fomrhi quarterly index 2 '75-98.pdf · 1975-1998 permuted index a signed sweden (in/ plans:...

Fellowship of Makers and Researchers of Historical Instruments

FoMRHI Quarterly

Permuted Index II

1975 - 1998

Mietke

to

Zinken

1975-i

i>

tl

ft)

1975-1998 Permuted Index

A signed Sweden (in/ Plans: the 1710 Michael

An exceptional G-sharp in Chiesa

di Musica, no. 17, April 1989, Commune de Violin makers in

Diderot, viols and false tables. Making lute pegs.

Restoration of a recorder edge. theorbo from Musick's Monument, 1676.

musical instruments in the Dayton C. conversion of cents to Hertz. Goodwin

sources of instrument-making timber. Pepys's

/Campbell: A check-list of the free reed,

century in Lanciano (Abruzzo, Italy). (record). Montagu Review: Rans, (record). Yakeley Review: Rans,

A=415.3 and all that. Magnano, Italy 21-23 September 1995. 'sunburst' for a cabinet piano. Mobbs,

Dr Robert Smith's 1748 keyboard tunings. a silk 'sunburst' for a cabinet piano.

drills, van Leeuwen Jones On the reviewing and

Deutsche/ Review:

Willetts symbolism in the mural/ Falcon

- with gratitude to Christopher The construction of a

Mersenne's Review: van Ree Bernard: The keyed

and renaissance music./ Review: & Fortepiano magazine, October 1986.

& Raymond Parks, Trumpets and Trombones. (April 1997) & no.20, Sept 1997.

(Exhibition catalogue Frankfurt 1991). (Floten; Drehleier & Dudelsack).

(collection Haags Gemeente Museum). (on C-1082, C-1077, C-1078 and C-1081).

(small and large mouthpieces for brass, - Mikko Korhonen plays instant music.

- des facteurs d'instruments de musique. - further to C-203, C-411 and C-659.

Mietke harpsichord. Kilstrom C-1057 Mietke single harpsichord in Hudiksval Bul-90 Milan. Lindley C-684 Milanese keyboard makers - 16th century C-1231 Milano /I Quaderni della Civico Scuola C-989 Milano 17th-18th century. Chiesa C-1202 Miller C-214 Miller C-140 Miller C-353 Miller Mace's C-154 Miller collection. Cousen /Seyfritt: C-463 Mills Computer programs for the C-791 Mills Two possible C-433 minikin. Downing C-1567 miscellaneous and ancillary instruments/ C-447 Miscellaneous comments. Cronin C-533 Miscia, Tiella /making of the 19th C-1608 Misschaert: Die nachtegael int wilde C-284 Misschaert: Die nachtegael int wilde C-285 Mobbs C-851 Mobbs /clavichord symposium, C-1478 Mobbs Making a silk C-1473 Mobbs, Mackenzie of Ord C-1583 Mobbs, Mobbs Making C-1473 Modification and sharpening of twist C-"?07 modification of musical instruments C-1018 Moeck (ed): Fiinf Jahrhunderte C-883 Moire contours. McLennan C-744 Moisture blocking of fipple flutes C-470 M0ller. Music aloft - musical C-1449 Monk. Montagu /Snakes are Beautiful C-1061 monochord. Montagu C-21 monochord. Napier-Hemy C-1054 monochord; rediscovery of a forgotten/ C-1240 Monroe. Adding percussion to medieval C-1451 Montagu Review: Harpsichord C-895 Montagu /Vol 2;H;iii, Arnold Myers C-1211 Montagu /a vent. VII special C-1547 Montagu /from all over the world, C-1024 Montagu /Two catalogues of exhibitions C-424 Montagu /recorders of the 18th century C-1058 Montagu Various comments C-1084 Montagu /collection, vol 2-H iv&v C-1447 Montagu Review: Swedish clavichords C-1535 Montagu /Un musee aujourd'hui C-693 Montagu Memlinc revisited C-1188

FOMRHI Quarterly page 2-81 99/03/28 rel 11.2


- the Galpin Society's 40th anniversary. - with gratitude to Christopher Monk. ...', an obituary for Michael Morrow.

12, 1985. /3, 1987.

17 (August 1995 & 18 (February 1996). 2 (the descriptive fascicles, 44 pp).

2500 historical woodwind instruments. 2;E;ii, William Waterhouse, Bassoons.

4, Plucked stringed-instruments. A flying visit to Italy.

A hypothesis on the symphony. A musical Directory for the year 1794.

A rejoinder to a response to C-l 157. A return visit to Venice.

A survey of musical instruments. A word of two on the flute (1826).

ACB, Anthony Baines, 1912-1997. Abstracts, vol. 28, no. 3, 237 pp.

Age. 386pp, CD + photo CD. 130 Dfl. Ages; studies on text and performance.

An acoustical problem. As like as two peas.

Ashmolean museum, CD or cassette. Auckland Institute & Museum, 1989.

Augusteum: Jahresschrift 22 1976. Bagpipe Society, vol.1, part 2, '86/'87.

Beethoven and the early music industry. Being fair to evidence in scholarship.

Biber: 16 Rosenkrantzsonaten (record). Biblical instruments - further to C-672.

C-900 on conservation and accreditation. Catalogue 3, Bowed stringed-instruments.

Catalogue of old brasswind instruments. Citt/Gitt (cittern and gittern) again.

Citt/Gitt. College, Tokio, 2 vols, rev edition.

College, Tokio: Catalogue 5, Harp; Lyre. College, Tokio: Catalogue 8, bagpipes.

College, Tokio: Catalogue 9, Flute. Comments on C-448.

Commonwealth Institute London (concert). Conservation, archaeology & museums.

Cow bells, a request. Crafts Council Conservation Sourcebook.

Crumhorns - a letter from Hanchet to

Montagu Made for music C-752 Montagu Review: Snakes are Beautiful C-1061 Montagu 'Let us now praise famous men C-1272 Montagu C-691 Montagu C-782 Montagu Review: Larigot C-1448 Montagu /illustrations, 168 pp) and C-l 133 Montagu Review: Young: C-806 Montagu /Instruments, catalogue Vol C-1211 Montagu /College, Tokio: Catalogue C-645 Montagu C-658 Montagu C-96 Montagu Review: Joseph Doane: C-l207 Montagu C-l 177 Montagu C-673 Montagu Review: Marcuse: C-20 Montagu Review: James: C-427 Montagu C-1502 Montagu /Art & Archeology Technical C-l 107 Montagu /Music & Painting in the Golden C-1310 Montagu /and instruments of the Middle C-l565 Montagu C-221 Montagu C-1588 Montagu /the 1772 Kirckman harpsichord C-l071 Montagu /Moyle: the Sound of Oceania, C-921 Montagu /Salzburger Museum Carolino C-149 Montagu /Chanter, the journal of the C-783 Montagu More on C-l 157 Montagu C-1582 Montagu Review: C-603 Montagu C-721 Montagu A response to Cary's C-906 Montagu /Kunitachi College, Tokio: C-645 Montagu Bingham C-481 Montagu C-1530 Montagu C-1514 Montagu /musical instruments, Kunitachi C-1475 Montagu Review: Kunitachi C-645 Montagu Review: Kunitachi C-920 Montagu Review: Gunji, Kunitachi C-988 Montagu C-473 Montagu /musicians of Jajouka at the C-316 Montagu /UK Institute for Conservation: C-384 Montagu C-l 156 Montagu Review: C-242 Montagu C-241



Dawnym Instrumentarium, 1998; 184 pp. Deutsche Musikinstrumentenbau.

Die Romische Orgel von Aquincum. Die nachtegael int wilde (record).

Don't go overboard about ivory. Ellis: Hanes y delyn yng Nghymru.

Ellis: The story of the harp in Wales. Ensemble, the last of the troubadours.

Fairly, Flutes, flautists and makers. Flote, Frankreich 1832-1932, 270 pp.,

FoMRHI book news. FoMRHI book news.

Ford: Making musical instruments. Further to Cary's C-655.

General: Music and book reviews. Getutscht, (tr Beth Bullard), 275 pp.

Gunji, Kunitachi College, Tokio: lute. Herre. Museum Musicum Leipzig.

Hertz to cents and vice versa. Hope: Italian baroque guitar (record).

Intervals, scales and temperaments. Jansen: The bassoon, part I (plates).

Jansen: The bassoon, part VIII & IX. Journal XIII, 1987, October 1986.

Karp: Basic keyboard tuning techniques. Katalog der Streichinstrumente Berlin.

Klemt og Klang; Ringve Museum. Landesmuseum, Linz.

Larigot, no. 2, May 1988, October 1986. Larigot; annual subscription to ACIMV.

Laying & decorating harpsichord papers. Leipzig band 5 Horner und Zinken.

Lindley: Lutes, viols & temperaments. Lost traditions - or are they?

Making a spinet by traditional methods. Mandolins of the 18th century, 154 pp.

March for two pairs of kettledrums. Metal-covered threads before 1600.

More on Longman, Lukey & Broderip. Museum - part 2 (further to C-l297).

Museum Leipzig band 1 Floten. Museum Leipzig band 2 Kielinstrumente.

Museum Leipzig band 4 Clavichorde. Museum, vol 1, keyed brass instruments.

Museum: Exhibition catalogue 1987. Music, November 1988, October 1986.

Montagu Review: Golos: Przewodnik Po C-l 114 Montagu /(ed): Fiinf Jahrhunderte C-883 Montagu Review: Kaba: C-l49 Montagu Review: Rans, Misschaert: C-284 Montagu C-941 Montagu Review: C-283 Montagu Review: C-283 Montagu Review: Martin Best Medieval C-l071 Montagu Review: C-445 Montagu /Das goldene Zeitalter der C-l239 Montagu C-148 Montagu C-56 Montagu Review: C-l88a Montagu C-677 Montagu Bul-54 Montagu Review: Virdung: Musica C-1241 Montagu Review: C-949 Montagu Review: Schrammek, C-416 Montagu Converting C-732 Montagu Review: C-299 Montagu Review: Boyle: C-191 Montagu Review: C-l90 Montagu Review: C-350 Montagu /Musical Instrument Society C-895 Montagu Review: C-l06 Montagu Review: C-90 Montagu Review: Kjeldsberg: C-l 10a Montagu /in the Oberosterreichisches C-l534 Montagu Review: C-895 Montagu Review: C-l210 Montagu Review: Mactaggart: C-399 Montagu /Musikinstrumenten Museum C-498 Montagu Review: C-555 Montagu C-468 Montagu Review: Barnes: C-601 Montagu Review: Stephen Morey: C-l269 Montagu Review: Philidor: C-785 Montagu C-139 Montagu C-751 Montagu /Wien, Kunsthistorisches C-l312 Montagu /Heyde: Musikinstrumenten C-l93 Montagu /Henkel: Musikinstrumenten C-348 Montagu /Henkel: Musikinstrumenten C-498 Montagu /Stewart: The Shrine to Music C-365 Montagu Review: Ringve C-784 Montagu Review: Early C-895



Musica Maximiliana, Ekkehart Stegmiller. Musical Instruments], 1991; 209 pp.

Musical instruments of the West. Musical instruments of the world.

Musical instruments through the ages. Musikhistoriska museets skrifter. Musikinstrumente des Altertums.

Musikinstrumenter ved Ringve Museum. Musikinstrumenter ved Ringve Museum.

Myers: The Glen account book 1838-1853. National Museum, 1989, 415 pp.

Notes on the Horniman Museum Handbook. On nomenclature - a rejoinder.

Painting and marbling harpsichord cases. Peculiar tibiae.

Pinniger: Insect pests in museums. Relative string lengths of the crwth. Renaissance Instruments, catalogue.

Reports on FoMRHI seminars Syrus. Review: Bingham: Harmony for the flute.

Review: Cornett and Sackbut, journal. Review: Divisions, volume 1, no. 2. Review: Divisions, volume 1, no. 3. Review: Divisions: volume 1, no. 1.

Review: Ehrlich: The piano: a history. Review: Haine: Adolphe Sax.

Review: Harpa no.28, spring 1998. Review: Hope: Baroque guitar (record).

Review: Hutchins: The physics of music. Review: Jansen: The bassoon, part I.

Review: Jansen: The bassoon, part II. Review: Jansen: The bassoon, part IV Review: Jansen: The bassoon, part V

Review: Jansen: The bassoon, part VI. Review: Jansen: The bassoon, part VII.

Review: Jansen: The bassoon, part X. Review: Jansen: The bassoon, part XI.

Review: Larigot 15, June 1994, ACIMV. Review: Larigot 21, ACIMV.

Review: Larigot no.5, May 1989. Review: Larigot no.7, March 1990.

Review: Larigot no.8, September 1990. Review: Larigot no.9, December 1990.

Review: Larigot, November 1989. Review: Leppert: Arcadia at Versailles.

Review: Mactaggart: Practical guilding.

Montagu Review: Henning: C-805 Montagu /Polish terminology of Historic C-l 114 Montagu Review: Remnant: C-149 Montagu Review: Diagram_group: C-73 Montagu Review: Hamber, Stanners: C-689 Montagu /Musicae Popularis, C-l 11 Montagu /Vorreiter: Die schonsten C-480 Montagu Review: Kjeldsberg: C-l 10 Montagu Review: Kjeldsberg: C-429 Montagu Review: C-669 Montagu /Musikinstrumente, Germanisches .... C-1069 Montagu C-43 Montagu C-351 Montagu Review: Mactaggart: C-518 Montagu C-892 Montagu Review: C-964 Montagu C-444 Montagu Review: Nothern C-315 Montagu C-55 Montagu C-580 Montagu C-192 Montagu C-212 Montagu C-263 Montagu C-172 Montagu C-963 Montagu C-280 Montagu C-1577 Montagu C-209 Montagu C-150 Montagu C-171 Montagu C-210 Montagu C-261 Montagu C-281 Montagu C-298 Montagu C-310 Montagu C-361 Montagu C-383 Montagu C-1268 Montagu C-1578 Montagu C-918 Montagu C-978 Montagu C-990 Montagu C-1023 Montagu C-950 Montagu C-149 Montagu C-583



Review: Nema, Early music in education. Review: Orcutt: The Stradivari memorial.

Review: Palmer: The hurdy-gurdy. Review: Paul: Modern harpsichord makers.

Review: Pollens. The early pianoforte. Review: Quarna: vivera di Strumenti. Review: Rose. Talks with bandsmen.

Review: The Woodwind Quartely, issue 2. Review: Tibia 1/80 journal.

Review: Tibia-Calendrium 1984. Review: Traverso no.2, April 1989.

Review: Zeugnisse alter Musik XI, 1980. Rice: the baroque clarinet, 197 pp.

Ringve Museums Skrifter nr.5, 33 pp. Roche: A dictionary of early music.

Rose and the instruments found in her. Scherchen: Handbook of conducting.

Seiermarkischen Landeszeughaus in Graz. Should museum instruments be used?

Society Journal XLI, 1988, October 1986. Solum: The early Flute, 1992; 164 pp.

Some comments on C-60. Sparks: The classical mandolin, 225 pp. Strumenti di Antonio Stradivari, 68 pp.

Studia instrumentorum popularis VII. Syntagma Musicum Praetorius translated. Tasteninstrumente des Museums, Berlin.

Taylor: The musician's piano atlas. The UKIC and V&A Christmas symposium.

The baroque flute fingering book. The bassoon, part II (plates) & III. The construction of a monochord.

The early history of the viol. The forked shawm.

The historical harpsichord, vol.1. The manufacture of musical instruments.

The musician's piano atlas, suppl 1. The oldest organ in Christendom.

The problem of nomenclature. The proud bassoon (catalogue).

The recorder; a basic workshop manual. Tinplate instruments- further to C-1568.

Tokio: bowed string instruments. Toll: Bar Consort Earl Music (record).

Tolley: Making musical instruments. Two upon a Ground, SIG CD 007.

Montagu C-643 Montagu C-313 Montagu C-276 Montagu C-400 Montagu C-1404 Montagu C-552 Montagu C-1450 Montagu C-l 183 Montagu C-279 Montagu C-516 Montagu C-919 Montagu C-262 Montagu Review: C-l 104 Montagu /Meriker Klarinetten; C-l 105 Montagu Review: C-402 Montagu A working visit to the Mary C-l597 Montagu Review: C-962 Montagu /Die musikinstrumente im C-l09 Montagu C-389 Montagu Review: Galpin C-895 Montagu Review: C-l 132 Montagu C-60a Montagu Review: C-l357 Montagu Review: Tiella, Beare, et al.: C-l 108 Montagu /Museet Stockholm: C-386 Montagu Review: Blumenfeld: The C-346 Montagu Review: Haase, Krickeberg: C-846 Montagu Review: C-362 Montagu C-501 Montagu Review: Neuhaus: C-728 Montagu Review: Jansen: C-245 Montagu C-21 Montagu Review: Woodfield: C-582 Montagu C-304 Montagu Review: Schott: C-602 Montagu Review: Tullberg: C-72 Montagu Review: Taylor: C-584 Montagu C-534 Montagu C-323 Montagu Review: Waterhouse: C-497 Montagu Review: Brown: C-936 Montagu C-1587 Montagu /Gunji, Kunitachi College, C-949 Montagu Review: C-244 Montagu Review: C-151 Montagu Review: Charivari agreable: C-l598



Tyler, Sparks: The Early Mandolin, 1989. UKIC and V&A Christmas symposium 1983.

Victorian reed organs and harmoniums. Wallraf-Richartz Museum, Cologne.

Weston: Samuel Hughes ophicleidist. What do we mean by A=415?

What should measuring tools be made of? What was the flauto d'echo?

Widensky: Das Claviorganum (record). Wien, Kunsthistorisches Museum.

Wishart: Bagpipes & hurdy-gurdies. Wydawnictwo Naukowe PWN, 1992; 422 pp.

Yet more on organological terminology. a vent. IV & V special & no. 16.

'Musical Instruments, Edinburgh 1904). a discography of music on early pianos.

a history of the English slide trumpet. an annotated bibliography. 19 pp. 1993. and 18th century in Nuremberg; 186 pp. and fortepiano magazine, October 1987. and other taxonomy - further to C-1429.

and restoration of musical instruments. at the English Court 1540-1690. 491 pp.

au Musee Instrumental de Bruxelles. audio-visual review of different types. bagpipes in the Edinburgh collection. band 3 Trompeten, Posaunen, Tuben.

band 6 Orgelinstrumente, Harmoniums. bards, preserved by tradition, etc 1784.

care of historic musical instruments. centrum voor oude muziek 3, 1987.

clarinettists and other performers. collections of the world, 185 pp., 1992.

companion to brass instruments. conservation and technology journal. cultures worldwide, Viols & violins).

d'instruments a vent. VI special. de musique occidenteaux, 1960-1992.

della Pieta Venezia, Venezia 1990. der Bruckner-Zeit, Linz.

di proprieta del comune di Rovereto. dictionary of musical instruments (A).

dictionary of musical instruments 3 vol. dictionary of musical instruments.

drawings housed in the Bate collection. du Conservatoire de Paris, 1793-1993.

Montagu Review: C-922 Montagu /of early musical instruments, C-992 Montagu Review: Fluke: C-667 Montagu /of paintings and sculptures, C-1476 Montagu Review: C-747 Montagu C-829 Montagu C-733 Montagu C-328 Montagu Review: C-870 Montagu /alter Musikinstrumente C-l297 Montagu Review: Stacey C-581 Montagu /Zabytkowe Organy C-l 114 Montagu C-388 Montagu /collectionneurs d'instruments C-1405 Montagu /The Highland harp (part 2 of C-l267 Montagu /The sound of the fortepiano: C-688 Montagu /Brownlow. The last trumpet - C-1487 Montagu /of musical instruments: C-l 170 Montagu /techniques used in the 17th C-l 103 Montagu Review: The harpsichord C-843 Montagu Hautboy C-1460 Montagu /Meer, Thibault: Preservation C-91 Montagu /twenty fiddlers; the violin C-l208 Montagu /Catalogue des instruments Sax C-311 Montagu /The psaltery; an annotated C-948 Montagu /Cheape: A check-list of the C-478 Montagu /Museum Leipzig C-348 Montagu /Museum Leipzig C-519 Montagu /poetical relicks of the Welsh C-695 Montagu /Robert Barclay, ed. The C-l566 Montagu /Jaarboek van het Vlaamse C-993 Montagu /for flutists, oboists, C-767 Montagu /musical instruments in public C-l 154 Montagu /John Wallace. The Cambridge C-1546 Montagu Review: Musical instrument C-211 Montagu /instruments of regional C-1406 Montagu /des collectionneurs C-1488 Montagu /organologie; les instruments C-l296 Montagu /degli Strumenti dell'Istituto C-979 Montagu /Linzer Musikinstrumente C-499 Montagu /Primon: Ricerche su un violino C-847 Montagu Review: The new Grove C-604 Montagu Review: The new Grove C-578 Montagu Review: Jenkins: International C-92 Montagu Plans: List of available Bul-68 Montagu /les collections instrumentales C-l503



ed.: Fluting and Dancing, 1992; 200 pp. Montagu ein Uberblick iiber sein Leben. Montagu en Wallonie et a Bruxelles etc. Montagu

exhibition at Edinburgh, August 1986. Montagu fur Lauteninstrumente (record). Montagu

for oboe, 1650-1800: a bibliography. Montagu for players & researchers. 504pp. Montagu

for playing the Welsh harp. Montagu for the oboe 1650-1800: a bibliography. Montagu

for the study of notes inegales. Montagu fortepiano magazine, 4:5, April 1988. Montagu

from Anglo-Saxon to Tudor times. Montagu from Anglo-Saxon to Tudor times. Montagu

hearing, its nature and pedagogy. Montagu historic double reed instruments, 1988. Montagu

historical instruments. Abbott Segerman Montagu historical woodwind instruments, 270 pp. Montagu

historisierende literarische Anthologie. Montagu history and directory. 448 pp. Montagu

iconographical and documentary survey. Montagu illustrated with examples, etc 1757. Montagu

im Salzburger Museum Carolino Augusteum. Montagu in Europa, Haags Gemeente Museum. Montagu

in Liverpool Museum (182 pp). Montagu in Mittelalter und Renaissance. Montagu

in the Edinburgh University collection. Montagu in the middle ages and the renaissance. Montagu

in the renaissance and middle ages. Montagu instrument collections, Catalogues. Montagu

instrument makers and inventors. 518 pp. Montagu instruments and a few other sources. Montagu

instruments at the University of Iowa. Montagu instruments by Brauchli & Elizondo. Montagu

instruments in Belgian collections. Montagu instruments in Canadian collections. Montagu

instruments in the 1851 exhibition. Montagu instruments in the Edinburgh collection. Montagu instruments in the Edinburgh collection. Montagu instruments in the Edinburgh collection. Montagu instruments in the Edinburgh collection. Montagu instruments in the Edinburgh collection. Montagu

instruments of the 17th-19th century. Montagu instruments, 1991, 132 pp & graphs. Montagu

instruments, Kunitachi College, Tokio. Montagu interpretazione della musica, 1983. Montagu

is alive and well and living in Euskadi. Montagu

Review: Lasocki, C-l 115 Review: Nagy: Michael Haydn, C-364 /d'instruments de musique C-745 Review: The historic clarinet C-769 /J.S. Bach Kompositionen C-870 Review: Haynes: Music C-690 /writings about the instrument C-1311 /or method of instrumentation C-894 Review: Haynes: Music C-l 106 /instruments as a source C-264 Review: Harpsichord and C-869 /English bowed instruments C-786 /English bowed instruments C-807 Review: Szende: Intervallic C-149 /Young: Loan exhibition of C-885 /periodicals with interests in C-27 /Phillip T. Young: 4900 C-l270 /and des Barock, Band 1: Eine C-947 /British isles; an illustrated C-l359 /festival books, 1500-1800; an C-935 /of fingering the harpsichord; C-694 /Die Holzblas Instrumente C-149 /en volksmuziekinstrumenten C-520 /European musical instruments C-l294 /der Musikinstrumente C-387 /the brass musical instruments C-363 Review: Lane: The trombone C-462 Drum rythms for dance music C-887 Review: Coover: Musical C-425 / - a dictionary of musical C-l209 /British Library with musical C-8 Review: Ross: Musical C-213 /century music for two keyboard C-1013 Review: Haine: Musica, musical C-946 /Institute: Care of musical C-385 Review: Mactaggart: Musical C-746 /and hammered string musical C-428 /miscellaneous and ancillary C-447 /of the bowed string musical C-423 /of the double-reed musical C-401 /of the percussion musical C-428 /of the European musical C-482 /practice for keyboard C-1070 /The collection of musical C-844 /vol.1, Studi e testi sull' C-554 The Pipe and Tabor C-l537



junior traverso; Haka treble recorder. Montagu luthiers Parisiens, 17-18th siecles. Montagu makers, vol.XII no.l, March '93. Montagu

metrics of recorders & traverso. Montagu musical instrument makers, August '89. Montagu

musical instrument makers, November '90. Montagu musikalisches Kleeblatt, 1697. Montagu

nine sonatas for clavichord (record). Montagu of Bradford art galleries & museums. Montagu

of Burma, India, Nepal, Thailand, Tibet. Montagu of Historic Musical Instruments. Montagu

of Music Museum, Set of 13 postcards. Montagu of Thomas Green 1742-1790. 169 pp. Montagu

of a forgotten instrument, 48 pp. Montagu of an exhibition: the look of music. Montagu

of historical musical instruments. Montagu of historical musical instruments. Montagu

of musical instrument makers, Aug '85. Montagu of musical instrument makers, March '88. Montagu of musical instrument makers, March '89. Montagu

of musical instrument makers, Oct 1989. Montagu of musical instruments, Oxford. Montagu

of musical instruments; a check-list. Montagu of pianos, Haags Gemeente Museum. Montagu

of prehistoric Scandinavia (record). Montagu of regional cultures worldwide. Montagu

of the 17th-19th century (2nd issue). Montagu of the baroque trumpet before 1721. Montagu

on the catalogue of the V& A Museum. Montagu or allow? (on measuring instruments). Montagu

paintings of Danish medieval churches. Montagu part I, European wind instruments. Montagu

performances in Westminster-Abbey. Montagu practice and songs in France 1100-1300. Montagu practice and songs in France 1100-1300. Montagu

principles of violin playing, (Knocker). Montagu recollections of Arnold Dolmetsch. Montagu

recorder collection of Frans Briiggen. Montagu renaissance clavichord I & II (records). Montagu

renaissance sackbut and its use today. Montagu ricerca su strumenti pre-rinascimentali. Montagu

special 1 du bulletin Larigot, ACIMV. Montagu standards and accreditation in the UK. Montagu

symphony #2, piano concerto #3. Montagu the Bagpipe Society, vol.1, part 1, '86. Montagu

the Cyfarthfa Castle museum collection. Montagu

Review: Aulos, Stanesby C-966 /ed. Instrumentistes et C-1452 /of musical instrument C-1171 Review: Kolberg: Ornamental C-938 /the Australian Association of C-950 /the Australian Association of C-l023 /Kunst oder Vierfaches C-349 /Brauchli: Carlos Seixas's C-521 /instruments in the collection C-1060 /Museum, vol 2 instruments C-479 /ed.: Edinburgh Collection C-1113 Review: Royal College C-884 /Sheldrick, ed.: The accounts C-l206 /keyed monochord; rediscovery C-l240 Review: Barclay: Anatomy C-517 /university collection C-845 /university collection C-868 /of the Australian Association C-668 /of the Australian Association C-869 /of the Australian Association C-939 /of the Australian Association C-923 /List the Bate collection Bul-68 /Good: The Eddy collection C-644 /von Gleich: A check-list C-842 Review: Lund: The sounds C-553 /vol 2A, wind instruments C-l238 /European musical instruments C-991 /The music and history C-945 Comments C-9 /expect museums to provide C-1212 /musical symbolism in the mural C-1449 /of Music Museum Catalogue C-446 /An account of the musical C-312 /the middle ages - instrumental C-786 /the middle ages - instrumental C-808 /A treatise on the fundamental C-692 Review: Dolmetsch: Personal C-314 Review: Zen-on: The C-426 Review: Brauchli: The C-266 Review: Fischer: The C-600 Review: Tiella: Indirizzi di C-265 /a vent, tome 2, numero C-1059 /establishment of conservation C-849 /Huggett, Verney, Beethoven C-1071 /Chanter, the journal of C-748 /and percussion instruments in C-1060



the Lot and Godfroy families 1650-1900. the Niirnberg brass instrument makers.

the evolution of an English piano. the hurdy-gurdy and the vielle-a-roue. the original pedal harp, London 1821.

theft, and the law, 1992; 126 pp. there which have musical instruments.

thoughts on manufacture and production. to C-981 - Are reviews justified?

to medieval and renaissance music. to musical instruments, 1694-1866.

to musical instruments, 1992; 404 pp. to musical instruments, 1992; 404 pp.

veneta: patrimonio e salvaguardia. vol 2-K (ancillary equipment).

with Roger Prior. The Bassanos, 288 pp. with whither - it's what that counts.

works of C P E . Bach by Brauchli. A letter to J.

Grove dictionary of musical instruments. instruments - supplement to/ Review:

Grove dictionary of musical instruments. Instruments by named makers; Jeremy

Grove dictionary of musical instruments. from the middle ages/ Review: Blades,

Grove dictionary of musical instruments. Grove dictionary of musical instruments.

in Mittelalter und/ Review: Grove dictionary of musical instruments. Grove dictionary of musical instruments. Grove dictionary of musical instruments. Grove dictionary of musical instruments.

instruments. Bowles Review: Bible. Segerman Review:

Grove dictionary of musical instruments. Report on the 16th century seminar.

