following the moon to the maple land
DESCRIPTION
"Following the Moon to the Maple Land," a life story lost in transition and translation, was the first prize winner of the 2011 Haiku Pix Review Chapbook ContestTRANSCRIPT
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Following the Moonto the Maple Land
by Chen-ou Liu
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Following the Moon
to the Maple Land
by
Chen-ou Liu
First Prize Winner2011 Haiku Pix Review Chapbook Contest
NeverEnding Story 2014
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NeverEnding StoryCopyright (c) 2011, 2014 by Chen-ou LiuAll rights reserved. Published 2014
First published: October 1, 2011Printed / distributed by Haiku Pix Productions
ISBN: 978-986-86788-3-5
All rights reserved. This eBook may be downloaded for the reader’s personal use only. It may not be sold, copied, distributed or disseminated in any other way without the prior written permission of the publisher. Further, no part of this eBook may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
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PREFACE
There Is No There There
Canada geese
crisscrossing the sunset sky —
alone in the attic
Tonight I sleep in Taipei, but wake up in Ajax. My
mind is winged by a yearning after things not yet
lost. I dream in Chinese, but I awake and become
Eric.
unbirthday morning
yet still I see father's face
from the mirror
My mind can’t find a resting place except writing
poetry – the only way I can manipulate the reality
of my life in Canada.
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anything new
under the autumn sun?
reading jisei
twilight
my shadow faltering
under a bare maple
Note: Jisei is the “farewell poem to life.” The original version
of my haibun was published in Contemporary Haibun Online,
7:2, July 2011.
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For my parents
who believe that I can find my own way
by moonlight.
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mother and I
stand on Pacific coasts —
the same bright moon
Pacific shore …
my poem is folded
into a boat
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wordless
in my borrowed tongue
plum blossoms
cherry petals
falling on cherry petals …
I dust her photo
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beach bonfire ...
nothing left between
the moon and me
pressed roses
in The Art of Loving …
summer ’68
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bats swirling
across the prairie —
ink-stained desk
job hunting ...
a yellow leaf drifts
from branch to branch
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peeling my pear
in a thin, unbroken spiral ...
hometown memories
autumn dusk …
I stir my coffee
anticlockwise
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a dried lotus leaf
in Tibetan Book of the Dead ...
winter dusk
roadside puddle
a street dog
licks the winter moon
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an African man
holds out his hands…
snowflakes
French restaurant
dropping in his begging bowl
snowflakes
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Silent Night
drifting in from the neighbors —
I relearn Chinese
fortune cookies
on my New Year dinner plate
don’t ask, don’t tell
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slowly I eat up a spring day quickly dissolving
these piles
of falling plum petals
no new messages
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butterflies
wing over cherry petals —
shadows embracing
the distance between
my attic and the moon —
April rain
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fork in the road ...
standing still to hear
the leaves
Milky Way …
bit by bit I put myself
out of my mind
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snow geese
cross the gray sky —
her wrist scars
an empty chair
at the Nobel ceremony ...
thoughts of Tank Man
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after Fitzcarraldo …
I go around for hours wearing
the actor’s face
inuksuk ...
my face before my forefathers
were born
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hazy winter moon ...
the scent from the chocolate heart
under her foot
blizzard …
reciting Basho in a world
of one color
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tangled
in blades of grass
spring breeze
from one dream
to another …
butterfly
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to tell or not to tell the secret day moon
I love you ...
that hazy moon
in Rashomon
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single married single again a rushing river
the attic …
my short-lived dream
under the ceiling fan
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he lies
in a gold-plated casket …
just my size
I love you
she sticks out her tongue
tasting spring rain
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a trail of clothes
on the way to her room
blooming cereus
her face
in my whisky
the moon floats
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hazy moonlight
folded under my fingers
hometown memories
sleep in Taipei
but wake in Ajax...
autumn dawn
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raindrops
on a lotus leaf...
homecoming
mandarin ducks
feather to feather ...
autumn dusk
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autumn twilight
butterfly darts in and out
of my shadow
autumn moonlight
slips into the attic window ...
thinking of Li Po
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zazen —
the wall mirror is covered
with black clothes
the master warns
keep your concentration
fluorescent lights hum
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my shadow
one step ahead of me
autumn dusk
40th birthday dream
wandering aimlessly
in the dark forest
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first snow
I eat steamed buns
by the window
Chinese New Year
eating a Happy Meal
at McDonald's
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cherry petals
in the sunlight, I whisper
letting go
one by one
frogs make holes in the pond ...
starry night
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autumn dusk
red leaves fall
into a poem
this gun …
fascinated with
snowflakes
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Appendix
Book Review: Following the Moon to the Maple Land by Kathy Uyen Nguyen, author of Wings of Fire: An Autobiographical Tanka Art Journal
Following the Moon to the Maple Land by Chen-ou Liu (Twitter: @ericcoliu) is simply a delightful chapbook. Liu's chapbook was the winner of the Summer 2011 Chapbook Contest sponsored by Haiku Pix Review. As I've known Chen-ou for several years now on Twitter, many of his haiku are familiar as I was reading this chapbook. Despite this fact, it was a pleasure to revisit many of his poems again and to see them in print!
