guitar i and guitar ii class 11 spring 2013 rev a

7/27/2019 Guitar I and Guitar II Class 11 Spring 2013 Rev A

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Class 11 Guitar I and II Review the following Very Brief as did last week.

12 Bar Blues in A and E

Blues backup like Chuck Berry Blues Scale in 5th position new.

Difference between straight time and shuffle time

Notes on the 4th string.

Notes on the guitar. Practice chord change combinations this and the next

one trump the rest of the evening. May bounce around abit!

Practice Rhythm lots.

F Chord and moveable chords


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Notes on the 4th String

Start review of notes on the 3rd string


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Notes on the 3rd string


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The Am and E chords

2 3

Am (A Minor)

1

2 3

E Major

0 0 0

0 0 0

1

Notice that the finger pattern isexactly the same but on differentstrings.Practice changing from the Am to theE and back again, until the changeis smooth!

1

3 3 3

E Major Guitar II

7th

Fret

3 4

Am (A Minor Guitar II)

1 1 1 1 1 1 5th

Fret


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Knockin' On Heaven's DoorVerse 1

G D Am G D C G D

| Mama take this badge off of me | | I can't use it any more | | It's getting dark , too dark for me toAm G D C G D Am| see | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | |G D C G D Am| Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | |G D C

| Knock, knock, knockin' on heaven's door | |

Verse 2G D Am G D C G D

|: Mama put my guns on the ground | | I can't use them any more | |That long black cloud is comin' downAm G D C G D Am| | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | |

G D C G D Am| Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | |G D C

| Knock, knock, knockin' on heaven's door | :||

epeat verse 1

Notice that the whole song is:4/4 ||: G D | Am | G D | C : ||

Try to play the melody. It starts on the B 2nd string open.

Also Guitar II students apply the fingerpicking to this!Guitar I students can try the strum once the tune is learned.


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Greensleeves

Note: This songIs in time.The melody isin tablature andtraditional notes.

Again Guitar II playthe melody.


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12 Bar Blues

The 12 bar blues usually uses the following format:

(In the Key of A)

4/4 ||: A7 | (D7) | (A7) | | D7 | | A7 | | E7 | D7 | A7 | (E7)First 4 bars call | Repeat call 2nd 4 | Response

So it is broken down into 3 sets of 4 measures each. An example would be:

Hound Dog

A74/4 You Ain't nothin but a ||: Hound Dog, | cryin all the | time. |

(Call)A7 D7 A7You Ain't nothin but a | Hound Dog, | cryin all the | time. |

(Repeated Call)A7 E7 D7

Well you ain't | Never caught a rabbit and you | Ain't no friend of |(Response)

A7mine | :||

You need to memorize this progression. The pattern is:

4/4 ||: I |(IV) | (I) | | IV | | I | | V | IV | I | (V) :||

Even though that is the harmonic content of the song it is advisable to dosomething other than just to play the chords. Do a Chuck Berry styleaccompaniment or a repeated riff. Following is the Blues Scale In A.


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Johnny B. GoodeA7

4/4 ||: Way down in Louisiana, Down to | New Orleans. | Way back up in the woods by the | Evergreens there

D7 A7stood a long log cabin made of | earth and wood where | lived a country boy named | Johnny B. Goode who

E7 D7 A7 E7never learned to read or | write so well but he could |Play his guitar like a | ring in the bell Go, ||

A7 D7 A7Go | Go Johnny go Go |Go | Go Johnny Go | Go | Go Johnny Go Go | Go | Go Johnny go Go

E7 D7 A7 E7

Go | Johnny B. | Goode | : ||

He Used to carry his guitar in a gunny sack go down to woods by the railroad tracks.People used to come from miles around just to here him play the driving sounds.People would stop and they would say oh my how that little country boy can play Go Go etc.

His mother told him someday you will be a man and you will be the leader of a big

old band. People will come from miles around just to listen to you play your drivin' sounds.Some day your name will be in lights sayin' Johnny B. Goode tonight.

This song is a straight blues. No shuffle!! Play it with the Chuck Berrybackground.


