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Merry Christmas A Happy New Year

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ContentsBreeds Page....4

Dressage Page... 8

Eventing Page...19

Horsemanship Page...23

Out & About Page...26

Polocrosse Page...29

Pony/Riding Clubs Page...30

Kids Corner Page...35

ShowJumping Page...41

Showing Page...45

Veterinary / Health & Wellbeing Page...48

Service Directory Page...48

FOR SALE Page...52

The Welsh Mountain Pony Page.....5PhilosophyofDressage(RobynJudd) Page.....9AustralianDressageChampionships Page...12EventingintheElements-TravisTempler Page....19WeaningtheFoaltheJohnChattertonWay Page....23VaultersinFrance Page....31War Horse Page....33StartingaShowJumpingCareer-Equipment Page...41From Rescue Pony to Champion Hunter Page....40TheJudgefromLeftField Page....45EquitanaRollUp Page...47EquineGastricUlcerationSyndrome Page....48AMatterofMuscle Page..50JohnWhiteley-Farrier Page....51

Articles

Gold Coast Local Horse Magazine have taken every care in preparation of thismagazine. Therefore it may not be copied in part or whole for reproduction,without said magazine's written authority. While we take every care in thepreparationandaccuracyof itscontentswearenotresponsibleforanymistakesor misprints in any article or advertisement, nor are we responsible for anyerrors by others. Gold Coast Local HorseMagazine accepts no liability resultingfrom omissions, errors, misprints or failure to publish any advertisment.

Disclaimer

DEADLINE FOR ARTWORK17th of each month

Printed by: FAST PROOF PRESS(07) 5578 4722

Front CoverDesign & Artwork by

Jane Crutchfieldwww.alizajanephotography.com.au

Contacts:Editor: Donna Morton- 0419 029 070

Photographer for Events: Downunder Photography - 0419 029 070Office: (07) 55 434 878

Editor: donna@localhorsemagazine.com.auAdvertising: advertising@localhorsemagazine.com.au

W: www.localhorsemagazine.com.au

FROM THE EDITOR

The end of the year! But not the end of an absolutely fantastic

rollercoaster ride… this year has seen a few ups & downs but

at the end … yes a feel good moment! The Local Horse Mag has

had a major people friendly response SO A REALLY BIG THANK

YOU to you the readers for your support and feedback! Each month

the pressure is on to make or break and bring you the readers what

we believe is what you want! I am reallly chuffed to say the least

on the response from friends and collegues that have put together

some amazing articles.. that little bit “left field” occasionally but

hey I LUV IT! I must say that this year has not been easy &

all the editors have stepped up to the plate to deliver their best &

congrats!! Yes the big pat on the back, because as a solo entity from

each area you guys ROCK!Thank you to the readers and thank you to the advertisers, the

article writers and the supporters…. we will be back in 2012 so

STAY TUNED!!!!! xxxxx

Have a safe & Happy Chrissy & New Year..... Donna

Merry Christmas A Happy New Year

3

What’s On CalendarBreeds

Qld All Welsh Show 16-18th March Gatton ShowgroundsC: Tina Brewster 0419 642 023www.wpcs.com.au/qld

All Breed Western Performance Shows (Triple Judge) 15 Jan/ 12 Feb/ 11 MarchAll Breed Western Performance Show (Single Judge) 20 MayContact: South East Qld Paint Horse Club Secretary:MrsAnning0754941071www.seqphc.inc.com

Sunday 4thDecember8am - 2pm

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The Welsh Pony and Cob are closely related horse breeds including both pony and cob types, which originated in Wales in the United Kingdom. The breed society for the Welsh breeds has four sections, primarily distinguished by height, but also by variations in type: the Welsh Mountain Pony (Section A), the Welsh Pony (Section B), the Welsh Pony of Cob Type (Section C), and the Welsh Cob (Section D). Welsh ponies and cobs are known for their good temperament, hardiness, and free-moving gaits.

Native ponies existed in Wales prior to 1600 BC, and a Welsh-type cob was known as early as the Middle Ages. They were influenced by the Arabian horse, and possibly also by the Thoroughbred and the Hackney horse. In 1901, the first stud book for the Welsh breeds was established in the United Kingdom, and in 1907 another registry was established in the United States. Interest in the breed declined during the Great Depression, but revived in the 1950s.Throughout their history, the Welsh breeds have had many uses, including as a cavalry horse, a pit pony, and as a working animal on farms.

Today, the modern Welsh Pony and Cob breeds are used for many equestrian competitive disciplines, including showing, jumping and driving, as well as for pleasure riding, trekking and trail riding The smaller types are popular children’s ponies. The Welsh also crosses well with many other breeds and has influenced the development of many British and American horse and pony breeds.

The Welsh Stud Book contains registration details of four “types” of Welsh Ponies and Cobs.  These types include the Section A Welsh Mountain Pony,  Section B Welsh Pony, Section C Welsh Pony (Cob type) and Section D Welsh Cob.  Each Section, or type, has specific characteristics, but all retain the pony character, versatility and excellent temperament of the Welsh breeds.

SECTION “A” - WELSH MOUNTAIN PONY

Welsh A’s are hardy, spirited and pony-like and do not exceed 12 h.h. (121.9 cms). Section B’s are similar, but larger — not exceeding 13.2 h.h. (137.2 cms) — and with more riding pony qualities.

Bred in the mountains and wild regions of Wales for many generations, their acknowledged beauty does not mean they are merely a ‘pretty toy’ — centuries of ‘survival of the fittest’ has ensured the sound constitution, iron hard limbs and great intelligence which combined with the legendary Welsh temperament, makes the ideal child’s pony of today. They can be seen ridden and driven all over the world — equally at home in the cold of Canada and Sweden or the heat of Africa and Australia.

The head of the Mountain Pony should be small, with neat pointed ears, big bold eyes and a wide forehead. The jaw should be clean cut, tapering to a small muzzle; the silhouette may be concave or ‘dished’ but never convex or too straight. The neck should be of good length and well carried with shoulders sloping back to a clearly defined wither. The limbs must be set square with good flat bone and round dense hooves. The tail set high and gaily carried.

Action must be quick, free and straight from the shoulder, knees and hocks well flexed with straight and powerful leverage well under the body. The height should not exceed 12 h.h. (121.9 cms).

DETAILED DESCRIPTION• GeneralCharacter Hardy, spirited and pony-like

• Colour Any colour, except piebald and skewbald

• Head Small, clean-cut, well set on and tapering to the muzzle

• Eyes Bold

• Ears Well-placed, small and pointed, well up on the head, proportionately close.

• Nostrils Prominent and open

• JawsandThroat Clean and finely-cut, with ample room at the angle of the jaw

• Neck Lengthy, well-carried and moderately lean in the case of mares, but inclined to be cresty in the case of mature stallions

• Shoulders Long and sloping well back. Withers moderately fine, but not “knifey”. The humerus upright so that the foreleg is not set in under the body

• Forelegs Set square and true, and not tied in at the elbows. Long, strong forearm, well developed knee, short flat bone below knee, pasterns of proportionate slope and length, feet well-shaped and round, hoofs dense.

• BackandLoins Muscular, strong and well coupled

• Girth Deep

• Ribs Well sprung

• HindQuarters Hocks to be large, flat and clean with points prominent, to turn neither inwards nor outwards. The hind legs not to be too bent. The hock not to be set behind a line from the point of the quarter to the fetlock joint. Pasterns of proportionate slope and length. Feet well-shaped, hoofs dense.

• Action Action must be quick, free and straight from the shoulder, knees and hocks well flexed with straight and powerful leverage well under the body.

Welsh Mountain Pony

“A“cont’d over

“WyannCaramelClassic”standingatWynmahPonyStud

5

6

B

“Wynmah Porcelain Doll”

SECTION “B” - WELSH MOUNTAIN PONY

The general description of the Welsh Mountain Pony can be applied to the Welsh Pony, with greater emphasis being placed on riding pony qualities whilst retaining the true Welsh quality with substance.

For generations these ponies were the hill farmers’ main means of transport, herding sheep and wild ponies over rough and mountainous country. They had to be hardy, balanced and fast to survive, which ensured that only the best were bred from. These qualities, combined with a natural jumping ability, and the temperament of their Welsh Mountain Pony forebears make the Welsh Pony second to none in whatever field his young rider may choose. Today they hold their own among our top class riding ponies both in performance competitions and in the show ring.

The height should not exceed 13.2 h.h. (137.2 cms).

Detailed Description

The general description of ponies in Section A of the Stud Book is applicable to those in Section B, but more particularly the Section B pony shall be described as a riding pony, with quality, riding action, adequate bone and substance, hardiness and constitution and with pony character.

Nexteditionwewillcovertheww“C”&“D”WelshMountainPony

END OF YEAR GRAND FINALPhoto Comp Winner

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Congratulations Shaneand a big

Thank You to all our Sponsors

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88

I have written a fewarticles to date regarding

my thoughts and beliefs as a rider, a trainer and my genuine love of these amazing noble animals.

Today, the story I would like to share with everyone is of a horse called ‘Keys’ that graced us with his presence and taught us all so much.

I write with a heavy heart as I have just said goodbye to my friend, a striking horse who was big, black and handsome. He arrived to us at the age of 9 and wasn’t perfect through any fault of his own. He had partial sight in one eye, a torn muscle in his chest, stiff through his front fetlocks, slight stifle issues and lameness. What was I thinking right?! I just saw something there. It’s hard to explain to people, but you have to just look at what is in front of you without preconception, without judgement.

I do remember saying to myself “urm, am I going to regret this decision and how do I explain it to my husband”, one should think creatively in those moments!

The day he arrived I just saw this very handsome horse with a regal head. As I let my eyes fall over him I could see some issues but nothing I could not work with and improve. It is at this stage most people would have probably said he’s not worth it.

What they didn’t see was this horse had heart and that’s a start. Physically he needed help and it took a degree of work to get him completely sound and that included his stifle.

Through all that was asked of him, he never resisted me without good reason. When he struggled I backed off until he coped and only then asked him for just that little bit more. For the first part of his training it was all ground work getting him used to me while allowing me to get to know him; watching his expressions and reactions to certain commands, how he moved and most of all how far can I push before he struggled. These signals are the same when you are in the saddle yet as a rider very few of us really feel a horse properly; we react to what they do and don’t do and not what they can and can’t do. Taking the time to actually be beside them allows you to see and analyse how they move without rider interference which can only help you when you ride. But the one thing we forget is, they are not a machine you turn on/off and put away until the next session. All those moments you take finding the sensitive spots, how they react to your touch and your voice are the most important of all.