Segerman Review: Jeremy renaissance musical/ Review: renaissance musical/ Review: renaissance musical/ Review: renaissance musical/ Review:

David Lasocki, the/ A reply to Jeremy Technology of/ Comments on Jeremy

Design of a viol belly. other renaissance windcap instruments.

instruments in the Brussels/ Review:

Montagu /Great flute makers of France: C-l 184 Montagu On the skill of C-722 Montagu /Burnett: Seven Broadwoods; C-l358 Montagu On the distinction between C-286 Montagu /improved state compared with C-l267 Montagu /fraud: deception, forgery C-l 134 Montagu /Paris and some of the museums C-l457 Montagu Some C-251 Montagu Further C-982 Montagu /Monroe. Adding percussion C-1451 Montagu /Patents for inventions related C-579 Montagu /Baines: The Oxford companion C-l 116 Montagu /Baines: The Oxford companion C-l 131 Montagu Convegno di Studi Organaria C-871 Montagu /University collection, C-1447 Montagu Review: David Lasocki C-l579 Montagu To hell C-568 Montagu Review: Record, keyboard C-1012 Montagu. Bashford C-686 Montagu (B) Review: The new C-646 Montagu: Bate collection of historical C-811 Montagu (C) Review: The new C-671 Montagu Collection Survey: Bul-55 Montagu (D-E) Review: The new C-697 Montagu: Early percussion instruments C-l8 Montagu (F) Review: The new C-727 Montagu (G) Review: The new C-749 Montagu: Geschichte der Musikinstrumente C-387 Montagu (H) Review: The new C-768 Montagu (I) Review: The new C-812 Montagu (J-K) Review: The new C-848 Montagu (L-M) Review: The new C-897 Montagu: Making early percussion C-19 Montagu. Musical instruments of the C-l453 Montagu (N) Review: The new C-924 Montagu Segerman C-93 Montagu. The magpie in ethnomusicology C-l549 Montagu: The world of medieval and C-44 Montagu: The world of medieval and C-44c Montagu: The world of medieval and C-44d Montagu: The world of medieval and C-44e Montagu's review of Richard Griscomb & C-l 333 Montagu's review of the Conservation and C-l 117 Moonen C-381 Moonen /Boydell: The crumhorn and C-430 Moonen: Drawings of four woodwind C-282



Music and Cinematographic (Leningrad). Jerome of

medieval fiddle. Segerman/ Jerome of individualised modal/ Jerome of

A correction to C-50 on Jerome of music. Segerman The inverted

154 pp. Montagu Review: Stephen Instrument Makers Association Limited.

Announcements: cittern. Forrester The

shipwrecks, lake dwellings and rivers. famous men ...', an obituary for Michael

Michael Key lever fulcrum pin

clavichord 1440-1840,/ Review: Boalch, Scraping plane for

How to make your own A bit more on

Brass Referring to C-1433 on brass

Valves and /vol 2-H iv&v (small and large

Institute & Museum, 19897 Review: principles of violin playing,/ Review:

Plans: Viol bellies and bridges.

of the woodwinds at the Stadtmuseum, and renaissance (part 1)./ Review: and renaissance (part 2)./ Review:

and renaissance. Segerman Review: /Music aloft - musical symbolism in the

d'instruments de musique./ Review: Un /Florence Getrau. Aux origines du

Plans: List Keyser: Catalogue des instruments Sax au

Plans: List Societe des Amis du Plans: List Societe des Amis du Plans: List Societe des Amis du Plans: List Societe des Amis du Plans: List Societe des Amis du Plans: List Societe des Amis du

popularis/ Review: Musikhistoriska Drone system of the Lissieu

General: 1992 Acquisitions at the Fiske General: 1993 Acquisitions at the Fiske

Plans: List Brussels

Moore /the State Institute of Theatre, C-147 Moravia. Baines C-58 Moravia and bridge curvature in the C-50 Moravia's first fiddle tuning as an C-1093 Moravia's second fiddle tuning./ C-95 mordent in late 16th and 17th century C-359 Morey: Mandolins of the 18th century, C-1269 Morley The Early Musical C-26 Morley clavichord No. 213. Bence Bul-91 Morley consort lessons and the English C-931 Morrison Early music instruments from C-317 Morrow. Montagu 'Let us now praise C-l272 Morrow. Segerman C-l273 mortices. Robson C-l262 Mould. Makers of the harpsichord and C-1402 mouldings in wood. Greenberg C-571 mouldings in wood. Hendry C-476 mouthpieces. Chiverton C-1464 mouthpieces. Chiverton C-1433 mouthpieces. Myers C-1465 mouthpieces for bagpipes. Gretton C-358 mouthpieces for brass, Montagu C-1447 Moyle: the Sound of Oceania, Auckland C-921 Mozart: A treatise on the fundamental C-692 Mulhouse traverso, van Leeuwen Bul-49 Munck C-557 Munich. Lyndon-Jones /of some C-l222 Munrow: Instruments of the middle ages C-44a Munrow: Instruments of the middle ages C-44b Munrow: Instruments of the middle ages C-44 mural paintings of Danish medieval/ C-1449 musee aujourd'hui - des facteurs C-693 musee de la musique: les collections/ C-1503 Musee Grobet, Labadie Bul-28 Musee Instrumental de Bruxelles./ /de C-311 Musee Instrumental, Paris Bui-11 Musee Instrumental, Paris Bui-18 Musee Instrumental, Paris Bul-28 Musee Instrumental, Paris Bul-39 Musee Instrumental, Paris Bul-43 Musee Instrumental, Paris (new/ Bul-63 Museet Stockholm: Studia instrumentorum C-386 musette. Greensitt C-405 Museum Bul-71 Museum Bul-75 Museum Bul-11



Plans: List Brussels Terton recorder from Haags Gemeente

and publications, Haags Gemeente in the collection of the Haags Gemeente

Pictures etc in the Ashmolean the liuto attiorbato by Choc in the V&A

woodwind instruments in the Brussels /in Europa, Haags Gemeente

A check-list of pianos, Haags Gemeente Comments on the catalogue of the V&A

Kjeldsberg: Klemt og Klang; Ringve Kjeldsberg: Musikinstrumenter ved Ringve Kjeldsberg: Musikinstrumenter ved Ringve

Wien, Kunsthistorisches Montagu /Wien, Kunsthistorisches

musical instruments in Liverpool musical instruments in Liverpool

Sound of Oceania, Auckland Institute & /Musikinstrumente, Germanisches National

Tremmel The curtals of the Maximilian General: New acquisitions to the Fiske General: New acquisitions to the Fiske General: New acquisitions to the Fiske

/Die Holzblas Instrumente im Salzburger 22 1976. Montagu Review: Salzburger

Review: Royal College of Music the 1772 Kirckman harpsichord Ashmolean

/list, new acquisitions at the Fiske instruments in the Cyfarthfa Castle

and sculptures, Wallraf-Richartz The NF treble recorder at the

An Irish hurdy-gurdy in the National /musical instruments in the National

Montagu Review: Ringve Notes on the Horniman

Alto recorder Steenbergen Groninger oboe (museum code 808/69) in the V&A

Should Review: Heyde: Musikinstrumenten

Review: Henkel: Musikinstrumenten Review: Heyde: Musikinstrumenten

Review: Henkel: Musikinstrumenten Review: Heyde: Musikinstrumenten

/Henkel, Schrammek: Musikinstrumenten Plans: List V&A Plans: List V&A

Museum Bul-22 Museum Plans: Bul-40 Museum. Plans: Musical instruments Bul-56 Museum. Bouterse /the Dutch recorders C-l037 Museum. Downing C-8a museum. Lourie /and photographs of C-259 Museum. McCrone /Drawings of four C-282 Museum. Montagu C-520 Museum. Montagu Review: von Gleich: C-842 Museum. Montagu C-9 Museum. Montagu Review: C-l 10a Museum. Montagu Review: C-l 10 Museum. Montagu Review: C-429 Museum. Montagu /Musikinstrumente, C-l297 Museum - part 2 (further to C-1297) C-1312 Museum (182 pp). Cole /ed.: European C-1293 Museum (182 pp). Montagu /European C-l294 Museum, 1989. Montagu /Moyle: the C-921 Museum, 1989, 415 pp. Montagu C-l069 Museum Augsburg: a reply to C-l224 C-l257 Museum, Ca Bul-54 Museum, Ca Bul-59 Museum, Ca Bul-63 Museum Carolino Augusteum. Montagu C-149 Museum Carolino Augusteum: Jahresschrift C-149 Museum Catalogue part I, European wind/ C-446 museum, CD or cassette. Montagu /on C-l071 Museum, Claremont, California, USA Bul-83 museum collection. Montagu /percussion C-1060 Museum, Cologne. Montagu /of paintings C-1476 Museum der Stadt Meran. Zaniol C-485 Museum Dublin. Doyle C-270 Museum Dublin, with notes on a English/ C-l52 Museum: Exhibition catalogue 1987 C-784 Museum Handbook. Montagu C-43 Museum (in C-l569). Bouterse Plans: Bul-91 Museum in London. Bouterse /baroque C-l 181 museum instruments be used? Montagu C-389 Museum Leipzig band 1 Floten./ C-l93 Museum Leipzig band 2 Kielinstrumente./ C-348 Museum Leipzig band 3 Trompeten,/ C-348 Museum Leipzig band 4 Clavichorde./ C-498 Museum Leipzig band 5 Horner und/ C-498 Museum Leipzig band 6 Orgelinstrumente,/ C-519 Museum, London Bul-20 Museum, London Bul-8



Review: Schrammek, Herre: Review: Schrammek, Herre.

Plans: List Metropolitan Plans: List Metropolitan

Quigley Boston /Keyboard musical instruments in the /Keyboard musical instruments in the /the Latvian State Museum, the Riga

/of Theatre and Music, Vilnius, the /to the Baltic states; including the

Plans: List Hill collection, Ashmolean Bulletin: CD-RoM

Review: Royal College of Music /and Music, Tallinn, the Latvian State

(Floten;/ Review: Dreieich Plans: List the Shrine to Music

Review: Stewart: The Shrine to Music Review: Cross: The Shrine to Music

Measuring instruments in Bulletin: Further to C-1457 (Paris

Conservation, archaeology & Review: Pinniger: Insect pests in

collection of Bradford art galleries & On measures of instruments in

Haase, Krickeberg: Tasteninstrumente des drawings. Segerman Abbott

/Aksdal: Meraker Klarinetten; Ringve A visit to Paris and some of the What can we reasonably expect

Mace's theorbo from On

Review: Zeugnisse alter instrumentorum popularis VII./ Review:

/Studia Instrumentorum Musicae Popularis, (ed): Fiinf Jahrhunderte Deutsche

Plans: List An early gemshorn.

for learning to play the vielle-a-roue. hurdy-gurdy. Tolley Review:

Plans: list, Association in instrument collections.

Nominal pitch. Pitch notation: a plea to end confusion.

instruments of the Edinburgh University. instruments of the Edinburgh University. instruments of the Edinburgh University.

Museum Musicum Leipzig. Henning C-496 Museum Musicum Leipzig. Montagu C-416 Museum of Art, New York Bul-40 Museum of Art, New York Bul-6 Museum of Fine Arts - 1989 Report C-952 Museum of Fine Arts Boston (408 pp)./ C-1291 Museum of Fine Arts Boston (408 pp)./ C-l292 Museum of History and Shipping, Riga./ C-1072 Museum of Theatre and Music, Tallinn,/ C-1072 Museum of Theatre and Music, Vilnius/ C-1072 Museum, Oxford Bul-22 museum pictures. Segerman Bul-87 Museum, Set of 13 postcards. Montagu C-884 Museum, the Riga Museum of History and/ C-1072 Museum: Two catalogues of exhibitions C-424 Museum, Vermillion, USA (Italian/ Bul-54 Museum, vol 1, keyed brass instruments./ C-365 Museum, vol 2 instruments of Burma,/ C-479 museums & conservation. Ransley C-1213 museums). Hailperin Bul-88 museums. Montagu /for Conservation: C-384 museums. Montagu C-964 museums. Montagu /instruments in the C-1060 museums. Segerman, Abbott C-63 Museums, Berlin. Montagu Review: C-846 Museums, commercialism and instrument C-42 Museums Skrifter nr.5, 33 pp. Montagu C-l 105 museums there which have musical/ C-1457 museums to provide or allow? (on/ C-1212 Musick's Monument, 1676. Miller C-154 musicologists and early music. Segerman C-1217 MusikXI, 1980. Montagu C-262 Musikhistoriska Museet Stockholm: Studia C-386 Musikhistoriska museets skrifter./ C-l 11 Musikinstrumentenbau. Montagu /Moeck C-883 Musikinstrumentenmuseum, Berlin Bul-52 Muskett C-271 Muskett /Durichen: Corrette's Method C-277 Muskett: Method for the vielle or C-243 Muzeum Ceske Hudby, Praha Bul-83 Myers C-1246 Myers C-1247 Myers C-630 Myers /collection of historic musical Bul-91 Myers /collection of historic musical C-1087 Myers /collection of historic musical C-l340



instruments of the Edinburgh University. our instruments HISTORIC or HISTORICAL?

to C-1433 on brass mouthpieces. /catalogue Vol 2;H;iii, Arnold

instruments in the Edinburgh/ Review: musical instruments in the/ Review:

musical instruments in/ Review: Field, Historic Musical Instruments,/ Review: Historic Musical Instruments./ Review: instruments in the Edinburgh/ Review:

European wind and percussion/ Review: musical instruments in the/ Review:

in Europe and the United States. Jones, Montagu Review:

iiber sein Leben. Montagu Review: string diameter on Mersenne's bass viol.

A dynamic harpsichord action. Mersenne's monochord.

meeting report Oxford 17 Mar '91. violin stringing. Segerman

Building and playing a /Musikinstrumente, Germanisches

An Irish hurdy-gurdy in the 18th century musical instruments in the

Plans: List Germanisches Plans:

A jig for preparing and glueing lute Lute pegboxes and

proprieta del/ Review: Tiella, Review:

/vol 2 instruments of Burma, India, book. Montagu Review:

in more part renaissance dance music. 30's. Tiella About

/(appendix Gaffurius's 'breathing' and Review: Ellis: Hanes y delyn yng

Krumhorner, or/ Preatorius' Basset Praetorius's Basset

More on Praetorius' Basset A 17th century French harpsichord.

On The problem of

English instruments. Meeus The

Review: Kjeldsberg: Piano i

Myers /collection of historic musical C-1458 Myers Are C-l245 Myers Referring C-1465 Myers & Raymond Parks, Trumpets and/ C-l211 Myers: A check-list of the brass musical C-363 Myers: Cartledge, Catalogue of the brass C-1060 Myers, ed. Catalogues of historic C-1447 Myers, ed.: Edinburgh Collection of C-l 133 Myers, ed.: Edinburgh Collection of C-l 113 Myers, ed. Historical musical C-l406 Myers, Herbert: Catalogue of the C-1060 Myers, Parks, ed. Catalogues of historic C-1447 Myers, Rice /(alto ophicleides) C-1499 Myers: The Glen account book 1838-1853 C-669 Nagy: Michael Haydn, ein Uberblick C-364 Namreges A C-343 Napier-Hemy C-1022 Napier-Hemy C-1054 Napier-Hemy /technology 1450-1550; C-l029 Napolitan mandolins, wire strengths and C-713 Narh. Madgwick C-724 National Museum, 1989, 415 pp. Montagu C-l069 National Museum Dublin. Doyle C-270 National Museum Dublin, with notes on a/ C-l52 Nationalmuseum, Nurnberg Bul-27 Naust traverso, Leningrad, Raudonikas Bul-49 neck joints. Ellis C-233 necks. Samson C-41 Negri, Primon: Ricerche su un violino di C-847 Nema, Early music in education. Montagu C-643 Nepal, Thailand, Tibet. Montagu C-479 Neuhaus: The baroque flute fingering C-728 Neumann No percussion C-915 Neupert harpsichord technology in the C-l526 Neusidler's counting). Segerman C-l 130 Nghymru. Montagu C-283 Nicolo - Lang Strack Basset zu den C-l049 Nicolo, a reply to C-l049. Gire C-1064 Nicolo, a reply to C-l064. Foster C-1081 Nobbs C-1041 nomenclature - a rejoinder. Montagu C-351 nomenclature. Montagu C-323 nomenclature of extended lutes. Spencer C-337 nomenclature of plucked keyboard C-368 Non-ferrous harpsichord wire. Way C-576 Norge. Aanstad C-696



Blowhorns of 19th century Myers Pitch

Crookes The Davidic New Braille codes for some early music

of misunderstanding (further to C-l 185). 1700-1820. Cole Review:

used in the 17th and 18th century in pitches./ Praetorius's and surviving

Plans: List Germanisches Nationalmuseum, The way from Thoiry to

Montagu On the skill of the Untitled (craftsmanship of

Jobst Meuler or the secret of a CNCs, the sledgehammer and the

string./ Fret distances from the extended-neck lute. Segerman

General: Instructions for working tagua

A tiny harp made from bog /of timber - includes bogwood, bog

early music/ From small acorns, large /Young. Woodwind instruments in the

Robert Greenberg, an 'Let us now praise famous men ...', an

the Gesellschaft der Freunde der Wiener A peculiar Fornari

Montagu Review: Haynes: Music for Review: Haynes: Music for the

On writing a history of the Some remarks on the W. Beukers baroque

/of locations and citations of early A profile of Mr Ling - English

Making unsoldered Three boxwood

/University collection (Cornets & Tubas, /check-list of iconography for

of preluding, 1700-1830 for flutists, instrument conservation and restoration.

conservation and restoration by The Maler and Frei lutes - some

Way Tentative (further to C-l559)7 Some tangential

The cittern in Italy - notes, Barclay Some

keyboards separated 200 years. Lee

North America. Downing C-l568 notation: a plea to end confusion C-630 notation system, a sequel to C-l287 C-l299 notations. Williams C-1456 Novak Clinkscale /or a statement C-l242 Novak Clinkscale: Makers of the piano C-l 185 Nuremberg; 186 pp. Montagu /techniques C-l 103 Nuremberg sackbut lengths and playing C-l371 Nurnberg fiul-27 Nurnberg. Gug C-766 Nurnberg brass instrument makers C-722 Nurnberg horns). Barclay C-760 Nurnberg wire drawer. Gug C-866 nut. Ackerman C-l 163 nut for every interval above the open C-l79 Nut groove diameters on a Sellas C-776 nuts, a substitute for ivory Bul-71 Nuts, bolts and plugs. Marvin C-146 oak. Crookes C-560 oak, bog pine, alder. Downing C-l074 oak tress grow; a personal report on C-1026 Oberosterreichisches Landesmuseum,/ C-1534 obituary. Barnes C-l380 obituary for Michael Morrow. Montagu C-1272 Obituary Len Stanners. Smith C-l384 Oboe Bulletin: Foundation of Bul-93 oboe. Bernardini C-725 oboe, 1650-1800: a bibliography C-690 oboe 1650-1800: a bibliography. Montagu C-l 106 oboe in the 19th century. Burgess C-l279 oboe (museum code 808/69) in the V&A/ C-l 181 oboe reeds and accessories. Burgess C-818 oboe reeds around 1800. Burgess C-804 oboe staples. Kirkpatrick C-431 oboes by Hendrik Richters. Bouterse C-l259 Oboes, Clarinets, Stringed instruments/ C-1406 oboe-type instruments, reeds and/ C-764 oboists, clarinettists and other/ /art C-767 O'Brien Attitude to musical C-10 O'Brien. Barnes /to musical instrument C-lOa observations. Downing C-128 observations about barred soundboards C-575 observations about hurdy gurdies C-l573 observations and speculations./ C-858 observations on the'natural'trumpet C-1216 Observations on the wear of two C-914



the kithara. Crookes Just a last(?) bang at Ockham

Suppliers for On the upsetting power of

Response to C-1302 on Thoughts on C-l276

ensuring objectivity in scholarship./ 19897 Review: Moyle: the Sound of

Supplement: Chiverton's Chiverton's

Just a last(?) bang at An experimental method.

Bulletin: Woodwind bore

Pale drying Woodwind bore

your recorder. Simmons The good good oil; what really happens when you

on Bull. Supp. 34: O'Kelly table. string calculation and identification.

Comments on Bull. Supp. 34: A provisional list of quinticlaves (alto

Review: Weston: Samuel Hughes Montagu Review:

The British ten foot Introduction to the small Braga cathedral - gospel

answers to C-l252)7 The transposing short test. Goetze The transposing

The oldest An interesting

Paper portative Paper

Old keyboard tablature used in making

Comments on early 18th century On early 17th century English vocal and

Reply to C-l329 on English experimental studies on brass used for

The key system of the C-351. Segerman More on

Yet more on /Florence Getrau, ed.: La recherche en

Dean castle: van Raalte collection Pitch standards of early English

Observations prelusive to reconstructing C-508 (Occam). Chiverton C-1411 Occam's razor. Goodacre C-l376 Occam's razor. Segerman C-l365 Occam's razor. Segerman C-l303 'Occam's razor'. White C-l302 Occam's razor: the formal method for C-l276 Oceania, Auckland Institute & Museum, C-921 Ockham. Segerman Sup-84 Ockham bang. Loretto C-1434 Ockham (Occam). Chiverton C-1411 Odell C-711 Odilia Publishing Ltd.: harps Bul-93 oil. Karp C-406 oil. Wadsworth C-617 oil. Willetts C-475 Oil and varnish. Mactaggart C-616 oil; what really happens when you oil C-l228 oil your recorder. Simmons The C-l228 O'Kelly Comments C-526 O'Kelly Lute C-527 O'Kelly table. O'Kelly C-526 ophicleides) in Europe and the United/ C-l499 ophicleidist. Montagu C-747 Orcutt: The Stradivari memorial C-313 organ. Goetze C-l383 organ. Gwynn C-296 organ. Pereira C-418 organ and choir pitch in England: C-l261 organ and choir pitch in England: a C-l252 organ in Christendom. Montagu C-534 organ loft in Antwerp. Lyndon-Jones C-l 187 organ pipes. Bridges C-l062 organ pipes. Gill C-l050 organ pipes. Pereira C-257 Organ pitch. Gwynn C-342 organ pitches. Gwynn C-l 101 organ pitches. Segerman C-l290 organ pitches. Segerman C-l347 organ reeds. Gug Historic and C-893 organistrum. Gibson C-510 organological terminology - response to C-376 organological terminology. Montagu C-388 organologie; les instruments de musique/ C-l296 organs. Coetze C-511 organs - response to C-1383. Segerman C-1398



Review: Fluke: Victorian reed Segerman's C-l2907 Transposing

appendix of a catalogue of/ English (including/ Plans: Harpsichords,

David's three-part 422/ Review: Rosionski: Zabytkowe

Review: Kaba: Die Romische The words authentic and

Estimation of /to C-l 111: What is a 'copy' of an

What is a 'copy' of an The use of drawings of

viols. Segerman Ruminations on present improved state compared with the

varnishes of lutes in Italy./ Some Haynes Appeal for pitches of

traverso. Montagu Review: Kolberg: On the Palmer

baroque guitar - one day course - Hope. Abbott

On the time of invention of

German baroque lutes and Mace on

Comments on C-483: review of Der Zink. and Spieltechnik eines/ Review:

A reed-scraping tool. Some historical notes on acid staining. Some historical notes on acid staining.

to frequency values by micro computer. Bressan recorder from Bate collection,

List Hill collection, Ashmolean Museum, Plans: Complete list Bate collection,

Plans: List woodwind, Bate collection, Plans: List woodwind, Bate collection, Plans: List woodwind, Bate collection, Plans: List woodwind, Bate collection, Plans: List woodwind, Bate collection,

/technology 1450-1550; meeting report in 17th century England; meeting report

1992; 404 pp./ Review: Baines: The 1992; 404 pp./ Review: Baines: The

Bate collection of musical instruments, list,/ Plans: List Bate collection,

practical guide/ Review: Lucy: Pitch,

organs and harmoniums. Montagu C-667 organs and pitch in England: response to C-l329 organs and transposition skills (with an C-l 127 organs, trumpet, tromba marina Bul-58 organum (sequel to C-l299). Crookes C-l326 Organy, Wydawnictwo Naukowe PWN, 1992; .. C-l 114 Orgel von Aquincum. Montagu C-149 original. Segerman c.53 original bore in old instruments. Gill C-1432 original instrument?. Loretto C-l 118 original instrument? Segerman C-llll original instruments. Lambert C-942 original methods of constructing English C-l575 original pedal harp, London 18217 /its C-1267 original receipts, appertaining to the C-240 original traversos and recorders C-1039 Ornamental metrics of recorders & C-938 orpharion. Segerman Abbott C-16 Orpharion news. Segerman C-407 O'Sea The C-319 Overspun string calculations. Segerman C-l63 overspun strings. Abbott Segerman C-174 Overspun strings. Karp C-102 overspun strings. Peruffo C-l350 overspun strings. Segerman C-1440 Overton C-505 Overton: Der Zink, Geschichte, Bauweise C-483 Owen C-801 Owen C-1226 Owen C-131 Owen Converting note names & cents C-551 Oxford Plans: Bul-40 Oxford Plans: Bul-22 Oxford Bul-56 Oxford Bul-35 Oxford Bul-36 Oxford Bul-37 Oxford Bul-38 Oxford Bul-45 Oxford 17 Mar '91 . Napier-Hemy C-1029 Oxford 3 Feb '91 . Gouk /technology C-1028 Oxford companion to musical instruments, C-l 116 Oxford companion to musical instruments, C-l 131 Oxford. Montagu Plans: List the Bul-68 Oxford, supplement to the 1989 check Bul-60 ;rand other musical paradoxes: a C-896



Jean de Gerson's Tractatus de Canticis. Parrish: Johannes Tinctoris translated.

What's wrong with early music? in medieval Latin biblical glosses.

string materials in some medieval texts. Middle Ages;/ Review: Christopher

ages - instrumental practice/ Review: ages - instrumental practice/ Review: ages - instrumental practice/ Review:

Montagu Review: Mactaggart: Notes on a

/The Hoogsteder Exhibition of Music &

an early music movement and not an early and colour of the bowed instruments in

Review: CD-ROM catalogue: Collection of /aloft - musical symbolism in the mural

Further to C-276. The hurdy-gurdy.

shafts and bearings for hurdy-gurdies. On the

Review: The colour of the Ruckers' wood-grain

Reducing and enlarging Laying & decorating harpsichord

Vellum and

Rawson baroque guitars and harpsichords./ des Amis du Musee Instrumental, des Amis du Musee Instrumental, des Amis du Musee Instrumental, des Amis du Musee Instrumental, des Amis du Musee Instrumental,

instrumentales du Conservatoire de Historical tests on Pleyel's music wire,

/No.l: Martin Freres & Famille, which have musical/ A visit to

List of plans. des Amis du Musee Instrumental,

string quality and thickness, and the /ed. Instrumentistes et luthiers

Page Musical instruments in C-l2 Page Review: C-326 Page C-813 Page Musical instruments C-l3 Page References to C-l4 Page. Music and instruments of the C-l565 Page: Voices & instruments of the middle C-786 Page: Voices & instruments of the middle C-808 Page: Voices & instruments of the middle C-809 Painting and marbling harpsichord cases C-518 painting by Sabastino Lazzari. Downing C-484 Painting harpsichords. Way C-307 Painting in the Golden Age. 386pp, CD+/ C-1310 Painting keyboard instruments. Rawson C-291 painting movement? Segerman /is there C-1079 paintings. Badiarov /varnishes C-l595 paintings and sculptures,/ C-l476 paintings of Danish medieval churches./ C-1449 Palmer C-288 Palmer C-275 Palmer On C-340 Palmer orpharion. Segerman Abbott C-l6 Palmer: The hurdy-gurdy. Montagu C-276 paper. Shann C-570 Paper organ pipes. Gill C-l050 Paper portative organ pipes. Bridges C-1062 paper sizes. Lambert C-1017 papers. Montagu Review: Mactaggart: C-399 Parchment roses. Kemner C-235 parchment roses. Rawson C-l67 Parchment roses. Theakston C-234 Parchment roses for harpsichords C-l524 Parchment roses in citterns, lute, C-l515 Paris Plans: List Societe Bui-11 Paris Plans: List Societe Bui-18 Paris Plans: List Societe Bul-28 Paris Plans: List Societe Bul-39 Paris Plans: List Societe Bul-43 Paris, 1793-1993. Montagu /collections C-l503 Paris 1811. Gug C-901 Paris, 93 rue de la Chapelle C-l044 Paris and some of the museums there C-1457 Paris Conservatoire C-246 Paris (new address) /List Societe Bul-63 Paris vihuela. Segerman Vihuela C-1483 Parisiens, 17-18th siecles. Montagu C-1452



musical instruments in/ Review: Myers, /Vol 2;H;iii, Arnold Myers & Raymond

Page Review: harpsichord; illustrated with/ Review:

flaccid. White Preserving Response to C-1500 (recorder

Old recorders for new (recorder Comments to C-1486 (recorder

musical instruments,/ Review: Bingham: early renaissance tunings and fretting

A method for casting harpsichord roses. A method of casting harpsichord roses.