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Kansas City

A D4/4 I'm going to ||: Kansas City |Kansas City here I | come. |I'm Goin to| Kansas City |

A E7Kansas City here I | come. | They got some | crazy little women there and |

D A E7 AI'm going to get me | one. | I'm going to be | standing on the corner |

A D12th street and | Vine. | I'm going to be | standing on the corner | 12th street and |

A E7 D AVine. | With my | Kansas City baby and my | bottle of Kansas City | wine.

E7 A (Break)

Well I | might take a train, | might take a plane but | if I have to walk I'm going to |

A D Aget there just the same. I'm Goin to | Kansas City | Kansas City here I | come. |

A E7 D A E7They got some | crazy little women there and | I'm going to ge me | one. | If I |

A (Break)stay with that women you | know I'm gonna die | gotta find a brand new lover |

A D Athat's the reason why. I'm Goin to | Kansas City | Kansas City here I | come. |

A E7 D AThey got some | crazy little women there and | I'm going to get me | one. | :||

This song is a shuffle. Listen to the CdTo get the feeling of a shuffle.


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SURFI N' U. S. A. }

I f ev' r ybody had an [ A7] ocean, acr oss t he U. S. [ D] A.Then ev' r ybody' d be [ A7] sur f i n' l i ke Cal i f or ni [ D] aYou' d see t hem wear i n' t hei r [ G] baggi es, huar achi sandal s [ D] t ooA bushy bushy bl ond [ A7] hai r do, sur f i n' [ D] U. S. A.

You' l l cat ch ' em sur f i n' at Del Mar , Vent ur a Count y Li neSant a Cr uz and Tr essel s, Aust r al i a' s Nar abi neAl l over Manhat t an and down Doheny WayEv' r ybody' s gone sur f i n' , sur f i n' U. S. A.

Wel l al l be pl anni n' out a r out e, we' r e gonna t ake r eal soonWe' r e waxi n' down out sur f boar ds, we can' t wai t f or J une

We' l l al l be gone f or t he summer , we' r e on saf ar i t o st ayTel l t he t eacher we' r e sur f i n' , sur f i n' U. S. A.

At Haggar t y' s and Swami ' s, Paci f i c Pal i sadesSan Onof r ee and Sunset , Redondo Beach, L. A.Al l over La J ol l a, at Wai amea Bay

Ev' r ybody' s gone sur f i n' , sur f i n' U. S. A.Now we will add in tacits to this song. Each chord during the chorus will have1 measure of the chord then 1 strum in the next measure, then stop the soundfor 3 beats (tacit) until the next chord. Just do it on the chorus section.

Another straight feel but not a blues.


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th

th


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1

2 3

B7

4

X 0

The B7 Chord

Notice how the first 3 fingers are very close to what a D7 is only onon other strings. Get those fingers down first and then add in the4th finger.

You will need this chord for Secret Agent Man

1 1 1 1 1 1

3

B7 Guitar II

4


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Pride And Joy

E7

4/4 1. Well you've ||: heard about love givin' sight| to the blind. | My baby's lovin'cause the2. love my baby my heart & soul love like ours won't

A7 E7sun to shine. She's my | sweet thing | She's my | pride and joy | She's my |

never grow old.

B7 A7 E E B7 E (Tacit)sweet little baby I'm | her little lover | boy | Yeah I :|| love my lady to | be long and lean

love my baby like the finest wine

E A7you mess with her you'll see a | man gettin' mean. Shes my | sweet thing | She's my |Stick with her until the end of time

E7 B7 A7 E E B7pride and joy | She's my |sweet little baby I'm | her little lover | boy | ||


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Pride and Joy

Power Trio Blues and Rock

Start by learning the chords. Dothese in 1st position.


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Pride And Joy

E74/4 1. Well you've ||: heard about love givin' sight| to the blind. | My baby's lovin'cause the

2. love my baby my heart & soul love like ours won't

A7 E7sun to shine. She's my | sweet thing | She's my | pride and joy | She's my |never grow old.

