franz ferdinand - tonight

8/13/2019 Franz Ferdinand - Tonight

http://slidepdf.com/reader/full/franz-ferdinand-tonight 1/61

UlyssesWords & Music by Nicholas McCarthy, Robert Hardy,

Alexander Huntley & Paul Thomson

q = 99

5fr

D57fr

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A55fr

Dm3fr

C Bb5 A5*10fr

G5 B53fr

C5

Bass arr.for Gtr.

Intro

[Am]

mf

[F]

[Am]

Doo,doo,doo,doo,doo,doo.

[F]

Verse

[Am]

(Vocal w/slight 16th note swing)

While I sit in here, sen ti- men- tal- foot s teps,- then a voice says, “Hi”. So,

[F]

so what you got, what you got this time? Come on let’s get high.

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[Am]

Come on look so, what you got next, oh, walk in’- twen ty- five miles, oh.

[F]

Well I’m bored, I’m bored, come on let’s get high.

Synth. arr. for Gtr.Interlude

[Am] [F]

Come on let’s get high,

D5

Gtr. 1 (elec.)

w/clean tone

come on let’s get high,

E5

high.

F5 A5

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Chorus

Dm

Well I found a new way, I found a new way.

f

C

Come on, don’t a muse- me, I don’t need your sym pa- thy.-

La,

Dm

la, la, la, la, U lys- ses.-

C

I’ll find a new way, I’ll find a new way, ba by.-

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[Dm]

[B¨]

Verse

[Dm]

My U- lys- ses, my U - lys- ses, no, but you are now, boy.

[B¨]

So si -nis- t er, so si -nis- t er

Bass arr. for Gtr.

mf

but last night was wild.

Dm

What’s a mat ter- there, feel ing- kind a- anx ious?-

Gtr. 1

That hot but grew cold.

B¨5

Yeah ev ’ry- one,- ev ’ry- bo- dy- knows it,

03 2 0 X X 3 2 0

00

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A5*

yeah ev ’ry- one,- ev ’ry- bo- dy- knows it, ev ’ry- bo- dy- knows I.

La,

Chorus

Dm


f

C

I’ll find a new way, I’ll find a new way, ba by.-

La,

Dm


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C

I’ll find a new way, Well I’ll find a new way, ba by.-

oh.

Bridge

[Bm7b5]

Oh, then sud-den ly- you know

[F]

you’re nev er- go-ing home

Bass

mp

Gtr. 1

let ring

Bass Gtr. 1

mf

G5

You’re nev er,- you’re nev er,- you’re nev er,- you’re

nev

F5

er,- you’re nev er,- you’re nev er,- you’re nev

G5

er- go

F5

ing

E5

-

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home.

OutroD5

Not U lys- ses,- oh, ba

B5

by.

C5

- No,

D5

la, la, la, la

f

whoo,

B5

hoo,

C5

hoo.

D5

You’re not U lys- ses,-

whoo,

B5

hoo,

C5

hoo.

D5

La, la, la, la,

whoo,

B5

hoo,

C5

hoo.

Dm

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© Copyright 2008 Universal Music Publishing Limited.

All rights in Germany administered by Universal Music Publ. GmbH.

Words & Music by Alexander Kapranos, Nicholas McCarthy,Robert Hardy & Paul Thomson

Turn It On

q = 132

$

6fr

Eb5/Bb8fr

F58fr

C11fr

Eb510fr

D59fr

Db58fr

C5

Drums Gtr. 1 (elec.)

w/dist.

µ[C5] [E¨5] [C5] [E¨5]

Verse [C5]

It ain’t ea sy- be ing- this

[E¨5]

kind of lov er- when you nev

[C5]

er- call me.

[E¨5]

Bass arr. for Gtr.

[C5]

It ain’t ea sy- be ing- this

[E¨5]

kind of lov er- won’t you ev

[C5]

er- call me?

[E¨5]

don’t

[C5]

Oh, I’m

wan na-

de

know

di- ca

how

-

I

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man

[E¨5]

I’m

age-

a

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for

lone,

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no, you don’t

[C5]

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goes

-

on

[E¨5]

sure

when

I’m

I’m

a

on

giv er.

my

-

own.Yo

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To CodaØ

don’t

[C5]

I’m

wan na-

de

know

di- ca

how

--

I

ted, yes

plan

[E¨5]

I’m

on

a

my

for

own,

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oh

- I’ll

no,

for

you

- give

don’t

[C5]

you

wan

al

na- know how I

ways.

know

[E¨5]

-

when you’reon

Al

your

-

own.

though I

I’ll

Gtr. 1

know

nev

Chorus

[C5]

you

er-

turn

be

it

a

on,

lone,- yeah.

yeah. (Turn

(Turn

[E¨5]

it

it

on)

on)

Al

You

-

know

though I

I’ll fol

know

[C5]

you

low-

turn

you

it

to

on,

Rome, yeah.

yeah. (Turn

(Turn

[E¨5]

it

it

on)

on)

Al

I

-

know

though

th

1/4 1/4

know

pla

[C5]

you

ces-

turn

you

it

call

on,

home,

yeah.

yeah.

(Turn

(Turn

[E¨5]

it

it

on)

on)

Al

You

-though

know

I

I’ll

know

get

[C5]

you

you

turn

on

it

your

on,

own,

yeah,

yeah,

turn

[E¨5]

it on.

1/4 1/4

Interlude

[C5] [E¨5] [C5] [E¨5] [C5] [E¨5]

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D.S. al Coda Coda

[C5]

[E¨5]

You

turn

[E¨5]

it on.

Interlude

µ

1/4

Ah, you know I kno

where you are, you know I know where you are ha,- you know.

