for chamber sextet bydebussy.music.ubc.ca/keith/scores/pdf/dreamersextetfinal.pdf · 2017. 7....

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Dreamer for Chamber Sextet by Keith A. Hamel Duration: 11 minutes Copyright: © 2017, Keith A. Hamel Performing Rights: SOCAN

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Page 1: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Dreamer

for

Chamber Sextet

by

Keith A. Hamel

Duration: 11 minutes Copyright: © 2017, Keith A. Hamel

Performing Rights: SOCAN

Page 2: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Instrumentation Flute (doubling on Piccolo)

Bb Clarinet

Percussion

• Brass Wind Chimes

• Glockenspiel

• Vibraphone

• Sizzle Cymbal

• Hi-hat

• 4 tom-toms

• Medium tam-tam (approx. 30”)

Piano

Violin

Cello

Commissioned by New Music Concerts, Toronto Canada

Sextet version requested by Standing Wave, Vancouver Canada

Page 3: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Performance Notes

Fl.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&?

&

B

?

2

DÁEb pE XjÁ

a ¥ DX

[#F

X# X# X# X# E X X# X# X# E#

D D D D D

w p XjÁa ¥ EÁ w XjP

a ¥ D D

¥ X X X D wïD &

X§P

X X X X X# ¥ D D

D D D &8

Pw#ww Da Xj# XX# En .Eb .E# .

D D D &www D

D D DïwO EO EO

D D D D ¥Á X w

a ¥ D D D wï X ê ê £ê êb ê ên . ê £ êj

7

Fl.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&8

&

&

B

?

17

X[

# X X X X X X# X X X[

# X X X X X# X X X X#410 X X X Xn68 X# X X X# X X410 X Xb X

X[

X X X X X X X# X X[

X X X X X X# X X X410X X X X68

X X# X X X X410 X X X

X[

X X X X X# X X X X[

X X X X X X X# X X410 X X X X#68X X Xn X X X#410 X X X

X[

>o X+ X X X X>o X+ X X X[

>o X+ X X X X>o X+ X X X>o410 X+ X X X>o68 X+ X X>o X+ X X>o410 X+ X X

X[

# XXX[XXXX XXXX XX#X# X XXXX XXXX XXXX X

[# XXX

[XX#X

XXXX

XXX

XXXX XX#X# X XXXX XXXX XXXX X# XXX410XX#X

XXXX

XXX

XX#X# X68 XXXX XXXX XXXX XXXX XXXX XXXX410XXnXXXXXXXXX

[X#X [ XXXX#X# X XXX XXX XXX X#X# X XXX XXX XXX 410

X#X# X68XXX XXX X#XX XXX XXX 410

X[

# X X X X X# X X X X[

# X X X X X# X X X X#410 X X X X#68X X X# X X Xn410

X X X

X[

X X X X X X X X X[

X X X X X X X X X410 X X X X68X X X X X X410 X X X

X[

X X X X X X X X X[

X X X X X X X X X410X X X X68

X X X X X X410X X X

79

Flute

Oboe

Clarinet (Bb)

Percussion

Piano

Violin

Viola

Cello

&

&

&

&?

&

B

?

1

D44 D D EÁ w Xj a ¥ D D

D44 D D D D D

D44 DÁE w Xj a ¥ D D D ¥ a XjÁ

¥ XX44 pX D D ¥ XX X D Eï D ¥ XX

pX D D

D44 D D D DÁ

DD44 D D D D E# EbEE# D

D44 D D D D D

D44 D D ¥ OÁO O O O£O O O £O O O O O Ob . On O O ¥

D44 Á p J a ¥ DÁ p

breathe through instrument (no pitch)

Picc.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&

&8

&

&

B

?

