fusion - bionics · oled display above to make fast work of manual source selection, pan/balance...

FUSIONDESIGN AND TECHNOLOGY BECOME ONE

Since 2003, Axia has become the name broadcasters think of first when they start planning networked broadcast facilities. Thousands of radio and audio professionals have made Axia their first choice for powerful, flexible, easy-to-use mixing consoles. Fusion, Axia’s newest modular console, is newest of a big family of consoles designed to suit studios of every size and activity level. It’s also our most advanced console yet, packed with features and capabilities refined over more than a decade of IP-Audio experience.

ABOUT AXIA AUDIOAxia is the AoIP division of Telos Systems, a technology leader in professional audio equipment for radio broadcasters since 1984. In 2003, we introduced the world’s first Ethernet-based console system for broadcasting. At the time this was a new idea, but VoIP showed the telecom industry how powerful, flexible and cost-efficient it was to move audio via IP, and the idea caught on fast with broadcasters, too. AoIP (sometimes called IP-Audio) is mainstream technology now, with thousands of radio studios around the world using Axia networks.

TEN YEARS OF IP-AUDIO EXPERIENCE, PACKED INTO A SINGLE CONSOLE.Ask broadcasters who’s the leader in IP-Audio. Chances are good they’ll say “Axia.” That’s because we’re the originators of studio networking for broadcast facilities; we produced our first console in 2002 (back when everyone else was saying “Audio over Ethernet? That’ll never work!”), and we’ve been listening, learning and inventing ever since. That’s why thousands of happy broadcasters worldwide have put Axia consoles to work for them.

Now, we’d like to introduce you to Fusion, Axia’s newest networked, modular broadcast console.

According to Websters, “fusion” means “joining two or more things together to form a single entity.” And that’s just what we’ve done. We’ve taken everything our clients have taught us over the past decade about today’s fast-paced broadcast environment – talent experiences, on-air mechanics, in-studio workflow and more – and used those thoughts, ideas and observations to create our smoothest, most intuitive, most indestructible networked console yet. Our talented team of scientists, engineers and broadcast professionals built a console with all the tools needed for everything from mile-a-minute call-in shows to tight music-driven formats, to multi-talent morning shows — or anything else your programming department can imagine.

Axia believes that powerful tools shouldn’t be hard to use. So our designers looked at the way broadcasters accomplish complicated operations — and created ways to simplify them.

Mix-minus, for instance. Fusion creates a custom clean-feed for every codec and phone caller you put on the air. Automatically, with no extra buttons to push, bus assignments to make, or settings to change. It just happens.

Recording off-air phone bits for later playback? Traditionally, that meant removing talent and callers from Program buses, assigning them to a record bus, starting a recorder…and then manually creating the mix-minus! Fusion’s one-touch Record Mode does all of that for you, managing bus assignments, creating the mix-minus, recording the conversation, even changing the operator’s headphone monitor feed — and then changing back when you’ve finished, with the press of a single button.

Then there’s Fusion’s built-in talent Mic processing that combines with its Show Profile set-save-recall system. Got a jock whose voice needs a little extra sweetening? Build a custom voice-processing mode for them using Omnia compressing, limiting and de-essing tools, then save those settings in a personalized profile that can be recalled in an instant.

Even something very complicated, like reconfiguring the console from handling regular programming to producing a live in-studio band performance with multiple mics and DI inputs is made simple. In the old days, you’d be pushing dozens of buttons to make new input choices, bus assignments, monitor settings and EQ tweaks. With Fusion, you can do it all with two clicks, bringing up a stored Show Profile snapshot that suits the job at hand.

Simply put, Fusion is a power-user’s dream. In addition to pre-programmed profiles that make it simple to quickly define new audio sources, Fusion boasts a highly-detailed, flexible Source Profile interface which allows you to build audio inputs with completely customized, state-based behaviors — granular control of GPIO functions, IFB backfeed and mix-minus, and Monitor and Program Bus assignments — all based on channel On/Off/Preview status. These powerful tools give you complete control of the behavior of audio sources as they enter and leave the console, allowing automation of complex operations and helping operators run easier, more error-free shows.

Mixing capacity? Fusion has 4 Program buses, plus 4 Aux sends and 2 Aux returns, along with 16 five-channel “Virtual Mixers” that let you mix multiple audio inputs using virtual faders.

Clients have told us over and over how much they value the durability of Axia consoles. Fusion is no exception: all work surfaces are made of heavy-duty, anodized aluminum. This ensures that Fusion will shrug off mistreatment by even the most careless jocks — there are no plastic overlays to crack and peel, no paint to wear off; Fusion’s module markings are sealed with a double-anodizing process, so they’ll stay sharp and legible forever. They literally can’t rub off!

FUSION | DESIGN AND TECHNOLOGY BECOME ONE

TelosAlliance.com/Fusion

POWER + SIMPLICITY

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This Telos Call Controller module with built-in Status Symbols and dedicated faders adjacent to line-selector controls helps your jocks create talk segments that are smoother and more error-free. Gives direct control of advanced Telos Talkshow systems like Nx12, Hx6, VX Broadcast VoIP system, etc.

Fusion work surfaces are made from machined aluminum plate for durability and beauty. Those easy-to-read markings aren’t painted on, like some “premium-quality” consoles; they’re actually anodized onto the metal — they’ll never fade, rub o, scratch or become illegible, no matter how rough those weekend jocks get.

No audio runs directly through the Fusion controls — mixing is all handled by your Axia StudioEngine or PowerStation DSP-powered mixing engines. But that doesn’t mean we skimped on the faders! Our obsessive

console designers specify only the highest quality conductive-plastic faders; light and silky-smooth

under your ngers. Not only that, they’re side-loading, which means that dirt, dust and other contaminants

fall past the faders — not into them.