Bridge

E¨5/B¨

I can’t

F5

have an oth-

C

er,- (you turn it on) I can’t

E¨5

stop think

F5

ing- of you

3

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C

(you turn it on) If I

E¨5

can’t have

F5

you then no

C

body- can.

Yeah,

E¨5

yeah,

F5

yeah.

C

Yeah,

E¨5

yeah,

F5

yeah.

C

Outro

E¨5*

You turn

D5

it

D¨5

on,

C5

you turn it on.

E¨5*

You turn

D5

it

D¨5

on,

C5

you turn it on.

E¨5*

You turn

D5

it

D¨5

on,

C5

you turn it on. Whoo,

E¨5*

you turn

D5

it on.

D¨5 C5

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No You Girls



q = 106

3fr

Gm7fr

Em3fr

C5fr

D Bb Em* F#11 C*

Intro

[Gm]

Oh,

(fx)

Gtr. 1 (elec.)

mf w/dist.

Gtr. 2 (elec.)(tacet 2°)

Verse

w/clean tone

kiss

kiss

Gm

me,

me,

flick

flick

your

your

ci

ci

ga

ga-

-

-

rette

rette

-

and

then

then

kiss

kiss

me.

me.

Gtr. 1 (elec.)(tacet 2°)

2° Gtr. 2 enters

Kiss

Kiss

me

me

where

where

your

your

eye

eye

won’t

won’t

meet

meet

Em

me,

me,

meet

meet

me

me

where

where

your

your

mind

eye

won’t

won’t

12 10 12 10 9 10 9 7 9

2 3

5 X 3 5 52 3

5 X 3 5 52 3

5 X 3 5 5

2 35 X 3 5 5

2 3 0 2 32 2

2 32

2 32 2



kiss

flick

Gm

me.

me.

Flick

Flick

your

your

eyes

mind

at

at

mine

mine

and then

so

hit

brief

me,

ly,- o

2º Gtr. 1 enters

hit me

you

with

know,

your

you

eyes

know you’re

so

so

sweet

sweet

Em

ly,

ly,

-

-

oh,

oh,

you

you

know,

know,

you

you

know,

know,

you

I

know

know

tha

tha

yes

I

C

I

love

love,

you,

I

I

mean

mean

I’d

I,

D

I

love

mean

to

I

get

need

to

to

know

love.

you.

Pre chorus

Gm

C

But

But

do

do

you

you

nev

ev

er

er

-

-

won

won

Gm

der?

der?

-

- No,

C

no, no,

2 35 X 3 5 5

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2 3

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2 22 3

22 3

2 2

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8 7 5 8 7 5 8 7 5 8 7 5



$

To CodaØ

1.

(1,2)

no.

No($)

Gm

You

you

girls

boys

nev

nev

er

er

-

-

know,

care,

oh

oh

no,

no

you

you

girls

boys

C

’ll

’ll

-

-

nev

nev

er

er

-

-

know.

care.

Pno. arr. for Gtr.

f

No

No

Gm

you

you

girls

boys

nev

nev

er

er

-

-

know

care

C

how you make

how

B¨

a

the

boy

girl

feel

feel

Gtr. 1

Gm

YouYou

You

girls

boys

nev

nev

er

er

-

-

know,

care,

oh

you

no,

dir

you

ty-

girls

boys

C

’ll

’ll

-

-

nev

nev

er

er

-

-

know.

care.

Pno. arr. for Gtr.

No

No

Gm

you

you

girls

boys

nev

nev

er

er

-

-

know

care

C

how you make

B¨

a boy feel

Gtr. 1

57

57

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57

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55

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57

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3

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5

7

5

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5

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5

7

35

35

13

13

X 1



2.

Gm C

how you make a boy.

[Gm]

Piano arr. for Gtr.

Gtr. 1 Gtrs. 1+2

1/4

Oh,

1/4 1/4 1/4

C

how you make

B¨

a boy feel,

Gm C

how you make

B¨

a boy fee

Gtr. 1 Pno. arr. for Gtr.

Gtr. 1

Gm C

how you make

B¨

a boy.

Pno. arr. for Gtr.

Gtr. 1

3

57

57

57

57

57

57

35

35

15 2 35 0 3 5 5 X

XXX

XX

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3

5

7

5

7

5

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5

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35

35

13

13



Bridge Em*

Some-times I say stu pid- things

F©11

that I

Pno. arr. for Gtr.

mf

Gtr. 2

think, well, I mean I,

C*

some times- I think the stu pid- est-

*

cont. in slash

things.

Gm C

Be-cause I nev er- won

Gm

der-

Gtr. 1

02200

0

400

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05

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7

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02

2000

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20

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8

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10

2 22 4

32010

10

10

10

10

8

11

7

10

5

8

8

11

7

10

5

8

8

11

7

10

5

8



D.S. al Co

Ø Coda

C

oh, how the girl feels,

Gm C

oh, how the girl feels.

Gm

C

how

B¨

the girl feels,

Gm C

oh,how

B¨

the girl feels

Gtr. 1

Gm C

oh, how

B¨

the girl fee

Gm

- -

- - (ls) feels.

8

11

7

10

5

8

8

11

7

10

5

89

8 7 5

355

355333

355333

8 7 1X X 1 3

8 7 1X X 1

38 7 1

1 2 1 0 1 2

10 9 10 9 7 9 15

355



Twilight OmensWords & Music by Alexander Kapranos, Nicholas McCarthy,

Robert Hardy & Paul Thomson


q = 176

8fr

C5

5fr

Am

5fr

D5

5fr

Dm

7fr

E5

3fr

C

8fr

F5

3fr

G

Bm7b5

F

E

7fr

Em

10fr

G5

IntroGtr. 1 (elec.)

w/clean tone

Kbd. arr.for Gtr.

[Am]

mf

Am

Verse

I

I2.

