hannah gadsby’s oz – full series...

Hannah Gadsby’s Oz – Full Series Credits

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WRITTEN & PRESENTED BY HANNAH GADSBY

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DIRECTED & CO-WRITTEN BY

MATTHEW BATE

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PRODUCED BY REBECCA SUMMERTON

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EDITOR

DAVID SCARBOROUGH

COMPOSER & MUSIC EDITOR BENJAMIN SPEED

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ART HISTORY CONSULTANT

LISA SLADE

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ARTISTS

LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA

INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL

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PRODUCTION MANAGER

PRODUCTION ASSISTANTS

RESEARCHERS

RESEARCHER ABC

COPYRIGHT MANAGEMENT

MATT VESELY FELICE BURNS CORINNA MCLAINE CATE ELLIOTT

CHERYL CRILLY ANGELA DAWES CLARE CREMIN DEBRA LIANG MATT VESELY CATE ELLIOTT

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DIRECTOR OF PHOTOGRAPHY SHOOTING DIRECTOR

SOUND RECORDISTS

TEST SHOOT SOUND RECORDIST

GAFFER GRIP

NIMA NABILI RAD DIMI POULIOTIS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE LACHLAN COLES ROBERTTO KARAS HUGH FREYTAG

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TITLES, MOTION GRAPHICS & COLOURIST

DIALOGUE EDITOR/RE-RECORDING MIXER

SOUND EDITORS

PUBLICITY STILLS

RAYNOR PETTGE PETE BEST EMMA BORTIGNON SCOTT ILLINGWORTH JONATHAN VAN DER KNAPP

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TOKEN ARTISTS MANAGING DIRECTOR ARTIST MANAGER

TOKEN ARTISTS LEGAL & BUSINESS AFFAIRS MANAGER

KEVIN WHTYE ERIN ZAMAGNI CAM ROGERS

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ARTWORK SUPPLIED BY:

Ann Mills

Art Gallery New South Wales Art Gallery of Ballarat

Art Gallery of New South Wales Art Gallery of South Australia

Australian War Memorial, Canberra Bendigo Art Gallery

Bronwyn Wright Chris Bell

David Olteneau Garrie Maguire Geelong Gallery

James & Barbara Jackson Jill White

Manize Abedin Margaret Stevenson-Meere

Mitchell Library, State Library Of New South Wales National Gallery of Australia

National Gallery of Victoria, Melbourne National History Museum, London

National Library Of Australia National Portrait Gallery Canberra

Newcastle Art Gallery Queen Victoria Museum & Art Gallery, Tasmania

State Art Collection, Art Gallery of Western Australia State Library of New South Wales

State Library of Queensland State Library of Victoria

The Kerry Stokes Collection Viscopy Ltd


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Liam Benson images courtesy of the artist

Daniel Boyd images courtesy of the Artist, Roslyn Oxley9 Gallery NSW, Kalimanrawlins Art Gallery Victoria & National History Museum London

Grace Cossington Smith images courtesy of Ann Mills, National Gallery of

Victoria, National Portrait Gallery & Art Gallery of New South Wales, National Gallery of Australia

John Glover statue courtesy of Peter Corlett OAM

Julie Gough images courtesy of the Artist, National Gallery of Australia & Bett

Gallery HobartArtis

Ludwig Hirschfeld Mack images courtesy of Chris Bell & National Gallery of Australia

Sue Kneebone images courtesy of the Artist

t Rosemary Laing images courtesy of the Artist & Tolarno Galleries, Melbourne

Bea Maddock images courtesy of the artist and National Gallery of Australia Charles Meere images courtesy of Margaret Stevenson-Meere & Art Gallery of

New South Wales

‘Ned And Fatima’ image courtesy of Liam Benson & Manize Abedin

Adelaide Perry images courtesy of James and Barbara Jackson and National Gallery of Australia

Margaret Preston images courtesy of Viscopy Ltd, Art Gallery New South Wales,

National Gallery of Australia

Ben Quilty images courtesy of the artist, Tolarno Galleries Melbourne and Jan Murphy Gallery Brisbane

Hilda Rix Nicholas images courtesy of Australian War Memorial, Art Gallery of

South Australia & Bronwyn Wright Joan Ross images courtesy of the artist, Michael Reid Gallery Sydney and Bett

Gallery Hobart

Jesse Traill images courtesy of Viscopy and Art Gallery New South Wales

Jason Wing images courtesy of the artist

Heidi Yardley images courtesy of the Artist & Jan Murphy Gallery Brisbane

Raymond Zada images courtesy of the Artist

Lindsay McDougall tattoo artwork courtesy of David Olteneau


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ARCHIVAL FOOTAGE SUPPLIED BY

