grade level: 3½ (medium) the light shines in the darknessrefers to wisdom, compassion, and love....

16
A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the darkness, but the darkness has not understood it” (NIV). The scoring is intimate and retrospective in the beginning. This was meant to convey a feeling of loneliness. The scoring gradually thickens to represent some hope of the light that is seen in the distance. The climax of the piece is the realization that the light is real and everyone on the ship is guided to safety. It is the composer’s hope that the light (wisdom, compassion, and love) would shine in us so that we can be a beacon of hope for those who are lost and cannot find their way. GRADE LEVEL: 3½ (MEDIUM) THE LIGHT SHINES IN THE DARKNESS By Barry Milner Instrumentation 1 � Conductor Score 5 � 1st Flute 5 � 2nd Flute 2 � Oboe 2 � Bassoon 4 � 1st B Clarinet 4 � 2nd B Clarinet 4 � 3rd B Clarinet 2 � B Bass Clarinet 2 � 1st E Alto Saxophone 2 � 2nd E Alto Saxophone 2 � B Tenor Saxophone 1 � E Baritone Saxophone 3 � 1st B Trumpet 3 � 2nd B Trumpet 3 � 3rd B Trumpet World Parts available for download from www.alfred.com/worldparts E Alto Clarinet E Contra Alto Clarinet B Contra Bass Clarinet 1st E Horn 2nd E Horn 1st Trombone in B T.C. 2nd Trombone in B T.C. 3rd Trombone in B T.C. 1st Trombone in B B.C. 2nd Trombone in B B.C. 3rd Trombone in B B.C. Euphonium in B B.C. Euphonium T.C. Tuba in B T.C. Tuba in B B.C. Tuba in E T.C. Tuba in E B.C. String Bass 2 � 1st F Horn 2 � 2nd F Horn 2 � 1st Trombone 2 � 2nd Trombone 2 � 3rd Trombone 2 � Euphonium 4 � Tuba Percussion � 5 players: 1 � Bells 1 � Marimba (or Piano) 3 � Percussion (Mark Tree/Suspended Cymbal, Crash Cymbals) 1 � Timpani Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. Preview Only Legal Use Requires Purchase

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Page 1: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also

refers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the darkness, but the darkness has not understood it” (NIV).

The scoring is intimate and retrospective in the beginning. This was meant to convey a feeling of loneliness. The scoring gradually thickens to represent some hope of the light that is seen in the distance. The climax of the piece is the realization that the light is real and everyone on the ship is guided to safety. It is the composer’s hope that the light (wisdom, compassion, and love) would shine in us so that we can be a beacon of hope for those who are lost and cannot find their way.

Grade LeveL: 3½ (MediuM)

The LighT ShineS in The DArkneSS

By Barry Milner

Instrumentation

1 � Conductor Score 5 � 1st Flute 5 � 2nd Flute 2 � Oboe 2 � Bassoon 4 � 1st B Clarinet 4 � 2nd B Clarinet 4 � 3rd B Clarinet 2 � B Bass Clarinet 2 � 1st E Alto Saxophone 2 � 2nd E Alto Saxophone 2 � B Tenor Saxophone 1 � E Baritone Saxophone 3 � 1st B Trumpet 3 � 2nd B Trumpet 3 � 3rd B Trumpet

World Parts available for download from www.alfred.com/worldparts

E Alto ClarinetE Contra Alto ClarinetB Contra Bass Clarinet1st E Horn2nd E Horn1st Trombone in B T.C.2nd Trombone in B T.C.3rd Trombone in B T.C.1st Trombone in B B.C.2nd Trombone in B B.C.3rd Trombone in B B.C.Euphonium in B B.C.Euphonium T.C.Tuba in B T.C.Tuba in B B.C.Tuba in E T.C.Tuba in E B.C.String Bass

2 � 1st F Horn 2 � 2nd F Horn 2 � 1st Trombone 2 � 2nd Trombone 2 � 3rd Trombone 2 � Euphonium 4 � Tuba

Percussion � 5 players: 1 � Bells 1 � Marimba (or Piano) 3 � Percussion

(Mark Tree/Suspended Cymbal, Crash Cymbals)

1 � Timpani

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Page 2: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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The Light Shines in the Darkness

Copyright © 2011 by Alfred Music Publishing Co., Inc.All rights reserved. Printed in USA.

