Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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ntro

duct

ion

to M

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Tec

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): I

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ion

to M

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ogy

II INTRODUCTION INTRODUCTION

I.3 I.3 (Fr Sept 11) (Fr Sept 11) Oniontology: ExamplesOniontology: Examples

Gue

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Maz

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(F

all 2

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Gue

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(F

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The Ontology of MusicThe Ontology of Music

poiesis neutral level aesthesispoiesis neutral level aesthesis

physicalphysical

psychologicalpsychological

symbolicsymbolic

expressionexpression

significationsignification

contentcontent

signssigns

realit

ies

realit

ies

communicationcommunication

Gue

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Maz

zola

(F

all 2

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Gue

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Maz

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(F

all 2

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): I

ntro

duct

ion

to M

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ogy

): I

ntro

duct

ion

to M

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ogy

Realities: PhysicalRealities: Physical

Gue

rino

Maz

zola

(F

all 2

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Gue

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Maz

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(F

all 2

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): I

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duct

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to M

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ntro

duct

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hounted

Realities: SymbolicRealities: Symbolic

Gue

rino

Maz

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(F

all 2

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Gue

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(F

all 2

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ogy

John Cage: ASLSP (John Cage: ASLSP (http://www.john-cage.halberstadt.de))

Realities: SymbolicRealities: Symbolic

Gue

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Maz

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(F

all 2

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Gue

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(F

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duct

ion

to M

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ogy

Gustav Klimt: Beethoven FriezeGustav Klimt: Beethoven Frieze

Realities: PsychologicalRealities: Psychological

Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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): I

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duct

ion

to M

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duct

ion

to M

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ogy

PhysicalSymbolicSymbolic

Psychic

Gue

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(F

all 2

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Gue

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(F

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to M

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duct

ion

to M

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ogy

Arnold Schoenberg/John CageArnold Schoenberg/John Cage

Communication: PoiseisCommunication: Poiseis

Gue

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Maz

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(F

all 2

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Gue

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(F

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): I

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to M

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StockhausenStockhausen

Communication: PoiseisCommunication: Poiseis

Gue

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(F

all 2

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Gue

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(F

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to M

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Cecil Taylor/Peter BroetzmannCecil Taylor/Peter BroetzmannCommunication: PoiseisCommunication: Poiseis

Gue

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Maz

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(F

all 2

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Gue

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(F

all 2

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duct

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to M

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Karlheinz Stockhausen Klavierstück IXKarlheinz Stockhausen Klavierstück IX

Communication: PoiseisCommunication: Poiseis

Gue

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Maz

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(F

all 2

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Gue

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(F

all 2

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with Stockhausenwith Stockhausen

Communication: AesthesisCommunication: Aesthesis

Gue

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(F

all 2

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(F

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Performance/InterpretationPerformance/Interpretation

Communication: AesthesisCommunication: Aesthesis

Gue

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Maz

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(F

all 2

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Gue

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(F

all 2

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CommunicationCommunication

AesthesisAesthesis

Neutral NiveauNeutral Niveau

PoiesisPoiesis

Jean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques NattiezJean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques Nattiez

Gue

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Maz

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(F

all 2

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Gue

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Maz

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(F

all 2

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duct

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to M

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to M

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„„Firework“Firework“

ExpressionExpression SignificationSignification ContentContent

SignSign

aliquid pro aliquo

SemioticsSemiotics

Gue

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(F

all 2

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(F

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to M

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to M

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harmonic analysisharmonic analysis

SignSign

ContentContent

SignificationSignification

ExpressionExpression

tonal modulationtonal modulation G G maj maj E-flatE-flat maj maj

„„score surface“score surface“

SemioticsSemiotics

Gue

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Maz

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(F

all 2

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Gue

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(F

all 2

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to M

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CommunicationCommunication

Neutral Niveau

Poiesis

Aesthesis

RealitiesRealities

SignSign

Content

PhysicalSymbolic

Psychic

Signification

Expression

Gue

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Maz

zola

(F

all 2

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Gue

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(F

all 2

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ion

to M

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): I

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to M

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Teak Leaves at the TemplesTeak Leaves at the Temples

EmbodimentEmbodiment

Gue

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Maz

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(F

all 2

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Gue

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(F

all 2

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The Oniontology of MusicThe Oniontology of Music

FactsFactssignssigns

realit

ies

realit

ies

communicationcommunication

ProcessesProcesses

GesturesGestures

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(F

all 2

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(F

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FactsFacts

ProcessProcess

GestureGesture to maketo make

to refer toto refer to

to be the caseto be the case

MIDIMIDI

EmbodimentEmbodiment

Gue

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(F

all 2

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(F

all 2

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to M

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FactsFacts

ProcessProcess

GestureGesture

EmbodimentEmbodiment

Gue

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Maz

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(F

all 2

015

Gue

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(F

all 2

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duct

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to M

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ntro

duct

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to M

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ogy

FactsFacts

ProcessProcess

GestureGesture

disembodiment & schematizationdisembodiment & schematization

evaluation & dissectionevaluation & dissection

EmbodimentEmbodiment

Gue

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Maz

zola

(F

all 2

015

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Maz

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(F

all 2

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duct

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to M

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hnol

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ntro

duct

ion

to M

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hnol

ogy

Louis Hjelmslev‘s Babuschka-PrincipleLouis Hjelmslev‘s Babuschka-Principle

Sign systems are boxed systems, Sign systems are boxed systems, having components, which having components, which are composed of sign subsystems, are composed of sign subsystems, which are again composed ofwhich are again composed ofsign subsystems, etc. sign subsystems, etc.

Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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): I

ntro

duct

ion

to M

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hnol

ogy

): I

ntro

duct

ion

to M

usic

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ogy

Expression Signification Content

Connotation

„Firework“ FireworkFirework

ExpressionExpression SignificationSignification ContentContent

„Firework“

Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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): I

ntro

duct

ion

to M

usic

Tec

hnol

ogy

): I

ntro

duct

ion

to M

usic

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hnol

ogy

Aesthesis: Aesthesis: ListenerListener

Neutral Niveau: Neutral Niveau: Recording (e.g. CD)Recording (e.g. CD)

Poiesis: Poiesis: InterpreterInterpreter

Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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): I

ntro

duct

ion

to M

usic

Tec

hnol

ogy

): I

ntro

duct

ion

to M

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ogy

tip spacetip space

positionposition

pitchpitch

onsetonset

Renate Wieland & Renate Wieland & Jürgen Uhde:Jürgen Uhde:

Forschendes ÜbenForschendes Üben

Die Klangberührung Die Klangberührung ist das Ziel der ist das Ziel der

zusammenfassenden zusammenfassenden Geste, der Anschlag ist Geste, der Anschlag ist

sozusagen sozusagen die Geste in der Gestedie Geste in der Geste..

The sound contact is The sound contact is the target of the the target of the

embracing gesture, embracing gesture, the touch is so to the touch is so to speak the speak the gesture gesture

within the gesturewithin the gesture..

Gue

rino

Maz

zola

(F

all 2

015

Gue

rino

Maz

zola

(F

all 2

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ntro

duct

ion

to M

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hnol

ogy

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ntro

duct

ion

to M

usic

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hnol

ogy

looploop

Hypergestures! Hypergestures!

knotknot

„„loop of loops “loop of loops “