The days of manually constructing mix-minuses are over for good. Fusion intelligently builds a custom

mix-minus for every phone and codec source based on Program bus assignment, ensuring that your talent,

guests and listeners hear only what they’r supposed to hear. And the time it takes to get an important guest

ready for air just dropped dramatically, too.

Options knob on every fader strip works with the OLED display above to make fast work of manual source selection, pan/balance adjustments, fader

gain trim and more. Intuitive push-and-twist operation means smooth, error-free shows.

There’s a high-resolution OLED (organic LED) display associated with each Fusion fader strip. Operators

know at a glance what source is assigned, whether a talkback channel or mix-minus is available, and even

that audio is present thanks to full-time condence metering. for every source.

POWER + SIMPLICITY

IT'S ALL ABOUT THE DETAILS

We also put razor-sharp, high-resolution OLED displays on every fader strip. These are readable even from acute angles, aiding talent during fast-paced show production. Along with source names, these OLEDs display full-time confidence meters for each assigned source, further ensuring smooth, error-free shows and helping prevent dead air. When Talkback is active, graphical tallies light up to show you who’s talking, and to whom — and even how loud the Talkback channel is!

Fusion’s on-screen metering and Options displays are a wealth of information, too. Making the most of modern wide-screen monitor design, Fusion displays six stereo meters by default, making it perfect for main control rooms with multiple active program outputs. Meters are switchable and can display gain in VU, DIN or BBC-style PPM, plus EBU Digital and Nordic scales.

Setup? Fusion may be the easiest Axia console ever. Like any other AoIP device, it connects directly to the network via Ethernet, allowing unparalleled flexibility when placing consoles and connecting to mixing engines.

Ready for an in-depth view of Fusion? First, take a good look at the bottom of any fader strip. Notice the “Talkback” key? Every mic source on your Axia network – news booth, talent position, producer’s station – can have an individual headphone backfeed. Touching the Talkback key (when the fader is associated with any mic source) allows your board op to talk privately to just that talent position — and talent can talk back to the CR, too, using their mics. Fusion operators can use even use this unique Talkback feature to communicate with phone callers and other studios, or remote talent via their codec’s IFB channel, all using the console mic. Press multiple Talkback keys and you’re communicating with multiple locations at once.



Fusion puts controls for all of your studio devices right on the console, where they’re most useful. For instance: phone hybrid modules with dedicated faders give instant control of Telos talkshow systems; talent can dial, answer, screen and drop calls without ever taking their eyes off the console, which means smoother, easier on-air phone segments. IP Intercom modules let talent communicate with other places in the broadcast plant — even PC-based workstations running available Axia SoftCom intercom software. And unlike standard intercoms, Axia’s IP Intercom system transports only broadcast-quality audio, which can be taken directly to air when emergencies strike.

Like all Axia consoles, Fusion has a built-in, password-protected Web server for easy remote administration from your office, your boss’ office, even your home office – anywhere there’s a network connection. Fusion works with Axia SoftSurface virtual console software too, so talent can take direct remote control of the console.

Fusion continues Axia’s well-known attention to detail and on-air safety. Redundant power supply options with fanless convection cooling, hot-swappable modules, silky-smooth conductive-plastic faders with a side-loading design that foils dirt and other contaminants, wiper-free optical rotary encoders and avionics-grade switches with LED lighting (tested to withstand more than five million operations) are all part of Fusion’s premium design.

The only thing not premium about Fusion is...its price. For all of this power, flexibility and ease of use, Axia clients have told us they’d expect to pay much more. Luckily, with Axia, you don’t have to.

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Fusion places essential controls within easy reach of operators, not buried in a menu somewhere. Like integrated profanity delay controls right on the board, a one-touch Record Mode that takes the work out of recording bits for later use, and Monitor / Headphone assignmens that can be coupled to follow each other, or assigned to different sources — with just one button touch.

Need to switch from music programming to news/interview at a moment’s notice? Just press the Show Proles key to recall any of 99 stored congurations and load sources, monitor selections, mic EQ and dynamics at a moment’s notice.

Need to record a bit for playback later? Just push the Record Mode key to instantly assign mics and phones (or any other source) to a utility bus and start your recording device, without disturbing what’s on the air. A second press puts it all back the way it was.

Full-featured Monitor module is easy to use, but satises power users too. Independent source selection for control room headphones & monitorss, studio monitors, preview channel, etc. Monitor external sources like remote broadcast setups, other studios, and transmitter feeds too, with just the push of a button.

Talkshow guests a regular feature? Integrated dialing pad works with Telos phones and codecs to make it easy to get guests on the line without taking your attention off the board.

Durability? Fusion was designed to work 24/7, 365 days a year, for years on end. Our engineers have tested the aircraft-quality switches into the millions of operations, to ensure they’ll stand up to whatever your board ops can dish out. Switch lighting is all-LED, of course, so chang-ing bulbs is something you’ll never have to do again. The frame? Rigid and EM-tight, thanks to a design that uses heavy aluminum extrusions (not thin, folded steel).

Fusion modules are designed to help your operators accomplish more tasks with more accuracy and less eort. This 20-station IP Intercom module puts intercoms for your broadcast plant directly into the console. The advantage? Full bandwidth digital Intercom audio that can be taken to air at a moment’s notice with no loss of quality.

4-Fader Modules are the workhorse of any studio. These accomodate any local or networked source: mics, analog or digital line, computer workstations or automation systems, or anything else you’ve got. Special Talkback keys allow direct two-way communication between board-ops and talent via individual headphone feeds.



