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GENETICS A SHORT FILM INTERNATIONAL SALES PETER FADEYEV – 24 WINDSOR AVENUE – MOUNT WAVERLEY – VIC – 3149 TEL- +61 (0)424 350 556 – [email protected]

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Page 1: Genetics Press Kit 1 - adriantyson.comadriantyson.com/wp-content/uploads/2015/11/Genetics-Press-Kit-1.pdf · Satellite Reign some ten years previously. It was a music video I had

GENETICS A SHORT FILM

INTERNATIONALSALES

PETERFADEYEV–24WINDSORAVENUE–MOUNTWAVERLEY–VIC–3149TEL-+61(0)424350556–[email protected]

Page 2: Genetics Press Kit 1 - adriantyson.comadriantyson.com/wp-content/uploads/2015/11/Genetics-Press-Kit-1.pdf · Satellite Reign some ten years previously. It was a music video I had

GENETICS Essential Information

LogLineDownonhisluck,BraddecidestogethisfirstlovebackbyusingthescienceofGenetics

tohacktheirlives,nomatterwhatthedamage.

SynopsisDownonhisluckanddumpedbyhisgirlfriend,Braddecideshecanonlybehappywithhisfirstlove.DiscoveringthatsheisamarriedmotherdoesnotstophimandhedecidestousethescienceofGeneticstogetwhathewants.Bradwreakshavoconherlifeand

hisasaresultofhisactionsandtheyallmustsuffertheconsequences.

Director: AdrianTysonWriter: AdrianTysonExecutiveProducer: PeterFadeyevProducer: AdrianTysonProductionCompany: FilthyLookFilmsTechnicalInformation: .MOVdigitalfile/.MP4digitalfileFilmRatio: 16:9RunningTime: 18minutes17secondsCountryofProduction: AustraliaDateofCompletion: April2014Sales: PeterFadeyev24WindsorAve,Mount

WaverleyVIC3149 Tel-+61(0)424350556 [email protected]

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Writer/Director’sNotes-AdrianTysonExecutiveproducerPeterFadeyevandIhavebeenfriendsfortwentyyears.Itwasduringouruniversitystudiesintheearly‘90sthatwefirstdiscussedmakingfilmsoneday.Atthetimewehadnoideahowwemightachievethisbutwehadsomegreatscriptideasforthefuture.Overtheyearswemovedglaciallytowardsturningideasintoscripts.Eventhen,wedidn’tknowasinglepersonwithwhomwecouldcollaboratetoturnthemintoreality.Afteracoupleofdo-everything-ourselvesTropfesttiltswithlittlecomedyshortfilms,wedecidedthatforournextshortfilmitwastimetogetserious.Viaastrokeofluckagreathighschoolfriendofminementionedafriendofhiswhowasaworld-classcinematographerandthatmaybeIshouldtalktohimaboutmyideas.WhenIlookedupthismutualfriend,MickJones,itstruckmethatIknewhiscompanynameandthatIalsorecognizedamotorvehiclehehadbeenusingforproductions.ItturnedoutthatMickhadeditedanaward-winningmusicvideoformybrother’sbandSatelliteReignsometenyearspreviously.ItwasamusicvideoIhadappearedinforlaughsatthetime.AndthemotorvehicleMickwasusingwasaspecialistunitmyfather’sbusinesshadmanufacturedspecificallyforfilmproduction.Sotherewerethreethingswehadincommon.What’smore,wehadgrownupneareachotherand,eventhoughwehadnevermet,wehadplentyofnear-misses.Mickwashappytogivemeahearingandheagreedtoshootmyfirstprofessionalshortfilm,DowntheCoast,in2011.MickalsogavemetheopportunitytocrewsomefantasticmusicvideosforartistslikeDamienLeith,AdamBrandandAdamHarveyforSonyMusic.GeneticsisoursecondshortfilmworkingtogetherwithMickandhisFilthyLookFilmscrew.Geneticsasaconceptcameaboutfromthecoalescenceoftwounrelatedevents.Thefirstwasinthe1990s.Astaffmemberatwork,arealladiesmanduringtheseventies,toldmehowhethoughthehadfatheredadaughtertoamarriedwoman.Healsohappenedtoknowascientistintheemergingfieldofgeneticsandhadthoughtaboutgettingahairsampleofthekid,ashewasstillintouchwiththefamily,togettestedforpaternity.Acreepyscenarioifthereeverwasone.Iimaginedthewoman’shusbandreadinghispaperonaSundaymorningthinkingallwasasitseemed,oblivioustotheunseendrama.Thesecondeventwasin2006when,asaprecaution,myunbornsonwasroutinelytestedforanygeneticissuesandsubsequentlycleared.Ihadthisofficialtestreportfromageneticslaboratorythatshowedthesciencebehindthefindingsandtheactualchromosomereport.Afavouritefilmfrom1992wasTheHandthatRockstheCradlewhereavengefulRebeccaDeMornayposesasanannytoenterthehomeofahappilymarriedfamilyandwreakshavoconthesanityandmarriageoftheparents.Itstruckmethatadeterminedstalkerwhowantedtodestroyamarriagewheretherewerechildreninvolvedcoulduseahoaxgeneticreporttocreateabreakup,butonlyifitappearedauthenticanddeliveredinamannerthattargetedthehusband.Critically,thetestwouldneedtohavetheappearanceofbeingcommissionedinawaythatsoughttoeludethehusband’sknowledge.MickandtheFilthyLookFilmscrewwerebackonboardandwedecidedtoshootinearly2014.DeanKirkrighthadcomeonboardearlyasourleadactor.WehadknownDeanpreviouslyashehadworkedonaTVpilotforanotherFilthyLookFilmscrew