Dm

wrote

typed

your

your

name

num

G

-

up

ber

on- the

in

back

to

C

- my

of

cal

my

cu-

hands,

la

F

- tor,-

slept

where

up

it

on

spelled

Dm

- it

a dir

then I

ty- wo

1.

0 0 0

65

7

55

70

7

5

7

55

0 0 0 0 07

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woke

Em

up with

when

it

you

back

turn

Dm

-

it

wardson

up

my

side-

face,

down.

Em

read

You can

- ing for

turn

Dm

- wards

my

from

dirt

my

y- world

mir

F

ror-

the

to

bright

my

way

cont. in sta

heart.

round.

Am

Twi

C

light

G

- o

Dm

mens- in my life.

F

Then I hear your

C5

Gtr. 1

name,

Chorus

A5 D5 E5 F5

hear the ra di- o- sing

A5

your name.

D5 E5 F5

Should I give you a

7

987

987

987

987

5

765

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8



1.

2.

call,

A5

what can I say?

Dm

Oh,

May

may

be

be-

-

I

you still

still

Am

feel

feel

the

the

same.

same.

cont. in slas

Gtr.1

Kbd. arr.for gtr.

Instrumental

4fr

4

F

2fr

3

A

3fr

2

D

2fr

5

B

2fr

4

E

Organ arr. for Gtr.

Dm G C F Bm7b5 E Am

Twi

Pre-chorus

C

light

G

- o

Dm

mens- in my life.

F

I keep a- hear ing- your

C5

Piano arr. for Gtr.

Gtr. 1

577

577

XXX

XXX

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5776

5776

5776

5776

5776

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0 0 0 0 0 0 0 0

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6 8 5 8 57

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9 7 5 4 5 5 7 7 5 4 5

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5

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355

355

57

7

57

7

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133

2

133

2

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2

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2

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1 81010



name,

Chorus

A5 D5 E5 F5

I keep a hear- ing- your name,

A5 D5 E5 F5

keep a hear- ing- your

name.

A5 D5 E5 F5

I hear the ra di- o- sing

A5

your name,

D5 E5 F5

I hear the ra di- o-

sing

A5

your name,

D5 E5 F5

I hear the ra di- o- sing

A5

your

D5 E5

name.

F5 G5 Am

577

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7

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XX

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XX

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810

10

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810

10

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810

10

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Send Him AwayWords & Music by Alexander Kapranos, Nicholas McCarthy,



q = 118qaaz=[qp ]e

6fr

Gm/D5fr

F/C3fr

Cm3fr

Gm6fr

Eb/Bb6fr

Bb8fr

Cm*10fr

D

Intro

Gtr. 2 (elec.)w/clean tone

3 3 3 3 3 3 3 3

Drums

mf

Gtr. 1 (elec.)

w/clean tone

Gm/D F/C Gm/D F/C

Fig. 1

3 3 3 3 3 3

3 3 3 3 3 3 3 3

Gm/D F/C Gm/D F/C

3 3 3 3 3 3

I

I

Verse

Cm

can’t

don’t

seem

need

to

to

feel

claim

Gm

the

or

en

own

vy

you,

-

Cm

I

or

should

may

3

feel,

be-

Gm

I

or

would

may

like

be

to.

-

I

But

E¨/B¨

don’t

I

need

need

the

what

sour

e

B¨

- ver-

side

side

of

of

love,

love

Cm*

of

is

love.

there.

D

No,

Gtr. 3 (elec.)

w/clean tone + reverb

10 10

12 1012

1012 10 12 10

12 10 10

12 1012

1012 10 12

10

10 10

12 1012

1012 10 12 10

12 10 10

12 1012

1012 10 12

10 12

8

886

8

766

10

888

12

111010



1.

2.

Chorus

cont. sim.

3 3 3 3 3 3 3 3

I

Gm/D

don’t care

F/C

his breath

Gm/D

is in

F/C

your hair,

Gm/D

well, I don’t care

F/C

his skin

Gm/D

is still

F/C

be tween- th

Gtr. 3(1° only)

Gtr. 1 w/Fig. 1 (x3) fade in slowly

still

Gm/D

- warm fold

F/C

of your sheets,

Gm/D

send

F/C

him a

3

way.

Gm/D

-

F/C Gm/D

F/C

(w/ h echo repeat)

Gtr. 1

3 3 3 3 3 3

Gm/D F/C Gm/D F/C Gm/D F/C

3 3 3 3 3 3 3 3 3

cont. sim.

3 3 3 3 3 3 3 3

sheets,

Gm/D F/C

from

Gm/D

the fold

F/C

of your sheets,

Gm/D

send

F/C

him a

3

-

3 3 3 3 3 3 3 3 3

786

565

786

121110

121110

101010

10 10

12 1012

101 2 1 0 1 2 1 0

12 10 10

12 1012

1012 10 12

10 12

10 10

1 2 1 012

1012 10 12 10

12 10 1 0

1 2 1 012

101 2 1 0 1 2

10 1 2

10 10

1 2 1 012

1012 10 12 10

12

10 10

1 2 1 0

12

10

12 1 0 1 2

1 0 1 2

10 10

1 2 1 0

12

10

12 1 0 1 2 1 012 10 10

1 2 1 0

12

10

1 2 1 0 12

1 0 1 2



e=e

way.-

Gm/D F/C Gm/D

Sendhim a

F/C

way,-

Gm/D

sendhim a

F/C

way,-

Gm/D

sendhim a

F/C

way,-

3 3 3 3 3 3 3 3 3 3 3 3

Gm/D

send him a

F/C

way,-

Gm/D

send him a

F/C

way,-

Gm/D

send him a

F/C

way.-

3 3 3 3 3 3 3 3 3

Gtr. 2

Interlude

open open open open open

Gm/D F/C Gm/D

F/C

Kbd. arr. for Gtr.