BUILD IT YOUR WAY

Fusion is fully customizable, of course, with a full list of modules designed to suit your station’s unique way of making great radio. There are integrated controls for phones, codecs and studio talkback, SmartSwitch modules with context-sensitive displays that enable one-touch router salvos, even motorized faders for remote control or integration with your delivery system.

1. 4-Fader Module2. Monitor Modules Option 1: Expert Monitor / Navigation Module3. Monitor Modules Option 2: Standard Monitor / Navigation4. Call Controller Module

5. Switch Modules Option 1: 10-Button Film-Cap Switch Module 6. Switch Modules Option 2: 10-Button Film SmartSwitch Module7. IP Intercom Modules Option 1: 10 and 20-Station Intercom Module8. IP Intercom Modules Option 2: 10 and 20-Station OLED Intercom Modules

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MODULE OPTIONS

4-FADER MODULEThe 4-Fader module is where you start building your Fusion. It handles any type of source: line, mic, hybrid, phone, codec, PC, or anything else. Comes in standard and motorized-fader versions for use with automation systems or other moving-fader applications.

EXPERT MONITOR / NAVIGATION MODULEThe Expert Monitor/Navigation module shown here has extended monitor, headphone and preview controls, a numeric entry/dialpad that can be used with Element phone modules, plus four programmable User Keys that can trigger GPIO commands to profanity delay controls or recording devices, or routing salvos, scene changes and other events programmed using Axia PathfinderPC routing automation software.

Another basic module you’ll need is a Monitor module. Choose one of two types:

STANDARD MONITOR / NAVIGATION MODULEFor studios where expert monitor controls are not needed, the Standard Monitor/Navigation module is a space-saving design that incorporates two faders in addition to the numeric entry/dial pad and basic Monitor/Headphone controls.

CALL CONTROLLER MODULEThe Call Controller module has two faders plus integrated line switching controls with Status Symbols, for on-console control of advanced Telos broadcast phone systems. Available in standard and motorized-fader versions.

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MODULE OPTIONS

20-STATION OLEDINTERCOM MODULEFusion consoles come equipped with a sophisticated Talkback system that allows board ops to communicate directly with remote talent via individual Talkback channels. For larger facilities that require even more powerful communication capabilities, these 20-station intercom modules put broadcast intercom controls right in the console.

Station presets and GPIO functions for both types of modules are programmed using any standard Web browser. Using these Intercom modules, Fusion operators can

instantly talk to any other studio, control room, operations center – even PCs equipped with Axia SoftCom intercom software. And the audio is broadcast-quality, so putting an Intercom source on-air is easy and sounds great.

10-STATION FILM-CAPINTERCOM MODULE10-Station Filmcap intercom modules feature 10 LED-lit film-cap buttons for economical on-console IP Intercom integration. These are easily pre-programmed using a Web configuration page from any PC browser connected to your Axia network.

10-BUTTON FILM-CAPSWITCH MODULEEconomical 10-Button Film-Cap switch modules are perfect for giving talent access to often-used machine-control or GPIO-triggered routing commands. LED button backlights can be individually set to any of 8 colors.

Two available styles of programmable switch modules work with Axia PathfinderPC routing control tools. They make it easy to put complex custom routing salvos, or simple machine logic triggers, right at talent’s fingertips.

10-BUTTON SMARTSWITCH MODULENeed more complex control of routing functions? 10-button SmartSwitch modules feature dynamic, backlit LCD displays. Button functions, colors and text can be programmed to change in response to user actions using Axia Pathfinder routing automation tools. Construct custom routing salvos, cascading machine-logic command sets, and other complex routing operations.

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MIXING ENGINES

Fusion consoles were designed to give you maximum flexibility and configuration options. So instead of just one mixing engine, you’ve got your choice of two!

Pair your Fusion control surface with the powerful convection-cooled Linux-based StudioEngine and bullet-proof Fusion power supply (with available auto-switching redundant backup power), and use award-winning Axia xNode interfaces to bring audio and logic into your Axia network.

Or choose the PowerStation integrated console engine, an all-in-one powerhouse with audio I/O, DSP mixing engine and integrated zero-configuration network switch. PowerStation is also convection-cooled for silent in-studio operation; companion PowerStation Aux doubles I/O and adds automatic, redundant backup power.

StudioEngine Fusion Power Supply

PowerStation - Front PowerStation - Rear



FEATURES AT A GLANCE

h From 8 to 40 fader channels, each with instant, unlimited ac-cess to any source. Assign any type of source to any channel.

h Rugged construction of machined aluminum ensures rigidity and EM-tightness. Anodized aluminum work surface with laser-etched markings that can’t rub off ensures durability and good looks for life.

h Four main stereo outputs (Program-1 through Program- 4), plus four stereo Aux sends and two Aux returns.

h High-resolution OLED displays above each fader strip display selected source, full-time confidence metering, talkback status, pan/fade information and more.

h Integrated intercom capability includes built-in IFB for two-way communication to individual talent positions via headphone feeds and mics, plus a variety of optional drop-in intercom modules that connect to Axia IP Intercom whole-plant intercom systems.

h Flexible, intuitive Talkback system lets board ops talk to hosts, studio guests, external feeds — any source with an associated backfeed.

h Every channel has a stereo Preview (“cue”) function, with a unique latching interlock system for fast, intuitive operation. Multiple channels may be assigned to Preview simultane-ously.

h Reconfigurable monitor section with reassignable controls let operators instantly change monitored sources “on-the-fly.”

