2 x 6 7/8 in. (11.4 x 17.3 cm), matted, unframed.Condition: Unmounted, wear to corners, handling crease to image of NYC.$800-1,200

201Robert Frank (American, b. 1924)

Frogs on Log, 1962, printed in 1978. Signed and inscribed “Robert Frank 1962” in black ink l.r., signed and dated “Robert Frank 1978” in blue ink on the reverse, stamped and dated “ROBERT FRANK ARCHIVE...” and annotated “Yukon, Fla.” on the reverse. Gelatin silver print, image size 11 1/2 x 7 1/2 in. (29.2 x 18.9 cm), unmatted, unframed.Condition: Unmounted, gentle rippling, wear to corners, crease near corner (outside of the image) l.r.$600-800


201

200

202Gisèle Freund (French, 1912-2000)

Virginia Woolf, c. 1938, probably a later printing. Signed “Gisèle Freund” in ink l.r., dry stamp l.r., identified on a label from Harcus Krakow Gallery, Boston, affixed to the backing. Dye transfer print, image size 11 3/4 x 7 7/8 in. (29.7 x 20.0 cm), framed.Condition: Possible fading, not examined out of frame.$600-800

203Huang Yan (Chinese, b. 1966)

Venus - Landscape, 2004, edition of 12. Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...” in silver ink within the image l.r. Chromogenic print, image/sheet size 23 3/4 x 19 3/4 in. (60.3 x 50.0 cm), unmatted, unframed.Condition: Good.$2,500-3,500


203

202

204Huang Yan (Chinese, b. 1966)

Venus - Landscape No. 1.2, 2004, edition of 12. Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...” in silver ink within the image l.r. Chromogenic print, image/sheet size 19 x 3/4 23 3/4 in. (50.0 x 60.3 cm), unmatted, unframed.Condition: Good.

N.B. The lot is accompanied by the volume by Karen Smith et al., Huang Yan 1990-2006 (Xin Dong Cheng Publishing House; Bejing), 2006.$2,500-3,500


204

205Peter Hutchinson (British, b. 1930)

Alternate Citrus Freeze, 1981-90, signed and dated “Peter Hutchinson 1981/1990” in ink l.r., titled u.c., inscribed “That year the sea froze on the beach at Provincetown” l.c., identified on a label from Obelisk Gallery, Boston, affixed to the backing. Photo-collage (chromogenic prints) with mixed media, sheet size 40 x 32 in. (101.6 x 81.3 cm), framed.Condition: Not examined out of frame.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$2,000-3,000


205

206William Henry Jackson (American, 1843-1942)

Cypress Drive near Monterey. Identified within the matrix l.r. Albumen print, 16 3/8 x 21 3/16 in. (41.6 x 53.8 cm), matted, unframed.Condition: Mounted to matboard, trimmed backing mat, minor acid burn, toning.$800-1,200

207Lotte Jacobi (American, 1896-1990)

Out for a Walk, printed 1976. Signed “LotteJacobi” in pencil l.r., inscribed “printed by Carlos Richardson 7-76” in pencil l.l., identified on labels affixed to the backing. Palladium print, sheet size 10 3/4 x 14 in. (27.2 x 35.5 cm), framed.Condition: Unmounted, hinges affixed to the face of the upper margin.$1,500-2,000


207

206


Girl from Peru. Signed “LotteJacobi” in pencil within the image l.l., titled in pencil on the reverse. Platinum print, sheet size 11 x 14 1/8 in. (27.8 x 35.8 cm), framed.Condition: Unmounted.$800-1,500


Untitled (Photogenic), c. 1950. Signed “LotteJacobi” in pencil within the image l.r. Gelatin silver print, image/sheet size 19 7/8 x 16 in. (50.4 x 40.5 cm), framed.Condition: Mounted but partially disadhered.$700-900


George Wald, 1979. Signed “LotteJacobi” in pencil l.r. Polaroid, sheet size 29 x 21 3/4 in. (73.5 x 55.1 cm), framed.Condition: Unmounted, rippling.