With my health not the best, I was not in a hurry but then I have always worked to the horses time schedule not my own.

Once Keys was able to move freely without hesitation, the movement he had was simply breath taking.

This thoroughbred put some warmbloods to shame. He just floated and I had to remind myself to not get excited, to take my time. My next hurdle was to teach him trust in my judgement as he was, as mentioned, practically blind in his left eye, so lateral movement to the right was never an issue but to the left it was, if I had not spent the time to watch

him I would not have seen him hesitate about putting his foot down and the way he would feel for the ground. In a lot of cases most riders would have put this down to resistance and just push him through it which would have simply created tension and fear. So why would he trust me or my judgement. That’s when you run into training and obedience issues.

To me, this is working in a dominating mind with an attitude, ‘It’s only a horse stop treating them like they are humans’. I have heard this most of my life, I treat a horse as a horse - walk into their environment with the knowledge that I need to be their leader, the alpha of my herd and I am, but I get it through loyalty and respect not fear. This cannot be forced it has to be earned. You have to prove to a horse you are worthy enough to be there leader if you want to develop a relationship on top of your working partnership.

Because of health issues, I knew riding Keys myself was out of the question, so I asked Kayla who has been a student of mine for many years and whom is now training with me for her coaches accreditation, to ride him. Even though I had not ridden him, I knew what he would be capable of doing; through me watching his every move and Kayla’s ability to know what I needed her to do as a rider.

So at this stage, Keys had all his vocal commands down pat. His work on the lunge and in hand varied through all his paces, collection to extension as well as his lateral work, which he could execute with or without side reins. He learnt how to hold and use himself prior to being ridden and developed the muscles he would require to effectively carry a rider. Once he started under saddle, all these muscles still required strengthening whilst retaining suppleness enough to allow freedom of movement with no rider interference.

Even though Keys was not destined for grand prix, he still deserved the chance to be great at what he was capable of achieving and he did. I ended up giving Keys to one of my students to ride. Not only did he change her mind about ‘nutty’ thoroughbreds, he taught her a lot about herself as a rider and as a horse person.

A horse; no matter their breed, conformation, ability, age, height, etc, if allowed, can teach you so much - whether it’s to feel movement more openly, what feels right, what doesn’t and why.

Look beyond the ‘too hard’ scenario; as the lessons learnt are invaluable and can only make you better at what you do!

There is no fun in knowing it all and I doubt any of us will perfect it in our lifetime.

Philosophy of TrainingRobyn Judd

...Horses as individuals ~ Perseverance & Understanding.

This article is dedicated to Keys and to those who’s hearts he has touched. May he forever rest in green pastures. > > 9

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The event started Thursday and the weather was freezing cold. A few showers but nothing to stop the riders and

their horses competing/training. Our QLD state coach Carlos Der Cleermaecker was there for the event to help the QLD riders warm up and give individual lessons as required. Thursday the only class was the inter 2. Jimboomba based rider Jacqueline Huppert riding QEB Jinglebell Swing placed 15th on 57.57%. A super test from Jacquie. Friday was the elementary, PSG, the Grand Prix (CDN) and the Grand Prix CDI-W.Gold Coast rider/coach/judge Nicole Tough rode Furst Tyme in the elementary. Placing 3rd in the 3C with 69.83% and 4th in the 3D with 64.615%.This was young rider Shannan Goodwin’s first year of dressage on her first warmblood Aristede and she managed to hold it up there with the best of them to finish 8th in the 3D with 63.504% and 17th in the 3C with 64%. Her first test the 3C she was first on and a little nervous. Her second test the 3D she was so much more confident. She took a risk and rode a super test. Overall she was very happy with both tests.Tor Van Den Berge riding Belcam’s Riverside Kav placed 6th in the 3C with 66.917%. Sarah Honeywell riding Celia Zastrow’s mare Diamond de Niros Dreamtime placed 13th with 62.479% in the 3D and 29th in the 3C with 61.417%.Melissa Van Den Berge riding Karen Waterman’s stallion Dornkaart placed 12th with 65.333% in the 3C and 7th in the 3D with 63.932%.Jane Blomfield riding Sir Anton placed 31st in the 3D with 59.658% and in the 3C 19th with 63.250%. Nicole Tough riding Dante who is owned by Danielle Dowsett placed 8th in the Prix St George with 65.632% Sheridyn Ashwood riding her beautiful stallion Prestige VDL placed 9th in the Prix St George with 65.526% Tor Van Den Berge riding Lauries As who is owned by Cheryl O’Brien placed 23rd in the Prix St George with 63.421%. The

horse had a few tension issues.Victoria Welch riding BJ Kaneto Casablanca owned by Elizabeth Welch placed 25th in the Prix St George with 63.000% Tor Van Den Berge riding Fisherman’s Friend owned by Cheryl O’Brien placed 6th in the Grand Prix CDI-W with 63.957% Saturday - Nicole Tough riding Flavio owed by Ken Dowsett placed 1st in the 4B with 69.444% and 3rd in the 4C with 67%. For overall Australian Medium Champion Danielle Shearer riding Riverview Cinderella placed 4th in the 4C with 66.833% and in the 4B - 18th with 65.370% Victoria Welch riding Brentanus placed 2nd in the 4B with 68.611% and in the 4C - 18th with 62.667% Danielle Dowsett riding Waitano placed 1st in the 4C with 67.083% and in the 4B - 15th with 66.296% Jane Blomfield riding Sir Anton placed 26th in the 4B with 62.037% and in the 4C - 28th with 59.000% Tor Van Den Berge riding Lauries As owned by Cheryl O’Brien placed 2nd in the Advanced Freestyle with 72.167% Victoria Welch riding Brentanus placed 7th in the Advanced Freestyle with 65.167% Tor Van Den Berge riding Lauries As owned by Cheryl O’Brien placed 2nd in the Prix St George Challenge with 67.632% Nicole Tough riding Dante who is owned by Danielle Dowsett placed 6th in the Prix St George Challenge with 66.474% Victoria Welch riding BJ Kaneto Casablanca owned by Elizabeth Welch placed in the Prix St George Challenge 12th with 61.842% Sheridyn Ashwood riding Prestige VDL placed 1st in the Inter 1 Freestyle with 68.750% Victoria Welch BJ riding Kaneto Casablanca owned by Elizabeth Welch placed 4th in the Inter 1 Freestyle with 67.400% Tor Van Den Berge riding Fisherman’s Friend owned by Cheryl O’Brien placed 5th in the Grand Prix freestyle with 67.525%

Queenslander!

Australian Dressage Champs27-30 Oct AKA “Nationals”

Article & images byTammy Stephens

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SundayNicole Tough riding Furst Tyme owned by Ken Dowsett placed 1st in the 2C with 72.708% and in the 2D - 18th with 65.238% Tor Van Den Berge riding Riverside Kav owned by Belcam Stud placed 4th in the 2D with 70.286% Melissa Van Den Berge riding Dornkaart owned by Karen Waterman placed 16th in the 2D with 65.333% and in the 2C - 27th with 61.563% Shannan Goodwin riding Aristede placed 29th in the 2C with 61.146% and in the 2D placed 23rd with 64% Tor Van Den Berge riding Lauries As owned by Cheryl O’Brien placed 4th in the 5B with 66.748% and in the 5C placed 3rd with 67.368% Victoria Welch riding Brentanus placed 6th in the 5C with 65.439% and in the 5B placed 6th with 66.179% Nicole Tough riding Flavio owned by Ken Dowsett in the 5C placed 20th with 60.351% and in the 5B placed 9th with 63.984% Alexandra Berns riding Kings Legend placed 1st in the Inter 1 with 68.526% - Super ride!!

Sheridyn Ashwood riding Prestige VDL placed 5th in the Inter 1 with 65.632% Victoria Welch BJ riding Kaneto Casablanca owned by Elizabeth Welch placed 15th in the Inter 1 with 63.316% Nicole Tough riding Dante who is owned by Danielle Dowsett placed 20th in the Inter 1 with 62.421% Tor Van Den Berge riding Fisherman’s Friend owned by Cheryl O’Brien 7th in the Grand Prix Special with 62.167%Nicole Tough riding Furst Tyme won the Rod Barker Memorial Trophy

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Born and bred in the beautiful Hills district outside Perth, Zelie Bullen grew up surrounded by horses. Her first pony, a flea-bitten grey, was a reject from a riding school who if nothing else taught a young Zelie how to stay on a horse. Zelies life with horses took a different route when in her late teens she was hired by Movieworld on the Gold Coast to play Calamity Jane in their Western show, starting off her career as a stuntwoman and introducing her to the world on animal training. She has doubled some of the top actors in showbiz and worked with some of the best animal trainers in the world, which she feels culminated in her work recently with Steven Spielberg as a Liberty Horse Trainer in his upcoming new release film titled “War Horse”. Zelie has a special affinity with horses and they love and respect her back, and she feels that the bond they share at any moment is magical.

John Chatterton…defines the word “horseman”…A true horseman!John is a gentleman and an encouraging teacher. He builds confidence in all his students with his calm and quiet manner! He shows you that you can learn his method, no matter what equestrian discipline you are involved in or whether you have experience or just starting. John teaches you how to communicate with your horse through ‘bonding rather than domination’. John has an undeniable ability to understand and build trust in horses. His success is proven time and time again with his unique method. John’s experience goes back to his childhood, growing up with the ‘Gauchos’, they taught him how to communicate with horses by watching the horses body language, from here he learnt how sensitive and gentle they really are!

“ASK the COACH” -Arlene’s love of horses commenced at the early age of 4 when her dad taught her to ride a shetland pony named Sabrina. Since this time she has competed successfully and is an accredited EA Show Horse Judge and ASHS Judge. Arlene has held coaching accreditations for over 30 years .

Anthony Murray & Ellie PajovicTogether, (under the careful eye of their one year old son!) they run a breaking and training yard near Jimboomba, catering to start horses for all olympic disciplines and taking horses on for training and competing in show jumping and dressage. They provide instruction both private and clinics. Anthony is also a certificate 3 course designer and judge and has ridden at World Cup Level over the years.

Travis Templer - EventingBest this about horse riding is riding the young horses and watching and feeling how quick they improve, they are so unpredictable that every day is different. They can try so hard to work for you or against you it’s amazing.Arlington Park Performance Horses based at Guanaba, Gold Coast. Facilities incl: Flood lit 60 x 20 dressage arena, 75 x 25 grassed showjump arena, stables, paddocks.

