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Book Author Astadhyayi :Panini Mahabhasya : Patanjli Nagananda : Harshvardhana Naishadhacharita : Sri Harsha Mrichhakatika : Sudraka Gitagovinda : Jayadev Navratna : Virsena Mudrarakshasa : Visakdatta Rajtarangini : Kalhana Kathasaritsagar : Somdeva amasutra : Vatsayana Prashnottarmalika : Amoghavarsha Swapanvasdattam :Bhasa Buddha charita : Asvaghosa Natyashastra : Bharata Abhigyan Shakuntalam : Kalidasa Vikramorvashi : Kalidasa Raghuvansan : Kalidasa Amarkosa : Amarshmha Panc hsidhantika and Brihat Samhita : Varharmihara Surya Sidhanta and Aryabhatta : Aryabhatta Panch tantra : Vishnu Sharma Nitisara : Kamandaka Aihole Prasasti : Ravi Kriti Indica : Megasthanese Arthasastra : Kautilya Charaka Samhita : Charaka Lilawati : Bhaskara II Harshacharita and Kadambari : Harsha vardhan Ratnavali : Harsha

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Book AuthorAstadhyayi : PaniniMahabhasya : PatanjliNagananda : HarshvardhanaNaishadhacharita : Sri HarshaMrichhakatika : SudrakaGitagovinda : JayadevNavratna : VirsenaMudrarakshasa : VisakdattaRajtarangini : KalhanaKathasaritsagar : Somdevaamasutra : VatsayanaPrashnottarmalika : AmoghavarshaSwapanvasdattam : BhasaBuddha charita : AsvaghosaNatyashastra : BharataAbhigyan Shakuntalam : KalidasaVikramorvashi : KalidasaRaghuvansan : KalidasaAmarkosa : AmarshmhaPanc hsidhantika and Brihat Samhita : VarharmiharaSurya Sidhanta and Aryabhatta : AryabhattaPanch tantra : Vishnu SharmaNitisara : KamandakaAihole Prasasti : Ravi KritiIndica : MegasthaneseArthasastra : KautilyaCharaka Samhita : CharakaLilawati : Bhaskara IIHarshacharita and Kadambari : Harsha vardhanRatnavali : Harsha vardhanGathasaptashati : HalaNitisara : Kamandaka

Poet KingAshvaghosa Nagarjuna, Vasumitra : KanishkaHarisena : Samudragupta IIAmarsimha : Chandra gupta IIkalidasa : Chandragupta II

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Banabhatta : HarshavardhanaRavikirti : Pulkesin IIBhavabhuti : Yasovarman

Mahaviracharya : AmoghavarshaJinsena : AmoghavarshaDandin : NarsimhavarmanRajashekhar : MahindrapalaBilhana : Vikramaditya VIViknaneshvara : Vikramaditya VIKamban : Chola

Major Cities And Their Features:

Mohenjodaro

Mohenjodaro (Sind) is situated on the right bank of the Indus.

Harappa

Harappa (Punjab, Pakistan) is located on the left bank of the Ravi.

Chanhudaro

Chanhudaro lies on the left bank of the Indus about 130 km south of Mohenjodaro.

Kalibangan

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Kalibangan (Rajasthan) was on the banks of the river Ghaggar which dried up centuries ago.

Lothal

Lothal is at the head of the Gulf of Cambay.

Banawali

Banawali (Haryana) was situated on the banks of the now extinct Sarasvati River.

Surkotada

Surkotada (Gujarat) is at the head of the Rann of Kutch.

Dholavira

Dholavira (Gujarat) excavated is in the Kutch district

he most characteristic feature of the Harappan Civilization was its urbanization. The cities show evidence of an advanced sense of planning and organization. Each city was divided into the citadel area where the essential institutions of civic and religious life were located and the residential area where the urban population lived. In the citadel the most impressive buildings were the granaries which were store -houses. Near the granaries were the furnaces where the metal workers produced a variety of objects in metals such as copper, bronze, lead and tin. The potters also

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worked in this part. The workers lived together in small quarters near the factory. Another well-known building was the Great Bath. It might have served the purpose of ritual bathing vital to any religious ceremony in India. In Mohenjo daro there is also a large building which appears to have been the house of the governor. Another building nearby was either a meeting hall or a market place. Below the citadel in each city lay a town proper.

The town was extremely well planned. The street ran straight and at right angles to each other following the grid system. The rectangular town planning was unique to the Harappans and was not known in Mesopotamia or Egypt. The streets were very wide and the houses built of burnt bricks lined both sides of the street. In Egypt and Mesopotamia dried or baked bricks were used. The houses were of varying sizes which suggest class differences in Harappan society. A well laid drainage system kept the cities clean.

The Harappan people traded with the people of Sumer and with the towns lying along the Persian Gulf. Harappan seals and other small objects used by the merchants and traders for stamping their goods have been found in Mesopotamia. The merchandise was shipped from Lothal and incoming goods were received here. Weights and measures which were very accurately graded point to a very high degree of exchange

Agriculture

The Harappans cultivated wheat and barley the two main food crops. Peas and dates were also grown. In addition sesame and mustard were grown and used for oil. However the people cultivated rice as early as 1800 BC in Lothal. The Harappans were the earliest people to grow cotton. Irrigation depended on the irregular flooding of the rivers of Punjab and Sind.

Crafts

The various occupations in which people were engaged spanned a wide range. Spinning and weaving of cotton and wool, pottery making chiefly red clay with geometric designs painted in black, bead making from clay, stone, paste, shell and ivory, seal making, terracotta manufacture and brick laying. 

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Goldsmiths made jewellery of silver, gold and precious stones and metal workers made tools and implements in copper and bronze.

eligion in the Indus Valley Civilization

Clay figures of the Mother Goddess as the symbol of fertility have been found- these were worshipped by the people. A seated figure of a male god carved on a small stone seal was also found. The seal immediately brings to our mind the traditional image of Pasupati Mahadeva. In addition to this we come across numerous symbols of the phallus and female sex organs made of stone which may have been objects of worship. Certain trees seem to have been treated as sacred such as papal. They also held the bull sacred. Some Indus people buried their dead in graves others practised urn-burial. They believed that there was life after death because the graves often contained household pottery, ornaments and mirrors which might have belonged to the dead persons and which it was thought he or she might need after death. Around 1750 BC Mohenjodaro and Harappa declined but the Harappan culture in the other cities faded out more gradually. Various causes have been suggested for this. Some ascribe it to decreasing fertility on account of the increasing salinity of the soil caused by the expansion of the neighbouring desert.

Others attribute it to some kind of depression in the land which caused floods. Others point out that the Harappan culture was destroyed by the Aryans but there is hardly any evidence of a mass scale confrontation between the two

eligion in the Indus Valley Civilization

Clay figures of the Mother Goddess as the symbol of fertility have been found- these were worshipped by the people. A seated figure of a male god carved on a small stone seal was also found. The seal immediately brings to our mind the traditional image of Pasupati Mahadeva. In addition to this we come across numerous symbols of the phallus and female sex organs made of stone which may have been objects of worship. Certain trees seem to have been treated as sacred such as papal. They also held the bull sacred. Some Indus people buried their dead in graves others

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practised urn-burial. They believed that there was life after death because the graves often contained household pottery, ornaments and mirrors which might have belonged to the dead persons and which it was thought he or she might need after death. Around 1750 BC Mohenjodaro and Harappa declined but the Harappan culture in the other cities faded out more gradually. Various causes have been suggested for this. Some ascribe it to decreasing fertility on account of the increasing salinity of the soil caused by the expansion of the neighbouring desert.

Others attribute it to some kind of depression in the land which caused floods. Others point out that the Harappan culture was destroyed by the Aryans but there is hardly any evidence of a mass scale confrontation between the t

Harappan Pottery

The Harappan pottery is bright or dark red and uniformly sturdy and well baked. It consists chiefly of wheel made wares both plain and painted. The plain pottery is more common than the painted ware. The plain ware is usually of red clay with or without a fine red slip. The painted pottery is of red and black colours. Several methods were used by people for the decoration of pottery. Geometrical patterns, circles, squares and triangles and figures of animals, birds, snakes or fish are frequent motifs found in Harappan pottery. Another favourite motive was tree pattern. Plants, trees and pipal leaves are found on pottery. A hunting scene showing two antelopes with the hunter is noticed on a pot shreds from the cemetery H.A jar found at Lothal depicts a scene in which two birds are seen perched on a tree each holding a fish in its beak. Below it is an animal with a short thick tail which can be a fox according to S R Rao. He also refers to the presence of few fish on the ground. Harappan people used different types of pottery such as glazed, polychrome, incised, perforated and knobbed.

The glazed Harappan pottery is the earliest example of its kind in the ancient world. Polychrome pottery is rare and mainly comprised small vases decorated with geometric patterns mostly in red, black and green and less frequently in white and yellow. Incised ware is rare and the incised decoration was confined to the bases of the pans. Perforated pottery has a large

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hole at the bottom and small holes all over the wall and was probably used for straining liquor. Knobbed pottery was ornamented on the outside with knobs. The Harappan pottery includes goblets, dishes, basins, flasks, narrow necked vases, cylindrical bottles, tumblers, corn measures, spouted vases and a special type of dish on a stand which was a offering stand or incense burner.

Weights and Measures

Harappans used weights and measures for commercial as well as building purposes. Numerous articles used as weights have been discovered. The weights proceeded in a series, first doubling from 1, 2, 4, 8 to 64 and then in decimal multiples of 16. Several sticks inscribed with measure marks have been discovered. Harappans were inventors of linear system of measurement with a unit equal to one angula of the Arthasastra.

