Post on 10-May-2015
Embed Size (px)
DESCRIPTIONMarketing plan for art show
- 1.FUION NYC is an engaged, curator-driven art show. The organizers will produce several curatorial experiences for the public at the Clemente Soto Velez Cultural & Educational Center. Our show will explore what it takes to live and express oneself as a full human being. Technology has not only changed our lives forever but also the relevancy of human endeavor. All facets of our life have been affected and how we relate to one another. So, we will look at ways where we can re- integrate our humanity creatively that includes are desires, individual tastes and environment through the lens of curators and artists of color.LEAD CURATORS Savona Bailey-McClain currently lives and works in New York City. She is an independent curator, producer and preservation advocate. The range of McClains practice has included sculpture, drawings, performance, sound, and mixed media. McClain is the Executive Director and Chief Curator for The West Harlem Art Fund, Inc. a sixteen year old public art organization serving neighborhoods around the City. Her public art installations have been seen in the New York Times, Art Daily, Artnet Magazine, Los Angeles Times, DNAinfo and Huffington Post among others. McClain strives for a soulful, meaningful connection with the public and the arts. It simply has to be approachable as far as she is concerned. McClain has installed at Times Square, DUMBO, Soho, NoLita, Williamsburg, Governors Island, Queens, Harlem (East, Central & West), Chelsea, the Bronx and East Harlem this past fall. McClain has a liberal arts degree from the University of Pittsburgh. Yves Marie Vilain is a Brooklyn born multimedia producer, with Haitian roots. He got his start producing commercial photography for organizations such as Filmmakers Magazine, IFP and Writer's Guild of America - WGAE. His portfolio includes work with celebrities & public affairs figures, such as Harry Belafonte and former NYC Mayor Bloomberg. Yves has a BA degree in media studies, at Queens College and has evolved into a creative team player with entrepreneurial skills. His love for art and media is a driving force in his professional career.
2. QUOTES Ina Archer who is a participating curator and who organized many of the digital works shared, The digital artists included in this show spotlight the challenges as well as opportunities that technology presents. These time-based art works remain fully human through the integration of the hand(made) and hand(held) devices. Using various media old and new, these artists share deliberate and aesthetically-motivated evocations of lo-tech and artisanal methods that include single channel, installation video, film, digital animation, performance and drawing. Yasmin Hernandez inspired by the theme of the show stated This exhibition, focusing on what it means to express oneself as a full, complete human being, has finally given me the opportunity to pay tribute to my brothers life and legacy. The bandanas use image and text from poems and songs to chronicle his short, but full life, from Puerto Rico to Brooklyn to community hero before ending his battle with cancer. Co-producer Yves Marie Vilain summed everyones feelings by saying that "Fusion NY provides what the art world is missing: diversity of overlooked talent". The line-up of curators and artists include: Lead Curators & Producers: Savona Bailey-McClain and Yves Marie Vilain; Participating Curators: Ina Archer, Badder Israel, Richard Beavers, Suave Rhoomes Artists: Ina Archer, Brian Convery, Dianne Dwyer, Dan Ericson, Scherezade Garcia, Chris Harris, Yasmin Hernandez, Ariel Jackson, Shani Peters, Joshua Reynolds, Adrienne Reynolds, Jamal Shabazz, Madeline Schwartzman, Shiro, Dianne Smith, Toccarra Thomas, and Yves Marie Vilain Artist Interviews on YouTube: http://www.youtube.com/watch?v=CPMEvXhbaRs http://www.youtube.com/watch?v=cKo9cTRC7mg 3. VENUE SITEHistory of West Soho FUION NYC abuts the Charlton-King-Vandam Historic District which includes the South Village area of Greenwich Village and West Soho. History of the area goes back to the Dutch and the mid 1640s. The first known farms were owned by freed slaves. Varick Street was named after Richard Varick , a Revolutionary War officer who served as Attorney General and then Mayor of the City of New York from 1789-1801. Aaron Burr helped with the creation of King and Vandam. The street King was named for Rufus King, a fellow U.S. senator; and Vandam for Anthony Van Dam, a wealthy importer and city alderman. The area has a lively history with commercial activity on the waterfront, anti-slavery history and Irish immigration. Many houses were kept in the same family for generations, and many people who led lives of distinction in the City continued to live here. 