Amanda Vella is the founder and president of Save a Horse Australia Horse Rescue and Sanctuary based on in the Gold Coast Hinterland. Amanda has been rescuing horses for over 10 years, rehabilitating all kinds of equines from mini ponies through to Clydesdales, treating all kinds of issues from neglect, abuse, starvation and medical issues from cancers and injuries to skin conditions and arthritis. She has dedicated her life to helping the less fortunate, giving them a second chance at life and love. At 30 years of age Amanda has a double degree in commerce majoring in Finance and property economics majoring in town planning, she works full time in Finance as well as running Save a Horse Australia which is a fully registered and sanctioned charity. On top of a 50 hour work week, Amanda normally has on average 20 horses in care at any one time.

Robyn lives, breathes and encompasses all things equine. Horses are more than a passion, they are an integral part of her being and what drives her. This is reflected within Dove Haven Equestrian Park which Robyn has built from the ground up since 1999 and which has developed into far more than a mere riding school – but a place where you come to experience and share what it is to be a part of these noble creature’s lives with riding just a part of the love affair with horses.

A Very Special Thank Youto our dedicated contributors for their continued commitment and support of our magazine and

for bringing our readers informative and educational monthly articles

1414

Contact Paul Woods 07 5533 4183 or 0428 739 577

Jane Crutchfield

Landscape

7368-2011002225

Congratulations Jane

Local Horse Magazine would like to congratulate Jane Crutchfield for her major achievements in the 2011 International Loupe Awards, which is one of the world’s richest photography competitions. This is the 4th year of the competition, which was open to professional and amateur photographers.

Local Horse Magazine is extremely lucky to have Jane onboard not only as a photographer, but also as a designer (see this month’s covers) and a mentor when it comes to tricks and tips with photoshop.

Jane’s recent awards:- “GOLD” for the black & white image “Beating Heart” and placed 5th overall in the Landscape category“SILVER” The Storm “Mt Connor” in the amateur landscape category“SILVER” The girls “Dreamtime” in the abstract/illustrative amateur category“SILVER” The cowboy “8 seconds” in the open sporting category“BRONZE” “Outback” in the amateur landscape category

www.alizajanephotography.com.au

15

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NSW  Murrurundi January 5-8 2012QLD Tamborine January 12-15 2012

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An amazing opportunity to learn from some of the best in the business at these one off clinics!• Learn all aspects of trick and roman riding from coaches Jennifer Welsh Nicholson & Brandi Phillips from RIATA RANCH in the USA• Beginner through to experienced trick riders welcome• Fence sitting positions also available

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17

What’s On Calendar

KEG Summer School 4 & 5th February Contact:DaveLittle0437633866LisaBarling0417561153

KEG ODE 24 - 25th March TBCc:KristenHeffernan0404071123

Waterford Open Derby Day 13th Mayc:TraceyEvans0408379040w: www.waterfordponyclub.org.au

Waterford Cross Country Training Day 2nd Junec:TraceyEvans0408379040w: www.waterfordponyclub.org.au

Waterford Open Hunter Trials 11th Junec:TraceyEvans0408379040w: www.waterfordponyclub.org.au

EventingCheckoutouronlineCalendarforuptodateevents&cancellations

www.localhorsemagazine.com.au

The State Eventing Championships were held at Kooralbyn on the 5th and 6th November. It was a great event with fantastic weather. Kevin McNab, Emma Dougall, Eleanor Osborne, Mattea Davidson, Charlotte Price and Isabel English used the event as a practise in the lead up to the 3 day event being held in Adelaide on the 11th, 12th and 13th November.

Classes ranged from Pre Intro, right through to 2*. The new jumps on the course, a few riders came to grief, but experienced riders like Kevin McNab made it look easy. Maddison Simpson, the highest placed 1* rider, also tackled the course with ease. The whole event ran smoothly, thanks to a lot of help and hard work from some fantastic sponsors: Bayside Springs, Aussie Excavators, Wilpak Meats, Steelworks, All Horses Veterinary, Bob Jane T-Mart Cairns, Beaudesert RSL and Northern Freightmaster Trailers.

Qld State Eventing Championships

Gold Coast Equestrian Group have hosted the Derby and Showjumping day for the last 6 years as a fundraiser for the Royal Brisbane Women’s Hospital Cancer Research Facility. The Club has had a number of members touched quite personally by cancer and the event seemed a positive way we could support research for a cure and incorporate equestrian competition. We were very fortunate this year to receive sponsorship from the Gold Coast Equine Clinic in the form of trophy rugs for first place in the Derby and also from Bernies Produce for 1st and 2nd place in our showjumping events. Obviously also our hardworking small band of volunteers made the event possible.To view results - check out www.localhorsemagazine.com.au

Gold Coast Equestrian GroupFundraiser for the

Royal Brisbane Women“s Hospital Cancer Research

1818

WelcometoQueenslandwetnwildoneweekendandstinkinghotthenext.Asridersitisourresponsibilitytotakecare

of our steads and ensure we give them the best possible chance tosucceed.Weneedtoridetosuit theconditionsandensureourhorsesareconditionedappropriatelytocopewithdifferentsurfaces and temperatures.

Over the course of this season, and last, riders and horseshavebeenexposed to vastlydifferentweather conditions,

fromslipperysoddengroundtorockhardgoing,asathletessomehorsescanfindthis a challenge but the fundamentals remain the same.

RidingonhardgroundandintheheatispossiblybethemostcommonconditionswefaceinQueensland,althoughitmustbesaidcoursesaroundthestatehave

becomefarbetterpreparedandmaintainedoverthelastfewseasonsandthegoinghas been farmore forgiving.Making sure your horse is fit ismost important, asobviouslyahotdayisgoingtorequiregreaterphysicalenduranceandconcentration.Riders toomustbefit, focusedandensure theymaintain rhythmandgood lines.Oftenthegrassbecomesshinyandslipperyandthemetalshoespolishup,makingyourhorsealittleuneasyonhis/herfeet,simplyridestraightpositivelinesusuallyavoids any issue.

Horsesshouldbewellhydratedandyoumayliketouseanelectrolyteorsimilartohelpensureyourhorsesweats,electrolytescanalsoaidindecreasinglactic

acidbuildupinmusclesallowingyourhorsetomovemorefreelyafteratoughcrosscountry round.

Hosingandscrapingisthebestwaytocoolahorsedown,thecolderthewaterthebetterbutmakesureyouscrapethehorseoffasthisishowtheyexpelbody

heatandaidssignificantly inrecovery(thesoonertheirtemperaturecomesdownthequickertheyrecover).

If the ground is ultra-hard youmay like to ice your horse’s legs for 20minutesaftercrosscountry,althoughinthelowergradesthisisnotalwaysnecessary,youcouldsimplypoulticewithswelldownorsimilartopreventanybumpsandbruisesbecomingproblemslaterintheweek.

Ridinginthewetcanhaveitshazardsbutriderssimplyshouldsticktothebasics.Slowdownoncornersanddon’tmakethemtootight,makesureyouhaveasolid

wellbalancedcanterandbepreparedtokeepyourseatinthesaddleandlowerlegontoaidinyourbalanceincaseyourhorseloseshis/herfooting.Ifyoulookwhereyou’regoing,maintainpositionandkeepthehorsebalancedthereisnoreasonwhyyoucan’thaveagoodruncrosscountryregardlessofhowwetitis.

Horsesmaystillneedtobeicedorpoulticedtoeliminateminorinjuries.Theyalsostillneedtobefitasheavygroundmeanstheyhavetoworkmuchharder to

jumpandkeeptheirfeet.

Someriderschoosetoruninstuds,evenforthedressageineventing.Studscanbeusefulinbothwetandhardconditions,usingasetofsmallstudsonshiny,greasy

grasscangiveyoutheextragriprequired,whileobviouslyinthewetitbecomesveryadvantageoustodigin.WhenusingstudsImakethreeclearrecommendations,talktosomeonewhoisexperiencedintheirusefirst,don’tusethemsimplyforthesakeofit(somehorsesmaynotrequirethem)andnevergotoobigashorsescanbecomejarredupeveninwetconditions.

Sowither you do it in the dirt or themud, remember take your time, think itthrough and give your horse the best ride you can. Remember don’t let your

eventberuinedbytheelements,crosscountryisalwaysfunaslongasyouandyourhorse come home safe.

by Travis Templer

Eventing in the elements

19

Photos by Julie Wilson

Emma Dougall came 10th overall in her first 4****!!! Her horse, KELECYN ICE AGE did the most

amazing show jumping round ever!!

Kevin McNab was 16th in the 4**** with CLIFTON PINOT, a horse he has only ridden for 3

months. He was 5th in CCI 2** with KELECYN COGNAC, Charlotte Price was 10th in the

CCI 2** with Kinnordy Gambia and Mattea Davidson was 4th in the CIC 2** with FAIRBANKS

CARGO.

Bella English, riding FELDALE MOUSE came second in the CCI 2** Young Rider Championships!!!

This was Bella’s first time competing in Adelaide.