Ivory alternatives. John

Memories of John Montagu Review:

Computing lute rib shapes. Bone for

Lute Why are lute

Lute On extended Making lute

Regarding lute The string formula, van

dance music. Neumann No Review: Montagu: Making early

ages/ Review: Blades, Montagu: Early /Catalogue of the European wind and

Review: Blades: A check-list of the music./ Review: Monroe. Adding

(keyboard instrument classification). Artificial ivory made from milk. Braga cathedral - gospel organ. On accuracy of measurements.

on drawings of keyboard instruments. tablature used in making organ pipes.

scissors. Williams Crombie. Piano: evolution, design and

of the Middle Ages; studies on text and /Burney: An account of the musical

Parks, ed. Catalogues of historic C-1447 Parks, Trumpets and Trombones. Montagu C-1211 Parrish: Johannes Tinctoris translated C-326 Pasquali: The art of fingering the C-694 passion and conviction: fend off the C-1338 patents). Loretto C-l506 patents). Madgwick, Loretto C-1486 patents). Thomas C-l500 Patents for inventions related to C-579 patterns. Segerman On medieval and C-89 P a u l C-403 P aul C-392 P a u l C-1006 Paul - An appreciation C-1045 Paul. White C-1066 Paul: Modern harpsichord makers C-400 Peckham C-417 peg decoration. Jenkins C-487 Peg fitting. Segerman C-l606 Peg mill attached to a lathe. Steafel C-372 Peg taper finisher and cutter. Mather C-185 pegboxes and necks. Samson C-41 pegboxes bent back? Segerman Abbott C-40 pegboxes in pictures 1600-1800. Samson C-47 peghead lutes. Hodgson C-738 pegs. Miller C-140 pegs and bridges. Curry C-17 Pelt C-81 Pepys' viol. Forrester C-857 Pepys's minikin. Downing C-1567 percussion in more part renaissance C-915 percussion instruments. Bowles C-l9 percussion instruments from the middle C-l8 percussion instruments in the Cyfarthfa/ C-1060 percussion musical instruments in the/ C-428 percussion to medieval and renaissance C-1451 Pereira Untitled C-717 Pereira C-201 Pereira C-418 Pereira C-222 Pereira More C-273 Pereira Old keyboard C-257 Perforating soundboard roses with C-434 performance. Cole Review: David C-1477 performance. Montagu /and instruments C-1565 performances in Westminster-Abbey./ C-312



oboists, clarinettists and other On current uniformity in

A&Q: Clarinets by Koch. (see also C-1235, C-1254 and C-1255).

More on gut strings. More on gut strings.

Ramelli, loaded gut strings and gansars. baroque lutes and overspun strings.

lutes and other gut strung instruments. Early instruments in St

Praetorius' pitchpipe kettledrums. Montagu Review:

(music criticism). Cousen the Oberosterreichisches/ Review:

Painting in the Golden Age. 386pp, CD +

Comments on technical drawings and Choc in the/ Notes on the drawings and

bases of great Italian/ Studies on the Segerman Discussion of the

Review: Hutchins: The Making a silk 'sunburst' for a cabinet

Broadwoods; the evolution of an English Review: Novak Clinkscale: Makers of the

Quarterly review of 'Makers of the Review: Ehrlich: The

Review: Taylor: The musician's Review: Taylor: The musician's

/reports: restoration of square Huggett, Verney, Beethoven symphony #2,

performance./ Review: David Crombie. Review: Kjeldsberg:

Giusti/ Documentation of a Fort'e Johann Socher's square

Review: Pollens. The early Review: Pollens. The early

the years 1823-1825. Gug English Restoration reports for two Broadwood

strings for clavichords and square a discography of music on early

Early Review: von Gleich: A check-list of

Bulletin: CD-RoM museum Trust but don't believe what you see in

Lute pegboxes in

performers. Montagu /for flutists, C-767 performing style. Segerman C-l 158 Perini Bul-89 Peruffo /weighted bass gut strings C-l288 Peruffo C-1417 Peruffo C-1466 Peruffo More on C-l351 Peruffo German C-l350 Peruffo /of bass strings for C-1021 Petersburg. Henning C-l253 pfeifflin zur ChormaB. Heavens C-l328 Philidor: March for two pairs of C-785 Philip Stubbes: anatomy of abuses, 1583 C-1386 Philip Young. Woodwind instruments in C-1534 Phosphorous iron music wire. Shann C-821 photo CD. 130 Dfl. Montagu /Music & C-1310 Photogrammetric measurement. Hobrough C-332 photographs of musical instruments. Lee C-68 photographs of the liuto attiorbato by C-259 physical and technical construction C-879 physics of bowing - response to C-794 C-820 physics of music. Montagu C-l50 piano. Mobbs, Mobbs C-1473 piano. Montagu Review: Burnett: Seven C-l358 piano 1700-1820. Cole C-l 185 Piano 1700-1820', a question of/ /FoMRHI C-l242 piano: a history. Montagu C-963 piano atlas. Montagu C-362 piano atlas, suppl 1. Montagu C-584 piano c. 1820 by Gaiser. Barnes C-l 16 piano concerto #3. Montagu /Band, C-1071 Piano: evolution, design and C-l477 Piano i Norge. Aanstad C-696 Piano mechanism once existing in the C-l 17 piano of 1742. Cole C-1446 pianoforte. Cole C-1403 pianoforte. Montagu C-l404 pianoforte wire - a controversy during C-853 pianos. Barnes C-366 pianos. Barnes Covered C-329 pianos. Montagu /of the fortepiano: C-688 pianos at Ipswich. Barnes C-681 pianos, Haags Gemeente Museum. Montagu .... C-842 pictures. Segerman Bul-87 pictures. Segerman C-l509 pictures 1600-1800. Samson C-47



Downing Instruments at SchloB

curtals from Augsburg, Sonderhausen and Leeuwen Method for drilling the hinge

Key lever fulcrum timber - includes bogwood, bog oak, bog

A simple, safe method for making Montagu Review:

A method for making traditional tuning Browning harpsichord

living in Euskadi. Montagu The Paper portative organ Woodwinds - boring

Paper organ keyboard tablature used in making organ

/in pitch between wider and narrower On catlines and

gut strings/ On Venice catlins, lyons, Organ

Nominal Mersenne's iron and Ruckers 6 foot

Supplement: Praetorius's recorder FoMRHI conference on

/resonance of baroque transverse flute: I /some thoughts about the differences in

Further comments to the The transposing organ and choir The transposing organ and choir

C-l2907 Transposing organs and Keyboard

Myers Segerman On measuring the

'consort flute pitch' and 'church The

a practical guide to/ Review: Lucy: Segerman Mersenne's sackbut and

A closer look at Mersenne's

of/ /Praetorius and the English viol to Eph Segerman's C-l063; on English

Another note concerning Praetorius's 16th century. Segerman Supplement:

Segerman On German, Italian and French

Segerman/ Praetorius and English Segerman English

Pictures etc in the Ashmolean Museum C-8a Pillnitz. Lyndon-Jones C-l306 Pillnitz. Lyndon-Jones Four great C-1305 pin hole in the foot of a traverso. van C-619 pin mortices. Robson C-l262 pine, alder. Downing /treatment of C-1074 pine resin varnish. Duncalf Segerman C-302 Pinniger: Insect pests in museums C-964 pins. Barnes C-200 P ins- Way C-367 Pipe and Tabor is alive and well and C-l537 pipes. Bridges C-1062 pipes. Downing C-1260 pipes. Gill C-1050 pipes. Pereira Old C-257 pipes of the same length. Bouterse C-1408 Pistoy basses. Segerman C-1235 Pistoy basses and loaded weighted bass C-l288 pitch. Gwynn C-342 pitch. Myers C-1247 pitch. Segerman C-1494 pitch. Segerman Sup-84 pitch and transposition. Rose C-322 pitch axis and wind bands. Raudonikas C-l70 pitch between wider and narrower pipes/ C-1408 pitch dispute. Haynes, Segerman C-1099 pitch in England: a short test. Goetze C-l252 pitch in England: answers to C-1252)./ C-1261 pitch in England: response to Segerman's C-1329 pitch in the 18th century. Karp C-627 Pitch notation: a plea to end confusion C-630 pitch of early wind instruments C-1372 pitch o f f . Segerman /especially C-l 100 pitch of Ruckers instruments. Shann C-593 Pitch, ;rand other musical paradoxes: C-896 pitch, plus playing with shawms C-1373 pitch ranges of gut strings. Segerman C-632 pitch standard. Segerman C-l374 pitch standard: problems of the history C-490 pitch standards. Haynes Response C-1082 pitch standards. Segerman C-79 Pitch standards and playing viols in the Sup-92 Pitch standards in northern Italy C-1489 pitch standards in the 17th and 18th/ C-442 pitch standards in the 17th century C-38 pitch standards, mostly c.1600 C-1063



- response to C-l383. Segerman in the/ The names, string lengths and

Measuring instrument length. Samson The range of

Some flute Comments on early 18th century organ

18th century German and French problems of the history of early

17th century English vocal and organ 18th century German and French

English bass violins, and catlin highest English viol sizes and

Nuremberg sackbut lengths and playing Reply to C-l329 on English organ

Response to C-490 on English viol C-891 (on 18th century German and French

pitch' and/ Early 18th century English Segerman Review: Karp: The

Untitled (the The sizes and

recorders. Haynes Appeal for Segerman The sizes and

Classification system of the temperament using an equal temperament

Using the Heavens Praetorius'

Champollion Little French harpsichord Questions on bending and a

Scraping Re: scraping

Glover Small

stringed instruments. Young

(harpsichords by William Smith, and/ List of

Standards for instrument Groninger Museum (in C-l569)7

(flutes by Delerable, Lot, and/ collection, Oxford

Oxford

Plans: Bate collection, three new and/ Plans: Bate collection, two new

Pitch standards of early English organs C-l398 pitch standards of extended-neck lutes C-59 pitch with a pocket tuner. Downing C-l248 pitch with gut strings of a given C-66 pitches. Chiverton C-l 120 pitches. Gwynn C-l 101 pitches? Haynes C-891 pitches. Meeus /pitch standard: C-490 pitches. Segerman On early C-l290 pitches. Segerman C-683 pitches. Segerman Late 17th century C-l590 pitches. Segerman C-597 pitches. Segerman /and surviving C-l371 pitches. Segerman C-l347 pitches. Segerman C-491 pitches) by Bruce Haynes? Segerman /to C-1098 pitches, especially'consort flute C-l 100 pitches of 18th century strung keyboard C-606 pitches of flutes). Cameron C-723 pitches of Italian archlutes. Hodgson C-464 pitches of original traversos and C-l039 pitches of Praetorius's sackbuts C-l200 pitches with various absolute height./ C-301 pitchmeter. Chiverton /an unequal C-835 pitchmeter and digituner. Crowe C-535 pitchpipe pfeifflin zur ChormaB C-l328 plan, as asked for by Geza Vojnic C-720 plan for crumhorns. Buck C-l271 plane for mouldings in wood. Greenberg C-571 plane in C-571. Young C-586 Plane scraping for profit and pleasure C-318 planes. Williams C-230 Planes for shaping arched bellies of C-l68 Planning a workshop. Rawson C-l82 Plans: Bate collection, two new plans Bul-76 plans. Paris Conservatoire C-246 plans. Williams C-231 Plans: Alto recorder Steenbergen Bul-91 Plans: Bass recorder, Bergstr0m Bul-43 Plans: Bate collection, three new plans Bul-75 Plans: Bressan recorder from Bate Bul-40 Plans: Complete list Bate collection, Bul-56 Plans: Drawings available. Bouterse Bul-72 Plans: Eerens traverso, van Leeuwen Bul-43 plans (flutes by Delerable, Lot, and/ Bul-75 plans (harpsichords by William Smith, Bul-76



tromba marina (including/ Raudonikas

supplement to the 1989 check list,/

genootschap, Antwerpen collection collection collection collection Nurnberg

Tacoma WA Museum, Oxford

New York New York

Berlin

Praha Fiske Museum, Claremont, California,/

in the Bate collection. Montagu the Edinburgh University Collection/

London London London London London London

Washington DC Musee Instrumental, Paris (new/

Musee Instrumental, Paris Musee Instrumental, Paris Musee Instrumental, Paris Musee Instrumental, Paris Musee Instrumental, Paris

musical instruments, Oxford. Montagu Vermillion, USA (Italian stringed/

Oxford Oxford Oxford Oxford Oxford

Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans: Plans:

Harpsichords, organs, trumpet, Bul-58 Hotteterre traverso, Leningrad, Bul-49 Italian harpsichords, Wraight Bul-5 List Bate collection, Oxford, Bul-60 List Brussels Museum Bui-11 List Brussels Museum Bul-22 List cembalo, Ruckers Bul-46 List Edinburgh University Bul-43 List Edinburgh University Bul-46 List Edinburgh University Bul-50 List Edinburgh University Bul-53 List Germanisches Nationalmuseum, Bul-27 List Guild of American Luthiers Bul-63 List Hill collection, Ashmolean Bul-22 List Metropolitan Museum of Art Bul-40 List Metropolitan Museum of Art, Bul-6 List Musee Grobet, Labadie Bul-28 List Musikinstrumentenmuseum Bul-52 List Musikmuseet, Stockholm Bul-28 list, Muzeum Ceske Hudby, Bul-83 list, new acquisitions at the Bul-83 List of available drawings housed Bul-68 List of workshop drawings from Bul-73 List Royal College of Music Bul-19 List Royal College of Music, Bul-35 List Royal College of Music Bul-45 List Royal College of Music, Bul-55 List Royal College of Music, Bul-63 List Royal College of Music, Bul-76 List Smithsonian Institute Bul-63 List Societe des Amis du Bul-63 List Societe des Amis du Bul-11 List Societe des Amis du Bui-18 List Societe des Amis du Bul-28 List Societe des Amis du Bul-39 List Societe des Amis du Bul-43 List the Bate collection of Bul-68 List the Shrine to Music Museum, Bul-54 List V&A Museum, London Bul-20 List V&A Museum, London Bul-8 List woodwind, Bate collection Bul-35 List woodwind, Bate collection Bul-36 List woodwind, Bate collection, Bul-37 List woodwind, Bate collection, Bul-38 List woodwind, Bate collection Bul-45 Mulhouse traverso, van Leeuwen Bul-49



publications, Haags Gemeente Museum. Raudonikas

instruments on microfiche, MFF/ Gemeente Museum

harpsichord in Hudiksval, Sweden (in/ live centre, metal turning tools,

Powell Profiling and tuning of viol front

in arching and thicknessing viol front C-l469. Badiarov More on draw

Mersenne, Mace and speed of Building and

/of research information vs a air. Segerman Thick gut string,

Expanding boxwood and Models for sound improvement on

to C-1439, claiming wood changes on on the fundamental principles of violin

surviving Nuremberg sackbut lengths and around 1500 as/ Review: Stradner:

/Manual or method of instrumentation for Supplement: Pitch standards and

Mersenne's sackbut and pitch, plus Production of

Historical tests on Review: Macauly: A check-list of the

Segerman Praetorius's Applying the principles of stringing

The nomenclature of /Kunitachi College, Tokio: Catalogue 4,

Nuts, bolts and Segerman Discussion of

reply, C-l468, on English/ Some /Zabytkow [Dictionary of the

44 historical varnishes and The

Review: Review:

A&Q: Lyra da braccio and Lirone project. differences in pitch/ The auloi of

Paper

London General: Origins of the 'guitarra

/Museum Leipzig band 3 Trompeten, Rycroft Intonation tests on a

Plans: Musical instruments and Bul-56 Plans: Naust traverso, Leningrad, Bul-49 Plans: Technical drawings of musical Bul-80 Plans: Terton recorder from Haags Bul-40 Plans: the 1710 Michael Mietke single Bul-90 plastic calipers and 4-jaw/ /gun drills, C-958 Plastic, ivory, gold and South Africa C-909 plates. Strahle C-78 plates. Strahle Ajigforuse C-294 plates; response to Peter Forrester's C-l550 playing. Segerman C-753 playing a Narh. Madgwick C-724 playing collection. Segerman C-380 playing harmonics and stopping in mid C-l519 playing in. Kirckpatrick C-l227 playing in. Segerman C-l472 playing in. Segerman /A response Sup-84 playing, (Knocker). Montagu /treatise C-692 playing pitches. Segerman /and C-l371 Playing practice and instrumentation C-787 playing the Welsh harp. Montagu C-894 playing viols in the 16th century./ Sup-92 playing with shawms. Segerman C-l373 plectrum from bird feathers. Lajaruzny C-396 Pleyel's music wire, Paris 1811. Gug C-901 plucked and hammered string musical/ C-428 plucked instruments and their strings C-l593 plucked instruments to the Irish harp./ C-l 149 plucked keyboard instruments. Meeus C-368 Plucked stringed-instruments. Montagu C-645 plugs. Marvin C-l46 points on violas and vihuelas in C-660 C-661 points raised by Ephraim Segerman's C-1481 Polish terminology of Historic Musical/ C-l 114 polishes. Badiarov C-l596 polishing of metal surfaces. Betts C-22 Pollens. The early pianoforte. Cole C-1403 Pollens. The early pianoforte. Montagu C-1404 Pomykalo Bul-89 Porphyrius: some thoughts about the C-1408 portative organ pipes. Bridges C-l062 Portatives with reservoirs? Bridges C-469 Portraits in the Royal College of Music, Bul-76 portuguesa'. Segerman C-l543 Posaunen, Tuben. Montagu C-348 post horn in F with one tone hole C-955



Fixing the baroque flute. Further to C-981: A controversial issue.

Ivory. Plastic, ivory, gold and South Africa.

Reviews of musical instruments. Throwing ivory overboard.

Traverso Newsletter. Traverso or traversa?

Urgent communication on ivory. Haynes a thousand words for the ivory ban.

program for woodwind instrument makers. to C-903 on the subject of ivory. to C-903 on the subject of ivory.

Review: Johann George Tromlitz, Ardal eared minority and the effects of its instruments with varying string/ A

On the upsetting An unpublished letter by Michael

in the 17th century. Segerman/ standard: problems of the/ Mersenne,

bowed instruments. Segerman On Abbott Segerman viols. Segerman

viols. Meeds Crookes). Segerman Review:

Review: Blumenfeld: The Syntagma Musicum Segerman What

sackbut lengths and playing pitches./ C-l049. Gire

A red herring on Another note concerning

their strings. Segerman Supplement:

The sizes and pitches of 1990 instrument courses in

Instrument courses in FoMRHI members teaching in

Changes at The

A van load of instruments to Plans: list, Muzeum Ceske Hudby,

interpretazione della musica,/ Review: shakuhachi. Mayers Notes on the

Review: van der Meer, Thibault: /notes on the use of benzotriazole as a

off the flaccid. White

Powell C-1003 Powell C-1002 Powell C-902 Powell C-909 Powell C-981 Powell C-974 Powell C-929 Powell C-943 Powell C-903 Powell Well under C-1219 Powell A technical database management C-800 Powell Responses C-928 Powell Update on response C-940 Powell, tr & ed. The keyed flute. Frank C-l474 power. Segerman The sharp C-l 193 power law in the stringing of C-1418 power of Occam's razor. Segerman C-l365 Praetorius. Meeus C-608 Praetorius and English pitch standards C-38 Praetorius and the English viol pitch C-490 Praetorius and the sizes of Renaissance C-l545 Praetorius and the viola bastarda C-37 Praetorius, Meeus and the English C-633 Praetorius, Segerman and the English C-607 Praetorius: Syntagma Musicum I & II (tr C-810 Praetorius translated. Montagu C-346 Praetorius wrote on English viols C-598 Praetorius's and surviving Nuremberg C-1371 Praetorius's Basset Nicolo, a reply to C-1064 Praetorius's foot. Segerman Young C-l55 Praetorius's pitch standards. Segerman C-79 Praetorius's plucked instruments and C-l593 Praetorius's recorder pitch. Segerman Sup-84 Praetorius's sackbuts. Segerman C-1200 Prague. Freeman C-994 Prague. Freeman C-972 Prague. Loretto C-953 Prague. Lyndon-Jones C-726 Prague Bressan bocal. Loretto C-954 Prague, June 1991. Holden C-1027 Praha Bul-83 Praxis vol. 1, Studi e testi sull' C-554 preservation and repair of the C-76 Preservation and restoration of musical/ C-91 preservative for copper and alloys of/ C-23 Preserving passion and conviction: fend C-1338



dell'Istituto della/ Review: Tiella & proprieta/ Review: Tiella, Negri,

/Bernard Brauchli, ed. De clavicordio II: /Brauchli, Galazzo, ed.: De clavicordo:

of bridge and bars regarding tone Some thoughts on manufacture and

/Numeric Control); computer aided reamer feathers. Lajaruzny

/des Barock (Comparative research of bore around 1800. Burgess A

in woodwind. Cameron for measuring front-plate thickness

plates. Strahle instruments./ Resonans, a software

A technical database management Bulletin: Sibelius, a computer

Hertz. Goodwin Mills Computer Some strangeness in the

Keeping geometrical analysis in Violin makers' inches in

Samson Review: Coates: Geometry Review: Waterhouse: The

The music of The scale of the

The Memling Angel Musicians review/ Review: Van Ree Bernard: The

On Memling's Harpsichords and 'Buntpapier'.

in the USSR. Stembridge From between string and woodwind gracing in

Making your own traditional Real instruments and fake

Waldsassen. Lyndon-Jones More syntax. Raudonikas Essays of

syntax; 5. auscultation/ Essays of coherencies; 77 Essays of

part 1. Raudonikas The part 2. Raudonikas The

two-dimensional syntax./ Essays of A letter on the

representation of scale by/ Essays of /Musikinstrumenten in deutschsprachigen

Barock, Band 17 Review: Schultze: Museum of Fine Arts - 1989 Report. of historical feathers (on harpsichord

Europe and the/ A provisional list of

Primon: Catalogo degli Strumenti C-979 Primon: Ricerche su un violino di C-847 proceedings of the international/ C-1478 proceedings of the international/ C-l360 production. Mather Position C-260 production. Montagu C-251 production for woodwind instruments./ C-l 140 Production of plectrum from bird C-396 profile of historical baroque/ C-l504 profile of Mr Ling - English oboe reeds C-804 Profile turning of reamer blanks for use C-70 profiles of viols. Strahle A gauge C-l33 Profiling and tuning of viol front C-78 program for developing new wind C-l356 program for woodwind instrument makers./ C-800 program for writing music Bul-93 programs for the conversion of cents to C-791 proportion. Fleming C-854 proportion. Smith C-880 proportion. Smith C-l008 proportion and the art of lutherie C-730 proud bassoon (catalogue). Montagu C-497 psalm 117 (sequel to C-l378). Crookes C-1387 psalter. Crookes C-l287 Psaltery. Kottick C-203 psaltery; an annotated audio-visual C-948 psaltery. Segerman C-411 Piihringer C-1495 Purcell to perestroika, early keyboard C-l067 Purcell's time. Segerman Contrasts C-1316 purfling cutter. Downing C-1444 putti. Lyndon-Jones C-l 186 putti in the Stiftsbasilika at C-l284 Pythagorean system; 3. three-dimensional C-l068 Pythagorean system; 4. four-dimensional C-1083 Pythagorean system; 6. spectrum of C-1083 Pythagorean system of musical tones, C-959 Pythagorean system of musical tones, C-l031 Pythagorean system; primary concepts and C-1055 Pythagorean system. Raudonikas C-l 190 Pythagorean system; Supplement: C-1083 Quellen bis 1900 (158 pp). Segerman C-1295 Querfloten der Renaissance and des C-947 Quigley Boston C-952 quills and voicing). Gug /or songs C-l263 quinticlaves (alto ophicleides) in C-1499



An inventory of the Charles van Dean castle: van

on the historical bassoon reed gouge. (Vienna 1701). Samson Hodgson Von

Peruffo More on Authentic methods of making woodwinds.

wilde (record). Montagu Review: wilde (record). Yakeley Review:

A simple way to hold work on a lathe. Further to C-849.

instruments in museums & conservation. 7. classification of modalities.

A letter on the Pythagorean system. Further to C-342.

IV the tone and the blowing process. Plans: Hotteterre traverso, Leningrad,

Plans: Naust traverso, Leningrad, Syntax of relative two-dimensional mode.

To study the embouchure hole form. by point or the modular projection.

concepts and two-dimensional syntax. flute: I pitch axis and wind bands.

flute: II characteristic frequency. frequency measurement data treatment.

influence of cork position alteration. membership as whole (further to C-l243).

of theoretical musical communication. pitches with various absolute height.

syntax; 5. auscultation researches. system of musical tones, part 1. system of musical tones, part 2.

system; 3. three-dimensional syntax. to the modal scale theory (summary).

transverse flute: V tolerances of tones. understandings (further to C-l 190).

Reply to Hide glue defended.

Basic clavichord design. C-981: Reviews of musical instruments.

Felling your own timber. FoMRHI on the Internet.

Identifying woodworm. Is restoration doomed.

Lead in harpsichord keyboards. Making arcades for keyboard instruments.

Painting keyboard instruments.

Raalte Collection in instruments./ C-360 Raalte collection organs. Coetze C-511 Rachor /of J.S. Halle: implications C-1600 Radolt's instructions to lute players C-737 Ramelli, loaded gut strings and gansars C-l351 Ramsley C-l 199 Rans, Misschaert: Die nachtegael int C-284 Rans, Misschaert: Die nachtegael int C-285 Ransley C-1198 Ransley C-864 Ransley Measuring C-1213 Raudonikas /6. spectrum of coherencies; C-1083 Raudonikas Q.\ 199 Raudonikas (3.37 j Raudonikas /baroque transverse flute: C-419 Raudonikas Bul-49 Raudonikas Bul-49 Raudonikas C-1266 Raudonikas C-327 Raudonikas /representation of scale C-1083 Raudonikas /Pythagorean system; primary C-l055 Raudonikas /of baroque transverse C-l70 Raudonikas /of baroque transverse C-181 Raudonikas Method of woodwind C-145 Raudonikas /transverse flute: III C-229 Raudonikas Letter to the C-l275 Raudonikas The nature C-l265 Raudonikas /system of the C-301 Raudonikas /system; 4. four-dimensional C-1083 Raudonikas The Pythagorean C-959 Raudonikas The Pythagorean C-1031 Raudonikas Essays of Pythagorean C-l068 Raudonikas Corollaria C-1030 Raudonikas Blown resonance of baroque C-441 Raudonikas Somewhat about C-l243 Raudonikas's C-l243. Segerman C-l274 Rawnsley C-1424 Rawson C-144 Rawson Further to C-997 Rawson C-54 Rawson C-1277 Rawson C-984 Rawson C-268 Rawson C-98 Rawson C-292 Rawson C-291



Parchment roses for harpsichords. Planning a workshop.

Safety with woodworking machines. Seasoning your own timber.

String keyboard instruments. Vellum and parchment roses.

Where do we want to go? with hot hide glue - response to C-l382.

Response to /catalogue Vol 2;H;iii, Arnold Myers &

Cameron Profile turning of C.N.C.

