for sephora - complete
TRANSCRIPT
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7/29/2019 For Sephora - Complete
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introplay intro without pick, use fingers
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123 2
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For Sephora
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theme
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1 2 1 3 2 3 1 3 1 1 3 1 3 1 1 1 1 3 3 2 23
1 1 3 2 4 3124
2 14
2 2 1 1 1 3 1 14
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1 2 1 3 2 3 1 3 1 1 3 3 33
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1 11 1 3 3 2
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2 14
2 2 1 1 1 3 11 3 2 1
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1 3 1 3 2 4 1 4 1 1 3 3 3 1 2 1 3 1 3 1 1 33
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910 9 9 7 9 7 6 7
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E- A- 749
323 3 3 3
21
1 3 11 3 2 1
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1 3 1 3 2 4 1 4 1 1 3 3 3 1 2 1 3 1 3 1 1 33
2 1 3 2 1 2 1 1 3 1 3 1 1 3 1 2 21 123 3
3
nice melodic phrase built around an E-add9 arpeggio
2 3
21 3 2 3 2 1 2 1 1 1 2
1 21 1
melodic phrase with a flat 9 on B7
3 3 12
12 2 2 2 2
3
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B7 E- B753
E- A- 757
B7 E-E7
61
2 2 2 2 2 2 2 1 2 1 3 1 3 1 1 3one of Stochelo's signature licks
1
12
2
1
21 1
another Stochelo signature
2 1 1 1
3 2 1 1
3 3 3
3 3
lick from B7 to E-
13
23
2 1
make sure to vibrate the alternating "c" and "e" in bar 59 and 60 slightlyfor the right sound, but keep both fingers down!
33 1
2
13 2 1
2
1
2
1
2
1
2
1 3 1
the pull-offs are essential for the lyrical soundof this lick
2 13
1 2 13
1 2 1 3 1 2 1 3 1 11
3
same lick as bar 54/55 but on
different strings
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13
1
melodic phrase on E7
3 2 12
11 4
2 12
3
11 11 11 11 8 8 8 7 8 7 7
10 8 10 8 79
787
1110
1110
1110
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1110
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98
16 17 1 6 15 16 19 18 17 16
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1716
17 16 14 16 17 16 17 17 12 15 14 13 14 13 14 13 14 13 14 13 14 12
13 1214
1 2 1 3 1 214
1 2 1 3 1 214
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1 5 1 4 1 3 1 4 1 3 1 2
15 13 1213
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A- 7 D765
G^ C^67
F# B769
E- E771
3a mandoline like phrase with melodic tremolo, it works well here
but don't overdo this effect: that may end up sounding cheesy
2 13 2
1 1 1 1
A descending G major arpeggio in bar 67 followed by a fast but easy to play lick
4
12
1 31
2
1 3 1 31 3 2 1
1 2
3
Mute the string with the left first finger on the ghost notes (the x-noteheads).Playing the ghost notes gives extra flavour and helps the timing.
4 2 11 2 4 2 1 1 2 4 2 1
12 4 2
1 1 2 4 2 1 1 3
Sliding with the third finger helps legato
3 1 1 3 3
33
Ascending dim arpeggio. Practice exercise 3 (lesson 8) fromthe "Technique Course" daily to get the necessary speed for this one
3 1 2 13 1
3 2
12 1 2
1 1 1 3
3
14 14 14 14
13 13 13 13 12 12 12 12 15 15 15 15 14 14 14 14 12 12 12 12 10 10 10 10 8 7
7 10 7
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10 8 77 8 10 8 7 X
8 9 11 9 8 X9 10 12 10 9 X
9 10 12 10 9
7 9
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9 11 12
1212 8 6 7 6 9 7 10 9 7 10 8 10 8 7 5 7
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A-7 D773
G^ C^75
F# B777
E-B7
79
(4)3Often used A minor lick
1 3 1(4)
3 11 3 1
3 1 1 1
(2 4
3
2
1
1
1
2
1
4)
3
Stochelo's fingerings for major scales (G major here),
you can play these fingerings fast and with ease
1 2 4 1 2 4 1 2 4 41 2
4 12
4 1 4 1 2 1 3Same lick as in bar 68, it fits both on Gmaj7 and
Cmaj7 chords
1
21 3 1
3 13 2 1
12 4 2 1 4
3 3
3
Practice this long fast lick S-L-O-W-L-Y with metronome before you try to impress your significant other playing it
at full speed
2 1 4 21 2 1 3
2 1 3 21 2 1
1 31 3
1 32
13 1 1
21 3 1
1 213
3Notice that Stochelo is not really following the chords, just a mixture of B7b9 and E-.
