genuine han uni cation - adobe · 2017-09-22 · hànzì (chinese), kanji (japanese), and hanja...

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© 2011 Adobe Systems Incorporated. All Rights Reserved. Dr. Ken Lunde | Senior Computer Scientist | Adobe Systems Incorporated Genuine Han Unication IUC35, Santa Clara, CA, USA, Earth

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© 2011 Adobe Systems Incorporated. All Rights Reserved.

Dr. Ken Lunde | Senior Computer Scientist | Adobe Systems Incorporated Genuine Han Uni!cation

IUC35, Santa Clara, CA, USA, Earth

© 2011 Adobe Systems Incorporated. All Rights Reserved.

"e All-Important Disclaimer…

"is presentation contains events that may happen…

IUC35, Santa Clara, CA, USA, Earth 2

© 2011 Adobe Systems Incorporated. All Rights Reserved.

"e All-Important Disclaimer…

"is presentation contains events that may happen… …not those that necessarily will happen

IUC35, Santa Clara, CA, USA, Earth 3

© 2011 Adobe Systems Incorporated. All Rights Reserved.

"e All-Important Disclaimer…

"is presentation contains events that may happen… …not those that necessarily will happen

IUC35, Santa Clara, CA, USA, Earth 4

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

IUC35, Santa Clara, CA, USA, Earth 5

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

IUC35, Santa Clara, CA, USA, Earth 6

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

IUC35, Santa Clara, CA, USA, Earth 7

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

IUC35, Santa Clara, CA, USA, Earth 8

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

実 Chinese

IUC35, Santa Clara, CA, USA, Earth 9

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

実 Chinese 実 Japanese

IUC35, Santa Clara, CA, USA, Earth 10

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

実 Chinese 実 Japanese

IUC35, Santa Clara, CA, USA, Earth 11

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

実 Chinese 実 Japanese

骨 Chinese (Traditional) & Japanese

IUC35, Santa Clara, CA, USA, Earth 12

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese

実 Chinese 実 Japanese

骨 Chinese (Traditional) & Japanese 骨 Chinese (Simpli!ed)

IUC35, Santa Clara, CA, USA, Earth 13

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Pop Quiz—Chinese or Japanese?

一 Chinese & Japanese → U+4E00

実 Chinese 実 Japanese → U+5B9F

骨 Chinese (Traditional) & Japanese 骨 Chinese (Simpli!ed) → U+9AA8

IUC35, Santa Clara, CA, USA, Earth 14

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

IUC35, Santa Clara, CA, USA, Earth 15

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary

IUC35, Santa Clara, CA, USA, Earth 16

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s

IUC35, Santa Clara, CA, USA, Earth 17

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头

IUC35, Santa Clara, CA, USA, Earth 18

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

IUC35, Santa Clara, CA, USA, Earth 19

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

IUC35, Santa Clara, CA, USA, Earth 20

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

IUC35, Santa Clara, CA, USA, Earth 21

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

IUC35, Santa Clara, CA, USA, Earth 22

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

IUC35, Santa Clara, CA, USA, Earth 23

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

  Requires a lot of time and effort, and can lead to extrapolation

IUC35, Santa Clara, CA, USA, Earth 24

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

  Requires a lot of time and effort, and can lead to extrapolation

  Some are useful only for a single region, but may need to be rendered for other regions

IUC35, Santa Clara, CA, USA, Earth 25

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

  Requires a lot of time and effort, and can lead to extrapolation

  Some are useful only for a single region, but may need to be rendered for other regions

  East Asian writing systems will change in the future

IUC35, Santa Clara, CA, USA, Earth 26

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

  Requires a lot of time and effort, and can lead to extrapolation

  Some are useful only for a single region, but may need to be rendered for other regions

  East Asian writing systems will change in the future

  Can Unicode act as a catalyst for a single-glyph model that serves all regions?

IUC35, Santa Clara, CA, USA, Earth 27

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Background & Goals

  East Asian writing systems have changed over time, through reform

  Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头 �

  Character form (glyph) preferences change over time

  What was once deemed unacceptable is now the norm

  Today’s East Asian fonts fall into two categories

  Single-region fonts with a single glyph per CJK Uni!ed Ideograph

  Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph

  Requires a lot of time and effort, and can lead to extrapolation

  Some are useful only for a single region, but may need to be rendered for other regions

  East Asian writing systems will change in the future

  Can Unicode act as a catalyst for a single-glyph model that serves all regions?

  Will greater cross-cultural communication play a role?