Queenslanders

Rock in Ade

laide

The Deloitte A

ustralian Inter

national 3 Da

y EventIsabel English on

Feldale Mouse CCI**

Kevin McNabClifton Pinot CCI****

Charlotte PriceKinnordy Gambia CCI**

Emma DougallKelecyn Ice Age CCI****

20

PN 1st Kevin McNab Four Diamonds 2nd Monique Searle Jawarra Fith Fill 3rd Dean Morris Classic Intentions

JPN 1st Amy Abrahams Parker 2nd Amy Abrahams WP Flawless 3rd McKeely Elliott Hallmark Bonaduce

CNC* 1st Mattea Davidson Fairbanks Elle 2nd Kevin McNab Casperelli 3rd Kevin McNab Montago

CNC** 1st Kevin McNab Kelecyn Cognac 2nd Mattea Davidson Fairbanks Cargo 3rd Matt Gaske Burghlington Star

Prelim 1st Tanya Schmidt Laurie 2nd Emma Dougall Kelecyn Gemma 3rd Nicole Brown WP Irish Grove

Jnr Pre 1st Madeline Wilson Riverside Arthur 2nd Justine Streater Brierley Bold Rumour 3rd Beau Cunning Swing Time Vulcan

Intro 1st Mattea Davidson Fairbanks Cappuccino 2nd Nicola Weber River Range Crystal 3rd Katie Buckley Jack

Jrn Int 1st Jessica Wilson Limassol Dartagnan 2nd Emily Russell Remington Star 3rd Isabella Wilkinson Valley View Lazer Be

Pre Int 1st Lisa Koppman Weownna Black Magic 2nd Monique Searle Garnet Quazar 3rd Leah McCarron Monkey Magic

Jnr Pre Inr 1st Breeanan Evans-Gu Belcam Claire Scarle 2nd Scout Leman Leonardo 3rd Sarah Weiss Glenormiston Christi

Photos by Julie Wilson

21

www.beachhorseriding.com.au

www.NHarT.net

What’s On CalendarHorsemanship

Quantum Savvy

JOHN CHATTERTON CLINICS BellaraPark,Veresdale 11&12thFebContact:Ali0400065570e:ali_01@live.com.au

HAYLEY CHAMBERS-HOLT CLINIC TamborinePonyClubGrounds 17thDecemberC: Hayley 0403 584 254PrivateLessons$55p/hror$301/2hr QUANTUM SAVVY COME & PLAY CLINICSCedarGroveDistrictRidingClub Contact:TraceyEdie0411106651 4th DecemberMunruben Contact:TraceyEdie0411106651 SthBrisbaneChristmasParty 10thDecember

BONOGIN VALLEY HORSE RETREAT

Contact:Deb&Mark0756677468Email:info@horseretreats.com

Website: www.horseretreats.com

• FridaysTranquilRelaxingTrailRides-halfday,forthecompetentriderincludinglunchfrom$150pp

• TuesdaysfortnightlyLadiesGroup-3hrsessions$105pp• ThursdaysHorseConnection&Confidenceclinics-3hr

sessionsfrom$105pp• SundaysmonthlyRidingClubgroups-3hrsessionsof

variousridingdisciplineeducation$105pp• 16thDec,6thJan,20thJanHorseRetreatGymkhana-

horses supplied or bring your own• Mon-WedofschoolholidaysPonyClubDayCamp-horses

supplied or bring your own• ThursdaysofschoolholidaysPonyClubGamesDay-

horses supplied or bring your own

Quantum Savvy School Holiday Program for Children 9 to 14 Years‘JoinusatQSSouthBrisbaneforfivedaysofsupportandcoaching.DevelopCalmness,easierfloatloading,greatridesout,improveyour

horsesperformanceandacloserconnectionwithyourhorse.OurcertifiedInstructorsTraceyEdieandSharonFordwillsupportandcoachyouover5daystomakeapositivelastingchange.’

JoinusatMunrubenfrom9amto4pmMondaytoFridayBookingsEssential• Week1–5thto9thDecember2011–BookedOut• Week2–12thto16thDecember2011• Week3–19th to 23rdDecember2011• Week4–9thto13thJanuary2012• Week5–16th to 20thJanuary2012Each camp is a 5 day commitment as each lesson progresses from one to the next.Ridden classes will be for 2 hours each day and limited to 2 students per Instructor.Bringyourownhorse$500fortheweek.Leaseoneofourhorses$700fortheweek.ForFULLdetailsandbookingformspleasecontactTraceyEdieM:0411106651

2222

the John Chattertonway

WEANINGYOUR FOAL

Weaning is a stage of training that is very important, as it will form

the horse’s mental attitude for the rest of its life. In my experience as a trainer, weaning in most cases is done far too abruptly in the majority of situations. Often foals are brought up from the paddock and put into a yard or stable and their mother is taken away. Let’s look at this process realistically. Firstly, the foal has been taken out of its familiar surroundings. Then we take away its protector and nourishment.

Many people comment when they wean their foal, ‘It doesn’t take

them long to get over it, they only run around the yard and whinny for a few days’. I believe they ever get over it; they grow up with separation anxiety and deep-rooted fear at a time of their life when they are most impressionable. If you locked a young child in their room, even if you gave them their toys and goodies to distract them for a while, in half an hour they would be screaming for their mother and would become very insecure, the same as a foal would.

It is common to see horses whinnying and running fence lines when a

paddock mate is removed from them. I have seen mares knock their foals to the ground whilst running up and down the fence trying to get back to their paddock mates. This type of horse is harder to teach as they in a constant state of anxiety and their concentration span is very limited.

I find my Ten Step Program very beneficial for teaching horses to

communicate and build confidence with you. Many of my clients have told me that after teaching their horse the Ten Steps they notice an incredible change in their horse’s attitude. One lady told me her horse would never come to the fence to say hello. Since learning the Ten Step Program with her horse, when he sees her now he will leave his mate and come up and stand next to the fence to be with her. Previously he would only

come up at feed time and is now much more willing and responsive in hand and under saddle.

When I first met my wife she was very interested in breeding. We

bought a couple of mares and started a stud. You can learn a lot from foals just by taking the time to observe them as I did. When it came time to wean, I asked a lot of other horse stud owners how they weaned their foals. “Easy, just put them in a safe yard or stable with food and water.”

I compared this practice with what I learned in Paraguay where I grew

up, where horses were bred in large community herds and foals had a lot of playmates and developed confidence to venture away from their mothers. Colts are more confident and venture out sooner than fillies, which tend to have more herd instincts and stay close to their mother for longer. It was the practice there to leave foals on their mother longer before they were weaned.

In Australia I believe foals are weaned much too early, anywhere from four

to six months. I believe this is usually done for human convenience, or due to misunderstanding of what normally happens in the wild. At four to six months foals are still very much reliant on their mother to protect them and teach them how to fend for themselves.

In the wild foals pretty much wean themselves as they become more

adventurous and band together with their peers. Their mothers are usually in foal again and will hunt them away as they become heavily pregnant when the youngsters are about eight to ten months of age. By this time the foals are off with their mates and fending for themselves nutritionally anyway. The entire herd will teach the playful youngsters manners if they play too roughly or don’t observe proper herd etiquette.

I like to wean my foals between eight and nine months when they are more

confident and emotionally mature. I used to wean foals at six months when showing them, but I am well aware that my foals are more confident individuals when weaned later.

If you believe it is necessary to wean your foal at a young age, make sure

you lock your mare up for a short period every day before you start weaning. At this stage it is important for the foal to be able to get close to the mare and for her not to leave the foal’s sight, so make sure your yard is not too big.

It is not advisable to use wire fences between the mare and foal. If you only

have wire fences (barbed wire should never be used) make sure you have it properly electrified to discourage mare and foal from touching the fence at all.

I can’t stress enough, if you’re breeding horses, safe fences are imperative.

I like to wean in reverse by putting the mare in a yard away from the foal,

instead of the other way around. Don’t just take the mare away and lock her up. The best way to wean a foal is to leave it in its own familiar surroundings.

Have a small yard in the paddock, preferably with a shelter (or tree). It

is better if the foal can walk around the outside of the yard. If the foal feels a bit insecure they can still get close to their mother and it is very important that the mare cannot go out of sight.

The ideal yard size is 4 x 4 metres. Make a safe access in the yard where

the foal can put their head through to have a drink of milk. I like to use two round rails, one rail the foals chest height and the other about 50 cm above it. Space them just far enough apart that the foal can’t climb through, but enough to allow them to drink. This will be a lot easier on the mare, as her udder won’t get so full and tight.

23

WEANINGYOUR FOAL contd the

John Chattertonway

You will find the foal will drink less and less every day, and after a few days the foal will get bored with mum

standing around and will slowly venture off by themselves. Some mares that have been weaned the old way will whinny and stress when the foal ventures away. The foal has become their security blanket. Make sure she has adequate roughage in front of her at all times and perhaps another horse in an adjacent yard for company, and it will be less difficult for her.

People often think you need to stop a foal from drinking at weaning time but receiving milk is not important so long

as the foal is receiving adequate nutrition by other means and is physically old enough to be weaned from mothers milk.

It is necessary to break the bond between the mare and foal at weaning, but the idea is to allow the foal to be the

one to make the choice.

Yarding the mare should slow down milk production, but if the mare’s udder becomes tight, this should be relieved

by applying a warm washer to the udder. Another thing that will help the foal to leave its mother is to introduce an older quiet horse as a mate. I like to introduce the other horse a month before I start weaning. You may find the brood mare will resent the introduction of another horse and try to guard the foal from it, until she accepts the horse is no danger to her foal. Once your foal has settled into the new arrangement you will be able to see it getting more and more confident by venturing off with their new paddock mate. When they start to stay away for longer periods of time, they are ready to be completely weaned by closing off the access to their mother for about three days and then removing her. It is a good idea to wait until the foal is away down the paddock, then sneak the mare away to a paddock out of sight of the foal if possible.

If you don’t have another horse to mate up with the foal, just close off the access to the mare. This way they can be

close to the mare but they can’t drink. Leave the foal and mare like this for at least three to four weeks before trying to put them back together. Watch carefully when you do put them back together that the mare warns the foal off if it goes to drink. If the mare lets the foal drink, you will

have to put the mare back in the yard again until the foal is completely weaned. Some mares encourage their foals to drink again to keep their foals as a paddock mate. This is quite common if the mare was not weaned correctly. Fillies have a stronger herd instinct, and you should never leave as filly in a paddock on her own until she is at least two years old. At this age the foal should definitely not be left alone at any time. Weaning the way I have described will build your foal’s confidence, so that when they are taken out of the paddock they will be more relaxed and more attentive to you when training. It’s not a good idea to leave them on their own whilst young, as they haven’t yet fully developed their confidence. The idea behind this type of weaning is to give them time for their confidence to mature, therefore avoiding any long-term psychological problems.

I have been weaning this way for the past twenty years or so, and have found my horses more confident when I start

them under saddle. They are willing to venture out on their own away from their mates, and less likely to shy and view unknown things with fear or trepidation.

You can learn much more about foal weaning from my Foal Weaning video which shows examples of proper

weaning procedures.

You can purchase my video from my website on www.johnchatterton.com.au.

Have a safe and Happy Christmas & New Year - we will be back on board next year with my 10 Steps.