B7 A7 E E B7 E (Tacit)sweet little baby I'm | her little lover | boy | Yeah I :|| love my lady to | be long and lean

love my baby like the finest wine

E A7you mess with her you'll see a | man gettin' mean. Shes my | sweet thing | She's my |Stick with her until the end of time

E7 B7 A7 E E B7pride and joy | She's my |sweet little baby I'm | her little lover | boy | ||

Some things you can do. For the A7 coming down play a A7/C#.

A/C#

1 1 1

3

X X

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E Minor Pentatonic Scale

Scales to use against this progression.1. For entire progression use E blues.2. For the E and E7 chords: E blues, E mixolydian (A scale starting with E), E minor pentaton

E major pentatonic scale, E dorian mode (D major scale starting and ending on E), E 1/2-whole tone.

3. For the A and A7 chords: E blues, A mixolydian, A minor pentatonic, A major pentatonic,dorian mode (G major scale starting and ending on A), A 1/2-whole tone scale.

4. For the B7 chord: E blues, B mixolydian, B minor pentatonic, B major pentatonic, B dorianmode (A major scale starting and ending on B), B 1/2-whole tone scale.


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The Bm (B Minor) Chord

2

3

Bm (B Minor)

1

2

3

Bm

X X 0 X

1 1 1 1 1

4

For some ofyou thatcan alreadyplay use thisform.


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The B7 Chord

3

B7

1

2 3 4

B7

X 0 X

1 1 1 1 1

4

For Guitar II


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8 Days a week


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1 2

3

D

X X 0

E/D

X X 0

G/D

X X 0

1 23

1 2

3

A letter then a slash then a letter means:

First letter is name of the chord.Slash indicates that the next letter is the bass of the chord.So E/D would be an E chord with a D note as the bass or lowest note.

The introduction to 8 Days a Week is:

4/4 ||: D | E/D | G/D | D : ||

Notice that the same fingeringapplies to many chords.

Introduction and ending for 8 Days a Week.


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D E/D (E with a D Bass) G/D (G with a D bass)

Same for Guitar 2. Leave 1st and 4th string open as drones.


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Timbre (tonal) differences Notice the difference in sound when you play close tothe bridge compared to over the sound hole on yourguitar.

The reason is that when you play over the bridge theovertones are sounding louder and the fundamental(note you play) are softer in volume.

Overtones are the multiples of the fundamental tone.

For example, if you played an A = 440 Hz. Then theovertones would be 880 (2X), 1320 (3X), 1760 (4X),2200 (5X) etc.

The closer you play to the bridge the louder those

overtones sound and the softer the fundamental sounds. For 8 Days a week play over the sound hole until you get

to the section starting with an A chord (bridge of thesong) then play near the bridge, on the repeat go back to

playing over the sound hole.

St th d h l f th it


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Verse 1D E G DOo, I need your l ove, babe, guess you know i t ' s t r ue

D E G DHope you need my l ove, babe, j ust l i ke I need youChor us 1Bm G Bm E

Hol d me, l ove me, Hol d me, l ove me,D E G D

I ai n' t got not h- i n' but l ove babe, Ei ght Day' s A Week

Verse 2D E G DLove you every day, gi r l , al ways on my mi ndD EG DOne t hi ng I can say, gi r l , l ove you al l t he t i meChor us 2Bm G Bm EHol d me, l ove me, Hol d me, l ove me,

D E G DI ai n' t got not h- i n' but l ove gi r l , Ei ght Day' s A WeekBr i dgeA BmEi ght days a week I l ove you

E G AEi ght days a week i s not enough t o show I car e[ Repeat Ver se 1][ Repeat Chorus 1][ Repeat Br i dge][ Repeat Verse 2][ Repeat Chorus 1]

G DEi ght Days A Week ( Repeat 2 more t i mes t hen do t he i nt r o agai n)

(Strum near the bridge of the guitar)

Strum over the sound hole of the guitar.