IUC35, Santa Clara, CA, USA, Earth 28

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

IUC35, Santa Clara, CA, USA, Earth 29

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

IUC35, Santa Clara, CA, USA, Earth 30

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire

IUC35, Santa Clara, CA, USA, Earth 31

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

IUC35, Santa Clara, CA, USA, Earth 32

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

IUC35, Santa Clara, CA, USA, Earth 33

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

IUC35, Santa Clara, CA, USA, Earth 34

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

IUC35, Santa Clara, CA, USA, Earth 35

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

IUC35, Santa Clara, CA, USA, Earth 36

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

  Naturally, there are exceptions

IUC35, Santa Clara, CA, USA, Earth 37

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

  Naturally, there are exceptions

  Source Separation Rule

IUC35, Santa Clara, CA, USA, Earth 38

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

  Naturally, there are exceptions

  Source Separation Rule

  Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form

IUC35, Santa Clara, CA, USA, Earth 39

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

  Naturally, there are exceptions

  Source Separation Rule

  Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form

  Simpli!ed forms

IUC35, Santa Clara, CA, USA, Earth 40

© 2011 Adobe Systems Incorporated. All Rights Reserved.

What Is “Han Uni!cation”? What Is Being Uni!ed?

  “Uni!cation” of the most important East Asian (“Han”) character set standards

  Hànzì (Chinese), kanji (Japanese), and hanja (Korean)

  "e end result is a single repertoire: CJK Uni!ed Ideographs

  "ere are subtle—and sometimes not-so-subtle—region-speci!c forms

  "is is what is being uni!ed

  Han Uni!cation is based on a set of rules and principles

  "e notion of “Same Abstract Character” plays a signi!cant role

  Naturally, there are exceptions

  Source Separation Rule

  Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form

  Simpli!ed forms

  Some are uni!ed (骨 vs 骨), but some are not (車 vs 车)

IUC35, Santa Clara, CA, USA, Earth 41

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

IUC35, Santa Clara, CA, USA, Earth 42

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

IUC35, Santa Clara, CA, USA, Earth 43

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

IUC35, Santa Clara, CA, USA, Earth 44

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

URO—appended U+9FA6–U+9FBB 22 4.1

IUC35, Santa Clara, CA, USA, Earth 45

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

URO—appended U+9FA6–U+9FBB 22 4.1

URO—appended U+9FBC–U+9FC3 8 5.1

IUC35, Santa Clara, CA, USA, Earth 46

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

URO—appended U+9FA6–U+9FBB 22 4.1

URO—appended U+9FBC–U+9FC3 8 5.1

URO—appended U+9FC4–U+9FCB 8 5.2

Extension C U+2A700–U+2B734 4,149 5.2

IUC35, Santa Clara, CA, USA, Earth 47

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

URO—appended U+9FA6–U+9FBB 22 4.1

URO—appended U+9FBC–U+9FC3 8 5.1

URO—appended U+9FC4–U+9FCB 8 5.2

Extension C U+2A700–U+2B734 4,149 5.2

Extension D U+2B740–U+2B81D 222 6.0

IUC35, Santa Clara, CA, USA, Earth 48

© 2011 Adobe Systems Incorporated. All Rights Reserved.

CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617

Block Code Points Characters Version

URO U+4E00–U+9FA5 20,902 1.1

CJK Compatibility Ideographs

U+FA0E, U+FA0F, U+FA11, U+FA13, U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29