h Software control of options such as EQ, mic dynamics, aux sends and returns, pan and balance and other features deliv-ers maximum flexibility without panel clutter or intimidating controls.

h Built-in Omnia dynamics processing lets operators combine compression, de-essing and expansion with EQ to “sweeten” microphone sources.

h A unique Record Mode enables one-button setup of record mixes for phone bits or off-air interviews.

h Consolidated user display conveys meter, clock, timer and monitor source information at a single glance. Meter up to 6 buses at once if desired, using VU or PPM-style ballistics.

h Precision timer and clock functions, including an event timer that can be triggered by pre-defined sources, a countdown timer with last-minute alerting and a time-of-day clock that can be synchronized to network time using NTP.

h Show Profiles set-save-recall feature allows users to instantly recall a customized personal profile, or a profile tailored to specific show types. Up to 99 Show Profiles can be saved for interview shows, music-intensive programming, call-in talk shows, etc.

h Console functions can be accessed remotely for configura-tion, management and diagnostic purposes using any standard Web browser.

h Built-in 5.1 discrete mixing capabilities for production use features synchronized stereo upmix/downmix capabilities.

h Optional Telos phone control module provides direct, on-the-console line switching control of any Telos multi-line broadcast phone system.

h Numeric keypad (with # and * keys) lets operators quickly place calls with phone systems or codecs attached to the Axia network.

h Completely automatic mix-minus generation for every Phone caller or remote Codec source.

h Built-in control keys for external profanity delay unit inte-grate via Livewire with 25-Seven Program Delay Manager, or can be slaved to any other PDU using standard GPIO closures.

h No audio passes directly through the Fusion control surface, keeping your programming safe from studio accidents. All mixing and processing is performed by the StudioEngine or PowerStation mixing engines.

h Axia’s trademark long-life conductive-plastic faders with side-loading actuation defy dirt, grit and dust.

h Aircraft-grade switches with LED lighting have been tested to withstand millions of operations.

h Can be directly remote-controlled using Axia SoftSurface software for Windows.



So, what is Fusion?Fusion is a brand-new console from Axia. It’s engineered to be the most powerful, most flexible Axia console yet, for major market broadcasters and power users that require the most sophisticated features available. Fusion has familiar Axia features that on-air talent have come to love and depend on, like fully automatic mix-minus on every fader, precision voice dynamics by the audio processing experts at Omnia Audio, fully-automatic mix-minus for phones and codecs, and dynamically-generated “backfeeds” (location-specific IFB) for every talent location. At the same time, Fusion gives engineers unheard-of control over audio sources and how they can be used in the broadcast studio.

What kind of control? Give me an example.OK, here’s one: powerful new Advanced Source Profile controls let you build completely customized audio inputs from scratch, with source profiles that allow total control over every aspect of GPIO functions, IFB backfeed and mix-minus content, and Monitor and Program Bus assignments, source EQ settings and much, much more — all based on fader On/Off/Preview state. Using these powerful tools, you can completely control the behavior of each source as it enters and leaves the console, automating complex operations and helping operators run easier, more error-free shows. There’s a lot more under the hood, too; Fusion is a power user’s dream!

That sounds pretty cool. What else is new in Fusion?Glad you asked. Axia consoles are known for their toughness, and Fusion is no exception. All work surfaces are made of heavy-duty, anodized machined aluminum panels. This ensures that Fusion will shrug off mistreatment by even the toughest jocks — there are no plastic overlays to crack and peel, and no paint to wear off. Fusion’s markings are laser-etched, so they stay legible forever; they literally can’t rub off.

We also put razor-sharp, high-resolution OLED displays on every fader strip. These are readable from nearly every angle, which aids talent during fast-paced show production. These OLEDs also display full-time confidence meters for each assigned source, further ensuring smooth, error-free shows and helping prevent dead air. There are even confidence meters on Backfeed channels, to ensure that your operator’s cues to talent and studio guests are being heard.

You’ll find even more information in Fusion’s on-screen metering display. Making the most of modern wide-screen monitor design, Fusion displays six stereo meters by default, making it perfect for main control rooms with multiple active program outputs.

Meters are switchable and can display gain in VU, DIN or BBC-style PPM, plus EBU Digital and Nordic scales. When an Options knob is depressed on any fader strip, the center of this display transforms into an information center for the source assigned to that fader, instantly showing EQ and dynamics information, pan/balance settings, send/return information and more.

Fusion is also easy to set up. It connects directly to the network via Ethernet, allowing unparalleled flexibility when locating consoles separately from mixing engines.

I heard that Fusion has built-in Intercom func-tions. Tell me about that?In the old days, intercom systems were needed in only the largest facilities. But in today’s broadcast environment, where talent is responsible for more operations than ever before, radio professionals are more in need of dependable inter-studio communications than ever before.

Some broadcast consoles accommodate intercom functions, but only Axia has completely integrated intercom features right into the mixing surface. Fusion talks directly to the Axia IP Intercom system, which connects with the same Ethernet-based Axia studio network used for on-air audio. Custom drop-in Intercom modules mount right into the console alongside other essential controls, so that talent never has to take their hands or eyes off the board to communicate with producers, news talent, engineers – even front-office personnel.

This is important for two reasons. First, IP Intercom does away with the need to install a separate intercom system (with its separate central matrix, card cage and redundant wiring) to equip your facility with instant communications.

Second, since intercom audio is now integrated into the console and travels the same path as program audio, a single button-press is all that’s needed to take audio from an intercom source directly to air – a real advantage in situations where breaking news or emergency information has to be broadcast immediately (if not sooner).

