ftv 122e syllabus - ucla summer sessions · pdf filemicrosoft word - ftv 122e syllabus.docx...

4
COURSE SYLLABUS Course #: FTV 122E Course Title: Digital Cinematography Quarter/Yr: Summer 2015 Dates: See Full Calendar Below Mondays & Wednesdays 10AM1PM Monday, June 22 through Wednesday, July 29 *Workshops: Friday, June 26th – Section 1: 10AM1PM, Section 2: 1PM4PM Friday, July 17th – Section 1: 10AM1PM, Section 2: 1PM4PM Instructor/Contact: Phil Klucsarits Teaching Assistant/Contact: Course Description: The goal of this course is to introduce each student to the basic fundamentals of motion picture cinematography, to include both technical knowledge and artistic application. Special focus will be placed on the specific camera and lighting equipment to be used throughout the duration of the Summer Filmmaking Institute. Topics will include, but are not limited to: camera operation, composition and framing, lens choice, camera movement, setting proper exposure, lighting, collaboration, blocking, continuity and all aspects of visual storytelling. Recommended Readings: • Digital Cinematography: Fundamentals, Tools, Techniques & Workflows; David Stump, ASC • Cinematography Theory and Practice; Blain Brown • The ASC Manual Tenth Edition; Edited by Michael Goi, ASC • The 5 C’s of Cinematography; Joseph V. Mascelli • The Visual Story Creating the Visual Structure of Film, TV & Digital Media; Bruce Block • Painting with Light; John Alton, ASC • Reflections; Benjamin Bergery • Set Lighting Technician’s Handbook; Harry Box • American Cinematographer Magazine; Monthly Publication • ICG Magazine; Monthly Publication

Upload: dinhthuan

Post on 13-Feb-2018

218 views

Category:

Documents


1 download

TRANSCRIPT

 

COURSE  SYLLABUS  

Course  #:  FTV  122E       Course  Title:  Digital  Cinematography  

Quarter/Yr:  Summer  2015  

Dates:      See  Full  Calendar  Below  Mondays  &  Wednesdays  10AM-­‐1PM  Monday,  June  22  through  Wednesday,  July  29  *Workshops:                         Friday,  June  26th  –  Section  1:  10AM-­‐1PM,  Section  2:  1PM-­‐4PM  

                  Friday,  July  17th  –  Section  1:  10AM-­‐1PM,  Section  2:  1PM-­‐4PM    

Instructor/Contact:  Phil  Klucsarits    

Teaching  Assistant/Contact:        Course  Description:  The  goal  of  this  course  is  to  introduce  each  student  to  the  basic  fundamentals  of  motion  picture  cinematography,  to  include  both  technical  knowledge  and  artistic  application.  Special  focus  will  be  placed  on  the  specific  camera  and  lighting  equipment  to  be  used  throughout  the  duration  of  the  Summer  Filmmaking  Institute.  Topics  will  include,  but  are  not  limited  to:  camera  operation,  composition  and  framing,  lens  choice,  camera  movement,  setting  proper  exposure,  lighting,  collaboration,  blocking,  continuity  and  all  aspects  of  visual  storytelling.    Recommended  Readings:  •  Digital  Cinematography:  Fundamentals,  Tools,  Techniques  &  Workflows;  David  Stump,  ASC  •  Cinematography  -­‐  Theory  and  Practice;  Blain  Brown  •  The  ASC  Manual  -­‐  Tenth  Edition;  Edited  by  Michael  Goi,  ASC  •  The  5  C’s  of  Cinematography;  Joseph  V.  Mascelli  •  The  Visual  Story  -­‐  Creating  the  Visual  Structure  of  Film,  TV  &  Digital  Media;  Bruce  Block  •  Painting  with  Light;  John  Alton,  ASC  •  Reflections;  Benjamin  Bergery  •  Set  Lighting  Technician’s  Handbook;  Harry  Box  •  American  Cinematographer  Magazine;  Monthly  Publication  •  ICG  Magazine;  Monthly  Publication        