Script and Language

Harappan script is regarded as pictographic since its signs represent birds, fish, varieties of the human form etc. The number of signs of the Harappan script is known to be between 400 and 600 of which 40 or 60 are basic and the rest are their variants. The variants are formed by adding different accents, inflexions or other letters to the former. The language of the Harappans is still unknown and must remain so until the script is read. There are two main arguments as to the nature of the language that it belongs to the Indo-European or even Indo-Aryan family or that it belongs to the Dravidian family. 

The approach followed by Kinnier-Wilson is to find analogies between Harappan and Sumerian signs.S R Rao has produced a different attempt to read the script as containing a pre-Indo-Aryan language of the Indo-European family. An attempt has been made by Natwar Jha a palaeographist and Vedic scholar who says that script is syllabic that is no vowels are written. Semitic languages like Phoenician and Arabic use the syllabic system. Since no word in these languages begins with a vowel the writing does not create any problems in comprehension. Jha claims to have deciphered about 3500 inscriptions on seals.

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According to Rajaram the script is both pictorial and alphabetic; alphabets are favoured to the pictures in the later stages. He also finds close connection between the Brahmi and the Indus script. Most of the writing is from left to right and not the other way. Many ancient scripts like Phoenician, various Aramaics and Hemiaretic are connected to or even derived from Harappan. This is contrary to the currently held view that all alphabetic writing descended from Phoenician in the late second millennium BC.

Decline of Harappan Culture

The decline of Harappan culture is difficult to explain. During its late phase between 2000 and 1700 BC 'The Indus Valley Civilization as a distinct entity gradually ceased to exist'. Historians have different opinions regarding the causes of the decay and disappearance of the Harappan culture. Various causes have been ascribed for its weakening and then decay: Increase in rainfall, earthquake, decrease in fertility of soil, floods, Aryan invasion, disease etc.

Mortimer Wheeler pointed out that the Harappan culture was destroyed by the Aryans. The Aryans were more skilled at warfare and were powerful than the Harappans. In the last phase of Mohenjodaro, men and women and children were massacred in the streets and houses. But there is very little evidence on this opinion.

Sir John Marshal, Lambrick and E.J.H Mackay suggest that the decline of the Harappan civilization was mainly due to the vagaries of the Indus River. But this theory is partly true. Some of the evidence of the devastation by floods has been found at Mohenjodaro and Lothal but there is no such evidence in respect of other sites like Kalibangan. 

Some historians suggest that the first urban civilization came to an end around 1700 BC because its numerous small settlements grew beyond their natural limits leading to the mismanagement of natural resources. Although the theory of ecological factors for the decline of the Harappan civilization is latest yet it does not give us complete answer. Historians are of the view that the decline of the Indus Civilization was not the result of a single event; it was a slow decline and a result of combination of factors.

Position of women in Ancient India

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The evolution of the status of women in India has been a continuous process of ups and downs throughout history. Considering the vast body of empirical research available on the topic, two approaches seem valid: one is classical text view; and the other, empirical view.

For the purpose of depicting a brief survey of the changing position and role of women in India throughout history, two broad periods are considered: (a) 2500 B.C-1500 B.C., and (b) 1500 B.C. - 1800 A.D.

These divisions are based on degree of freedom that women enjoyed and the role differentiation within the family. Throughout classic literature on the status of women there is almost consistent opinion among great scholars that during the age of Vedas (2500 - 1500 B. C.) a woman's status was equivalent to that of a man.

Though it is difficult to specify the exact chronological time as to when the deterioration in woman's status started, one can state that gradual changes appeared during the age of Brahamanas, 1500B.C. and by the age of Sutras and Epics, 500 B.C. to A.D. o 500 and the age of the later Srutis, A.D.500 to A.D. 1800 the status had deteriorated considerably.

The literature on Indian history abounds in contradictory and conflicting views on this subject. The term "woman" is used in generic sense regardless of the internal differentiation present throughout India based on socio-cultural, demographic and ecological factors.

2500 B.C-1500 B.C.,   1500 B.C. - 1800 A.D .

Causes for the emergence of new religions

Complications and ritualism in Hinduism Vedic religion had become complex and degenerated into superstitions, dogmas and rituals. The sacrifices prescribed by the Vedas became complicated. The Vedic mantras were complicated and went beyond the understanding of common man. The supremacy of the Brahmans created unrest. They no longer led pure and holy life. All the sacred Vedic texts were written in Sanskrit which was the language of the elite and not the masses. The masses could connect with the new sects as Mahavira and Buddha spoke to them in their language.

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Jainism

It is generally believed that the founder of Jainism was Mahavira.It is now recognized that Mahavira was the 24th Tirthankara.The sacred books of Jain tell us that their first Tirthankara was Rishab, the founder of Jainism. He was the father of Bharata the first Vedic king of India.Rishab was followed by 23 Tirthankaras.The Vishnu Purana and Bhagavat Purana describe Rishab as an incarnation of Narayana.His four main teachings were 

Not to injure life Not to tell a lie Not to steal Not to possess property

1. Varadhmana Mahavira2. Doctrines of Jainism3. Teachings of Jainism4. Sects of Jainism5. Contribution of Jainism to Indian culture6. Jaina Council

Buddhism

Buddhism opened its doors not only to the Indians of all castes and creed but also to the foreigners who had settled in India-Indo -Greeks and Indo-Scythians. Buddhism was propagated to foreign countries too like Ceylon and Burma, Thailand and Cambodia, Central Asia and China, Nepal and Tibet and the Indonesian countries, Japan, Korea and Mongolia. Thus Buddhism occupies a unique place in the history of Indian religions. Buddha was born as prince Siddhartha in the Sakya tribe.

He was born in the Lumbini grove near the city of Kapilavastu. He was unhappy to see the sufferings of human life. He also left home and wandered as an ascetic for many years. Finally he felt that he received enlightenment i.e. he become Buddha and found the answers to the questions that arose in his mind. Buddha taught that the world is full of sufferings it is due to the desire for

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worldly things. He showed the path leading to the end of these sufferings and the path is called the Buddha's eight fold path.

Eight fold paths include eight kinds of action and thought which would show a man how to live a virtuous life. Eight fold include -1. Right faith

2. Right resolve3. Right speech4. Right action5. Right living6. Right effort7. Right thought8. Right concentration

Buddha gave his first sermon at Sarnath where his five former disciples had settled. To these five ascetics he preached his first sermon and called it Dharma Chakraparavartana. Buddha emphasised on the importance of non-violence and forbade the killing of animals as part of religious practices. He urged people to lead good life according to which the purpose of life was to purify the mind and attain Nirvana, i.e. no more rebirths. He started monasteries which were places where Buddhist monks lived and spent their lives praying and preaching Buddhism. These monasteries or viharas were used as schools also.

Many people joined Buddhism and very soon it spread in many parts of India. Buddha died at the age of 80 in 483 BC at Kushinagara in the Malla republic. His last words were 'all composite things decay, strive diligently.

1. Gautama Buddha2. Buddhist Councils3. Buddhist Scriptures4. Buddhist Philosophy   5. Contribution of Buddhism to Indian culture  

Gautama Buddha

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Gautama or Siddharata, the founder of Buddhism was born in 563 BC in Lumbini in the Sakya kshatriya clan of Kapilavastu. His mother was Maya, a princess of the neighbouring clan of the Koliyas. A Maya died in childbirth Siddharatha was brought up by his aunt and stepmother Prajapati Gautami. The sight of an old man, a sick man, a dead body and an ascetic intensified Siddharata's deep hatred for the world and made him realise the hollowness of worldly pleasures.

After the birth of his son he left home at the age of 29 in search of the Truth. This departure is known as the Great Renunciation. For 6 continuous years he lived as a homeless ascetic seeking instruction under two Brahmin religious teachers and visiting many places. Finding no satisfaction there he practised the severest penances the most rigid austerities and made fruitless efforts to find the Truth. He then gave up penances, took a bath in river Niranjana and sat under a pipal tree at Bodhgaya(modern). Here he attained supreme knowledge and insight. Revelation came to him that the great peace was within his own heart and he must seek it there.

This is known as Nirvana and since then he became Buddha(the Enlightened one) or tathagat(one who attained the Truth). From there he reach Sarnath where he gave his first sermon (dharmachakrapravartana) as a result 5 disciples joined him. Buddha's last teaching was heard by Subhadra a wandering ascetic and Ananda his favourite disciple. The most renowned among the early converts to his teaching were Sariputta and Moggallan, ascetics of Rajgriha who were converted by Assaji one of the five original disciples.

Five great events of Buddha's life and their symbols are 

Birth- Lotus and Bull Great Renunciation-Horse Nirvana-Bodhi tree First sermon-Dharamachakra or wheel Parinirvana or death-Stupa

Buddhist Councils

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The first Buddhist council took place in 483 BC at Sattaparni. Religious doctrine were compiled and embodied in Pali canon. The literature is known as Tripitakas. President of the council was Mahakashapa. Upali recited the Vinay Pitaka and Ananda recited the Sutta Pitaka. Vinay Pitaka was the rules of the order and Sutta Pitaka was the great collection of the Buddha's sermons on matters of doctrine and ethics. The second council was held in 383 BC, 100 years after Buddha's death at Vaishali under the presidentship of Sabbakami. Here Buddhism was divided into Sthaviras and Mahasanghikas. The third council was held in 250 BC at Patliputra in the reign of Ashoka. The president was Tissa Mogaliputta.

A decision was taken to send missionaries to various parts of the subcontinent. Here a new Pitaka or Abhidharmma Pitaka was added. Secondly canonical literature was precisely and authoritatively settled.