FULL SCORE

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Page 3: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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Page 4: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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Page 5: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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Page 6: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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Page 7: Grade LeveL: 3½ (MediuM) The LighT ShineS in The DArkneSSrefers to wisdom, compassion, and love. John 1:5 of the Bible states that, “The light shines in the ... By Barry Milner

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ã?

bbbbbbbbbbbb

b

bbbb

bbbbbbbbbbbbbbbbbbbbb

bbb

43

43

43

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

∑∑∑∑

wwnw

œ œ œ œ œ# œ œ œw

∑.˙n œ

∑wwn

∑∑∑∑∑

Œ œœn œœ Œœ Œ Œ œ

48

Ó Œ œœ-

Ó Œ œ-∑

Ó Œ œ-

ww˙ ˙w˙ ˙

∑œ .˙

∑ww

∑∑∑∑∑∑

œ Œ Ó·æ

49

w

FF

F

n.

F

Ab to F, Bb to C

œœ œœ œœœ œ œ

.˙œ œ œ

œ œ œ œ œ œ.˙

œ œ œ œ œ œ.˙.˙

∑∑

..˙̇A

∑.˙

∑∑

œ! œ! œ! œ! œ! œ!∑

¿ Œ Œ

50

p

p

p

p

p

p

p

p

p

P

F

a2

50

50

˙̇ œœ˙ œ

.˙˙ œ

œ œ œ œ œ œ.˙

œ œ œ œ œ œ.˙.˙

∑∑

..˙̇

.˙∑

.˙∑∑

œ! œ! œ! œ! œ! œ!∑∑

51

œœ œœ œœœ œ œ

.˙œ œ œœ œ œ œ œ œ

.˙œ œ œ œ œ œ

.˙∑∑

..˙̇

∑.˙

∑∑

œ! œ! œ! œ! œ! œ!∑∑

52

˙ œ œœ œb œ œœ œb œ œ

.˙b˙ œ œ

œ œ œ œ œ œ.˙b

œ œ œ œ œ œ.˙b.˙b

∑∑

..˙̇

.˙b

∑.˙b

∑∑

œ! œ! œ! œ! œ! œ!∑∑

53

œœ œœ œœœ œ œ

.˙œ œ œœ œ œ œ œ œ

.˙œ œ œ œ œ œ

∑∑

..˙̇

∑.˙

∑∑

œ! œ! œ! œ! œ! œ!∑∑

54

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&&?

&&&&&&

&&&????

&&?

ã?

bbbbbbbbbbbb

b

bbbb

bbbbbbbbbbbbbbbbbbbbb

bbb

44

44

44

nnbnnbnnbn#n#n###n###

n#n#

nn

nnbnnbnnbnnbnnbnnbnnb

nnb

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

œœ ˙̇Nœ ˙N

.˙œ ˙œ œ œ œ œ œ

.˙œ œ œ œ œ œ

.˙N

∑∑

..˙̇

.˙N

∑.˙

∑œ! œ! œ! œ! œ! œ!

∑∑

55

˙̇ œœ˙ œ˙ œ

˙ œ˙ œ˙ œ˙ œ˙ œ˙ œ

˙ œŒ Œ œœ˙̇ œœ˙ œ

Œ Œ œœ-˙ œŒ Œ œ-

∑.˙

∑.·æ

56

p

n.

p

Tutti

pp

(soft yarn mallets)

œ .˙wnwnwœ .˙

wwww#w

œ .˙ww#wwwnwwnww

∑∑∑

·æ

57

Œ .æ̇p

œ ˙ œ-œ ˙ œ-œ ˙ œœ ˙ œ-œ œ œa œ œ œ œ œ

wœ œ œa œ œ œ œ œœ ˙ œ-wœ ˙ œ-œœ ˙̇N œœœœ ˙̇ œœœ ˙ œœœN ˙̇ œœœ ˙ œ-

wœ ˙ œ-

∑∑

¿>

Œ Ó·

58

w>f

F

f

ff

f

ff

f

f

f

ff

f

f

f

f

Cr. Cyms.