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1

2

3

1

The F Chord

For this chord the index finger will do what iscalled a barre. It will play the notes on the1st and 2nd string. The key to this is to playin such a way that the 1st finger holds down thenotes on the 1st and 2nd strings. You should playslightly off of the side of the index finger. Do notplay the 5th or 6th strings.

X X

This chord will take some time to master. Take your time and just workon it slowly. Dont worry if at first you dont get all the notes clear. Thatwill come with time.

Start by playing the following:

4/4 ||: C | | F | : ||

4/4 ||: C | F | C | F : ||

House of the Rising Sun


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House of the Rising SunAm C D F Am C E7 Am E7

Am C D FThere is a house in New Orleans,Am C E7 E7They call the Rising SunAm C D F

And It's been the ruin of many a poor boyAm E Am C D F Am E7 Am E7And God, I know, I'm one

Am C D F etc.My mother was a tailorShe sewed my new blue jeansMy father was a gambling manDown in New Orleans

And the only things a gambler needsIs a suitcase and a trunkAnd the only time he's satisfiedIs when he's all a-drunk


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Suspended Chords

Embellishing chords 101


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A definition Suspended chords are chords that suspend the 2nd or 4th

notes of the scale rather then the 3rd note of the chord.

Major chords have the 1st note 3rd note and 5th note of ascale.

A suspended 2 has the 1st, 2nd and 5th notes of the scale.

It will usually resolve to the 1st

, 3rd

, and 5th

notes of thescale to go back to the major chord.

A suspended 4 has the 1st, 4th and 5th notes of the scale.It will usually resolve to the 1st, 3rd, and 5th notes of the

scale to go back to the major chord. Classic example is the Halleluiah chorus to HandelsMessiah.


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Uses Use these to spice up the A and A chords

in many tunes. Also good for endings.


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Here they are in D.


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Try the following:

4/4 ||: A A Asus2 Asus2 | A A Asus4 A : ||

Works well in teach your children. Each chord gets 1 beat

Below as an ending:

4/4 |||: A A Asus2 Asus2 | A Asus4 A (hold for 2 beats) : ||


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Try the following in A:

4/4 ||: A A Asus2 Asus2 | A A Asus4 A : ||

Works well in teach your children. Each chord gets 1 beat

Below as an ending:

4/4 |||: A A Asus2 Asus2 | A Asus4 A (hold for 2 beats) : ||

Apply these to the next song

I NTRO: D G D ATeach Your Children


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I NTRO: D G D A

D G

You who ar e on t he r oadD AMust have a code that you can l i ve by

D GAnd so become your sel f

D A

Because t he past i s j ust a good- bye.

D GTeach your chi l dren wel l ,

D AThei r f at her ' s hel l di d sl owl y go by,

D GAnd f eed t hem on your dr eams

D AThe one t hey pi cks, t he one you' l l know by.

D G DDon' t you ever ask t hem why, i f t hey t ol d you, you wi l l cr y,

Bm G ASo j ust l ook at t hem and si gh

D G A Dand know t hey l ove you.


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Suspended 4 chords Next slide has the 3 main forms and the 2

main Barre forms. Take your time to learn these and apply to

various songs.

Listen to pop tunes and you will hear it allthe time. Brown Eyed Girl uses it during

backup of the vocal.


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Explore yourself This is just scratching the surface of

suspended chords. Listen to modern jazz and how much of

the harmony is built off of 4ths. In analysisthis would relate to suspended chordsmany times.

Particularly listen to McCoy Tyner for thistype of sound.

The Long Black Veil (3:05)


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(D) Ten years ago on a cold dark night

(A) Someone was killed 'neath the town (G) hall lights (D)

(D) There were few at the scene but they all agreed(D) That the (A) slayer who ran looked a lot (G) like me (D)

She (G) walks these hills (D) in a (G) long black veil (D)

She (G) visits my grave (D) when the (G) night winds wail (D)

Nobody knows (G) nobody sees (D)

(G) Nobody (A) knows but me (D)

The judge said, "Son, what is your alibi

If you were somewhere else then you won't have to die."

