gjhs drumline 2009gjhs drumline 2009 audition information the audition- this is a one-on-one...

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GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and a few rudiments. I will place you based on your ability, where you are most needed, and/or what position I determine will be best for you, the drumline and the entire band. As long as you have a good attitude and are willing to participate, there will be a place for you on the drumline. Preparation- Please learn the exercises in the packet!! These will prepare you for just about everything the music will throw at you. Everyone MUST learn the snare part. If you would like to play bass drum or quints, practice those parts ONLY after you can play the snare music. I realize that for some of you percussion is not your first instrument, but please try to learn as much of the warm-ups as you can. We only have time during percussion camp to put the exercises together. We will not be learning how to play the warm-ups. Please come prepared!!! Technique- There are as many techniques out there as there are instructors, but we need to all have the same approach. Included in the packet are some warm-ups that I feel are important to build a solid foundation. This will help our playing become uniform in a short amount of time. Practice each warm-up with a metronome. Start out at a fairly slow tempo (60 bpm) and gradually increase the tempo (10 bpm at a time) until your hands begin to “freak out” and/or sound quality is lost. Whatever tempo you play at should be clean and accurate with good tone quality. Remember to mark time to the exercises. Everybody, USE A METRONOME and LISTEN to it! Do not just turn it on and set it next to you. Good time keeping can not be learned through osmosis! We will use a stick height system to determine dynamics (distance from the head in inches). Tap height should be kept at 1 ½” and accent height will vary between 3” and 12”. Stick height relation to dynamics: fff – 15” Full wrist + forearm (visual only) ff – 12” Full wrist, no forearm (Vertical Stick at 90° to drumhead) f – 9” mf – 6” (Default height more or less) p – 3” pp – 1½” (Default low stroke) ppp – at the edge of the drum head as low as possible.

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Page 1: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

GJHS Drumline 2009 Audition Information

The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and a few rudiments. I will place you based on your ability, where you are most needed, and/or what position I determine will be best for you, the drumline and the entire band. As long as you have a good attitude and are willing to participate, there will be a place for you on the drumline. Preparation- Please learn the exercises in the packet!! These will prepare you for just about everything the music will throw at you. Everyone MUST learn the snare part. If you would like to play bass drum or quints, practice those parts ONLY after you can play the snare music. I realize that for some of you percussion is not your first instrument, but please try to learn as much of the warm-ups as you can. We only have time during percussion camp to put the exercises together. We will not be learning how to play the warm-ups. Please come prepared!!! Technique- There are as many techniques out there as there are instructors, but we need to all have the same approach. Included in the packet are some warm-ups that I feel are important to build a solid foundation. This will help our playing become uniform in a short amount of time. Practice each warm-up with a metronome. Start out at a fairly slow tempo (60 bpm) and gradually increase the tempo (10 bpm at a time) until your hands begin to “freak out” and/or sound quality is lost. Whatever tempo you play at should be clean and accurate with good tone quality. Remember to mark time to the exercises. Everybody, USE A METRONOME and LISTEN to it! Do not just turn it on and set it next to you. Good time keeping can not be learned through osmosis! We will use a stick height system to determine dynamics (distance from the head in inches). Tap height should be kept at 1 ½” and accent height will vary between 3” and 12”. Stick height relation to dynamics: fff – 15” Full wrist + forearm (visual only) ff – 12” Full wrist, no forearm (Vertical Stick at 90° to drumhead) f – 9” mf – 6” (Default height more or less) p – 3” pp – 1½” (Default low stroke) ppp – at the edge of the drum head as low as possible.

PSLHS Drumline
William Cromer
Start with the basic warmupsand then work on the corresponding group warmups below.
Page 2: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

ã 44Snare Drum œ œ œ œ œ œ œ œR œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œR L œ œ œ œ œ œ œ œR œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œR L œ œ œ œ œ œ œ œR

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ã œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œR L œ> œ œ œ œ> œ œ œ œ> œ œ œ œ> œ œ œR R R R œ œ> œ œ œ œ> œ œ œ œ> œ œ œ œ> œ œL L L L

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Drummer Basic WarmupsDR. CHROME