But audio from intercom systems sounds like two tin cans connected with string. I wouldn’t put it on my air.You’re right – standard intercom audio does sound awful. But IP Intercom isn’t standard audio – it’s full-bandwidth, 20 Hz – 20 kHz, studio-quality. No frequency roll-off; no tin-can sound. It sounds just as good as any regular mic source.

FAQS





I’ve already got some Axia studios. Will Fusion work with my existing gear?Of course! That’s part of the beauty of building studios using IP-Audio. Fusion connects to your studio network using a standard Ethernet cable. Since the console is a controller for the mixing engine – where the heavy lifting takes place – a single connection carries all the data needed for up to 40 faders’ worth of mixing, GPIO logic, backfeeds and other studio control.

Fusion works seamlessly with any software or hardware made by the huge list of Livewire Partners and RAVENNA partners, too. Check out www.TelosAlliance.com/partners to see all the companies with goodies that connect to your Axia network.

You mentioned mixing engines. What engines does Fusion work with?Fusion works with our proven Axia StudioEngine and PowerStation mixing engines, used in over 4,000 broadcast facilities around the world. These bullet-proof, Linux-based engines include redundant power features with auto-switching capabilities, and support for consoles from 4 to 40 faders. They also have Omnia dynamics processing with de-essing, customizable to each talent’s voice, and three-band digital EQ with “SmartQ” assignable for each input. Additionally, these engines have so much power that they also support 16 Virtual Mixer channels, each one a combination of up to 5 inputs.

Redundant power? Tell me more about that.Radio is a 24/7 business, so naturally broadcasters want to make certain the console stays operational, no matter what. Power supplies in Axia console mix engines are Telecom-grade, designed for ultimate reliability in the harshest conditions. But on the off-chance that one fails, redundant power is available.

Each Axia StudioEngine has two separate internal power supplies with discrete AC mains connection. Should the primary fail, the backup takes over seamlessly, and the front-panel indicates the change; supplies are modular and field-replaceable in under one minute.The Axia PowerStation Main integrated console engine also has a hardened internal power supply. An optional auto-switching backup supply is added with the connection of a PowerStation Aux, which also doubles the amount of audio I/O, GPIO and Livewire ports available to your console.

And of course, Fusion’s own hardened, convection-cooled fanless power supply can be fitted with redundant auto-switching backup power.

I heard Axia builds a custom Ethernet switch for broadcast. Will Fusion work with that?It’s called xSwitch, and yes – Fusion works perfectly with it. What makes xSwitch unique is that it’s designed and programmed specifically for IP-Audio networks, so you don’t need to program

it like other switches. All the programming is done at the factory, so all you have to do is take it out of the box, connect it to your network, press one button to give it an ID number, and voila! xSwitch is passing audio inside of one minute. Pretty sweet, no? And xSwitch has PoE built in, to power studio accessories like xSwitch audio interfaces right over Ethernet. Talk about a time-saver!

But Fusion will still work with other switches, right?You bet. If you’d rather use a commercial Ethernet switch, Axia systems engineers have approved a huge list of industry-standard Cisco switches for use with Axia networks. View it at www.TelosAlliance.com/switches .

Can Fusion operate as a standalone board? Your other consoles do that, right?Right. Like all Axia consoles, you can connect them to a network to share sources and logic among multiple locations, or keep them separate. (One of our competitors calls these “islands of reliability.” It’s a great phrase, so forgive us if we steal it.)

Does the introduction of Fusion mean you’ll stop making some of your other consoles?Not at all. Unlike some companies, Axia believes that more choices are always better! Plus, Axia consoles have a very loyal fan base — there are over 5,000 of them on the air around the world! So we plan on continuing to produce our proven line of Axia consoles for the foreseeable future.

You said Fusion will work with other Livewire gear from the Telos Alliance and Axia Partners. What about RAVENNA networks?Axia is a RAVENNA partner, so yes – Fusion, like all Axia equipment, will work with RAVENNA networks, using an Axia xNode to supply a network clocking interface. Axia already has dozens of partners (over 60 at this writing) producing Livewire-ready hardware and software; our partnership with RAVENNA adds another 20 companies whose products can interoperate with Axia networks. No other console company offers this kind of interoperability.

Will Fusion be compatible with AES67?Axia is a huge proponent of interoperation. After all, that’s what IP-Audio is all about! And since we’ve been involved with AES67 since its inception (we were a charter, supporting member of the X192 project), our third-generation xNode audio interfaces were specifically designed to accommodate the new standard.

So, yes: Fusion is ready for the AES standard. Not only that, many if not all of our older products will support the new interoperability standard with the application of a software update, similar to the way RAVENNA networks now have a profile that supports Livewire devices.

FAQS

www.TelosAlliance.com/partners

www.TelosAlliance.com/switches

I love the way Telos phone gear and Axia consoles integrate. Fusion will do this, too, right?You bet. As a division of Telos, you’d better believe phone integration is important to us! Axia clients rave about the ease of on-console phone control, with direct access to hybrids, multi-line switching, fully-automatic mix-minus generation (“Look, Ma! No hands!”) and the single-cable Livewire connection between phone system and Axia network that consolidates all audio I/O and GPIO onto a single Ethernet cable.

Fusion users will enjoy the same level of tight phone-console integration that Axia clients have been in love with for over 10 years.

What modules does Fusion have?In addition to standard Fader modules (in groups of four), there’s a Call Controller module that lets talent command the latest Telos multi-line phone systems right from the console. It’s got high-resolution OLED Status Symbol displays for each incoming line, 12 individual line selectors for dual-hybrid setups, and two dedicated faders – one for each hybrid. Of course, you can assign other sources to those faders when you’re not using the phones.