The fourth Buddhist council was held in the 1-2nd AD at Kundalavana, Kashmir in the reign of Kanishka under the leadership of Vasumitra and Asvagosha. Here Buddhism was divided into two broad sects the Mahayana and Hinayana. Hinayana treated Buddha as nothing more than a human being whereas Mahayanism treated him as God and worshipped his idol. Bodhisatva of Mahayanism was a saviour and would help every living organism in attaining Nirvana. The Mahayana sect adopted Sanskrit in place of Pali as their language. The earliest text is Lalitvistara. Later another sect Vajrayana appeared in eastern India. The chief divinities of this sect were the Taras. They did not treat meat, fish, wine etc as taboo in dietary habit and freely consumed them.

Ashoka, Kanishka, Harsha and Palas of Bihar and Bengal were great patron of Buddhism. Upagupta converted Emperor Ashoka to Buddhism. Ashvagosha was first biographer of Buddha who wrote Buddha Charitam in Sanskirt. Nagarjuna propounded the theory of Shunyavada. Pushyamitra Sunga persecuted the Buddhist. Shashanka the Gauda king cut the Bodhi tree at Bodh Gaya.

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Buddhist Scriptures

Vinaya Pitaka:

Mainly deals with rules and regulations which Buddha promulgated. Also gives an account of the life and teaching of the Buddha.

Sutta Pitaka:

It consists chiefly of discourses delivered by Buddha himself on different occasions.

Abhidhamma Pitaka:

It contains the profound philosophy of the Buddha's teachings.

Khandakas:

It contain regulations on the course of life in the monastic order and have two sections - Mahavagga and the Cullavagga.

Buddhist Philosophy

Buddha believed in the theory of actions or Karma. He held that one of the chief features of the universal law of Dharma is as a man acts so shall he be. We get the reward of our past actions in the present life and for our present actions we get rewarded in the future. Buddha had no faith in personal God. A belief in the supernatural was a weakness. He neither admitted nor denied the existence of God. However he believed that a supreme force controls the whole world. To it he gave the name of Dharma. Buddha's conception of religion was purely ethical. He did not care for worship or rituals. He put all his emphasis on conduct.

He was against useless sacrifices and rituals. According to Buddha, the highest goal of man's life is to achieve Nirvana. According to him Nirvana meant when there is no craving, no selfishness and no hatred or malice for others. It can be achieved by following the eight fold path.

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Contribution of Buddhism to Indian culture

Buddhism greatly influenced the Indian religion. It gave to Indian people a simple and popular religion. It rejected ritualism, sacrifices and dominance of priestly class. It has also left its permanent mark on Indian religious thought. Buddhism appealed to the masses on account of its simplicity, use of vernacular language in its scriptures and teachings and monastic order. Buddhism left deep impact on the society. It gave serious impetus to democratic spirit and social equality. It opened its doors to women and shudras. Buddhism encouraged abolition of distinctions in society and strengthened the principle of social equality.

The Buddhist viharas were used for education purposes. Nalanda, Vikramshila, Taxila, Udyantpuri, Vallabhi and others cities developed as high Buddhist learning centres. Buddhism helped in the growth of literature in the popular language of the people. The literature written both in Pali and Sanskrit were enriched by scholars of Hinyana and Mahayana sects. The Buddhist texts like Tripitakas, Jatakas, Buddha charita, Mahavibhasa, Miliand panho, Lalit Vistara are assets to Indian literature.

The main contribution of Buddhism to Indian life is in the domain of architecture, sculpture and painting. The stupas, viharas, chaityas that were built at Sanchi, Bahrut, Bodhgaya, Nalanda, Amravati, Taxila and other places are simply remarkable. The Sanchi Stupa with its beautiful ornamental torans is considered a masterpiece in architecture. The cave temples of Ajanta, Karle, Bhaja, Ellora etc show their achievement in rock cut cave temples. The Ajanta painting depicting touching scenes of Buddha's life are world famous.

They bear a testimony to the heights reached by them in the field of painting. This Buddhist art forms a glorious chapter in the history of Indian art and architecture. They fostered a new awareness in the field of culture. Buddhism established intimate contact between India and foreign countries. Indian monks and scholars carried the gospel of Buddhism to foreign countries from the 3rd century BC onwards and made it the prominent religion of Asia. These religious movements helped in carrying the message of Indian civilization to many distant countries of Asia. It also helped in assimilating foreign influence in Indian culture.

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Chandragupta I

The third ruler Chandragupta I the son and successor of Ghatotkacha was definitely a strong ruler whose hands were sought by the Lichchhavis who gave their princess Kumaradevi in marriage to him. This matrimonial alliance with this ancient historic family no doubt enhanced the status of the obscure Guptas. The Lichchhavis territory of north Bihar and the adjoining principality over which the Guptas ruled were united under Chandragupta and the latter was able to extend his dominion over Oudh as well as Magadha and along the Ganges as far as Prayaga or Allahabad.

Chandragupta I is usually regarded as the founder of the Gupta era which commenced in AD 320 to commemorate his accession an era which continued in parts of India for several centuries.

Samudragupta

Chandragupta I was succeeded by his son, Samudragupta who became the ruler after subduing his rival Kacha an obscure prince of the dynasty. The Allahabad Pillar Inscription written by Harisena gives a detailed account of the conquests of his royal master. This account contains a long list of states, kings and tribes which were conquered and brought under various degrees of subjugation. This list can be divided into four categories. 1. The first one includes the 12 states of Dakshinapatha with the names of their kings who were captured and then liberated and reinstated. They were Kosala, Pistapura, Kanchi, Vengi, Erandapalli, Devarashtra, Avamukta, Dusthalapura, Mahakantara, Kurala, Kothura and Palakka. 2. The second one contains the names of the 8 kings of Aryavarta who were exterminated. 3. The third one consists of the rulers of forest states who were reduced to servitude and the chiefs of five pratyantas or Border States and also nine tribal republics that were forced to pay all kinds of taxes, obey his orders and come to perform obeisance. The states were Samtata, Davaka, Kamrupa, Nepal and Kartipura.

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4. The fourth one includes the Daivapura Shahanushahs, Saka Murundas and the dwellers of Sinhala and all other islands who offered their person for service to Samudragupta. Harisena the court poet of Samudragupta lays special emphasis upon Samudragupta's learning and wisdom, sharp and polished intellect and above all his poetical and musical talents. He also refers to Samudragupta's charity and kindness even to conquered kings. The variety of gold coins issued by Samudragupta not only indicate the power, wealth and grandeur of his empire but also give us some idea of his appearance and insight into his personal qualities. The Guptas were followers of the Brahmanical religion and Samudragupta fully maintained the tradition of religious toleration.

Chandragupta II

Samudragupta was succeeded by his sonChandragupta II surnamed Vikramaditya.But according to some scholars the immediate successors of Samudragupta was his son Ramagupta,the elder brother of Chandragupta II. A drama Devichandraguptam by Visakhadutta mentions that Ramagupta agreed to surrender his queen Dhruvadevi to the infatuation of a Saka chief who had invaded his kingdom. The honour of the queen was saved by Chandragupta; younger brother of Ramagupta who killed the Saka chief usurped the throne and married the widow. However the historicity of Ramagupta is matter of great doubt as neither the contemporary inscriptions nor the coins mention any king of that name.Chandragupta inherited the military genius of his father and extended the Gupta Empire by conquests of his own. His principal opponent was the Saka ruler of Gujarat and Kathiawar Peninsula belonging to the family of western Satraps whose continued independence prevented the political unity of India. His efforts were crowned with success. Rudrasimha III the last of the long line of Saka satraps was killed. The annexation of Kathiawar and Gujarat not only expanded the Gupta Empire from the Bay of Bengal to the Arabian Sea but also brought it in direct contact with the western world.

The acquisition of Broach, Sopara, Cambay and other ports dotted on the western coast of India and the income from the custom duties collected at the numerous ports gave economic

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prosperity to the Gupta Empire. The most important entrepot at the time was Ujjain where most of the trade routes converged. The effect of this extension of the western frontier was immense on the trade and commerce as well as the culture of northern India. The European and African trade received immense help with the Gupta conquest of the Kathiawar ports. The western traders poured Roman gold into the country in return for Indian products and the effect of this great wealth on the country in noticeable in the number of coins of Chandragupta II. Chandragupta had other military conquests to his credit. An inscription engraved on the iron pillar near Qutub Minar at Delhi states that a king named Chandra defeated a confederacy of hostile chiefs in Vanga and having crossed the seven mouths of the river Sandhu conquered the Vahlikas. Chandragupta II extended the Gupta empire in all directions-west, east and north-west.

umaragupta I

Chandragupta II was succeeded by his son Kumaragupta who enjoyed a long reign of 40 years. He performed an asvamedha sacrifice which implies new conquest. He was able to maintain intact the mighty empire which he had inherited from his father. His coin are discovered at Ahmedabad, Valabhi, Junagarh and Morvi in the west and as far as Satara and Ellichpur. It is probable that Kumaragupta added a part of western Malwa to the Gupta Empire. Towards the close of Kumaragupta's reign the empire was threatened by hordes of the Pushyamitras who were defeated by Skandagupta the crown prince.

Skandagupta

Soon after his accession Skandagupta had to face the Hunas who had already proved themselves to be terror to both Europe and Asia. About the middle of the fifth century AD one branch of the Hunas known as White Hunas occupied the Oxus valley and threatened both Persia and India. They conquered Gandhara and threatened the very existence of the Gupta Empire. Skandagupta

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inflicted such a terrible defeat upon the Hunas that they dared not disturb the empire for nearly half a century. It was a magnificent achievement for which he assumed the title Vikramaditya in imitation of his grandfather. The ChandraVyakarana and Kathasaritsagara refer to Skandagupta's victory over the Hunas. His constant source of anxiety was the old Saka kingdom of Saurashtra newly annexed to the Gupta Empire where he appointed Parnadatta as governor. An inscription in the Girnar hill near Junagarh in Kathiawar refers to the restoration of the ancient embankment of the great Sudarsana Lake which had burst owing to heavy rains in the first year of Skandagupta's reign. Inspite of the Huna invasion and other troubles Skandagupta was able to maintain the mighty empire.