©

Score

On this exercise, focus on keeping the right hand consistent when moving from eighth notes to sixteenth notes. Don't slam the last note! That is all.100-120= Bronze 120-160= Silver 160+ = Gold

The first measure is a check pattern and should be played between each measure after. Keep your hands even and use good rebound. This is right hand lead sticking so the hands should stay consistent. Play it off the left hand for a challenge!60-80= Bronze 80-132= Silver 132+ = Gold

This is called a grid. Start by playing a check pattern of sixteenth notes then move to accenting only the 1st sixteenth note. After playing the check pattern again, accent only the second sixteenth note. Continue until each of the four sixteenth notes have been accented. For an addedchallenge, grid accenting two sixteenth notes at a time. You could also replace the accents with diddles and make a diddle grid instead!60-80= Bronze 80-132= Silver 132+ = Gold

Page 3: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

HuggaDuggaBurristheclassicrollexercise.Thesloweryougo,themorewristyouuse.Asyougofaster,youstarttoonlyusefulcrumpressureandrebound.Practicethisslowlyandbumpitupwhenyouarecomfortable.YoushouldalsobepracticingyourdoublestrokerollsSLOW-FAST-SLOW.Itshouldsoundlikealawnmowerstartingupgettingprettyfastandthenslowingbackdown.60-88=Bronze88-112=Silver112+=Gold

Page 4: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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2 Drummer Basic Warmups

PARADIDDLE PYRAMID

This exercise is a paradiddle nightmare, but when played correctly can have some serious groove. It starts with single paradiddles, and then moves through double paradiddles, triple paradiddles, and a section of alternating paradiddle-diddles and paradiddles. Practice this slowly and feel how each of the rudiments has its own rhythm and groove.

50-80 = Bronze 80-120= Silver 120+ = Gold

Page 5: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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3Drummer Basic Warmups

This page of exercises deals with triplets. Make sure that each triplet fits into one beat. Triplets should alternate hands, so if beat one starts onthe right, beat two should start on the left with natural sticking. The first is an accent grid using triplets. As always, play the check pattern in between each measure.

60-88= Bronze 88-112= Silver 112+ = Gold

The same rules apply here. This triplet diddle grid is written out for you, but remember to play the check pattern in between measures. Thisadds a double diddle grid (say that five times fast!), so practice it slowly and keep those diddles open.

60-88= Bronze 88-112= Silver 112+ = Gold

Page 6: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Score

Page 7: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 8: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 9: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 10: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Paradiddle-Something-Mabobber

Kyle Matthews

Score

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R l r r l r L r l l r l

R l r r l l R l r r l l R l r r

Off the left for the x2 time

R l r r l l r r L r l l r r l l R l r r l l r r L r l l r r l l R l r r l l r r L r l l r r L r

L r l l r l R l r r l r L r l l R l r r L r l l R l r r

R l r r l r L r l l r l

R l r r l l R l r r l l R l r r L r l l r l R l r r l r L r l l R l r r R R R

R l r r l l r r L r l l r r l l R l r r l l r r L r l l r r l l R l l R l l R l l R l l R l r r

Page 11: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

„„„

S.Dr.

T. Dr.

B. Dr.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

10

S ≈ S S S S ≈ S œœœ œœœ œœœ œœœ S S ≈ S

œ œ œ œ œ œ œ œ x œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

11

S S œ œ œ S S S S S S

œ œ œ œ œ œ œ œ x œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

12

S S œ œ œ S S S S S S

= == =

==== ==

= ==

== = ==

= == =

= = ==

−−−−

−−

S.Dr.

T. Dr.

B. Dr.

œ œ œ œ œ œ œ œ x œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

13

S S S S S S −S S ≈ S S S

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

14

S ≈ S S S S ≈ S œœœ œœœ œœœ œœœ S S ≈ S

−œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ

−œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ

15

−œ œ œ œ œ œ œ œ œ œ −œ œ

= = == = = = = =

= = ===== = ===

= =

==

==== ==

= == = ==

= == = ==

= == ] ]

„„

S.Dr.