(med. hard rubber mallets)

58

58

A little faster Π= 84

A little faster Π= 84

a2 œN ˙ œ-

œN ˙ œ-˙ ˙N

œa ˙ œ-

œ œ œ œ œ œ œ œwNœa œ œ œ œ œ œ œ

œa ˙ œ-

wa

œa ˙ œ-

˙̇a ˙̇

˙̇N ˙̇˙N ˙˙̇ ˙̇NœN ˙ œ-

wNœN ˙ œ-

∑∑∑

59

œ œ .œ Jœœ œ .œ jœœ ˙ œœ œ .œ jœœ œ œ œ œ œ œ œwœ œ œ œ œ œ œ œœ œ .œ jœwœ œ .œ jœœœ ˙̇ œœœœ ˙̇ œœœ ˙ œœœ ˙̇ œœœ œ .œ Jœ

wœ œ .œ jœ

∑∑∑

60

˙ Jœ ‰ œ

˙ jœ ‰ œ.˙ œ

˙ Jœ ‰ œœ œ œ œ œ œ œ

.˙ œœ œ œ œ œ œ œ˙ Jœ ‰ œ

.˙ œ

˙ Jœ ‰ œ˙̇ œœ œœ˙̇ œœ œœ˙ œ œ

..˙̇ œœ˙ Jœ ‰ œ

.˙ œ˙ jœ ‰ œ

∑∑∑

61

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&&?

&&&&&&&&&??

??

&&?ã?

bbb##########

bb

bbbbb

b

43

43

43

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

œ ˙ œ

œ ˙ œœ œ œ œ

œ ˙ œ

œ œ œ œ œ œ œ œ

wœ œ œ œ œ œ œ œ

œ ˙ œw

œ ˙ œœ œœ œœ œœœœ œœ œœ œœœ œ œ œœœ œœ œœ œœ

œ ˙ œ

wœ ˙ œ

∑∑∑

62

.˙n œ

.˙n œ˙ ˙

.˙# œœ œ œ# œ œ œ œ œ

wœ œ œ# œ œ œ œ œ

.˙# œ

w.˙# œ

ww˙̇# ˙̇˙ ˙n˙̇ ˙̇

.˙n œ

w.˙n œ

∑∑∑

63

œ .˙

œ .˙wœ .˙

œ œ œ œ œ œ œ œwœ œ œ œ œ œ œ œœ .˙wœ .˙ww

wwwwwœ .˙

wœ .˙

∑∑∑

64

˙ Jœ ‰ Œ˙ Jœ ‰ Œœ Œ Ó˙ Jœ ‰ Œ˙ ˙

w.˙ œ-

˙ Jœ ‰ Œwœ Œ Óœœ Œ Ó

˙̇ jœœ ‰ œ-˙ Jœ ‰ Œ˙̇ Jœœ ‰ Œ˙ Jœ ‰ œ-

w∑∑∑∑

65

πππ

a2

π

πp

π

ππ

π

ππ

P

P

ππ

π

P

‰ Jœœ- œœ œœ œœ-

‰ Jœ-œ œ œ-

‰ jœ- œ œ œ-..˙̇.˙

œ œ œ∑∑∑∑

œ œ œ

∑∑

œ œ œ∑

∑..˙̇gggggggggggg ..˙̇

66

p

pp

P

66

66

‰ Jœœ-œœ œœ œœ-

‰ jœ- œ œ œ-.˙

‰ jœ- œ œ œ-..˙̇.˙

˙ œ-∑∑∑∑

˙ œ-∑∑

˙ œ-∑

∑..˙̇gggggggggggg ..˙̇

67

‰ Jœœ-œœ œœ œœ œœ

‰ Jœ- œ œ œ œ.˙

Œ œ- œ-œœ- œœ- œœ-

.˙œ œ œ

∑∑∑∑

œ œ œ∑∑

œ œ œ∑

∑..˙̇ggggggggggg ..˙̇

68

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&&?

&&&&&&&&&????&&?ã?