I spoke not a word though it meant my life

For I'd been in the arms of my best friend's wife

Now the scaffold is high and eternity's near

She stood in a crowd and shed not a tear

But sometimes at night when the cold wind moans

In a long black veil she cries o're my bones

She walks these hills in a long black veil

She visits my grave when the night winds wailNobody knows nobody sees

Nobody knows but me

Nobody knows nobody sees

Nobody knows but me


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Explore yourself This is just scratching the surface of

suspended chords. Listen to modern jazz and how much of

the harmony is built off of 4ths. In analysisthis would relate to suspended chordsmany times.

Particularly listen to McCoy Tyner for thistype of sound.

Your Body i s a Wonder l and

I NTRO: D Asus G Asus ( 2x)


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D Asus G AsusWe got t he af t ernoon

D Asus G AsusYou got t hi s r oom f or t woD Asus G AsusOne t hi ng I ' ve l ef t t o do

DDi scover me

Asus G AsusDi scover i ng you

D Asus G AsusOne mi l e t o ever y i nch ofD Asus G Asus

Your ski n l i ke porcel ai nD Asus G AsusOne pai r of candy l i ps and

D Asus G AsusYour bubbl egum t ongue

Ref r ai n:G

' Cause i f you want l oveAsus

We' l l make i tG

Swi mmi ng a deep seaAsus

Of bl anket sG9

Take al l your bi g pl ansAsus

And br eak ' emEm F#m G

Thi s i s bound t o be a whi l e

Chor us:

Asus D Asus GYour body I s a wonder l and

Time Of Your Life


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G C D ( Each Li ne)Anot her t ur ni ng poi nt a f or k st uck i n t he r oadTi me grabs you by t he wr i st di r ect s you wher e t o goTab 2

Em D C G

So make t he best of t hese days and don' t ask why

I t ' s not a quest i on but a l esson l ear ned i n t i me

ChorusEm G Em G

I t ' s somet hi ng unpr edi ct abl e i n t he end i t ' s r i ghtEm D G C DI hope you have t he t i me of your l i f e.

Ver se 2G C D ( Each Li ne)So t ake t he phot ogr aphs and st i l l f r ames i n your mi nd

Hang i t on a shel f and goodav t han good t i mes

Tat oos and memor i es and aski ng on t r i alFor what i t ' s wor t h i t was wor t h al l t he whi l e

Chorus While the intermediates play this read pages 1-10 in the Guitar Reference.


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G

1

2 3 4

0 0

C add 9

1

2 3 4

0

D sus4

1

3 4

0

More advanced chords to Time of Your Life. These are chords that eachhave a D and a G note on the first 2 strings. This is called a pedal point.


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Wish You Were Here

Playing chords without playing thewhole chord


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Start by listening to the song This is a step most people dont do.

Even when they do it they dont really listen. Concentrate on the guitar part not the vocals.

Basic Chords are G, Em, Am (or A7sus), C and

D. The song is in the key of G.

For guitar I students just play the simple chords

as listed above.


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Notice the pedal point in holding down the 1st 2 strings. Fingering for allthe chords is to use your ring finger on the 2nd string and pinky on the 1st

string. Other fingers are obvious once you do that.For Guitar 1 you can play the basic chords of G, Em and Am.

Other chords are all beginning chords. This song should be played in 1st

position chords not up the neck.


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I nt r o:Em G Em G Em Asus4 Em Asus4 G G


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C D Am GSo, so you t hi nk you can t el l , heaven f r om hel l ? Bl ue ski es f r om pai n?

D C AmCan you t el l a gr een f i el d, f r om a col d st eel r ai l ? A smi l e f r om a vei l ?

G C DDo you t hi nk you can t el l ? Di d t hey get you t o t r ade, your her oes f or ghost s?

Am G DHot ashes f or t r ees? Hot ai r f or a cool br eeze? Col d comf or t f or change

C Am GAnd di d you exchange, a wal k- on par t i n t he war , f or a l ead r ol e i n a cage. . .