T. Dr.

B. Dr.

œ œ œ œ œ œ ≈ œ œ œ œ œ œ ≈ x x

œ œ œ œ œ œ ≈ œ x ≈ x x ≈ x x x

16

œ œ œ œ œ œ S S œ œ œ œ œ œ œ œ

œ œ œ œ ≈ x œ œ œ ≈ x œ œ œ ≈ œ

œ œ œ œ ≈ œ œ œ œ ≈ x œ œ œ ≈ œ

17

S S S S ≈ S S S S ≈ S S ≈ S S S

œ

œ Œ ”

18

S

= = = = = = = == =

== = = = = =

= = = = = =

= = = == = =

== = = = = =

=

==

2 Paradiddle-Something-Mabobber

l l r r L r l l r r L r l l r r L r l l r r l l R l r r l l r r L r l l r r l l R l r r l l r r

L r l l r r l l R l r r l l R l r r l l R l r r l l R l r r l l R L R l r r L R L r r l l

R L r r l l R L r r L R R L R l l l R l l l L r r r L R

l l r r L r l l r r L r l l r r L r l l r r l l R l r r l l r r L r l l r r l l R l r r l l r r

L r r L r r L r r L r r L r r L r r l l R l r r l l R l r r l l R L R l r r L R L r r l l

R L r r l l R L R L L R L R l l l R l l l L r r r L L

Page 12: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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44

44

44

Snareline

Tenorline

Bass Drums

œ œ œ œ œ œ ! œ œ œ œRR RR RR RR R R

œ œ œ œ œ œ ! œ œ œ œRR RR RR RR R R

œ œ œ œ œ œ ! œ œ S SR

œ œ œ œ œ œ ! œ œ œ œLL LL LL LL L L

œ œ œ œ œ œ ! œ œ œ œLL LL LL LL L L

œ œ œ œ œ œ ! œ œ S SL

œ œ œ œ œ œ œ œ œ œ œ œRR RR RR LL LL LL

œ œ œ œ œ œ œ œ œ œ œ œRR RR RR LL LL LL

œ œ œ œ œ œ œ œ œ œ œ œR L

ããã

S.Dr.

T. Dr.

B. Dr.

4 œ œ œ œ œ œ ! œ œ œ œRR LL RR LL R L

œ œ œ œ œ œ ! œ œœ œRR LL RR LL R L

S S S .S œ S S ! S SR R LL R RR LL

œ œ œ ! œ œ œ œ œ œ œR RR RR RR RR R

œ œ œ ! œ œ œ œ œ œ œR RR RR RR RR R

œ œ œ ! œ œ œ œ œ œ œR

œ œ œ ! œ œ œ œ œ œ œL LL LL LL LL L

œ œ œ ! œ œ œ œ œ œ œL LL LL LL LL L

œ œ œ ! œ œ œ œ œ œ œL

œ œ œ ! œ œ œ œ œ ! œ œR RR RR L LL LL

œ œ œ ! œ œ œ œ œ ! œ œR RR RR L LL LL

œ œ œ ! œ œ œ œ œ ! œ œR L

ããã

S.Dr.

T. Dr.

B. Dr.

8 œ œ œ œ œ œ x œ œ œ œR L RR LL R R L R L

œ œ œ œ œ œ œ œ ! œœR L RR LL RR L R

œ œ œ œ œ œ œ œ œ S S ! S SRR RR RR RR R RR LL

œ œ œ ! œ œ x œ œ ! œ œR RR RR R RR RR

œ œ œ œ œ œ œ œ œR R R R RR RR R

œ œ œ œ œ œ œ ! œ œR

œ œ œ ! œ œ x œ œ ! œ œL LL LL L LL LL

œ œ œ œ œ œ œ œ œL L L L LL LL L

œ œ œ œ œ œ œ ! œ œL

Double Beats, Double Fun

©

Score

Page 13: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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S.Dr.

T. Dr.

B. Dr.

11 œ œ œ ! œ œ x œ œ ! œ œR RR RR R RR RR

œ œ œ œ œ œ œ œ œ œRR RR R LL LL L

œ œ œ œ œ œ œ œ œ œ S SR L

œ œ œ œ œ œ x œ œ x œ œ x œLL RR LL R L L R L L R L

œ œ œ œ œ œ ! œ œ œœ œœRR RR LL LL B B

.S S S S œ œ œ œ œ œ œ œR R R RL RL RL RL

œ œ œ ! œ œ œ œ œ œ xR RR RR RR RR R

œ œ œ ! œ œ œ œ œ œ œR RR RR RR RR R

œ œ œ œ œ ! S S S SR RR R R

ããã

S.Dr.

