2 0 0 6 – 2 0 0 7d i c k i n s o n c o l l e g ec a r l i s l e , p e n n s y l v a n i a

FRIENDS of The Trout Gallery

THE

Letter from the Director

Bulletin

The Friends of THE TROUT GALLERYVol. 3, 2006-2007

The Bulletin is published annually by the Friends of The Trout Gallery

Editor, Stephanie Keifer

THE TROUT GALLERYCarlisle, Pennsylvania 17013717-245-1344 fax 717-254-8929www.dickinson.edu/trouttrout@dickinson.edu

DIRECTORPhillip Earenfight

REGISTRAR ANDEXHIBITIONS PREPARATORJames Bowman

OUTREACH PROGRAMCURATOR OF EDUCATIONWendy Pires

OUTREACH PROGRAMPUBLICITY COORDINATORDottie Reed

ADMINISTRATIVE ASSISTANTStephanie Keifer

GALLERY ATTENDANTSSue CurziRosalie LehmanCatherine SaccoSatsuki Swisher

BULLETIN DESIGNKimberley NicholsPatricia Pohlman

PHOTOGRAPHERA. Pierce Bounds

PRINTINGTriangle PrintingYork, Pennsylvania

© The Trout Gallery, 2006

Cover: Ellen Day Hale, First Night in Venice,c. 1922, softground etching, à lapoupée color proof, Gift of EricDenker ’75, in Memory of RuthTrout, 2004.6.9.

The 2006-2007season promises tobe another excit-

ing year for visitors to TheTrout Gallery. The exhibi-tion schedule opens with aremarkable collection ofreligious prints byRembrandt and Dürer, twoof the finest printmakersever to put ink to plate.Along the lines of outstanding printmaking,The Trout Gallery andDickinson College senior art history majors will organize an exhibition of etchings byEllen Day Hale and other members of the late nineteenth-century etcher-painter move-ment. Turning to three-dimensional works, the museum is pleased to host an exhibition ofbrilliant new sculpture by Anthony Cervino, who recently joined the Art & Art Historyfaculty. Rounding out the media will be Progress on the Land, which features Americanlandscape paintings from the nineteenth and twentieth century. The season concludes withthe always-fascinating and challenging senior studio art majors’ exhibition.

Complementing the exhibitions will be a series of educational programs curated bythe Outreach staff. This year’s programs will focus on such themes as the science and tech-nology of printmaking, as well as industry, and geography. Teachers and events plannersare encouraged to contact the Outreach Program office early as programs fill up quickly.

As part of an effort to make the collections more widely accessible to the public, TheTrout Gallery has begun taking digital photographs of all of the works in its permanentcollection and will be making them available on the web through a searchable database.Such a tool will enable the public to learn more about the collections for the purpose ofstudy and enjoyment.

Looking ahead to the future, there are two important events to note. The first is amajor traveling exhibition organized by The Trout Gallery and slated for autumn 2007entitled A Kiowa’s Odyssey: A Sketchbook from Fort Marion. This exhibition reunites parts of a late nineteenth-century sketchbook that were made by Etahdleuh Doanmoe, a KiowaIndian, prior to his arrival at the Carlisle Indian School. During its venue at The TroutGallery, A Kiowa’s Odyssey will be complemented by related exhibitions in Carlisle at theCumberland County Historical Society and the U.S. Army Heritage and EducationCenter.

The second event is The Trout Gallery’s 25th Anniversary, which we will celebratethroughout the 2008-2009 season. It will be a year that acknowledges past achievementsand future goals. So plan ahead and bring out your white gloves and black ties.

As we look forward to this season and those to come, I wish to thank the Friends formaking so much of what we do at The Trout Gallery possible and to invite those who arenot yet members to discover the joy of being a Friend.

Sincerely,

Phillip Earenfight

Opening Reception, Designing for Victory 1914-1945: Posters from the United States Army Heritage and Education Center, Fall 2005.

TROUT GALLERY

Exhibitions 2006-2007

The Inspired Line Selected Prints of Albrecht Dürer and Rembrandt van Rijn from the Thrivent Financial Collection of Religious Art

September 1, 2006 – October 21, 2006 Opening Reception: Friday, September 1, 5-7 p.m.