N.B. George Wald (1906-1997) was a scientist and professor at Harvard University and Noble Prize winner.$700-1,200


209

210

208

211Yousuf Karsh (Canadian, 1908-2002)

Jacques Cousteau, 1974. Signed “Y Karsh” in ink on the mount l.l. Gelatin silver print, sheet size 23 5/8 x 19 15/16 in. (59.8 x 50.5 cm), unmatted, unframed.Condition: Minute nick to left edge, several miniscule surface indentations l.c.$2,500-3,500


211

212Mona Kuhn (Brazilian/German, b. 1969)

Merle, 2003, probably from the edition of 8. No signature visible. Color coupler print, image size 19 7/8 x 19 7/8 in. (50.4 x 50.4 cm), matted, framed.Condition: Mounted and then affixed to the backing mat.$4,000-6,000


212

213Koichiro Kurita (Japanese/American, b. 1943)

In a Meadow, 1990, edition of 10. Numbered and signed “6/10 K. Kurita” in pencil in the margins. Platinum print on Japan paper, sheet size 19 1/2 x 23 1/2 in. (49.5 x 59.7 cm), matted, framed.Condition: Deckled top, bottom, and right edges.

N.B. The image was shot in Wales.$800-1,200

214Dolores Marat (French, b. 1944)

La Gare de Savingy-sur-Orge, France, 1985, edition of 10. Identified on a label from The Witkin Gallery, New York, affixed to the frame backing, inscribed and numbered “II 6/10” on the reverse. Fresson carbon color print, sight size 15 1/2 x 10 1/2 in. (26.7 x 39.4 cm), matted, framed.Condition: Sandwiched between mat window and paper.$250-350


214

213

215Joel Meyerowitz (American, b. 1938)

House in the Dune Grass, 1998, edition of 100. Signed and dated “Joel Meyerowitz 1998” in pencil on the mat face l.r., numbered “41/100” in pencil on the mat face l.l. Chromogenic print, sight size 21 7/8 x 27 1/4 in. (55.3 x 69.0 cm), matted, unframed.Condition: Front and back mat adhered together along edges, gentle rippling to sheet.$1,200-1,800

216Eliot Porter (American, 1901-1990)

Sculptured Rock, Marble Canyon, Arizona, 1967, printed in an edition of 300 in 1981 for the portfolio ELIOT PORTER IN WILDERNESS. Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount. Dye-transfer print, image/sheet size 16 x 12 1/8 in. (40.5 x 30.5 cm), matted, unframed, presented with the original folder from the portfolio.Condition: Good.$300-500


215

216

217Karin Rosenthal (American, b. 1945)

Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 1/2 x 12 1/4 in. (24.1 x 31.0 cm), framed.Condition: Not examined out of frame.$300-500


Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 7/8 x 10 in. (24.9 x 25.4 cm), framed.Condition: Not examined out of frame.$300-500


Image from the NUDES IN WATER Series, 1997. Signed and dated “Karin Rosenthal 1997” in pencil on the facing mat l.r. Gelatin silver print, image size 9 7/8 x 11 1/2 in. (24.9 x 29.0 cm), framed.Condition: Not examined out of frame.$300-500

217

218

219

220Cindy Sherman (American, b. 1954)

In My Garden, 1987, edition of 125. Signed, numbered, and dated “Cindy Sherman/69/125 1987” in black ink on the reverse. Chromogenic print, image size 11 7/8 x 8 1/8 in. (30.0 x 20.5 cm), framed.Condition: Unmounted, pinhole to image near lower edge l.r.$1,500-2,000


220

221Aaron Siskind (American, 1903-1991)

Morelia 8, 1955. Signed “Aaron Siskind” in felt-tip pen on the mat l.r., titled, dated, and signed “...Aaron Siskind” in felt-tip pen on the reverse of the backing mat. Gelatin silver print, sheet/image size 19 x 14 5/8 in. (48.2 x 37.2 cm), matted, framed.Condition: Mounted to board.$1,500-2,000