58

58

58

58

5858

58

58

58

5

E . X¶XJb . w XJ a ¥ D D D34 F

w44

D DÁE w

pX XJ a ¥ ¥ D34 F

w44E X

§b X X# X Xb Xb X w E . XJ a D D34 F

wb44

D D ¥ ï pE . D D34 P

w44 &

D D DÁ

D D34 www# w#44 FD D D ? E# EbEE# D D34 &

wwww44

¥E .Á

wpw

ÁXJ a ¥ D D34

w>#F

44

EO XjO a ¥ D D D D34 w>44 FD D

Á ï34 J a ¥ ¥

Fw44

22

poco a poco sul pont....

Fl.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&

&?

&

B

?

53E78

X . w44

E24 ï

w44 Pwï

Eb78 X . w44 E24 ïw#44 P

Eb78 X . w44 E24w44 ï

wP

X78 X X# Xb Xb X X X44 X X# Xb Xb X X X X24 pX# Xb Xb D44 D

¥78 XX# XXX X .X .X .X .X . ¥44 E .E .E .E# .E . a24 Xj#Á X Xb Xn44 Xb X X# Xn Xb Xn Xb X X# X Xb Xn Xb X X#

E#E#78

X .X . wnwn44 D24 D44 D

E#78

X .Ow44 OE24

w44 ïw

E78 X . w44 E24 ïw44

w

E#78 X . wn44 E24 w44ï w O O O O O Ob O

256

rapid random harmonics

Fl.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&

?

&

B

?

54

54

54

54

5454

54

5454

60

44 XjÁa ¥ D

X.ƒ

X. X. X. X. X. X. X.bD X.34 ƒ

X. X. X. X. X. D78

D44 D D D34 D78

44 XjÁa ¥ D D ¥ a XJb

ïw

FXJ34 a ¥ a XJn

ïE78

X .

D44 &XXƒ

XbX XX XX XX XX XnX XbX D XX34XX XX XX XbX XnX

ƒ D78

D44 &8

ƒw#www# > D ƒ

E .E .E .E .>34 D78D44 &

www> D E .E .E# .>34 D78

44 XjÁa ¥ D X.

ƒX. X. X. X. X. X. X. D X.34 ƒ

X. X. X. X.b X.nD78

44 w XJfa ¥ ¥ a OJXï

OwFOJX34 a ¥ a

ïOJX OE78 O .X .

Á44 XJ a ¥ D D D D34 D78

292

bow pressure

Flute

Oboe

Clarinet (Bb)

Percussion

Piano

Violin

Viola

Cello

&

&

&

&?

&

B

?

1

D44 D D EÁ w Xj a ¥ D D

D44 D D D D D

D44 DÁE w Xj a ¥ D D D ¥ a XjÁ

¥ XX44 pX D D ¥ XX X D Eï D ¥ XX

pX D D

D44 D D D DÁ

DD44 D D D D E# EbEE# D

D44 D D D D D

D44 D D ¥ OÁO O O O£O O O £O O O O O Ob . On O O ¥

D44 Á p J a ¥ DÁ p

dampen string and move the bow vertically

Fl.

Ob.

Cl.

Per.

Pno.

Vn.

Vla.

Vc.

&

&

&

&?

&

B

?

2

DÁEb pE XjÁ

a ¥ DX

[#F

X# X# X# X# E X X# X# X# E#

D D D D D

w p XjÁa ¥ EÁ w XjP

a ¥ D D

¥ X X X D wïD &

X§P

X X X X X# ¥ D D

D D D &8

Pw#ww Da Xj# XX# En .Eb .E# .

D D D &www D

D D DïwO EO EO

D D D D ¥Á X w

a ¥ D D D wï X ê ê £ê êb ê ên . ê £ êj

7

Flute &144

410

WINDSbreathe through the wind instrument without making any discernible pitch

play alternate fingerings to create microtonal variations of the specified pitch.In m. 110, the oboe plays a timbral trill by alternating between two fingerings of the same pitch.

PERCUSSIONrub wire brushes along the surface of the large tom-tom to create a quiet rustling sound.

PIANOrub the tips of the fingers along the strings inside the piano. Move quickly enough to produce the specified dynamic level. The number of strings rubbed and the pitches are approximate. In m. 57 the nails are used to produce a slightly harsher sound.