bbb##########

bbbbbbb

b

44

44

44

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

˙̇b œœ œœ˙b œ œ

.˙b

..˙̇n

.˙n˙ œ œ

∑∑∑∑

˙ œ œ∑∑

˙ œ œ∑∑

Œ œœb œ

œb œ

69

.˙b

FF

ππ

F

F

P

œœ œœ œœœ œ œ

.˙∑∑

.˙œ œ œ.˙

∑∑

œ œ œ∑

..˙̇œ œ œ

.˙∑∑∑∑

70

F

ppp

F

œœ ˙̇

œ ˙.˙N∑∑

.˙aœ ˙.˙

.˙∑∑

œ ˙∑

..˙̇œ ˙

.˙∑∑∑∑

71

..˙̇

.˙∑∑

..˙̇

.˙∑∑

.˙∑

..˙̇

.˙∑∑∑∑

72

p

œœ œœ œœ

œ œ œ˙ Jœ ‰

∑∑

˙ Jœ ‰œœ œœ œœ˙ jœ ‰˙ Jœ ‰

∑∑

˙ jœ ‰∑

œœ Jœœ ‰ Œœ Jœ ‰ Œœ jœ ‰ Œ

∑∑∑∑

73

π

π

π

π

π

π

π∏

...˙̇̇

œ- Œ Œ∑

œ œ œ∑∑∑∑∑∑∑∑∑∑∑∑

Œ œ œ∑∑∑

74

Solo

π

ππ

P

74

74

1. div. www∑∑

œ ˙ œ-

∑∑∑∑∑∑∑∑∑∑∑∑

Œ œ œ ‰ Jœ

∑∑∑

75

www∑∑

œ œ .œ Jœ∑∑∑∑∑∑∑∑∑∑∑∑

œ œ Œ ‰ Jœ∑∑∑

76

...˙̇̇ œœ-

Ó Œ œ-Ó Œ œ-œ ˙ œ-

∑Ó Œ œÓ ˙̇Ó Œ œÓ Œ œ

∑∑∑∑∑∑∑

w

œ œœ œ œ œ œ

77

F

ppp

p

pTutti

FF

(P)

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&&?&&&

&&&

&&&??

??

&&?ã?

bbb###

#######

bb

bbbbb

b

43

43

43

44

44

44

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

œœ ˙̇ œœœ ˙ œwœ ˙ œwwwœ œ œ œ œ œ œ œww

∑∑

ww∑∑

∑∑∑∑∑∑

78

a2

P

p

p

78

78

œœ œœ œœœ œ œ

.˙#œ œ œ

..˙̇

.˙#œ œ œ œ œ# œ

.˙#

.˙#∑∑

.˙ .˙∑∑

∑∑∑∑∑∑

79

œœ œœ œœœ œ œ

.˙Nœ œ œ

..˙̇

.˙Nœ œ œ œ œN œ

.˙N

.˙N∑∑

.˙ .˙∑∑

∑∑∑∑∑∑

80

˙̇ œ----˙ œ-

.˙˙ œ-

..˙̇

.˙œ œ œ œ œ œ

.˙Œ Œ œ-

∑.˙ .˙

∑∑

∑∑∑∑∑∑

81

p

P

a2 ˙ jœ ‰ Œœ ˙ œ œ

∑˙ jœ ‰ Œ˙̇n jœœ ‰ Œ

wnœœ- Œ Óœn - Œ Ównœ ˙ œ œ

∑œ ˙ œwwwbœ ˙ œ

wb∑∑∑∑

82

P

p

P

p

a2

π

∏∏

π

p

ππ

π

82

82

∑œ œ jœ ‰ Œ

∑∑

Ó ˙̇

w∑∑

wœ œ jœ ‰ Œ

∑˙ œ œwwww˙ œ œww

∑∑∑∑

83

f p

f

pf

f

π

f

F

f

f

F

div.*

(-2.)

* - If only one euphonium, upper part is preferred

Ó œ œ

œ ˙ œ œ˙ œ œ˙ ˙wwwœ ˙ œ œ

˙ œ œw

∑∑

˙ ˙wœ Œ Óœœ Œ Ó˙ ˙wœ Œ Ó

∑∑∑∑

84

p

π

p

p

p

P

P

p

π

π

p

1.

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&&?&&&

&&&

&&&????

&&?

ã?

bbb###

#####

##

bbbbbbb

b

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

.˙ œ

œ ˙ œwbwnwwwœ Œ Ówwnœ ˙ œ

∑w

∑∑

w∑∑∑∑∑

85

p

FF

œ œ œ œœ-

œ œ œ œ-wwwww

∑wwaœ œ œ œ-

∑˙ ˙w

∑˙ ˙

∑∑∑∑∑

86

p

molto rit.

molto rit.

ww# w˙ Jœ ‰ Œw

www#

www#w

w˙ Jœ ‰ Œ˙̇# jœœ ‰ Œww#

.˙ Jœ ‰

..˙̇ Jœœ ‰ww#

w∑

Œ ‰ œ œ œ# œ œ œ

œ œ œ œ# œ œ

w

87

F

pMark Tree

div.*

πFFFFFFF

FF

ππ

∏∏

FF

FFF

decresc.

decresc.

decresc.

decresc.