Attendance:  Attendance  is  mandatory.  This  class  functions  based  on  your  attendance  and  participation,  so  please  be  respectful  of  your  classmates  and  arrive  on  time.  Attendance  and  Participation  at  each  class  meeting  is  imperative  since  there  will  not  be  an  opportunity  to  make-­‐up  missed  days.    Assignments  and  Grading:  Attendance  and  Participation  in  all  class  discussions  is  a  primary  factor  in  each  student’s  final  grade,  as  is  the  completion  of  each  of  the  In-­‐Class  Exercises  (5-­‐7  throughout  the  quarter).  There  will  be  an  In-­‐Class  Camera  and  Lighting  Concepts  Quiz  during  the  first  class  meeting  of  Week  #4  that  will  also  be  a  large  component  of  the  final  grade.  The  Advanced  Camera  and  Lighting  Exercise  Journal  will  consist  of  a  brief  description  of  these  practice  exercises,  which  will  take  place  during  Workshop  #2,  held  on  the  Friday  of  Week  #4.  These  journals  should  include  discussions  of  all  creative  decisions  made,  challenges  faced  and  problems  solved  during  each  exercise.  The  journals  will  be  due  during  the  final  class  meeting,  during  Week  #6  of  the  quarter.    Below  is  the  weight  given  to  each  component  of  the  course  grade:    Attendance  and  Participation                 20%  In-­‐Class  Exercise  Completion  (5-­‐7  Exercises)             20%  In-­‐Class  Camera  and  Lighting  Concepts  Quiz  (1st  class  of  week  #4)       30%  Advanced  Camera  and  Lighting  Exercise  Journal  (due  last  class  meeting)       30%    Final  Course  Grade:                   100%  A       (90-­‐100%)  B       (80-­‐89%)  C       (70-­‐79%)  D       (60-­‐69%)  F       (<59%)    Please  note  that  ALL  COURSE  GRADES  ARE  FINAL.                        

COURSE  OUTLINE  Class  Meeting   Topics  Discussed   Assignments  Monday  June  22nd    (10AM-­‐1PM  SS#3)  Week  #1  

Introduction  to  class  &  institute  structure  Safety  briefing  Role  of  the  cinematographer  Screen  clips  &  short  film  Composition  &  Framing  Frame  size  terminology  *Instructor  demo  of  camera  equipment      

 

*Wednesday  June  24th    (10AM-­‐1PM  SS#3)  Week  #1  

Lens  Choice  Exposure/F-­‐Stop/Shutter/ISO  Depth  of  field  Camera  operating  *Hands-­‐on  introduction  to  camera  equipment    

 

Friday  June  26th    (Section  1:  10AM-­‐1PM)  (Section  2:  1PM-­‐4PM)  Location  TBD  Workshop  #1    

*Composition/Framing  exercise  *Exposure  setting  exercise  *Camera  operating  exercise  *Focus  pulling  exercise    

 

Monday  June  29th    (10AM-­‐1PM  SS#3)  Week  #2  

Camera  movement  Camera  movement  example  clips  Static  camera  Panning/Tilting  Dolly  Handheld  *Camera  movement  exercise  with  stations    

 

Wednesday  July  1st    (10AM-­‐1PM  SS#3)  Week  #2  

Lighting  for  emotional  impact  Lighting  example  clips  Discuss  lighting  terminology  &  concepts  Color  temperature  Types  of  lighting  units  *Hands-­‐on  introduction  to  lighting  equipment    

 

Monday  July  6th  (10AM-­‐1PM  SS#3)  Week  #3  

Controlling  light  Grip  equipment  Gels  Diffusion  *Soundstage  lighting  exercises    

 

Wednesday,  July  8th  (10AM-­‐1PM  SS#3)  Week  #3  

Day  exterior  lighting  techniques  Bounced/diffused  sunlight  concepts  Screen  day  exterior  lighting  example  clips  *Day  exterior  lighting  exercises  

Prepare  for  Camera  &  Lighting  Concepts  Quiz;  during  next  class  meeting  

Monday  July  13th    (10AM-­‐1PM  SS#3)  Week  #4  

Shooting  &  Continuity  rules  Coverage/covering  a  scene  180  Degree  Line  Blocking  a  scene  for  camera  *Hands-­‐on  demo:  blocking  a  scene  *In-­‐Class  Camera  &  Lighting  Concepts  Quiz    

 

Wednesday  July  15th    (10AM-­‐1PM  SS#3)  Week  #4  

*Additional  soundstage  lighting  exercises  *Possible  hands-­‐on  “Mock  Shoot”      

 

Friday  July  17th  (Section  1:  10AM-­‐1PM)  (Section  2:  1PM-­‐4PM)  Location  TBD  Workshop  #2    

*Advanced  lighting  exercises  with  stations  *Advanced  camera  exercises  with  stations    

 

Monday  July  20th    Week  #5  

No  Class  –  Instructor  will  attend  production  meetings  to  be  held  during  FTV  178  class      

 

Wednesday  July  22nd    Week  #5      

No  Class  –  Final  Shoots  Taking  Place    

 

Monday  July  27th  Week  #6  

No  Class  –  Instructor  will  attend  screenings  and  critique  session  held  during  FTV  178  class    

Finalize  Journal  submissions;  due  next  class  meeting  

Wednesday  July  29th    (10AM-­‐1PM  SS#3)  Week  #6  

Final  color-­‐correction  process  Color-­‐correction  notes  session  on  final  projects  Class  &  Final  Project  wrap-­‐up    

Camera  &  Lighting    Exercise  Journals  due