John & Janet Chatterton

24

www.johnchatterton.com.au25

Out & about in the

Downunder Photographywww.localhorsemagazine.com.au26

Gold Coast & Logan

Downunder Photographywww.localhorsemagazine.com.au 27

www.shousharny.com

What’s on CalendarPolocrosse

CheckoutouronlineCalendarforuptodateevents&cancellationswww.localhorsemagazine.com.au

GoldCoastPolocrosseClubClubCoachingDays-venueTamborinePonyClubGrounds 4thDecemberc:ChrisFranklin0408878164

GoldCoastPolocrosseClub-PractiseDaysc:ChristineFranklin0438050045TamborinePonyClub 29thJanuaryVenue TBA 4 & 5th FebruaryVenueTBA 12thFebruaryVenueTBA 19thFebruaryVenue TBA 26th FebruaryVenue TBA 4th MarchVenueTBA 11thMarchVenue TBA 25th MarchVenueTBA 15thApril

Polocrosse CarnivalsVenueTBA 17&18thMarchCunninghamCarnival 7&8thApril

NationalChampionships-Warwick 23to29thApril

• Fencing• Saddlery• StockFeed• Hay/Chaff

• PetFood• GoldFish• Birds• LayingHens

• PoolProducts• Chlorine&GasRefills• VetLines• Plant&GardenProducts

“WE STOCK THE LOT” OPEN 7 DAYS

Fencing&ProduceLogan Village

Ph: 5546 3221 Fax: 5545 32102 Centenary Place Logan Village

2828

Most of Australia’s top polocrosse players ride Australian Stock Horses (ASH). Their breeding goes back many years

during which their speed, ability and temperament have been greatly improved. Most ASH today trace back to selected thoroughbred sires.

Although less common, good Polocrosse horses are also found within other breeds and their crosses. In particular,

quarter horses and part-Arabs are commonly crossed with the ASH and thoroughbreds to produce top Polocrosse horses. Of course, there are always well-bred horses that will just not make it in the sport of Polocrosse, and the best advice is to sell that horse and try again. There are also horses with no real breeding but turn out to be champions.

A good mare should be abet to breed on if crossed with the right stallion and this is where potential horse buyers

need to rely on the breeder’s honesty and good judgement. Overall, however, if you have a good breed line and you keep stock with a combination of quality, type =, conformation, temperament and ability, you should nearly always be successful.

The player when selecting a horse should have some idea of the breeding. He/she should then study the following

points to gain an overall picture of what is required in a horse for the best results.

The horse’s head should show quality and refinement.

The ears should be well placed, alert to sound and surroundings. The ears should be in proportion to the

head. When riding, particularly a young horse, the ears can give the rider an indication of things to watch in the horse’s movement and temperament.

The eyes should be large and protruding, alert and well spread apart, having a kind look about them.

The jaw should not be too heavy, with a refined bone going down to a fine muzzle. This type of jaw and muzzle will

help to make the horse light in the mouth and easy to handle.

The nostrils shold be large usually indicating a good winded horse and the mouth should be of small to medium size.

Be careful to keep an eye open for under and overshot jaws as this can effect the eating ability of the horse and hence its performance.. Horses with a small mouth are usually quite responsive to the bit.

The neck: the neckand head are the balance of a horse. A horse should be fine through the gullet (where the head

joins the neck) and the head should be correctly attached to the neck. This gives the horse a good head carriage.

The horse should have a good lenth of rein with the neck smoothly attached to the shoulders and wither. A well

defined crest usually shows quality.

The withers should be fine going to a wedge shape down the shoulders to a good foreleg placement.

The should itself should have a good slope and be fine and smooth in the neck attachment.

The girth needs to be deep allowing for a good heart and lung capacity. This will allow for maximum oxygen to reach

the blood and the capability for a better performance will result.

The ribs should be well spring with a smooth flat bone coming off a strong backbone and showing strength and

width across the ins and coupling.

wThe depth of flank and lenth and strength of the thigh through from the stifle joint is important as this is where

the speed and pushing power ability comes from.

The hindquarter should be well rounded and show width and strength when viewed from behind.

The tail setting should be well up and out on the rump

The belly should be large, particularly when the horse is not in work. A combination of dept of flank, strength across

the lines and a large belly gives you a horse with a strong constitution.

The legs: as the old saying goes “no legs, no horse”. The legs should have good flat bone not too light. A very heavy

boned horse is usually a clumpier and is generally unsuitable for Polocrosse.

Good muscling and strength of the forearm is essential. It is no use having the power and strength at the back or

hindquarters without the strength of the leg and shoulder in the forequarters to control it.

The knees would be flat and strong with strong, refined tendons going down to a strong, well-defined fetlock. The

pasterns should not be too long or too short because of the stress it will place on the joints and bones respectively.

The size of the hooves depends a lot on the type of country on which the horse has been reared. They should be strong

for preference, not over large, well shaped and with good texture.

The hocks should be strong and free from blemish such as sick hocks, curbs or spavins.

The hindlegs should be well placed under the horse as this helps turning and stopping ability. A horse with very

straight hind legs is usually rough to ride and lacks spring.

SPEED: Polocrosse is a fast game and without speed, particularly the ability to change speed quickly, the play is

lost.

TEMPERAMENT: is a mojor factor in the choice of a Polocrosse horse, particularly when training, travelling

and playing are considered. Energy wasted on or off the field leaves less energy for the game.

Fine Skin and Hair texture usually go with a horse of quality an breeding, however, in some areas where mosquitoes,

ticks, lice, biting flies etc are prevalent, horses develop a coarser skin and hair texture.

SIZE: in most cases horses between 14.2 - 15.2hh will be seen playing in top finals. Smaller horses, although

having the ability, may be overworked (outclassed) in top competition. Horses over 15.2hh, while having the speed and weight, usually lack manoeuvrability, but there are exceptions in both cases.

To sum up, when selecting a Polocrosse horse, remember type, quality, soundness, speed, ability, temperament,

intelligence and constitution and you can be sure your selection will KEEP YOU ON THE BALL!

Article by Amanda Choice “POLOCROSSE - A Practical Guide”

Selection & Preparation of the Polocrosse Horse

Breeds that make good polocrosse horses

29

What’s On CalendarPony/Riding/Driving Clubs

December 2011Sunshine Coast Derby Day 11th Dechttp://www.sunshinecoastshowjumping.com.aue:admin@sunshincoastshowjumping.com.au

Gold Coast Horse & Carriage Club 4 & 5th DecWhip & Wheel OnlineSecretary:RobinBurren55338239

January Tamborine Pony Club Sign on& Come & Try Day 22nd Januaryc:ChristinaSmithe:smithrcm@bigpond.com

PRARG Sign On 28th Januarye:prarginc@iprimus.com.auw: www.prarg.com

FebruaryCedar Grove Riding Club - Sign on 4th FebruaryC:SharonAshwood554333126e:sharon57@aapt.net.au

Gold Coast Horse & Carriage Club 5th FebruaryWelcomeBackRust&DustDay Whip & Wheel Online 5 & 6th FebSecretary:RobinBurren55338239

Tweed Valley Equestrian Group Cabarita Beach Ride 19th Febe:keighleymax@hotmail.com

PRARG TShirt Hack 26th Febe:prarginc@iprimus.com.auw: www.prarg.com

GCHEG Jump Club 26th FebSECRETARY: BrigitteBennettM:0407971188E:dbperformancehorses@hotmail.com

MarchBeaudesert PC Open Hack Show 3rd Marche:beaudesertpc@gmail.com

Jimboomba PC Open Hack Show 3rd MarchW:www.jimboombaponyclub.com.au

CGRC Internal Dressage Day 4th Marchc:KylieDeacon55431141or0407576331e:kyliedeacon@bigpond.com

Tallebudgera PC Official Dressage & CT 10 /11Marche:secretary@tallebudgeraponyclub.comc:JacqueLovegrove0430794749w: www.tallebudgeraponyclub.com

Tweed Valley Equestrian Group T Shirt Gymkhana 11th Marche:keighleymax@hotmail.com

CGRC Open Hack Show 11th Marchw: www.cgdrc.org.au

Waterford Gymkhana 18th Marchc:TraceyEvans0408379040w: www.waterfordponyclub.org.au

CheckoutouronlineCalendarforuptodateevents&cancellationswww.localhorsemagazine.com.au

3030

Rebecca Harbulot featured in Local Horse Magazine -SeptemberEdition.Beckyhadbeenluckyenoughtobe

invitedtoridewithKamilaroiequestriancentreinavaultingand trick riding display at theHaras du Pin in Normandy,France.

Thisisthestoryofherexperiences.

Firstofalltheflighttransittimewas29hrs,landinginParisat2.30pmon theThursdayandhoping then tofindour

waytotheHotelandonlyspeaking very littleFrench. Wefinallygottothehotelatabout4.30checkedinandleftat5.00(walking,walking,walking)tomakethemostoftheshorttimewehadspareinParis.WedidtheSeinnerivercruiseandsawtheEiffeltower,wanderedthestreetstakinginthecityatnightandfindingsomehotchipsforBecky.At11.30pmweheadedbackhome,wewereexhausted,startedwalking,gotlost,andfoundaliftwithsomenicelocalsthatspokeEnglish.Itwas1.00inthemorningbeforewewenttobed.WegotupFridayat7.30andhadaquickbreakfast.Thenitwasoutthedoor,tryingtousethebusesandsubways(it’ssoconfusingto startwith)we toured the Louve (itsHUGE),walked theChamps Elysees stopped for McDonalds on the way to the Arc De Triomphe, the girls ran up the stairs the viewwasamazing.WeheadedbackdowntheChampsElyseesandthegirls legs started toquiver theywere sotired fromupanddown stairs as well as on the subways. I thought we would go forafternoonsnackandsitdownbeforeheadingbacktothehotelasbythenBeckywasabittearyshewassotiredbutsheknewwehadtokeepgoingaswewerelimitedtotime.WefoundPizzaHutandwentinwenttoorderandsawtheeveningmenu– itwas5.30!Ohwell itwasdinner instead.Timeactuallygetsawayfromyousomuchasitdoesn’tgetdarktilllate.WediscussedthatwestillhadtogouptheEiffeltower so we went to hotel got refreshed and went again. We usedthesubway(stairsagain)pickedupagentlemantryingtofindhiswaytotheEifeltowersohecamewithus,bythetimewegotthereitwasabout9.30andtheyclosedthetourto the top, thatwasok, sowewent to the2nd floor which was still high enough. We left there looked at the time it

wasaquartertotwleveagain, let’susethebusesnomorestairswaitingatthebusstopatmidnight,Beckyfellasleep.Thenextday(Saturday)westillhadtodoNotreDame,andhadlunchbeforesettingoffonthesubway(morestairs)toLeMans,Normandyareaarrivingat7.30Saturdaynighttofindourselvesmeetingupwith theKamilaroiTeamandoffto dinner with our chaperones and congress organisers and thenbacktothechateauby1.30forbed.Icansaythegirlsweregreattravellersthefirst3daystodoallthisandtheyarestillhappyandtalkingtome!!!