A /Numeric Control); computer aided

More More about

Making mild steel (flat-stock) Right angled

Chiverton Making Another

bridges on 15th century illustrations of Three unrelated

of lutes in Italy./ Some original Another

instruments. Barnes fagot. Lyndon-Jones Harris

Observations prelusive to Smith Possible

Tolley A Crookes

Early 16th century lute keyboard instruments by/ Review:

Brauchli. Montagu Review: Review: Griscomb & Lasocki: The

How to design a Determining the step size of a

A double A flexible

Stanesby junior traverso; Haka treble what really happens when you oil your

Montagu Review: Brown: The /of Richard Griscomb & David Lasocki, the

Zaniol The NF treble

Rawson C-1524 Rawson C-182 Rawson C-166 Rawson C-99 Rawson C-250 Rawson C-167 Rawson C-1339 Rawson Veneering C-l399 Rawson'sC-1339. Segerman C-l364 Raymond Parks, Trumpets and Trombones./ C-1211 reamer blanks for use in woodwind C-70 reamer experiment. July 1992. Jefferies C-1225 reamer made of aluminium. Janke C-674 reamer production for woodwind/ C-l 140 reamers. Chiverton C-1410 reamers. Gill C-1435 Reamers - hollow. Loretto C-l 161 reamers. Willoughby C-567 reamers; addendum to C-1410. Chiverton C-1436 Reamers again (further to C-1435) C-1463 reamers on a shoestring. Marvin C-l80 reamer-saving counterbore. Swayne C-675 Reamer-saving counterbores. Marvin C-648 rebecs. Rooley The problem of double C-2 rebukes. Crookes C-546 receipts, appertaining to the varnishes C-240 recipe for copal varnish. Gretton C-451 Recommendations for drawings of keyboard C-46 Reconstructing Mersenne's basson and C-l048 reconstructing the kithara. Crookes C-508 reconstruction of Stradivarius cellos C-594 reconstruction of the Bosch hurdy-gurdy C-31 Reconstruction of the harpate wing C-635 reconstructions. Hodgson C-219 Record, 18th century music for two C-1013 Record, keyboard works of CPE. Bach by C-1012 recorder - a guide to writings about the/ C-1311 recorder. Brach C-1007 recorder. Loretto C-l353 recorder. Marvin C-453 recorder. Marvin C-649 recorder. Montagu Review: Aulos, C-966 recorder. Simmons The good oil; C-1228 recorder; a basic workshop manual C-936 Recorder: a guide to writings about the/ C-l333 recorder at the Museum der Stadt Meran C-485



Plans: Bass A shaper for

telescopic bore gauges. Loretto Montagu Review: Zen-on: The

Restoration of a Long and short

Bulletin:

Plans: Bressan Plans: Terton

Response to C-l500 Old recorders for new Comments to C-1486

Supplement: Praetorius's

(inC-1569). Bouterse Plans: Alto

Willoughby

The fornication of sound? Loretto

Bulletin: Further to C-l569 (Steenbergen of bore profile of historical baroque

On three well proportioned alto Review: Aulos Haka descant and treble

for pitches of original traversos and baroque flute and descant and treble

Tuning Some measurements techniques for

Review: Kolberg: Ornamental metrics of 17th and 18th century, (list of/ Dutch

(Beukers, Stanesby,/ Four baroque Loretto How

Madgwick, Loretto Old The descriptions of the Dutch

The alto van Acht, van den Ende, Schimmel: Dutch

J.S.Bach's 'Fiautid'echo': Helpful

rediscovery of a/ Review: van audio-visual review of/ Review: Van implications on the historical bassoon

/Loan exhibition of historic double

recorder, Bergstr0m Bul-43 recorder block blanks. Whinray C-l22 Recorder bore measuring. Loretto C-1354 Recorder bore measuring, using modified C-l355 recorder collection of Frans Briiggen C-426 recorder edge. Miller C-353 recorder feet. Loretto C-l586 Recorder fingerings. Bouterse Bul-89 Recorder fingerings in print. Loretto C-l585 recorder from Bate collection, Oxford Bul-40 recorder from Haags Gemeente Museum Bul-40 (recorder patents). Loretto C-l506 (recorder patents). Madgwick, Loretto C-1486 (recorder patents). Thomas C-1500 recorder pitch. Segerman Sup-84 Recorder research. Loretto C-l602 recorder Steenbergen Groninger Museum Bul-91 Recorder voicing. Loretto C-l540 Recorder voicing: answers to questions C-514 Recorder voicing structures. Woods C-654 Recorder window size. Loretto C-l508 recorder windways. Marvin C-532 Recorder woods - do they influence the C-1431 Recorder writings. Loretto C-l370 recorders) Bul-92 recorders). Bouterse /research C-1504 recorders. Brach C-987 recorders. Davis C-980 recorders. Haynes Appeal C-1039 recorders. Jones The Aulos C-967 recorders. Marvin C-652 recorders. Stroom C-639 recorders & traverso. Montagu C-938 recorders and transverse flutes of the C-l052 recorders at Sotheby's, November 1996 C-1501 recorders can improve with time C-1019 recorders for new (recorder patents) C-1486 recorders in the collection of the Haags/ C-1037 recorders of Steenbergen. Bouterse C-1569 recorders of the 18th century/ Review: C-1058 recorders off-stage. Smith C-1421 recordings. White C-734 Ree Bernard: The keyed monochord; C-l240 Ree Bernard: The psaltery; an annotated C-948 reed gouge. Rachor /of J.S. Halle: C-1600 reed instruments, 1988. Montagu C-885



Thomas Ling, 1787-1851, /Campbell: A check-list of the free

Review: Fluke: Victorian

studies on brass used for organ Early double

More on 19th century bassoon between early and modern baroque

Bajon Early sound generation: bassoon

/of locations and citations of early oboe /iconography for oboe-type instruments,

A profile of Mr Ling - English oboe Bassoon

Meyer Kottick Making double A

dictionaries. Young Information on Further to comments by

Detection of Anglo-Saxon to Tudor times./ Review: Anglo-Saxon to Tudor times./ Review:

West. Montagu Review: On C-76 and woodwind crack Notes on the preservation and

Boston Museum of Fine Arts - 1989 at Music-Sources, 19937 Restoration

of Edinburgh collection; progress historic musical instruments, progress historic musical instruments, progress

historic musical instruments/ Progress historic musical instruments/ Progress historic musical instruments/ Progress

historic/ Announcements: Progress historical brass metal. Thein

of Makers of Historical/ 1992 Keene, London, 17047 Restoration

/acorns, large oak tress grow; a personal turning/ Woodwind instrument making:

Montagu Segerman Progress

Watchorn exhibition August 1982. Champollion

/instrument technology 1450-1550; meeting /in 17th century England; meeting

About restoration Barnes Restoration

reed maker. Byrne C-826 reed, miscellaneous and ancillary/ C-447 reed organs and harmoniums. Montagu C-667 Reed-gouging tool. Holmes C-l20 reeds. Gug Historic and experimental C-893 reeds. Haynes C-336 reeds. Lehey C-956 reeds. Segerman On the difference C-1223 reeds. White C-l089 reeds. White C-1282 reeds and accessories. Burgess C-818 reeds and players, 1630-1830. Haynes C-764 reeds around 1800. Burgess C-804 reeds by Triebert and Massabo. White C-927 reeds for renaissance wind instruments C-227 reed-scraping tool. Owen C-801 regals and foreign language C-l23 Rein on C-307. Mactaggart C-374 reinforcing bars in instruments. Wood C-61 Remnant: English bowed instruments from C-786 Remnant: English bowed instruments from C-807 Remnant: Musical instruments of the C-149 repair. Karp C-101 repair of the shakuhachi. Mayers C-76 Report. Quigley C-952 report, 17th century Italian harpsichord C-l229 report 1988. Meyers University C-907 report 1989. Meyers /collection of C-971 report 1990. Meyers /collection of C-1014 report 1991 on the collection of C-l087 report 1994 on the collection of C-1340 report 1995 on the collection of C-l458 report 1997 on the collection of Bul-91 Report about our researches in C-642 Report from the Czechoslovakian Society C-l 155 report of English spinet by Stephen C-l346 report on early music in Czechoslovakia./ C-l026 report on gun drills, live centre, metal C-958 Report on the 16th century seminar C-93 report on the kithara. Crookes C-561 Report on the restoration of a violin C-378 Report on the Stuttgart harpsichord C-435 report Oxford 17 Mar '91 . Napier-Hemy C-1029 report Oxford 3 Feb '91 . Gouk C-1028 reports for fortepianos. Hermans C-394 reports for two Broadwood pianos C-366



Montagu c. 1820/ The circulation of restoration

/with 'authenticity' in early woodwind Recorder

Violin collection. Segerman Conservation of /Blockfloten des Barock (Comparative

A&Q: Music and Technology Ecker Instrument

A simple, safe method for making pine II characteristic frequency./ Blown

III influence of cork position/ Blown IV the tone and the blowing/ Blown

pitch axis and wind bands./ Blown tolerances of tones./ Blown

centuries, or the lost art of choosing Comments on woodwind

Keyboard Old harpsichords, their construction and

FoMRHI and conservation and to musical instrument conservation and

On /to musical instrument conservation and

Is White The hallmark of good

Report on the

wrestplanks. Lee instruments, UKIC and V&A/ Review:

/van der Meer, Thibault: Preservation and The circulation of restoration reports:

Scientist, 26 June 19937 Supplement: harpsichord at Music-Sources, 19937

Stephen Keene, London, 17047 Hermans About

pianos. Barnes square piano/ The circulation of

makers and their catalogues, No. 17

Ringve Museums Skrifter nr.5, 33 pp./ Society Journal XIII, 1987, October/

a history of the English slide/ recorders. Davis

Haka treble recorder. Montagu

Reports on FoMRHI seminars Syrus C-55 reports: restoration of square piano C-l 16 Reproductions. Garrod C-l 13 reproductions (marketing, facade and the/ C-l 119 research. Loretto C-l602 research 15 years ago. Segerman C-1492 research information vs a playing C-380 research of bore profile of historical/ C-l504 Research Seminar; 1997-1998. Jones Bul-89 research through artist's depiction C-60 resin varnish. Duncalf Segerman C-302 resonance of baroque transverse flute: C-181 resonance of baroque transverse flute: C-229 resonance of baroque transverse flute: C-419 resonance of baroque transverse flute: I C-170 resonance of baroque transverse flute: V C-441 resonance wood. Gug /forests in early C-1011 restoration. Ackerman C-865 restoration. Barnes C-393 restoration. Barnes /van Acht: C-108 restoration. Chiverton C-905 restoration. O'Brien Attitude C-10 restoration. Way C-467 restoration by O'Brien. Barnes C-lOa restoration doomed. Rawson C-268 restoration is ruthless authenticity C-l 160 Restoration of a recorder edge. Miller C-353 restoration of a violin. Watchorn C-378 Restoration of an early clarinet. Wells C-803 Restoration of cupped Flemish C-77 Restoration of early musical C-992 restoration of musical instruments./ C-91 restoration of square piano c. 1820 by/ C-l 16 Restoration, on an article in the New Sup-72 Restoration report, 17th century Italian C-l229 Restoration report of English spinet by C-l346 restoration reports for fortepianos C-394 Restoration reports for two Broadwood C-366 restoration reports: restoration of C-l 16 Review: ACIMV [Larigot] Wind instrument C-l044 Review: Aguado: New guitar method. Hope C-422 Review: Aksdal: Meriker Klarinetten; C-l 105 Review: American Musical Instrument C-895 Review: Art Brownlow. The last trumpet - C-l487 Review: Aulos Haka descant and treble C-980 Review: Aulos, Stanesby junior traverso; C-966



musical instruments, 1992; 404 pp./ Review musical instruments, 1992; 404 pp./ Review

preluding, 1700-1830 for flutists,/ Review exhibition: the look of music./ Review

maker: the material, tools, and/ Review traditional methods. Montagu Review

traditional methods. Shann Review fortepiano: a discography of music/ Review

clavicordio II: proceedings of the/ Review (record). Montagu Review

Montagu Review related to musical instruments,/ Review

im Salzburger Museum Carolino/ Review percussion musical instruments in/ Review

percussion instruments from the/ Review Praetorius translated. Montagu Review

harpsichord and clavichord/ Review handleiding voor aanschaf, onderhoud/ Review

festival books, 1500-1800; an/ Review renaissance windcap instruments./ Review

temperaments. Montagu Review ed.: De clavicordo: proceedings of/ Review

sonatas for clavichord (record)./ Review clavichord I & II (records)./ Review

workshop manual. Montagu Review evolution of an English piano./ Review

musical performances in/ Review free reed, miscellaneous and/ Review

Care of musical instruments in/ Review Bate Review

paintings and sculptures,/ Review Bagpipe Society, vol.1, part 1, '867 Review

Bagpipe Society, vol.1, part 2,1 Review a Ground, SIG CD 007. Montagu Review

bagpipes in the Edinburgh/ Review instruments of the Middle Ages;/ Review

Recommendation for the conservation/ Review the art of lutherie. Samson Review

collection of historical/ Review collections, Catalogues. Montagu Review

Montagu Review Sourcebook. Montagu Review

Museum, vol 2 instruments of Burma,/ Review design and performance. Cole Review

The Bassanos, 288 pp. Montagu Review instruments of the world. Montagu Review

Baines: The Oxford companion to C-l 116 Baines: The Oxford companion to C-l 131 Bang Mather, Lasocki: The art of C-767 Barclay: Anatomy of an C-517 Barclay: the art of the trumpet C-l 103 Barnes: Making a spinet by C-601 Barnes: Making a spinet by C-622 Bassart: The sound of the C-688 Bernard Brauchli, ed. De C-1478 Biber: 16 Rosenkrantzsonaten C-603 Bingham: Harmony for the flute C-580 Bingham: Patents for inventions C-579 Birsak: Die Holzblas Instrumente C-149 Blades: A check-list of the C-428 Blades, Montagu: Early C-l8 Blumenfeld: The Syntagma Musicum .. C-346 Boalch, Mould. Makers of the C-l402 Bouterse: De blokfluit, C-1038 Bowles: Musical ensembles in C-935 Boydell: The crumhorn and other C-430 Boyle: Intervals, scales and C-191 Brauchli, Brauchli, Galazzo C-l360 Brauchli: Carlos Seixas's nine C-521 Brauchli: The renaissance C-266 Brown: The recorder; a basic C-936 Burnett: Seven Broadwoods; the C-l358 Burney: An account of the C-312 Campbell: A check-list of the C-447 Canadian Conservation Institute: C-385 Carse: Musical wind instruments C-347 CD-ROM catalogue: Collection of C-l476 Chanter, the journal of the C-748 Chanter, the journal of the C-783 Charivari agreable: Two upon C-l598 Cheape: A check-list of the C-478 Christopher Page. Music and C-l565 CIMCIM publication no. 1: C-l 170 Coates: Geometry proportion and C-730 Cooke: Edinburgh University C-l238 Coover: Musical instrument C-425 Cornett and Sackbut, journal C-l92 Crafts Council Conservation C-242 Cross: The Shrine to Music C-479 David Crombie. Piano: evolution, C-1477 David Lasocki with Roger Prior C-l579 Diagram_group: Musical C-73



Montagu Review Montagu Review Montagu Review

recollections of Arnold Dolmetsch./ Review Re: Grove review:

of exhibitions (Floten; Drehleier/ Review for learning to play the/ Review

October 1986. Montagu Review Musical Instruments, catalogue Vol/ Review

Montagu Review Nghymru. Montagu Review

Wales. Montagu Review string musical instruments in the/ Review

Hellwig, Klaus Martius: Historische/ Review makers. Montagu Review

historic musical instruments in the/ Review and its use today. Montagu Review

du musee de la musique: les/ Review recherche en organologie; les/ Review

harmoniums. Montagu Review instruments. Barnes Review

instruments. Montagu Review instruments. Segerman Review

instruments as a source for the/ Review 1988, October 1986. Montagu Review

Klangfuhrer durch die Sammlung/ Review Klangfuhrer durch die Sammlung/ Review

Musikinstrumenten Museum Leipzig/ Review et luthiers Parisiens, 17-18th/ Review

France: the Lot and Godfroy families/ Review accounts of Thomas Green 1742-17907 Review

Instrumentarium, 1998; 184 pp./ Review Terminologiczny Zabytkow/ Review

musical instruments; a check-list./ Review - a guide to writings about the/ Review

Edinburgh university collection of/ Review Catalogue 9, Flute. Montagu Review

bowed string instruments. Montagu Review lute. Montagu Review

Tasteninstrumente des Museums,/ Review Review

instruments Sax au Musee/ Review facteurs d'instruments de musique en/ Review

instruments in Belgian collections./ Review instruments through the ages./ Review

Montagu Review

Divisions: volume l ,no. 1 C-172 Divisions, volume 1, no. 2 C-212 Divisions, volume 1, no. 3 C-263 Dolmetsch: Personal C-314

double bass. Slatford C-771 Dreieich Museum: Two catalogues C-424 Durichen: Corrette's Method C-277 Early Music, November 1988, C-895 Edinburgh Collection of Historic C-1211 Ehrlich: The piano: a history C-963 Ellis: Hanes y delyn yng C-283 Ellis: The story of the harp in C-283 Emery: A check-list of the bowed C-423 Eszter Fontana, Friedemann C-l295 Fairly, Flutes, flautists and C-445 Field, Myers, ed. Catalogues of C-1447 Fischer: The renaissance sackbut C-600 Florence Getrau. Aux origines C-l503 Florence Getrau, ed.: La C-1296 Fluke: Victorian reed organs and C-667 Ford: Making musical C-l88c Ford: Making musical C-l88a Ford: Making musical C-l88b Fuller: Mechanical musical C-264 Galpin Society Journal XLI C-895 Gerhard Stradner, ed.: C-l297 Gerhard Stradner, ed.: C-l312 Gernhardt, Henkel, Schrammek: C-519 Getrau, ed. Instrumentistes C-1452 Giannini: Great flute makers of C-l 184 Gillian Sheldrick, ed.: The C-l206 Golos: Przewodnik Po Dawnym C-l 114 Golos, Kobus & Vogel: Stownik C-l 114 Good: The Eddy collection of C-644 Griscomb & Lasocki: The recorder C-1311 Guide to the collection, C-845 Gunji, Kunitachi College, Tokio: C-988 Gunji, Kunitachi College, Tokio: C-949 Gunji, Kunitachi College, Tokio: C-949 Haase, Krickeberg: C-846 Haine: Adolphe Sax. Montagu C-280 Haine, de Keyser: Catalogue des C-311 Haine, Meeus: Dictionaire des C-745 Haine: Musica, musical C-946 Hamber, Stanners: Musical C-689 Harpano.28, spring 1998 C-l577



magazine, October 1986. Montagu Review magazine, 4:5, April 1988. Montagu Review

discovery of the scale of musick/ Review deception, forgery, theft, and the/ Review its makers in the British isles; an/ Review

1650-1800: a bibliography. Montagu Review 1650-1800: a bibliography. Montagu Review

historischen Cembalobau. Wraight Review Leipzig band 2 Kielinstrumente./ Review

Leipzig band 4 Clavichorde. Montagu Review Ekkehart Stegmiller. Montagu Review

Leipzig band 1 Floten. Montagu Review Leipzig band 3 Trompeten, Posaunen,/ Review

Leipzig band 5 Horner und Zinken./ Review Montagu Review

(record). Montagu Review samtlicher Musikinstrumente,/ Review

Montagu Review di Musica, no. 17, April 1989,/ Review

voor oude muziek 3, 1987. Montagu Review Kompositionen fur/ Review

flute (1826). Montagu Review explained - components mechanism and/ Review

(plates). Montagu Review Montagu Review

(plates) & III. Montagu Review Montagu Review Montagu Review Montagu Review Montagu Review Montagu Review

IX. Montagu Review Montagu Review Montagu Review

dictionary of musical instruments./ Review ethnomusicology. Segerman Review

Powell, tr & ed. The keyed flute./ Review instruments in the Museum of Fine/ Review instruments in the Museum of Fine/ Review

relicks of the Welsh bards,/ Review Directory for the year 17947 Review

Association of musical instrument/ Review Association of musical instrument/ Review Association of musical instrument/ Review Association of musical instrument/ Review Association of musical instrument/ Review

Harpsichord & Fortepiano C-895 Harpsichord and fortepiano C-869 Harrison: Account of the C-896 Harvey: Violin fraud: C-l 134 Harvey: the violin family and C-l359 Haynes: Music for oboe, C-690 Haynes: Music for the oboe C-l 106 Henkel: Beitrage zum C-515 Henkel: Musikinstrumenten Museum .. C-348 Henkel: Musikinstrumenten Museum .. C-498 Henning: Musica Maximiliana, C-805 Heyde: Musikinstrumenten Museum ... C-l93 Heyde: Musikinstrumenten Museum ... C-348 Heyde: Musikinstrumenten Museum ... C-498 Hope: Baroque guitar (record) C-209 Hope: Italian baroque guitar C-299 Huber: Verzeichnis C-l069 Hutchins: The physics of music C-l50

Quaderni della Civico Scuola C-989 aarboek van het Vlaamse centrum C-993 accottet: J.S. Bach C-870 ames: A word of two on the C-427 ames Beament. The violin C-l548 ansen: The bassoon, part I C-190 ansen: The bassoon, part I C-171 ansen: The bassoon, part II C-245 ansen: The bassoon, part II C-210 ansen: The bassoon, part IV C-261 ansen: The bassoon, part V C-281 ansen: The bassoon, part VI C-298 ansen: The bassoon, part VII C-310 ansen: The bassoon, part VIII & C-350 ansen: The bassoon, part X C-361 ansen: The bassoon, part XI C-383 enkins: International C-92 eremy Montagu. The magpie in C-l549 ohann George Tromlitz, Ardal C-l474 ohn Koster: Keyboard musical C-l291 ohn Koster: Keyboard musical C-l292 ones: Musical and poetical C-695 oseph Doane: A musical C-l207 ournal of the Australian C-l023 ournal of the Australian C-l 171 ournal of the Australian C-668 ournal of the Australian C-869 ournal of the Australian C-923



Association of musical instrument/ Association of musical instrument/

Aquincum. Montagu Collection d'instruments de musique/

techniques. Montagu and technology of musical/

century strung keyboard. Segerman and their music. 158 pp. Cole

Berlin. Montagu Ringve Museum. Montagu

ved Ringve Museum. Montagu ved Ringve Museum. Montagu

Aanstad recorders & traverso. Montagu

Catalogue 3, Bowed/ Catalogue 4, Plucked/

Catalogue 5, Harp; Lyre. Montagu Catalogue 8, bagpipes. Montagu

ages and the renaissance. Montagu double-reed musical instruments in/

Montagu (February 1996). Montagu

ACIMV Montagu l'association des collectionneurs/ 1'association des collectionneurs/ l'association des collectionneurs/

October 1986. Montagu

Montagu Montagu Montagu

Dancing, 1992; 200 pp. Montagu d'anches renaissance. Wood

Zeitalter der Flote, Frankreich/ Montagu

temperaments. Hodgson temperaments. Montagu

musical paradoxes: a practical guide/ sackbut, Edinburgh university/

Scandinavia (record). Montagu plucked and hammered string musical/

construction. Hodgson harpsichord papers. Montagu

in the 1851 exhibition. Montagu

Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review Review

Journal of the Australian C-939 Journal of the Australian C-950 Kaba: Die Romische Orgel von C-149 Kampmann: Catalogue de la C-l059 Karp: Basic keyboard tuning C-106 Karp et al.: The conservation C-l 107 Karp: The pitches of 18th C-606 Katalin Komlos: Fortepianos C-l330 Katalog der Streichinstrumente C-90 Kjeldsberg: Klemt og Klang; C-l 10a Kjeldsberg: Musikinstrumenter C-l 10 Kjeldsberg: Musikinstrumenter C-429 Kjeldsberg: Piano i Norge C-696 Kolberg: Ornamental metrics of C-938 Kunitachi College, Tokio: C-645 Kunitachi College, Tokio: C-645 Kunitachi College, Tokio: C-645 Kunitachi College, Tokio: C-920 Lane: The trombone in the middle C-462 Langwill: A check-list of the C-401 Larigot 15, June 1994, ACIMV. C-1268 Larigot 17 (August 1995 & 18 C-1448 Larigot 21, ACIMV. Montagu C-l578 Larigot; annual subscription to C-l210 Larigot, Bulletin de C-1405 Larigot, Bulletin de C-1488 Larigot, Bulletin de C-1547 Larigot, no. 2, May 1988 C-895 Larigot no.5, May 1989. Montagu C-918 Larigot no.7, March 1990 C-978 Larigot no.8, September 1990 C-990 Larigot no.9, December 1990 C-1023 Larigot, November 1989. Montagu C-950 Lasocki, ed.: Fluting and C-l 115 Leguy: Precis de fracture C-278 Lenski, Ventzke: Das goldene C-1239 Leppert: Arcadia at Versailles C-149 Lindley: Lutes, viols & C-556 Lindley: Lutes, viols & C-555 Lucy: Pitch, nand other C-896 Lumsden: The sound of the C-868 Lund: The sounds of prehistoric C-553 Macauly: A check-list of the C-428 MacLeod-Coupe: Lute C-l89 Mactaggart: Laying & decorating C-399 Mactaggart: Musical instruments C-746



marbling harpsichord cases. Montagu Montagu

instruments. Montagu the last of the troubadours./

Deutsche Musikinstrumentenbau./ medieval and renaissance music./

historical instruments - supplement/ Musikinstrumente in Mittelalter und/

instruments. Bowles the Bible. Segerman

and renaissance musical instruments./ and renaissance musical instruments./ and renaissance musical instruments./ and renaissance musical instruments/

woodwind instruments in the Brussels/ Auckland Institute & Museum, 19897

fundamental principles of violin/ middle ages and renaissance (part/ middle ages and renaissance (part/

middle ages and renaissance./ and technology journal. Montagu

Stockholm: Studia instrumentorum/ or hurdy-gurdy. Tolley

musical instruments in the Edinburgh/ the brass musical instruments in the/

of Historic Musical Instruments,/ of Historic Musical Instruments./

instruments in the Edinburgh/ European wind and percussion/

historic musical instruments in the/ 1838-1853. Montagu

Uberblick iiber sein Leben./ Montagu

fingering book. Montagu catalogue. Montagu

piano 1700-1820. Cole Supplement: On C-l535,

Comments on C-483: /The psaltery; an annotated audio-visual 1700-1820', a/ The FoMRHI Quarterly Lasocki7 A reply to Jeremy Montagu's

Comments on Jeremy Montagu's Montagu

Bauweise and Spieltechnik eines/ the middle ages - instrumental/ the middle ages - instrumental/

Review: Mactaggart: Painting and C-518 Review: Mactaggart: Practical guilding C-583 Review: Marcuse: A survey of musical C-20 Review: Martin Best Medieval Ensemble C-1071 Review: Moeck (ed): Fiinf Jahrhunderte C-883 Review: Monroe. Adding percussion to C-1451 Review: Montagu: Bate collection of C-811 Review: Montagu: Geschichte der C-387 Review: Montagu: Making early percussion C-l9 Review: Montagu. Musical instruments of C-1453 Review: Montagu: The world of medieval C-44 Review: Montagu: The world of medieval C-44d Review: Montagu: The world of medieval C-44e Review: Montagu: The world of medieval C-44c Review: Moonen: Drawings of four C-282 Review: Moyle: the Sound of Oceania C-921 Review: Mozart: A treatise on the C-692 Review: Munrow: Instruments of the C-44a Review: Munrow: Instruments of the C-44b Review: Munrow: Instruments of the C-44 Review: Musical instrument conservation C-211 Review: Musikhistoriska Museet C-386 Review: Muskett: Method for the vielle C-243 Review: Myers: A check-list of the brass C-363 Review: Myers: Cartledge, Catalogue of C-1060 Review: Myers, ed.: Edinburgh Collection C-l 133 Review: Myers, ed.: Edinburgh Collection C-l 113 Review: Myers, ed. Historical musical C-l406 Review: Myers, Herbert: Catalogue of the C-1060 Review: Myers, Parks, ed. Catalogues of C-1447 Review: Myers: The Glen account book C-669 Review: Nagy: Michael Haydn, ein C-364 Review: Nema, Early music in education C-643 Review: Neuhaus: The baroque flute C-728 Review: Nothern Renaissance Instruments, C-315 Review: Novak Clinkscale: Makers of the C-l 185 review of a clavichord CD. Segerman Sup-90 review of Der Zink. Overton C-505 review of different types. Montagu C-948 review of 'Makers of the Piano C-l242 review of Richard Griscomb & David C-l333 review of the Conservation and/ C-l 117 Review: Orcutt: The Stradivari memorial C-313 Review: Overton: Der Zink, Geschichte C-483 Review: Page: Voices & instruments of C-786 Review: Page: Voices & instruments of C-808



the middle ages - instrumental/ Review: Montagu Review:

translated. Page Review: the harpsichord; illustrated with/ Review:

Montagu Review: musical instruments in Liverpool/ Review: musical instruments in Liverpool/ Review:

kettledrums. Montagu Review: instruments in the/ Review:

historical woodwind instruments, 270/ Review: present improved state compared with/ Review:

museums. Montagu Review: Cole Review:

Montagu Review: II (tr Crookes). Segerman Review:

sull' interpretazione della musica,/ Review: Montagu Review:

int wilde (record). Montagu Review: int wilde (record). Yakeley Review:

two keyboard instruments by Brauchli/ Review: Bach by Brauchli. Montagu Review:

instruments from Anglo-Saxon to/ Review: instruments from Anglo-Saxon to/ Review:

the West. Montagu Review: newsletter, vol. 1, no. 1 & 2/ Review:

instruments, UKIC and V&A Christmas/ Review: pp. Montagu Review:

for making musical instruments./ Review: catalogue 1987. Montagu Review:

historic musical instruments./ Review: Highland harp (part 2 of 'Musical/ Review:

instrumentation for playing the/ Review: music. Montagu Review:

historical stringing practice for/ Review: Montagu Review:

Wydawnictwo Naukowe PWN, 1992; 422/ Review: University of Iowa. Montagu Review:

Catalogue part I, European wind/ Review: Set of 13 postcards. Montagu Review:

Augusteum: Jahresschrift 22 19767 Review: conducting. Montagu Review:

harpsichords, their construction and/ Review: harpsichord, vol. 1. Montagu Review: Musicum Leipzig. Montagu Review:

Leipzig. Henning Review: Renaissance and des Barock, Band 17 Review:

Page: Voices & instruments of C-809 Palmer: The hurdy-gurdy C-276 Parrish: Johannes Tinctoris C-326 Pasquali: The art of fingering C-694 Paul: Modern harpsichord makers C-400 Pauline Rushton, ed.: European C-1293 Pauline Rushton, ed.: European C-1294 Philidor: March for two pairs of C-785 Philip Young. Woodwind C-1534 Phillip T Young: 4900 C-1270 Pierre Erard: The harp in its C-l267 Pinniger: Insect pests in C-964 Pollens. The early pianoforte C-1403 Pollens. The early pianoforte C-1404 Praetorius: Syntagma Musicum I & C-810 Praxis vol.1, Studie testi C-554 Quarna: vivera di Strumenti C-552 Rans, Misschaert: Die nachtegael C-284 Rans, Misschaert: Die nachtegael C-285 Record, 18th century music for C-1013 Record, keyboard works of CPE C-1012 Remnant: English bowed C-786 Remnant: English bowed C-807 Remnant: Musical instruments of C-149 Renaissance flute circle C-882 Restoration of early musical C-992 Rice: the baroque clarinet, 197 C-l 104 Richter: Wood as raw material C-939 Ringve Museum: Exhibition C-784 Robert Barclay, ed. The care of C-l566 Robert Bruce Armstrong: The C-1267 Roberts: Manual or method of C-894 Roche: A dictionary of early C-402 Rose, Law: A handbook of C-1070 Rose. Talks with bandsmen C-1450 Rosionski: Zabytkowe Organy, C-l 114 Ross: Musical instruments at the C-213 Royal College of Music Museum C-446 Royal College of Music Museum, C-884 Salzburger Museum Carolino C-149 Scherchen: Handbook of C-962 Scheurwater, van Acht: Old C-108 Schott: The historical C-602 Schrammek, Herre. Museum C-416 Schrammek, Herre: Museum Musicum C-496 Schultze: Querfloten der C-947



the Dayton C. Miller collection./ Review: of his life and times. Wollenberg Review:

of the baroque trumpet before 17217 Review: gratitude to Christopher Monk./ Review:

164 pp. Montagu Review: on the 1772 Kirckman harpsichord/ Review:

225 pp. Montagu Review: der musikalische Kunst oder/ Review:

the centuries from all over the/ Review: hurdy-gurdies. Montagu Review:

18th century, 154 pp. Montagu Review: Museum, vol 1, keyed brass/ Review:

Musicae Popularis, Musikhistoriska/ Review: im Seiermarkischen Landeszeughaus in/ Review:

Musikinstrumente der Bruckner-Zeit,/ Review: instrumentation around 1500 as/ Review:

collection of musical instruments,/ Review: collection of musical instruments,/ Review:

Korhonen plays instant music./ Review: nature and pedagogy. Montagu Review:

atlas, suppl 1. Montagu Review: atlas. Montagu Review:

Verney, Beethoven symphony #2,/ Review: magazine, October 1987. Montagu Review:

at Edinburgh, August 1986. Montagu Review: Music & Painting in the Golden Age./ Review:

at the Commonwealth Institute London/ Review: musical instruments (A). Segerman Review:

musical instruments (A). Montagu Review: musical instruments 3 vol. Montagu Review: musical instruments. Montagu (N) Review: musical instruments. Montagu (B) Review: musical instruments. Montagu (C) Review:

musical instruments. Montagu (D-E) Review: musical instruments. Montagu (F) Review: musical instruments. Montagu (G) Review: musical instruments. Montagu (H) Review: musical instruments. Montagu (I) Review:

musical instruments. Montagu (J-K) Review: musical instruments. Montagu (L-M) Review: musical instruments. Segerman (Ba) Review: musical instruments. Segerman (D) Review:

musical instruments. Segerman (E-F) Review: musical instruments. Segerman (G) Review:

musical instruments. Segerman (H-I) Review: musical instruments. Segerman (J-K) Review:

Seyfritt: musical instruments in C-463 Simon: Handel: a celebration C-670 Smithers: The music and history C-945 Snakes are Beautiful - with C-l061 Solum: The early Flute, 1992; C-l 132 Souter: Handel & Scarlatti C-l071 Sparks: The classical mandolin, C-l357 Speer: Grundrichter Unterricht C-349 Spohr: Transverse flutes down C-l024 Stacey, Wishart: Bagpipes & C-581 Stephen Morey: Mandolins of the C-l269 Stewart: The Shrine to Music C-365 Stockmann: Studia Instrumentorum C-l 11 Stradner: Die musikinstrumente C-l09 Stradner: Linzer C-499 Stradner: Playing practice and C-787 Sumi Gunji et alii: The C-1475 Sumi Gunji et alii: The C-844 Swedish clavichords - Mikko C-l535 Szende: Intervallic hearing, its C-149 Taylor: The musician's piano C-584 Taylor: The musician's piano C-362 the Hanover Band, Huggett, C-1071 The harpsichord and fortepiano C-843 The historic clarinet exhibition C-769 The Hoogsteder Exhibition of C-l310 The master musicians of Jajouka C-316 The new Grove dictionary of C-621 The new Grove dictionary of C-604 The new Grove dictionary of C-578 The new Grove dictionary of C-924 The new Grove dictionary of C-646 The new Grove dictionary of C-671 The new Grove dictionary of C-697 The new Grove dictionary of C-727 The new Grove dictionary of C-749 The new Grove dictionary of C-768 The new Grove dictionary of C-812 The new Grove dictionary of C-848 The new Grove dictionary of C-897 The new Grove dictionary of C-647 The new Grove dictionary of C-750 The new Grove dictionary of C-770 The new Grove dictionary of C-788 The new Grove dictionary of C-860 The new Grove dictionary of C-872



musical instruments. Segerman (L) musical instruments. Segerman (M)

musical instruments. Segerman (N-O) musical instruments. Segerman (P)

musical instruments. Segerman (Q-R) musical instruments. Segerman (S)

musical instruments. Segerman musical instruments. Segerman/ musical instruments. Segerman/ musical instruments. Segerman/

Montagu chansonniers Francais du XV/

Untersuchung von Bohrungprofilen/

Strumenti dell'Istituto della/ di Antonio Stradivari, 68 pp./ strumenti pre-rinascimentali./ su un violino di proprieta del/

(record). Montagu instruments. Baines

instruments. Montagu Montagu

The Cambridge companion to brass/ including the Museum of Theatre and/

musical instruments. Montagu Mandolin, 1989. Montagu

Catalogue of the European musical/ Catalogue of the European musical/

Conservation, archaeology & museums./ facteurs d'instruments de musique./ drawings of musical instruments in/ Schimmel: Dutch recorders of the/

volksmuziekinstrumenten in Europa,/ Preservation and restoration of/

monochord; rediscovery of a/ an annotated audio-visual review of/

Tolley der internationalen/ der internationalen/

Beth Bullard), 275 pp. Montagu pianos, Haags Gemeente Museum./

Musikinstrumente des Altertums./ (catalogue). Montagu ophicleidist. Montagu

Review: The new Grove dictionary of C-886 Review: The new Grove dictionary of C-898 Review: The new Grove dictionary of C-904 Review: The new Grove dictionary of C-951 Review: The new Grove dictionary of C-965 Review: The new Grove dictionary of C-977 Review: The new Grove dictionary of C-605 Review: The new Grove dictionary of C-672 Review: The new Grove dictionary of C-698 Review: The new Grove dictionary of C-729 Review: The Woodwind Quartely, issue 2 C-l 183 Review: Thibault, Rokseth: Trois C-309 Review: Thomas Lerch. Vergleichende C-1504 Review: Tibia 1/80 journal. Montagu C-279 Review: Tibia-Calendrium 1984. Montagu C-516 Review: Tiella & Primon: Catalogo degli C-979 Review: Tiella, Beare, et al.: Strumenti C-l 108 Review: Tiella: Indirizzi di ricerca su C-265 Review: Tiella, Negri, Primon: Ricerche C-847 Review: Toll: Bar Consort Earl Music C-244 Review: Tolley: Making musical C-208 Review: Tolley: Making musical C-151 Review: Traverso no.2, April 1989 C-919 Review: Trevor Herbert, John Wallace C-1546 Review: Trip to the Baltic states; C-1072 Review: Tullberg: The manufacture of C-72 Review: Tyler, Sparks: The Early C-922 Review: Tyler: The early guitar. Hope C-297 Review: Ueno Gakuen College Tokio: C-482 Review: Ueno Gakuen College Tokio: C-991 Review: UK Institute for Conservation: C-384 Review: Un musee aujourd'hui - des C-693 Review: van Acht: Checklist of technical C-l 154 Review: van Acht, van den Ende, C-l058 Review: van Acht: Volksmuziek en C-520 Review: van der Meer, Thibault: C-91 Review: van Ree Bernard: The keyed C-1240 Review: Van Ree Bernard: The psaltery; C-948 Review: Varquin: hurdy-gurdy drawing C-107 Review: Vierundzwandzigsteljahrschrift C-691 Review: Vierundzwandzigsteljahrschrift C-782 Review: Virdung: Musica Getutscht, (tr C-1241 Review: von Gleich: A check-list of C-842 Review: Vorreiter: Die schonsten C-480 Review: Waterhouse: The proud bassoon C-497 Review: Weston: Samuel Hughes C-747



(record). Montagu Langwill index - a dictionary of/ Langwill Index: a dictionary of/

the viol. Montagu instruments. Montagu

historic double reed instruments7 of Frans Briiggen. Montagu

Montagu General: Music and book

Further to C-981 -Are

Further to C-981: easily made counter bore that works.

Simple design for lute Computing lute

A method for the construction of the and the United States. Jones, Myers, e request for additional information.

Montagu Review: Montagu Review: Tiella: Indirizzi di

musical instruments./ Review: Three boxwood oboes by Hendrik

the Riga Museum of History and Shipping, /Tallinn, the Latvian State Museum, the

Kjeldsberg: Musikinstrumenter ved Kjeldsberg: Musikinstrumenter ved

Review: Kjeldsberg: Klemt og Klang; 1987. Montagu Review:

Review: Aksdal: Meraker Klarinetten; from shipwrecks, lake dwellings and

The flutes of musical instruments. Montagu Review:

harp (part 2 of 'Musical/ Review:

Mobbs, Mackenzie of Ord Dr instrumentation for playing/ Review:

On C-86. On measurement.

Key lever fulcrum pin mortices. Montagu Review:

du XV siecle./ Review: Thibault, of gut and wood. Abbott Segerman

Did nothing survive from Making a

Vihuela and Jose

Review: Widensky: Das Claviorganum C-870 Review: William Waterhouse: The new C-l209 Review: William Waterhouse: The new C-l331 Review: Woodfield: The early history of C-582 Review: Young: 2500 historical woodwind C-806 Review: Young: Loan exhibition of C-885 Review: Zen-on: The recorder collection C-426 Review: Zeugnisse alter Musik XI, 1980 C-262 reviews. Montagu Bul-54 reviews justified? Montagu C-982 Reviews of musical instruments. Powell C-981 Reviews of musical instruments. Rawson C-997 Rhoads An inexpensive, C-1088 rib shapes. Chiverton C-l349 rib shapes. Peckham C-417 rib template for a lute. Kershaw C-799 Rice /(alto ophicleides) in Europe C-l499 Rice The clarinet d'amour: C-l 136 Rice: the baroque clarinet, 197 pp C-l 104 ricerca su strumenti pre-rinascimentali C-265 Richter: Wood as raw material for making C-939 Richters. Bouterse C-l259 Riga. Madgwick /Latvian State Museum, C-1072 Riga Museum of History and Shipping,/ C-1072 Ringve Museum. Montagu Review: C-l 10 Ringve Museum. Montagu Review: C-429 Ringve Museum. Montagu C-l 10a Ringve Museum: Exhibition catalogue C-784 Ringve Museums Skrifter nr.5, 33 pp./ C-l 105 rivers. Morrison /music instruments C-317 Robert and Willem Wijne. Bouterse C-913 Robert Barclay, ed. The care of historic C-l566 Robert Bruce Armstrong: The Highland C-l267 Robert Greenberg, an obituary. Barnes C-1380 Robert Smith's 1748 keyboard tunings C-l583 Roberts: Manual or method of C-894 Robinson C-165 Robinson C-86 Robson C-1262 Roche: A dictionary of early music C-402 Rokseth: Trois chansonniers Francais C-309 Rolfe /cycling for stabilisation C-71 Roman antiquity? Crookes C-589 Roman cornu. Barton C-542 Roman keyed tibiae? Galpin C-888 Romanillos. Gill C-824



Vihuela and Jose on 15th century illustrations of rebecs.

for school construction. Tolley Making solid bentsides for harpsichords.

conference on pitch and transposition. Design of the V&A

Montagu A working visit to the Mary stringing practice for/ Review:

The Mary The Mary

Review: Parchment

A method for casting harpsichord A method of casting harpsichord

Vellum and parchment Parchment Parchment

and harpsichords, van/ Parchment Perforating soundboard

University of Iowa. Montagu Review: Speculations on the

Catch Martin Supplement: Response to

Debenham The compass of the the fretting of the Canpi cittern at the

General: Portraits in the Plans: List Plans: List Plans: List Plans: List Plans: List Plans: List

part I, European wind/ Review: postcards. Montagu Review:

1739-17537 Harpsichord jacks at the Two simple varnishes.

Mersenne's iron and theories. Shann

Meeus Plans: List cembalo,

On the construction of The pitch of

Shortridge Martin Freres & Famille, Paris, 93

instruments in/ Review: Pauline instruments in/ Review: Pauline

Romanillos. Hope C-796 Rooley The problem of double bridges C-2 Roscow Allison /musical instruments C-l00 Rose C-290 Rose FoMRHI C-322 Rose and Jaye viol soundholes. Segerman C-1080 Rose and the instruments found in her C-l597 Rose, Law: A handbook of historical C-1070 Rose shawm. Forster C-1459 Rose shawm or dulcina. Lyndon-Jones C-531 Rose. Talks with bandsmen. Montagu C-1450 roses. Kemner C-235 roses. Paul C-403 roses. Paul C-392 roses. Rawson C-l67 roses. Theakston C-234 roses for harpsichords. Rawson C-l524 roses in citterns, lute, baroque guitars C-1515 roses with scissors. Williams C-434 Ross: Musical instruments at the C-213 rote. Segerman C-437 Routh's razor (further to C-l350) C-1362 Roy Chiverton's C-l464. Segerman Sup-85 Royal College of Music clavicytherium C-l 12 Royal College of Music in London./ /of C-l24 Royal College of Music, London Bul-76 Royal College of Music, London Bul-19 Royal College of Music, London Bul-35 Royal College of Music, London Bul-45 Royal College of Music, London Bul-55 Royal College of Music, London Bul-63 Royal College of Music, London Bul-76 Royal College of Music Museum Catalogue C-446 Royal College of Music Museum, Set of 13 C-884 Royal Swedish Academy of Science, C-944 Rubin C-132 Ruckers 6 foot pitch. Segerman C-1494 Ruckers doubles - a survey of the C-665 Ruckers doubles: the sixth hypothesis C-680 Ruckers genootschap, Antwerpen Bul-46 Ruckers harpsichords. Gug C-l 14 Ruckers instruments. Shann C-593 Ruckers transposing double harpsichords C-623 rue de la Chapelle. /catalogues, No. 1: C-1044 Rushton, ed.: European musical C-l293 Rushton, ed.: European musical C-l294



Guilt-free music; on vegetarians. on a post horn in F with one tone hole.

renaissance and middle ages./ Drum Notes on a painting by

Review: Fischer: The renaissance shawms. Segerman Mersenne's

of/ Review: Lumsden: The sound of the Review: Cornett and

Praetorius's and surviving Nuremberg The sizes and pitches of Praetorius's

Rawson /Birsak: Die Holzblas Instrumente im

Jahresschrift 22 19767 Review: /Stradner, ed.: Klangfuhrer durch die /Stradner, ed.: Klangfuhrer durch die

A cut lute recorded. Bologna lutes - comments on C-l28.

Comments on C-417 and C-420. Jewelery in wood etc.

Lute outlines - geometrical description. Lute pegboxes and necks.

Lute pegboxes in pictures 1600-1800. Lute soundboards - how were they fitted?

The twelve-course lute. Tonal balance and bar depths.

What is a simple lute? Why do some lutes have flattened backs?

authenticity - are our priorities right? proportion and the art of lutherie. with gut strings of a given length.

wrong with the early music movement? to lute players (Vienna 1701).

Review: Weston: Bending in

Review: Haine: Adolphe de Keyser: Catalogue des instruments

/system; Supplement: representation of An equal tempered

/Account of the discovery of the The

Corollaria to the modal Review: Boyle: Intervals, Strong iron wire and long An analysis of Irish harp

Review: Lund: The sounds of prehistoric

Russell C-1075 Rycroft Intonation tests C-955 rythms for dance music in the C-887 Sabastino Lazzari. Downing C-484 sackbut and its use today. Montagu C-600 sackbut and pitch, plus playing with C-l373 sackbut, Edinburgh university collection C-868 Sackbut,journal. Montagu C-l92 sackbut lengths and playing pitches./ C-l371 sackbuts. Segerman C-l200 Safety with woodworking machines C-l66 Salzburger Museum Carolino Augusteum./ C-149 Salzburger Museum Carolino Augusteum: C-149 Sammlung alter Musikinstrumente, Wien,/ C-l297 Sammlung alter Musikinstrumente, Wien,/ C-1312 Samson C-141 Samson C-142 Samson C-489 Samson C-238 Samson C-377 Samson C-41 Samson C-47 Samson C-300 Samson C-48 Samson C-220 Samson C-756 Samson C-324 Samson Acoustics, appearance and C-216 Samson Review: Coates: Geometry C-730 Samson The range of pitch C-66 Samson What has gone C-755 Samson Hodgson /Radolt's instructions C-737 Samuel Hughes ophicleidist. Montagu C-747 San Franscisco. Greenberg C-682 Sax. Montagu C-280 Sax au Musee Instrumental de/ /Haine, C-311 scale by point or the modular/ C-1083 scale for tempo. Segerman C-l250 scale of musick (1775?) (in above/ C-896 scale of the psalter. Crookes C-l287 scale theory (summary). Raudonikas C-1030 scales and temperaments. Montagu C-191 scales in Italian harpsichords. Wraight C-852 scaling. Downing C-l 112 Scaling harpsichords soundboards. Lloyd C-1512 Scandinavia (record). Montagu C-553



Review: Souter: Handel & Montagu Review:

their construction and/ Review: Review: van Acht, van den Ende,

the dangers of becoming an established The case of the unknown

A reminder on the principles of Being fair to evidence in

Supplement: Being fair to evidence in The handling of source errors in

method for ensuring objectivity in C-l335). Stroom Once more,

C-l308. Segerman On the amount of evidence needed. Segerman Allison Early musical instruments for

vol.1. Montagu Review: Leipzig. Montagu Review: Leipzig. Henning Review:

Leipzig/ Review: Gernhardt, Henkel, woodwind bore measuring tool.

and des Barock, Band 1: Eine/ Review: Heinrich

Perforating soundboard roses with background to the strings used by catgut

Glover Plane Greenberg

Re: Early 18th century bows and

Harpsichord bottom Comments on bows and their

Henning Musical /catalogue: Collection of paintings and

On

'breathing' and Neusidler's counting). (including a response to C-l288).

- a response to C-1216 (and to C-1215). - components mechanism and sound.

- supplement to the 1976 catalogue. 17th century discussions of gracing.

18th century German and French pitches. 18th century success of copal varnish.

A DIY make of gut lute strings. A note on mean temperament.

A string calculator. Abbott

Scarlatti on the 1772 Kirckman/ C-l071 Scherchen: Handbook of conducting C-962 Scheurwater, van Acht: Old harpsichords, C-l08 Schimmel: Dutch recorders of the 18th/ C-1058 Schmelzer's violino piffaro. Heavens C-l603 scholar. Segerman On C-69 scholar and the missing lute. Hodgson C-628 scholarly choice. Segerman C-873 scholarship. Montagu C-l582 scholarship. Segerman Sup-91 scholarship. Segerman C-l580 scholarship. Segerman /the formal C-l276 scholarship and disputes (further to C-l366 scholarship of string names, a reply to C-1317 Scholarship, statistics, and the minimum C-1218 school construction. Tolley Roscow C-100 Schott: The historical harpsichord, C-602 Schrammek, Herre. Museum Musicum C-416 Schrammek, Herre: Museum Musicum C-496 Schrammek: Musikinstrumenten Museum C-519 Schultze A contact-free C-970 Schultze: Querfloten der Renaissance C-947 Schutz's strings. Karp C-439 scissors. Williams C-434 scrapers. Segerman Abbott Historical C-l5 scraping for profit and pleasure C-318 Scraping plane for mouldings in wood C-571 scraping plane in C-571. Young C-586 screws. Segerman C-458 screws. Way C-574 screws, taps, dies and lathes. Mather C-471 sculptures in medieval Burgundy C-l57 sculptures, Wallraf-Richartz Museum,/ C-1476 seasoning timber. Gould C-223 Seasoning your own timber. Rawson C-99 Segerman /century (appendix Gaffurius's C-l 130 Segerman /string types and tensions C-l307 Segerman /honesty doesn't help C-1244 Segerman /Beament. The violin explained C-l548 Segerman /of historical instruments C-811 Segerman On some early C-l379 Segerman C-683 Segerman C-506 Segerman Bulletin: Bul-87 Segerman C-459 Segerman C-162



All-gut bass strings Ambiguity in Mersenne's use of Grosseur.

An embryonic bass bar? An equal tempered scale for tempo Angled bridges and J bars on lutes

Anti FoMRHI people in the lute world Beethoven and the early music industry

Being fair to evidence in scholarship Bulletin: CD-RoM museum pictures

Bulletin: Cittern controversy Bulletin: The 'renaissance' guitar?

C-1481 (on English citterns) Caccini's 'Exclamation' and a sigh

Catline strings. Abbott Chiverton's C-l322 on lute belly shapes

Comments on C-41 Comments to C-l093 (fiddle tunings) Criteria for the naming of instruments

Early 18th century bows and screws English and French vocal and viol style

English lute sizes and tunings c.1600 English organs - response to C-l383

English pitch standards, mostly c.1600 English viol sizes and pitches Facts and speculations people

Figures relevant to C-546 Fingerboard shapes and graded frets

Ford: Making musical instruments Forrester's C-1445 on English citterns

Further to C-l561 (Cremona secret) Further to C-216 Gerle on tempo

Grove dictionary of musical instruments Historical violin stringings up to 1900

Hizler's tenor violin In defence of C-40

Mace on overspun strings Meeus and the English viols

Mensur? Ugh Mersenne untwisted

Mersenne's pitch standard Mersenne, Mace and speed of playing

Michael Morrow Montagu. The magpie in ethnomusicology

More on early gut string diameter. Musical instruments of the Bible

Segerman C-413 Segerman C-344 Segerman C-840 Segerman C-1250 Segerman C-687 Segerman C-1415 Segerman C-l 147 Segerman Supplement: Sup-91 Segerman Bul-87 Segerman Bul-87 Segerman Bul-87 Segerman Reply to Forrester's C-l497 Segerman The'dying fall', C-1455 Segerman C-138 Segerman Response to C-l348 Segerman C-36a Segerman Supplement: Sup-68 Segerman C-338 Segerman C-458 Segerman On C-862 Segerman On C-867 Segerman Pitch standards of early C-l398 Segerman C-1063 Segerman C-597 Segerman Supplement: Sup-93 Segerman C-547 Segerman C-l 168 Segerman Review: C-188b Segerman Reply to Peter C-1468 Segerman Supplement: Sup-91 Segerman C-218 Segerman C-1251 Segerman Review: The new C-605 Segerman C-1234 Segerman C-410 Segerman C-40a Segerman C-1440 Segerman Praetorius, C-633 Segerman C-178 Segerman C-199 Segerman C-1374 Segerman C-753 Segerman C-1273 Segerman Review: Jeremy C-l549 Segerman C-743 Segerman Review: Montagu C-1453



On C-l535, review of a clavichord CD. On C-97: Cetra fret blocks.

On Early Music and music history. On Memling's psaltery.

On Stroom's C-l315. OnStroom'sC-1366.

On Talbot's measurements of viols. On 'nuts & bolts', further to C-1469. On baroque lute strings and tunings.

On catlines and Pistoy basses. On embellishment function and context.

On extended lutes. On historical string tensions on lutes.

On manners, status and C-l301. On musicologists and early music.

On the expression of emotion in music. On the hair tension during bowing.

On the number of guts in a gut string. On the sizes of surviving English viols.

On the upsetting power of Occam's razor. Origins of the 'guitarra portuguesa'.

Orpharion news. Peg fitting.

Pitch standards in northern Italy. Quellenbis 1900 (158 pp).

Recent changes in early music. Renaissance and baroque bows.

Reply to C-l544 on catlines. Reply to C-526.

Reply to Raudonikas's C-l243. Response to C-l302 on Occam's razor. Response to C-l337 on wood science.

Response to C-610 on vihuelas. Response to C-739 and C-740. Response to Crighton's C-559.

Response to Crookes's C-589 and C-590. Response to Rawson's C-l339.

Response to Roy Chiverton's C-1464. Rhetoric for the voice and instruments. Semitone step calculations in stringing.

Some English viol belly shapes. Some earlyish cello string information. Some geometrical analyses of archings.

Some ways with means. Soundboard wood imported to England.

Speculations on the rote.

Segerman Supplement: Sup-90 Segerman C-125 Segerman Supplement: Sup-77 Segerman C-411 Segerman C-1335 Segerman C-1388 Segerman C-382 Segerman Supplement: Sup-93 Segerman C-215 Segerman C-1235 Segerman C-l 148 Segerman C-712 Segerman C-1255 Segerman C-1314 Segerman C-1217 Segerman C-1414 Segerman C-1420 Segerman C-325 Segerman C-158 Segerman C-1365 Segerman C-1543 Segerman C-407 Segerman C-1606 Segerman C-1489 Segerman /in deutschsprachigen C-l295 Segerman C-814 Segerman C-409 Segerman C-1557 Segerman C-549 Segerman C-1274 Segerman C-1303 Segerman C-1363 Segerman C-629 Segerman C-742 Segerman C-596 Segerman C-613 Segerman C-1364 Segerman Supplement: Sup-85 Segerman C-916 Segerman C-1517 Segerman C-1053 Segerman C-1520 Segerman C-1036 Segerman C-665 Segerman Supplement: Sup-92 Segerman C-437



String tension on Mersenne's lute Stringing 5-course baroque guitars

Strings for the violin family Style decoration and tone

Supplement: Catline, catlin and catling Supplement: Chiverton's Ockham

Supplement: Fomrhi Website Supplement: Further again to C-1485

Supplement: Further to C-1490 Supplement: Good players then and now

Supplement: Indexes Supplement: On C-l287 by D.Z. Crookes Supplement: On timpani, reply to C-l582

Supplement: Praetorius's recorder pitch Supplement: Sutton Hoo lyre

Sympathetic strings Syntagma Musicum I & II (tr Crookes)

The 'clearness' of early gut The buzzing of wood strings

The instruments of the consort The lengths of bows in the baroque

The mathematics of tuning up a string The musical uses of the word consort The size of the English 12-course lute

The wood under the varnish The words authentic and original

Theory of viol design -1 Trouble with C-302 varnish

Two-headed lute news. Vang Violin research 15 years ago

Visconti in focus (further to C-1518) What Praetorius wrote on English viols

What is a historical instrument Why gut treble strings are the best

Wood contraction and instrument bores Wood treatment to improve sound

'cello' strings and bass viols a correction to C-l562 and new theory

a file of musical instruments. Abbott about the history of tempo standards? analysis of instrument shapes. Abbott and 18th century wound string sound and 19th century stringing practices

and French pitches) by Bruce Haynes? and 'cittern'; reply to C-l514 and baroque viols and violins

Segerman C-129 Segerman C-1256 Segerman C-438 Segerman C-983 Segerman Sup-93 Segerman Sup-84 Segerman Sup-90 Segerman Sup-86 Segerman Sup-86 Segerman Sup-91 Segerman Sup-91 Segerman Sup-77 Segerman Sup-93 Segerman Sup-84 Segerman Sup-85 Segerman C-1097 Segerman Review: Praetorius: C-810 Segerman C-1397 Segerman C-1033 Segerman C-1422 Segerman C-550 Segerman C-1528 Segerman C-819 Segerman C-1592 Segerman C-775 Segerman C-53 Segerman C-253 Segerman C-500 Segerman C-156 Segerman C-1492 Segerman Supplement: Christina Sup-88 Segerman C-598 Segerman C-477 Segerman C-563 Segerman C-460 Segerman C-1423 Segerman Stradivari C-1518 Segerman /of the viole da braccio: C-l604 Segerman Some thoughts on C-6 Segerman Supplement: What Sup-88 Segerman Geometric description and C-5 Segerman Forqueray's strings C-1558 Segerman Shelley's guitar C-l096 Segerman /C-891 (on 18th century German C-1098 Segerman /of the names'gittern' C-l529 Segerman On the sizes of renaissance C-65


r 1975-1998 Permuted Index

and design of early instruments. Segerman and honest FoMRHI - reply to C-1218. Segerman

and musical instrument acoustics. Segerman and not an early painting movement? Segerman and pitch, plus playing with shawms. Segerman and pitches of Praetorius's sackbuts. Segerman

and playing viols in the 16th century. Segerman and related instruments before 1700. Segerman and renaissance musical instruments. Segerman

and scientists: response to C-1076. Segerman and the viola bastarda. Abbott Segerman

and thickness, and the Paris vihuela. Segerman and woodwind gracing in Purcell's time. Segerman

at the Royal College of Music in London. Segerman bass violin comments by Catch in C-1574. Segerman between early and modern baroque reeds. Segerman

bout back fold on English treble viols. Segerman bowing of early fiddles and viols. Segerman

bridges I: focus on the lira da braccio. Segerman by bars, and the history of soundposts. Segerman

calculations in C-1480 by Lee. Segerman catalogue of methods of transposition). Segerman

century English vocal and organ pitches. Segerman century information on Spanish gracing. Segerman

changes from baroque to modern violins. Segerman claiming wood changes on playing in. Segerman

comments to the pitch dispute. Haynes, Segerman concerning Praetorius's pitch standards. Segerman

construction of a medieval fiddle. Segerman construction of early English viols. Segerman

criticism of Early Musicians. Segerman criticism of Early Musicians. Segerman

current uniformity in performing style. Segerman diameters of unusual wound strings. Segerman

dictionary of musical instruments (A). Segerman don't believe what you see in pictures. Segerman

duplication of stringed instruments. Segerman family string diameters and tensions. Segerman

fiddles, the soundpost and the violino. Segerman flute pitch' and 'church pitch of f'. Segerman

for C-1493 (frequency calculations). Segerman for ensuring objectivity in scholarship. Segerman

for making pine resin varnish. Duncalf Segerman for sound improvement on playing in. Segerman

fretting by computer or calculator. Segerman gauge and an unwound viola C string. Segerman

Culture mathematics C-l035 For an open C-l304 Chaos, fractals C-l510 /there an early music movement C-l079 Mersenne's sackbut C-l373 The sizes C-l200 Supplement: Pitch standards Sup-92 On the double bass C-855 /The world of medieval C-44 The reality of musicians C-1090 Praetorius C-37 Vihuela string quality C-1483 Contrasts between string C-l316 /fretting of the Canpi cittern C-l24 Supplement: Response to Sup-92 On the difference C-l223 The lower C-352 On melodic and continuo C-l309 Flat C-715 /of soundholes bracketed C-l36 On the (frequency) C-1493 /skills (with an appendix of a C-l 127 On early 17th C-l290 More mid-16th C-408 The C-1484 /A response to C-l439 Sup-84 Further C-1099 Another note C-79 Proposed C-412 A note on the belly C-289 /C-1174 criticising C-1191 /to Wood's C-l 175 criticising C-l 192 On C-l 158 /in calculating equivalent Sup-88 Review: The new Grove C-621 Trust but C-l509 /for more accurate acoustical C-135 A table for violin C-772 French C-l605 /pitches, especially'consort C-l 100 /correction and simplification C-1511 /razor: the formal method C-l276 A simple, safe method C-302 Models C-l472 Mean-tone C-1201 Ac . 1900 string C-l 233



guitar and speculations on its origin. Segerman harmonics and stopping in mid air. Segerman

have all the creative amateurs gone? Segerman historical accuracy in popular design. Segerman

in late 16th and 17th century music. Segerman in the 2nd quarter of the 17th century. Segerman

in the Edinburgh 'A.S.' manuscript. Segerman in the Hunt & Balsan experiment. Segerman

in the New Scientist, 26 June 1993. Segerman in the renaissance and early baroque. Segerman

in which wood absorbs sound vibrations. Segerman information on authentic lutes. Abbott Segerman

information vs a playing collection. Segerman instruments and cammerthon. Heavens, Segerman

instruments with varying string length. Segerman invention of overspun strings. Abbott Segerman

iron and Ruckers 6 foot pitch. Segerman is a 'copy' of an original instrument? Segerman

length on the baroque violin. Segerman look at pitch ranges of gut strings. Segerman

lutes in the 17th century. Abbott Segerman methods of constructing English viols. Segerman

middle ages and renaissance (part 1). Segerman middle ages and renaissance (part 2). Segerman minority and the effects of its power. Segerman

music meaning of the word 'Consort'. Segerman musical instruments (part 1). Segerman

non-view on the construction of catlins. Segerman of Moravia's second fiddle tuning. Segerman

of becoming an established scholar. Segerman of instrument designs. Abbott Segerman

of musical iconography: reply to C-1551. Segerman of source errors in scholarship. Segerman

of string names, a reply to C-1308. Segerman of tessitura and movement in music. Segerman

of the Tourte bow - simple alternative. Segerman of the middle ages and renaissance. Segerman

of timpani by 17th century composers. Segerman on a Sellas extended-neck lute. Segerman

on gut string history before 1600. Segerman on pre-18th century hurdy gurdies. Segerman

on the 16th century seminar. Montagu Segerman on the name 'catline' (see also C-l254). Segerman

on the principles of scholarly choice. Segerman on viol players, cittern and gittern. Segerman

or an excuse for complacency? Segerman

More on the English C-l531 Thick gut string, playing C-l519 Where C-l 194 Trends towards C-523 The inverted mordent C-359 /The English cittern Sup-85 Violins, citterns and viols C-l576 /structure and what happened C-l471 /Restoration, on an article Sup-72 A survey of graces C-398 Explanations of ways C-l532 Sources of C-7 Conservation of research C-380 Praetorius' brass C-l327 /power law in the stringing of C-1418 On the time of C-l74 Mersenne's C-l494 What C-l 111 Fingerboard C-525 A closer C-632 /standards of extended-neck C-59 Ruminations on original C-l575 /Munrow: Instruments of the C-44a /Munrow: Instruments of the C-44b The sharp eared C-l 193 /hypothesis for the early C-l336 /of medieval and renaissance C-44c Catch C-l591 /correction to C-50 on Jerome C-95 On the dangers C-69 /preparation and distribution C-28 On the information C-l571 The handling C-l580 On the scholarship C-l317 On the measurement C-l249 Thickness graduation C-379 Review: Munrow: Instruments C-44 Supplement: On the use Sup-91 Nut groove diameters C-776 Some thoughts C-94 Announcements: miscellany C-l572 Report C-93 More C-l289 A reminder C-873 A 1656 Tabley manuscript: C-774 /a search for improvement C-1467



or just accumulated? Reply to C-1516. Segerman other viols that played from tablature. Segerman

philosophies in the bassoon controversy. Segerman physics of bowing - response to C-794. Segerman

pitches of 18th century strung keyboard. Segerman plucked instruments and their strings. Segerman plucked instruments to the Irish harp. Segerman

points on violas and vihuelas in C-660. Segerman practice and songs in France 1100-1300. Segerman

procedure for baroque and modern bows. Segerman ranges and sizes up to the 18th century. Segerman

sackbut lengths and playing pitches. Segerman sizes of Renaissance bowed instruments. Segerman

sound boxes, to be glued or not. Segerman standards in the 17th and 18th century. Segerman

stringing of English and German guitars. Segerman technology bearing on sound quality. Segerman

terminology - response to C-351. Segerman the V&A Rose and Jaye viol soundholes. Segerman

the Wensler G30 cithrinchen stringing. Segerman the body shapes of stringed instruments. Segerman

the clavichord tangent hits the string? Segerman the geometry of clearance angles. Segerman the hurdy-gurdy wheel and string. Segerman

the information in instrument drawings. Segerman the lira da bracio and lirone project. Segerman

the minimum amount of evidence needed. Segerman the pitch of early wind instruments. Segerman

the violin a French invention after all? Segerman theorboes and archlutes before 1650. Segerman

time signatures in 17th century England. Segerman to C-l329 on English organ pitches. Segerman

to C-l426 on emotion imaged by music. Segerman to C-490 on English viol pitches. Segerman

to Meeus on the bowed string. Segerman to an attack on modern catlines. Segerman

tuning of baroque viol soundboards. Segerman tunings and fretting patterns. Segerman

viol bellies, made of bent strip? Segerman violino and the viole da bracio family. Segerman

violins, and catlin highest pitches. Segerman windings on a traditional wound string. Segerman

wire of high tensile strength ca. 1600. Segerman wire strengths and violin stringing. Segerman with the chekker is alive and well. Segerman

The world according to Segerman.