ABC Archival Ronnie Chin

Film Australia Collection Scott McDonald & Mill Street Productions

National Film And Sound Archive Queen Victoria Museum & Art Gallery, Tasmania

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THANKS TO:

JEN LALOR, JANE DEETH, ALAN JONES, SURAHN SIDHU GREG MARSH, BELINDA HUMPHRIS, AMANDA DUTHIE

MELISSA JUHANSON & VIRON PAPADOPOULOS STEVE BURROWS - STATE LIBRARY OF SOUTH AUSTRALIA,

TONY SCHUMAN - CAPTAIN JOLLEY’S PADDLE BOATS, HENRIQUE - BELGIAN BEER CAFÉ ADELAIDE,

LISA SLADE - ART GALLERY OF SOUTH AUSTRALIA, ALAN LLOYD – SAFC, MARK WELLS, PAUL HOGAN

MORAG DRAPER & DAVID FAGAN - THE TATTOO GALLERY, KEVIN GREGG - THE EXETER HOTEL, STUART CRANE, TONY BELLINI,

REBECCA DRAYSEY & NICK DARVILL - ADELAIDE CITY COUNCIL, LEWIS WHITTENBURY, BEAU WILLIAMS, JASPER, JENNIFER DOBBINS &

CAITLIN TAYLOR - NATIONAL GALLERY OF AUSTRALIA, NATIONAL CAPITAL AUTHORITY, TOM VASEY & DENNIS STOCKMAN - AUSTRALIAN WAR

MEMORIAL, LOUISE WILLIAMS - PALIAMENT HOUSE, JULIE AKAMACIC - AUSTRALIAN NATIONAL BOTANIC GARDENS,

ANNE WALSH, TED & THE MANAGEMENT OF HANGING ROCK RESERVE – MACEDON RANGES SHIRE COUNCIL, FIONA ATHERSMITH - BANYULE CITY

COUNCIL, PHIL HAHN - NATIONAL PARKS AND WILDLIFE SERVICE,

FAIRY BOWER FALLS, NSW GOVERNMENT – DEPARTMENT FOR ENVIRONMENT, CLIMATE CHANGE & WATER, DOOTCH – ILLIWARA LOCAL ABORIGINAL LAND

COUNCIL, KELLY STONE - MUSEUM OF CONTEMPORARY ART AUSTRALIA (MCA), MARY AINLEY & FIONA WALKER - CITY OF SYDNEY, TONY MECHAM - COCO CUBANO PARRAMATTA, CATHERINE LEATHER - SUTHERLAND SHIRE

COUNCIL, JODIE WALKER - WAVERLEY COUNCIL, VANESSA NIEUWENHUIS - SYDNEY HARBOUR FORESHORE AUTHORITY, CHARLOTTE BARRY, TARA BOJDAK, CHRIS HENRY, BERNARD WHEATLEY - BRIDGECLIMB, EDDIE CARMICHAEL, SUE CARMICHAEL, JOHN GARD -

MOTOR YACHT CLUB OF TASMANIA, RICHARD MULVANEY & YVONNE ADKINS - QUEEN VICTORIA MUSEUM AND ART

GALLERY, LINDSAY HARWOOD - NORTH MIDANDS COUNCIL, PETER CORLETT OAM, MARK WELLS, JANE DEETH,

IRINA PETROVSKY – THE GLOVER SOCIETY, CAROL WESTMORE & RODNEY WESTMORE – PATTERDALE,

ALAN JONES, BEN QUILTY, PROFESSOR CATHERINE SPECK, DANIEL BOYD, HEIDI YARDLEY, JULIE GOUGH, LES RICE, JOAN ROSS, LIAM BENSON,


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LINDSAY MCDOUGALL, RAYMOND ZADA, SUE KNEEBONE, ROSEMARY LAING, JASON WING, NICOLE KENNING & MARIA DAVIES - HEIDI MUSEUM OF MODERN ART, NICK WRIGHT – PARRAMATTA CITY COUNCIL, TRAVIS KELENDRA, SAM KING - KING CAMERA, DAVID TANG - PICTURE HIRE

AUSTRALIA, IAN LINTON - PSYCHOLITES, NIMA NABILI RAD – METAL GEAR ABC ARCHIVAL - CLARE CREMIN & CLARE BARRETT FILM AUSTRALIA COLLECTION - NAOMI WANNER

NATIONAL FILM AND SOUND ARCHIVE - ANGUS JOHNSTONE QUEEN VICTORIA MUSEUM & ART GALLERY, TASMANIA

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“Age of Hats” & “Trouble”

Written, composed & performed by Dr Piffle and the Burlap Band

"Dead Letter Office”, “Galt Sunrise”, “Flood”, “She Knows”, “Six Miles” & “Skeleton Key”