4. FAIR PARTNERCounting Sheep by artist Kyu Seok Oh and produced by the West Harlem Art Fund, Times Square Alliance & Armory ShowIn its sixteen years, The Armory Show has become an international institution, and every March, artists, galleries, collectors, critics and curators from all over the world make New York City their destination. The concept of a week of arts-related events grew organically, and was formalized with the support of the city in 2009. Mission of Armory Arts Week In celebration of the citys unparalleled artistic communities, Armory Arts Week highlights a neighborhood or boroughs arts scene each night with events. Past events have included special receptions, open studios, art tours, museum discounts, performances, panels, artist discussions and parties. Audience Armory Arts Week attracts visitors from all over the world, as well as residents of New York City and the Tri-State area. According to a 2007 independent economic impact study, of the 52,000 visitors to The Armory Show, 56 percent (29,000) were visitors to New York City; out-of-town visitors were comprised of 11,000 from other countries, 5,000 living in the suburbs of NYC, and 13,000 from elsewhere in the United States; and among all out-of-town visitors, 73 percent cited The Armory Show as their primary reason for being in New York City. 5. MUSEUM PARTNERS FUION NEW YORK in partnership with the West Harlem Art Fund will conduct museum tours with El Museo del Barrio and the Studio Museum in Harlem.Permanent Collection Tour & Wine Tasting El Museo del Barrio, often known simply as El Museo (the museum) is a museum located in the East Harlem neighborhood of Manhattan. It is located towards the northern end of Museum Mile, immediately north of the Museum of the City of New York and south of the future Museum for African Art. Founded in 1969, El Museo specializes in Latin American and Caribbean art, with an emphasis on works from Puerto Rico and the Puerto Rican in New York City. The museum features an extensive collection of around 8,500 pieces composed of pre-Columbian and traditional artifacts, particularly a large permanent Taino exhibit, as well as 20th century arts and crafts, graphics and popular media, Mexican masks, textiles from Chile and photographs and traditional art from Puerto Rico. There are often temporary exhibits on Puerto Rican and Latino modern art. The museum also sponsors numerous festivals and educational programs throughout the year including the annual Three Kings Day parade. 6. Tour & Wine Tasting at Red Rooster in Harlem The Shadows Took Shape Exhibition Harold Offeh After Funkadelic. Maggot brain. 1971 (V2), 2013 Courtesy the artist The Shadows Took Shape is a dynamic interdisciplinary exhibition exploring contemporary art through the lens of Afrofuturist aesthetics. Coined in 1994 by writer Mark Dery in his essay Black to the Future, the term Afrofuturism refers to a creative and intellectual genre that emerged as a strategy to explore science fiction, fantasy, magical realism and pan-Africanism. With roots in the avant-garde musical stylings of sonic innovator Sun Ra (born Herman Poole Blount, 1914 1993), Afrofuturism has been used by artists, writers and theorists as a way to prophesize the future, redefine the present and reconceptualize the past. The Shadows Took Shape will be one of the few major museum exhibitions to explore the ways in which this form of creative expression has been adopted internationally and highlight the range of work made over the past twenty-five years. The exhibition draws its title from an obscure Sun Ra poem and a posthumously released series of recordings. Providing an apt metaphor for the long shadow cast by Sun Ra and others, the exhibition features more than sixty works of art, including ten new commissions, charting the evolution of Afrofuturist tendencies by an international selection of established and emerging practitioners. These works span not only personal themes of identity and self-determination in the African-American community, but also persistent concerns of techno-culture, geographies, utopias and dystopias, as well as universal preoccupations with time and space.The twenty-nine artists featured in The Shadows Took Shape work in a wide variety of media, including photography, video, painting, drawing, sculpture and multimedia installation. Participating artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & Associates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:LL:Z, Lili Reynaud-Dewar, Larissa Sansour, Cauleen Smith, William Villalongo and Saya Woolfalk. Accompanying the exhibition will be a 160-page, fully illustrated exhibition catalogue (designed by Kimberly Varella of Content Object, Los Angeles), with twenty-nine artist entries and essays by the exhibitions curators; an introduction