STRINGSdampen string with left hand and move the bow up and down vertically along the string to produce a quiet rustling sound

play with extra bow pressure on the string to produce a scratch tone matching the specified dynamic shape.

while sustaining the open string, rapidly play harmonics on the pitches shown. The number of harmonics played and the length of the gesture is variable.

ALLThe time signatures that occur in mm. 83, 85 and 86 should be played as an incomplete quintuplet rhythm (with only 4 notes instead of 5.) There is metric modulation at measure 87 where the quintuplet eighth note becomes the eighth note in the new tempo.

Page 4: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Flute

Clarinet (Bb)

Percussion

Piano

Violin

Cello

&

&

&

?

&

?

1

D44 D D

w Xja ¥ D D

D44 D

ÁE w Xj

a ¥ D D D ¥ aXj

Á

¥X X4

4p

XD D ¥

X X XD E

ïD ¥

XX

p

XD D

D44 D D D D

Á

D

D44 D D D D

ØE# EbEE#

D

D44 D D D

Á p

D44

Á pJ a ¥ ¥

O O O O£

O O O£

O O O O O Ob . On O O¥

q = 84breathe through instrument (no pitch)

breathe through instrument (no pitch) breathy tone

wire brushesSizzle Cymbal Lg. Tom-tom

rub brushes on the surface

rub the tips of the fingers along the strings inside the piano

dampen string and move the bow vertically

dampen string and move the bow vertically sul C ( q h )

Page 5: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

?

&

?

2

D

ÁEb

pE Xj

Á

a ¥ D

X

[

#

F

X# X# X# X# E X X# X# X# E#

wp

XjÁ

a ¥EÁ

w XjP

a ¥ D D

¥X X X

D wï

D&

X

§P

X X X X X#¥ D D

D D D&

8

P

w#ww D

aXj# XX# En .

Eb .E# .

D D D&

www D

Á

J a ¥ D D D

ïwO EO EO

D D Dwï

X O O£

O Ob O On . O£

Oj

7 breathy tone

alternate fingerings

breath through instrument (no pitch)

Vibraphone

gliss.

molto sul pont.

Page 6: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

8

&

&

?

3XJ

ï

a ¥ D D

Eb

P

X

£

XX E X

§

Xb Xb X X X X

p

E X

ï

XJ a

D DEb

P

X

[

Xb Xb Xb Xb X Xb Xb X

§

X X X Xb XbE XJ

Á

a ¥

D ¥

p

X ED

&

X

§P

XX X X

Xb

¥ D D D

D D wbwwwP

DD D

a £

XbXX#XX @

Xj

n .X .X# .

D Dwww D D

wObÁ

D D D ¥X

Á

E

O E E Eïï F

w X . XjO XO XO

ïXjO X .Ob . EOn

12

Sizzle Cymbalbow

Vibraphone

( h )

gliss

Page 7: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

4

D aXJ

Á

E . X E

p

X XJ

Áa ¥ D D

ï

E

D a

Á

XJb E . w

p

XJ

Á

a ¥ D aXJb

Á

E .

D ¥ a £

pa XJ D D D ¥ @ XJ . D

D X

[P

X# X X Xb XJ£

Xb ¥X

£XJ X

£

a Xb XJX# . X Xb

D D

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§Á

X X#Xb X# Xn X

DXb X# a ¥ X X X . X# ¥ D D

w

P& @

X X Xb X Xba D a . X XJ

£

XbD D D

w

P ï

a£a

XjO

ÁE .O .

EO EO w# O EO D

XO XOb E .O .EO XjO

a ¥ D ¥ aOJ

bXb

Á

Ow wO

17 (take piccolo) Piccolo

breathy tone

Glockenspiel

Brass Chimes

Page 8: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

58

58

58

58

58

58

58

5

E . X

XJb . w XJa ¥ D D D3

4F

w44

E X

§

b X X# X Xb Xb X w E . XJ a D D34

F

wb44

D D ¥ï p

E .D D3

4P

w44 &

D D D

Á

D D34

www# w#44

F

D D D ?