TrainingfromSundaytoThursdaybasicallydidn’tgetmuchbetter,earlymorningstartswitha45minutedrivetothe

studandtrainfrom10til12,thenhomecookedlunchdailyatthestudtill2.30pmthenhorseeducation,washingtrainingetcagainuntil4.30,thenthedrivebacktothechateaumostnightsnotbefore9.00.Fullon!RememberingthesehorseshadnotdoneanythinglikethisbeforetheKamilaroiteamgotthereandtrained,ledbyPriscillaMorelyandKarenForan!

Friday,wemet all thedelegates andKamilaroi Teamwasintroduced as the Australian representatives. Saturday,

Sunday performances at the congress went well and the crowd was amazed and loved Rebecca as she was theyoungest performer in the congress from any country.

Wehadagreatrelationshipwiththe2familiesthatwerelookingafterus,bothgirlshavebeen invitedback to

ride at theworld equestrian games and staywith themattheirstudanytimetheywishtovisit.Thesefinepeoplewereimpressed with the genuine love and care the girls showed their horses. When itwastime to leave thereweremanytears from our French families and the girls especially when theysaidfarewelltoRebecca(ourlittleRebeccatheycalledher).Theygaveusgifts(saddleblankets)andlotsofhugsandkisses.Theyreallytreateduslikefamily,whichwasniceaswewerenotabletocontactourAustralianfamilyveryoftenwithinternetproblemsandtimedifferences,sotheyreallymadeus feel at home.

Aussies Show Off Their Style in

31

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32

Some of you may have heard of a fairly short paper backchildren’snovelbyMichaelMorpurgotitled“WarHorse”?

Afewofyoumayhaveevenreadit?ButIamquitesurethateven less of you over the last 3 years would have sat through themulti-awardwinningLondonbasedplayofthesametitle.

It took only one woman from “Kennedy Miller ProductionCompany”, Kathleen Kennedy herself, to sit and watchthe incredibly innovative play in London’s West End for thedecision to be made call in Stephen Spielberg, Hollywoodsmost powerful and influential individual. He has turned thestoryofWarHorseintoa90milliondollarfeaturefilmwhichisnowcurrentlydue for releaseonboxingday thisyear,26th December2011.ThestoryofWarHorseisaheartwrenchingtale of an under privileged lonely young boy who in the early 1900’s see’s potential in a situation gone wrong and is abletoutilisehisnatural instincts to saveamissunderstoodcolt,otherwisedestinedtoabadfate.Theboy’sloveandfaithintheyoung wild horse then enables him to raise and train him as his own.WhentheFirstWorldWarbreaksout in1914the2aretragicallyseparatedandwe,theaudience,aredraggedthroughthetrenchesonanunforgettableadventureofdetermination,courage and love.

Asisoftenthecaseonsuchlargefilmproductionsthehorsedepartmentwereamulti-nationalcrew.The4libertyhorse

trainersconsistedofmyhusband,CraigBullen,andmyselffromAustraliaand2ofourcloseworkcollegesBobbyLovgrenandBill Lawrence, both from America. Four stunt horse trainerswereboughtinfromSpain,RicardoCruzSnrandRicardoCruzJrn, Hernan Ortiz and Salman . We had riders, stunt riders,harnessdrivers,trainers,andgroomsfromtheChezRepublic,France,Spain,Australia,NewZealand, Ireland,Walesbut themajorityof themassivehorse teamwere fromEngland itselfwheretheproductionwasmade.Itwasalargedepartmentandtookalotofcombinedskillstogetthefinishedproductthatyouwill see on screen.

Wehadtoensurewehadenough‘horsepower’toenableus to keep up with Steve Spielberg’s busy 3 month

filmingscheduleandneededtospreadtheworkloadbetweenseveralhorses. In justunder11weeks thehorsedepartmentprepared and trained all of the horses for the job; libertyhorses, riding horses, stunt horses, harness horses, postilion

horses and jumping horses. We trained 9 beautiful animalstoplay theadult roleof“Joey” the leadcharacter.Wehad2younghorses toplay the teenage “Joey”andused2 foals toplay “Joey” in his very early life. Some of the 9magnificentadultJoey’swereextremespecialistsandothersweregoodatmultiplerolesandwereabletobecrossedtrainedtoperformseveral tasks.Oneofour lead libertyhorseswhowas gentleenoughtoworkcloselywiththehumanactorsisa6yroldwarmblood purchased from Holland for me personally to train for theleadrole.Heiscalled“Abraham”andalthoughheisstillinEnglandatthisstage,heisstillfirmlyimbeddedinmyheart!Anotherisanincrediblytalentedlibertyhorse,athoroughbredbrought infromtheUnitedStatesofAmericawithhisownerandtrainerBobbyLovgrenandthentakenhomeagainattheendoffilming.Hisnameis“Finder”andbeforefilmingonWarHorse he already had an impressive movie resume playing oneof the leadhorsesonproductions such as “SeaBiscuit”,“WildFire”and“TheLegendofZorro”.Outof thethousandsof horses that I have been lucky enough to know, he is themost extraordinary liberty horse I have ever had the pleasure ofmeeting.TheamazingSpanish stunthorse teamown3ofthe “Joey” actors. All very talented and sensationally trainedAndalusian’s.One inparticularnamed“Civilon”didallof theridingsequenceswhenthehumanactorwasonboard.Civilonisalsoagreatstunthorse,awellmanneredharnesshorse,hashishoofinsomelibertyworkaswellasbeinganimpressivejumperforhisbreed.

Craig and I are looking forward to theadvancedscreeningof thefilmonthe1st

Decemberandasalways,whenwesitbackand watch the gorgeous animals up on the bigscreenwhowehavelovedworkingwith,we will no doubt feel proud of them all. We hopeyouwilltoo.Enjoy…

War HorseZelie Bullen

Animals All Around

33

Q:A:

Q:A:

A cowboy rode into town on Thursday. Stayed three days and rode out on Thursday. How is this possible?

His horses name was Thursday!

What breeds of horses can jump higher than a house?

All breeds. Houses don’t jump!

3434

Arlene HailstoneNCAS, Level 1 CAD Equestrian Coach

Emily age 8When I ride my pony Sebastian he will pull the reins from my hands and eat grass. How do I stop him?Hi Emily, it sounds like Sebastian is in the weight training business! He would certainly be helping to develop muscles in your arms. Grass snatching ponies are annoying along with their bad manners.There is an aid for this complaint commonly called a ‘Grass Rein’ (or Anti-grazing Rein). This aid helps to stop the pony from lowering his head to eat grass.You will require some experienced assistance with fitting the grass rein and someone with you when you first ride Sebastian in an enclosed area with this aid. He may decide to try another trick not yet discovered. If you know an experienced rider who is willing to assist- awesome!The grass rein is a length of leather or cord (hay band works OK) There are different ways of attaching the grass rein. I find this way works best for me -

• Tie or clip the grass rein to the dee on the front of the saddle (level with the stirrup bars) • Run under the ring of the bit, over the headpiece and under the ring of the bit on the opposite side• Tie or clip onto the dee on the opposite side of the saddle.• (The normal reins should not be restricted of movement where fixed to the ring of the bit) • Care should be taken not to have the tension too tight. • The pony should be able to drop his head to about just below his chest before tension increases.• This aid is not to hold his head in. • Make sure the girth is tight as when the pony reaches down with the grass rein, the pressure will be taken by the saddle. If Sebastian’s saddle normally slips forward due to low withers then you will require someone with experience to fit a crupper to your saddle. This is a fitted leather piece that attaches to the back of the saddle and a padded loop goes under the pony’s tail. To fit a crupper your saddle will require a dee attachment. Some saddles may not have this fitting.

Depending on the pony’s temperament your pony may object to a crupper under his tail. This is why someone with experience is required to help.

Hopefully with this aid fitted correctly you will be able to enjoy riding Sebastian who will soon learn it is uncomfortable for him to snatch grass snacks.

Happy saddles! :)

Emily’s mum CathieSebastian is a Welsh Pony and has large eyes compared to other ponies and horses. Why is this so?This is a characteristic of the breed. It has been said by an experienced Welsh breeder “the bigger the eye, the better; the deeper through the heart, the stronger the prouder the lift of the head, the more courageous; the swifter the action, the more fearless.”

Send your questions to - Ask the Coach ahequestechniques@yahoo.com.au

35

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Starting a Show Jumping CareerAnthony Murray & Ellie Pajovic

Part VI: Equipment cont’d

BreastplatesBreastplates are used to stop the saddle from slipping back on the horse. Horses with large sloping withers or large shoulders with a flat ribcage most commonly require a breastplate to keep the saddle forwards. They are also a safety feature in that should the girth or straps break, the saddle will stay in place hopefully long enough for the rider to stop and dismount!

The breastplate should in no way restrict the horse’s movement or breathing. As a general rule, you should be able to fit a fist between the horse’s chest and breastplate, a hands width between the horse’s withers and the breastplate and ensure that it lies above the point of shoulder.

There are three types mainly used in show jumping:

The Breastgirth

This runs from either the D-rings of the saddle, or is attached to a loop that runs around the girth straps. It is made with strong elastic inserts to allow movement of the shoulders whilst providing a brace to hold the saddle forwards. This is a preferable type for jumping as it tends to be less-restrictive to the shoulders, allowing the horse more freedom (than the other types of breastplates) to pick up and fold its front legs over a jump.

It is imperative to ensure that this type of breastplate is adjusted correctly so that it will not restrict the horse’s breathing by pressing on the windpipe - it should sit across at the base of the neck. This breastplate is more comfortable when attached at the lower position to the girth straps as this angle of anchorage makes them less likely to obstruct the horse’s breathing and movement and also provides better security.

The classic “Y”, Stockmans or Hunting breastplate

This is probably the most commonly seen breastplate used throughout the disciplines. It attaches to the D-rings of the saddle and runs through the horse’s front legs to attach to the girth. Each piece is easily adjustable.

The added bonus of using one of these breastplates is that either a running or standing martingale attachment can be easily clipped onto the central chest ring without the need to remove the whole breastplate. They are also suitable for other training aids to be attached to, for example a market harborough.

These breastplates are commonly made of leather, but some have elastic inserts to help prevent it from restricting the horse’s shoulders. They can also be made of lightweight nylon or other synthetic materials. All are permitted in showjumping.