Written, composed & performed by Chris Flanagan

"Broad Cast” & “Tingling Cheeks are Love” Written, composed & performed by Jason Sweeney

"The Southern Cross Tattoo”

Written & composed by David Stephenson Performed by Waiting for Guinness

“Celebration of a Nation” Bicentennial Ad 1988

Written & Composed by Les Gock Lyrics by Tim Phillp & Fran Allen

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PRODUCED WITH THE ASSISTANCE OF THE DEPARTMENT OF ENVIRONMENT,

CLIMATE CHANGE AND WATER, NEW SOUTH WALES

NO ENVIRONMENTAL DAMAGE WAS INCURRED ON LOCATION. THE CONSERVATION VALUES OF THE AREAS HAVE BEEN PRESERVED

FILMED ON LOCATION AT MORTON NATIONAL PARK & NIELSEN PARK,

SYDNEY HARBOUR NATIONAL PARK

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PRODUCED IN SOUTH AUSTRALIA

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DEVELOPED AND PRODUCED WITH THE ASSISTANCE OF THE SOUTH AUSTRALIAN FILM CORPORATION

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PRODUCED IN ASSOCIATION WITH THE ABC

EXECUTIVE PRODUCERS MANDY CHANG KATH EARLE

HEAD OF ARTS

KATRINA SEDGWICK

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©2014 CLOSER PRODUCTIONS SOUTH AUSTRALIAN FILM CORPORATION

AUSTRALIAN BROADCASTING CORPORATION

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FULL ARTWORK LISTINGS In order of appearance Episode One Frederick McCubbin Australia 1855 – 1917 On the wallaby track, 1896 oil on canvas Arthur Streeton 1867 Australia – 1943 The selector's hut (Whelan on the log) 1890 oil on canvas 76.7 x 51.2 cm National Gallery of Australia, Canberra Tom Roberts Australia, 1856 - 1931 A break away!, 1891 Corowa, New South Wales and Melbourne, Victoria Elder Bequest Fund 1899, Art Gallery of South Australia, Adelaide Tom Roberts Australia, 1856 - 1931 The Golden Fleece, 1894 oil on canvas Frederick McCubbin Australia 1855 – 1917 Bush sawyers, 1910 oil on canvas Arthur Streeton (b.1867, d.1943) Fire's on 1891 oil on canvas, 183.8 x 122.5cm Art Gallery of New South Wales

Purchased 1893 Photo: AGNSW 832 Hilda Rix Nicholas A man, 1921 Oil on canvas 92 x 75 cm Australian War Memorial © Bronwyn Wright Walter Withers Born England 1854, Arrived Australia 1883, Died 1914 The Drover, 1912 oil on canvas Frederick McCubbin Down on his luck 1889 oil on canvas 114.5 x 152.5 cm State Art Collection, Art Gallery of Western Australia Purchased 1896 Sidney Nolan 1917 Australia – England 1992 Ned Kelly 1946 Enamel paint on composition board 90.8 x 121.5cm National Gallery of Australia, Canberra Gift of Sunday Reed 1977 Tom Roberts Australia, 1856 - 1931 Bailed Up, 1895 oil on canvas E. Phillips Fox Landing of Captain Cook at Botany Bay, 1770 1902

oil on canvas 192.2 x 265.4 cm National Gallery of Victoria, Melbourne Gilbee Bequest, 1902 (119-2) Liam Benson A Christian Country, 2011 Photograph C type print assisted by Steven Cook 61 x 91cm Image courtesy the artist & Artereal Gallery NSW © Liam Benson Sue Kneebone A cautionary Tale of Overconfidence, 2008 Giclee Print © Sue Kneebone Courtesy the artist Jason Wing Wing Dynasty, 2009 digital print on metallic paper, edition 1/5 84 x 119cm Photograph by Adam Hollingworth Image courtesy the artist © Jason Wing Liam Benson & Manize Abedin Ned and Fatima, 2006 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson & Manize Abedin Rosemary Laing Jim C Type photograph

(H) 110 x (L) 237.5 cm 2010 © Rosemary Laing Joseph Lycett ca. 1775-1828 engraver The Sugarloaf Mountain, near Newcastle, New South Wales. 1824. Aquatint etching, hand coloured. Sheet: 26.1 x 36.1 Plate: 23.0 x 32.3 Image: 17.1 x 27.0 Inscribed: printed in the plate margins, l.l. "I.Lycett, Delt et Execute."; lower c. "THE SUGAR LOAF MOUNTAIN,/Near New Castle, /New South Wales./ London, Published Octr.1, 1824, by J. Souter, 73, St. Pauls Church Yard." Courtesy the Kerry Stokes Collection Jason Wing Between Two Worlds, 2012 Kimber Lane, Haymarket Jason Wing None Left Turn and No Rights Turn, 2012 digital print on metal plate 70 x 35cm each John Webber R.A. Birth Date: c.1752 Portrait of Captain James Cook RN oil on canvas W Bradley Sydney Cove, Pt Jackson. 1788 State Library New South Wales