Liu's "Preface" is unlike any other prefaces I've read out there; it is a haibun that captures his sense of self-identity and reality as if they are balancing on scales. Consider the following excerpt:
My mind can't find a resting place except writing poetry - the only way I can manipulate the reality of my life in Canada.
It is evident that Liu's hometown is in Taipei, Taiwan, yet in this haibun, there is much more room for readjustment to his new life in Canada.
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This story is shared by many of us (including relatives and friends) who are immigrants as we know that it is a lifelong process of letting go, yet still remembering one's own motherland wherever that may be. The only thing that is constant and ironically stationary in Liu's life is his poetry writing.
Speaking of Liu's hometown, I absolutely love the diction and the continuity of the images in this following haiku:
peeling my pearin a thin, unbroken spiral ...hometown memories
This haiku evokes nostalgia and is simply beautiful. The reader can imagine that both the peeling pear and Liu's hometown memories are all in an "unbroken spiral." I love the fusion between human nature ("memories") and nature ("pear").
Liu also demonstrates versatility and skill in one-line haiku such as the following selections:
slowly I eat up a spring day quickly dissolving
single married single again a rushing river
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In "[slowly]," the reader can see that the speaker of the haiku is eating up "a spring day" with the first reading, but at the same time or with the second reading, it is noted as the spring day being quickly dissolved while the speaker is eating something. Either way, I love the ambiguity and gustatory experience of this one-like haiku.
In "[single]," this reminds me of tributaries that all flow and merge together to become one big river. There is irony in the human experience when it comes to relationships (e.g., divorces, breakups, marriages, etc.): we go through these changing phases of relationships as if we are small streams ourselves trying to flow into one big river in the name of love. The middle part of the haiku with "single again" works like a hinge. It could be that the speaker of this haiku is "single again" or is experiencing once "again a rushing river" as in a rush of emotions. Here, the fusion in this haiku between human nature and nature is powerful. The use of ambiguity here is superb.
snow geesecross the gray sky --her wrist scars
While Liu's poems can sometimes be bittersweet, beautiful, or ambiguous, they can also be startling. In this haiku, for instance, the pureness of "snow
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geese" is contrasted with the disturbing image of "wrist scars." What each image shares is how they "cross the gray sky": the former with elegance before an impending storm, and the latter which depicts a female figure who previously self-harmed but is shown that her scars are healing. I am drawn to this haiku because of the many psychiatric patients I have worked with who had self-harmed but are on their way to recovery. Self-harm may be a precursor to suicide as evidenced by research. I am sure that Liu must be so troubled by this person's actions as revealed by "her wrist scars" that he wrote about it.
the master warnskeep your concentrationfluorescent lights hum
On a much lighter side to Liu's work, this is a wonderful senryu. It is funny to see how the speaker is distracted during meditation, yet the fluorescent lights are doing the humming for the speaker instead. So much for concentration and a sense of inner peace!
one by onefrogs make holes in the pond ...starry night
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I just simply could not let this one go. This is such a lovely haiku that I had to add this one to this review. I can imagine that both the pond and sky look black and that both frogs and stars are making holes in their respective blackness: the former in the pond and the latter in the night sky "one by one"! Great parallel images that share the same action!
Previously, I mentioned that I was familiar with Liu's work from Twitter. The following haiku are examples I've read and re-tweeted before he included them in this chapbook:
first snowI eat steamed bunsby the window
autumn twilightbutterfly darts in and outof my shadow
There's not much more to say to both of these haiku as they capture the flavor of Liu's lifestyle, background (e.g., "steamed buns"), and the convergence of man and nature. Just like the rest of his poems, each haiku is filled with many layers, stories, and interpretations. There were just so many superbly written haiku that did not make it to this review as I could not possibly cover
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everything. However, I did enjoy reading Following the Moon to the Maple Land and would recommend it to poetry lovers. Liu's language tilts on the romantic side, but at the same time, it gives a fresh perspective to things through his unique choice of words.
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Acknowledgments
Thanks are due to the editors and publishers of the following publications in which these poems first appeared:
3Lights, Acorn, Akita International Haiku Network, Ambrosia, Berry Blue Haiku, Chrysanthemum, Frogpond, Haiku Canada Review, Haijinx, Haiku News, Haiku Pix Review, Haiku Reality, Modern Haiku, Muse India, Notes From the Gean, Shamrock, Simply Haiku, Sketchbook, The Heron's Nest, World Haiku Database, World Haiku Review, and World Kigo Database.
For more information about publication credits, visit Poetry in the Moment,http://chenouliu.blogspot.ca/
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First Prize Winner2011 Haiku Pix Review Chapbook Contest
Born in Taipei, Taiwan, Chen-ou Liu was a college teacher and two-time winner of the national Best Book Review Radio Program Award. In 2002, he emigrated to Canada and settled in Ajax. He is currently Editor and Translator of NeverEnding Story, First English-Chinese Haiku and Tanka Blog, http://neverendingstoryhaikutanka.blogspot.ca/, and the author of five books, including Following the Moon to the Maple Land (First Prize Winner of the 2011 Haiku Pix Review Chapbook Contest). His tanka and haiku have been honored with 68 awards. Read more of his poems at Poetry in the Moment, http://chenouliu.blogspot.com/
NeverEnding Story 2014
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