grow color gamut to make signage pop - amazon s3field-expo... · grow color gamut to make signage...
TRANSCRIPT
9/28/17
1
Grow Color Gamut to make signage pop
Toby Saalfeld Ricoh Commercial & Industrial Printing US Director, Color Management
SGIA Expo New Orleans, LA October 10, 2017
Toby Saalfeld is US Director, Color Management for Ricoh Americas Corporation. In this role, he designs color management innovations that focus on the real world needs of commercial print, in-plant, publishing and design environments, with a vision to raise the bar industry-wide with services and products that make color management a worthwhile investment for anyone – from the design stage to final production.
Toby Saalfeld
Working in the production printing industry since 1996, Saalfeld has become a leading authority and expert on real world color management solutions. In 2012, he developed and is now leading Ricoh's Color Elite Team – a group of highly specialized Color Management Experts located throughout the United States. Prior to joining Ricoh in 2009, Saalfeld held positions in engineering, sales, and marketing, and worked at some of the top enterprise companies in the industry, including: Xerox, Konica Minolta, and Hitachi Printing Solutions (both in Europe and the United States). Originally from Düsseldorf, Germany, hometown of the world's largest international print event DRUPA, Saalfeld is now based out of Los Angeles, California. He is an IDEAlliance certified G7 Expert and Color Management Professional Master.
9/28/17
2
• Definition of Gamut • Industry Standards • Rendering Intents • Color Conversion • Color Accuracy vs. Maximum Gamut • G7 Methodology • G7 vs. ICC • Soft proofing 101 • Key Takeaways
Agenda
“Color Gamut”... ...describes the entire range of colors available on a particular device such as a monitor, printer, scanner, camera, projector, or other device capable of capturing or producing colors.
Definition of Gamut
9/28/17
3
RGB Additive Color Model (Red, Green, Blue mixed together result in white). Typical applications: monitors, scanners, cameras, and projectors.
CMYK Subtractive Color Model (Cyan, Magenta, Yellow, Key (Black)) also called process color used in color printing.
SPOT Premixed ink used instead of or in addition to process inks. Requires its own printing place / channel.
Industry Standards
RGB sRGB, AdobeRGB, ProPhoto RGB, ECIRGB, EFIRGB, ...
CMYK SWOP, GRACoL, SNAP, Fogra, ...
SPOT Pantone, HKS, Toyo, DIC, ... (Reflex Blue, Coca Cola Red, McDonald’s Yellow...)
Industry Standards
9/28/17
4
Industry Standards
100% RGB green
100% RGB green
(AdobeRGB)
(sRGB)
Industry Standards
RGB CMYK PMS (Spot) Gray
CMYK
Profile Connection Space
Source Profile
Destination Profile
Basic Color Management Workflow (CMYK printer)
Raster Image Processor (RIP)
9/28/17
5
Industry Standards
Basic Color Management Workflow (CMYKOG printer)
RGB CMYK PMS (Spot) Gray
CMYK
Profile Connection Space
Source Profile
Destination Profile
Raster Image Processor (RIP)
Industry Standards
RGB CMYK PMS (Spot) Gray
Basic Color Management Workflow (CMYKxxxxxx printer)
CMYKxxxxxx Profile Connection
Space Source Profile
Destination Profile
Raster Image Processor (RIP)
9/28/17
6
Source Color Space
Destination Color Space
PCS Profile
Connection Space
Color Conversion
GRACoL
Industry Standards
9/28/17
8
GRACoL vs. ProPhoto RGB
Industry Standards
GRACoL vs. Epson Stylus Pro 9900 (on Traditional Photo Paper)
Industry Standards
9/28/17
9
sRGB vs. Epson Stylus Pro 9900 (on Traditional Photo Paper)
Industry Standards
Adobe RGB vs. Epson Stylus Pro 9900 on (Traditional Photo Paper)
Industry Standards
9/28/17
10
Industry Standards - Checkpoint
• Industry Standards provide a common target for accurate printing
• Industry standards can limit your device’s gamut • Select an appropriate color space for your application
• If industry standard accurate print is not required: Disable RIP’s industry standard simulation to gain maximum gamut
• Consider implementing two independent workflows • Max Gamut • Accuracy to industry spec
“Out of Gamut”... Colors that fall outside of the capturing or reproduction capabilities of a device.