T. Dr.

B. Dr.

14 œ œ œ ! œ œ œ œ œ œ xL LL LL LL LL L

œ œ œ ! œ œ œ œ œ œ œL LL LL LL LL L

œ œ œ œ œ ! S S S SL LL L L

œ œ œ ! œ œ œ œ œ ! œ œR RR RR L LL LL

œ œ œ ! œ œ œ œ œ ! œ œR RR RR L LL LL

œ œ œ œ œ œ œ œ œ œR L

œ œ œ œ œ œ ! œ œ œ œR R L L R R L L R L

œ œ œ œ œ œ ! œ œ œœ œœR R L L R R L L B B

œ œ œœ œœ œœœ œœœ ! œœœœ œœœœ œœœœ œœœœR R L L R R L L R L

2 Double Beats, Double Fun

Page 14: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Snare

Tenor

Basses

œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ œ œ

œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ œ œ

œ œ œ œ œ œ œ œ œœœœœ>œ œ œ œœœœœ>

œ œ œ

œ œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ œ

œ œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ œ

œ œ œ œ œ œ œ œ œ œœœœœ>œ œ œ œœœœœ>

œ œ

œ œ œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ

œ œ œ œ œ œ œ œ œ œ œ> œ œ œ œ> œ

œ œ œ œ œ œ œ œ œ œ œœœœœ> œ œ œ œœœœ> œ

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Bd.

œ œ œ œ œ œ œ œ œ œ œ œ> œ œ œ œ>œ œ œ œ œ œ œ œ œ œ œ œ> œ œ œ œ>œ œ œ œ œ œ œ œ œ œ œ œœœœœ> œ œ œ œœœœœ>

œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ> œ œ

œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ> œ œ

œ œ œ œ œ œ œ œ œœœœœ>œœœœœ> œ œ

œœœœœ>œœœœœ> œ œ

œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ> œ

œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ> œ

œ œ œ œ œ œ œ œ œ œœœœœ>œœœœœ> œ œ œœœœœ>

œœœœœ>œ

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œ œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ>œ œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ> œ>œ œ œ œ œ œ œ œ œ œ œœœœœ>

œœœœœ> œ œ œœœœœ>œœœœœ>

œ œ œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ>œ œ œ œ œ œ œ œ œ œ œ œ> œ> œ œ œ>œ œ œ œ œ œ œ œ œ œ œ œœœœœ>

œœœœœ> œ œ œœœœœ>

œ> œ œ œ œ œ œ œ œ> œ œ> œ œ> œ œ> œ

œ> œ œ œ œ œ œ œ œ> œ œ> œ œ> œ œ> œ

œœœœœ> œ œ œ œ œ œ œ œœœœœ>œ œœœœœ>

œ œœœœœ>œ œœœœœ>

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œ œ œ œ œ œ œ œ œ œ>œ œ>œ œ>œ œ>œ œ œ œ œ œ œ œ œ œ>œ œ>œ œ>œ œ>œ œ œ œ œ œ œ œ œ

œœœœœ>œœœœœœ>œ

œœœœœ>œœœœœœ>

œ œ œ œ œ œ œ œ œ>œ>œ>œ>œ>œ>œ>œ>œ œ œ œ œ œ œ œ œ

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œ œ œ œ œœ œœ œœ œœ œœœ>œœœ>

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œ>œ œ œ>œ œ œ œ>œ œ œ>œ œ>œ>œ œ

œ>œ œ œ>œ œ>œ œ œ>œ>œ œœ>œ>œ>œ>

S>S S>S S>S>S S>œ>

œ œ œ>œ œ œœœœœ>œœœœœ>

œ Œ Ó

œ> Œ Óœœœœœ> Œ Ó

To Diddle or Not to Diddle? That is the Question.