The Inspired Line presents works by two of the finest printmakers of theRenaissance and Baroque era. This selection of prints invites the viewerto consider the artists and their work within the tumultuous and com-

plex religious and political environment that witnessed the birth of the ProtestantReformation, the Catholic Counter-Reformation, and the Thirty-Years War. Theexhibition features twenty-three prints by Dürer and seventeen by Rembrandt,including select pairs where both artists represent the same subject. Such pairingscompel the viewer to examine the artists’ historical contexts, religious back-grounds, printmaking techniques, and styles.

A program of ExhibitsUSA, a national division of Mid-America Arts Allianceand The National Endowment for the Arts.

The Trout GalleryLectures in theHistory of Art

Arthur K.Wheelock, Jr.Curator of Northern Baroque PaintingNational Gallery of Art,Washington, D.C.“Innovations and Tradition inRembrandt’s Religious Prints”Wednesday, October 11, 2006, 7 p.m.Rubendall Recital Hall Weiss Center for the Arts

In conjunction with The Inspired Lineexhibition,The Trout Gallery is pleasedto host Arthur K.Wheelock, Jr., who willpresent a public lecture that considersRembrandt’s religious prints within thebroader context of Renaissance andBaroque printmaking. Dr.Wheelock iscurator of northern baroque painting atthe National Gallery of Art and profes-sor of art history at the University ofMaryland. He publishes widely on Dutchand Flemish art and his books includePerspective, Optics, and Delft Artists around1650 (1977); Vermeer and the Art ofPainting (1995); and the Dutch Collectionat the National Gallery, Dutch Paintings ofthe Seventeenth Century (1995). He hasalso organized a number of major exhibi-tions including Gods, Saints & Heroes:Dutch Painting in the Age of Rembrandt(1980); Anthony van Dyck (1990); JohannesVermeer (1995); Jan Steen: Painter andStoryteller (1996); Gerrit Dou: MasterPainter in the Age of Rembrandt (2000);and Aelbert Cuyp (2001). Dr.Wheelockreceived his bachelor’s degree fromWilliams College and his doctorate fromHarvard University.

The lecture is supported in part by EricDenker ’75 and co-sponsored by theMedieval and Early Modern Studies pro-gram at Dickinson.

Albrecht Dürer, Death of the Virgin, 1510, woodcut. Rembrandt van Rijn, Death of the Virgin, 1659,etching and drypoint.

Exhibitions 2006-2007

Progress on the Land Industry and the American Landscape, 1875-1945November 3, 2006 – January 13, 2007Opening Reception: Friday, November 3, 5-7 p.m.

Progress on the Land offers a compelling look at Americanlandscape painting during a period of tremendous industrialgrowth. Works in this exhibition cover a wide chronological

span, beginning with paintings from the Hudson River School andcontinuing up through the Luminists, Tonalists, and ending withthe Ash Can School. This group of paintings examines the ways in which artists such as Stanford Gifford, George Inness, RalphBlakelock, and George Bellows represented the land at the verymoment it was being transformed by unprecedented urban expansion and industrialization.

This exhibition is organized by the Melton Art ReferenceLibrary, Oklahoma City, Oklahoma.

The Trout Gallery will be closed November 22–27 and December 23–January 2.

Ellen Day Hale and the Painter-Etcher MovementJanuary 26, 2007 – April 14, 2007Opening Reception: Friday, January 26, 5-7 p.m.