Gm/D F/C Gm/D F/C Gm/D F/C Gm/D

Outro

cont. ad lib. sim.

Gm/D

Oh, can’t you let

F/C

me stay

Gm/D

to night?-

F/C Gm/D

Oh, can’t you let

F/C

me stay

Gm/D

to night?-

F/C

Gm/D

Oh, can’t you let

F/C

me stay

Gm/D

to night?-

F/C Gm/D

Oh, can’t you let

F/C

me stay

Gm/D

to night?-

F/C

1 0 1 0

1 2 1 0

12

10

1 2 1 0 1 2 1 012 10 10

12 10

12

10

12 1012 1012 10 10

12 10

12

10

12 10 121012 10 10

12 10

12

10

12 10 12 10

10 10

12 1 012

1012 10 12 10

12 10 10

1 2 1012

1012 10 12 10

12 10 10

1 2 1 012

1012 10 12 10

12

10

0 3 23

0 3 53

23

0 3 23

23

0



Gtr. 2 fades out

Gm/D F/C Gm/D

Oh,

F/C Gm/D F/C Gm/D

can’t you let

F/C

me stay

Gm/D

to night?-

F/C Gm/D

Oh, can’t you let

F/C

me stay

Gm/D

to night?-

F/C Gm/D F/C

Gtr. 4 (elec. 12str.)

Gm/D

w/clean tone

F/C Gm/D F/C Gm/D F/C Gm/D F/C

Gm/D F/C Gm/D F/C Gm/D F/C Gm/D F/C

Gm/D F/C Gm/D

(fade into reverb and delay)

F/C Gm/D F/C Gm/DPlay 3 times ad lib.

F/C

Gtr. 2

Gm/D F/C

P.S.

Gm/D F/C Gm/D F/C

108 10 12

10 12

108 10 12 10 8

10

1210 12 10 10 12 8

0 12 1 0 1212 10 10 12 8

10

12 101 2 1 2 1 0 1 2 8

10

12 101 2 1 2 1 0 1 2 8

10

1 2 1 0 1 210 12 10 8

101 0 1 2 1 0

10 12 1012 1

108 10 10 12 10 12 8

10

12 10 1210 10 12 10 12 8 12

1211

101010

121211

101010

911 00

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

810

1010

X1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

810

1010

01012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

1012

1211

810

1010

12




Live Alone


q = 127

F#m Bm D7fr

E7fr

Bm*5fr

A5fr

Am5fr

A56fr

Bb53fr

G53fr

G

Intro

Gtr. 1 (elec.)

w/clean tone

µ

F©m

I wan na- live a

Bass arr. for Gtr.

mf

1.

Verse

cont. s

lone,

lone,-

Bm

-

I’m not say-

be

ing

-cause

that

the

our

great

D

love

est

is

-

the

love

great

is

est,-

al- ways ru- ined

but

by

I’m

the

in

bick

love

er

with

- ing,

you,

- th

(2.)

ar

wan

Bm

gu

na-

-- ment

stay

of

in

liv

love

ing.

with

-

you, so

I

I’m

wan

gon

na

na

-

-

live

live

a

a

lone.

lone.

F©m

-

-

I

Yeah, I’ll

could be

be

hap

hap

py

py

-

-

on

on

m

m

2 2 2 2 0 2 2 2

4 4 4 24

2 2 2 2 0 2 2 2

4 4 4 24

2 2 2 2 0 2 2 2

4 4 4 24

5 5 5 5 0 5 5 5

7 7 7 5

2 2 2 2 0 2 2 2

4 4 4 24

2 2 2

4 4 4 24

2 2 2

4 4 4 24



$

Bm

own,

own,

live

live

the

the

rest

rest

D

of

of

my

her

life

life

with

with

th

th

va

va

Bm

guest

guest

-

-

of

of

feel

feel

ing.

ing.

-

- I,

D

whe

Chorus

cont. sim.

e

F©m

- ver- you are, who e

E

- ver- is there

Gtr. 2 (elec.)

w/clean tone

you know that I’ll be here,

Bm*

I’ll be here wish ing- I

2 2 2

4 4 4 24

2 2 2

4 4 4 24

5 5 5

7 7 7 57

5 5 5

7 7 7 57

2 2 2

4 4 4 24

2 2 2

4 4 4 24

5 5 5 5 5 5 5 5

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7

4

7

X

X

X

X

4

7

X

X

X

X

4

7

X

X

4

7

X

X

4

7



1, 3.

To Coda

A

could be there. Wher

e

F©m

- ver- - - you are, who

Gtr. 3 (elec.)

w/clean toneP.M.

e

E

- ver- is there, you know that I’ll be here,

Bm*

I’ll be her

P.M.

wish ing- I

A

could be there.

P.M.

2

5

X

X

X

X

2

5

X

X

X

X

2

5

X

X

2

5

X

X

2

5

2

5

X

X

X

X

2

5

X

X

X

X

2

5

X

X

2

5

X

X

2

5

9 9 9 9 9 9 96 7

9 9 9 9 9 9 96 7

7 7 7 7 7 7 7 96

7 7 7 7 7 7 7 96

2 2 2 2 2 2 2 4 5

2 2 2 2 2 2 2 4 5 0 0 0 0 0 0 0 2 4 0 0 0 0 0 0 0 2 4



2.

Synth. arr. for Gtr.

Gtr. 1

Am D

Bm

[F©m]

Gtr. 1 tacet

And so I’m gon na- live a -

A

2.

__

Middle

w/dist.

New

A5

York Ci ty,- when I get in a tax i,- I said

“Man”

B¨5

to the dri ver,- so he’ll say “Man”. Oh, I

G5

can i ma- - gine

hav ing- a drink with that guy.