Is evidence to be explained C-l523 Lyra and C-716 Conflicting C-l 159 Discussion of the C-820 Review: Karp: The C-606 Praetorius's C-l593 /the principles of stringing C-l 149 Discussion of C-661 /middle ages - instrumental C-809 A thicknessing C-564 /technology and instrument C-l03 /and surviving Nuremberg C-l371 On Praetorius and the C-l545 Medieval C-l 167 /Italian and French pitch C-442 The C-1034 Some aspects of string C-1416 More on organological C-376 Design of C-l080 Response to C-l482 and C-1498 On describing C-1419 What happens when and after C-l541 Round bridges: C-714 The purpose of cotton between C-l542 On C-232 On C-l560 Scholarship, statistics, and C-l218 On measuring C-l372 Was C-524 On the size of Italian C-456 Tempos and C-l 129 Reply C-l347 Reply C-l454 Response C-491 Response C-839 Response C-773 On Chladni-plate C-206 /and early renaissance C-89 Supplement: English Sup-72 The early C-l562 /17th century English bass C-l590 The dimensions of C-l533 Ferrous C-440 Napolitan mandolins, C-713 Fascination C-l 128 Stroom C-1315



Comment on C-81. Comments on C-29.

Comments on comments (C-39a) on C-39. Design information for lute makers.

Gut strings. On measures of instruments in museums.

On prematurity of communication. On the Palmer orpharion.

Overspun string calculations. Why are lute pegboxes bent back?

approach to mean-tone fretting. bridge curvature in the medieval fiddle.

commercialism and instrument drawings. courses in early stringed instruments.

lute barring and bridge placement. metal strings and Mersenne's data.

of the 16th century vihuela da mano. offered by the early guitar and violin.

on medieval fiddle technique. pitch standards in the 17th century.

the sizes of English (and other) viols. to improve tone and fretting accuracy. to the strings used by catgut scrapers.

Meeus Praetorius, Grove dictionary of musical instruments. Grove dictionary of musical instruments.

Response to Messrs Heavens and Grove dictionary of musical instruments. Grove dictionary of musical instruments. Grove dictionary of musical instruments.

of viol bellies by bending all staves. Grove dictionary of musical instruments. Grove dictionary of musical instruments.

cittern. Forrester Grove dictionary of musical instruments. Grove dictionary of musical instruments. Grove dictionary of musical instruments. Grove dictionary of musical instruments.

in historical instruments. Abbott Grove dictionary of musical instruments. Grove dictionary of musical instruments.

and renaissance musical instruments. and renaissance musical instruments.

Grove dictionary of musical instruments. stabilisation of gut and wood. Abbott

Grove dictionary of musical instruments.

Segerman Abbott C-82 Segerman Abbott C-43a Segerman Abbott C-39b Segerman Abbott C-29 Segerman Abbott C-3 Segerman, Abbott C-63 Segerman Abbott C-58a Segerman Abbott C-l6 Segerman Abbott C-l63 Segerman Abbott C-40 Segerman Abbott /reasoned and practical C-88 Segerman Abbott Jerome of Moravia and C-50 Segerman Abbott Museums, C-42 Segerman Abbott /octave or unison C-30 Segerman Abbott On early 16th century C-l Segerman Abbott On twisted C-l64 Segerman Abbott On the string length C-39 Segerman Abbott /naming of instruments C-36 Segerman Abbott Some speculations C-51 Segerman Abbott Praetorius and English C-38 Segerman Abbott More on C-l87 Segerman Abbott Twist your strings C-l26 Segerman Abbott Historical background C-l5 Segerman and the English viols C-607 Segerman (Ba) Review: The new C-647 Segerman (Bb-Bz) Review: The new C-672 Segerman (C-l485). Loretto C-l507 Segerman (Ca-Ci) Review: The new C-698 Segerman (Cj-Cz) Review: The new C-729 Segerman (D) Review: The new C-750 Segerman Duncalf Construction C-395 Segerman (E-F) Review: The new C-770 Segerman (G) Review: The new C-788 Segerman, Godwin, Fludd, and the English C-1496 Segerman (H-I) Review: The new C-860 Segerman (J-K) Review: The new C-872 Segerman (L) Review: The new C-886 Segerman (M) Review: The new C-898 Segerman Montagu /with interests C-27 Segerman (N-O) Review: The new C-904 Segerman (P) Review: The new C-951 Segerman (part 2) /world of medieval C-44d Segerman (part 3) /world of medieval C-44e Segerman (Q-R) Review: The new C-965 Segerman Rolfe Humidity cycling for C-71 Segerman (S) Review: The new C-977



interval above the open string. Abbott A red herring on Praetorius's foot.

standards. Haynes Response to Eph organs and pitch in England: response to

Some points raised by Ephraim College 10 day instrument making course.

(record)./ Review: Brauchli: Carlos woodwind instruments. Bouterse The

Nut groove diameters on a dispute between Jakob Bleyer & Martin Dayton C. Miller collection./ Review:

John Hale. The Clinton system clarinet.

Palmer On on the preservation and repair of the

Styll Further to Still

Bending harpsichord bentsides. Bentsides again.

Double, double, toil and trouble. Grove on the chekker.

Happy, happy transposition. Making a spinet by traditional methods.

More on the proportional compass. On the Zangelmass.

Phosphorous iron music wire. Some historical data on harpsichords.

Soundboard finishes. The Baffo virginal.

The fingered 16' on the harpsichord. The pitch of Ruckers instruments.

colour of the Ruckers' wood-grain paper. doubles - a survey of the theories.

from octave to unison stringing. harpsichords - some rejoinders answered.

Classic guitar Whinray A

description and analysis of instrument Simple design for lute rib

Computing lute rib Some English viol belly

to Chiverton's C-l322 on lute belly Fingerboard

/description and analysis of instrument Segerman On describing the body

instruments. Young Planes for

Segerman Spencer /the nut for every C-l79 Segerman Young C-l55 Segerman'sC-1063; on English pitch C-1082 Segerman'sC-1290. Goetze Transposing C-l329 Segerman's reply, C-1468, on English/ C-1481 Segerman(Y) West Dean C-1521 Seixas's nine sonatas for clavichord C-521 Selhof auction (1759) of musical C-1539 Sellas extended-neck lute. Segerman C-776 Seufert. Swenson /as reflected in the C-933 Seyfritt: musical instruments in the C-463 Shackleton C-817 Shackleton C-816 shafts and bearings for hurdy-gurdies C-340 shakuhachi. Mayers Notes C-76 shalmes. Buckland C-272 Shalmes (C-272). Buckland C-373 Shann C-540 Shann C-592 Shann C-718 Shann C-614 Shann C-765 Shann Review: Barnes: C-622 Shann C-736 Shann C-790 Shann C-821 Shann C-591 Shann C-198 Shann C-143 Shann C-488 Shann C-593 Shann The C-570 Shann Ruckers C-665 Shann The transition C-569 Shann Flemish transposing C-537 shape. Ecker C-49 shaper for recorder block blanks C-122 shapes. Abbott Segerman Geometric C-5 shapes. Chiverton C-l349 shapes. Peckham C-417 shapes. Segerman C-1053 shapes. Segerman Response C-l348 shapes and graded frets. Segerman C-l 168 shapes; considerations on early 16th/ C-486 shapes of stringed instruments C-1419 shaping arched bellies of stringed C-l68



-41

its power. Segerman The cornetti and tuning cornetti at the

Modification and The Mary Rose

The forked The Mary Rose

sackbut and pitch, plus playing with Green 1742-1790. 169/ Review: Gillian

stringing practices. Segerman Morrison Early music instruments from

Making reamers on a Ruckers transposing double harpsichords. musical instruments in St Mary's Church

(Italian stringed/ Plans: List the brass/ Review: Stewart: The

instruments of/ Review: Cross: The Timber - swelling and

music. Bulletin: happens when you oil your recorder.

A note on 'the good oil' (C-1228) by T. 'What say you,

life and times. Wollenberg Review: Downing More on

excuse for complacency? Segerman

Recorder window Determining the step

before 1650. Segerman On the Segerman The

Reducing and enlarging paper English viol

Hodgson The sackbuts. Segerman The

On English lute Segerman Abbott More on the

On cammer-ton and on the and violins. Segerman On the

Segerman On Praetorius and the Segerman On the

correction to C-l562/ The tunings and A table to convert plain gut string

/technology and instrument ranges and Some instruments of

sharp eared minority and the effects of C-l 193 sharp end. Gretton /of ivory C-390 sharpening of twist drills, van Leeuwen C-707 shawm. Forster C-1459 shawm. Montagu C-304 shawm or dulcina. Lyndon-Jones C-531 shawms. Segerman Mersenne's C-l373 Sheldrick, ed.: The accounts of Thomas C-l206 Shelley's guitar and 19th century C-1096 shipwrecks, lake dwellings and rivers C-317 shoestring. Marvin C-l80 Shortridge C-623 Shrewsbury. Wright /carvings of C-74 Shrine to Music Museum, Vermillion, USA Bul-54 Shrine to Music Museum, vol 1, keyed C-365 Shrine to Music Museum, vol 2 C-479 shrinking. Allen C-l 189 Sibelius, a computer program for writing Bul-93 Simmons The good oil; what really „ C-1228 Simmons. Guida C-l285 Simon Catlin?'. Catch C-l589 Simon: Handel: a celebration of his C-670 sinew fibre-a footnote to C-l 394 C-1441 Sinew strings ... yet again! Downing C-1442 Sinews: a search for improvement or an C-1467 Singing lessons for wood. Catch C-1032 Singing lessons for wood. Catch C-1065 Singing lessons for wood. Catch C-1091 size. Loretto C-l508 size of a recorder. Loretto C-l353 size of Italian theorboes and archlutes C-456 size of the English 12-course lute C-l592 sizes. Lambert C-1017 sizes and pitches. Segerman C-597 sizes and pitches of Italian archlutes C-464 sizes and pitches of Praetorius's C-l200 sizes and tunings c.1600. Segerman C-867 sizes of English (and other) viols C-187 sizes of lutes. Hodgson C-662 sizes of renaissance and baroque viols C-65 sizes of Renaissance bowed instruments C-l545 sizes of surviving English viols C-l58 sizes of the viole da braccio: a C-l604 sizes to equivalent overwound string/ C-l77 sizes up to the 18th century. Segerman C-103 skomorokhi from the 1630s. Crookes C-636



Re: Grove review: double bass. personal report on early music/ From

instruments: Goodacre's/ Undercutting Chiverton A

Introduction to the

A comparison of some baroque violins. Baroque cello spikes.

Lewis, a flute case maker. Obituary Len Stanners.

The apparent geometry of Jakob Stainer. The viola pomposa.

Thoughts after the New Langwill Index. Violin makers' inches in proportion.

Woodwind taxonomy. 'Fiauti d'echo': recorders off-stage. geometrical analysis in proportion.

reconstruction of Stradivarius cellos. /two new plans (harpsichords by William baroque trumpet before 17217 Review:

Mackenzie of Ord Dr Robert Plans: List

Johann March 19957 British clavichord

The British Clavichord Review: American Musical Instrument

Montagu Review: Galpin 1992 Report from the Czechoslovakian

/Chanter, the journal of the Bagpipe /Chanter, the journal of the Bagpipe

instruments. Bolton Resonans, a Montagu Review:

Four great curtals from Augsburg, /middle ages - instrumental practice and /middle ages - instrumental practice and /middle ages - instrumental practice and

On the wings of the muse or About 'manacordo' and

The Stanesby7 Four baroque recorders at

Recorder woods - do they influence the Wood treatment to improve

explained - components mechanism and strings and 18th century wound string

Segerman Medieval Early

Slatford C-771 small acorns, large oak tress grow; a C-1026 small diameter finger holes on woodwind C-l375 small miscellany of bits and pieces C-l086 small organ. Gwynn C-296 Small planes. Williams C-230 Smith C-1009 Smith C-595 Smith C-827 Smith C-1384 Smith C-841 Smith C-186 Smith C-1332 Smith C-1008 Smith C-1461 Smith J.S.Bach's C-1421 Smith Keeping C-880 Smith Possible C-594 Smith, and by Joannes Goermans) Bul-76 Smithers: The music and history of the C-945 Smith's 1748 keyboard tunings. Mobbs, C-1583 Smithsonian Institute, Washington DC Bul-63 Socher's square piano of 1742. Cole C-1446 society at the open university, 11th C-l341 Society BCE. Alexander-Max C-1313 Society Journal XIII, 1987, October/ C-895 Society Journal XLI, 1988, October 1986 C-895 Society of Makers of Historical/ C-l 155 Society, vol.1, part 1,'86. Montagu C-748 Society, vol.1, part 2, '86/ '877 C-783 software program for developing new wind C-l356 Solum: The early Flute, 1992; 164 pp C-l 132 Sonderhausen and Pillnitz. Lyndon-Jones C-l305 songs in France 1100-1300. Montagu C-786 songs in France 1100-1300. Montagu C-808 songs in France 1100-1300. Segerman C-809 songs of historical feathers (on/ C-l263 'sordino'. Tiella C-1400 SorduenBas. Lloyd C-1004 Sotheby's, November 1996 (Beukers, C-1501 sound? Loretto C-1431 sound. Segerman C-1423 sound. Segerman /Beament. The violin C-l548 sound. Segerman Forqueray's C-l558 sound boxes, to be glued or not C-l 167 sound generation: bassoon reeds. White C-l282



-u

Segerman Models for Museum, 19897 Review: Moyle: the

of music on/ Review: Bassart: The university/ Review: Lumsden: The

aspects of string technology bearing on Upon the harp with a solemn

why old fiddles /of ways in which wood absorbs

Transferring Harwood A possible

String to Williams Perforating

Installing Historical evidence for stewing

Segerman Supplement: on the insides of surviving English viol

More on the treatment of Finishing lute Samson Lute

Scaling harpsichords On Chladni-plate tuning of baroque viol

thickness of musical instrument Sinking harpsichord

Tentative observations about barred Salted

Laminated

of the lute. Downing Design of the V&A Rose and Jaye viol /on the renaissance viol, the ubiquity of

French fiddles, the bracketed by bars, and the history of

Salted soundboards and sweet (record). Montagu Review: Lund: The

Review: Crafts Council Conservation with musical instruments and a few other

lutes. Abbott Segerman Mills Two possible

A bibliography of 18th century 1772 Kirckman harpsichord/ Review:

Untitled. More mid- 16th century information on

sympathetic strings. Greenberg On Some developments in

Montagu Review:

sound improvement on playing in C-1472 Sound of Oceania, Auckland Institute & C-921 sound of the fortepiano: a discography C-688 sound of the sackbut, Edinburgh C-868 sound quality. Segerman Some C-1416 sound (sequel to C-l342). Crookes C-l378 sound sweeter. Hunt, Balsan C-1439 sound vibrations. Segerman C-1532 soundboard designs. Mactaggart C-461 soundboard finish for lutes and guitars C-l73 Soundboard finishes. Shann C-198 soundboard proximity. Mather C-335 soundboard roses with scissors C-434 soundboard wet and dry. Way C-577 soundboard wood. Gill C-1438 Soundboard wood imported to England Sup-92 soundboards. /The burn marks Sup-89 soundboards. Barlow C-l470 soundboards. Brown C-432 soundboards - how were they fitted? C-300 soundboards. Lloyd C-l512 soundboards. Segerman C-206 soundboards. Tourin /for measuring C-205 soundboards. Way C-354 soundboards. Way C-575 soundboards and sweet sounds. Gug C-881 soundboards for harpsichords. Way C-306 Soundhole evolution. Lajaruzny C-397 Soundhole migration in the development C-l95 soundholes. Segerman C-1080 soundholes bracketed by bars, and the/ C-l36 soundpost and the violino. Segerman C-l605 soundposts. Segerman /of soundholes C-l36 sounds. Gug C-881 sounds of prehistoric Scandinavia C-553 Sourcebook. Montagu C-242 sources. Montagu /the British Library C-8 Sources of information on authentic C-7 sources of instrument-making timber C-433 sources relating to crafts,/ C-754 Souter: Handel & Scarlatti on the C-1071 Spalding C-258 Spanish gracing. Segerman C-408 Spanish harpsichord jacks and C-l 126 Spanish musical life. Harris C-657 Sparks: The classical mandolin, 225 pp C-l357



Montagu Review: Tyler, Essays of Pythagorean system; 6.

musikalische Kunst oder/ Review: English nomenclature of extended lutes.

above the open string. Abbott Segerman Baroque cello

More cello An attribution of an unsigned

An unknown bentside Restoration report of English

Review: Barnes: Making a Review: Barnes: Making a

Mixed clavichord and a message and some replies to C-l314. to C-l278 'a kinder, gentler FoMRHI'.

centuries from all over the/ Review:

/carvings of musical instruments in Early instruments in

the Gaita galega: the horse speaks. hurdy-gurdies. Montagu Review:

/of some of the woodwinds at the /wizard lizard (a 5-keyed cornett in the

The apparent geometry of Jakob Some historical notes on acid Some historical notes on acid

Acid musical instruments. King Making a

Eph Segerman's C-1063; on English pitch What about the history of tempo

note concerning Praetorius's pitch UK conservation

Conservation The establishment of conservation

century. Segerman Supplement: Pitch Williams

Dictionary, 1726. Cousen Length Pitch

On German, Italian and French pitch Abbott Praetorius and English pitch

English pitch response to C-l383. Segerman Pitch

The names, string lengths and pitch at Sotheby's, November 1996 (Beukers,

recorder. Montagu Review: Aulos, Re C-l 119.

Sparks: The Early Mandolin, 1989 C-922 spectrum of coherencies; 77 C-1083 Speer: Grundrichter Unterricht der C-349 Spencer C-337 Spencer /the nut for every interval C-l79 spikes. Smith C-595 spikes and lute strings. Crookes C-562 spinet. Wraight C-l 150 spinet by Albert Delin. Meeus C-934 spinet by Stephen Keene, London, 17047 C-l346 spinet by traditional methods. Montagu C-601 spinet by traditional methods. Shann C-622 spinette (with vibrato). Matern C-370 Spohr /the difficulties of delivering C-l334 Spohr Further C-1301 Spohr: Transverse flutes down the C-l024 Spoon-castagnetts of Turkey. Harders C-449 St Mary's Church Shrewsbury. Wright C-74 St Petersburg. Henning C-l253 Stacey Fingering C-493 Stacey, Wishart: Bagpipes & C-581 Stadtmuseum, Munich. Lyndon-Jones C-l222 Stadtmuseum of Munich). Lyndon-Jones C-1221 Stainer. Smith C-841 staining. Owen C-l226 staining. Owen C-131 staining of hardwoods. Willetts C-474 stamp or branding iron for marking C-1258 standards. Haynes Response to C-l082 standards? Segerman Supplement: Sup-88 standards. Segerman Another C-79 standards and accreditation. Barnes C-875 standards and accreditation. Karp C-900 standards and accreditation in the UK./ C-849 standards and playing viols in the 16th Sup-92 Standards for instrument plans C-231 standards from Stone's New Mathematical C-1385 standards in northern Italy. Segerman C-1489 standards in the 17th and 18th century./ C-442 standards in the 17th century. Segerman C-38 standards, mostly c.1600. Segerman C-1063 standards of early English organs - C-l398 standards of extended-neck lutes in the/ C-59 Stanesby, Denner). Bouterse /recorders C-l501 Stanesby junior traverso; Haka treble C-966 Stanley C-l 142



Workshop gimmicks. Obituary Len

the ages. Montagu Review: Hamber, Making unsoldered oboe

Peg mill attached to a lathe. Bending bentsides using

Making a bodhran without The Giusti harpsichord in the

Hardening and tempering tool Making mild

The alto recorders of C-l569)7 Plans: Alto recorder

Henning: Musica Maximiliana, Ekkehart on early 16th century lute construction.

perestroika, early keyboard in the USSR. Segerman Semitone

Determining the GPS Agencies artificial ivory. The changeable harpsichord.

1, keyed brass instruments./ Review: Lyndon-Jones More putti in the

Plans: List Musikmuseet, Review: Musikhistoriska Museet

Popularis, Musikhistoriska/ Review: 1726. Cousen Length standards from

Thick gut string, playing harmonics and Preatorius' Basset Nicolo - Lang

Beare, et al.: Strumenti di Antonio viols. Segerman

Review: Orcutt: The Possible reconstruction of

Seiermarkischen/ Review: Sammlung alter/ Review: Gerhard Sammlung alter/ Review: Gerhard

Bruckner-Zeit, Linz. Montagu Review: instrumentation around 1500/ Review:

and thicknessing viol front plates. and tuning of viol front plates.

front-plate thickness profiles of viols. Review: Katalog der

Segerman Napolitan mandolins, wire nut for every interval above the open

The story of a harpsichord The bowed

1900 string gauge and an unwound viola C

Stanners C-454 Stanners. Smith C-l384 Stanners: Musical instruments through C-689 staples. Kirkpatrick C-431 Steafel C-372 steam or hot-iron. Greenberg C-572 steaming. Crookes C-544 Stearns collection. Barnes C-l59 steel. Jenkins C-l536 steel (flat-stock) reamers. Willoughby C-567 Steel music wire. Karp C-548 Steenbergen. Bouterse C-l569 Steenbergen Groninger Museum (in Bul-91 Stegmiller. Montagu Review: C-805 Steinberg /shapes; considerations C-486 Stembridge From Purcell to C-l067 step calculations in stringing C-l517 step size of a recorder. Loretto C-l353 Stevens C-910 Stevens C-1607 Stewart: The Shrine to Music Museum, vol C-365 Stiftsbasilika at Waldsassen C-l284 Stockholm Bul-28 Stockholm: Studia instrumentorum/ C-386 Stockmann: Studia Instrumentorum Musicae .... C-l 11 Stone's New Mathematical Dictionary, C-l385 stopping in mid air. Segerman C-1519 Strack Basset zu den Krumhorner, or/ C-l049 Stradivari, 68 pp. Montagu /Tiella, C-l 108 Stradivari'cello'strings and bass C-1518 Stradivari memorial. Montagu C-313 Stradivarius cellos. Smith C-594 Stradner: Die musikinstrumente im C-l09 Stradner, ed.: Klangfuhrer durch die C-l297 Stradner, ed.: Klangfuhrer durch die C-l312 Stradner: Linzer Musikinstrumente der C-499 Stradner: Playing practice and C-787 Strahle A jig for use in arching C-294 Strahle Profiling C-78 Strahle A gauge for measuring C-l33 Streichinstrumente Berlin. Montagu C-90 strengths and violin stringing C-713 string. Abbott Segerman Spencer /the C-179 string. Gug C-452 string. Meeus C-795 string. Segerman A c C-l233



On the number of guts in a gut Response to Meeus on the bowed

The mathematics of tuning up a after the clavichord tangent hits the

cotton between the hurdy-gurdy wheel and of windings on a traditional wound

harp. Downing A time. Segerman Contrasts between

O'Kelly Lute Overspun

A More on early gut

Namreges A A table for violin family

The string. Segerman Ac . 1900

An alphabetical Some thoughts on gut

Some earlyish cello Gunji, Kunitachi College, Tokio: bowed

stringing of instruments with varying vihuela da mano. Segerman/ On the

extended-neck lutes in the/ The names, Relative

Instruments in 18th century Canada and a Page References to

/A check-list of the plucked and hammered Review: Emery: A check-list of the bowed

Segerman On the scholarship of in mid air. Segerman Thick gut

Paris vihuela. Segerman Vihuela string/ A table to convert plain gut

strings and 18th century wound gut string sizes to equivalent overwound and sizes/ The interaction between gut

quality. Segerman Some aspects of Segerman

On historical

response to/ On historical lute Music Museum, Vermillion, USA (Italian

The early design of On describing the body shapes of

more accurate acoustical duplication of /octave or unison courses in early

string. Segerman C-325 string. Segerman C-839 string. Segerman C-l528 string? Segerman /happens when and C-l541 string. Segerman The purpose of C-l542 string. Segerman The dimensions C-l533 string and tuning guide for the Irish C-l 122 string and woodwind gracing in Purcell's C-1316 string calculation and identification C-527 string calculations. Segerman Abbott C-163 string calculator. Abbott Segerman C-162 string diameter. Segerman C-743 string diameter on Mersenne's bass viol C-343 string diameters and tensions. Segerman C-772 string formula, van Pelt C-81 string gauge and an unwound viola C C-l233 string gauge system. Downing C-1232 string history before 1600. Segerman C-94 string information. Segerman C-l520 string instruments. Montagu Review: C-949 String keyboard instruments. Rawson C-250 string length. Segerman /law in the C-1418 string length of the 16th century C-39 string lengths and pitch standards of C-59 string lengths of the crwth. Montagu C-444 string maker of New France. Downing C-1513 string materials in some medieval texts C-14 string musical instruments in the/ C-428 string musical instruments in the/ C-423 string names, a reply to C-1308 C-1317 string, playing harmonics and stopping C-l519 string quality and thickness, and the C-1483 string sizes to equivalent overwound C-l77 string sound. Segerman Forqueray's C-l558 string specifications. Hodgson /plain C-l77 string technology and instrument ranges C-l03 string technology bearing on sound C-1416 String tension on Mersenne's lute C-l29 string tensions on lutes. Segerman C-l255 String to soundboard proximity. Mather C-335 string types and tensions (including a C-l307 stringed instruments) /the Shrine to Bul-54 stringed instruments. Chiverton C-1010 stringed instruments. Segerman C-1419 stringed instruments. Segerman /for C-l35 stringed instruments. Segerman Abbott C-30



-*4' -4

Planes for shaping arched bellies of /(Cornets & Tubas, Oboes, Clarinets, /College, Tokio: Catalogue 3, Bowed

/College, Tokio: Catalogue 4, Plucked Some notes on cittern fingerboards and

C-1482 and the Wensler G30 cithrinchen Semitone step calculations in

mandolins, wire strengths and violin The transition from octave to unison

Segerman The

Segerman The string length./ A power law in the

Equal tension Irish/ Applying the principles of

/Rose, Law: A handbook of historical Shelley's guitar and 19th century

Historical violin Downing Roped gut bass

Catline On the time of invention of overspun

Whistles on harpsichord Catlin, coloured and loaded

More cello spikes and lute Gansar lute

harpsichord jacks and sympathetic harpsichord jacks and sympathetic

in the 16th century and .... lute More on sympathetic

Heinrich Schutz's On Mersenne's twisted data and metal

Overspun German baroque lutes and overspun

More on gut More on gut

A closer look at pitch ranges of gut All-gut bass

Bulletin: A DIY make of gut lute Mace on overspun

Sympathetic The buzzing of wood

equivalent diameters of unusual wound plucked instruments and their

Gut More sympathetic

Sinew

stringing stringing stringing stringing stringing

stringed instruments. Young C-l68 Stringed instruments of regional/ C-l406 stringed-instruments. Montagu C-645 stringed-instruments. Montagu C-645

Forrester C-466 Segerman Response to C-1498 Segerman C-1517 Segerman Napolitan C-713 Shann C-569

Stringing 5-course baroque guitars C-l256 stringing of a baroque guitar. Hodgson C-663 stringing of English and German guitars C-l034 stringing of instruments with varying C-1418 stringing of the Irish harp. Downing C-l204 stringing plucked instruments to the C-l 149 stringing practice for keyboard/ C-l070 stringing practices. Segerman C-l096 stringings up to 1900. Segerman C-l234 strings - a 16th century reference C-1318 strings. Abbott Segerman C-l38 strings. Abbott Segerman C-l74 strings. Bavington C-960

Catch C-1254 Crookes C-562 Downing C-l393 Greenberg On Italian C-l 125 Greenberg On Spanish C-l 126 Gug Travelling C-l094 Irvin C-l 153 Karp C-439 Karp C-183 Karp C-102 Peruffo C-l350 Peruffo C-1417 Peruffo C-1466 Segerman C-632 Segerman C-413 Segerman Bul-87 Segerman C-1440 Segerman C-l097 Segerman C-l033 Segerman /in calculating Sup-88

strings. Segerman Praetorius's C-l593 strings. Segerman Abbott C-3 strings? Webb C-l 109 strings ... yet again! Downing C-1442

strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings, strings.