Ellen Day Hale was among a number of gifted artists whose workstimulated an etching revival in the late nineteenth and early twentieth centuries. Through a fluid use of line and tone, Hale

and her contemporaries rendered landscapes, vistas, street scenes, and portraits on an intimate scale with a subtlety and touch that one associateswith both sketching and oil painting. This exhibition features prints byHale and her contemporaries James McNeill Whistler, Mary NimmoMoran, Gabrielle de Veaux Clements, and Samuel Coleman who helpedrevive interest in and further explore the potential of this media. Worksfrom this exhibition are drawn primarily from The Trout Gallery’s permanent collection. It is curated by Dickinson College senior art historymajors: Claire Angelilli, Samantha Bellinger, Brittany Bosch, KathrynMalinowski, Alexandra Ruhfel, Stephanie Shapiro, and JenniferThompson, under the direction of Phillip Earenfight, Associate Professorof Art History and Director of The Trout Gallery and in conjunction withEric Denker ’75.Ellen Dale Hale, Milk Wagon, Cairo, 1930, soft-ground etching and color aquatint,

Gift of Eric Denker ’75, in Honor of Nancy Hale, 2002.17.2.

George Inness, Sr., Woodland Scene, n.d., oil on board, Collection Melton Art Reference Library.

Exhibitions 2006-2007

MUSEUM HOURS:

Tuesday – Saturday: 10-4

Closed: Nov. 22–27 Dec. 23–Jan. 2

Summer Hours:Wednesday – Saturday: 10-4

Anthony Cervino: SculptureFebruary 9, 2007 – March 31, 2007Opening Reception: Friday, February 9, 5-7 p.m.

Anthony Cervino’s recent sculpture considers theautonomous identity of miscellaneous and seemingly useless parts. Drawing primarily from the plastic “trees”

used in the making and organizing the individual parts of plastictoy models, Cervino investigates the discarded supports as complete objects in their own right. These forms are explored as independent units, in segments, and at varying scales in order toillustrate their ability to imply their former function and to standalone as complete objects that, while perhaps misplaced, retain asense of function and use. Anthony recently joined the faculty asAssistant Professor of Art in the Department of Art & Art Historyat Dickinson College.

Senior Studio Art Majors ExhibitionApril 27, 2007 – July 7, 2007Opening Reception: Friday, April 27, 5-7 p.m.

The annual Senior Studio ArtMajors Exhibition marks theculmination of a student’s

artistic career at Dickinson College. Thisexhibition features works by KatherineAustin, Gabrielle Besante, MeganDonley, Berna Onat, Sarah Price, SaraShaffer, Naomi Shanzer, and KatelynValeri, under the direction of ToddArsenault, Andrew Bale, AnthonyCervino, Ward Davenny, Barbara Diduk,and Dee Jenkins.

Anthony Cervino, Fleet, 2005, wood, steel, paint.

Opening Reception, Drawn, Fired, Pressed, Shot, the 2006 senior studio art majorsexhibition.

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Future Exhibitions: 2007–2008

A Kiowa’s Odyssey: Reconstructing A Sketchbook from Fort MarionSeptember 7, 2007 – January 12, 2008

This major touring exhibition reunites parts of a sketchbook that were made in 1877 byEtahdleuh Doanmoe, a Kiowa who was among the 72 Indians captured during the Red River Wars and incarcerated for three years at Fort Marion, Florida. The sketchbook contains

drawings that chronicle the Indians’ surrender at Fort Sill, Indian Territory, their traumatic journey bytrain to Fort Marion, and their time at the fort, where, under the direction of Lt. Richard Henry Pratt,Etahdleuh and his fellow captives were “educated” and “civilized” according to western models. Pratt’sefforts at Fort Marion became the basis for his work at the Carlisle Indian School, which he founded in1879, and where Etahdleuh continued his schooling. This exhibition reassembles parts of the sketch-book, which are now divided between The Trout Gallery and the Beinecke Rare Book and ManuscriptLibrary at Yale University. The exhibition will travel to Fort Sill, Oklahoma and the Beinecke Library.

The exhibition catalogue will be published by the University of Washington Press (2007). It willinclude contributions by Janet Catherine Berlo, Joseph Horse-Capture, Brad Lookingbill, George Miles,and Phillip Earenfight, who is also the volume’s editor.

A national symposium focusing on the sketchbook will be held at Dickinson College on October 20-21, 2007.

During its venue at The Trout Gallery, A Kiowa’s Odyssey will be complemented by an exhibition of Carlisle Indian School drawings at the Cumberland County Historical Society and an exhibition ofartifacts associated with Plains Indian Wars at the U.S. Army Heritage and Education Center, both ofwhich are in Carlisle.