A5

He’s all

7

10

9

12

10

139

12

9

117

10

9

117

10

9

12

9

11

12

15

11

14

9

12

7

10

9

12

9

11



D.S. al Co

ØCoda

Bridge

w/clean tone

cont. s

right,

F©m

oh, he’s all

Gtr. 3

cont. ad lib. si

right,

Bm

he’s all right,

D

yeah, he’s all

right,

Bm

he’s all right.

D

Wher

Ah.

A G

Synth. arr. for Gtr.

D A

7

10

7

10

X

X

7

10

X

X

X

X

7

10

X

X

X

X

7

10

X

X

X

X

7

10

7

10

7

10

7

10

7

10

7

10

X

X

7

10

X

X

X

X

7

10

X

X

X

X

7

10

X

X

X

X

7

10

7

10

7

10

7

1

7

10

9

12

10

13

9

12

7

10

10

12

9

11

7

9

7

10



Bite Hard


All ri hts in German administered b Universal Music Publ. GmbH.


q = 68

5fr

D5 F53fr

G53fr

C58fr

F5*10fr

G5*13fr

Bb5

[C] [G6] [C] [G6]

You

[C]

don’t

[G6]

(Bass)

mp

Piano arr. for Gtr.

know

[C]

I

[G6]

sing

[C]

these

[G6]

songs

[Dm] [Dm7/A] [Dm(#7)/A]

a

[Dm]

bout

[Dm(#7)/A]

-

you.

[Dm7] [Dm6/A]

You don’t know

[Em]

the pseu do- - nyms

[F©m]

I as - sume,

[Bm]

you don’t

33

23

53

553

5

3

53

453

4

3

53

553

5

3

53

453

4

3

53

553

553

453

4

33

53

553

5

3

53

453

4

3

53

553

5

5

53

453

4

0

65

765

7

5

65

565

6

0

65

765

765

665

6

5 0

65

765

7

0

65

465

4

2

53

453

4

2

22

222

2

2

43

443

443

443

4



= 15=

know

[Em]

the pseu do- -nyms

[F©m]

I as - sume

[A]

for

you.

[D5]

Bass arr. for Gtr.

mf

Verse

[D5]

Well,

I

are

may

you

be

hap

lone

pi

li

-

-

er

er

-

-

now

now,

[F5] [G5]

but

that

I’m

the Gods

hap py-

are

a

dy

lone-

[F5]

ing?-

hon est.-

[D5]

It

Or

ain’t

do

lone

you

ly a

dream

lone,-

[C5]

of Hes

[F5]

oh what

ton-

would

with

we

om

cont. sim.

Gtr.1 (elec.)

w/dist.

Gtr.1 (2° only)3 3

nis

talk

[G5]

ci

a

- ent

bout

-

-

beard?

a

[B¨]

ny- way?- No,

[D5]

You should

I’d

be hap

ne

pi

ver

-

-

er

re

- now,

sort-

[F5]

full

0 2

00

000

022

222

2

0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5

5 5 5 5

3 3 3 3 5 5 5 5

3 3 3 3 3 3

5 5 5 5 3 3 3 33 3 3 3

53

53

5 3 512

11 1012

10 912

9

10 10 9

12



[G5]

with

to

no

kiss

one

ing-

to

your

pray

pho

[F5]

to.

to,- hon est.-

[D5]

I

Or

just

would

had

you

to

lov

see

Gtr.1 (1° only) 3

3

full

Gtr.1 (2° only)

[C5]

to break

[F5]

oh,

your

how the

knees

che mi-

from

cals-

beg

taste.

[G5]

ging- and

Now

pray

ho

[B¨]

ing?

ney,-

Bite

bite

fullfull full full

full

hard,

D5

well it’s a bro

F5

- ken smile, break

G5

ing- their hearts and break

F5

ing- their minds. Bite

f

3 3

5 7

5 77 5 7 5 7 5

7

5 57 7

5 7

6 7 97

7 5 7 5 7 77 5

7 7 7

133

133

133

133

133

133

133

133

355

355

355

355

688

688

688

688

57

7

XX

X

57

7

57

7

57

7

133

133

XXX

133

133

355

355

355

XXX

355

355

133

133

133

133

133

133

133

133



1.

2.

hard,

D5

well it’s a five

C5

o- five,- your en

F5*

- gine’s a live- and we ride

G5*

to ge

B¨5

-- ther, bite

cont. in slash

Interlude

hard.

Gtr. 1

D5 F5

G5

F5

Bite hard.

D5

Organ arr. for Gtr.

3 3 3 3

C5

F5*

G5*

B¨5

ride

G5*

to ge- - ther,

F5*

we

Gtr. 1

ride

G5*

to ge- - ther,

F5*

we die

G5*

to ge- ther.-

D5

5

77

X

XX

5

77

5

77

5

77

5

77

3

55

3

55

X

XX

3

55

X

XX

3

55

X

XX

8

1010

8

1010

8

1010

X

XX

8

1010

8

1010

10

1212

10

1212

10

1212

13

1515

13

1515

13

1515

1

11

5 87

7 5 4 57 5

4 7 7 5 4 57

5 87

7

5 47

7 85 8

8 101212

81010

1012

12

810

10

1012

12

57

7



Interlude

D5

F5

G5

F5

Oh, bite hard.

D5 C5

F5*

Oh,

G5* B¨5

bite

Guitar solo

hard.

D5 F5

3 3 3 3 3 3

full fullfull full full full full full full full

G5

Oh,

F5

bite hard.