Other Successors

The history of the imperial Guptas after the death of Skandagupta is obsure. The official genealogy traces the imperial line from Kumaragupta through Purugupta and ignores Skandagupta. Purugupta reigned for a brief period and the imperial line was continued by his two sons Buddhagupta and Narasimhagupta. With the accession of Buddhagupta the history of the imperial Guptas stands on a firm ground. The records of his reign prove beyond doubt that he ruled over extensive regions stretching from Malwa to Bengal. But it was during his reign that the Gupta Empire showed signs of visible decay with feudatory states breaking away from the empire. The coins of Buddhagupta also reflect the process of decline that had set in the Gupta empire. His coins are very rare which prove that the internal weakness and war of succession had taken over the Gupta Empire. The death of Buddhagupta was followed by a confused period of internal dissensions leading to the breaking of the empire and renewed invasion of the Huns.

According to official genealogy Buddhagupta's brother Narasimhagupta occupied the imperial throne and was followed by his son and grandson. The reigns of these three emperors covered the first half of the 6th century AD. It was during this period we find the existence of two other kings-Vainyagupta

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(506AD) ruling in Samatata and Nalanda and Bhanugupta (510-11 AD) in Eran. Vainyagupta was first appointed as a provincial governor of Bengal by Buddhagupta and then he ascended the imperial throne in 506 AD. The other Bhanugupta known from a single inscription of Eran fought a famous battle in which his general Goparaja died and his wife committed sati. The battle fought at Eran must have been directed against the Huna chief Toramana who had conquered this region. Vishnugupta was the last ruler of the imperial Gupta family which had enjoyed sovereignty for more than 230 years.

Fahien

During the reign of Chandragupta II the celebrated Chinese pilgrim Fahien visited India. The main objective of Fahien's mission to India was to secure copies of Buddhist manuscripts. He visited Peshawar, Mathura, Kanauj, Sravasti, Kapilavastu, Kushinagara, Vaishali, Pataliputra, Kasi, Gaya, and Bodhgaya among other places. He spent three years at Pataliputra and two at Tamralipti. He gives interesting information about the life of the people and the general condition of the country.

Gupta Administration

The inscriptions mention the following titles as: paramadvaita, paramabhattaraka, maharajadhiraja, prithvipala, paramesvara, samrat, ekadhiraja and chakravartin. The king was assisted in his administration by a chief minister called mantra or sachiva. Pratiharas and mahapratiharas were important officers in the royal court though they did not participate in the administration. Among the important military officers are mentioned senapati, mahasenapati, baladhyaksha, mahabaladhyaksha, baladhikrita and mahabaladhikrita who perhaps represented different grades. There were two other high military officers-the bhatasvapati, commander of the infantry and cavalry and the katuka, commander of the elephant corps. Another important official mentioned in the Basarh seals was ranabhandagaradhikarana, chief of the treasury of the war office. One more high officer mentioned for the first time in the Gupta records was sandhibigrahika or mahasandhivigrahika a foreign minister. One

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of the inscriptions mentions sarvadhyakshas, superintendents of all but it is not clear whether they were central or provincial officers. Numerous inscriptions mention dutaka or duta who communicated royal commands to officers and people concerned. Dandapasadhikarana represented the chief of the police. Ordinary police officials were known as dandapasika, chatas, bhatas, dandika and chauroddharanika. The king maintained a close liaison with the provincial administration through a class of officials called kumaramatyas and ayuktas.

The provinces called bhuktis were usually governed by officers called uparikas. The governor of a bhukti has various designations in the official records-bhogika, gopta, uparika-maharaja and rajasthaniya. Bhuktis were subdivided into vishayas. These were governed by vishayapatis. The headquarters of the district was known as adhishthana and the executive officers of the district as samvyavahari and ayuktakas. The district magistrate was helped in his administration in his administration by a large staff. They were maharattaras(village elders), ashtakuladhi-karanikas(officers in charge of groups of eight kulas or families in the local area), gramika(village headman), saulkika (collector of customs and tolls), gaulmika(incharge of forest and forts), agraharika(in charge of the agraharas, settlements dedicated to Brahmins). The district records office called akshapatala was placed in charge of mahakshapatalika. There were also in the district office, sarbodhyakshas or general superintendents under whom were employed men of noble lineage called kulaputras to guard against corruption. The popular element played an important part in the district administration. The advisory district council consisted principally of four members namely the guild president, the chief merchant, the chief artisan and the chief scribe. The villages were under gramikas along with whom were associated mahattaras or the senior persons of different classes. The town administration was carried on by the mayor of the city called purapala who corresponded to nagaravyavaharakas of the Mauryan age.

Arts and Architecture

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By evolving the Nagara and Dravida styles the Gupta art ushers in the history of Indian architecture a formative and creative age. The rock-cut caves continue the old forms to a large extent but possess striking novelty by bringing about extensive changes in the ornamentation of the façade and in the designs of the pillars in the interior. The most notable groups of rock-cut caves are found at Ajanta and Ellora and Bagh.The Udayagiri caves also belong to this category.

Main features of the temple architecture: Flat roofed square temple Flat roofed square temple with a second storey above. Square temple with a curvilinear tower above Rectangular temple Circular temple. The second group of temples shows many

of the characteristic features of the Dravida style. The importance of third group lies in the innovation of a sikhara that caps the sanctum sanctorium, the main feature of the Nagara style. Stupas were also built in large numbers but the best are found at Samath, Ratnagiri and Mirpur Khan.

Sculpture

A good example of stone sculpture is the well-known erect Buddha from Sarnath. Of the Brahmanical images the most impressive is the Great Boar at the entrance of a cave at Udayagiri. The art of casting statues on a large scale by the cire process was practised by Gupta craftsmen with conspicuous success. Two outstanding examples metal sculpture are copper image of the Buddha about eighteen feet high at Nalanda in Bihar and Sultanganj Buddha of seven and half feet.

Painting

The art of painting seems to have developed in Gupta age. Remains of paintings of this period are found at Ajanta, Bagh, Badami and other places. The surface of the paintings was done

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in a simple way. The art of Ajanta and Bagh shows the Madhyadesa School of Painting at its best.

Terracottas and Pottery

Clay figurines were used both for religious and secular purposes. There are figurines of Vishnu, Kartikeya, Surya, Durga, Kubera, Nagas and other gods and goddesses. Gupta pottery remains found at Ahichchhatra, Rajgarh, Hastinapur and Bashar afford an outstanding proof of the excellence of pottery. The most distinctive class of pottery of this period is the red ware.

Literary Activities

The popularity of Sanskrit is seen in the inscriptions composed in the language. It was not merely the language of the learned classes but became the spoken language of the country. Sanskirt had a decided superiority over Pali and Prakrit in the richness of its vocabulary, compactness of its form and expressiveness of its idoms. The poetry and prose in Sanskrit were encouraged on a lavish scale through royal patronage. Kalidasa was the outstanding writer who wrote famous works of Shakuntalam, Meghadutam etc. The biography of Harsha written by Bana was held as an excellent example of best Sanskrit prose. During the Gupta age -Bhasa, Sudraka, Kalidasa, Visakhadatta and Bharavi flourished. Literature in Prakrit also had its patronage outside the court circle.

Prakrit literature written by Jainas tended to be more didactic in style with a substantial religious content. The period saw the last phase of the Smriti literature. The Mahabharata and the Ramayana also got their final touchup and received their present shape during this age. The Gupta period also saw the development of Sanskrit grammar based on Panini (Ashtadhyayi) and Patanjali(Mahabhashya). This period is memorable for the compilation of the Amarakosa by Amarasimha. A Buddhist scholar from Bengal, Chandragomia composed a book on grammar named Chandravyakaranam.

Gupta Sciences

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The Gupta period saw the development of mathematics, astronomy, medicine, chemistry, physics and metallurgy. The science of mathematics was cultivated with success. Numerals had been in use for some time. They were later introduced to the European world as Arabic numerals. In the field of mathematics Aryabhatta wrote Aryabhatiya. This mathematician was well versed in various kinds of calculations. The Aryabhatiya refers to some of the important properties of circles and triangles. The most epoch making achievement of this age in the realm of arithmetic was the discovery of the decimal system of notation. The Bakshali manuscripts give us a fairly comprehensive idea of the state of mathematics during Gupta period. It deals with varied topics like fractions, square roots, arithmetical and geometric progressions, summation of complex series, simultaneous linear equations and indeterminate equations of the second degree. The first major expositions of Indian astronomy in the last few centuries BC are recorded in two works, the Jyotisha-Vedanga and the Surya Prajnapti. Vasishtha Siddhanta marked a further progress in astronomy.

Paulisa Siddhanta was another important work. It laid down a rough rule for calculating the lunar and solar eclipses. The Surya Sidhanta was most popular before the time of Aryabhatta. It had formulated some rules for calculating eclipses and discovered solutions for some of the problems in spherical astronomy. Another important writer on astronomy was Varahamihira. His work the study of Astronomy is divided into three branches each of equal importance-astronomy and mathematics and astrology. The most interesting work of Varahamihira is the Pancha Sidhantika a concise account of the five currently used schools of which two reflect a close knowledge of Greek astronomy. Medicine also progressed during this period. The famous Buddhist scholar Nagarjuna was a student of chemistry, metallurgy and medicine. Dhanavantari was a renowned Ayurvedic physician. Hastyaurveda or the veterinary science authored by Palakapya attests to the advances made in medical science during the Gupta period.

Urban centres in Gupta period

The emergence of self-sufficient local units of production is also indicated by the gradual decay of urban centres in the Gupta

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period. Archaeology shows that Kushana layers belonging to the first-third centuries AD were very flourishing. On the other hand the Gupta layers belonging to the fourth-sixth centuries AD were in state of decline and in many cases Kushana bricks were used in Gupta structures. In many urban sites habitation disappeared after the 6th century AD.