As this breastplate is attached to the D-rings of the saddle (which are known to be pulled out under great pressure), it is not as reliable as equipment attached to the saddle by the girth straps. Therefore, the breast collar is sometimes preferred on cross-country.

Additionally, breastplates that are attached to the D-rings may cause the tree points of a poorly-fitting saddle to dig into the sides of the horse’s withers creating pain and sores. Therefore, ensure that your saddle is also correctly fitted.

The hunting breastplate can have a restrictive effect on the shoulder, even when correctly fitted as opposed to the five point breastplate following page.

41

The Five Point Breastplate

This is an improved version on the previous breastplate. The five point breastplate is so named because of its five anchor points: two D-rings, two stirrup leather attachments and the girth attachment. Therefore, it provides greater stability and security whilst allowing more freedom of movement than its older relative. Increased flexibility is created by the difference

in shape over the shoulders due to the extra joints in this breastplate. They generally incorporate a fair bit of strong elastic into the straps for increased freedom of movement and sheepskin pads on the joints for added comfort to the horse. Team Fredericks claim their five point breast plate (pictured below) is “the ultimate jumping and cross country breastplate if you want security, freedom of movement and stability.”

These types of breastplates also allow for martingale and or other attachments to be added (right).

Martingales / Rings

A martingale is a piece of tack used to control the height of the horse’s head. They prevent the horse from getting its head so high that the rider feels in danger of being hit in the face with the horse’s poll or neck – they are not to be used to hold the horse down and round on the bit.

A martingale works by applying pressure via the reins or the noseband to make it uncomfortable or impossible for the horse to get its head too high. Therefore they should be fitted to give the horse ample room to stretch its neck forward and down over the jump and move freely unrestricted in their natural gait - it should not come into effect until the horse throws its head up in a dangerous manner. This can be checked by ensuring the martingale straps are the length of the horses neck, ie they can reach the horse’s throat where it meets the top of the neck (throatlatch), or that each of the straps has about an inch of slack when the horses head is in its natural position.

Some horses can be particularly prone to throwing their head up with the increased excitement when they are jumping even if they don’t when worked on the flat. Martingales are allowed in both training and competitions in show jumping. Rule 1.2 in article 257 relates to the use of martingales (see rules below).

Running Martingale

This is the most commonly seen martingale

It provides more freedom for the horse and allows the rider more control of how much affect it has on the horse as the rider can release pressure as soon as the desired result is achieved

As the rings move loosely on the reins it is necessary to use stoppers. These sit snug on the reins to prevent the rings moving so far up the rein that they catch the buckles attaching the rein to the bit.

See pictures right

Standing Martingale/ Tie Down / Head Check

The standing martingale attaches to the noseband or to a strap that connects to both sides of the bit. It then either connects to the breastplate (as seen earlier with the running martingale) or down to the girth passing through a neck strap. The neck strap prevents it being too loose and potentially getting hooked on another part of tack.

Note that it should only be attached to a cavesson noseband. If attached to a drop nose band it can injure the nose cartilage, attached to a grackle noseband it risks damaging the jaw and / or nose.

A disadvantage of using a standing as opposed to a running martingale,

is that they can be more dangerous as they are more restrictive and not able to be loosened so quickly in an emergency. Also, sometimes a horse may fall in a manner that requires it to use its head and neck to regain its balance. The standing martingale may restrict the horse’s ability to use itself in this way, making the accident worse than it would otherwise have been. With the running martingale, if the horse trips on landing after a fence the rider can loosen the reins and the horse will regain full use of its head and neck.

Added to this, horses tend to develop a resistance to the standing martingale. It will learn to balance itself by leaning against the standing martingale rather than carrying itself on the hind quarters. This builds up muscle in the wrong areas. Therefore, it not only creates an upside down / u neck (as seen below) but the horse also becomes weak through the entire topline.

Bib

The bib helps to keep the reins closer together (this helps channel the horse straight ahead) and prevents a horse from grabbing the straps. However, it will not allow a rider to open the reins as freely as may be required when asking for more bend and flexion into the turns.

final equipment articlenext edition (Feb 2012)

42

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I purchased Jaspa form a wonderful lady out at Tui Lodge in September of 2010 for my son Joel to start hacking on show season of 2011I needed to find out his history, wow what a adventure that sent me on... I tried to track him from his brand but had no luck I then tracked him form his microchip number and this is where to story begins!! Jaspa was originally born Storm his stud name is Ironbarks storm chaser he is a American saddlebred x with a Welsh pony mare his Father is Ironbarks Chain Reaction.He was the first and only saddlebred x that came out of the stud. The story I found out of Jas as we call him is quite sad :( he was taken from the stud as the RSPCA came in a rescued all the horses from The Ironbarks Studfor reasons i cannot state. He was then brought by a vet in NSW who apparently endurance rode him for quite some time, he then went to a family in NSW who also moved him on. Thats when I found him a girlfriend sent me a link for Tui Lodge and the rest is history as they say...He came with his own issues of trust and is quite scared at times but over the year we have gained his confidence he loves to kiss and sniff us all over and just loves joel to pieces.. They have competed so successfully this year with numerous champion hunter sashes and being placed where ever they go Jaspa has a wonderful presence about him. With the last outing being at the Fernando Alvarez Memorial day on the 29th of October where Joel and Jaspa where sashed champion open showhunter pony of the show they also went out for the Supreme hack of the day and a $1,000.00 check but missed out this time. Jaspa is a much loved part of our family and I thank Tui Lodge often for selling us such a wonderful boy... Thanks Julie (mum) xxx

Joel & “Jaspa” from Rescue Pony toChampion Hunter

44

Well, it’s 6 o’clock in the morning, freezing cold with the weather looking dubious. Yet the horses are loaded, one pony, one galloway, mother and daughter, are off for a day in the show ring. The only other variable, besides the weather, is the judge. What a difference they can make to your day. Winning of ribbons aside, the judge can make your show, the day from hell or a pleasant time spent with your equine friend.

Judges come in all shapes, sizes and abilities, so let’s wax philosophical and take what we get on the day. We can’t change it, and no amount of whinging or bad language back at the float will do any good. We’ve paid our nominations, so what the heck: put a smile on your face and front up for the next class. Who knows?

Today we seem to have struck the “Ultimate Ditherer”: She arrived in the ring, ten minutes late, in a flurry of programs, clip-boards and sundry paraphernalia. Now a long discussion, with the stewards, who, I might add, were on time and ready to go. At last, off to a spanking trot, all on the same rein. The instruction to canter: whoopee! Correct strike off. On and on and on we canter, if we go round once more I’ll fall off with exhaustion. That great clumping gelding? If he runs up my mare’s business end one more time, she’ll let him have both barrels. Come on, lady judge, make up your mind. Called in third off the circle, so here’s hoping. Well, I guess we will muddle through the day and go home with a ribbon or two.

Next show perhaps we’ll strike a “Speedy Gonzales”. This type of judge is one of my pet hates. They are obsessed with completing their section of the program in record time. Gives orders like a sergeant major, and has the stewards in a lather after the second class. The old saying “in round and out” certainly applies here. Time spent in the circle is minimal: one round of canter and four horses in for three placings, even in maiden and novice classes. Work-outs are short and sweet? (Sour!). No time for any niceties such as a word of encouragement, or congratulations. On with the ribbons and bring on the next class. So much for equestrian comradeship!

Today the sun is shining, my horse feels good and here we are in the ring with the day before us. When, lo and behold, into the ring “The Fashionista”. She swirls in on a sea of chiffon, skirt down to her ankles and a hat that would do justice to Flemington on Melbourne Cup Day. However, this vision of fashion proves very efficient. We start on time, and classes roll on in an orderly manner. There’s a bit of friendly chat and some encouraging words at the end of each class. We all get a riding lesson and lots of pointers on how to improve our performance. All in all, not a bad day with the fashionista of all judges.

Now a “Dapper Dan”: very spiffy indeed, lovely blazer, immaculately pressed slacks, with a very smart classic panama hat, certainly looks the part. Chats pleasantly to the stewards and soon has the ring rolling along in fine style. He has a great sense of humour, loves the beautiful people and tends to place quality above all else. That’s his prerogative, of course. Spends time chatting to the winners, but not really interested in the also-rans, those old faithfuls who pay their entries and make up the numbers. However, a very charming chap, consistently going for type and quality, making his decisions on the epitome of the elegant show horse.

Wow! “Mrs Fair & Square”: This lady looks like the real deal: professionally dressed in a smart suit, appropriate badges on the lapel and an Akubra type hat. Chats pleasantly to the stewards, very business-like indeed. Looks through the ribbon box, checks out trophies and vouchers, and surveys the ring. She then sits down quietly and does a sneaky appraisal of the competitors. Not, as it turned out, to play any favours. This is the judge we all hope to meet. Just the right amount of time on the circle, late-comers and those held up in another ring, able to join on the end of the group. Very aware of the green horse and acts accordingly. Maiden and novice classes worked out relevant to their ability. Horses placed progressively with a few kind words to those down the line. Maiden horses nearly all given a workout. This lady has a pleasant rapport with the competitors, is sympathetic when things go awry, and gives advice and encouragement to us mere mortals of the show ring. See you again soon we hope.

There is one judge we haven’t touched on yet, like the ‘Wicked Witch of the West’, fortunately not often seen at your average Ag show, but more likely observed at Royals or prestigious equine events. Well, you guessed it: “The Political Judge” Enough to say we won’t go there today!

Take heart, mere mortals of the show ring, faithful stalwarts who turn up rain or shine and all those beautiful people. We have a common interest: our love of horses. Bad judge, good judge, we will continue to show. Take heart, there’s always the next show.

from “Left Field” by Marion Dale (retired) EFA Showhorse Judge

“The Judge”

So youdon’t like

myJUDGING!?

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EQUITANADONE & DUSTED

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Numerous studies throughout the world have proven that stomach ulcers in horses are very common. They

reportedlyaffectupto90%ofracehorsesintrainingand60%ofcompetitionhorsesandarecentstudyatapacingstudinNSWrevealedthat95%oftheirhorseshadstomachulcers.

The cause of Gastric Ulcers has largely been blamed onlong periods without food, especially roughage. Horses

aregrazinganimals;howeverperformanceandracehorsesareoftenstabledandfedonly2 largefeedsadaywith lowlevels of roughage leaving the horses stomach empty for long periods.Thestomachacidiscontinuouslysecretedandmayirritatethestomachliningcausingulcers.Sounlikehumans,it is not bacteria which cause gastric ulcers but exposure to stomachacidisthoughttobeamajorfactor.