D5

3 3 3 3 3

full

1/2full full full full

C5 F5* Oh,

G5* B¨5

cont. in slash

3 3 3 3 3

1/2 1/2 1/2 1/2 1/2 1/2

5 8

77 5 4 5

7 54 7 7 5 4 5

7

5 8

77 5 4

7

7

8 10 7

13 13 13

10 1013

1013 13

10 1013 13

10 1013

1013

10

13 13 13

10 1013

1013

10 1013 13 13 13

1310 10 10 10 10 1

13 1310 10 10 1310 10 10 1310 10 10 1310 10 10 1310 10 10



Gtr. 1

Bridge

oh,

D5

I ne ver,-

F5

no I ne ver,-

G5

no I ne ver,- no

F5

I ne ver.-

D5

I just had to,

C5

I just had to,

F5*

I just had to see

G5*

now ho

B¨5

ney.- Bite

3 3

hard,

D5

well it’s a bro

F5

- ken smile, break

G5

ing- their hearts and break

F5

ing- their minds. Bite

hard,

D5

well it’s a five

C5

o- five,- your en

F5*

- gine’s a live- and we ride

G5*

to ge- - t her,-

F5*

we ride

G5*

to ge- ther,-

F5*

we die

G5*

to ge- ther.-

D5

Bass arr. for Gtr.

3

7 7 7 7 7 7 7 7 7 7 7 7 7 5 7 5 5 5

5





What She Came For

Freely q = 104

12fr

A55fr

D58fr

F5 A5*7fr

A5**3fr

C5 G10fr

D10fr

G5

Kbd. arr.for Gtr.

Intro

mf

µ

*w/echo repeats*

Drums

Bass arr.for Gtr. [D5] [C5] [G5]

Kbd. arr.for Gtr. [D5] [C5] [G5]

Verse [D5]

I

I

got

got

a

a

ques

ques

-

-

tion

tion

for

for

you,

you,

[C5]

I

an

got

oth-

a

er-

ques

ques

-

-

tion

tion

for

for

you:

you:

Where’d

[G5]

you

Ah,

get

do

your

you

name

feel the,

from, where’d

Bass arr.for Gtr.

2.

1.

20 3

23 0 3

23 0

3 4 5 5 5 5 5 5 5 0 5 4 3 3 3 3 3 3 30 3 4 5 5 5 5 5 5 5 0 7 6 5 5 5 5 5 5

0

0 2 3 52 5 4 2

5 3 35

30 3

35

30 3

3 4 5 5 5 5 5 5 5 0 5 4 3 3 3 3 3 3 30 3 4 5 5 5 5 5 5 5 0



you

how

get

do

your

you

name

feel the

from?

pres- sure? Why

[D5]

I

you

got

wear

a

ing-

ques

what

- tion

you

for

wear

you:

ing?-

[C5]

Where

Where

do

will

you

you

see

laugh

your

be

self

gone

- in

in

five

five

[G5]

min

min

utes

utes

-

-

time?

time?

1º only

[D5]

Ah, with a laugh like that

[C5]

or a look like that

Kbd. arr. for Gtr.

[G5]

you make us all feel gauche, like it’s a smut ty- joke but,

[D5]

with

So

a

say

laugh like

some-

that

thing stu

pid,

[C5]

-

or

you

a move

know

like

that

that

you’d love

[G5]

you make us all just go la,

to.

la, la, la.

A5

f w/dist.

Gtr. 1 (elec.)

7 6 5 5 5 5 5 5 53 4 5 5 5 5 5 5 5 0 5 4 3 3 3 3 3 3 3

0

3 4 5 5 5 5 5 5 5 0 5 35

30 3

35

30 3

35

30 3

35

30 3

35

30 3

35

30 3

35

30 3

01214

1214

1214



1.

Whoa,

D5

ho, look out, you’re what she came for,

F5

you’re what she came for,

A5*

no ques- tion, no doubt.

Whoa,

D5

ho, look out, you’re what she came for,

F5

she knows what she came for,

A5**

no ques-tion, no doubt.

Whoa,

[D5]

ho, oh, oh.

[F5]

[A5]

You’re what she came for

full full

oh,

[D5]

oh.

[F5]

[A5]

full full

57

57

57

57

57

57

810

810

810

02

02

02

02

02

57

57

57

57

57

810

810

810

079

079

7 5 7 58 7 5

5

7 5 7 58 7 5

5

7 5 7 58 7 5

5

77 5 7 7 5

0

7 5 7 5

8 7 55

7 5 7 5

8 7 55

7 5 7 5

8 7 55

77 5 7 7 5



2.

Double time feel

oh,

C5

oh. You’re what she came for oh,

G

oh. You’re what she came for

cont. in slash

oh,

D

oh.

You’re what she came for.



Guitar solo

cont. sim.

D5 F5 A5

fullfull full full full full

355

355

000

32000

3200

000

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

111

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

10121211

1010

101212

10121211

12 12 12 12 10

12

1 0 1 0 1 2 1 0

12

10 10 12 10

12

1 0 1 0 1 2 1 0

12

12 12 10

12

10 12 12 12 10

1



Can’t Stop FeelingWords & Music by Alexander Kapranos, Nicholas McCarthy,




q = 124

Am7 3fr

C55fr

Dm7 7fr

E55fr

Am5fr

F7fr

G7fr

E

Intro

Kbd. arr.for Gtr. µ

Drums

Gtr. 1 (elec.)

mf w/dist.

[Am]

w/backwards voice fx)

The

(keyboard harmony)

1.

salt

Salt

Verse [Am]

starts

starts

sting

sting

ing

ing

-

-

a

a

gain,

gain,

-

-

[D]

I

I

Bass arr. for Gtr.

2.

can’t

can’t

[C]

stop

stop

feel

feel

ing,

ing,

-

-

no

no

I

I

won’t

won’t

[E]

stop

stop

feel

feel

ing.

ing.