SOLO: ( l i ke I nt r o)Em G Em G Em Asus4 Em Asus4 G G

C DHow I wi sh, how I wi sh you were here

Am G DWe' r e j ust t wo l ost soul s swi mmi ng i n a f i shbowl , year af t er year

C AmRunni ng over t he same ol d gr ound, what have we f ound - t he same ol d f ear s?

G

Wi sh you wer e her e


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Start with the basic rhythm of the song. See next slide for the strum pattern.


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Watch the strum. Make sure that you strum down on the beat


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Same rhythm but now picking out individual notes. Do not have tobe exact on this and in fact a little loose is good.

This will be for Guitar II students only!

Dont worry about the strings you hit, just get the basic idea that youdont play all of them at the same time.

A small bit of analysis shows that Beat one is the entire chord. Let itring out and dont stop any notes. It actually sounds throughout the

measure. Notice how beats 1 and 3 are really strong! Then therh thm attern.


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Here it is with the counting and patterns.


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Guitar Intro just Em for the 1st measure and G for the 2nd measure.


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Now just put it together Learn rhythm first

Then chords Then intro

Your Body i s a Wonder l and

I NTRO: D Asus G Asus ( 2x)

D Asus G AsusWe got t he af t ernoonD Asus G AsusYou got t hi s r oom f or t wo


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You got t hi s r oom f or t woD Asus G Asus

One t hi ng I ' ve l ef t t o doD

Di scover meAsus G Asus

Di scover i ng you

D Asus G AsusOne mi l e t o every i nch ofD Asus G Asus

Your ski n l i ke porcel ai nD Asus G Asus

One pai r of candy l i ps andD Asus G AsusYour bubbl egum t ongue

Ref rai n:G

' Cause i f you want l oveAsus

We' l l make i tG

Swi mmi ng a deep seaAsus

Of bl anket sG9

Take al l your bi g pl ansAsus

And break ' emEm F#m G

Thi s i s bound t o be a whi l e

Chorus:Asus D Asus G

Your body I s a wonder l and

( Do Stanza Chor ds)Somet hi ng ' bout t he way the hai r f al l s i n your f aceI l ove the shape you t ake when cr awl i ng t owards t he pi l l owcase

You t el l me where t o go andThough I mi ght l eave t o f i nd i tI ' l l never l et your head hi t t he bedWi t hout my hand behi nd i t

Ref rai n:G

And i f you want l oveAsus

We' l l make i t

{eot }

[ D] Somet i mes I [ A] f eel l i ke I [ Bm] don' t have a [ A] part [ A] ner[ D] Somet i mes I [ A] f eel l i ke [ Bm] my onl y[ A] f r i end

Under The Bridge


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I s t he[ D] ci t y I [ A] l i ve i n t he[ Bm] Ci t y of [ A] An[ A] gel s

[ D] Lonel y as[ A] I amTo[Bm] get her we[ A] cr y [ Dmaj 7]

I dr i ve on her st r eet s ' cause she' s my compani onI wal k t hr ough her hi l l s ' cause she knows who I amShe sees my good deeds and she ki sses me wi ndyI never wor r y

Now t hat i s a l i e.{npp}{soc}{c: chor us 1}I don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove[ A] Take me[ Em] al l way

I don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove[ A] Take me[ Em] al l way[ D] Oh___ [ A] __ [ Bm] [ A] [ A][ D] [ A] [ Bm] [ A]{eoc}

I t ' s har d t o bel i eve t her e' s nobody out t hereI t ' s hard t o bel i eve t hat I ' m al l al oneAt l east I got her l ove t he ci t y she l oves meLonel y as I amToget her we cr y

{soc}

{c: chor us 2}'

c: c or usI don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove[ A] Take me[ Em] al l way


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I don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove[ A] Take me[ Em] al l way[ D] Oh___ [ A] __ [ Bm] [ A] [ A][ D] [ A] [ Bm] [ A]{eoc}

I t ' s har d t o bel i eve t her e' s nobody out t hereI t ' s hard t o bel i eve t hat I ' m al l al oneAt l east I got her l ove t he ci t y she l oves meLonel y as I amToget her we cr y