Cover, photograph, and drawing from A Kiowa’s Odyssey,190.7.11.1.

Fu

ture

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CollectionsManagement

Collections Management

Storage and LightingIn a continuing effort to provide the best environment for its permanent collection, The Trout Gallery recently increased its capacity to store oversized prints. The need for oversized print storage comes in response to recent trends in printmaking, drawing,and digital photography, which favor oversize dimensions. To thisend, the gallery acquired a flat file storage unit that can hold printsup to 48 x 60 inches. This new unit affords ample room to store theexisting prints with significant amounts of reserve space for futureacquisitions.

The gallery has also begun to prepare for the second phase of the lighting system upgrade, purchasing thirty-five new fixtures to fit the new track system. In summer 2007, the old tracks in the lower level of the gallery will be removed and the new lightingsystem installed. The additional fixtures purchased this year willallow us to make a seamless transition to the new system and willresult in installations that feature more controlled and archivallysound lighting.

LoansThe Trout Gallery is pleased to share its resources with other museums by lending works from its permanent collections to temporary and traveling exhibitions. In the spring of 2006, TheTrout Gallery provided the Montgomery Museum of Fine Arts inAlabama with a series of prints for its exhibition Fleeting Impressions:Prints by James McNeill Whistler. The loan included portraits ofWhistler by Mortimer Menpes, Sir William Nicholson, ErnestHaskell, Sir Leslie Ward, and William Hole. This important exhibition inaugurated the opening of the Montgomery Museum of Fine Art’s expanded facility.

Over the course of the next few years, The Trout Gallery’sEdmund Darch Lewis, Susquehanna at Duncannon, will be the

centerpiece to the traveling exhibition Visions of the Susquehanna.Organized by the Lancaster Museum of Art, the exhibition will travel to several sites, including the Susquehanna Museum of Art,the Governor’s Residence, the Washington County Museum of FineArt, and the Roberson Center for Art and Science.

AssessmentsThe Trout Gallery, inconjunction with theEast Asian StudiesDepartment, receiveda grant fromAsiaNetwork/HenryLuce Foundation toassess the Asianobjects in the museum’s collection.Dr. Samuel Parkerand Dr. JoanO’Meara visited thegallery during the2005-2006 academicyear to provide acomprehensive surveyof the Asian artifactsand prints. Theirefforts identified several significantworks in the collec-tion and added considerably to theinformation the gallery had in its collection records. The assessmentwill also function as the foundation of a future exhibition of Asianart to be held at the gallery in 2007.

— James BowmanRegistrar and Exhibitions Preparator

Dr. Samuel Parker discussing a number of the Asian statues in the collection.

Edmund Darch Lewis, The Susquehanna at Duncannon, 1872, oil on canvas, Gift of BoydLee Spahr, Jr, 1955.1.1.

Outreach Program

Programs for 2006-2007The Trout Gallery looks forward to providing another successful seasonof educational programs that stimulate curiosity and motivate learningamong area and regional school groups and members of the local community. Through October, school groups may register for programsoffered in conjunction with Animalia, our fun-filled summer exhibitionthat focuses on images of animals from The Trout Gallery’s permanentcollection. For The Inspired Line, programs will focus on European history and the science of printmaking, while Progress on the Landprovides the basis for projects that consider the Industrial Revolution. In the winter, the etchings of Ellen Day Hale provide material for astudy of geography, and in the spring, the sculpture of Anthony Cervinowill provide the basis for art activities that center on plastic models andkits. Plan your schedule early as these programs fill quickly.

Outreach In ReviewHighlights of the 2005-2006 Outreach Program included a Spanish-language program created for Francisco Goya’s Los Caprichos prints. Several hundred studentsfrom the Dickinson College Spanish department and area high schools participated in programs designed to explore eighteenth-century Spanish culture and politics portrayed in Goya’s satirical images and to develop conversation skills. Programs developed to accompany the exhibition Designing for Victory 1914-1945 challengedstudents to consider how artists and government agencies used words and imagery to manipulate viewers’ emotions and compel citizens to enlist for combat, accept sacrifices, and to justify war. The spring semester brought throngs of very young students, teachers, and parents to the “Places and Spaces” programs to explore thepaintings of Edmund Quincy. Using the familiar theme of “Town Mouse and CountryMouse,” children developed their language arts skills, created original stories, andmade their own landscapes or cityscapes in oil pastel.