12 1.1

Extension A U+3400–U+4DB5 6,582 3.0

Extension B U+20000–U+2A6D6 42,711 3.1

URO—appended U+9FA6–U+9FBB 22 4.1

URO—appended U+9FBC–U+9FC3 8 5.1

URO—appended U+9FC4–U+9FCB 8 5.2

Extension C U+2A700–U+2B734 4,149 5.2

Extension D U+2B740–U+2B81D 222 6.0

URO—appended U+9FCC 1 6.1

IUC35, Santa Clara, CA, USA, Earth 49

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

IUC35, Santa Clara, CA, USA, Earth 50

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真

IUC35, Santa Clara, CA, USA, Earth 51

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都

IUC35, Santa Clara, CA, USA, Earth 52

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨

IUC35, Santa Clara, CA, USA, Earth 53

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

IUC35, Santa Clara, CA, USA, Earth 54

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉

IUC35, Santa Clara, CA, USA, Earth 55

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头

IUC35, Santa Clara, CA, USA, Earth 56

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐

IUC35, Santa Clara, CA, USA, Earth 57

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

IUC35, Santa Clara, CA, USA, Earth 58

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

IUC35, Santa Clara, CA, USA, Earth 59

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

IUC35, Santa Clara, CA, USA, Earth 60

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

IUC35, Santa Clara, CA, USA, Earth 61

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

  Mutual intelligibility takes precedence over regional glyph preferences

IUC35, Santa Clara, CA, USA, Earth 62

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

  Mutual intelligibility takes precedence over regional glyph preferences

  Some communication mediums are deemed more forgiving

IUC35, Santa Clara, CA, USA, Earth 63

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

  Mutual intelligibility takes precedence over regional glyph preferences

  Some communication mediums are deemed more forgiving: mobile

IUC35, Santa Clara, CA, USA, Earth 64

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

  Mutual intelligibility takes precedence over regional glyph preferences

  Some communication mediums are deemed more forgiving: mobile

  Some glyph differences are in (relatively) free variation within a single region

IUC35, Santa Clara, CA, USA, Earth 65

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Some Preliminary "oughts…

  Minor glyph differences do not prevent mutual intelligibility

写真 vs 写真 京都 vs 京都 骨 vs 骨 �

  Simpli!ed Chinese resulted in greater orthographic complexity

漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车

  Many minor glyph differences can be treated as regional preferences

  Writing systems undergo periodical reform

  "ere is much more cross-cultural digital communication than ever before

  Mutual intelligibility takes precedence over regional glyph preferences

  Some communication mediums are deemed more forgiving: mobile

  Some glyph differences are in (relatively) free variation within a single region

  Han Uni!cation is complex

IUC35, Santa Clara, CA, USA, Earth 66

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

IUC35, Santa Clara, CA, USA, Earth 67

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

IUC35, Santa Clara, CA, USA, Earth 68

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

IUC35, Santa Clara, CA, USA, Earth 69

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

IUC35, Santa Clara, CA, USA, Earth 70

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

IUC35, Santa Clara, CA, USA, Earth 71

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

IUC35, Santa Clara, CA, USA, Earth 72

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

IUC35, Santa Clara, CA, USA, Earth 73

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

IUC35, Santa Clara, CA, USA, Earth 74

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

IUC35, Santa Clara, CA, USA, Earth 75

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

IUC35, Santa Clara, CA, USA, Earth 76

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅

IUC35, Santa Clara, CA, USA, Earth 77

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡

IUC35, Santa Clara, CA, USA, Earth 78

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡 緑 vs 剝

IUC35, Santa Clara, CA, USA, Earth 79

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡

IUC35, Santa Clara, CA, USA, Earth 80

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸

IUC35, Santa Clara, CA, USA, Earth 81

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸 謹 vs 僅

IUC35, Santa Clara, CA, USA, Earth 82

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Signi!cant Events in Japan

  Jōyō Kanji (1981)

  1,945 kanji in common use—95 kanji added

  Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji

  NLC (National Language Council) kanji set (2000)

  Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji

  "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form

  Jōyō Kanji (2010)

  2,136 kanji in common use—196 kanji added; !ve kanji removed

  Incorporates many kanji from the NLC kanji set

  Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components

飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸 謹 vs 僅 狭 vs 頰

IUC35, Santa Clara, CA, USA, Earth 83

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

IUC35, Santa Clara, CA, USA, Earth 84

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

IUC35, Santa Clara, CA, USA, Earth 85

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

IUC35, Santa Clara, CA, USA, Earth 86

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

IUC35, Santa Clara, CA, USA, Earth 87

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

IUC35, Santa Clara, CA, USA, Earth 88

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

IUC35, Santa Clara, CA, USA, Earth 89

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

  Some Simpli!ed Chinese forms have been uni!ed

IUC35, Santa Clara, CA, USA, Earth 90

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

  Some Simpli!ed Chinese forms have been uni!ed

骨 vs 骨

IUC35, Santa Clara, CA, USA, Earth 91

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

  Some Simpli!ed Chinese forms have been uni!ed

骨 vs 骨 —Uni!ed as U+9AA8

IUC35, Santa Clara, CA, USA, Earth 92

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

  Some Simpli!ed Chinese forms have been uni!ed

骨 vs 骨 —Uni!ed as U+9AA8

角 vs 角

IUC35, Santa Clara, CA, USA, Earth 93

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Unicode as a Catalyst

  Uni!cation of regional glyph preferences into a single code point

  Han Uni!cation

  Sets the stage for a “single glyph per code point” model

  Remember the exceptions!