Drop-in modules for Axia IP Intercom with 10- and 20-station configurations let talent talk with other intercom stations anywhere in your plant using the operator’s mic and Preview speaker. Not only that, Intercom audio is full-bandwidth and can be taken right to air in just seconds — a real time-saver in breaking news situations where reporters don’t have time to get to the studio.

Switch modules with customizable User Buttons can be used to fire routing salvos or control studio peripherals using GPIO. They’re available in a single-function film-cap version, as well as SmartSwitch versions with backlit LCD buttons with dynamically changing text that responds to user input.

Finally, there’s a Monitor Control module with selection and volume controls for the Control Room and Guest Studio monitor and headphone sources, on-console hotkeys for control of 25-Seven (or other brands’) profanity delay units, 4 programmable User Keys for routing salvo control, a Record Mode control that instantly reconfigures the board for error-free off-air recording, a DTMF keypad for control of Telos phones and codecs, and clock/timer controls. Another version of the Monitor module replaces some advanced controls with two faders; perfect for use in secondary studios with smaller consoles.

FAQS



I want to slave my console clocks to a house clock. Does Fusion support an NTP server?Yes, it does. And if you’re in a location where Daylight Savings Time is a consideration, Fusion handles the time change automatically, with no intervention needed from you.

I’ve had experience using your Element consoles. How is Fusion different? Element has been our best-selling, most popular console for quite a while. So we’ve had plenty of time to listen to our users and think about new ideas and features that broadcasters will like. Fusion is the result of this interaction.

Fusion is the most flexible, powerful console we’ve ever made. Nearly everything is customizable to fit the way you want to work. Its new flexible Source Profile options let you take control of how the console handles any audio input, from custom GPIO programming to mix-minus source and bus assignment, all based upon the state of the fader strip. And a sophisticated Flexible Record Mode improves upon and extends the capabilties of Axia’s famous one-button recording capability, letting you define recording bus assignments, monitor choices, metering options and more.

We’ve designed a crisp new look for Fusion, with machined, anodized work surfaces with double-anodized markings that can never fade, peel or rub off. They’ll stand up to even the most careless weekend talent without a hitch. LED lighting in all buttons, of course, with switches sourced from the aircraft industry to stay reliable over the long haul. And Fusion’s smart new squared-off design complements the high-tech look of any modern studio.

Overbridge channel displays feature crisp, high-resolution OLED displays to identify source assignments. They’re readable from nearly any angle and won’t wash out in bright light. And they incorporate new full-time confidence meters to give jocks assurance that, yes, that remote line really is ready for air.

Attractive new infographics make Fusion’s on-screen display the most useful and informative ever, designed for today’s widescreen, 16:9-aspect monitors. Just plug in any standard DVI-D monitor. You can display up to 6 Program and off-line meters simultaneously, along with NTP-capable studio clock, event and countdown timers, and context-sensitive readouts for Source EQ, Omnia Voice Dynamics, selection of up to 99 Show Profile console “snapshots” and much more.

Fusion connects to Axia networks using standard Ethernet, which allows more flexibility in locating mixing engines than Element. Fusion also has built-in Virtual Fader capability that lets you leverage the power of Axia mixing technology to expand the capacity of a Fusion console beyond its physical fader count. Studio talent or producers can control sources assigned to Fusion “virtual” faders using Axia SoftSurface software, or PathfinderPC custom on-screen control panels.



FAQS

SPECIFICATIONS

Naturally, Fusion keeps the best parts of Element as well, like our exclusive side-loading conductive-plastic faders that let dirt and liquids drop past the fader, not into it. Built-in Omnia headphone processing that gives talent that “on-air sound”, even when monitoring Program outputs. Four stereo mixing buses, along with 4 stereo Aux Send and 2 Aux Return buses. Fader-start and multi-channel simul-start capabilities.

And of course, Fusion comes with our industry-leading 24/7/365 support and 5-year warranty – features no one else comes close to.

Does Fusion cost more than Element?A little bit. We’ve been working like demons, packing Fusion with exciting new features and capabilities. We’ve also engineered it to be the most flexible AoIP console in the industry (and the best-looking too, if we do say so ourselves). Naturally, this comes with a bit of a premium. But we’ve built Axia’s reputation by providing consoles with advanced capabilities for less cost than expected, and we think you’ll find Fusion is very affordable — especially with all it can do.

Like all Axia products, Fusion consoles use only premium components to guarantee maximum audio fidelity. Although I/O is not contained within Axia mixing consoles, audio specifications for our xNode audio adapters are studio-grade and are presented here for your convenience.

MICROPHONE PREAMPLIFIERS h Source Impedance: 150 ohms

h Input Impedance: 4 k ohms minimum, balanced

h Nominal Level Range: Adjustable, -75 dBu to -20 dBu

h Input Headroom: >20 dB above nominal input

h Output Level: +4 dBu, nominal

MICROPHONE PREAMPLIFIERS h Source Impedance: 150 Ohms

h Input Impedance: 4 k Ohms minimum, balanced

h Nominal Level Range: Adjustable, -75 dBu to -20 dBu

h Input Headroom: >20 dB above nominal input

h Output Level: +4 dBu, nominal

ANALOG LINE INPUTS h Input Impedance: >40 k Ohms, balanced

h Nominal Level Range: Selectable, +4 dBu or -10dBv

h Input Headroom: 20 dB above nominal input

SPECIFICATIONS

ANALOG LINE OUTPUTS h Output Source Impedance: <50 Ohms balanced

h Output Load Impedance: 600 Ohms, minimum

h Nominal Output Level: +4 dBu

h Maximum Output Level: +24 dBu

DIGITAL AUDIO INPUTS AND OUTPUTS h Reference Level: +4 dBu (-20 dB FSD)

h Impedance: 110 Ohms, balanced (XLR)

h Signal Format: AES-3 (AES/EBU)

h AES-3 Input Compliance: 24-bit with selectable sample rate conversion,

h 32 kHz to 96kHz input sample rate capable.