Outreach

Pre-school students are introduced to prepositions as Simon says “make yourmouse scurry along your arm, under your chin, and over your head.”

A student displays her cityscape, made in conjunction withthe Edmund Quincy exhibition.

Outreach Program

Reaching Out to Other MuseumsAs part of The Trout Gallery’s commitment to professional development, members of the Outreach Program worked with their counterparts at other museums to reviewour practices and share programming ideas. Site visits included the Newark Museum,The Baltimore Museum of Art, The American Visionary Art Museum, and MarylandInstitute College of Art. Just as we reached out to other institutions, they reached out tous. Over the course of the year, the directors of the Oakes Museum at Messiah Collegeand The Baltimore Museum of Public Works invited Wendy Pires, The Trout GalleryCurator of Education, to consult with their staff on programming ideas, permanentexhibits, and strategies for audience development in a small museum context.

Update on New Education Room forThe Trout Gallery Outreach ProgramWork continues on plans for The Trout Gallery’s new education classroom. Originallyslated to open this year, construction has been moved to summer 2007 and should becompleted in time for fall programming. With display areas, smart-room capability, andcreative work spaces, the new classroom will make a significant difference in learningexperience for teachers and students throughout the central-Pennsylvania region. Thenew education room is funded by a gift in memory of Evalyn Mumper Stewart, HarveyM. Stewart ’34, and George B. Mumper 1884.

— Wendy Pires, Curator of Education Dottie Reed, Publicity Coordinator

Gallery AttendantsThe Trout Gallery ishappy to welcomeSatsuki Swisher andCatherine Sacco toThe Trout Gallerystaff.Together withRosalie Lehman andSue Curzi, Satsukiand Catherine will provide theessential linkbetween the visitorand the museum’sexhibitions and collections.We arepleased to havethem aboard.

Satsuki Swisher

Catherine Sacco

Cassie Lynott ’06 created a floor-size map for a hands-on geography lesson in conjunction with the Designing forVictory exhibition.

In Memory of Sylvia Kauffman

On January 11, 2006, Sylvia Kauffman,former gallery attendant and friend toall who entered The Trout Gallery,passed away. Over the course of the last five years, Sylvia has been amongthe most recognized faces at The TroutGallery. From her desk she greeted visitors, assisted with educational programs, collected and processedattendance data, provided helpful directions, and brought a cheery spiritto all who entered the doors of TheTrout Gallery. Sylvia will be misseddeeply by all who were touched by her optimism, strength, and life. She issurvived by her sister, Sharon Miller,who was both Sylvia’s energetic traveling partner and loving nurse.

Acquisit ionsRecent Acquisitions

Unknown Artists,AmericanAfrican-American Dolls, n.d.Various materialsGift of Vivian O. Potamkin2005.2.1-69b [renumbering of previouslyrecorded gift]

William Russell Birch (1755-1834),AmericanSolitude in Pennsylvania, belonging to WilliamPenn, c. 1800Color engravingGift of Eric Denker ’75, in Honor of Lynn Quallis ’752005.3.1

William Russell Birch (1755-1834),AmericanSolitude in Pennsylvania, belonging to WilliamPenn, c. 1800Engraving, black and whiteGift of Eric Denker ’75, in Honor of Lynn Quallis ’752005.3.2

Winslow Homer (1836-1910),AmericanHome They Brought Her Warrior Dead, 1879Wood engravingGift of Eric Denker ’75, in Honor of Ward Davenny2005.3.3

Mortimer Menpes (1855-1938),AustralianMrs. Ronald Colman, c. 1930EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2005.3.4

Mortimer Menpes (1855-1938),AustralianMerton College, n.d.EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2005.3.5