Agrarian structure

The state was the exclusive owner of land. The most decisive argument is the evidence in Paharpur copper plate inscription of Buddhagupta where it is stated that the emperor acquired wealth as well as spiritual merit when he made land grants. This makes it obvious that he was the owner of the land. Landgrants indicate that the king had the supreme ownership of land otherwise he could not transfer comprehensive rights to the receipent. Even after the donation of land the king reserved certain prerogatives over it. Thus it appears that though the land was to all intents and purposes, that of the peasants the king claimed its theoretical ownership.

Classification of Land

The land of the Gupta period can be classified into the following groups:Kshetra: Cultivable landKhila: Waste landAprahata: Jungle or forest landVasti: Habitable landGapata Sarah: Pasture land

Land tenures

In the land grant inscriptions specific terms of land tenure are recorded. They are:

Nivi dharma: Land endowment in perpetuity Nivi dharma aksayana: a perpetual endowment which a recipient could not alienate but could make use of the income accruing from it eternally. Aprada dharma: It means that a recipient has all rights to enjoy such a property but no right to make a further gift of the same and can only enjoy the interest and income from the endowed land but not

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administrative rights. Bhumichchhidranyaya: This means that the rights of ownership as are acquired by a man making barren land cultivable for the first time and is free from liability to pay rent for it.

While the nivi dharma kind of trusteeship was prevalent in many parts of north and central India other kinds of trusteeship were probably followed mainly in the eastern part of the Gupta Empire. Therefore they are frequently mentioned in inscriptions from Bengal. Land survey is evident from the Poona plates of Prabhavati Gupta and many other inscriptions. Location and boundaries of individual plots were carefully marked out and measured by the record keepers and influential men of the locality as mentioned in the Paharpur copper plate. An officer called ustapala maintained records of all land transactions in the district and the village accountant preserves records of land in the village. Agriculture remained the economic basis of society during the Gupta period. The Gupta rulers made it a point to increase agricultural production since land revenue was the primary source of income. Waste land was brought under cultivation. There were two principal harvests one for summer and the other for autumn. A large variety of agricultural crops, trees and medicinal plants were grown during the Gupta period. The main agricultural products of the period were wheat, rice, sugarcane, jute, oilseed, cotton, jowar, bajra, spices, incense and indigo.

Trade

Both internal and foreign trade flourished during this period. Trade was carried on both by land and sea. The main articles of internal trade were cloth, foodgrains, spices, salt, bullion and precious stones. The trade was carried on by road and through rivers. Important cities and ports of the Gupta period was Broach, Ujjayini, Vidisa, Prayag, Banaras, Gaya, Pataliputra, Vaishali, Tamralipti, Kausambhi, Mathura, Peshawar etc which were well connected by public highways and the state arranged all facilities and security for the travellers and traders. Rich riverine traffic was carried along the Ganges, Brahmaputra, Narmada, Godavari, Krishna and Kaveri. Tamralipti, Kavripatnam, Kalyan, Broach and Cambay were the principal ports of South, Deccan and Gujarat. Brisk trade was carried on with countries of South east asia, China, Rome in the west, India exported pearls, precious stones, cloth, perfumes, spices, indigo, drugs, coconuts and ivory articles

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while its main items of import were gold, silver, tin, lead, silk and horses.

Industries

Many industries came into existence under the patronage of the Gupta rulers. The manufacture of textiles of various kinds was among the more important industries of this time. It had a vast domestic market since textiles featured prominently in the north-south trade within the whole of India and there was considerable demand for Indian textiles in foreign markets. Silk, muslin, calico, linen, wool and cotton were produced in great quantity. Ship building industry also developed during the Gupta period. This helped in trade and colonisation. Among the various industries that flourished in the Gupta period, mining and metallurgy certainly occupied the top position. The Amarkosha gives a comprehensive list of metals. Of all the metals, iron was the most useful and blacksmith were only next to the peasants in the rural community. The most eloquent evidence of the high stage of development which metallurgy had attained in the Gupta period is the Mehrauli iron pillar of King Chandragupta II. Ivory work, stone cutting and carving and sculpture were in great demand.

The cutting, polishing and preparing of a variety of precious stones -jasper, agate, carnelian, quartz, and lapizlazuli were also associated with foreign trade. Pottery remained a basic part of industrial production though the elegant black polished ware was no longer used instead an ordinary ware with a brownish slip was produced in large quantities some of it being made to look good with the addition of mica in the clay. Guilds continued as the major institution in the manufacture of goods and in commercial enterprise. There were guilds not only of traders and bankers but also of manual workers like weavers and stone cutters. These guilds enjoyed sufficient autonomy to manage their own affairs and participated effectively in the economic life of the people. They had their own property and trusts worked as bankers, settle disputes of their members and issued their hundis and even coins.

Coinage

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It is usually held that Chandragupta I was the first imperial ruler who introduced currency system and that the Chandragupta-Kumaradevi type of gold coins were the earliest gold coins of the dynasty. But according to the scholars it was Samudragupta who first issued Gupta coins that his first gold coins were of standard type and that later on he issued the Chandragupta-Kumaradevi type of coins to commemorate his father's marriage to Lichchhavi princess which had proved to be great benefit to the Gupta dynasty. The minting of silver coins was first started in the reign of Chandragupta II and was continued by Kumaragupta I and Skandagupta.Along with gold and silver coins, copper coins were also issued though to a much limited extent at least in the reigns of Chandragupta II and Kumaragupta I. It seems that there was a paucity of coins from the Gupta period onwards. For the Gupta rulers did not issue as many copper coins as their predecessors. The Indo-Greeks and especially the Kushanas issued a large number of copper coins which were evidently in common use in different parts of their territories.

The comparative scarcity of Gupta coins shows that there was hardly any easy medium through which people of one town could enter into exchange relations with those of the other. The gold coins issued by the Gupta rulers could be useful only for big transactions such as the sale and purchase of land in which gold coins were used. Smaller transactions were evidently conducted through the barter system of cowries. Indian economy in the Gupta period was largely based on self-sufficient units of production in villages and towns and that money economy was gradually becoming weaker at this time. The bond of state control which kept these units together in the Maurya period and that of the copper currency which unified it in the pre-gupta period no longer operated during this period. This doesn't mean that production declined. Instead agricultural and craft production had shown substantial increase.

Delhi Sultanate

The Slave Dynasty Khalji Dynasty Tughlaq Dynasty

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The Saiyyid Dynasty Lodhi Dynasty Administration of the Sultanate

The Slave Dynasty

1. Qutub-ud-din Aibek2. Iltutmish3. Raziya4. Balban5. Rulers of the Sultanate Period

Qutub-ud-din Aibek

Qutub-ud-din Aibek laid the foundation of a new dynasty called the slave dynasty in 1206 AD. He established himself as he sultan of Delhi at Lahore. He strengthened his position through matrimonial alliances with his rivals. He gave his daughter to Iltutmish the foremost of his slaves.

Iltutmish

After Qutub-ud-din Aibek his son Aram Shah succeeded the throne. He was not able to display the skill of conquests and administration shone by his forerunners. His rule was over thrown by Iltutmish with the support of the nobles. A battle followed in which Aram Shah was defeated and killed. In 1211 AD Iltutmish came to the throne. He was also known as Shamsuddin. He spent his days in retrieving the lost territories of Qutub-ud-din Aibek and also added Malwa and Sind. During the reign of Iltutmish he fought against the rival slave chiefs Yildiz and Qabacha. At the battlefield of Tarain Yildiz was defeated. Iltutmish also faced danger from the Mongols led by Chingiz Khan. In his diplomatic decision he avoided the conflict with the mighty Mongol by

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preventing Jalal-ud-din the ruler of Khawarism from coming to India. Another major threat to the power of Iltutmish was the independent Rajput rulers who in spite of their rivalry could pose a serious danger to the Sultanat. In 1226 AD he attacked Ranthambor and Mansor. He also occupied Ajmer, Jalor, Nagor.

In 1229 Gwalior was occupied and the fort of Kalinjar was plundered. Kannauj, Benaras and Badaun were under his dominion. In the year 1229AD the Caliph of Baghdad recognized him as Sultan. He brought order in Rohilkhand. He suppressed the revolt of Tughril Khan, the governor of Bengal. Iltutmish was the greatest ruler of 13th century India and a wise statesman. He was generous to talented people who willingly became the pillars of the central administration. 

Raziya

Raziya came to throne by overthrowing her brother Rukn-ud-din. After elevating many Tajiks to high positions Raziya appointed Jamal-ud-din Yaqut an Ethiopian slave as superintendent of the royal horses which aroused resentment in a majority of the already disgruntled Turkish nobles. Moreover sultana began to appear unveiled in public. Though the people of Delhi supported her, hostility mounted among the iqtadars. In 1239-40 she crushed some of the rebellious iqtadars but one of them Altunia killed Yakut and took Raziya prisoner. In the meanwhile Iltutmish's third son Bahram was put on the throne by the powerful Turkish nobles. Raziya married Altunia and their combined efforts to capture Delhi failed. They were killed during an attack on their convoy.

The fall of Raziya made the clique of Turkish nobles dominant in the court and they started a scramble for supremacy. Raziya's successor Bahram Shah was weak and incompetent ruler and was over thrown by the nobles after a brief reign of two years. He was succeeded by Alauddin Masud Shah who also met the same fate of Bahram Shah. In 1246 Nasir-ud-din Mahmud the grandson of Iltutmish ascended the throne. He owed his throne to the Turkish aristocracy and the latter was bound to have tremendous

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influence in the administration. He places all his powers in the hands of his prime minister Balban. Balban married off his daughter to Sultan and was made Naiib-i-Mamlakat with the title of Ulugh Khan. Balban became the defacto ruler of the Sultanate. In 1266 Nasiruddin Mahmud died.