{soc}{c: chor us 2}

I don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove[ A] Take me[ Em] al l way

I don' t ever [ Em] want t o [D] f eel[ A] Li ke I [ Em] di d t hat dayTake me t o t he[ Em] pl ace I [ D] l ove

Under The Br i dge

C E C


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e| - - - - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - ___- - - - - - - - - -b| ( 1) - - - - - - 1- - - - - - - - - - - ! ( 0) - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - 1- 3- 1- - - - - - - - -g| - - - - - 0- - - - - 0- - - - - - - - - ! - - - - - - - - - 1- - - - - - - - - - - ! - - - - - - - - - 0- - - - - - - - - 0- - - - - - -d| - - - 2- - - 2- - - - - - - - - - - - - ! - - - - - 2- - - - - 2- 2- 0- - - - - ! - - - - - 2- - - - - - - - - - - - - - - 2/ 4- 4-a| - 3- - - - - - - - - - - 2- 0- - - - - ! - - - 2- - - 2- - - - - - - - - 3- 0- ! - 2/ 3- - - 3- - - 3- - - - - - - - - 3/ 5- 5-E| - - - - - - - - - - - - - - - - - 3- 2- ! - 0- - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - - - - - - -

E C E

e| - - - - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - |b| - 0- - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - 1- - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - |g| - - - - - - - - - 1- - - - - - - - - - - ! - - - - - - - - - 0- - - - - 0- - - - - - - - - ! - - - - - - - - - 1- - - - - - - - - - - |d| - - - - - 2- - - - - 2- 2- 0- - - - - ! - - - - - 2- - - - - 2- - - - - - - - - - - - - ! - - - - - 2- - - - - 2- 2- 0- - - - - |

a| - - - 2- - - 2- - - - - - - - - 3- 0- ! - 2/ 3- - - 3- - - - - - - - - 2- 0- - - - - ! - - - 2- - - 2- - - - - - - - - 3- 0- |E| - 0- - - - - - - - - - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - 3- 2- ! - 0- - - - - - - - - - - - - - - - - - - |

C Ee| - - - - - - - - - - - - - - ___ - - - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - - - |b| - - - - - - - - - - - - - 1- 3- 1- - - - - - - - - ! - - - - - - - - - - - - - - - - - - - - - - - |g| - - - - - - - - - 0- - - - - - - - - 0- - - - - - - ! - - - - - - - - - 1- - - - - 1- - - - - - - |d| - - - - - 2- - - - - 2- - - - - - - - - 2/ 4- 4- ! - - - - - 2- - - - - 2- - - - - 2- - - - - |a| - 2/ 3- - - 3- - - - - - - - - - - - - 3/ 5- 5- ! - - - 2- - - 2- - - - - 2- - - - - 2/ 5- |E| - - - - - - - - - - - - - - - - - - - - - - - - - - - ! - 0- - - - - - - - - - - - - - - - - - - - - |{eot }

The Long Black Veil

(D) Ten years ago on a cold dark night

(A) Someone was killed 'neath the town (G) hall lights (D)

(D) Th f h b h ll d


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(D) There were few at the scene but they all agreed

(D) That the (A) slayer who ran looked a lot (G) like me (D)

She (G) walks these hills (D) in a (G) long black veil (D)

She (G) visits my grave (D) when the (G) night winds wail (D)

Nobody knows (G) nobody sees (D)

(G) Nobody (A) knows but me (D)

The judge said, "Son, what is your alibi

If you were somewhere else then you won't have to die."