ØE# EbEE#

D D34 &

wwww44

¥

E .

Á

w w

p Á

XJ

a ¥

Á

¥34

w# >

F

44

ObEb OJX a ¥ D

OE

Á

Ow

p

OE OJX a ¥ D3

4

Fw

44

22q = 96A

normal tone

Vibraphonebow Tam-tam Vibraphone

rub the tips of the fingeralong the strings inside the piano

(normal)

poco a poco sul pont....

non vib. dampen string and move the bow vertically ord.

Page 9: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

44

44

44

44

44

44

44

6

Xb58

ƒ

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Tam-tamVibraphone

Page 10: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

44

44

44

44

44

44

44

7

X

£44

X# X E . X

£

X X X

£

b X XXb X

X

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£

X# X X

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£

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X X E . X

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Page 11: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

8

w>b44

ïD ¥ X

§P

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a

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¥

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£

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XXn

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£

b XX

X

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XbX

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X

Xn

X

£

X

X#

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£

n

Xb

XEEE>

44

X

§

# X X X# X X¥ ¥

X

£

X# X

fp

44 w

w

>ww

ƒww

pXjX

Á

a ¥ D

44

w>

fpwƒ

wp

Xj

Á

a ¥ D

38 (take flute)Flute

Tam-tam Vibraphone bow

(bow pressure)

(bow pressure)

Page 12: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

58

58

58

58

58

58

58

9

X

§

b

P

X X X X# XE .

34

E . E .«b

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

F

X

P

X XX

X XE

34 E . E .

«n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

F

¥Eb

¥E

34 ¥ E ¥

X

£

XX

X

£

# X

Xb¥ X

§

XX X

X X X

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34

Xb X X X# X# X

£

X#

XX

£

X X X

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# X X X# X#X X

§

Xn X XX X X

§

# X# X X X X

D X

§

X X# XX X#

¥ D34 D

D ¥X

ï

34

E .

F

E .«b

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

D D34

E .«n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

F

42

Page 13: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

34

34

34

34

34

34

34

10X

ª58

Xb X Xb X X X# X X X

§

X X X X X

f

E#44

X

§

X X X# X X X X

£

XX

X X E

X

ª58 X X X# X X X X X X

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X X X# X XfE .4

4 X

§

X X X# X X X#

X

£

X X X

£

X# X X E

D58

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Page 14: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 15: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 16: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 17: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 18: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 19: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Tam-tam Sizzle CymHi-hat4 toms

(sim.)

Page 20: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 21: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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q = 120 C(take flute)

Pizz.

Page 22: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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(Pizz.)

Page 23: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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97

alternate fingerings

Arco

Page 24: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Cl.

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harmonic gliss

Page 25: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Cl.

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( h )gliss.

Page 26: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Cl.

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Page 27: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Cl.

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Page 28: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Cl.

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Page 29: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 30: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 31: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 32: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 33: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 34: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 35: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 36: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 37: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 38: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 39: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 40: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 41: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 42: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 43: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 44: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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X .X .>

58 X

XX

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>

44

XX X X#

X XX

D D

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@

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@

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4 D a

pX.# X.

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199 (take piccolo)

GPiccolo

Page 45: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

44

44

44

44

44

44

44

42

f

34

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8

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203

Page 46: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

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&

&

&

8

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44

44

44

44

44

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@

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@X

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@

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@

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4Xb3

4 ¥ ¥ D58

208

Page 47: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

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&

&

&

8

&

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?

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E

p

EE2

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4ww4

4wwb ww

212

H

Arco

Page 48: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

45

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Á

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wb E Eb XbÁ

¥X

£

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ï

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ï

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218

as if speaking...

(soft mallets)

sul pont.

sul pont.

Page 49: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

46

w XEb . w E E w

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X

£

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£

. X. X. E w E X . XJ

223

as if speaking...

Page 50: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Picc.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

47

w X Eb . w E Xja ¥ D

Xj£

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£

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£

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£

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£

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£

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P

XX E .Eb .

228 (take flute)

ord.

ord.