Evan David Summer (b. 1949),AmericanLandscape XI, n.d.Etching, engraving, drypointGift of Eric Denker ’75, in Memory ofDonald Vogler2005.3.6

Robert Walter Weir (1803-1889),AmericanThe Presidents of the United States, c.1835EngravingGift of Eric Denker ’75, in Honor ofWilford W. Scott ’722005.3.7

AmericanEl Coronada Hotel, San Diego, 1891Wood block with ink residueGift of Eric Denker ’752005.3.8

Mabel Dwight (1875-1955),AmericanSelf-Portrait, 1932LithographGift of Eric Denker ’75, in Honor ofWilford W. Scott ’722005.3.9

AmericanHarper’s Magazine, vol. 82, 1891Gift of Eric Denker ’752005.3.10

JapaneseOne of the Juni Shinsho, twelve guardian generals surrounding Yakushi Nyorai,Possibly 12th to 14th century CEWood2005.4

Erica Lennard (b. 1950),AmericanWisteria, America, 2000Gelatin silver printGift of Mark Connelly2005.5.1

Erica Lennard (b. 1950),AmericanWater Lilies,Tunisia, 2000Gelatin silver printGift of Mark Connelly2005.5.2

Erica Lennard (b. 1950),AmericanFerns, Italy, 1999Gelatin silver printGift of Mark Connelly2005.5.3

Erica Lennard (b. 1950),AmericanLiYuan Garden, China, 2000Gelatin silver printGift of Mark Connelly2005.5.4

Erica Lennard (b. 1950),AmericanHampstead Heath, England, 1992Gelatin silver printGift of Mark Connelly2005.5.5

Ralph Gibson (b. 1939),AmericanWaiter; Isle of Capri, 1983Gelatin silver printGift of Mark Connelly2005.5.6

Ralph Gibson (b. 1939),AmericanDining Room View,Titian’s Palace,Venice,2002Chromogenic development printGift of Mark Connelly2005.5.7

Ralph Gibson (b. 1939),AmericanLeft Bank Bistro Menu, Paris, 2000Chromogenic development printGift of Mark Connelly2005.5.8

Ralph Gibson (b. 1939),AmericanRestaurant Sideboard, Helsinki, 2000Chromogenic development printGift of Mark Connelly2005.5.9

Ralph Gibson (b. 1939),AmericanFour Star Restaurant, Dijon, 1990Chromogenic development printGift of Mark Connelly2005.5.10

Ralph Gibson (b. 1939),AmericanDining Room, Beverly Hills, 2001Chromogenic development printGift of Mark Connelly2005.5.11

Ralph Gibson (b. 1939),AmericanDoorman, Chez Bocuse, Lyon, 1991Chromogenic development printGift of Mark Connelly2005.5.12

Ralph Gibson (b. 1939),AmericanPicnic, Long Island, 1994Chromogenic development printGift of Mark Connelly2005.5.13

Ralph Gibson (b. 1939),AmericanCafe Rosatti, Rome, 1986Chromogenic development printGift of Mark Connelly2005.5.14

Jenny Lynn (b. 1953),AmericanPyramid & Palms, 1983, printed 2002Gelatin silver printGift of Mark Connelly2005.5.15

Jenny Lynn (b. 1953),AmericanWoman Kneeling on Rooftop, 1979Gelatin silver printGift of Mark Connelly2005.5.16

Jenny Lynn (b. 1953),AmericanBlack Swan, 1983Gelatin silver printGift of Mark Connelly2005.5.17

Jenny Lynn (b. 1953),AmericanStone Dog, 2000Gelatin silver printGift of Mark Connelly2005.5.18

Jenny Lynn (b. 1953),AmericanThe Antelopes, 1988Gelatin silver printGift of Mark Connelly2005.5.19

Mortimer Menpes, Merton College, n.d., etchingGift of Eric Denker ’75, in Honor of Phillip Earenfight2005.3.5