Balban

Balban had full control over sovereignty sat on the throne of Delhi in 1266 and he adopted the name of Ghiyasuddin Balban. With his accession the line of rulers of the family of Iltutmish ended. The most serious problem which he faced soon after his succession was the restoration of law and order in Delhi and other parts of his kingdom. Balban in his attempt to curtail the power of the nobility increased the power and prestige of the Sultan. For this purpose he introduced Persian ceremonies and etiquettes in his court and allowed no manner of levity there. He was a thorough aristocrat and he never gave office to any one except to well born men. He impressed upon the people that kingship was the vice regency of God on earth and in its dignity it was next only to prophethood. The king was the shadow of God and was the repository of divine guidance and radiance. Having consolidated his authority Balban addressed himself to the task of maintaining peace and order with his characteristic vigour. He realized that a strong army was essentially necessary to cope with the internal troubles and external dangers. Hence he reorganized his army and increased his effiency. Additional officers were appointed with higher emoluments.

Alban did not try to extend his empire although he had a powerful army. He instead concentrated on consolidating the territory already in possession. He suppressed the revolts in the Doab and Oudh and tracked down recalcitrant elements in the region of Rohilkhand. Mughals invaded again in 1279 and 1285 but was defeated and driven away. In 1286 the Mongols reappeared and this time Prince Muhammad was killed. Balban could never recover from the tragedy and died in 1286.

Rulers of the Sultanate Period

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Slave Dynasty AD1. Qutub-ud-din Aibak 1206-12102. Iltutmish 1210-12363. Raziya Sultan 1236-12394. Bahram Shah 1240-12425. Ala-ud-din Masud 1242-12466. Nasiruddin Mahmud 1246-12667. Balban 1266-12858. Kaikubad 1286-1290

Khalji Dynasty

1. Jalaluddin Firuz Khalji 2. Alauddin Khalji   3. Qutubuddin Mubarak Shah Khalji4. Ruler of the Khalji Dynasty  

Jalaluddin Firuz Khilji

Jalaluddin Firuz Khilji was the founder of the Khilji dynasty. He came to power after the overthrow of slave dynasty. Their ascendancy is known as Khilji imperialism because with the accession of Jalaluddin on the throne of Delhi, the supremacy of the Turks ended in India. He expanded the boundaries of his empire besides his achievements include suppression of the revolt of Malik Chhaju with the governor of Oudh. He suppressed the thuggees a band of robbers and send them off peacefully to Bengal. He adopted conciliatory policy towards the Mongols. He allowed some of the Mongols to settle in India.

It was during the conquest of Bhilsa that Alauddin the nephew of Jalaluddin started realising the dream of being sultan. In 1292 AD Alauddin led an expedition to Devagiri hearing of its wealth. Devagiri was forced to pay a huge war indemnity. This helped Alauddin in buying the nobles and pleasing the soldiers who were dissatisfied by the rule

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of Jalaluddin. Alauddin than hatched a conspiracy and got Sultan Jalaludin killed and proclaimed himself as the sultan.

Alauddin Khilji

In 1296 Alauddin became the sultan after Malika Jan the widow of Jalaluddin and her younger son Qadir Khan left Delhi. He also exterminated the old Balbani and Jalali nobles. The reign of Alauddin Khilji marks the zenith of the power of the Delhi Sultanate. In 1297 he set off for conquering Gujarat. He sent an expedition under Ulugh Khan and Nusrat Khan to Gujarat. On the way Ulugh Khan conquered Jaisalmer. During the plunder of the rich port of Cambay Alauddin's commander Nusrat Khan acquired a Hindu turned Muslim slave Kafur who later on rose to become a great military general and the Malik Naib of Alauddin. After the conquest of Gujarat Alauddin sent an expedition under Ulugh Khan and Nusrat Khan to Ranthambhore. However they were beaten by the Rajputs and Nusrat Khan died. Alauddin went to Ranthambhor and annexed it in 1301. The next expedition was sent to Mewar and after the siege of 8 months he captured Chittor in 1303. The government of Chittor was put in the hands of Khizr Khan, the eldest son of Alauddin. Chittor was renamed as Khizrabad after the name of Khizr Khan. In 1305 Alauddin sent Ain-ul-Mulk Multani for the conquest of Malwa which was placed under the governorship of the latter. By the end of 1305 the whole of Northern India fell into the hands of Alauddin and he directed his attention to the conquest of Deccan.

Between 1307 and 1312 he began the southward expansion of his empire. He invaded Devagiri in 1306-07 AD. The immediate cause for this was unduly long delay in sending the annual tribute. In 1309 the Kakatiya kingdom was attacked and its ruler Pratap Rudra Deva accepted the suzerainty of Delhi and surrendered vast treasures. The next expedition was against Vir Ballala III the Hoysala ruler in 1311. His capital Dwarsamudra was captured. The whole of Deccan was forced to acknowledge the supremacy of Alauddin. His motives were to secure the immense wealth and to force the southern states to accept the suzerainty of the Sultanate. He had to face more than dozen invasions. These invasions started from the end of 1296 and continued upto 1308.The Mongols threatened not only Punjab,Multan and Sindh but even Delhi and the Ganga-Yamuna Doab. This grave crisis compelled him to take strong measures for the protection of the northwest frontier. The 20 years of his rule came to an end with his death on 2nd January 1316 AD.

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Qutubuddin Mubarak Shah Khalji

A young son of the Sultan was placed on the throne and Malik Kafur acted as the regent. Malik Kafur killed other members of the Allauddin's family but he was murdered and Mubarak Khan the third son became the regent. He imprisoned Sahibuddin and ascended the throne as Qutub uddin Mubarak in the year 1316. He tried to win the good will of the people. He liberalized Alauddin's rigorous administrative policies and repealed economic regulations. All prisoners were released and harsh regulations were cancelled. The lands which were confiscated were given back to their legitimate owners. Taxes were lowered. He was under the influence of youth called Hassan who later was called Khusru Khan who conspired to kill him. Thus Khalji dynasty came to an end. Khusro tried to strike a reign of terror to control the nobles. This was resented by the nobles particularly Ghazi Malik who captured and beheaded the sultan. He ascended the throne under the title of Ghiyasuddin Tughlaq Shah.

Ruler of the Khalji Dynasty

Ruler of the Khalji Dynasty AD1. Jalaluddin Firuz Khalji 1290-12962. Alauddin Khalji 1296-13163. Qutubuddin Mubarak 1316-1320

Tughlaq Dynasty

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1. Ghiyasuddin Tughlaq 2. Mohammad Bin Tughlaq3. Firoz Tughlaq   4. Later Tughlaqs5. Rulers of the Tughlaq Dynasty

Ghiyasuddin Tughlaq

Ghiyasuddin Tughlaq laid the foundation of the Ttughlaq Dynasty. The word Tughlaq was not the name of any tribe or clan but was the personal name of Ghiyasuddin. He had to face enormous problems as a Sultan. There were riots in various parts of the empire and the royal treasury was empty. He pursued a policy of reconciliation with the nobles and the people who were severely restricted under Alauddin. He liberalized administration in certain respects. He gave up the practice of physical torture in case of economic offences and recovery of debts. He also discarded Alauddin's system of measurement of land for the assessment of land revenue. He attempted to improve the finances of the state and perused a policy to encourage agriculture. His twin object was to increase land under cultivation and improve economic condition of the cultivators. He took keen interest in the construction of canal for irrigation and formulated famine policy to provide relief to peasants in time of drought. The state demand of revenue was fixed between 1/5th and 1/3rd of the produce. He further instructed that the land revenue should not be enhanced more than 1/11th of the estimated produce.

He continued the system of Dagh and Chehra instituted by Alauddin. He built the fortified city of Tughlaqabad and gave a new touch to the architecture of the Sultanate period. In 1321 he dispatched the crown prince Jauna Khan to re-establish Sultan's authority in the south. He annexed Warangal. Madurai and Bengal.

Mohammad Bin Tughlaq

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Jauna Khan ascended the throne in 1325 AD with the title of Mohammad Bin Tughlaq. He ruled up to 1351. He was a profound scholar of Persian, a penetrating critic, a litterateur of repute. He was a great scholar of Persian and Arabic. He faced many revolts and rebellions. The first of these revolts included his attempt to consolidate his empire by curbing the rebellions of 1327 by his cousin Bahauddin Garsharp in the Deccan and other of Kishulu Khan the governor of Multan and Sind in 1328. One of the much condemned experiments of the Sultan was the transfer of capital from Delhi to Devagiri (1327). The transfer was attempted primarily due to two reasons -for its central location and secondly its close proximity to the south which was a newly conquered region. The transfer of capital involved the shifting of the army, officials, servants, tradesmen, court and shift of population. There was a widespread resentment against the Sultan who decided to retransfer the capital to Delhi. The order of going back to the old capital caused much distress to the people. Another of his novel and daring experiments was the introduction of the token currency of bronze coins in place of silver tanka in 1329-30. The value of the token coins was deemed to be equal to a silver coin. The main reason for this measure was the scarcity of silver. This measure proved useful in the beginning but later on it caused serious problems. People soon began to manufacture counterfeits of bronze in large numbers. There was a surfeit of coins in circulation. This naturally led to its depreciation and most people began to prefer copper tankas for payments and silver or gold issues for receipts. The Sultan was compelled to withdraw the token currency. He offered to exchange all the token coins for the silver coins resulting in huge losses to the treasury. He planned an expedition for the conquest of Khurasan and Iraq.