Four Photographs from the HARLEM DOCUMENT, c. 1936-40, including: Amateur Performer, Apollo Theater, c. 1937-1940, Lafayette Theatre Soldier, c. 1938, Lafayette Theater (Breathing Fire), c. 1937, and Condemned House, c. 1936. Performer and Soldier signed “Aaron Siskind” in felt-tip pen in the margins l.r., Fire and House titled, dated, and signed “Harlem.../Aaron Siskind...” with annotations in pencil on the reverse. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed.Condition: Unmounted.$2,000-2,500


221

222


Four Photographs from THE HARLEM DOCUMENT, c. 1939-40, including Woman’s Back, c. 1940-41, Grocery, 1940, and Furnished Room to Let, 1940, each from Most Crowded Block in the World, and Harlem Market, 1939. Back signed in felt-tip pen in the margin l.r.; Grocery and Room titled, dated, and signed “Harlem (Most Crowded Block)...Aaron Siskind” in pencil on the reverse; Market titled, dated, and signed “Harlem.../Aaron Siskind” in pencil on the reverse, stamped “PRINTED FROM THE ORIGINAL NEGATIVE/AT GEORGE EASTMAN HOUSE” on the reverse, dated “1981” in pencil on the reverse. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed.Condition: Unmounted.$2,000-2,500


223

224Bradford Washburn (American, 1910-2007)

Mt. McKinley, 1977. Signed and dated “Bradford Washburn 1977” in ballpoint pen or similar on inner mat l.r., titled in ballpoint pen or similar on inner mat l.l. Gelatin silver print, image/sheet size 15 3/4 x 19 3/4 in. (39.8 x 50.1 cm), matted, unframed.Condition: Mounted, facing mat glued to mount (outside of the photograph).$800-1,200


224

225Edward Weston (American, 1886-1958)

“Excusado” from Above, 1925. Initialed and dated “EW 1926” in felt-tip pen in the margin l.r., identified on label affixed to the reverse, with annotations in pencil on the reverse. Gelatin silver print, sheet size 7 5/16 x 4 3/4 in. (18.5 x 12.0 cm), unmatted, unframed.Condition: Unmounted.$3,000-5,000

End of Prints & Photography


225

147

Abbott, Berenice .............................182, 183Adams, Ansel ..................................184, 185Albers, Josef ..........................................1, 2Albright, Ivan Le Lorraine .........................3, 4Aldegrever, Heinrich .................................... 5Aman-Jean, Edmond François .................... 6American School, 20th Century .............. 186Andrews, Sybil ............................................ 7Arms, John Taylor ..................................8, 9Ault, George Copeland ............................. 10Aurifaber, Wolfgang .................................. 11

Barnet, Will ................................................ 12Baskin, Leonard ....................................... 13Benson, Frank Weston .............................. 14Benton, Thomas Hart .........................15, 16Besnard, Paul-Albert ................................. 17Bill, Max ................................................... 18Blake, William ............................................ 19Bochner, Mel .......................................20, 21Botello, Angel ............................................ 22Braque, Georges (After) ......................23, 24Bravo, Manuel Alvarez .....................187-189Breitenbach, Josef .................................. 190Brockhurst, Gerald Leslie ......................... 25Burton, Richmond ..................................... 26

Calder, Alexander ................................27-30Carracci, Agostino ..................................... 31Carrière, Eugène..................................32, 33Chahine, Edgar.......................................... 34Chia, Sandro ............................................. 35Christo ..................................................... 36Close, Chuck ............................................. 37Corneille ................................................... 38Cottingham, Robert .............................39, 40Cunningham, Imogen .............................. 191Curry, John Steuart .................................. 41Curtis, Edward Sheriff .............................. 192

Dalí, Salvador ......................................42, 43Davis, Warren B. ....................................... 44DeCosse, Cy .......................................... 193Delaunay-Terk, Sonia ................................ 46Denat, Jeanne-Claude Marie ..................... 36Dine, Jim ............................................47, 48Dubuffet, Jean ........................................... 49Dürer, Albrecht ......................................... 50

Ernst, Max ................................................. 51Essaydi, Lalla ........................................... 194Estes, Richard ........................................... 52Evans, Walker .................................195-199