Recent Acquisitions / Friends News

Jenny Lynn, Woman Kneeling on Rooftop, 1979gelatin silver print

Gift of Mark Connelly2005.5.16

Jenny Lynn (b. 1953),AmericanDog Ears, 2000Gelatin silver printGift of Mark Connelly2005.5.20

Jenny Lynn (b. 1953),AmericanTwo Faces, 1988Gelatin silver printGift of Mark Connelly2005.5.21

Jenny Lynn (b. 1953),AmericanHand and Foot, 1999Gelatin silver printGift of Mark Connelly2005.5.22

Leonard Baskin (1922-2000),AmericanThomas Eakins, 1964EtchingGift of Joan M. Covey, in Memory ofNancy J. Loughridge2006.1.1

Leonard Baskin (1922-2000),AmericanOwl, n.d.WoodcutGift of Joan M. Covey, in Memory ofNancy J. Loughridge2006.1.2

Peter Max (b. 1937), German/AmericanMax Odyssey Gallery, 1977Offset posterGift of the Doctors Meyer P. and Vivian O.Potamkin2006.2

FriendsBest Wishes to Sharon Hirsh

On January 1, 2006, Sharon Hirsh accepted the presidencyof her alma mater, Rosemont College, in suburbanPhiladelphia, and stepped down from her position as the

Charles A. Dana Professor of Art History at Dickinson College. Thenew appointment recognizes her life-long commitment to superiorquality education and her senior administrative skills. RosemontCollege is fortunate to attract Sharon to the shores of the SkuykillRiver. Sadly, Dickinson College, The Trout Gallery, and theDepartment of Art & Art History will miss her bold leadership, sound judgment, impressive scholarship, tireless support, and kindfriendship. Sharon played an instrumental role in founding The TroutGallery, served as interim director and member of the Friends Board,developed lasting relationships with donors and patrons, curatednumerous exhibitions, and hosted countless artists and art historians.Sharon leaves a legacy of achievement and vision to follow. We wishher the best of success at her new position.

Friends Events

This past spring, The Trout Gallery sent Friends aquestionnaire to survey interest levels to a varietyof potential event types. The response was remark-

able. One in three Friends responded to the survey, under-scoring the Friends devotion to the museum and interest in its activities, and providing a clear direction for future programming. Among the events that attracted the mostfavorable response are bus trips to metropolitan area museums, public lectures, and exhibition-related discussions.Over the course of the next year, The Trout Gallery will plan events in accordance with these and other preferences.Activities will include a bus trip to the newly openedSmithsonian American Art Museum in Washington, D.C. as well as a trip to Philadelphia to visit the King TutExhibition. Watch your mail box for invitations and notices regarding these and other events.

4.5K 07/06 Tr

BOARD MEMBERSWalter Beach ’56Donna ClarkeCarolyn Wherly

Cleveland ’60Eric Denker ’75Karen Neely Faryniak ’86Melissa GallagherSusan GoldbergPaul Kanev ’75 Maureen ReedMelinda SchlittWilford Scott ’72Tamar Weiss

Vice-President:Maureen Reed

Treasurer:Karen Neely Faryniak ’86

BENEFACTORMark W. Connelly

PATRONSHenry D. Clarke, Jr. ’55Donna L. ClarkeEric Denker ’75Joseph & Doris GerofskyGeorge Hoffer ’61Ann HofferSiena ScottWilford Scott ’72Mary Stuart Smith ’69Richard SniderMary Snider

CONTRIBUTORKathryn Cundiff

Anderson ’81Brien AndersonCarolyn Wherly

Cleveland ’60Phillip Earenfight

Eugene JeffreysBeverly C. JeffreysNancy Siegel

SUPPORTERSArthur Arnold II ’50John Curley ’60Ann Conser Curley ’63Todd Henry Engels ’87Deirdre DeBlasio Engels ’87Karen Neely Faryniak ’86Anneliza Dela

Cruz-Humlen ’91Odd-Egil HumlenWilliam E. Owens ’62Victoria Hann Reynolds ’50Woodrow W. ReynoldsNancy Gray Vibert ’83