Page 51: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

44

44

44

44

44

44

44

48

D D Dw

P

E24

D D Dw

P

E24

X#

£

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£

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£

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£

X Xb D D24

D D D D D24

D D D D D24

E# .E . XXn EE E#

Eww

ww

EE2

4

E# .En . X#X# EE En

Eww w

w ¥XX2

4

233 Flute

(med. mallets)

Pizz.

Page 52: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

34

34

34

34

34

34

34

49

f

Xb44 @

X X XbX

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XJ

a ¥ ¥ .

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@

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f

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58

XXX

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34

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E44

fD Eb7

8f

¥ . X#34

f

¥ ¥ X .58

f

¥

238

I

Page 53: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

8

&

&

?

50XJ3

4 a ¥ ¥XJb

44 a ¥ D D D ¥ a

Xjï

wP

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4 a ¥ ¥ XJ44 a ¥ D D D D ¥ X#

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F

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4

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Xb Xn X Xp

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E .E .E .E# .>

34 ?

ƒ

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X#X

X X XXb Xb X# XnXX>

D D D

E# .E .E .>

34 ?

8 XX

44 a D D D D

XJ3

4 a ¥ ¥ XJb44 a ¥ D D D D

X# ¥ ¥34

ww

44

ƒww

ww

EE

EO

ïï

242

sub.

Arco

Page 54: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

?

?8

&

?

51

Xjï

a ¥Eb

ïw

P ïXj

aX#

£

ï

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P

X E XX

£

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P

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X.

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D D D D D

D D D D D

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P

E

ï

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ïX. X. E# . X

£

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wO

PEO

ïEO wO XjO

a ¥£

XJ-

ï

X X. X- X X- E .-X. X.

247

as if speaking...

sul pont.

sul pont.

Page 55: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

?

?8

&

?

78

78

78

78

78

78

78

52

X X

ï

X.

X.

X

£

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f

E .54

E

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wb

f

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E

D D a

ï

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ï

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ww

f

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4

EE

E- X

£

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X- X E . Xw#

f

E .54 E

252

(soft mallets)

ord.

ord.

Page 56: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

53E

78

X . w

44

E

24

ï

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P

w

ï

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X . w44

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ï

w

P

X78 X X# Xb Xb

XX X4

4 X X# Xb XbX

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p

X# Xb XbD4

4 D

¥78

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ÁX Xb Xn

44

Xb X X# Xn Xb Xn Xb X X# X Xb Xn Xb X X#

E#E#

78

X .X .

wnwn

44 D2

4 D44 D

E#E

78

X .X .

ww44

EE24

ww#4

ww

E#78 X . wn

44 E

24

w

44

ïw

O O O O O Ob O

256

rapid random harmonics

Page 57: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

54

E XJ

a ¥ D D ¥X

ï

w

P ï

XJ a ¥E

ï

w

ï

XJa ¥ D D D ¥

PX

£

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a D

D a XJp

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¥ D D D

X Xb X Xb X X# Xn X X Xb X X# Xn X X Xb XX#

X

X

X#

X

Xn

X

D D

D D ¥ D D

P

ww

p

EE

XJX

Áa ¥ D ¥ .

ïXj E E . X#

w O O O O O Ob O wO O O O Ob O On X

¥E

ï

E . X

£

. X. X. E E

261

J

as if speaking...

sul pont.

sul pont. gliss.

Page 58: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

55

w

P

XJ

ï

a ¥ï

E w

P

XJ

ï

a ¥E

ï

w

P

¥

PX.

X.# X X. X.X . X X

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a ¥ D

PX.

X. X. X. X. X#£

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. X.X- X X X X X

£

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D D D D D

D D D D D

D D D D D

X X.X.# E X X X-# E E E X#

£Xj. X

£

. X.X E X

£

.# X. X.n E .

E X X.# X. X- . X- X

£

XJ- E . E X. X. X. X. X. E X X- X- X- w

266

gliss.