-

- No,

The

and

cont. si

0 02 2 2 2 2 0

3 2 3 02 2 2 2 2

0

3 2 3 02 2 2 2 2 0

3 2 3 02 2 2 2

0 2 2 2 2

5 5 X X 5 XX X X X 7 5 7 5 5 X X X X X X 5 5 7 5 7

3 3 X X 3 3 X X 3 3 5 3 5 7 7 X X 7 X X X 7 7 7 5 7



fun’s

we’re

[Am]

not

not us

fun a

a

ny

ny

-

-

more,

more,

-

-

[D]

I

I

can’t

can’t

[C]

stop

stop,

feel- ing,

no

no I

I

won’t

won’t

[E]

stop

stop.

feel- ing.

Gtr.

Gtr. 1 2° only

You

You

Am7

leave

leave

me

me

here

danc

Dm7

on

ing-

my

a

own,

lone,-

and

oh

you

you

C5

leave

leave

me

me to die

here

E5

on

on

the

the

floor.

floor.

Chorus

You

Am7

can’t feel it,

Dm7

you can’t feel it, you

C5

can’t feel it, you

E5

can’t feel a ny- more-

Gtr. 2 (elec.)

Am7

Feel a ny- more,-

Dm7

feel a ny- more,-

C5

feel a ny- more.-

E5

Gtr. 2

Gtr. 1

00

02

XX

0

1

00

35

XX 5

5

00

02

02

XX

01 5

00

5

55

55

55

55

65

65

65

65

55

55

55

54

54

54

54

5

02

XX

01

0 5 XX

57

5

00

35

XX 5

5

57 7

9

9



Gtr. 2 tacet

Bridge Am

So boy, you’re down

F

and a lone,- your soul

G

is bro ken- a

3

gain.

E

- But you

Kbd. arr. for Gtr.

can’t

F

stopmov- ing,no you won’t

D

stop mov - ing a long.-

E

(Oh.)

Gtr. 2

p cresc.

[Am]

Gtr. 1

(keyboard harmony)

Gtr. 2 tacet

Oh.

02 2 2 2 2 0

3 2 3 02 2 2 2 2 0

3 2 30

3 2 3

577555

87565

109787

79997

87565

54232

79997

79997

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

02 2 2 2 2 0

3 2 3 02 2 2 2

0 2 2 2 2

02 2 2 2 2 0

3 2 3 02 2 2 2

0 2 2 2 2



You

Outro

[Am]

can’t feel it,

[C]

you can’t feel it, you

[D]

can’t feel it, yo

Bass arr. for Gtr.

[E]

can’t feel a ny- more.-

[Am]

(Can’t feel it.)

A ny- more,

[C]

-

(Can’t feel it.)

a ny-

more.

[D]

-

(Can’t feel it.)

You

[E]

can’t feel a ny- more,-

[Am]

a ny- more,

[C]

- a n-

more,

[D]

- you

[E]

can’t feel a ny- more.-

[Am]

5

7 7 7 57

5

7 7 7 57 3

5 5 5 35

3

5 5 5 35

5

7 7 7 57

5

7 7 7 57

7

9 9 9 9 9 9 9 9 9 9 9

5

7 7 7 57

5

7 7 7 57 3

5 5 5 35

3

5 5 5 35

5

7 7 7 57

5

7 7 7 57

7

9 9 9 9 9 9 9 9 9 9 9

5

7 7 7 57

5

7 7 7 57 3

5 5 5 35

3

5 5 5 3

5

7 7 7 5

75

7 7 7 5

77

9 9 9 9 9 9 9 9 9 9 9

5






Lucid Dreams

q = 112

E A4fr

C#m F#57fr

E*4fr

G#m5fr

D Bb

Intro

w/clean tone

Gtr. 2 (elec.)

E

I’m gon na- give

A

my aim less- love,

E

my an gry- heart,

A

my de sire.-

E

I woke with wing

Gtr. 1 (elec.)

mf w/clean tone

C©m

from lu cid- dreams,

E

I knew the rea

C©m

son- - I felt

w/dist.

hol

E

low-- oh, was it I

C©m

may ne ver- know

E

00

00

0

69

69

69

6 8 99

99

99

9 8 69

69

69

6 8

99

99

99

9 8 69

69

69

6 8 99

99

99

9 8



$

F©5

if there is some great truth or not.

There is no.

mp f

Pre-chorus

cont. si

C©m

I’ll dream a na tion- of you,

E*

(whoa,)

G©m

C©m

a new U to- pi- a- for you

E*

to live

G©m

in.

6 6

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

4665

466

466

444

466

4665

XXXX

4665

XXXX

4665

799

799

799

799

0

6444

XXXX

XXXX

6444

6444

6444

6444

46

65

46

6

46

6

44

4

46

6

46

65

XX

XX

46

65

XX

XX

46

65

79

9

79

9

79

9

79

9

0

6

444

X

XXX

X

XXX

6

444

6

444

6

444

6

444



C©m

I’ll dream a na - tion of me,

E*

(whoa,)

G©m

($)

C©m

a

an oth

new

- er

am

- Nar

bro- si

ni-

- a

a

-

-

tha

tha

we

we

E*

could

could

live

live

G©m

in.

in.

E* D B¨

Lu

Chorus

C©m

cid- dreams,

E* G©m C©m

a ha,- yeah.