Rendering Intents
9/28/17
11
sRGB vs. Epson Stylus Pro 9900 (on Traditional Photo Paper)
Rendering Intents
Rendering Intents
RGB CMYK PMS (Spot) Gray
CMYK
RIP
Basic Color Management Workflow (CMYK printer)
Profile Connection Space
Source Profile
Destination Profile
9/28/17
12
Rendering Intents - Colorimetric
Keeps in-gamut colors accurate Moves out of gamut colors to the edge of the target gamut Absolute Colorimetric retains source white point (new white point is usually not white) Relative Colorimetric moves source white point (new white point is paper white)
AdobeRGB to GRACoL
. .
. . .
Rendering Intents - Perceptual
Moves ALL colors Color shifts are proportional Keeps gradients well Not accurate Can result in desaturated images depending on the difference between the source and target gamuts
AdobeRGB to GRACoL
9/28/17
13
Rendering Intents - Saturation
GRACoL to Epson Stylus 9900 on Traditional Photo Paper
Moves ALL colors Not accurate Color shifts are proportional Used to convert from small gamut to larger target gamut Keeps colors as saturated as Possible while preserving Relationship between colors
Rendering Intents - Checkpoint
• Know the color (gamut) capabilities of all of your devices • Be aware of potential “Out of Gamut” colors
• Chose between maximum gamut and accuracy
• Colorimetric (relative/absolute) rendering intent for accuracy
• Saturation/Presentation rendering intent for max gamut
9/28/17
15
Closed Loop
Color Management
Color Conversion
Color Conversion
Profile Connection Space (Translator)
Open Loop
Color Management
9/28/17
18
Color Conversion - Checkpoint
• Color Conversion is unavoidable!
• A simple settings mistake can ruin a whole job
• Ensure all devices in your workflow are profiled and calibrated
• Custom profiles yield most accuracy and device color gamut
• Know when to disable ICC color management on printer (only for maximum gamut applications without accuracy requirements)
No Color Management
Calibration and profiling
Traditional calibration
only
Color Conversion - Checkpoint
9/28/17
21
G7 vs. ICC Color Management
• G7 = Calibration = Consistency • Eliminates Color Cast • Visually pleasing outcome • Does not clip gamut of device
• ICC (Colorimetric) + Calibration = Consistency + Accuracy • Accurate to source/output profile combination • Limited to lowest common denominator gamut
G7 - Checkpoint
• G7 alone is not sufficient to print to an industry specification
• G7 “neutralizes” CMY gray and as a result eliminates color cast
• Perfect option for maximum gamut printing on large gamut devices
• G7 is compatible with all CMYK printing processes
9/28/17
24
Adobe RGB vs. Epson Stylus Pro 9900 on (Traditional Photo Paper)
Soft Proofing
Soft Proofing
Mandatory steps:
• Create ICC profile of your printer (for each substrate) • Profile and calibrate your monitor • Adjust brightness of your monitor to ambient lighting • Import profile(s) into your design application • Select profiles in proof setup
Additional recommended steps:
• Use a light booth to view the printed material in comparison to your monitor • Dim ambient light as much as possible • Use a hood around your monitor if ambient light can’t be controlled • Work in a color distraction free environment (color neutral desk, walls,
clothing)
9/28/17
25
Soft proofing - Checkpoint
• Monitor gamuts are typically larger than printer gamuts
• You can simulate the printed output on your monitor, but not the other way around
• Perform a paper white to monitor brightness check
• Ensure you set the proper expectations
• Higher accuracy requirements means more dedication: • custom ICC profiles • frequent calibrations (monitor and printer) • Suitable environment
Key Takeaways
• Know the objective: Max Gamut vs. Accuracy (Pick one!)
• Know our equipment: The tool is only as good as the user • Hire a coach to maximize ROI of your equipment
• Set appropriate expectations for yourself and with your customers
9/28/17
26
• Can include any device from any manufacturer! • Receive coaching on industry best practices!
• Maximize the ROI of equipment you already own!
• Learn how to communicate color effectively!
• Minimize color miscommunication with clients!
• Come see me on the Ricoh booth (1351)!
Ricoh Professional Color Management
Thank you!
Questions and Answers