h AES-3 Output Compliance: 24-bit

h Digital Reference: Internal (network timebase) or external reference 48 kHz, +/- 2 ppm

h Internal Sampling Rate: 48 kHz

h Output Sample Rate: 44.1 kHz or 48 kHz

h A/D Conversions: 24-bit, Delta-Sigma, 256x oversampling

h D/A Conversions: 24-bit, Delta-Sigma, 256x oversampling

h Latency <3 ms, mic in to monitor out, including network and processor loop

FREQUENCY RESPONSE h Any input to any output: +0.5 / -0.5 dB, 20 Hz to 20 kHz

DYNAMIC RANGE h Analog Input to Analog Output: 102 dB referenced to 0 dBFS,

h 105 dB “A” weighted to 0 dBFS

h Analog Input to Digital Output: 105 dB referenced to 0 dBFS

h Digital Input to Analog Output: 103 dB referenced to 0 dBFS, 106 dB “A” weighted

h Digital Input to Digital Output: 138 dB

EQUIVALENT INPUT NOISE h Microphone Preamp: -128 dBu, 150 ohm source, reference -50 dBu input level

TOTAL HARMONIC DISTORTION + NOISE h Mic Pre Input to Analog Line Output: <0.005%, 1 kHz, -38 dBu input, +18 dBu output

h Analog Input to Analog Output: <0.008%, 1 kHz, +18 dBu input, +18 dBu output

h Digital Input to Digital Output: <0.0003%, 1 kHz, -20 dBFS

h Digital Input to Analog Output: <0.005%, 1 kHz, -6 dBFS input, +18 dBu output

CROSSTALK ISOLATION, STEREO SEPARATION AND CMRR

h Analog Line channel to channel isolation: 90 dB isolation minimum, 20 Hz to 20 kH

h Microphone channel to channel isolation: 80 dB isolation minimum, 20 Hz to 20 kHz

h Analog Line Stereo separation: 85 dB isolation minimum, 20Hz to 20 kHz

h Analog Line Input CMRR: >60 dB, 20 Hz to 20 kHz

h Microphone Input CMRR: >55 dB, 20 Hz to 20 kHz

AUDIO PROCESSING

EQUALIZER h Frequency Bands: 20Hz to 320Hz, 125Hz to 2KHz, 1.25KHz to 20KHz.

h Cut/Boost range on each band: -25dB to +15dB.

h Q-factor: Automatic - bandwidth varies based on amount of cut or boost.

COMPRESSOR h Threshold: -30dB to 0dB Ratio: 1:1 to 16:1

h Post-processor Trim Level: Adjustable from -20dB to +20dB

EXPANDER/NOISE GATE h Threshold: -50dB to 0dB Ratio: -30dB to 0dB

DE-ESSER h Threshold: -20dB to 0dB Ratio: 1:1 to 8:1

POWER SUPPLY AC INPUT, STUDIOENGINE h Auto-sensing, field-replaceable modular supply, 90VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse

h Power consumption: 100 Watts

POWER SUPPLY AC INPUT, FUSION POWER SUPPLY

h Auto-sensing supply, 90VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse


POWER SUPPLY AC INPUT, POWERSTATION AUX & MAIN

h Auto-sensing supply, 90VAC to 240VAC, 50 Hz to 60 Hz, IEC receptacle, internal fuse


OPERATING TEMPERATURES h -10 degrees C to +40 degrees C, <90% humidity, no condensation



SPECIFICATIONS ARCHITECTURE SPECIFICATIONS

The following specifications shall describe a mixing console intended for studio operations. Reliability, ease of service and user friendly operation are primary considerations. The console system must perform to professional broadcast audio specifications described herein. The following specifications listed shall be considered the minimum required.

DESIGN SPECIFICATIONS:

The control surface (user interface) shall be modular, and shall be available in multiple frame sizes to accommodate fader counts of as few as 8, and as many as 40 faders, each with user-selectable access to all available sources. All system components will be packaged using a machined-aluminum surface and machined steel frame and electronics enclosure in order to minimize RFI. Aircraft-quality switches and optical rotary encoders shall be used throughout. High-resolution OLED (Organic Light-Emitting Diode) displays shall be provided on every fader for the purpose of identifying assigned audio sources and shall have full-time confidence metering displays. Dimmable LED lighting shall be provided in all keys. Automatic mix-minus shall be provided on every fader. Main Program Bus meters shall be switchable between VU or PPM metering styles.

All audio input and output connections, Ethernet switch and logic ports shall be provided using either an attached, integrated audio engine, or a separate mixing engine/power supply combination with accessory audio and I/O interfaces. Mic inputs shall be fitted with switchable Phantom power; Analog inputs outputs as well as AES/EBU inputs and outputs shall be accommodated. GPIO logic must follow audio assignments throughout the audio plant with no additional keypresses required.

Console network connections must be fully IEEE compliant and compatible with computer-industry-standard hubs, switches, routers, testers, cables, etc. All signals to and from the terminals and processing engine shall be low-latency, linear PCM stereo audio streams in multicast packet format. The protocol for the network audio signals shall be designed to exploit the prioritization capabilities of VoIP-compatible Ethernet switches.

The overall input-to-output latency (delay) of the console system shall be less than 4 milliseconds, including the time necessary for mix processing, routing, A/D/A conversion, etc.