I spoke not a word though it meant my life

For I'd been in the arms of my best friend's wife

Now the scaffold is high and eternity's near

She stood in a crowd and shed not a tear

But sometimes at night when the cold wind moans

In a long black veil she cries o're my bones

She walks these hills in a long black veilShe visits my grave when the night winds wail


Nobody knows but me


Nobody knows but me

sweet itt e a y m er itt e over

E


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you mess with her you'll see a | manStick with her until the end

E7 B7pride and joy | She's my |sweet litt

Some things you can do. For the A7 c

A/C#

1 1 1

3

X X

Scales to use against this progression.1. For entire progression use E blues2. For the E and E7 chords: E blues,

E major pentatonic scale, E doria

Fall 2005 Guitar 1 Final Exam Name

1. Piece Student Picks._____________________(Can be any song from the book or the handouts)1. Difficulty 1 2 3 4 5


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2. Timing3. Strum4. Correctness5. Clarity6. Musicianship7. Overall

2. Piece I pick.

3. Chords

A, Am, A7, Bm, B7, C, D, D7, Dm, E, Em, E7, F, G, G7, Barre F

4. Blues.1. Blues backup Straight2. Blues backup Shuffle3. Blues scale in A4. Blues chords in A (Memorized).

. Right hand techniquesSweepBrushScratchPluck fingerpickingAlt. FingerpickingStrum to count 1 2&3&4&

. A Soulin (Only if we get to it).Comments:

Names of the notes on the open strings.


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E A D G B E

Below are the names of the notes on the open strings.These need to be memorized. From the lowest pitch to the highest pitch:E, A, D, G, B and E. Note that the 6th string is called low E and the1st string is called high E.

Below is where the open strings are written on thestaff!

Blues Scale In A


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4

1

2

1111 1

444

333

5th Fret

The F Chord


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1

2

3

1

For this chord the index finger will do what iscalled a barre. It will play the notes on the1st and 2nd string. The key to this is to playin such a way that the 1st finger holds down thenotes on the 1st and 2nd strings. You should play

slightly off of the side of the index finger. Do notplay the 5th or 6th strings.

X XThis chord will take some time to master. Take your time and just workon it slowly. Dont worry if at first you dont get all the notes clear. Thatwill come with time.

Start by playing the following:

4/4 ||: C | | F | : ||

4/4 ||: C | F | C | F : ||


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See how the E with 2nd, 3rd and 4th fingers is just moved up 1 fret then barre the 1st fretand you have a F chord. This is the E form of CAGED.

House of the Rising SunAm C D F Am C E7 Am E7


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Am C D FThere is a house in New Orleans,Am C E7 E7They call the Rising SunAm C D F

And It's been the ruin of many a poor boyAm E Am C D F Am E7 Am E7And God, I know, I'm one

Am C D F etc.

My mother was a tailorShe sewed my new blue jeansMy father was a gambling manDown in New Orleans

And the only things a gambler needsIs a suitcase and a trunkAnd the only time he's satisfiedIs when he's all a-drunk

Arpeggio fingerpicking


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Arpeggio means broken chord. An

arpeggio is just playing the chord asindividual notes. There are many differentarpeggios that can be played.

We will start with a simple one. But firstmust review the correct right handposition.

Correct Picking Hand Position.


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The right hand position is important in order toget not only a good tone but to play

progressively more difficult pieces. If you are right handed the thumb needs to be in

front of the other fingers (to the left). Have it

ready to hit the lower pitched strings (4, 5 and6).

The fingers should be curved and touching eachother. They should be ready to hit the following(index ready to hit the 3rd string, middle fingerthe 2nd string and ring finger the first string.

The Rest Stroke


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For the bass you should do the rest stroke.

How it works is that when you hit a notewith the thumb you will follow through andrest or stop on the next string.

This gives you the fullest sound.

The 2/4 or 4/4 basic pattern


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Each of the following get of a beat.

Count What you play1 Thumb hits the 5th string

& Index finger plays the 3rd string2 Middle finger plays the 2nd string& Ring finger plays the 1st string.

You would do this 2 times for 4/4 time.

Count What you play1 Thumb hits the 5th string& Index finger plays the 3rd string2 Middle finger plays the 2nd string& Ring finger plays the 1st string.

3 Thumb hits the 5th string& Index finger plays the 3rd string4 Middle finger plays the 2nd string& Ring finger plays the 1st string.

Be sure to count while you play.Each of these is played on an

Am chord. Only the bass noteschange when you change chords

guitar i and guitar ii class 11 spring 2013 rev a

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