Further on early manufacture of gut sound. Segerman Forqueray's

Stradivari 'cello' More on Ramelli, loaded gut

Abbott On twisted metal Downing More on roped

On baroque lute Why gut treble

pianos. Barnes Covered /hypothesis on the construction of bass

A 16th century French description of gut The range of pitch with gut

/basses and loaded weighted bass gut Supplement: Were early open-wound

accuracy. Segerman Abbott Twist your

Segerman/ Historical background to the (on measuring tools and modems). The world according to Segerman.

and disputes (further to C-l335). measurements techniques for recorders.

the internet mailing lists and Micat-L. the status of FoMRHI and accuracy.

On On

/of bass strings for lutes and other gut Karp: The pitches of 18th century

All-nylon criticism). Cousen Philip

Gug Historic and experimental and instruments of the Middle Ages;

construction bases of great Italian/ City/ Bulletin: Center for the

/musical instruments as a source for the Raudonikas To

bases of great Italian violin. Cork

An ivory Instructions for working tagua nuts, a

A musical instruments,/ Review: musical instruments,/ Review:

Mobbs Making a silk

strings. Zaniol C-52J strings and 18th century wound string C-l5' strings and bass viols. Segerman C-151 strings and gansars. Peruffo C-l 3' strings and Mersenne's data. Segerman C-1& strings and other knotty problems C-13' Strings and their names. Catch C-13C strings and tunings. Segerman C-2 If strings are the best. Segerman C-562 strings for clavichords and square C-32^ strings for lutes and other gut strung/ C-10^ Strings for the violin family. Segerman C-43S strings in Turkey. Wright C-25 strings of a given length. Samson C-66 strings (see also C-1235, C-l254 and/ C-128 strings tigerlines? Sup-8 strings to improve tone and fretting C-l26 Strings, twisted and Mersenne. Karp C-l37 strings used by catgut scrapers C-15 Stroom Untitled C-763 Stroom C-131 Stroom Once more, scholarship C-l36 Stroom Some C-639 Stroom C-13C Stroom Copyright C-l36 Stroom's C-1315. Segerman C-l33 Stroom's C-l366. Segerman C-l38 strung instruments. Peruffo C-102 strung keyboard. Segerman Review: C-606 strung lutes. Irvine C-414 Stubbes: anatomy of abuses, 1583 (music C-138 studies on brass used for organ reeds C-893 studies on text and performance./ /Music C-156 Studies on the physical and technical C-879 study of free-reed instruments of the Bul-9 study of notes inegales. Montagu C-264 study the embouchure hole form C-327 Styll shalmes. Buckland C-272 Suboni /and technical construction C-879 substitute. Gill C-l34 substitute. Hachez C-35 substitute for ivory General: Bul-7 substitute for ivory. Taggart C-24 Sumi Gunji et alii: The collection of C-147 Sumi Gunji et alii: The collection of C-844 'sunburst'for a cabinet piano. Mobbs, C-147



Further to C-981: Response to bulletin claiming wood changes on playing in./

scholarship. Segerman

Segerman Segerman

(further to C-1518). Segerman tunings). Segerman

of bent strip? Segerman people. Segerman

Segerman

(mathematics of tuning up a string). ~ l '

-CI ~C -C - [ • •

-GO »

- ( .„(•:

«c -CI - [ -

- t i l

-CI -CI Jl J .CI

secret). Segerman Segerman

'historical'). style).

Segerman clavichord CD. Segerman

history. Segerman to C-l469. Segerman

17th century composers. Segerman Segerman

viols in the 16th century. Segerman Segerman

point/ Essays of Pythagorean system; comments by Catch in C-l5747

C-1464. Segerman in the New Scientist, 26 June 19937

England. Segerman

insides of surviving English viol/ 2nd quarter of the 17th century./

use of gun drills for long hole boring; collection of historical instruments -Plans: List Bate collection, Oxford,

equivalent diameters of unusual/ strings tigerlines?

tempo standards? Segerman C-1227, C-1228, C-1285)

supplement 60. Hailperin C-996 Supplement: A response to C-1439, Sup-84 Supplement: an addition to C-l 130 Sup-71 Supplement: Being fair to evidence in Sup-91 Supplement: C-l545 error correction Sup-92 Supplement: Catline, catlin and catling Sup-93 Supplement: Chiverton's Ockham Sup-84 Supplement: Christina Visconti in focus Sup-88 Supplement: Comments to C-l093 (fiddle Sup-68 Supplement: Correction to C-l 129 Sup-72 Supplement: Corrections to C-l316 Sup-79 Supplement: English viol bellies, made Sup-72 Supplement: Facts and speculations Sup-93 Supplement: Fomrhi Website. Segerman Sup-90 Supplement: Further again to C-l485 Sup-86 Supplement: Further to C-1318 Sup-79 Supplement: Further to C-1490. Segerman Sup-86 Supplement: Further to C-l528 Sup-89 Supplement: Further to C-l561 (Cremona Sup-91 Supplement: Good players then and now Sup-91 Supplement: Indexes. Segerman Sup-91 Supplement: On C-l245 ('historic' or Sup-76 Supplement: On C-l278 (disputational Sup-76 Supplement: On C-l287 by D.Z. Crookes Sup-77 Supplement: On C-l535, review of a Sup-90 Supplement: On Early Music and music Sup-77 Supplement: On 'nuts & bolts', further Sup-93 Supplement: On the use of timpani by Sup-91 Supplement: On timpani, reply to C-l582 Sup-93 Supplement: Pitch standards and playing Sup-92 Supplement: Praetorius's recorder pitch Sup-84 Supplement: representation of scale by C-1083 Supplement: Response to bass violin Sup-92 Supplement: Response to Roy Chiverton's Sup-85 Supplement: Restoration, on an article Sup-72 Supplement: Soundboard wood imported to Sup-92 Supplement: Sutton Hoo lyre. Segerman Sup-85 Supplement: The burn marks on the Sup-89 Supplement: The English cittern in the Sup-85 supplement to C-957. Goodacre /making: C-l 137 supplement to the 1976 catalogue./ /Bate C-811 supplement to the 1989 check list, July/ Bul-60 Supplement: Tricks in calculating Sup-88 Supplement: Were early open-wound Sup-89 Supplement: What about the history of Sup-88 Supplement: Wood absorption (further to Sup-78



an iconographical and documentary Jeremy Montagu Collection

early baroque. Segerman A Review: Marcuse: A Ruckers doubles - a

once existing in the Giusti harpsichord. Supplement:

Another reamer-saving counterbore. Long hole augers.

Response to C-889. Workshop ideas for woodwinds.

to sing; a reply to C-1032 and C-1047. Mietke single harpsichord in Hudiksval,

Gug Harpsichord jacks at the Royal plays instant music. Montagu Review:

Comments on C-666 on the Timber -

between Jakob Bleyer & Martin Seufert. A hypothesis on the

/Band, Huggett, Verney, Beethoven The UKIC and V&A Christmas

instruments, UKIC and V&A Christmas /of the international clavichord /of the international clavichord Segerman Review: Praetorius:

Montagu Review: Blumenfeld: The /Pythagorean system; 4. four-dimensional Pythagorean system; 3. three-dimensional

primary concepts and two-dimensional Raudonikas

Reports on FoMRHI seminars and pedagogy. Montagu Review:

Lyra and other viols that played from Pereira Old keyboard

Comments on Bull. Supp. 34: O'Kelly and tensions. Segerman A

to equivalent overwound string/ A Diderot, viols and false

cittern and gittern. Segerman A 1656 Euskadi. Montagu The Pipe and

A substitute for ivory. General: Instructions for working

Suppliers for Occam's razor. Goodacre C-l37 Suppliers of materials. Gill C-121 survey. Montagu /books, 1500-1800; C-935 Survey: Instruments by named makers; Bul-5! survey of graces in the renaissance and C-398 survey of musical instruments. Montagu C-20 survey of the theories. Shann C-665 Survey: Publications by G. Dullat Bul-56 Sutherland /of a Fort'e Piano mechanism C-l 17 Sutton Hoo lyre. Segerman Sup-8! Swayne C-675 Swayne C-146: Swayne C-908 Swayne C-676 Swayne Teaching wood C-107' Sweden (in Supplement). /1710 Michael Bul-90 Swedish Academy of Science, 1739-1753 C-944 Swedish clavichords - Mikko Korhonen C-l53! Swedish gauge system? Gug C-666 Swedish gauge system. Karp C-679 swelling and shrinking. Allen C-l 18̂ Swenson /as reflected in the dispute C-933 symphony. Montagu C-96 symphony #2, piano concerto #3. Montagu C-1071 symposium. Montagu C-501 symposium 1983. Montagu /early musical C-992 symposium, Magnano 9-11 Sept 19937 C-136( symposium, Magnano, Italy 21-23/ C-147S Syntagma Musicum I & II (tr Crookes) C-810 Syntagma Musicum Praetorius translated C-346 syntax; 5. auscultation researches./ C-108: syntax. Raudonikas Essays of C-106£ syntax. Raudonikas /system; C-105f Syntax of relative two-dimensional mode C-126( Syrus. Montagu C-55 Szende: Intervallic hearing, its nature C-149 tablature. Segerman C-716 tablature used in making organ pipes C-257 table. O'Kelly C-526 table for violin family string diameters C-772 table to convert plain gut string sizes C-l77 tables. Miller C-214 Tabley manuscript: on viol players, C-774 Tabor is alive and well and living in C-l53' Taggart C-24 tagua nuts, a substitute for ivory Bul-71



•C- l ]

— C I

— c - . , — C * — C f l — C I — 3.

_ C I I

r.ij M M ^ •

- C I

en [

van Edwards Segerman On

Riga/ /the Museum of Theatre and Music, Some more aspects about fiddle making. /happens when and after the clavichord

Peg Comments on bows and their screws,

Montagu Review: Haase, Krickeberg: Hautboy and other

Hautboy Woodwind

Montagu Review: suppl 1. Montagu Review:

Some speculations on medieval fiddle Woodwind making

Forces exerted by bore measuring Review: Karp: Basic keyboard tuning

international database on conservation Some measurements

/trumpet maker: the material, tools, and relating to crafts, manufacturing and

Oxford 17 Mar '917 Musical instrument The interaction between gut string Segerman Some aspects of string

General: Course on applied conservation meeting report/ Musical instrument

About Neupert harpsichord Musical instrument conservation and

/Karp et al.: The conservation and /Montagu's review of the Conservation and

Jones A&Q: Music and A matter of

A note on mean Bavington/ Evidence of historical

/an unequal temperament using an equal pitchmeter./ Tuning an unequal Review: Lindley: Lutes, viols &

A=415 and unequal Review: Boyle: Intervals, scales and

Review: Lindley: Lutes, viols & An equal

Hardening and century (appendix Gaffurius's/ Duple

A method for the construction of the rib An equal tempered scale for

Gerle on

Talbot's English theorbo reconsidered C-l321 Talbot's measurements of viols C-382 Tallinn, the Latvian State Museum, the C-1072 Talve C-1092 tangent hits the string? Segerman C-l541 taper finisher and cutter. Mather C-l85 taps, dies and lathes. Mather C-471 Tasteninstrumente des Museums, Berlin C-846 taxonomy - further to C-l429. Montagu C-1460 taxonomy. Haynes C-1429 taxonomy. Smith C-1461 Taylor: The musician's piano atlas C-362 Taylor: The musician's piano atlas, C-584 technique. Segerman Abbott C-51 techniques. Cameron C-l97 techniques. Cronin C-l281 techniques. Montagu C-l06 techniques. Winsor An C-874 techniques for recorders. Stroom C-639 techniques used in the 17th and 18th/ C-l 103 technology. McGeary /century sources C-754 technology 1450-1550; meeting report C-1029 technology and instrument ranges and/ C-l03 technology bearing on sound quality C-1416 technology, Dundee Bul-54 technology in 17th century England; C-1028 technology in the 30's. Tiella C-l526 technology journal. Montagu Review: C-211 technology of musical instruments, Art &/ C-l 107 Technology of Musical Instruments'in/ C-l 117 Technology Research Seminar; 1997-1998 Bul-89 temperament. Hodgson C-703 temperament. Segerman C-459 temperament from fretted clavichords C-1056 temperament pitchmeter. Chiverton C-835 temperament using an equal temperament C-835 temperaments. Hodgson C-556 temperaments. Lindley C-834 temperaments. Montagu C-191 temperaments. Montagu C-555 tempered scale for tempo. Segerman C-l250 tempering tool steel. Jenkins C-l536 tempi and time signature in the 16th C-l 130 template for a lute. Kershaw C-799 tempo. Segerman C-l250 tempo. Segerman C-l251



Supplement: What about the history of century England. Segerman

Ferrous wire of high On the hair

String Downing Equal

for violin family string diameters and On historical lute string types and

On historical string Review: Golos, Kobus & Vogel: Stownik

Segerman More on organological Yet more on organological

/Zabytkow [Dictionary of the Polish Museum Plans:

Segerman On the measurement of /of the Middle Ages; studies on

2 instruments of Burma, India, Nepal, Parchment roses.

of data concerning historical documents. /and Music, Vilnius, the Museum of

/Baltic states; including the Museum of /on a visit to the State Institute of /Violin fraud: deception, forgery,

researches in historical brass metal. Miller Mace's

Talbot's English Segerman On the size of Italian

of musical/ Review: van der Meer, Francais du XV siecle./ Review:

Segerman Vihuela string quality and An inductive

simple alternative. Segerman instruments./ Determining wood

soundboards./ A gouge for measuring Inductive meter to determine wood A gauge for measuring front-plate

modern bows. Segerman A A jig for use in arching and

The way from Bell key acoustics.

Comments to C-1486 (recorder patents). /Gillian Sheldrick, ed.: The accounts of

von Bohrungprofilen/ Review: Byrne

Metal-covered

tempo standards? Segerman Sup-88 Tempos and time signatures in 17th C-l 129 tensile strength ca. 1600. Segerman C-440 tension during bowing. Segerman C-l420 tension on Mersenne's lute. Segerman C-129 tension stringing of the Irish harp C-l204 tensions. Segerman A table C-772 tensions (including a response to/ C-1307 tensions on lutes. Segerman C-l255 Terminologiczny Zabytkow [Dictionary/ C-l 114 terminology - response to C-351 C-376 terminology. Montagu C-388 terminology of Historic Musical/ C-l 114 Terton recorder from Haags Gemeente Bul-40 tessitura and movement in music C-1249 text and performance. Montagu C-1565 Thailand, Tibet. Montagu /Museum, vol C-479 Theakston C-234 Theakston /for a computer-based index C-l 1 Theatre and Music, Tallinn, the Latvian/ C-1072 Theatre and Music, Vilnius, the Museum/ C-1072 Theatre, Music and Cinematographic/ C-147 theft, and the law, 1992; 126 pp./ C-l 134 Thein Report about our C-642 theorbo from Musick's Monument, 1676 C-l54 theorbo reconsidered, van Edwards C-l321 theorboes and archlutes before 1650 C-456 Thibault: Preservation and restoration C-91 Thibault, Rokseth: Trois chansonniers C-309 thickness, and the Paris vihuela C-1483 thickness gauge. Edmunds C-4 Thickness graduation of the Tourte bow - C-379 thickness in unopened musical C-822 thickness of musical instrument C-205 thickness of unopened musical/ C-794 thickness profiles of viols. Strahle C-l33 Thicknessing. Forrester C-1469 thicknessing procedure for baroque and C-564 thicknessing viol front plates. Strahle C-294 Thoiry to Nurnberg. Gug C-766 Thomas C-1430 Thomas C-1500 Thomas Green 1742-1790. 169 pp./ C-l206 Thomas Lerch. Vergleichende Untersuchung C-l504 Thomas Ling, 1787-1851, reed maker C-826 threads before 1600. Montagu C-l39



—-C-IK k f. I

l'\ [• ]

««.. Or • i

[•_

•».»» [.

.CI

.ca

- C - l !

. C D

. C I

. C D

. c a

.CI

.CI

.CJ J-ll . 0 -CI -CI -CI .cfl .CIS .GH .CI .0 .CI ,C!

of Burma, India, Nepal, Thailand, Review: Review:

Roman keyed Peculiar

(photogrammetrics and organology). About 'manacordo' and 'sordino'.

On musical iconography. The Cipollone fortepiano.

fortepiano built as a folk instrument? harpsichord technology in the 30's.

in Lanciano (Abruzzo, Italy). Miscia, instrument iconography; reply to C-l571.

Strumenti dell'Istituto della/ Review: Antonio Stradivari, 68 pp./ Review:

strumenti pre-rinascimentali./ Review: violino di proprieta del/ Review:

Were early open-wound strings On seasoning

pine,/ The chemical treatment of possible sources of instrument-making

The chemical treatment of Felling your own

Seasoning your own

Segerman Supplement: On the use of Supplement: On

Review: Parrish: Johannes Montagu Note on

Response to Butler's C-228: more on musical instruments, Kunitachi College,

/musical instruments, Kunitachi College, Review: Gunji, Kunitachi College,

Review: Kunitachi College, Review: Kunitachi College, Review: Kunitachi College, Review: Kunitachi College,

Review: Gunji, Kunitachi College, Review: Ueno Gakuen College Review: Ueno Gakuen College

Review: Gunji, Kunitachi College, resonance of baroque transverse flute: V

Montagu Review: Method for the vielle or hurdy-gurdy.

Review: Varquin: hurdy-gurdy drawing.

Tibet. Montagu /vol 2 instruments C-479 Tibia 1/80 journal. Montagu C-279 Tibia-Calendrium 1984. Montagu C-516 tibiae? Galpin C-888 tibiae. Montagu C-892 Tiella Untitled C-320 Tiella C-1400 Tiella C-1551 Tiella C-1609 Tiella Was the C-1401 Tiella About Neupert C-l526 Tiella /making of the 19th century C-l608 Tiella /information in musical C-l599 Tiella & Primon: Catalogo degli C-979 Tiella, Beare, et al.: Strumenti di C-l 108 Tiella: Indirizzi di ricerca su C-265 Tiella, Negri, Primon: Ricerche su un C-847 tigerlines? Supplement: Sup-89 timber. Gould C-223 timber - includes bogwood, bog oak, bog C-l074 timber. Mills Two C-433 timber - part II, general. Downing C-1073 timber. Rawson C-54 timber. Rawson C-99 Timber - swelling and shrinking. Allen C-l 189 timpani by 17th century composers Sup-91 timpani, reply to C-l582. Segerman Sup-93 Tinctoris translated. Page C-326 Tinplate instruments-further to C-l568 C-1587 titebond. Butler C-228 titebond. Cumpanio C-248 Tokio. Montagu /The collection of C-844 Tokio, 2 vols, rev edition. Montagu C-1475 Tokio: bowed string instruments./ C-949 Tokio: Catalogue 3, Bowed/ C-645 Tokio: Catalogue 4, Plucked/ C-645 Tokio: Catalogue 5, Harp; Lyre. Montagu C-645 Tokio: Catalogue 8, bagpipes. Montagu C-920 Tokio: Catalogue 9, Flute. Montagu C-988 Tokio: Catalogue of the European musical/ C-482 Tokio: Catalogue of the European musical/ C-991 Tokio: lute. Montagu C-949 tolerances of tones. Raudonikas Blown C-441 Toll: Bar Consort Earl Music (record) C-244 Tolley Review: Muskett: C-243 Tolley c-107



reconstruction of the Bosch hurdy-gurdy. Baines Review:

Montagu Review: instruments for school construction.

Style decoration and Abbott Twist your strings to improve

/of baroque transverse flute: IV the tests on a post horn in F with one

Position of bridge and bars regarding Materials and Meanness of

transverse flute: V tolerances of The Pythagorean system of musical The Pythagorean system of musical

A bore measurement Reed-gouging

A reed-scraping A contact-free woodwind bore measuring

Hardening and tempering Woodwind bore measuring

Untitled (on measuring /art of the trumpet maker: the material,

What should measuring gun drills, live centre, metal turning

Viol dimensions. of musical instrument soundboards.

Review: Barnes: Making a spinet by Review: Barnes: Making a spinet by

Making your own A method for making

The dimensions of windings on a Lost

Happy Shortridge Ruckers

rejoinders answered. Shann Flemish Meeus Renaissance Meeus Renaissance

England: a short test. Goetze The England: answers to C-l252)7 The

response to Segerman's C-l2907 FoMRHI conference on pitch and

Happy, happy of a catalogue of/ English organs and

bars, fan bars and below the bridge bands./ Blown resonance of baroque

Tolley A C-31 Tolley: Making musical instruments C-208 Tolley: Making musical instruments C-151 Tolley Roscow Allison Early musical C-l00 Tonal balance and bar depths. Samson C-220 tone. Segerman C-983 tone and fretting accuracy. Segerman C-l26 tone and the blowing process./ C-419 tone hole. Rycroft Intonation C-955 tone production. Mather C-260 tone quality. Cronin C-587 tone; re C-l 119. M.Lyndon-Jones C-l 143 tones. Raudonikas /of baroque C-441 tones, par t i . Raudonikas C-959 tones, part 2. Raudonikas C-l031 tool. Cronin C-859 tool. Holmes C-l20 tool. Owen C-801 tool. Schultze C-970 tool steel. Jenkins C-l536 tools. Karp C-762 tools and modems). Stroom C-763 tools, and techniques used in the 17th/ C-l 103 tools be made of? Montagu C-733 tools, plastic calipers and 4-jaw/ /on C-958 Tourin C-269 Tourin A gouge for measuring thickness C-205 traditional methods. Montagu C-601 traditional methods. Shann C-622 traditional purfling cutter. Downing C-1444 traditional tuning pins. Barnes C-200 traditional wound string. Segerman C-l533 traditions - or are they? Montagu C-468 tranposition?!? Meeus C-735 transposing double harpsichords C-623 transposing harpsichords - some C-537 transposing keyboard instruments C-45 transposing keyboard instruments II C-57 transposing organ and choir pitch in C-l252 transposing organ and choir pitch in C-l261 Transposing organs and pitch in England: C-l329 transposition. Rose C-322 transposition. Shann C-765 transposition skills (with an appendix C-l 127 transverse bars. Mather / 'J 'shaped C-1324 transverse flute: I pitch axis and wind C-l70



"— (;, '«.„., [.J

— C |

"••».. u .

— C 4

— C| — C I

— C I

MHHW I'D]

— C - l

— C I

C-l — C i — C 1 — C I — C I M i l l " " V • -

WWW I'M™

tWHW Vi

CI - C I - C I

w-C-J - C I - c - f l -c - i f i - C I

cv

- 0 . c *

frequency./ Blown resonance of baroque position/ Blown resonance of baroque blowing/ Blown resonance of baroque

Raudonikas Blown resonance of baroque from all over the/ Review: Spohr:

century, (list of/ Dutch recorders and Traverso or Tuning the

How to design a Ornamental metrics of recorders &

the hinge pin hole in the foot of a Review: Aulos, Stanesby junior

Plans: Hotteterre Plans: Naust

Review:

Plans: Eerens Plans: Mulhouse

Appeal for pitches of original of violin playing,/ Review: Mozart: A Museum Augsburg: a reply to C-l224.

Bassoon reeds by Speculation on Memling's

Plans: Harpsichords, organs, trumpet, renaissance./ Review: Lane: The

Myers & Raymond Parks, Trumpets and keyed flute./ Review: Johann George

/Musikinstrumenten Museum Leipzig band 3 Best Medieval Ensemble, the last of the

Review: Art Brownlow. The last Some observations on the 'natural'

trumpet - a history of the English slide /The music and history of the baroque

How to make a baroque How to make a baroque

Review: Barclay: the art of the Plans: Harpsichords, organs,

2;H;iii, Arnold Myers & Raymond Parks, /University collection (Cornets &

Leipzig band 3 Trompeten, Posaunen, bowed instruments from Anglo-Saxon to bowed instruments from Anglo-Saxon to

instruments. Montagu Review: Measuring instrument pitch with a pocket

on Jerome of Moravia's second fiddle

transverse flute: II characteristic C-181 transverse flute: III influence of cork C-229 transverse flute: IV the tone and the C-419 transverse flute: V tolerances of tones C-441 Transverse flutes down the centuries C-l024 transverse flutes of the 17th and 18th C-1052 traversa? Powell C-943 traverso. Bouterse C-653 traverso. Brach C-l 121 traverso. Montagu Review: Kolberg: C-938 traverso. van Leeuwen /for drilling C-619 traverso; Haka treble recorder. Montagu C-966 traverso, Leningrad, Raudonikas Bul-49 traverso, Leningrad, Raudonikas Bul-49 Traverso Newsletter. Powell C-929 Traverso no.2, April 1989. Montagu C-919 Traverso or traversa? Powell C-943 traverso, van Leeuwen Bul-43 traverso, van Leeuwen Bul-49 traversos and recorders. Haynes C-1039 treatise on the fundamental principles C-692 Tremmel The curtals of the Maximilian C-l257 Triebert and Massabo. White C-927 tromba marina. Davies C-659 tromba marina (including photographs)./ Bul-58 trombone in the middle ages and the C-462 Trombones. Montagu /2;H;iii, Arnold C-1211 Tromlitz, Ardal Powell, tr & ed. The C-1474 Trompeten, Posaunen, Tuben. Montagu C-348 troubadours. Montagu Review: Martin C-1071 trumpet - a history of the English slide/ C-1487 trumpet. Barclay C-l216 trumpet. Montagu /Brownlow. The last C-1487 trumpet before 1721. Montagu C-945 trumpet (I), van der Heide C-330 trumpet (II). van der Heide C-504 trumpet maker: the material, tools, and/ C-l 103 trumpet, tromba marina (including/ Bul-58 Trumpets and Trombones. Montagu /Vol C-1211 Tubas, Oboes, Clarinets, Stringed/ C-1406 Tuben. Montagu /Museum C-348 Tudor times. Montagu /Remnant: English C-786 Tudor times. Montagu /Remnant: English C-807 Tullberg: The manufacture of musical C-72 tuner. Downing C-l248 tuning. Segerman A correction to C-50 C-95



A note on electronic equal temperament pitchmeter./

check-list./ Viennese fortepiano Jerome of Moravia's first fiddle

Construction of ivory cornetti and Downing A string and

bore, van der Heide Segerman On Chladni-plate

bore/ Effects applicable to the Profiling and

A method for making traditional

Review: Karp: Basic keyboard

Further to C-l528 (mathematics of The mathematics of

Dr Robert Smith's 1748 keyboard On baroque lute strings and

On medieval and early renaissance braccio: a correction to C-1562/ The

On English lute sizes and Spoon-castagnetts of

French description of gut strings in woodwind. Cameron Profile

/report on gun drills, live centre, metal General:

Modification and sharpening of fretting accuracy. Segerman Abbott

Strings, On Mersenne's

data. Segerman Abbott On Montagu Review:

Review: standards and accreditation in the

accreditation. Barnes Conservation, archaeology &/ Review:

Montagu The Montagu /of early musical instruments,

Zajaruzny The collection of Devices for measuring the

on woodwind instruments: Goodacre's/ Hailperin Goodacre's razor and

On renaissance flute design. temperament pitchmeter./ Tuning an

A=415and /(alto ophicleides) in Europe and the

tuning aids. Gould C-224 Tuning an unequal temperament using an C-835 tuning and maintenance manuals: a C-969 tuning as an individualised modal/ C-l093 tuning cornetti at the sharp end./ C-390 tuning guide for the Irish harp C-l 122 Tuning instruments having a conical C-457 tuning of baroque viol soundboards C-206 tuning of instruments with a conical C-503 tuning of viol front plates. Strahle C-78 tuning pins. Barnes C-200 Tuning recorders. Marvin C-652 tuning techniques. Montagu C-106 Tuning the traverso. Bouterse C-653 tuning up a string). Supplement: Sup-89 tuning up a string. Segerman C-1528 tunings. Mobbs, Mackenzie of Ord C-l583 tunings. Segerman C-215 tunings and fretting patterns. Segerman C-89 tunings and sizes of the viole da C-l604 tunings c.1600. Segerman C-867 Turkey. Harders C-449 Turkey. Wright A 16th century C-25 turning of reamer blanks for use in C-70 turning tools, plastic calipers and/ C-958 Tutors from the Bate Collection Bul-71 twist drills, van Leeuwen C-707 Twist your strings to improve tone and C-l26 twisted and Mersenne. Karp C-l37 twisted data and metal strings. Karp C-l83 twisted metal strings and Mersenne's C-164 Tyler, Sparks: The Early Mandolin, 1989 C-922 Tyler: The early guitar. Hope C-297 UK. Montagu /of conservation C-849 UK conservation standards and C-875 UK Institute for Conservation: C-384 UKIC and V&A Christmas symposium C-501 UKIC and V&A Christmas symposium 1983. ... C-992 Ukranian folk instruments at Kiev C-236 undercutting. Karp C-333 Undercutting small diameter finger holes C-l375 undercutting woodwind finger holes C-l505 Underhill C-369 unequal temperament using an equal C-835 unequal temperaments. Lindley C-834 United States. Jones, Myers, Rice C-1499



.U

•CI

- C - l .