Cromer

©

Score

After you can play it with accents,replace them with diddles.
Page 15: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

Cassidy ByarsFreeDrumlineMusic.com

Triplet Diddles

Snare Drums

Tenor Drums

Bass Drums

Cymbals

R

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R

L

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Snare

Tenors

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L R L

R L R

L R L

R L R

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R L R

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R L

upper edge of cymbal

© 2012 Cassidy ByarsAll Rights Reserved. International Copyright Secured

www.freedrumlinemusic.com

Snare

Tenors

Bass

Cymb.

R L R L

R L R

L R L

R L R

L R L

R L R

L R L

R L

R L R L

R L R

L R L

R L R

L R L

R L R

L R L

R L

Page 16: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Snare

Tenor

Basses

œ œ œ œ œ œ œ œ œ œ œ œR L R R L L R L L R R L

œ œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S S

Groovy= 144

œ œ œ œ œ œ œ œ œ œ œR L R R L R R L R R L

œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S

œ œ œ œ œ œ œ œ œ œ œR L R L L R L L R L L

œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S

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Bd.

z œ œ œ œ œ œ œ œ œ œ œR L R R L L R L L R R L

œ œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S S

œ œ œ œ œ œ œ œ œ œ œR L R R L R R L R R L

œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S

œ œ œ œ œ œ œ œ œ œ œ œR L R R L L R L L R R L

œ œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S S

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Bd.

œ œ œ œ œ œ œ œ œ!œ œ œ3 3 3 3

R

œ œ œ œ œ œ œ œ œ!œ œ œ3 3 3

3

S S S S S S S S S!S S S3 3 3 3

œ! œ!œ œ! œ!œ œ!œ!œ!œ!œ!œ!3 3 3 3

R L R L R L R L R L

œ! œ!œ œ! œ!œ œ!œ!œ!œ!œ!œ!3

3 33

S! S!S S! S!S S! S! S! S! S! S!3 3 3 3

œ œ œ œ œ œ œ œ œ œ œ œR L R R L L R L L R R L

œ œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S S

œ œ œ œ œ œ œ œ œ œ œR L R L L R L L R L L

œ œ œ œ œœ œ œ œ œ œ

S S S S S S S S S S S

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Bd.

œ œ œ œ œ œ œ œ! œ œ œ! œ3 3 3 3

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S S S S S S S S! S S S! S3 3 3 3

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L R R L L R L R L

œ œ! œ! œ œ! œ! œœ!

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3 33

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S S! S! S S! S! S S! S! S! S! S!3 3 3 3

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œ œ œ œ œ œ œ œ œ œ œ œ œ

S S S S S S S S S S S S S

ROLLS?

Score

Page 17: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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œ! œ œ! œ œ! œ œ œ! œ œ! œ œ!3

3 3 3

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R L L L R L L L

œ! œ! œ! œ! œ! œ! œ! œ! œ œ œ! œ!3 3 3 3

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3 3

R L R R L

œ> Œ œ œ œ œ œ œ œ œR R L L R R L L

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Page 18: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 19: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 20: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 21: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 22: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Fast Things - Full Score

Fast Things. © 2007 Tapspace Publications, LLC. Portland, Oregon. www.tapspace.com. All rights reserved.Unauthorized use of this file by anyone other than the purchased licensee is a violation of U.S. Copyright Act and

is punishable by law. Use of this product constitutes your agreement with the included licensing terms

2

Page 23: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Fast Things. © 2007 Tapspace Publications, LLC. Portland, Oregon. www.tapspace.com. All rights reserved.Unauthorized use of this file by anyone other than the purchased licensee is a violation of U.S. Copyright Act and

is punishable by law. Use of this product constitutes your agreement with the included licensing terms

3

Page 24: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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is punishable by law. Use of this product constitutes your agreement with the included licensing terms

4

Page 25: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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is punishable by law. Use of this product constitutes your agreement with the included licensing terms

Page 26: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

33

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is punishable by law. Use of this product constitutes your agreement with the included licensing terms

2

Page 27: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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Page 28: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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is punishable by law. Use of this product constitutes your agreement with the included licensing terms

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Page 29: GJHS Drumline 2009GJHS Drumline 2009 Audition Information The Audition- This is a one-on-one audition with the director. It will consist of some warm-ups selected from the packet and

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