Fantin-Latour, Henri ................................... 53Faurer, Louis .......................................... 200Feininger, Lyonel ...................................... 54Fink, Aaron ..........................................55-57Foujita, Léonard Tsuguharu ....................... 58Frank, Robert ......................................... 201Freilicher, Jane .......................................... 59Freund, Gisèle ......................................... 202Fuller, Buckminster ................................... 60

Gallo, Frank ............................................... 61Gardiner, Eliza Draper ............................... 62

Glockendon, the Elder, Albrecht ............... 63Gloeckner, Michiel ..................................... 64Goudt, Hendrik ....................................65, 66Guston, Philip ............................................ 67

Hadzi, Dimitri ............................................. 68Hankey, William Lee ................................. 69Haring, Keith ............................................ 70Hartung, Hans .......................................... 71Hirst, Damien ........................................... 72Hobbs, Morris Henry ..........................73, 74Hodgkin, Howard ................................75-80Hodgkins, Frances Mary ............................ 81Huang Yan .....................................203, 204Hutchinson, Peter ................................... 205

Icart, Louis ................................................ 82

Jackson, William Henry ........................... 206Jacobi, Lotte ...................................207-210Janco, Marcel .......................................... 83Jeanne-Claude ......................................... 36

Kahn, Wolf................................................. 84Kandinsky, Wassily ..............................85, 86Karsh, Yousuf ......................................... 211Katz, Alex .................................................. 87de Kooning, Willem ................................... 45Kuhn, Mona............................................. 212Kurita, Koichiro ........................................ 213Kushner, Robert Ellis ................................ 88

Landon, Edward August ........................... 89Laurencin, Marie ..................................90, 91Lautensack, Hans Sebald ......................... 92Lepère, Auguste Louis ............................. 93LeWitt, Sol ................................................ 94van Leyden, Lucas ................................... 95Lichtenstein, Roy (After) ............................ 96Lum, Bertha Boynton ............................... 97

Magritte, René ........................................... 98Marat, Dolores ......................................... 214Marca-Relli, Conrad ................................. 99Marin, John ............................................ 100Marsh, Reginald ..................................... 101Mazur, Michael ................................102, 103McCrady, John ...............................104, 105Meryon, Charles ..................................... 106Messer, Sam .......................................... 107Meyerowitz, Joel...................................... 215Milton, Peter ........................................... 108Miró, Joan ........................................109-112Mitchell, Joan .......................................... 113Moran, Thomas ..............................114, 115Morisot, Berthe ...................................... 116Motherwell, Robert ..........................117, 118

Nason, Thomas Willoughby ..................... 119Newman, John ........................................ 120Nichols, Dale William .............................. 121Noma, Denji ........................................... 122

Oldenburg, Claes ............................123, 124

Parker, Ray ............................................ 125

Pearlstein, Philip ...................................... 126Peterdi, Gabor F. .................................... 127Picasso, Pablo .................................128-130Picasso, Pablo (After) .............................. 131Pondick, Rona ........................................ 132Porter, Eliot ............................................ 216Posada, José Guadalupe ........... 132A, 132B

Rauschenberg, Robert ............................ 133Riggs, Robert ......................................... 138van Rijn, Rembrandt ..................... 134-137ARodrigue, George .................................... 139Rosenquist, James ................................. 140Rosenthal, Karin ...............................217-219Ruscha, Ed.............................................. 141

Saito, Kiyoshi ........................................... 142Sandzen, Birger ...................................... 143Schacht, Mike ........................................ 144Scholder, Fritz ................................145, 146Schuyff, Peter .......................................... 147Sekino, Junichiro .................................... 148Sherman, Cindy ....................................... 220Siqueiros, David Alfaro ........................... 149Siskind, Aaron ..................................221-223Slaughter, Tom ................................150, 151Smith, Kiki .............................................. 152Snyder, Joan ........................................... 153Steinlen, Théophile Alexandre ................. 154Steir, Pat ................................................. 155