-Cfl -C I

.C-l

. C I

.C-2

..I

.CI J : ' .CI .C-l) .CI

.CI

musical instruments of the Edinburgh musical instruments of the Edinburgh musical instruments of the Edinburgh musical instruments of the Edinburgh British clavichord society at the open

Plans: List Edinburgh Plans: List Edinburgh Plans: List Edinburgh Plans: List Edinburgh

musical instruments in the Edinburgh /musical instruments in the Edinburgh

of workshop drawings from the Edinburgh /Guide to the collection, Edinburgh

/The sound of the sackbut, Edinburgh Review: Cooke: Edinburgh

/musical instruments in the Edinburgh /musical instruments in the Edinburgh

progress report 1988. Meyers historic musical instruments,/ historic musical instruments,/

Review: Ross: Musical instruments at the of free-reed instruments of the City

battente). Hope horns). Barclay

classification). Pereira temperament). Haynes

modems). Stroom organology). Tiella

Cameron instruments). Marvin

Mersenne the Fiske Museum, Claremont, California, /the Shrine to Music Museum, Vermillion,

The UKIC and /of early musical instruments, UKIC and

of the liuto attiorbato by Choc in the Comments on the catalogue of the

/baroque oboe (museum code 808/69) in the Plans: List Plans: List

Segerman Design of the Gretton

University. Myers /of historic Bul-91 University. Myers /of historic C-l087 University. Myers /of historic C-l340 University. Myers /of historic C-1458 university, 11th March 19957 C-l341 University collection Bul-43 University collection Bul-46 University collection Bul-50 University collection Bul-53 University collection. Montagu /brass C-363 University collection (Cornets & Tubas,/ C-1406 University Collection of Historic/ /List Bul-73 university collection of historical/ C-845 university collection of historical/ C-868 University collection of historical/ C-l238 University collection, vol 2-H iv&v/ C-1447 University collection, vol 2-K/ C-1447 University of Edinburgh collection; C-907 University of Edinburgh collection of C-1014 University of Edinburgh collection of C-971 University of Iowa. Montagu C-213 University of New York, /for the study Bul-93 Untitled. Kolberg C-620 Untitled. Spalding C-258 Untitled (and some more). Kolberg C-500b Untitled (comments on the chitarra C-759 Untitled (craftsmanship of Nurnberg C-760 Untitled (keyboard instrument C-717 Untitled (non-keyboard baroque C-702 Untitled (on computers). Lyndon-Jones C-700 Untitled (on measuring tools and C-763 Untitled (photogrammetrics and C-320 Untitled (the pitches of flutes) C-723 Untitled (tuning conical bore woodwind C-492 untwisted. Segerman C-199 USA. Plans: list, new acquisitions at Bul-83 USA (Italian stringed instruments) Bul-54 V&A Christmas symposium. Montagu C-501 V&A Christmas symposium 1983. Montagu .... C-992 V&A museum. Lourie /and photographs C-259 V&A Museum. Montagu C-9 V&A Museum in London. Bouterse C-l 181 V&A Museum, London Bul-20 V&A Museum, London Bul-8 V&A Rose and Jaye viol soundholes C-1080 Valves and mouthpieces for bagpipes C-358



Two-headed lute news. safe method for making pine resin

Another recipe for copal Oil and

18th century success of copal The wood under the Trouble with C-302

Two simple instruments in paintings./ Historical

44 historical /original receipts, appertaining to the

Review:

Caul Some comments on to C-l382. Rawson

Cutting thick Montagu Convegno di Studi Organaria

dell'Istituto della Pieta Venezia, Strumenti dell'Istituto della Pieta

A return visit to loaded weighted bass gut strings/ On

The Bassano, HIE(RO).S, !!, Flote, Frankreich/ Review: Lenski,

Review: the Hanover Band, Huggett, Review: Leppert: Arcadia at

Montagu Review: Fluke: Review: Muskett: Method for the between the hurdy-gurdy and the

Method for learning to play the A case for the 'Ganassi Recorder' in

between Jakob/ Fortepiano building in maintenance manuals: a check-list./

The quality and thickness, and the Paris

On the string length of the 16th century and the Paris vihuela. Segerman

Comments on C-629 on Response to C-610 on

Violas, Discussion of points on violas and

/the Museum of Theatre and Music, Pepys'

Vang Segerman C-l56 varnish. Duncalf Segerman A simple, C-302 varnish. Gretton C-451 varnish. Mactaggart C-616 varnish. Segerman C-506 varnish. Segerman C-775 varnish. Segerman C-500 varnishes. Rubin C-l32 varnishes and colour of the bowed C-l59: varnishes and polishes. Badiarov C-159i varnishes of lutes in Italy. Forrester C-240 Varquin: hurdy-gurdy drawing. Tolley C-107 Vellum and parchment roses. Rawson C-l67 veneering. Downing C-144; veneering with hot glue. Hood C-l38; Veneering with hot hide glue - response C-l39! veneers. Gill C-l34; veneta: patrimonio e salvaguardia C-871 Venezia 1990. Montagu /degli Strumenti C-979 Venezia, Venezia 1990. Montagu /degli C-979 Venice. Montagu C-673 Venice catlins, lyons, Pistoy basses and C-l28J Venice discussion. Lyndon-Jones C-802 Ventzke: Das goldene Zeitalter der C-123< Vemey, Beethoven symphony #2, piano/ C-1071 Versailles. Montagu C-149 Victorian reed organs and harmoniums C-667 vielle or hurdy-gurdy. Tolley C-243 vielle-a-roue. Montagu /distinction C-286 vielle-a-roue. Muskett /Corrette's C-277 Vienna. Lyndon-Jones C-158z

Vienna as reflected in the dispute C-933 Viennese fortepiano tuning and C-969 Vihuela. Hope C-710 vihuela. McCormack C-610 vihuela. Segerman Vihuela string C-148; Vihuela and Jose Romanillos. Gill C-824 Vihuela and Jose Romanillos. Hope C-796 vihuela da mano. Segerman Abbott C-39 Vihuela string quality and thickness, C-148; vihuelas. Gill C-660 vihuelas. Segerman C-629 vihuelas and iconography. Forrester C-739 vihuelas in C-660. Segerman C-661 Vilnius, the Museum of Theatre and/ C-107; viol. Forrester C-857



—, to — C: — C ""~«, [•

"»».«, [. •

— C | XHUHW [•

( •

fll "turn,, \,\

(.:

— » C-l

„._..[••

— C - l

. C I

. C I

. C I . C J

.«

.ci«

.c« ,"

.C I

(-.-

ci C l c^

Woodfield: The early history of the A string diameter on Mersenne's bass

Folding

Segerman Duncalf Construction of Segerman Supplement: English

Design of a Some English

Theory of

Profiling and tuning of jig for use in arching and thicknessing

Hutmannsberger Is it a lyra Is it a lyra viol or division

Mersenne, Praetorius and the English Response to C-490 on English

Segerman A 1656 Tabley manuscript: on English

on the insides of surviving English On Chladni-plate tuning of baroque Design of the V&A Rose and Jaye

On English and French vocal and Speculations on the renaissance

Praetorius and the A c. 1900 string gauge and an unwound

The Discussion of points on

Forrester and new/ The tunings and sizes of the

The early violino and the What was the

Fingerboard length on the baroque Hizler's tenor

offered by the early guitar and construction bases of great Italian

Report on the restoration of a Segerman Was the

/Holman, Four and twenty fiddlers; the On the early

Segerman Supplement: Response to bass and sound./ Review: James Beament. The

Strings for the British isles; an/ Review: Harvey: the

tensions. Segerman A table for and the law, 1992;/ Review: Harvey:

century. Chiesa

viol. Montagu Review: C-582 viol. Namreges C-343 viol backs. Van Edwards C-l391 Viol bellies and bridges. Munck C-557 viol bellies by bending all staves C-395 viol bellies, made of bent strip? Sup-72 viol belly. Moonen C-381 viol belly shapes. Segerman C-l053 viol design - 1 . Segerman C-253 Viol dimensions. Tourin C-269 viol front plates. Strahle C-78 viol front plates. Strahle A C-294 viol or division viol or what? C-856 viol or what? Hutmannsberger C-856 viol pitch standard: problems of the/ C-490 viol pitches. Segerman C-491 viol players, cittern and gittern C-774 viol sizes and pitches. Segerman C-597 viol soundboards. /The burn marks Sup-89 viol soundboards. Segerman C-206 viol soundholes. Segerman C-l080 viol style. Segerman C-862 viol, the ubiquity of soundholes/ C-l36 viola bastarda. Abbott Segerman C-37 viola C string. Segerman C-l233 violapomposa. Smith C-l86 violas and vihuelas in C-660. Segerman C-661 Violas, vihuelas and iconography C-739 viole da braccio: a correction to C-l562 C-l604 viole da bracio family. Segerman C-l562 viole d'aline? Crookes C-611 violin. Segerman C-525 violin. Segerman C-410 violin. Segerman Abbott /instruments C-36 violin. Suboni /physical and technical C-879 violin. Watchorn C-378 violin a French invention after all? C-524 violin at the English Court 1540-16907 C-l208 violin bridge position. Badiarov C-l594 violin comments by Catch in C-l574 Sup-92 violin explained - components mechanism C-l548 violin family. Segerman C-438 violin family and its makers in the C-l359 violin family string diameters and C-772 Violin fraud: deception, forgery, theft, C-l 134 Violin makers in Milano 17th-18th C-l202



Smith /on the fundamental principles of

Napolitan mandolins, wire strengths and Historical

French fiddles, the soundpost and the Segerman The early

/Tiella, Negri, Primon: Ricerche su un Schmelzer's

The Cremona secret of The changes from baroque to modern of renaissance and baroque viols and

A comparison of some baroque Late 17th century English bass Edinburgh 'A.S.' manuscript./

Forsyth (1914) quotes on Praetorius, Segerman and the English

On Talbot's measurements of On the sizes of surviving English

Praetorius, Meeus and the English Stradivari 'cello' strings and bass

What Praetorius wrote on English and continuo bowing of early fiddles and

lower bout back fold on English treble original methods of constructing English

the belly construction of early English More on the sizes of English (and other)

front-plate thickness profiles of Review: Lindley: Lutes, Review: Lindley: Lutes,

of regional cultures worldwide, Diderot,

On the sizes of renaissance and baroque Supplement: Pitch standards and playing

manuscript./ Violins, citterns and Segerman Lyra and other

Bullard), 275 pp. Montagu Review: /around 1500 as represented by

TheBaffo Segerman Supplement: Christina 19877 Review: Jaarboek van het

The Canadian Zabytkow/ Review: Golos, Kobus &

- instrumental practice/ Review: Page: - instrumental practice/ Review: Page: - instrumental practice/ Review: Page:

Violin makers'inches in proportion C-l008 violin playing, (Knocker). Montagu C-692 Violin research 15 years ago. Segerman C-1492 violin stringing. Segerman C-713 violin stringings up to 1900. Segerman C-l234 violino. Segerman C-l605 violino and the viole da bracio family C-l562 violino di proprieta del comune di/ C-847 violino piffaro. Heavens C-l603 violins. Aristotel C-l561 violins. Segerman C-1484 violins. Segerman On the sizes C-65 violins. Smith C-l009 violins, and catlin highest pitches./ C-l590 Violins, citterns and viols in the C-l576 viols. Cousen C-l 110 viols. Meeus C-607 viols. Segerman C-382 viols. Segerman C-l58 viols. Segerman C-633 viols. Segerman C-l518 viols. Segerman C-598 viols. Segerman On melodic C-l309 viols. Segerman The C-352 viols. Segerman Ruminations on C-l575 viols. Segerman A note on C-289 viols. Segerman Abbott C-l87 viols. Strahle A gauge for measuring C-l33 viols & temperaments. Hodgson C-556 viols & temperaments. Montagu C-555 Viols & violins). Montagu /instruments C-l406 viols and false tables. Miller C-214 viols and violins. Segerman C-65 viols in the 16th century. Segerman Sup-92 viols in the Edinburgh'A.S.' C-l576 viols that played from tablature C-716 Virdung: Musica Getutscht, (tr Beth C-1241 Virdung's Musica Getutscht. Chiverton C-787 virginal. Shann C-143 Visconti in focus (further to C-1518) Sup-88 Vlaamse centrum voor oude muziek 3 C-993 vocalion. Downing C-l264 Vogel: StownikTerminologiczny C-l 114 Voices & instruments of the middle ages C-786 Voices & instruments of the middle ages C-808 Voices & instruments of the middle ages C-809



1— [.':

• C-; — C - l i "•»«. C-ly_

""««. C-l!'

C-li

CIS C-l!

~~. C | — c . » — C - l i ! — C - l ! •-.[•;.

— CI

— CI

• » ~ C-i:

- C I

-C-l!

-C- l

- C I

- C I

.C-fl

„ CI

. c m -CI

J-<

Harpsichord Recorder

Willoughby Recorder Recorder

Early instrument news from Yugoslavia. harpsichord plan, as asked for by Geza

Musikinstrumente des/ Review: Pale drying oil.

More putti in the Stiftsbasilika at Review: Ellis: The story of the harp in brass/ Review: Trevor Herbert, John

/des facteurs d'instruments de musique en /Collection of paintings and sculptures,

English guitar a guitar or a cittern?

monuments documentation centre, Plans: List Smithsonian Institute,

Report on the restoration of a violin. A 'bajon' for London.

A new edition of Langwill's index? dictionary of musical/ Review: William

/catalogue Vol 2;E;ii, William dictionary of musical/ Review: William

(catalogue). Montagu Review: On

Lute body manufacture - the authentic Bouterse The microwave More sympathetic strings?

Supplement: Fomrhi baroque guitars and harpsichords, van

affected by high internal stresses. Clamps for woodwind parts.

Restoration of an early clarinet. /Musical and poetical relicks of the

of instrumentation for playing the Segerman Response to C-l482 and the account of the musical performances in

Montagu Review: A shaper for recorder block blanks.

Woodwind measurements. Bavington

A response to C-l454 & C-1426. Bajon reeds.

Early sound generation: bassoon reeds. Helpful recordings.

Memories of John Paul.

voicing. Cole C-l230 voicing. Loretto C-l540 voicing: answers to questions C-514 voicing structures. Woods C-654 Vojnic C-685 Vojnic. Champollion Little French C-720 Vorreiter: Die schbnsten C-480 Wadsworth C-617 Waldsassen. Lyndon-Jones C-l284 Wales. Montagu C-283 Wallace. The Cambridge companion to C-l546 Wallonie et a Bruxelles etc. Montagu C-745 Wallraf-Richartz Museum, Cologne./ C-l476 Walsh Was the C-798 Warning! Gretton C-345 Warszawa. /conducted by the historical C-876 Washington DC Bul-63 Watchorn C-378 Waterhouse C-1280 Waterhouse C-421 Waterhouse: The new Langwill index - a C-l209 Waterhouse, Bassoons. Montagu C-1211 Waterhouse: The new Langwill Index: a C-l331 Waterhouse: The proud bassoon C-497 water-resistant glues. Coutrait C-339 way. Downing C-267 way: drying boxwood fast and easy C-641 Webb C-l 109 Website. Segerman Sup-90 Weerd /roses in citterns, lute C-1515 Weiss /-an oscillating system C-1490 Wells C-815 Wells C-803 Welsh bards, preserved by tradition, etc/ C-695 Welsh harp. Montagu /Manual or method C-894 Wensler G30 cithrinchen stringing C-1498 Westminster-Abbey. Montagu /Burney: An C-312 Weston: Samuel Hughes ophicleidist C-747 Whinray C-122 Whinray C-121 Whistles on harpsichord strings C-960 White C-1479 White C-1089 White C-1282 White C-734 White C-1066



Thoughts on C-l276 'Occam's razor'. and conviction: fend off the flaccid.

makers and inventors. 518 pp. 1993. ohne Worte: emotion imaged by music.

on musical instrument reviewing. reeds by Triebert and Massabo.

restoration is ruthless authenticity. the early music industry steamroller).

Montagu Review: /die Sammlung alter Musikinstrumente, /die Sammlung alter Musikinstrumente,

of the Gesellschaft der Freunde der The flutes of Robert and Willem

Acid staining of hardwoods. Moisture blocking of fipple flutes.

Thoughts on C-755. Woodwind bore oil.

Small planes. Standards for instrument plans.

codes for some early music notations. gauging - some ideas and suggestions.

soundboard roses with scissors. Further to C-529.

Making mild steel (flat-stock) reamers. Recorder voicing: answers to questions.

/Herbert: Catalogue of the European transverse flute: I pitch axis and

/Langwill Index: a dictionary of musical catalogues,/ Review: ACIMV [Larigot]

Review: Carse: Musical a software program for developing new

full-sized line drawings of historical Making double reeds for renaissance

Music Museum Catalogue part I, European On measuring the pitch of early /instruments, catalogue, vol 2A,

The crumhorn and other renaissance The fornication of recorder

Reconstruction of the harpate What was the Bohemian

The Bohemian database on conservation techniques. 1823-1825. Gug English pianoforte

About old music Steel music

Wrought iron music

White C-1302 White Preserving passion C-l338 White /of musical wind instrument C-l331 White Lieder C-1426 White /the early bassoon: some thoughts C-999 White Bassoon C-927 White The hallmark of good C-l 160 White /(marketing, facade and C-l 119 Widensky: Das Claviorganum (record) C-870 Wien, Kunsthistorisches Museum. Montagu C-l297 Wien, Kunsthistorisches Museum - part 2/ C-1312 Wiener Oboe Bulletin: Foundation Bul-93 Wijne. Bouterse C-913 Willetts C-474 Willetts C-470 Willetts C-792 Willetts C-475 Williams C-230 Williams C-231 Williams New Braille C-1456 Williams Bore C-761 Williams Perforating C-434 Willoughby C-541 Willoughby C-567 Willoughby C-514 wind and percussion instruments in the/ C-1060 wind bands. Raudonikas /of baroque C-l70 wind instrument makers and inventors./ C-l331 Wind instrument makers and their C-l044 wind instruments. Bate C-347 wind instruments. Bolton Resonans C-l356 wind instruments. Cousen Three C-l 19 wind instruments. Meyer Kottick C-227 wind instruments. Montagu /College of C-446 wind instruments. Segerman C-l372 wind instruments of regional cultures/ C-l238 windcap instruments. Moonen /Boydell: C-430 windways. Marvin C-532 wing. Crookes C-635 wing? Crookes C-612 wing. MatouSek C-634 Winsor An international C-874 wire - a controversy during the years C-853 wire. Gug C-105 wire. Karp C-548 wire. Karp C-83



• [•;;

•~-1.:

- C I

~ C 4

- C I

- C I

- C I

- C »

- . C I

C-ll IMHH t i

C-l!

C I

- C I

- C - l l

CI

CI MM I*"

ci

-CI -CI -CI

Phosphorous iron music Non-ferrous harpsichord

Uniformity in old harpsichords. Wraight Strong iron Meuler or the secret of a Nurnberg

of the/ The 'Zangelmass' of the Gug

The Birmingham European music

(1780-1850). Gug Historical Segerman Ferrous

Historical tests on Pleyel's music Segerman Napolitan mandolins,

Montagu Review: Stacey, a celebration of his life and times.

Blow somewhat strong. Freighting instruments from the U.K.

de fracture d'anches renaissance. of reinforcing bars in instruments. cycling for stabilisation of gut and

Singing lessons for Singing lessons for Singing lessons for

evidence for stewing soundboard Scraping plane for mouldings in

or the lost art of choosing resonance How to make your own mouldings in

Old Explanations of ways in which C-1228, C-1285) Supplement:

Gug Selection of instruments./ Review: Richter:

England. Gug /A response to C-1439, claiming

Segerman Jewelery in

Gug

Bending Supplement: Soundboard

On chemical analysis of the

Response to C-1337 on The buzzing of

Hunt & Balsan experiment. Segerman instruments. Armitage Determining

Inductive meter to determine

wire. Shann C-821 wire. Way C-576 wire. Way C-626 wire and long scales in Italian C-852 wire drawer. Gug Jobst C-866 wire drawer; a documentary confirmation C-l 164 Wire drawing and working conditions C-837 wire gauge and its musical sisters. Gug C-917 wire making places. Gug C-836 wire micrometers and diameter values C-932 wire of high tensile strength ca. 1600 C-440 wire, Paris 1811. Gug C-901 wire strengths and violin stringing C-713 Wishart: Bagpipes & hurdy-gurdies C-581 Wollenberg Review: Simon: Handel: C-670 Wood C-l 175 Wood C-64 Wood Review: Leguy: Precis C-278 Wood Detection C-61 wood. Abbott Segerman Rolfe Humidity C-71 wood. Catch C-l032 wood. Catch C-1065 wood. Catch C-l091 wood. Gill Historical C-1438 wood. Greenberg C-571 wood. Gug /forests in early centuries, C-1011 wood. Hendry C-476 wood. Way C-985 wood absorbs sound vibrations. Segerman C-l532 Wood absorption (further to C-l227, Sup-78 wood according to a German document C-731 Wood as raw material for making musical C-939 Wood bending process in 18th century C-1040 wood changes on playing in. Segerman Sup-84 Wood contraction and instrument bores C-460 wood etc. Samson C-238 Wood for bows. Jenkins C-565 wood for crummhorns. Buck C-l390 wood imported to England. Segerman Sup-92 wood of historical bowed instruments C-793 Wood science. Beament C-l337 wood science. Segerman C-l363 wood strings. Segerman C-l033 Wood structure and what happened in the C-l471 wood thickness in unopened musical C-822 wood thickness of unopened musical/ C-794



On teaching C-1047. Swayne Teaching

scientist and musicians./ Teaching Segerman

The Goodacre Woodwind instrument making:

Drilling bristle-holes in viol. Montagu Review:

The colour of the Ruckers' Recorder voicing structures.

Loretto Recorder On bending

Early Musicians./ Response to turning of reamer blanks for use in

Plans: List Plans: List Plans: List Plans: List Plans: List

More thoughts on Lewin

A contact-free

On C-76 and Goodacre's razor and undercutting

treatment. Raudonikas Method of Segerman Contrasts between string and

/database management program for gun drills, live centre, metal/

drills for long hole boring./ drills for long hole boring;/

collet chucks for lathe work./ /and understandable are measurements of

The Bolhuis auction (1764) of musical The Selhof auction (1759) of musical

Artificial ivory rings for The killing of woodworm, particularly in

/computer aided reamer production for Untitled (tuning conical bore

Review: Young: 2500 historical /Phillip T. Young: 4900 historical

/small diameter finger holes on Review: Philip Young.

Review: Moonen: Drawings of four

wood to sing. Way C-1047 wood to sing; a reply to C-1032 and C-1077 wood to sing, and other matters; on C-1076 Wood treatment to improve sound C-1423 wood under the varnish. Segerman C-775 wooden collet chucks for lathe work C-l 138 wooden jacks. Groom C-512 Woodfield: The early history of the C-582 wood-grain paper. Shann C-570 Woods C-654 woods - do they influence the sound? C-l431 woods. Hachez C-34 Wood's C-l 175 criticising criticism of C-l 192 woodwind. Cameron Profile C-70 woodwind, Bate collection, Oxford Bul-35 woodwind, Bate collection, Oxford Bul-36 woodwind. Bate collection, Oxford Bul-37 woodwind. Bate collection, Oxford Bul-38 woodwind, Bate collection, Oxford Bul-45 woodwind bore measurement. Cronin C-828 Woodwind bore measurement and analysis C-404 woodwind bore measuring tool. Schultze C-970 Woodwind bore measuring tools. Karp C-762 Woodwind bore oil. Karp C-406 Woodwind bore oil. Willetts C-475 woodwind crack repair. Karp C-101 woodwind finger holes. Hailperin C-l505 woodwind frequency measurement data C-145 woodwind gracing in Purcell's time C-1316 woodwind instrument makers. Powell C-800 Woodwind instrument making: report on C-958 Woodwind instrument making: use of gun C-957 Woodwind instrument making: use of gun C-l 137 Woodwind instrument making: wooden C-l 138 woodwind instruments. Bouterse C-1437 woodwind instruments. Bouterse C-l538 woodwind instruments. Bouterse C-l539 woodwind instruments. Desforges C-780 woodwind instruments. Freemanova C-973 woodwind instruments. Jefferies C-l 140 woodwind instruments). Marvin C-492 woodwind instruments. Montagu C-806 woodwind instruments, 270 pp. Montagu C-l270 woodwind instruments: Goodacre's razor./ C-l375 Woodwind instruments in the/ C-l534 woodwind instruments in the Brussels/ C-282



•C|

• C« • C-l!

• C-l

.01

.ci

.Ml

.CI

.CI

.CI

. [ • .

.CI

.c - i«

.CI

.CI

.C I

. C I

. C I

.CI

.CI , [ • • '

Making

Clamps for Review: The

/problems with 'authenticity' in early Comments on

Authentic methods of making Workshop ideas for

Accuracy of measurement of Lyndon-Jones Checklist of some of the

17th century guitar Safety with Identifying

instruments./ The killing of Proposal for a medieval

Planning a University Collection/ Plans: List of

Review: Brown: The recorder; a basic Ducept Inventory of the

An attribution of an unsigned spinet. Beitrage zum historischen Cembalobau.

Comments on humidity cycling. Italian two-manual harpsichords.

Plans: Italian harpsichords, and long scales in Italian harpsichords. early 16th century Italian short octave.

A method of bushing Restoration of cupped Flemish

description of gut strings in Turkey. in St Mary's Church Shrewsbury.

Die nachtegael int wilde (record). The archetypal harpsichord.

List Metropolitan Museum of Art, New List Metropolitan Museum of Art, New

of the City University of New Bending irons. Garrod, Abbott,

Re: scraping plane in C-571. and foreign language dictionaries.

arched bellies of stringed instruments. herring on Praetorius's foot. Segerman

woodwind keys. Bigio C-254 Woodwind making techniques. Cameron C-l97 Woodwind measurements. Whinray C-121 woodwind parts. Wells C-815 Woodwind Quartely, issue 2. Montagu C-l 183 woodwind reproductions (marketing,/ C-l 119 woodwind restoration. Ackerman C-865 Woodwind taxonomy. Smith C-1461 Woodwinds - boring pipes. Downing C-1260 woodwinds. Ramsley C-l 199 woodwinds. Swayne C-676 woodwinds and the exact copy. Karp C-84 woodwinds at the Stadtmuseum, Munich C-l222 woodwork. Forrester C-825 woodworking machines. Rawson C-l66 woodworm. Rawson C-984 woodworm, particularly in woodwind C-973 workshop. Hobrough C-375 workshop. Rawson C-l82 workshop drawings from the Edinburgh Bul-73 Workshop gimmicks. Stanners C-454 Workshop ideas for woodwinds. Swayne C-676 workshop manual. Montagu C-936 workshop of Kejcher, Krakow (1548-1599) C-202 Wraight C-l 150 Wraight Review: Henkel: C-515 Wraight C-169 Wraight C-538 Wraight Bul-5 Wraight Strong iron wire C-852 Wraight The C-968 wrestplanks. Law C-l298 wrestplanks. Lee C-77 Wright A 16th century French C-25 Wright /carvings of musical instruments C-74 Wrought iron music wire. Karp C-83 Yakeley Review: Rans, Misschaert: C-285 Yokota C-986 York Plans: Bul-40 York Plans: Bul-6 York, /study of free-reed instruments Bul-93 Young C-62 Young C-586 Young Information on regals C-l23 Young Planes for shaping C-l68 Young A red C-l55



instruments, 270/ Review: Phillip T. instruments. Montagu Review:

double reed instruments,/ Review: Review: Philip

Early instrument news from as an individualised modal framework.

of Ukranian folk instruments at Kiev. Further on C-514.

on early manufacture of gut strings. recorder at the Museum der Stadt Meran.

More on Denis Gaultier, Sohne, Review: Lenski, Ventzke: Das goldene

Two links with antiquity: Kundera's with antiquity: Kundera's zert and the

Comments on C-483: review of Der Spieltechnik/ Review: Overton: Der Museum Leipzig band 5 Horner und

Young: 4900 historical woodwind C-l270 Young: 2500 historical woodwind C-806 Young: Loan exhibition of historic C-885 Young. Woodwind instruments in the/ C-l534 Yugoslavia. Vojnic C-685 Zaerr /of Moravia's first fiddle tuning C-l093 Zajaruzny The collection C-236 Zaniol C-529 Zaniol Further C-528 Zaniol The NF treble C-485 Zarlino et al. Lindley C-609 Zeitalter der Flote, Frankreich/ C-l239 zert and the zhaleyka. Crookes C-640 zhaleyka. Crookes Two links C-640 Zink. Overton C-505 Zink, Geschichte, Bauweise and C-483 Zinken. Montagu /Musikinstrumenten C-498


fomrhi quarterly index 2 '75-98.pdf · 1975-1998 permuted index a signed sweden (in/ plans:...

Documents