Grazinghorsesarelessliketohavegastriculcersbecausethey are constantly eating without any periods of an

empty stomach. When a horse is grazing grass and saliva(which contains bicarbonate) flow constantly into thestomach,whichbuffersthestomachacidandpreventsulcersforming.Ulcersoccurmainlyinthenon-glandularareaofthestomach,alongthemargoplicatus.Thecellsinthisareaarenot protected from the stomach acid because they do not secrete mucus or bicarbonate. The severity of the ulcers is relatedtothedurationofexposuretotheacidandiftheyarequiteservetheycanbleedintothegutcausinganemiaandlow protein.

Risk factors include stabling your horse for long periodswithout grazing and feeding two large meals per day.

High energy feed, intermittent feeding, intensive exercise,racing and transporting. It is important to remember thathorsesmustcontinuetoeat throughout theday,whenthehorseisnoteatingthestomachisexposedtoacid.Feedinggrain increases thesecretionofacidbutproteincanbuffertheeffectsoit’simportanttofeedgrainandproteintogether.Lucernechaff ishigh inproteinsofeeding itwithgrainwillassistinpreventingulcers.

Not all horses with gastric ulcers will show signs so many dogoundiagnosed,howeversomeofthethingstolook

outforinclude:decreasedappetite–yourhorsemaygooffhisfoodslightly,notclearingupallofhishardfeedanddueto decreased appetitehis coatmaybecomedull andpartsofitmaystarttofallout.Frequentlyhewillbecomesourinhisbehaviourtowardsworkandhisperformancemaydrop.He may colic one or a number of times, grind his teeth,windsuckandmaydevelopdiarrhea.Iftheulcersaresevereand bleeding into the gut he will have a lower red blood cell count and haemoglobin level. The best method of diagnosing gastric ulcers is to have a blood test, if it indicated severeulcers you could arrange having them looked at with anendoscope.

Your vet is the best person to advise you on a correct treatmentplan,asthefounderofSaveaHorseAustraliawe

treatalloffthetrackracehorsesandemaciatedrescuehorseswithanoralpastecontainingomeprazolecalledOmaguardby Nature Vet. This drug binds the cells of the stomach lining whichproducestheacidreducingitsproduction.Omaguardisbyprescriptiononlysoconsultyourvet ifyouthinkyour

horse may have ulcers. Ulcer healing takes 14-28 days,sometimes longerdependingon the severityof theulcers,your vet will advise you on a treatment plan. It is important to remember that if your horse is healing from ulcers its best to spell him fromwork until they have healed. Stresscan prevent and prolong the healing process so keep himas relaxed as possible. During treatment decrease grain and increaseroughage,feedsmallermealsmorefrequentlyandifyour horse has severe ulcers you should provide and iron and blood building supplement. At Save a Horse Australia we use asupplementcalled“Blud”.

There are a number of excellent healing herbs available that willhelphealmildcasesofgastriculcerationandwehave

usedmanydifferentherbalplansonourrescuehorseswithgreat success. Chamomile, meadowsweet, marshmellow,slipperyelmbarkandlicoricerootareallexcellentandworkwelltogether.Wealsofeedprotexinprobioticandapplecidervinegarwhichhelpsrestoregutfloraandencouragessalivathenaturalprotectionagainstgastricacidity.Alwaysconsultaprofessionalequineherbalistbeforeusinganyherbalplanon your horse.

As noted earlier ulcers are very common in horses and we are their biggest enemy due to the management

and lifestyle we place upon our equine friends. The mostimportantthingtorememberistomakesureyourhorsehasaccesstoplentyofroughage,substitutinggrassforgrassyhayif necessary. If your horse is showing any symptoms call your vet immediately for a check up, blood test and treatmentplan.Thisarticleshouldnotbesubstituted forprofessionalveterinarian advice.

Equine Gastric Ulceration Syndrome

Photosby–BiancaNewtingPhotography

Bella has severe bleeding ulcers and is emaciated. She is on a high dose of omaguard and herbal remedies

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In bygone eras, massage was acknowledged as one of the four classical forms of medical treatments along with acupuncture, moxibustion; a traditional Chinese medicine, and herbalism. The historical chronicles from the 2nd BC speak of patients who were treated with only massage, and the Bible as well as other ancient sacred texts mention the use of oils and massage for the betterment of health 3000 years before the birth of Christ. Ancient Roman and Greek literature make numerous references to massage, advocating its uses before and after sport. It has only been a few thousand years and we now have this Ancient healing therapy available for the largest strongest and fastest athletes in the world.

The muscle structure accounts for 60% of a horses total mass, it makes sense that things can and do go wrong and it goes without saying that “prevention is the best cure”. If our horses are engaged in any form equine competitive discipline, chances are we are going to be asking for a maximum of effort (exertion) from them. Overloaded overused and over stretched muscles, not forgetting the bumps and knocks are the first causes for tightening, a spasm will then occur at the point of the muscle injury. It may not be the last show or race your horse was in that caused the problem, but more the residual effects of previous efforts and muscle trauma. What was a small stress or strain becomes a total malfunction with continued uset and can also cause deeper problems relating to the joints, tendons and ligaments. By this time we are seeing a total breakdown of the working muscle structure and your horse is now in what is called a chronic state. Every excessive strain rip and rupture, no matter how old, can be felt through the musculoskeletal system with deep massage, and as muscle injury is cumulative by nature those old rips and tears, a majority of which were preventable, now create secondary tightening relative to the original injury. It is also very common with muscle injury, that by the time we become aware there is a problem, it has been there a longtime, but the signs were there. Resistance, a change in attitude and willingness, muscle build-up or wastage, intermittent lameness, descending or ascending lameness, cold back / sore back, lugging in on one rein and for many more reasons unless it is treated, it will go on causing problems.

It can be difficult to assimilate an injury that happened sometime ago or even years before, is the cause of your unexplainable problems today. I see this often with the horses I work with, and it can come as a bit of a shock to

an owner when they realize this is the case and cause of so much anguish and confusion.

Muscle injury to any extent will not correct itself. Time out in the paddock will only set the injury into a permanent state and no amount of muscle relaxant pain killer or anti-inflammatory will clear the muscle system. I have yet to witness miraculous recovery from extreme muscle injury by way of intravenous medications or other applications, but I have seen and witnessed the miraculous recovery from those destined for destruction by the application of Deep Tissue Massage and Stresspoint therapy, a working plan specifically designed to aid the repair and healing of all the muscles involved, and some good old sweat with no tears from loving dedicated owners/riders.

I felt for the purpose of this article I would use the Gastrocnemius muscle as an example. I have had the pleasure this week to witness its malfunction in full flight. It is one that has, over the years, shown many an owner/rider that the presenting problem in the front end is actually been set up from behind. I have worked with this problem and helped many horses successfully back into full work and winning form.

The Gastrocnemius has a tendency to throw its tightening into the opposite side shoulder when left undetected over a long period of time. Normally it is responsible for stifle or hock problems, such as your horse been unable to straighten the leg fully, displaying discomfort whilst standing and will assist in any shortening of the hind stride, hence making it difficult to identify the exact cause of your horses shortened forward stride.

I worked with a Grand Prix Dressage lad who had been off for 11 months due to his intermittent and varying degrees of forward shortening in the nearside shoulder. The first place I looked was the shoulder and tightening was evident, however on working through the shoulder I found that tightening to be secondary, in other words the cause was coming from somewhere else. After identifying the problem and working to balance and clear the musculoskeletal system with some serious work on the gastroc and surrounding muscles, a work and after care program was then designed for him and he recovered well, going onto compete and win until his retirement

from competition some years later. He is now a 23 yr old Grand Prix school master and worth his weight in gold.

We must remember some of these injuries have been there a long time and for a full recovery it is of paramount importance our equine friends are bought back into full work steadily and particular care by way of massage and a recovery work program is essential.

The total healing of your horse can not be underestimated when you embark on the journey of massage therapy, the ancients knew what they were doing, and today thousands of years later I am still seeing the amazing results of massage therapy with horses and humans. There is not enough room here to express the stories of the countless horses I have worked on who have through the physiological response of muscle injury been written off as finished. Which brings me back to the first point, and that is prevention. We can greatly enhance our horse’s performance and consistency levels plus their overall health and wellbeing with regular massage. No expensive machines or gadgets, no power points necessary, all you need are your hands.

I have worked professionally as a Deep Tissue Massage/ Stresspoint Therapist for 20 years now, and although at times it can be very challenging working with a cranky 600 kilogram client, the reward of helping these horses back into careers and a functional life is priceless. I have an informative DVD and Booklet available as an introduction to working your own muscle maintenance program, it is easy to understand and great to work with, your horse will love you. I am also available for workshops catering for groups of 4-6 people and your horses. This is a great way to get started if you are looking for an effective alternative therapy to aid your equine friends.

A MATTER OF MUSCLELove and Light to you all. Shousha

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Master Farrier No167Certificate101EquinePodiatryUSA

andCertificateIndustrialandcommercialtraining

Most of you reading this articlewould already know thatdifferent feeds cause laminitisand the most common cause being carbohydrateoverload likecereal grains. There’s the lushgrass and even a large drink ofcold water has been known totrigger laminitis. Other thingslike concussion, Viral infections,

Septicemiaandevenbadstress.Even with all of the advanced technology some aspects of laminitisstillremainsamysteryanditcanaffectequestrianathletes such as Olympic race horses, show pony’s andany discipline type and of cause the neglected . The three phases of laminitis are called Early Acute , Acute andChronic with the early stage your horse would be slightly lamebutalsoaslightstiffnesslookwhenitwastowalkanditmayleanbackwhenstanding.This isthetimetocallavet,ifyoucan’tgetthevetandyourfarrierishandygethimtodrop inbut Iwould recommend fairly swiftactionthequickeryougetontoitthebetterchanceofitnotgettingtothenextstage.Thecostofvetandfarriercangetquiteexpensive with ongoing treatments and hoof care . I do suggestyouaskboththevetandfarrierthelikelycostfor

each stage because phase one will be a considerable cost. I have seen people spend thousands of dollars to end up havingtomakethatterribledecisiontoputthehorsedownaftereightmonthsofextremepainforthehorseandeveryoneinvolved.SoI’mtryingtosaygivecarefulthoughttoyouravailabletime,itshighmaintenanceandcanbeveryexpensive. All the best John.

Laminitis and or commonly called Founder

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