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  • Free Bead Craft Patterns

    Beaded Flowers, Beaded Ornaments, Pony Bead Patterns,

    and More Bead Crafts

  • iiContents

    Free Bead Craft Patterns Beaded Flowers, Beaded Ornaments,

    Pony Bead Patterns, and More Bead Crafts

    Snowflake Ornament R o b i n C o w a r t This festive snowflake has many uses: decorate your holiday packages with it, dangle it

    on a small suction cup with a hook in a window, or hang it on a holiday tree.

    technique >> netting

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    Copyright Beadwork® magazine, Interweave Press LLC. Not to be reprinted. All rights reserved.

    Ski Sweater MatChBOx COver

    by SuSan SwanSon p. 2

    SPangled iSland BOttle

    by inga hunter p. 1

    Beaded eaSter egg

    SnOwFlake OrnaMent

    herringBOne weave COaSter

    by Yulia CrYStal PaPakina p. 9

    by robin Cowart p. 6

    by beadwork deSign team p. 11

    dutCh SPiral BaSket

    by aliSon eaStman p. 3

    Beaded Bug BOxeS

    Marguerite daiSy Pin

    by ramona FinoCChiaro p. 6

    by arlene baker p. 6

  • Free Bead Craft Patterns editor, beadingdaily JENNIFER VANBENSCHOTEN

    designer OCEANA gARCEAu / photography JOE COCA, ANN SWANSON

    Projects and information are for inspiration and personal use only. BeadingDaily, Beadwork, and Stringing do not recommend, approve, or endorse any of the advertisers, products, services, or views advertised in this publication. Nor do BeadingDaily, Beadwork, or Stringing evaluate the advertisers’ claims in any way. You should, therefore, use your own judgment in evaluating the advertisers, products, services, and views advertised in BeadingDaily, Beadwork, and Stringing.


    Jennifer VanBenschoten, Beading Daily editor

    Bead crafts have been around for hundreds of years. The first bead crafts were probably related to adorning clothing with thousands of tiny beads, but artists soon discovered that they could use beads to craft other items such as baskets, jars, and ornaments. There are many wonderful examples of bead crafts in museums around the world!

    But beaded crafts don’t have to be big and elaborate. In fact, you probably have everything you need right now to sit down and start creating a piece of beaded art. Turn your trash into trea- sure by adding some beads! And who hasn’t admired those lovely beaded ornaments that turn up during the winter holidays?

    We’ve assembled a collection of eight bead craft projects just to give you a taste of what those beads can do! We all know that beads can be used to make beautiful jewelry, but with a little imagination, beads can be used to craft all sorts of items.

    •Dig through your recycling and find an old glass bottle, then turn it into a piece of beaded home decor by making Inga Hunter’s Spangled Island Bottle. The beads and sequins will brighten up any room.

    •Don’t throw away that empty matchbox! Susan Swanson’s Ski Sweater Matchbox Cover fits like a glove so you can use that old matchbox to store your favorite tiny bead treasures.

    •Make a decorative basket out of beads with Alison Eastman’s Dutch Spiral Basket. It’s perfect for a sunny porch or your favorite kitchen table.

    •Take an ordinary mesh bug box and turn it into a work of bead art with Ramona Finocchiaro’s Beaded Bug Boxes. These are definitely NOT for the kids!

    •Learn some basic French beaded flower techniques with Arlene Baker’s Marguerite Daisy Pin. Beaded flowers are beautiful at any time of the year, and this one can be made in any color for any occasion.

    •Learn a new beading stitch and whip up a set of easy Herring- bone Coasters using pony beads for your next party. Choose bright colors of pony beads to make your party even more festive! The pony beads make it easy to learn a new beading stitch!

    •Imagine how delightful a basket full of Yulia Crystal Papakina’s Beaded Easter Eggs would be—no refrigeration required! Hide them in the backyard for your favorite egg hunter on Easter morn- ing or tuck them into a little Easter basket with some jelly beans.

    •What would the winter holidays be without a flurry of Snow- flake Ornaments by Robin Cowart? Sparkling seed beads make these beaded ornaments an essential part of your holiday decorations, and they make great beaded gift tags for your holiday packages.