FRIENDSCornelius AllenCynthia AllenGeorge AllanMary E. AllanMichelle Attias ’96William BakerAnnalee BakerPatricia Ritterhoff Barber ’84Kim BechertWilliam BechertRenie Carthage

Beidleman ’87David BeidlemanSarah J. Bonnice ’98Rick Bonomo ’71Michael Bose ’71Kenneth Brophy ’96Truman BullardBeth BullardJames R. BunceSally Greene BunceSarah Rachel Burger ’05Josie Prescott Campbell ’65

Melissa Capuano ’99Carlisle Area Newcomers

ClubBetty Richardson

Churchill ’58Daniel D. ChurchillColin ClarkeChristopher Cocores ’05David Cohn ’48Rosemarie CohnRalph CollianderJames DambrosiaKay Cadwallader

Dambrosia ’66Suzanne Ruggles Dates ’55Donald DatesDaniela M. D’Amato ’01Sylvie G. DavidsonMeta Duevell ’03Helen DelanoJames Evans ’51Joan Trier Evans ’55Ella ForsythMatthew Freedman ’08Melissa GallagherWilliam GallagherCarol Shaw Glatt ’55Julian GlattLori Edwards Goldman ’81Edward L. GoldmanDanielle Gower ’05Meghan Hadalski ’02David C. Hancock ’66Christopher Hatch ’88Michael HeimanPaula HeimanElizabeth Will Hillbert ’55G. Randolph HudsonCynthia Nixon-Hudson ’71Esther HumphreyAlissa Imperatore ’97David James ’74Leigha Jennings ’98

John Kallmann†Sylvia KauffmanAnn Thompson Kern ’63Edward KreuserDavid KranzSuzanne KranzMark D. LaroccaStephanie Latini ’04Richard LawsonRuth LawsonMorton Levitt ’58David Lipchak ’75Ashley Hodges Lorenz ’96Cassie Lynott ’06Sarah E. Maggs ’97Peter MartinAnn MartinRobert Masland, Jr.Jean MaslandAnne McLean ’93Clarence MillichapZita MillichapStacy C. Milo ’91Melissa Groff Mooney ’93Ryan Morey ’04Arthur A. MurphyTogo NishiuraEleanor NishiuraNoel Potter, Jr.Sarah Weissman Presite ’98David Reel ’92Stephanie Wolf Reel ’92Barbara Burket Ritter ’55Gisela RoethkeDieter RollfinkeJackie RollfinkeJeffrey RungeBjorn W. RunquistAnne C. RunquistMartha McLaughlin

Schloetzer ’99Scott Schweigert ’92Jack Shepley ’87

Amy Spangler ShepleyAmelia Span

Shillingsburg ’96Robert ShillingsburgLynnea Sparandero ’04Natalie Rizzo Taylor ’00Mark TaylorJohn Thayer VCaroline ThayerNancy Klaunberg

Thomas ’55Carroll ThomasJohn H. TurnerJanice B. TurnerMilica Curcic

Wainwright ’95Fred WainwrightMichael Weiss ’89Robyn Nichols Witschey ’80John WitscheyHelen Mercer Witt ’55Mr. & Mrs. Charles WoodBarbara Minnich Wyatt ’55William WyattRobert Zieff

† deceased

The Trout Gallery receivessupport from DickinsonCollege, the Ruth TroutEndowment, and the Helen E. Trout Memorial Fund.Additional funding for specialprojects comes from the HenryD. Clarke, Jr. Foundation forthe Arts.

Friends of The Trout Gallery

❑ Benefactor - $5,000

❑ Patron - $1,000

❑ Contributor - $500

❑ Supporter - $250

❑ Friends

❑ Family - $60

❑ Dual - $45

❑ Individual - $30

❑ Student - $15

M E M B E R S H I P F O R M July 1, 2006 – June 30, 2007

Name

Address

City State Zip

❑ New Member ❑ Renewal

Make checks payable to:Friends of The Trout Gallery

Dickinson CollegeP.O. Box 1773

Carlisle, PA 17013–2896

The Trout Gallery gratefully recognizes individuals and organizations who support the museum through contributions of service, funds, or works of art during the 2005-2006 fiscal year.