1 2 1 31
3 21
2 1 1 1 12 3
31
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31
1 2 12 1 1
3
8 4 7 5
8 55
7 5 7 5 4 57 5 4 5 7
4 5 7
4 5 7 4 5 7 97 8 10
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10 9 710 9 7 9 7 6 9
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13 1214 12 11
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1614 17 15 14 15 16 17 18 19 15
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15 14 15 14 12
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E- A- 781
B7E-
B785
E- A-789
B7E- E793
3 3 1 2 4 1 2 3 3 1 2 4 1 3 1 3 1 1 1 12 1 3 13 3
3
1This is a more recent Stochelo signature lick with movingsixths on a dominant b9 chord.
3 13
1 1 32
3
22
3
22
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2
2
3 13
13
23 2
1 2 1 1 1
3 2 1 1
3 3 3
3 3
1The exact same licks as the ones starting in bar 56. The phrase in bar 90 is played one beat earlier and to make up forthis the sixth pattern starting in bar 91 is extended with one beat.
32
32 1 3
3 1
2
13 2 1
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2 1 3 1 2 1 3 1 2 1 3 1 2 1 3 1 1 13 13 13Another fast dim arpeggio. Keep the "e" onthe low E-string as your orientation point
1 23 1
3 13
1 32 1
2
1 1 1 1
3
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14
11 12 14
11 12 12 9
9
7 8 107 10 8 10 8 7 8
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710 8 10 8 7
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17 15 17 15 12 7 3 2 1 6 17 16 1 5 16 19 18 17 16
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A-7 D797
G^ C^99
F#B7
101
E- E7103
4 1 2 1 2 Another one of Stochelo's fingerings for a major scale. This one
is more suited to playing descending.
1 3 1 1 3 1 3 1 1 4 2 1 14 2 1 3
1 3 1 1 1
3
3
3
3Based around a Gmaj.7 arpeggio
1 1 21 2
14
12
21 2 1 3
11 3 1 3 1
A G major scale on Cmaj7 is a lydian sound
(#11). This is a good trick to rememberif you have to play on Autumn Leaves type of
chord progressions.
1 1 3 1 24 1
2 4 2 1 3
3
1 1 2 1 3 1Stochelo anticipates the B7 chord
with a dim arpeggio
2 13 1
3 2
12 1 2 1 1 3 1 1 3 1 1 3 1 1 1 2
Anticipating E7 (so skippinE-).
14 2 1 2 1
3
3 3 3 3
3 3 3
2 1 3 2 1 2 1 1 4 1Dim arpeggio for E7b9
2 3 1 3 1 31
3 2
1 2 1 1 4 2 12
3
3
3
15
12
13 12 15 13 15 13 1214
1214 12 11
14 12 10 9
12 10 9
12 10 12 10 9 10
12 10 9 10
9 1211 14 11 12
1210 14 12
15 1212
14 12 1 4 12 1 1 12 1411 12 14
12 13 15 13 1214
1 2 11
1 4 1 315 13 14
13 16
14 1716
14 17 15 17 15 14 16 14 13 15 13 12 14 12 11 12 13 1215 13 12
14 13
15
14 1215 14 12 14 12 11
14 11 12 1311 14
12 15
13 16
1513 15 13 12
15 13 12
13 14
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A-7D7 G^ C^
105
F# B7 E- B7109
2A-7 arpeggiowith leadtone
1
2 32
12
G-major scale with embellishments
12
1 13
1 13
1 13
1 12
1 1 3 1 13
1 12
1 2
Again C lydian
3 12 4
12 1 2 1
3
Where have we heard this one before? (still sounds good though)
13 1 3 1
1 3 1
12
2
1
21 1
Simple but effective lick on B7
leading to the "9" on E-minor
3 1 14 1
23 2
to Theme
32
3 3
3
13
12
13 14
14 15
1312 15 14 12 14 12 10 12 10 810 8 7 8 7 10 12 10 810 8 7 8 7 8 9 7 8 10 7 10 8 10 8
710 8 10 8 7
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87
1110
1110
1110
1110
1110
1110
1110
1110
1110
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98 8 10 8 7 10 7 8
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F# B7CODA113
E-115
119
E-7(9)123
2 1 3 2 1 2 1 1 3 1 1 2 1 13
4
1Stochelo's right hand keeps moving even during rests. This helps the timing and feel.
0
4
12 112 0 432 123
4
12
0
3
33 231 431 431 1113
8 8 7
10 9 8 10 8 710 8 7
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