Gtrs. 1+2

E* G©m

I’m liv-ing in lu

C©m

- cid dreams,

E* G©m

4665

466

466

444

466

4665

XXXX

4665

XXXX

4665

799

799

799

799

0

644

4

XXX

X

XXX

X

644

4

644

4

644

4

644

4

4665

466

466

444

466

4665

XXXX

4665

XXXX

4665

799

799

799

799

0

6444

XXXX

XXXX

6444

6444

6444

6444

022100

022100

022100

2100

022100

2100

0232

0232

000

1333

1333

1333

1333

466

466

466

466

466

799

799

799

799

XXX

XXX

XXXX

XXXX

XXXX

XXXX

6444

6444

6444

6444

466

466

466

466

79

9

79

9

79

9

79

9

XX

X

XX

X

X

XXX

X

XXX

X

XXX

X

XXX

6

444

6

444

6

444

6

444

46

6

46

6

46

6

46

6

46

6

79

9

79

9

79

9

79

9

XX

X

XX

X

X

XXX

X

XXX

X

XXX

X

XXX

6

444

6

444

6

444



To Coda

D.S. al Co

C©m

a ha,- yeah.

E* G©m

Sweep

µ

slides on my ste re- o,- short wave- ’round my ro de- o.-

Bass arr. for Gtr.

Beat came from Ad dis- A by- lon, but I’m fly ing- to Is - tan bul.-

Gtr. 1

Oh, so why don’t you come a long?-

46

6

46

6

46

6

46

6

46

6

79

9

79

9

79

9

79

9

XX

X

XX

X

6

444

X

XXX

X

XXX

6

444

6

444

6

444

6

444

4 2 24 4 4 4

4 2 24 4 4 4

4 2 24 4 4 4

4 2 24 4 4

4 2 24 4 4 4

4 2 24 4 4 4 4

6

42 2

4 4 4 44

4

6 67

2 44 2 4 4 4 4 4 4 4 4



ØCoda

1.

2.

(Bass)

µ C©m

Kbd. arr. for G

1/4 1/4

I’m liv-ing in

lu

C©m

cid- dreams, I’m liv ing- in lu

E*

cid- dreams,

G©m

I’m liv ing- on

Gtrs. 1+2

Fig. 1

short

C©m

wave- streams to night.-

E*

Oh.

G©m

E*

Oh.

G©m

I’m liv-ing in

4 49

119

119

119

119

1111

91111 9

999

91111

91111 9

999

12 1414

12

16 16 16 14 14 12 1414 14 14

12 14 12 14 16 16 16 14 14 12 1414 14 14

466

466

466

XXX

XXX

466

466

466

XXX

XXX

799

799

799

799

799

XXX

XXX

6444

6444

6444

6444

XXXX

XXXX

46

6

46

6

46

6

46

6

XX

X

XX

X

46

6

46

6

XX

X

XX

X

XX

X

XX

X

79

9

79

9

79

9

79

9

XX

X

XX

X

6

444

6

444

6

444

6

444

X

XXX

X

XXX

79

9

79

9

79

9

79

9

XX

X

XX

X

6

444

6

444

6

444

6

444

X

XXX



lu

Gtrs. 1+2 w/Fig. 1 (x2)

C©m

cid- dreams,

E* G©m C©m

a ha,- yeah.

E* G©m

I’m liv-ing in

lu

C©m

cid- dreams,

E* G©m C©m

a ha,- yeah.

E* G©m

A -

ha,-

µ[C©m]

yeah.

Gtr. 1

1/2 1/2

3 3 3

Gtr. 2 (2°+3°)

w/dist. + wah

full full

Play 7 times ad lib. si

3 3 3 3 3

full full 1/4

full full

11 11 11 911

9 11 9 11 9 911

9 11 11 11 911

9 119 9 9 9 9 9 9 9 9 9

9

0 9

79

79

90

79

7

119 9 9 11 911

9 119 9 9 11 911 9 9 9 9 9 9 9 9 9 9 11

9

9

0 9

79

79

0

9

X X 0



Bass arr. for Gtr.

Piano cue

Bass synth cue

[C©5]

ad lib. sim. on repe

[C©m]

[E5] [D5] [B5]

Play 7 times ad lib. s

more open sound

[C©5] [G©5] [E

[C©5] Play 11 times ad lib. sthen filter down ad lib. to fa

4 2 24 4 4 4

4 2 24 4 4 4

4 2 24 4 4 4

4 2 24 4 4 4



Dream AgainWords & Music by Alexander Kapranos, Nicholas McCarthy,



Freely

q = 85

$

4fr

B7 5fr

D7fr

Em3fr

G/B3fr

C5fr

F/C7fr

G/D C

Bass synth. cue

Intro

B7 D Em B7 G/B C F/C B7

Gtr. 1 (elec.)

mp w/vol. pedal + reverb + delay

Gtr. 1(tacet 1°)

Verse

w/clean tone

F/C

2.Don’tDon’t

bebe

aa

fraidfraid

--

C

if if

youyou’re

heardes -

voicend

G/B

cesing

--

orthe

feeldeep

theest-

sweetdes

airpairs-

1.

cont. in sta

F/C

with out- a hand

C

spo ken

rail

- up

to

on

guide

-

B7

you.

you.

Em

Some

Some

Some

times

times

times

-

-

-

the

the

the

sound

sound

sound

D

of

of

of

a

a

a

thou

thou

thou

sand

sand

sand

-

-

-

whis

whis

whis

G/B

pe

pers

pe

-

-

-

ring

are

ring

-

-

words

where

words

B7

of

you

can

Gtr. 1 2° + 3°

3.

445

775

987

445

445

553

565

445

98

78

77

57

43

33

44

54



To Coda Ø 1.

2.

hope

live

con

F/C

will

a

-

re

lit

fuse,

as

tle

-

-

sure,

fear

-

C

show

but

but

me

feel

when

the

the

you’re

fu

fu

sleep

B7

ture.

ture.

ing,-

-

- Well

Will

I

they

see

feel

shift

Em

us

us

and

join

dream

slide

to

to

to

ge

ge

ge

-

-

-

D

ther,

ther,

ther,

-

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franz ferdinand - tonight

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