Stagger Breathing

* - If only one euphonium, F# is preferred,

1. div. wœ œ# œ œ œ œ œ œ∑

w

wwwœ jœ ‰ Óœœ jœœ ‰ Ów

œ jœ ‰ Ó

∑∑

œœ Œ Ó

∑∑

œœ Œ Óœ Œ Ó

∑ww#

ww

88

π

∏∏

Eb to D

88

88

Tempo I Π= 72

Tempo I Π= 72

wœ# œ# œ œ œ œ œ œ∑

w#www

∑w#

∑∑∑

∑∑∑∑∑

Œ œ œ# œ# œ œ# œ#w#œ Œ Ó

89

p

wœ œ# œ œ œ œ œ œ∑

œ Œ Óœ Œ Óœœ Œ Ó

∑wœ Œ Ó

œ ˙ œ-∑∑

∑∑∑∑∑

ww#w

90

p

∏∏∏

∏π

Stagger Breathing

Solo

2.

(-1.)

K

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&&?&&&&&&

&&&????&&?

ã?

bbb##########

bbbbbbb

b

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

wœ# œ# œ œ œ œ œ œ∑∑∑∑∑

w∑∑

œ# .˙∑∑∑∑∑∑∑

Œ œ œ# œ# œ œ# œ#∑∑

91

wœ œ# œ œ œ œ œ œ∑∑∑∑∑

wœ ˙ œ-∑∑

Jœ ‰ Œ Ó∑

œ ˙ œ-∑∑∑∑∑

ww#w

92

pSolo

π

p(Hn. Solo)

wœ# œ# œ œ œ œ œ œ∑∑∑∑∑

wœ# .˙

∑∑

∑∑

œ# .˙∑∑∑∑∑

Œ œœ# œœ# œœ# œœ œœ# œœ#∑∑

93

wœ œ# œ œ œ œ œ œ∑∑

œ ˙ œ-∑∑

wJœ ‰ Œ Ó∑∑

∑∑

Jœ ‰ Œ Ó∑∑∑∑∑

ww#w

94

p

Solo

wœ# œ# œ œ œ œ œ œ∑∑

œ# .˙∑∑

w∑∑

∑∑∑∑∑∑∑∑

Œ œ œ# œ# œ œ# œ#w#

95

wœ œ# œ œ œ œ œ œ∑∑

w∑∑

w∑∑∑

∑∑∑∑∑∑∑∑

ww#w

96

Stagger Breathing

π

96

96

1.

(-2.)

15

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&&?

&&&

&&&&&&????

&&?ã?

bbb###

#######

bbbbbbb

b

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

Mrb.

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Bells

Perc.

Timp.

√◊

wœ œN œ œ œ œ œ œ∑∑∑∑∑

w∑∑∑∑∑∑∑∑∑∑

∑∑∑∑

97

molto rit.

molto rit.

wœ œ œ œ œ œ∑∑∑∑∑

w∑∑∑∑∑∑∑∑∑∑

∑∑∑∑

98

ww#∑

ww#wwwww#w

∑∑∑

ww#

∑∑∑∑

œ œœ œ# œ œ œ# œ

99

( p)

p decresc.

p

pppp

pp

decresc.

decresc.

decresc.

decresc.

decresc.

decresc.

decresc.

Tutti

Tutti

+2.

ww∑

wwwwwwww

∑∑∑

ww∑∑∑∑

∑œ œ# ˙

∑∑

100

ww∑

wwwwwwww˙ Jœ ‰ Œww ∑ww˙ Jœ ‰ Œ˙̇ Jœœ ‰ Œ˙̇# Jœœ ‰ Œ

˙̇ jœœ ‰ Œww

∑∑

101

p

pp

p

pp

pp

div.*

Tutti

2.

(-3.)

div. **

* - If only one euphonium, F# is preferred,

˙̇Jœœ ‰ Œ

∑˙ Jœ ‰ Œ˙ Jœ ‰ Œ˙̇ jœœ ‰ Œ

˙ jœ ‰ Œ˙̇

Jœœ ‰ Œ

˙ Jœ ‰ Œ˙ Jœ ‰ Œ˙ Jœ ‰ Œ˙ jœ ‰ Œ

∑˙̇ jœœ ‰ Œ˙ Jœ ‰ Œ˙̇ Jœœ ‰ Œ˙̇# Jœœ ‰ Œ

˙̇ jœœ ‰ Œ

∑∑∑∑

102

ππ

π

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** - If only one tuba, D is preferred.

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