He raised an army of 3,70,000 soldiers and gave it a whole year's salary in advance. But the army did not leave for the expedition and was disbanded. The scheme was abandoned when the Sultan learnt that the conditions in Iraq had improved and was not conducive to an expedition. Towards the end of his reign the sultan increased the land revenue in the doab. He decided to enhance the land tax in the doab because of richness of its soil. Doab was facing total famine which was followed by plague. The Sultan raised the tax from 5 to 10%. Therefore the peasants

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instead of paying the taxes abandoned their lands and adopted highway robbery. The tax collectors continued to collect taxes by oppression. It resulted in extensive revolts. Mohammad Bin Tughlaq died in 1351. The whole of south India became independent during his life time and three major independent states- the empire of Vijaynagar, the Brahmani kingdom and the Sultanate of Madura were founded in the territories of the sultanate of the south

Later Tughlaqs

Firoz Tughlaq was succeeded by his grandson who took up the title of Ghiyasuddin Tughlaq Shah II. Within a year of his accession he fell victim to intrigue and was beheaded in early 1389. For the next five years Sultans- Abu Bakr, Muhammad Shah and Alauddin Sikandar Shah ruled. In 1390 Nasiruddin entered Delhi and enthroned himself. He was the last sultan of the dynasty and ruled from 1390-1412. During his reign Timur the Mongol leader of Central Asia invaded India. After plundering Delhi he returned to Samarkand. On his way back he plundered Firozabad, Kangra, Meerut and Jammu. Khizr Khan was appointed governor of Multan, Lahore and Dipalpur. Timur's invasion dealt a fatal blow to the Tughlaq dynasty and the Sultanate of Delhi. In 15th century the Sultanate completely disintegrated and numerous provincial kingdoms emerged in various parts of the country.

Rulers of the Tughlaq Dynasty

Rulers of the Tughlaq Dynasty AD1. Ghiyasuddin Tughlaq Shah 1320-13252. Mohammad Bin Tughlaq 1325-13513. Firuz Tughlaq 1351-13884. Later Tughlaq 1388-1414

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The Saiyyid Dynasty

Khizr Khan was not only the founder of the Saiyyid Dynasty but also its ablest ruler. Khizr Khan did not rule as a sovereign ruler but professed to rule as the deputy of Timur's son and successor. He assumed the title of Shah and got the Khutba read in his name. In 1412 he conquered Gujarat, Gwalior and Jaunpur. In 1416 he defeated Bayana and in 1421 he attacked Mewat. Due to the illness he died in the year 1421. He was succeeded by his son Mubarak Shah in 1421 who ruled till 1434. He was succeeded by his son Muhammad Shah in 1434 who ruled till 1445 AD. He remained in his capital sunk in indolence and pleasure. He was succeeded by his son Alauddin Alam Shah 1445-51. He was the weakest ruler of the Saiyyid Dynasty. He was deposed by Bahlol Lodhi, the powerful governor of Lahore and Sirhind who founded the Lodhi dynasty. 

Rulers of the Saiyyid Dynasty

Lodhi Dynasty

Bahlol Lodhi was the founder of Lodhi dynasty. He ruled for 39 years. His links were with a famous Afghan clan known as Shahurbel. He established his suzerainty by defeating and capturing the jagirdar of Mewat, Sambha, Koel, Khari, Bhogaon, Etawah and Gwalior. He annexed the Jaunpur kingdom in his empire. In the last years of his life he invaded Gwalior and obtained 80 lakh tankas from the ruler. He was succeeded by his son Nizam Shah who ascended the throne with the title of Sikandar Shah.

He was ablest of three Lodhi rulers. In 1504 he established the city of Agra. He conquered south Bihar in 1494-95 and

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concluded a treaty of friendship with Alauddin Husain Shah the ruler of Bengal. He introduced the measurement of land and started a measurement known as Sikandar Gaz. He tried to propagate Islam and crush Hinduism. He died at Agra in 1517. The last Lodhi ruler was Ibrahim Lodhi. In 1526 Ibrahim Lodhi fought with Babur the battle of Panipat. In this fierce battle Ibrahim Lodhi was defeated. The Sultanate came to an end and a new power Mughals came to rule India.

Rulers of the Lodhi Dynasty

Administration of the Sultanate

The government established by the Turks was a compromise between Islamic political ideas and institutions on the one hand and the existing Rajput system of government on the other. Consequently many elements of the Rajput political system with or without changes became part and parcel of the Turkish administration in India. Most of the Sultans kept up the pretence of regarding the caliph as the legal sovereign while they themselves were the caliph's representatives. Most of them included the name of the caliph in the Khutba and the Sikka and adopted titles indicative of their subordination to the caliph. Three rulers emphasised their own importance. Balban used to say that after the Prophet the most important office was that of the sovereign and called himself the Shadow of God. Muhmmad bin Tughlaq assumed this style during the early years of his reign and although Balban had retained the name of the caliph in the Khutba and Sikka, he made no mention of caliph anywhere. Despite all this neither of them had the power to call himself the caliph. The only person who had done this was Qutubuddin Mubarak Khalji. Only three Sultans sought and secured a mansur or letter of investiture from the caliph. The first among them was Iltutmish. Next Muhmmad bin Tughlaq tried to pacify the ulema by securing an investiture from the Abbasid Caliph in Egypt.

After him Firoz also sought and secured it twice. According to Islamic ideals essential attributes of a sovereign required that he should be a male adult suffering from no physical disability, a freeborn Muslim having faith in Islam and acquainted with its doctrines and he should be elected by the people. There were several violations of the prescribed criteria as Raziya was raised to throne despite her being a woman. Minority proved no bar in the case of Mohammad bin Tughluq. Alauddin Khalji admitted his ignorance of the

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Sharia but nobody questioned him. In the framing of new rules and regulations the authority of the Sultan was circumscribed and every ruler could not govern the kingdom in complete disregard of the advice of the ulema or theologians as Alauddin Khalji and Muhammad Tughluq had been able to do. The power of the nobility also blunted their authority to some extent. When there was a weak ruler on the throne the nobles and the ulema particularly dominated him but during the reign of Balban, Alauddin Khalji and Muhammad Tughluq these checks proved ineffective. The sultans were not powerful enough to rule the land in complete disregard of the sentiments of the Hindus.

The Sultan dominated the central government as he was the legal head of the state and acted as the chief executive and the highest court of appeal.

The Sultan was assisted by number of ministers. The slave dynasty sultans constituted four ministers at the top level these were held by Wazir, Ariz I mamalik, the diwan -i-insha and the diwan-i-risalat. After sometime an extraordinary officer of the state styled as naib-ul-mulk or malik naib the regent came into existence. When the sultanate was well established two more departmental heads were raised to the status of central ministers sadr-us-sadur and the diwan-i-qaza. The commander of the royal army next after the sultan, the crown prince and above mentioned ministers constituted the nucleus of the council of advisers called majilis-i-am or majilis-i-khawat which comprised the most trusted and the highest officers of the state. The wazir also styled as vakil was the prime minister and his department was called the diwan-i-wizarat. He was head of the finance dept and usually held overall charge of the entire administrative set up. The head of the army establishment or the ministry of defence was the diwan -i-arz. He was responsible for the organization and maintenance of the royal army and exercised disciplinary control over it. The department of correspondence and records of the royal court was called diwan-i-insha; it was held under the charge of central minister known as dabir-i-mamlik, dabir-i-khas or amir munshi. The diwan-i-risalat constituted the fourth pillar of the imperial administration of the sultanate. Under slave dynasty the head of the dept was sadr-us-sadur who was primarily a minister for ecclesiastical affairs. During the time of Alauddin Khalji diwan-i-risalat dept was taken out of the hand of the sadr and renamed diwan-i-riyasat. Its primary function was to implement the economic regulations issued by the sultan and control the markets and prices. Barid-i-mamalik; vakil -i-dar, amir-i-barbak, amir-i-hajib, amir-i-majlis, amir-i-shikar, kotwal etc were other important officials of the time.

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Local Administration

Local administration was vague and undefined and basically traditional system. The provinces were divided into 6 parts headed by shiqdars with main functions to maintain law and order and protect people against oppression of zamindars and had to perform military obligation. The shiqs were further divided into parganas and had different officials-

1. Amil- collected land revenue and other taxes2. Mushrif3. Hazamdars- treasurer4. Qazi-Civil officials5. Shiqdar-Criminal official6. Kotwal-Police head under shiqdar7. Faujdar-Military official in charge of fort along with their adjoining

territories8. Amin-Measure land9. Qanungo-Maintained previous records of produce and assessment10. Patwari-Village record keeper

At panchayat level khuts,muqaddam,chaudhary collected taxes and in lieu of their services they were exempted from the taxes.

1.Provincial System2.Judicial System3.Military organization4.Iqtadari System

Art and Architectural in Medieval India

The coming of the Turks inaugurated a new era in the history of Indian architecture, the Turks brought with them architectural ideas developed in Persia, Arabia and Central Asia. They came into contact with the traditions that had already been developed in India. The interaction of these two traditions resulted in a new synthesis of architectural styles. The rulers of the Sultanate were great patrons of architecture and under them the process of synthesis started. It continued with many regional variations in the different kingdoms. During the Mughal period the flowering of this synthesis took place and some of the greatest monuments of India were built. Based on the interaction of the two traditions a unique Indian style of architecture was developed in this period.

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Main features of Islamic architectureThe Mosque consisted of a large rectangular open courtyard surrounded by arcades on all four sides. The mehrab which faces Mecca indicates the direction to the prayer. The call to the worship was made from a tall tower or minaret. In some mosques there were many minerats. Another characteristic feature was the arch in the gateway and other places. The dome was another prominent feature of the mosque and the mausoleum. The chief decorative element was sculpturing the building with geometrical designs and lettering in calligraphic style. Some of these features were new to Indian architecture. The ancient Indian buildings were decorated with beautiful carving and sculpture while the Muslim buildings were marked by simplicity and lack of adornment. When the new buildings began to be erected the two styles were gradually synthesized into a new and unique style.