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John William Lancashire, d. 1807? View of Sydney taken from the Rocks on the western side of the Cove, ca. 1803, drawn by John William Lancashire watercolour on paper 33 x 48 cm Dixson Galleries, State Library of New South Wales Lewin, J. W. (John William), 1770-1819 [Platypus], 1810 watercolour & gouache drawing 43.8 x 54.3 cm. Inscriptions : Signed & dated at lower right "I. W. Lewin New South Wales / 1810" Notes: Donor acknowledgment cited on frame. Source : Bequeathed by Miss Helen Banning. Call: ML 1364 Digital Order: a928146 Courtesy Mitchell Library, State Library of New South Wales Sydney Bird Painter Item 01: [Masked lapwing], ca 1792 watercolour with gum arabic on wove paper with a J Whatman watermark 57.4 x 43.4 cm Natural size -- inscribed beneath image in ink traced over pencil 28 -- on reverse at upper right corner in ink Call: ML 1364 Digital Order: a928146 Courtesy Mitchell Library, State Library of New South Wales

Lewin, J. W. (John William), 1770-1819 Male and female red kangaroo in a Liverpool Plains landscape, ca 1819 oil painting 37.5 x 62.8 cm Call: ML 852 Digital Order: a128861 Courtesy Mitchell Library, State Library of New South Wales Richard Browne, 1771-1824 Insects – Collected and arranged by Thomas Skottowe Esqr. The drawings by T.R. Browne NSW Newcastle New South Wales Watercolour drawing Call: PXA 555 Courtesy Mitchell Library, State Library of New South Wales Artist Unknown A non-descript BIRD found at BOTANY BAY, n NEW SOUTH WALES. Taken from a drawing made on the spot, 1791 line engraving 8 x 10 1/2 in. Call: SSV* / Bird Aus / 3 Courtesy Mitchell Library, State Library of New South Wales Sydney Bird Painter A young Mount Pitt Bird - natural Size [Petrel], ca. 1792 watercolour Call: PXD 680 / 3 Digital Order: a1763003 Courtesy Mitchell Library, State Library of New South Wales Artist Unknown

Parrot from the Mountains of New Holland [crimson Rosellas] (c 1800) watercolour drawing on wove paper 41.2 x 50.5 cm Call: V / 30 Digital Order: p2_00009 Courtesy Mitchell Library, State Library of New South Wales Artist Unknown Boobook Owl, ca. 1790s watercolour Call: PXD 1098 / VOL. 2 Digital Order: a5304011 Courtesy Mitchell Library, State Library of New South Wales Lewin, J. W. (John William), 1770-1819 Acacia Call: PXC 304/d Digital Order: a633004 Courtesy Mitchell Library, State Library of New South Wales James Newton Sidney Parkinson, 1784 George Raper (1769 – 1797) Macropus giganteus, eastern gray kangaroo and Xanthorrhoea sp., grasstree, c1789 watercolour and ink Courtesy Raper Collection, National History Museum, London George Raper (1769 – 1797) Southern cassowary, Casuarius casuarius, 1792 watercolour Courtesy Raper Collection, National History Museum, London

Port Jackson Painter A woman of New South Wales cureing the head ache [between 1788 and 1797] 21.7 x 34.2 cm Watling Drawing – no. 62 Courtesy First Fleet artwork collection, National History Museum, London Port Jackson Painter Portrait of Balloderree [between 1788 and 1797] 28.7 x 21.5 cm Watling Drawing - no. 58 Courtesy First Fleet artwork collection, National History Museum, London Port Jackson Painter Mr. White, Harris and Laing with a party of Soldiers visiting Botany Bay Colebee at that place, when wounded [ca. 1790 or 1797?] 26.6 x 42.8 cm Watling Drawing – no. 25 Courtesy First Fleet artwork collection, National History Museum, London Port Jackson Painter The Governor making the best of his way to the Boat after being wounded with the spear sticking in his Shoulder [ca. 1790?] 27.4 x 45.1 cm Watling Drawing – no. 23 Courtesy First Fleet artwork collection, National History Museum, London


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Port Jackson Painter Untitled scene, with aborigines attacking a sailor, [between 1788 and 1798] 20.2 x 31.8 cm Port Jackson Drawing – no. 44 Courtesy First Fleet artwork collection, National History Museum, London Daniel Boyd images courtesy of the Artist, Roslyn Oxley9 Gallery NSW & Kalimanrawlins Art Gallery Victoria Daniel Boyd Up in Smoke Tour, 2012 Daniel Boyd We Call Them Pirates Out Here, 2006 oil on canvas H 226 W 276 D 3.5cm Museum of Contemporary Art, Australia Joseph Lycett Inner view of Newcastle c1818 oil on canvas 59.6 x 90.0cm Purchased with assistance from the National Art Collections Fund, London UK 1961 Newcastle Art Gallery collection Joseph Lycett ca. 1775-1828 engraver Salt Pan Plain, Van Diemens Land. [picture], Published by J. Souter 1824 print : aquatint with hand colouring 23.4 x 33.0 cm. approx.