Page 59: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

56

ï

XJa ¥

ï

Eb X .58

P

X E44

ï

E

P

E .34

ï

XJ44 a ¥ D

PXb X Xj

£X X

£

.X. X- X X

£

. X. X£5

8 Xj. X.# X.Xj

£

- X-a

.

44

X.# Xn Xj X£

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34

E . Xj44

ï

a ¥ D

D D58 D4

4 ¥X

ïE

34

P

¥ D44

D D58 D4

4 D34

ïX#

£44 X

X XbX

£

X

D D58 D4

4 ¥34 X#

£X X¥

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X X

£¥ ¥

E X

£

.X.b X X

£X. X. X .-

58 X X

£

.

44

X.# X.n E .34

E . Xj44 a ¥ D

Xb X XJ£

X E X

£58

XJ.

X.# X. XJ£

- X- E44

X

£

. X. X. X E .34

XJ44 a ¥ D

271

bow

Page 60: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

57

D D DE#

Á

w

P

w

ï

w#

F

D D ¥

PX

£

. X. X.w Xj

ï

a ¥ D DF

wn

D DE .

ï P

¥ D D

X

£XX

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P

Xb£X

XnD D D D

ï

X

£X#

XE# £

X

E

D

X

£X# ¥ D D D ¥

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XD X

£

X¥ D D

D D ¥Á

E .o wo wo

P

w#

F

D D D ¥ X

Á

w w

Pw

F

276

K

(soft mallets)

ord.

ord.

Page 61: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

58

w w#

F

w E24

44 w

ï

w

F

w# w E24

44 wb

ï

X£X X

E#w

PD D

24 D

44 &

D ¥£¥

p

XX

£X#X#

X

£

X# XX#

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X

X24

X# X X# XX X

X ww44

D ¥ X ¥ D X

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£¥ X D2

4 D44

wOw

F

Ow OE24

44

w

w

o

ï

w wF

w E

24

44

ww

ï

282

Tam-tam

Page 62: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

&

?

&

?

44

44

44

44

44

44

44

59

w 34 XJ a ¥ ¥

wb44

ïw

ïP

24 E

w34 Xj

a ¥ ¥X

£44

pX Xb X

£

X X Xb£

E E24

E

X

£

Xb XX

£

En

D34

ïw4

4 D D24

D D34 a

ï

44

Xj X X XXb X X X X X Xb E

D24

D D34 D4

4 D D24

w

w

o

P

E .

E .

o34

ww44

ï Pww

ï

24

EE

ww 3

4XJX a ¥ ¥

w44

ï

w

P

24

E

287

Tam-tam

Page 63: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

Cl.

Per.

Pno.

Vn.

Vc.

&

&

&

?

&

?

54

54

54

54

54

54

54

60

44 Xj

Á

a ¥ D

X.

ƒ

X. X. X. X. X. X. X.b

DX.

34

ƒ

X. X. X. X. X.

D78

44

XjÁ

a ¥ D D ¥ aXJ

b

ï

w

F

XJ3

4 a ¥ aXJ

n

ï

E78

X .

D44 &

XX

ƒ

XbX XX XX XX XX XnX XbXD

XX34

XX XX XX XbX XnX

ƒD7

8

D44 &

8

ƒ

E#EEE#>

D Dƒ

E .E .E .E .>

34 D7

8

D44 &

EEE>

D DE .E .E# .>

34 D7

8

44

XjXÁ

a ¥ DX.

ƒ

X. X. X. X. X. X. X.

DX.

34

ƒ

X. X. X. X.b X.n

D78

w44

p

XJ

f

a ¥ ¥ aOJX

ï

Ow

F

OJX3

4 a ¥ aOJX

ï

OE78

O .X .

292

L

Vibraphone

(med. mallets)

(until the end)

(bow pressure)

Page 64: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

Fl.

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Page 65: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 66: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 67: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 68: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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Page 69: for Chamber Sextet bydebussy.music.ubc.ca/Keith/scores/pdf/dreamerSextetFinal.pdf · 2017. 7. 18. · play alternate fingerings to create microtonal variations of the specified pitch

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