Composite culture in Medieval India

Culturally medieval period marks the beginning of new stage in the growth of India's composite culture. It saw the introduction of new features in art and architecture of India and their diffusion to all parts of the country. The architecture that developed during this period was the result of the synthesis of the traditions of Central Asia and Persia with the pre-existing Indian styles. During the 15th and 16th centauries distinctive styles of art and architecture also developed in the regional kingdoms which had emerged with the disintegration of the Sultanate.

During this time notable advances were made in the development of languages and literature. Two new languages-Arabic and Persian became a part of India's linguistic heritage. Historical writings for the first time became an important component of Indian literature. Under the influence of Persian, new forms of literature such as the ghazal were introduced. The period saw two great religious movements. The Bhakti movement spread throughout the country.

It disapproved religious narrow-mindedness, superstitions and observance of formal rituals. The Bhakti saints condemned caste inequalities and laid stress on human brotherhood. The other was Sufi movement. The Sufis or the Muslim mystics preached the message of love and human brotherhood. These two movements played a leading role in combating religious exclusiveness and narrow -mindedness and in bringing the people of all communities together. Sikhism began to emerge as a new religion based on the teachings of Guru Nanak and other saints. The growth of a composite culture reached its highest point under the Great Mughals in the 16th and 17th centuries. The Mughals built an empire which once again brought about the political unification of a large part of the country.

Akbar the greatest Mughal Emperor followed the policy of Sulhkul (peace with all).

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Some of the finest specimen of Indian architecture and literature belong to this period. A new significant art form was painting which flourished under the patronage of the Mughal court. Influenced by the Persian traditions the Mughal painting developed into a distinct Indian style. It later spread to other parts of the country in various regional styles. Another significant development was the emergence of a new language Urdu which became the lingua franca of the people of the towns in many parts of the country.

Architecture under the Sultanate

The Turkish rulers utilized the services of the local designers and craftsmen who were among the most skilful in the world. The new fusion that started to take place avoided the extreme simplicity of the Islamic architecture and the lavish decoration of the earlier Indian architecture. Among the first buildings to be erected were the mosques at Delhi and Ajmer by Qutbddin Aibak. The mosque built in Delhi was called the Quwwatul Islam mosque. It measured about 70x30 meters. The central arch of this mosque which is decorated with beautiful sculptured calligraphy still stands and is about 17 meters high and about 7 metres wide. The successor of Qutbuddin Iltutmish was a great builder. He further extended the mosque. He also completed the building of the Qutb Minar which had been started by Qutbuddin and now stood in the extended courtyard of the mosque.

This is a tower rising to a height of about 70 meters and is one of the most renowned monuments of India. The next important buildings belong to the reign of Alauddin Khalji. He enlarged the Quwwatul Islam mosque still further and built a gateway to the enclosure of the mosque, the Alai Darwaza. Decorative element was introduced to beautify the building. He also started building a minar which was designed to be double the height of Qutb Minar but the project remained unfulfilled. The Tughlaqs concentrated on the building of new cities in Delhi like Tughlaqabad, Jahanpanah and Ferozabad. A number of buildings was erected which differed in their style from the earlier buildings. Massive and strong structures like the tomb of Ghiyasuddin Tughlaq and the walls of Tughlaqabad were built. The buildings of the Tughlaq period were significant from the point of view of the development of architecture. They were not beautiful but massive and very impressive.

1. Mughal Architecture2. Mughal Painting3. Music in Medieval India

Mughal Architecture

The process of synthesis was completed under the Mughals and the new architecture which had started taking shape with the establishment of the Sultanate reached the pinnacle of glory. Babar and Humayun the first two Mughal kings erected a number of buildings with the help of Persian

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architects and these now in ruins are not very impressive. Humayun had to flee the country in the face of the rising power of the Afghan ruler Sher Shah Suri. There was a short Afghan rule before Humayun recovered the Indian territories for the Mughals. The most important buildings is the mausoleum of Sher Shah at Sasaram. It is well-proportioned building and stands in the middle of a tank.

The Mughal architecture began in the reign of Akbar. The first important building of Akbar's reign is Humayun's tomb at Delhi. In this magnificent tomb the Persian influence is very strong particularly in the construction of the dome. Indian builders used stone and marble. The two significant features of the Mughal architecture are the large gateways and the placement of the building in the midst of the large park. The tomb provided many architectural ideas for the building of the Taj Mahal later. Akbar also built the forts of Agra and Lahore. He built his palace within the Agra fort. Many new buildings were constructed in the fort and old ones altered by his successors. For the first time living beings -elephants, lions, peacocks and other birds were sculptured in the brackets. The crowning achievement of the reign of Akbar was the building of his new capital at Fatehpur Sikri about 40 kms from Agra. The buildings at Fatehpur Sikri have been built in a variety of styles making it one of the most magnificent capitals in the world. It had a circumference of over 10 kms. The arch of the Buland Darwaza is about 41 meters high and is perhaps the most important gateway in the world. The tomb of Salim Chishti built in white marble is exquisite in its beauty. Another notable building is the Ibadat Khana or the House of Worship where learned people belonging to various religions gathered together and discussed questions of philosophy and theology in the presence of Emperor. Then there is the Panch Mahal a five storeyed building modelled on the Buddhist viharas.

During the reign of Jahangir the mausoleum of Akbar was constructed at Sikandara. This is a magnificent monument as after a long time minar became architecturally significant. It has beautiful arches and domes.

But the whole structure is inspired by the Buddhist viharas. Jahangir also extended the palace buildings in the Agra fort and built the beautiful tomb of Itmad-ud-daula the father of NurJahan. The tomb was built in marble and is notable for its beautiful coloured inlay work. NurJahan built a beautiful mausoleum for her husband at Shahdara near Lahore. 

The greatest of the Mughal builders was Shah Jahan. His reign marks the highest development of Muhgal architecture. Some of the finest monuments of our country were built during his reign.

Under him there was an exceedingly liberal use of marble, delicate decorative designs, variety of arches and beautiful minarets. The list of buildings built by ShahJahan is long with city of Shahjahanbad, Redfort, Jama Masjid, TajMahal and many others. The most magnificent of Shah Jahan's buildings is the Taj Mahal built in memory of his wife Mumtaz Mahal. It represents India's culture at its best and has been aptly described as the dream in marble. It is remarkably well conceived and all its parts the gateways, central dome, elegant minars, the delicate decoration, the inlay work in coloured marbles an precious stones, the lovely gardens surrounding it and the fountains in front have been perfectly executed. The only notable buildings of the reign of Aurangzeb the last of the Mughals are the Badshahi mosque at Lahore and the Moti Masjid at Delhi. The period after him is one of the general decline. The new style of architecture had a significant influence on the construction of Hindu temples and the secular buildings of the Rajputs during this period.

Mughal Paintings

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The great era of in the art of painting was ushered by the Mughals. the great painter Behzad. They came into contact with their counterparts in India and under Akbar the synthesis of two styles was encouraged. He gathered together a number of painters from Persia, Kashmir and Gujarat. The Ain-i-Akhbari mentions a number of artists-Abdus Samad, Mir Saiyid Ali, Miskin, Daswant, Basawan, Mukand and many others. They illustrated manuscripts like the Dastan-i-Amir Hamza and Babarnama. Individual pieces were also painted. By the end of Akbar's reign an independent Mughal style of painting had been developed. Jahangir was a poet and patron of painting. Under him the Mughal School of painting was fully developed and made remarkable progress.

The painting was no longer confined to book illumination. Portrait painting and depiction of subjects drawn from life and nature became popular. Some of the finest painters in this period were Nadir, Murad, Bishan Das, Manohar, Goverdhan, Mansur and Farrukh Beg. The competence and skill of the Indian artists are evident from the incident which Sir Thomas Roe who came to the court of Jahangir mentions. The artists of Jahangir's court made several copies of a painting which Roe had presented to the emperor on the same day. The copies were so perfect that Roe found it difficult to spot the original. 

In the course of few decades fine works of paintings were created. The development continued under Shah Jahan. Dara Shikoh son of Shah Jahan was a great patron of paintings. With Aurangzeb the art declined in the Mughal courts. With the withdrawal of court patronage many artists went to different parts of the country and influenced the development of new schools of painting. Two of the most important schools of painting that emerged were the Rajasthani and the Pahari schools. The subjects of the paintings of these schools were drawn from the epics, myths and legends and love themes.

Music in Medieval India

The medieval period witnessed development in Music in India. Music was not a part of the original Islamic tradition but it developed under the influence of the Sufis and became a part of court life. Many new forms and instruments were developed. Mir Khusrau who had contributed to literature and historical writings is believed to have invented some of these musical instruments. He developed the early form of the popular musical style known as Qawwali. Khayal one of the important forms of Indian classical music is also believed to be his contribution. The legendary figures of Baz Bahadur, the ruler of Malwa and his queen Rupmati were accomplished musicians and also introduced many new ragas. The most notable figure in music in Medieval India as Tansen the court musician of Akbar. His attainments in music have become a legend. The patronage of music continued at the courts of rulers in the 18th century and the traditions evolved through the centuries were kept alive. The contributions of the Bhakti and Sufi saints in the development and promotion of music is very important. The growth of Indian classical music has been a major force of India's cultural unity. Apart from Hindu elements some of the greatest masters of music have been Muslims. The Kitab-i- Nauras a collection of songs in praise of Hindu deities and Muslim saints was written by a 17th century ruler Ibrahim Adil Shah II. Both in vocal and instrumental music two main classical styles evolved -Hindustani and Carnatic. Some of the greatest figures in Carnatic music were Purandaradasa, Thyagraja, Muthuswami, Dikshitar and Syamasastri.