Accession no(s) 30328102131561/45 Courtesy State Library of Victoria Joseph Lycett ca. 1775-1828 engraver VIEW OF CAPTAIN PIPER'S NAVAL VILLA, at Eliza Point, near Sidney, [i.e. Sydney] New South Wales. [picture], print : aquatint with hand colouring 23.5 x 33.0 cm. Accession no(s) 30328102131561/7 Courtesy State Library of Victoria Joseph Lycett ca. 1775-1828 engraver The residence of John McArthur Esq near Parramatta, New South Wales, 1823 London M.J.M. Carter AO Collection 2004 Art Gallery of South Australia, Adelaide Joseph Lycett ca. 1775-1828 engraver View of Wilberforce on the banks of the River Hawkesbury, New South Wales Published by J. Souter, Feb.1, 1825. 1 print : aquatint, hand col. 23.2 x 33 cm. Identifier: nla.pic-an7690918 Courtesy National Library of Australia Joan Ross images courtesy of the Artist, Michael Reid Gallery Sydney & Bett Gallery Hobart Joan Ross

The claiming of things, 2012 Video Joan Ross BBQ this Sunday, BYO, 2011 Video Joseph Lycett ca. 1775-1828 engraver The residence of Edward Riley, Esq., Wooloomooloo near Sydney, N.S.W., 1825 Joseph Lycett ca. 1775-1828 engraver View on the Macquarie River, Van Diemens Land, Near the Ford at Argyle Plains. [picture] Published by J. Souter 1825 print : aquatint with hand colouring 23.3 x 33.0 cm. approx. Accession no(s) 30328102131561/47 Courtesy State Library of Victoria Bea Maddock born 1934 Australia Terra Spiritus...with a darker shade of pale 1993-98 Sheet 1 stencil print, printed in hand-ground Launceston ochre from multiple hand-cut mylar stencils; letterpress text blind printed; hand-drawn script plate-mark 28.4 x 76 cm sheet 28.4 x 76 cm overall 28.4 x 3952 cm National Gallery of Australia, Canberra Gordon Darling Australasian Print Fund 1998

Bea Maddock born 1934 Australia Terra Spiritus...with a darker shade of pale 1993-98 Sheet 51 stencil print, printed in hand-ground Launceston ochre from multiple hand-cut mylar stencils; letterpress text blind printed; hand-drawn script plate-mark 28.5 x 76 cm sheet 28.5 x 76 cm overall 28.5 x 3952 cm National Gallery of Australia, Canberra Gordon Darling Australasian Print Fund 1998 John Glover 1767-1849 Natives at a Corrobory, under the Wild Woods of The Country [River Jordan below Brighton, Tasmania] ca. 1835 oil on canvas 77 x 114cm Call: ML 154 Digital Order: a928309 Courtesy Mitchell Library, State Library of New South Wales Peter Corlett John Glover (statue), 2002-3 bronze, 1.1 times lifesize, Fieldstone base John Glover Society inc., Evandale, Tasmania John Glover 1767–1849 Self portrait 1792–1793 oil on canvas


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66.3 x 51.2 cm QVM.1901.FP.42 Courtesy Queen Victoria Museum and Art Gallery John Glover 1767–1849 The Last Muster of the Tasmanian Aborigines at Risdon, 1836 oil on canvas Courtesy Queen Victoria Museum and Art Gallery John Glover 1767–1849 Natives on the Ouse River, Van Diemen's Land , 1838 oil on canvas John Glover 1767–1849 Launceston and the river Tamar, circa 1832 oil on canvas John Glover 1767–1849 At Matlock - mist rising, 1814 oil on canvas John Glover 1767–1849 Patterdale landscape with cattle, circa 1833 oil on canvas John Glover 1767–1849 The bath of Diana, Van Diemen's Land, 1837 oil on canvas George Frankland Governor Davey's Proclamation to the Aboriginies, 1816 [c. 1828-1830] 1 oil Paintings on huon pine board, rectangular in shape with rounded