    Yes, beads have the power to turn the ordinary into the extraor- dinary—with just a little bit of thread, wire, and patience, you can turn an everyday object into a carefully crafted piece of bead art. Now that you’ve seen just what you can do with bead crafts, take a look around and see where you can add some more beads to your life! You never know where the beads will show up next!

    Bead Happy,

    Free Bead Craft Patterns Beaded Flowers, Beaded Ornaments,

    Pony Bead Patterns, and More Bead Crafts

  • More wonderful beadwork projects are available at © 2011 Interweave Press LLC. not to be rePrInted. aLL rIghts reserved.

    page 1

    Spangled Island Bottle I n g a H u n t e r Materials 6mm flat sequins, in two greens,

    gold, blue, and iridescent black Size 11° red, green, and black seed

    beads gold metallic Delica beads Small glass tabasco bottle Dark-colored knit fabric (t-shirt

    fabric works well) Size a Silamide beading thread

    notions Small sturdy pillow two size 9 milliner’s needles Fabric marking pencil

    I’m a mixed media artist from a series of islands: Jamaica, my family’s home; England, where I was born; and Australia, that enormous island at the bottom of the world, where I live. I first saw the exhibition of Haitian flags that inspired me to do sequined bottles at the Uni- versity of California, Los Angeles, in 1996 while I was on my way to see my family in Jamaica. Of course I had seen photographs before, but the reality is so much more—the brilliance just doesn’t translate. The flags were so beautiful! So colorful! With such texture—and done with a skill that I will never be able to equal. I came away dazzled.

    One of the characteristics of Haitian flags which is not so clear in photo- graphs is the two layers of color. You have the sequin layer underneath, and the bead layer riding on top, so that you can play with colors in a complex, sophisticated manner. I have been using beads and sequins since I was six- teen, but I had never thought of using them in quite this way.

    I had beads and embroidery gear in my suitcase, and when I arrived in Jamaica I was so enthusiastic about what I had seen, that my artist cousin Jasmine Thomas suggested that we try out the technique as soon as possible. Trouble was, no sequins! We searched Kingston, and finally found some white ones that we dyed blue, red, and purple with my hair dye. Although the dye is temporary when used on hair, it did color the sequins. I have some sequins left and the color is still there after six years, so it certainly won’t fade, but it isn’t exactly perfect—unless you actually want unevenly colored dull spangles. But it was all we had, and I did my first piece, a combination of sequins and embroi- dery. It looks a bit amateurish now, but I thought it was wonderful at the time.

    Later, in Australia, I saw another exhibition of Haitian art, and bought my first flag, one by Eviland Lalanne—a bit faded but absolutely gorgeous! And a constant source of technical inspira- tion for me. At the exhibition I saw many libation bottles and nearly turned myself inside out trying to see how they were done; finally I decided to work it out for myself. In my defense, I felt, and still feel, that I share a similar back- ground with the people of Haiti, and am able to do this work without dishonor. One of the advantages of having unknown African ancestors is that you can go along with your intuition.

    It wasn’t easy. I figured that the bottles had to be covered with cloth, and the sequins stitched on, so I covered a little wine bottle with old T-shirt fabric and began. Two bottles later, I had encoun- tered a whole heap of difficulties, and I was hooked. Since then I have made dozens of sequined bottles, and now that I have made most of the common mistakes, I feel that I can pass the tech- nique on to others.

    Note: One square inch of spangling with these sizes uses 36 beads and sequins. The quantities will depend on the size of your bottle. These are the bead and sequin sizes I used, but you can vary the sizes at will and the bottle will still work out. It won’t be wrong, just different. Spangling is not an exact science, which is one reason I like it— improvisation is both possible and easy.

    Step 1: Remove the label from the bot- tle. Stretch the fabric to cover the bottle and stitch it tightly in place. If you leave it too loose it will be hard to stitch the sequins evenly. Try to keep the seams flat. You may or may not cover the base. If the finished bottle will be standing,

  • More wonderful beadwork projects are available at © 2011 Interweave Press LLC. not to be rePrInted. aLL rIghts reserved.

    page 2

    glue card stock or leather to the bottom for a base and don’t spangle there. If the bottle will hang, spangle the base. The same applies to the top opening—you can cover it up or leave it open depend- ing on the purpose of the finished bot- tle. Use the pillow to rest the bottle on as you work.