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memberthatwehadhelpedoutwith.WeknewDean’scommitmenttocharacterandworkethicwasamazingandhewasourfirstthoughtwhencastingthelead.KellyRobinsoncameonboardasourfemaleleadSarah.KellyparticularlylikedhowthecharacterofSarah,whiletreatedextremelypoorlybybothmeninherlife,defendedherselfandfoughtback.Sarahisstrongandstandsupforherselfwhenitcounts.IoriginallyconceivedthisscriptasafeaturelengthconceptandthankgoodnessLindaUngfromFilthyLookFilmswasabletotrimourshootingambitionsbacktoshort-filmreality,despitemyprotests.Weaimedforatwo-dayshoot,whichwasgoingtobeextremelytightconsideringwhatweweretryingtoinclude.ButthankstoLinda’splanningandtheprofessionalismofMickJones,SimonKoloadinandMarcelBreedfromDigitalLogicaswellasLisaMangion,wefinishedshootingjust6minutesovertimeaftertwo14-hourdaysthatincludedmultiplelocationsinboththeSydneyCBDandthesemi-ruraltownshipofCamden.Afterthefirsteditwehadawhopping25-minuteruntimethatwetrimmedto18minutesforthefinalcutofthefilm.Itwasamazingtoseetheendresultofanideabroughttolifeasashortfilm,onewithgreatactingandworld-classcinematographyandediting.AndforittobeacceptedintotheCannesFilmFestival’sShortFilmCornerwasagreathonour.ItwasatestamenttotheteamthatwehadonGeneticsthatIwasabletorepresentthefilminCannes.

Director’sBioAdrianTysonhaswritten,directedandproducedfourshortfilmswithhislatest,Genetics,showinginCannesattheShortFilmCornerinMay2014.AdrianhasalsocrewedseveralmusicvideosforartistslikeDamienLeith,AdamHarveyandAdamBrandforSonymusic.WorkingwiththeFilthyLookFilmscrewofDOPMickJonesandEditorLindaUng,AdrianisdevelopingtheGeneticspsychologicalthrillershortasafeaturefilmaswellaswritingaWWIIactionfeaturebestdescribedasamashupofVonRyan’sExpress,theDirtyDozenandIngloriousBasterds.

Director’scontactinformationAdrianTyson32GeorgeBransbyCircuit–HarringtonPark–NSW–2567Tel-+61(0)[email protected]/adriantyson

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ProductionCompany

FilthyLookFilms

CREATIVE|PRODUCTION| HANDMADECONTENT.

FilthyLookFilmshasateamofworldclassprofessionalcreativeswithextensiveproductionexperience,specialisingincompleteproductionandcreativesolutions.

Thecompanyhasafocusonhigh-qualityproductionswhiledevelopingfun,friendly,collaborativeandcasualrelationshipwithitsclients.

Contact:[ph][email protected]

CrewDirectedby: AdrianTysonWrittenby: AdrianTysonExecutiveProducer PeterFadeyevProducer AdrianTysonDirectorofPhotography MickJonesCameraAssist/Gaffer SimonKoloadinProductionAssistant MarcelBreedSoundRecordist LindaUngEditor LindaUngMusicComposer RonnieMinderSoundEditor RyanDickinsonHair&Makeup LisaMangionCatering RebeccaTyson

CastBrad DeanKirkrightSarah KellyRobinsonDave AaronCottrellBrendan RobbiePfahlExtras JudithDaley CassandraWallace StephenGrabowski SophieHart

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Press

DailyTelegraph/MacarthurChroniclehttp://www.dailytelegraph.com.au/newslocal/macarthur/camden-cafe-barenz-set-to-star-in-harrington-park-filmmakers-cannes-film-festival-debut/story-fngr8h70-1226920122720

MacarthurAdvertiserhttp://www.camdenadvertiser.com.au/story/2293929/film-gains-cannes-spot/?cs=1436

CannesFilmFestival2014http://sub.festival-cannes.fr/SfcCatalogue/MovieDetail/ddfa9220-68b6-4004-a116-9b0caf7ffb1c

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ProductionPhoto’s

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Highresolutionavailableonrequestforallpictures.