corners and hole at top centre for suspension 35.7 x 22.6 x 1 cm Purchased from J.W. Beattie, May 1919 Call: SAFE / R 247 Digital order: a928138 Courtesy Mitchell Library, State Library of New South Wales John Glover 1767–1849 Mount Wellington and Hobart Town from Kangaroo Point, 1834 Painting, oil on canvas 76.2 h x 152.4 w cm Framed 995 h x 1750 w x 115 d mm ; weight 20 kg Nerissa Johnson Bequest Fund 2001. Tasmanian Museum and Art Gallery and National Gallery of Australia. Accession No: NGA 2001.207 John Glover 1767–1849 Blue Mountain parrots from Sydney, 1832 Painting, oil on canvas 73.0 h x 63.0 w x 8.0 d cm Rex Nan Kivell Collection: The National Gallery of Australia and the National Library of Australia National Gallery of Australia, Canberra Accession No: NGA TEMP.11245 John Glover 1767–1849 Mr Robinson's house on the Derwent, Van Diemen's Land, c.1838 oil on canvas 48.2 h x 98.0 w cm Purchased 2005

National Gallery of Australia, Canberra Accession No: NGA 2005.218 Benjamin Law Trucaninny, wife of Woureddy, 1836 Hobart, Tasmania, Australia Sculpture, cast plaster, painted Technique: cast plaster, painted Primary Insc: Signed and dated across rear of bust support column ' B.LAW.SCULP./.../A.D. 1836.' Inscribed 'TRUCANINNY./WIFE OF WOURADDY./.../HOBART TOWN./...' 66.0 h x 42.5 w x 25.7 d cm Purchased 1981 National Gallery of Australia, Canberra Accession No: NGA 81.3042 Benjamin Law Woureddy, An Aboriginal Chief of Van Dieman's Land, 1835 Hobart, Tasmania, Australia Sculpture, plaster, paint Technique: cast plaster, painted Primary Insc: Signed and dated across rear of bust support column 'B.LAW.SCULPT./.../ 1836'. s Secondary inscriptions: Inscribed across rear of bust support column 'WOUREDDY./AN/ABORIGINAL CHIEF/ OF V.D.L./.../HOBART TOWN./.../.' 75.0 h x 48.3 w x 27.0 d cm Purchased 1981 National Gallery of Australia, Canberra Accession No: NGA 81.3041 John Glover Britain/Australia, 1767 – 1849

A corroborre of natives in Mills Plains, 1832 Deddington, Tasmania Morgan Thomas Bequest Fund 1951 Art Gallery of South Australia, Adelaide John Glover 1767–1849 Patterdale farm, circa (1840) oil on canvas John Glover 1767–1849 My Harvest Home, 1835 oil on canvas John Glover Britain/Australia, 1767 – 1849 A View of the artist's house and garden, in Mills Plains, Van Diemen's Land, 1835 Deddington, Tasmania Morgan Thomas Bequest Fund 1951 Art Gallery of South Australia, Adelaide Julie Gough images courtesy of the Artist, National Gallery of Australia & Bett Gallery Hobart Julie Gough The Chase, 2008 Sculpture, Assemblage, leather, tea tree wood and steel pins Installation 97.0 h x 182.0 w x 52.0 d cm Purchased 2008 Accession No: NGA 2008.812 The Chase detail images by Jack Bett Photography


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Ben Quilty images courtesy of the Artist, Tolarno Galleries Melbourne & Jan Murphy Gallery Brisbane Ben Quilty The Shower, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Griggs, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty White Man, 2012 oil on linen 170 x 160cm, Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Myuran, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Bondi, 2013 Oil on linen 150 x 170 cm Image courtesy Ben Quilty Ben Quilty

Self portrait in a red cap, 2013 Oil on linen 130 x 110 cm Image courtesy Ben Quilty Ben Quilty The Groom, 2012 Oil on linen 180 x 170 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Survivor, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Fairy Bower Rorschach, 2012 Oil on linen 240 x 550 cm, 8 panels Collection The Art Gallery of New South Wales Image courtesy the artist Tom Roberts Australia, 1856 - 1931 The Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (later H.M. King George V), May 9, 1901 / The Big Picture, 1903 oil on canvas Tom Roberts born England 1856, arrived Australia 1869, lived in Europe 1881–85, 1903–19, died 1931 The artists’ camp 1886 oil on canvas

46.0 x 60.9 cm National Gallery of Victoria, Melbourne Felton Bequest, 1943 Margaret Preston (Australia; England; France, b.1875, d.1963) Self portrait, 1930 oil on canvas, 61.3 x 51.1 cm Art Gallery of New South Wales Gift of the artist at the request of the Trustees 1930 © Margaret Rose Preston Estate. Licensed by Viscopy Photo: AGNSW © AGNSW 937 Sue Kneebone For better or for worse, 2009 Giclee Print © Sue Kneebone Courtesy the artist Episode Two John Webber R.A. Birth Date: c.1752 Portrait of Captain James Cook RN oil on canvas George Stubbs Self Portrait, 1781 George Stubbs The Kongouro from New Holland (The Kangaroo), 1772 oil painting Frederick McCubbin Down on his luck 1889 oil on canvas