  Source Separation Rule

  Simpli!ed forms

  Some Simpli!ed Chinese forms have been uni!ed

骨 vs 骨 —Uni!ed as U+9AA8

角 vs 角 —Uni!ed as U+89D2

IUC35, Santa Clara, CA, USA, Earth 94

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

IUC35, Santa Clara, CA, USA, Earth 95

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

IUC35, Santa Clara, CA, USA, Earth 96

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

IUC35, Santa Clara, CA, USA, Earth 97

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

IUC35, Santa Clara, CA, USA, Earth 98

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

IUC35, Santa Clara, CA, USA, Earth 99

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

IUC35, Santa Clara, CA, USA, Earth 100

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

IUC35, Santa Clara, CA, USA, Earth 101

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

IUC35, Santa Clara, CA, USA, Earth 102

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

  "e big question:

IUC35, Santa Clara, CA, USA, Earth 103

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

  "e big question: Which regional glyph becomes the preferred glyph?

IUC35, Santa Clara, CA, USA, Earth 104

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

  "e big question: Which regional glyph becomes the preferred glyph?

  One could argue that GB 18030 already achieved Genuine Han Uni!cation

IUC35, Santa Clara, CA, USA, Earth 105

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

  "e big question: Which regional glyph becomes the preferred glyph?

  One could argue that GB 18030 already achieved Genuine Han Uni!cation

  "ere was obvious—and necessary—bias in the choice of glyphs

IUC35, Santa Clara, CA, USA, Earth 106

© 2011 Adobe Systems Incorporated. All Rights Reserved.

How Can Genuine Han Uni!cation Be Achieved?

  Future generations see regional glyph preferences as a communication barrier

  GB 18030 offers a glimpse into a possible model

  Established a “single glyph per code point” model

  Some amount of extrapolation was necessarily applied

鵤 → 鵤 (U+9D64)

  "e original (2000) version did this for the URO and Extension A in their entirety

  "e 2005 revision expanded this to include Extension B in its entirety

  "e only national standard that includes entire CJK Uni!ed Ideographs blocks

  "e big question: Which regional glyph becomes the preferred glyph?

  One could argue that GB 18030 already achieved Genuine Han Uni!cation

  "ere was obvious—and necessary—bias in the choice of glyphs

  Motivation and international cooperation are key success factors

IUC35, Santa Clara, CA, USA, Earth 107

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

IUC35, Santa Clara, CA, USA, Earth 108

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

IUC35, Santa Clara, CA, USA, Earth 109

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction:

IUC35, Santa Clara, CA, USA, Earth 110

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

IUC35, Santa Clara, CA, USA, Earth 111

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

IUC35, Santa Clara, CA, USA, Earth 112

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

  Unicode serves as the foundation for modern digital text

IUC35, Santa Clara, CA, USA, Earth 113

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

  Unicode serves as the foundation for modern digital text

  Periodic changes to the preferred form of region-speci!c glyphs

IUC35, Santa Clara, CA, USA, Earth 114

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

  Unicode serves as the foundation for modern digital text

  Periodic changes to the preferred form of region-speci!c glyphs

  Ever-increasing cross-cultural communication

IUC35, Santa Clara, CA, USA, Earth 115

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

  Unicode serves as the foundation for modern digital text

  Periodic changes to the preferred form of region-speci!c glyphs

  Ever-increasing cross-cultural communication

  Users tend to be more forgiving for region-speci!c glyphs in mobile environments

IUC35, Santa Clara, CA, USA, Earth 116

© 2011 Adobe Systems Incorporated. All Rights Reserved.

Is Genuine Han Uni!cation Possible?

  I !rmly believe so, but it is not possible today

  "ere exists far too much bias and preference in today’s generations and regions

  My prediction: Genuine Han Uni!cation is possible within 25 years

  "ere is sufficient evidence to back up this prediction

  Unicode serves as the foundation for modern digital text

  Periodic changes to the preferred form of region-speci!c glyphs

  Ever-increasing cross-cultural communication

  Users tend to be more forgiving for region-speci!c glyphs in mobile environments

  "is may lead people to eventually becoming “numb” to such differences

IUC35, Santa Clara, CA, USA, Earth 117

© 2011 Adobe Systems Incorporated. All Rights Reserved.

“Genuine Han Uni!cation is not outside the realm of extreme possibilities.”

— Fox William Mulder, FBI Special Agent

IUC35, Santa Clara, CA, USA, Earth 118

© 2011 Adobe Systems Incorporated. All Rights Reserved.