PROCESSING:

A to D: 24-bit resolution minimum.D to D: AES3-1992 (ANSI S4.40-1992), 24-bitSample Rate ConvertedD to A: 24-bit resolution minimum.Sample Rate: 48kHz

STRUCTURE:

Mixing buses: There shall be four main stereo mix buses and a Preview (cue) bus. Bus outputs shall be provided as AES-3, analog or Livewire IP-Audio formats.

Outputs (Analog or Digital) shall include four Stereo Main (PGM1, PGM2, PGM3, PGM4), Cue, Mix-Minus, Studio Monitor, and multiple Stereo Headphone feeds.

Meters: Up to six vertical bargraph meters presented on a widescreen VGA monitor, switchable between VU or PPM ballistics.

Clock/Timer: The Timer shall be 4-digit and displayed on the console video monitor, adjacent to the Meters. The Timer shall be provided with both manual controls and control-surface selectable automatic mode. The automatic mode shall enable input modules to trigger timer reset and start (via logic) when a source is loaded which has been programmed to reset the event timer when activated.

Time-of-day clock shall be displayed on the console video monitor, adjacent to the Meters. The clock shall be presented in a standard, round 12-hour format and be capable of synchronizing to standard-format NTP messages or capable of free-running. The clock shall shall indicate present time in 12 or 24 hour format.

Switching of all audio functions shall occur electronically. No audio shall be present on the control surface panel switches, faders, knobs or encoders. All switches shall be backlit with LEDs to indicate status.

Logic commands to external devices (i.e., CD, Hard Drive Systems) shall be provided via opto-isolated logic connections present in the networked audio adaptors. All special interfacing requirements to external devices shall be provided on these GPIO devices. All internal console logic commands (i.e., control room speaker muting and preferences) shall be individually programmable for each GPIO port.

Each GPIO port shall be capable of being assigned to any desired source and then activated automatically when that source is loaded into a channel. Each GPIO port will provide the following logic when the port is active.



The following are required minimum logic commands:

h For a GPIO port dedicated to Control Room or Studio Monitor logic:

» On-Air tally

» Monitor mute

» External Preview Input active

h For a GPIO port dedicated to a Microphone source:

» Remote on; remote off

» On tally; off tally

» Mute (cough)

h For a GPIO port dedicated to a Line or Phone source:


» 2. On tally; off tally

» Start pulse; stop pulse

» Source Ready

h For a GPIO port dedicated to a Codec source:


» On tally; off tally

» Start pulse; stop pulse

» Talkback

The fader channels on the control surface shall be each capable of any of the following source types:

h Microphone Host in the Control Room

h Microphone Non-Host in the Control Room

h Microphone in the Studio

h Normal Line Source

h Phone Source

h Codec Source

h Computer Player Source

Each terminal shall be configured during installation so that each input (and sometimes outputs and GPIO as well, depending on type) is mapped to a unique source and designated as the appropriate source type. Once configured, when the source is loaded, the fader channel attributes and operating style shall conform to the needs of the source type.

ELECTRONIC ARCHITECTURE SPECIFICATIONS



AXIA AUDIO | 1241 SUPERIOR AVENUE | CLEVELAND, OH 44114 USAMAIN: +1.216.241.7225 | 24/7 SUPPORT: +1.216.622.0247 | TELOSALLIANCE.COM

© 2015 TLS CORP. THE TELOS ALLIANCE. ALL RIGHTS RESERVED. A15/16007

The fader channels shall each offer the following functions for any source type:

h Separate, illuminated ON/OFF buttons below the fader

h Illuminated PGM1, PGM2, PGM3, PGM4 and Preview buttons

h A Talkback button enabling console operator to talk privately to talent via headphones paired with talent microphones assigned to the fader

h Level shall be controlled with a linear fader with 100mm of travel

h Each fader channel shall also provide an OLED display for source name and source audio confidence metering, pre-ON/OFF switch

All Program buses shall be fed post-fader, post ON/OFF.

The Preview function shall provide an interlock so that pressing Preview on one channel de-selects any active Preview on any other channel. It shall be possible to override the interlock by pressing and holding any Preview button and selecting or deselecting (by touching) any other channels.

Each fader channel shall be equipped with an Options knob, the pressing of which shall grant access to channel-specific functions not available on the front panel, such as Source Selection, EQ, DYNAMICS, PAN, SENDS, etc. Control options shall be presented on the attached console video monitor adjacent to the Meters, and tallies shall be present on each channel’s OLED display when active.

When either a Host or Non-Host Microphone is loaded into a fader channel, pressing ON shall mute the Control-Room monitors and Preview monitors. When a Host Microphone is loaded, pressing the ON button while the channel is ON will mute the channel signal as long as the button is held (local mute/cough function).

When a Line, Phone or Codec source are loaded into a fader channel, the channel shall be capable of sending start/stop pulses to the connected source (if a GPIO port has been dedicated to the source) when the channel is turned on and off.

A channel to which a Phone source is connected shall send a monaural mix-minus to that channel which shall be sourced from Program-1 or Program-2 bus, minus the source. An Auto mode shall be provided so that the mix-minus send will automatically send the Phone bus audio when the channel is off and Program-1 audio when the channel is on, always minus the source. The mix-minus output shall be interruptible with talkback so the operator can easily speak to the callers. The codec source shall provide the same type of mix-minus output but shall also add a second monaural output that shall not be interrupted by talkback audio.

ELECTRONIC ARCHITECTURE SPECIFICATIONS

fusion - bionics · oled display above to make fast work of manual source selection, pan/balance...

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