114.5 x 152.5 cm State Art Collection, Art Gallery of Western Australia Purchased 1896 Frederick McCubbin Australia 1855 – 1917 Bush sawyers, 1910 oil on canvas Tom Roberts Australia, 1856 - 1931 The Golden Fleece, 1894 oil on canvas Arthur Streeton 1867 Australia – 1943 The selector's hut (Whelan on the log) 1890 oil on canvas 76.7 x 51.2 cm National Gallery of Australia, Canberra Tom Roberts Australia, 1856 - 1931 A break away!, 1891 Corowa, New South Wales and Melbourne, Victoria Elder Bequest Fund 1899, Art Gallery of South Australia, Adelaide Frederick McCubbin Australia 1855 – 1917 On the wallaby track, 1896 oil on canvas Grace Cossington Smith Australian 1892–1984 The Bridge in-curve 1930


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tempera on cardboard 83.6 x 111.8 cm National Gallery of Victoria, Melbourne Presented by the National Gallery Society of Victoria, 1967 Jane Sutherland Obstruction, Box Hill, 1887 oil on canvas Collection: Art Gallery of Ballarat Purchased, L.J. Wilson Bequest Fund, 1976 Tom Roberts Australia, 1856 - 1931 The Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (later H.M. King George V), May 9, 1901 / The Big Picture, 1903 oil on canvas Frederick McCubbin Australia 1855 – 1917 Violet and Gold, 1911 oil and canvas Frederick McCubbin Australia 1855 – 1917 A Sunday afternoon, c1886 oil and canvas Arthur Streeton (b.1867, d.1943) 'Still glides the stream, and shall for ever glide', 1890 oil and canvas Tom Roberts Australia, 1856 - 1931 Self-portrait, 1924 oil on canvas

Tom Roberts Australia, 1856 - 1931 Smike Streeton age 24, 1891 oil on canvas Frederick McCubbin Australia 1855 – 1917 Self-portrait, 1886 oil on canvas Tom Roberts Australia, 1856 - 1931 Wood splitters, 1886 oil on canvas Arthur Streeton Australia 1867–1943, lived in England 1897–1919 ‘The purple noon's transparent might’ 1896 oil on canvas 123.0 x 123.0 cm National Gallery of Victoria, Melbourne Purchased, 1896 Tom Roberts born England 1856, arrived Australia 1869, lived in Europe 1881–85, 1903–19, died 1931 The artists’ camp 1886 oil on canvas 46.0 x 60.9 cm National Gallery of Victoria, Melbourne Felton Bequest, 1943 Arthur Streeton (b.1867, d.1943) Fire's on, 1891 oil on canvas, 183.8 x 122.5cm Art Gallery of New South Wales

Purchased 1893 Photo: AGNSW 832 Tom Roberts born Great Britain 1856, arrived in Australia 1869, died 1931 Shearing the rams 1888-90 oil on canvas on composition board 122.4 x 183.3 cm National Gallery of Victoria, Melbourne Felton Bequest, 1932 Arthur Streeton (b.1867, d.1943) Australia Felix, 1907 Mount Macedon, Victoria Morgan Thomas Bequest Fund 1920 Art Gallery of South Australia, Adelaide Arthur Streeton (b.1867, d.1943) Golden summer, Eaglemont, 1889 oil on canvas William Smith Loggers at their camp in the Bunya Moutains, 1912 Photograph Image No: 7868-0001-0010 Accession Number: 7868 Courtesy John Oxley Library, State Library of Queensland Artist Unknown Two timber workers felling a tree on the Atherton Tableland, 1890-1900 Photograph Image No: 24043 Courtesy John Oxley Library, State Library of Queensland

Ben Quilty Golden Soil, Wealth For Toil., 2004 oil on canvas 140.0 x 200.0cm stretcher Art Gallery NSW Image courtesy Ben Quilty Ben Quilty The Shower, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Griggs, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty White Man, 2012 oil on linen 170 x 160cm, Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Myuran, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Bondi, 2013 Oil on linen 150 x 170 cm Image courtesy Ben Quilty Ben Quilty


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Self portrait in a red cap, 2013 Oil on linen 130 x 110 cm Image courtesy Ben Quilty Ben Quilty The Groom, 2012 Oil on linen 180 x 170 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Ben Quilty Survivor, 2012 Oil on linen 170 x 160 cm Image courtesy Ben Quilty and Tolarno Galleries, Melbourne Tom Roberts Australia, 1856 - 1931 The Golden Fleece, 1894 oil on canvas Clara SOUTHERN Australian 1860–1940 An old bee farm c.1900 oil on canvas 69.1 x 112.4 cm National Gallery of Victoria, Melbourne Felton Bequest, 1942 Jane R. PRICE English 1860–1948, worked in Australia 1880–1948 Sydney Harbour by night c.1910 oil on canvas 32.4 x 49.1 cm National Gallery of Victoria, Melbourne Purchased, 1954