Ting, Walasse .................................157, 158Tobey, Mark ...................................159, 160Toulouse-Lautrec, Henri de .............161, 162Tworkov, Jack ........................................ 163Tàpies, Antoni ......................................... 156

Vasarely, Victor ........................................ 164Villon, Jacques ................................165-174

Warhol, Andy ........................................... 175Warhol, Andy (After) ................................. 176Washburn, Bradford ................................ 224Welliver, Neil ............................................ 177Weston, Edward ...................................... 225Whistler, James Abbott McNeill .......178, 179Wolfsfeld, Erich ........................................ 180

Zao, Wou-Ki ............................................ 181

Artist Index

146

Conditions of Sale1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

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9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised December 17, 2012

Name (Please Print) Business Name

Address check if change in address

City State Zip Code

Phone # Alternate # email

Sale Title Sale Date

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

FOR OFFICE USE

Lot # Description Bid Price

Signature (Required) Date

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100 www.skinnerinc.com

First Time Bidder? YES NO Customer #

Bid confirmation via email? YES NO

150

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Board of Directors

Administration

Expert Departments

Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne

President/Chief Executive Officer - Karen M. Keane

Chief Financial Officer - Don Kelly

Executive Vice President - Stephen L. Fletcher

Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. PrentissAssistant: Shannon M. Ames

American & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière

American Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart

American Indian & Ethnographic Art - Douglas Deihl

Antique Motor Vehicles - Jane D. Prentiss

Asian Works of Art - Judith DowlingAssistants: Karen Mak, Suhyung Kim

Books & Manuscripts - Devon Gray

Bottles, Flasks & Early Glass - Stephen L. Fletcher

Ceramics - Stuart G. Slavid

Clocks, Watches & Scientific Instruments - Robert C. CheneyAssistant: Jonathan Dowling

Couture - Anne Fallon

Discovery Auctions - Anne FallonAssistants: Melissa Riebe, Kyle Johnson

European Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie Opolski

Fine Wines - Marie KeepAssistant: Michael J. Moser

Historic Arms & Militaria - Joel Bohy

Jewelry - Victoria BratbergAssistant: John Colasacco

Judaica - Kerry Shrives

Musical Instruments - Director Pro Tem: Jill ArbetterAssistant: Horst Kloss

Oriental Rugs & Carpets - Director Pro Tem: Erika Jorjorian

Silver - Stuart G. Slavid

Toys & Dolls - Anne Fallon

Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney

151

Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261

Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Marlborough: Jessica Turner, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley,Ava Pandiani

Advertising Production - Pamela Van de Houten

Boston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige Lewellyn

Catalog Production - Pamela Van de Houten, Kristina Harrison

Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner

Customer Relations - Carol McCaffrey

Institutional Relations - L. Emerson Tuttle

Human Resources - Carol McCaffrey

Information Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa Riebe

Managing Director - Marie C. Keep

Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Jessica Turner

Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius

Receptionists - Marlborough: Katie Fitzgerald

Boston: Sarah L. Collins

Staff Portraits - Cheryl Richards Photography

Transportation - Eric Jones

Service Departments

Exhibitions & Property Distribution

Finance Department

Subscriptions

152

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116617.350.5400

From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

Name Business Name

Mailing Address

City State Zip

email address Tel: ( )

Quarterly Brochure No charge No charge

(Included with catalog subscription)

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Works of Art $120 $143

Fine Jewelry $120 $143

20th Century Design $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

Subtotal

MA residents 6.25% sales tax

Total

Please enclose payment with subscription form and mail or fax to:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)

Catalog Subscription FormPrices effective July 1, 2010. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

MasterCard/VISA # Exp. Date

Signature Check enclosed

Xue Song (Chinese, b. 1965), Numbers 0-9, 2002/A Nine-Part CompositionOil on canvas, each 16 1/8 x 12 1/8 in. (41.0 x 30.8 cm), in a common frame.

Upcoming Auction

February 7, 2014, Boston, MA

Consignment Deadline: November 15th, 2013

For more information, please contact the American & European Works of Art department at 508.970.3206, or email [email protected] or [email protected]

American & European Works of Art

fine prints & photography | skinner auction 2673b

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