May VALE Australian 1862–1945 The orchard c.1904 oil on canvas 48.8 x 74.4 cm National Gallery of Victoria, Melbourne Purchased, 1971 Jane SUTHERLAND Scottish 1853–1928, emigrated to Australia 1864 After Autumn Rains, circa 1893 oil on canvas Sutherland, Margaret Ada, 1897-1984. Photograph Portrait of Jane Sutherland SCRAPBOOK OF FAMILY MEMBORABILIA, CA. 1897-CA. 1984. [MANUSCRIPT]. Call Number: 14 MS_ -- MC 6, DR 3 / BOX 3490/8 Box Number: MS 12688 MC 6, DR 3 Courtesy State Library of Victoria Jane SUTHERLAND Scottish 1853–1928, emigrated to Australia 1864 The mushroom gatherers c.1895 oil on canvas 41.8 x 99.3 cm National Gallery of Victoria, Melbourne Gift of Dr Margaret Sutherland, 1972 Jane Sutherland Obstruction, Box Hill, 1887 oil on canvas

Collection: Art Gallery of Ballarat Purchased, L.J. Wilson Bequest Fund, 1976 Sue Kneebone For better or for worse, 2009 Giclee Print © Sue Kneebone Courtesy the artist Sue Kneebone A cautionary Tale of Overconfidence, 2008 Giclee Print © Sue Kneebone Courtesy the artist Sue Kneebone The co-existence of comfort and threat, 2010 Giclee Print © Sue Kneebone Courtesy the artist Sue Kneebone Saintly Sinners, 2009 Giclee Print © Sue Kneebone Courtesy the artist Sue Kneebone For better or for worse, 2009 Giclee Print © Sue Kneebone Courtesy the artist Sue Kneebone Copper Kingdom 2013 © Sue Kneebone Courtesy the artist Sue Kneebone

Angelfire 2009-10 bones, ceramic, cloth Naturally Disturbed Installation © Sue Kneebone Courtesy the artist Original photographs including Yardea (Station name) and Bailey family provided courtesy Sue Kneebone Frederick McCubbin Australia 1855–1917 The Pioneer, 1904 oil on canvas Frederick McCubbin Australia 1855–1917 A Bush Burial, 1890 oil on canvas Courtesy the Geelong Gallery Frederick McCubbin Australia 1855–1917 Lost, 1886 oil on canvas Frederick McCubbin Australia 1855–1917 Lost, 1907 oil on canvas 134.6 x 199.0 cm National Gallery of Victoria, Melbourne Felton Bequest, 1941 Dd103306 Heidi Yardley images courtesy of the Artist & Jan Murphy Gallery Brisbane Heidi Yardley


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Everything Begins and Ends, 2010 Oil on board 38 x 35cm Image courtesy the artist and Jan Murphy Gallery Brisbane Heidi Yardley Shadows and tall Trees, 2010 Oil on board 58 x 58cm Image courtesy the artist and Jan Murphy Gallery Brisbane Heidi Yardley Farewells, Promises, 2010 Oil on board 58 x 45cm Image courtesy the artist and Jan Murphy Gallery Brisbane Heidi Yardley The Rapture, 2010 Oil on board 58 x 42cm Image courtesy the artist and Jan Murphy Gallery Brisbane Heidi Yardley You Must Learn to Love Someone Else, 2010 Oil on board 58 x 50cm Image courtesy the artist and Jan Murphy Gallery Brisbane Please note: the production apologises for the incorrect titling of Heidi’s collection of work Gift For The Darkness (referred to as Darklands in the program) Hilda Rix Nicholas

A man, 1921 Oil on canvas 92 x 75 cm Australian War Memorial © Bronwyn Wright Hilda Rix Nicholas The pink scarf, 1913 oil on canvas 80.5 x 65cm Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993 Art Gallery of South Australia, Adelaide © Bronwyn Wright Photo of Hilda Rix Nicholas & Major George Matson Nicholas at Buckingham Palace Courtesy Bronwyn Wright Hilda Rix Nicholas Pro Humanitate © Bronwyn Wright 'Painting Ghosts' Prof. Catherine Speck (p. 59) Grace Cossington Smith (Australia, b.1892, d.1984) Reinforcements: troops marching circa 1917 oil on paper on hardboard, 23.7 x 21.5 cm Art Gallery of New South Wales Purchased 1967 Photo: AGNSW © Estate of Grace Cossington Smith OA5.1967 Grace Cossington Smith (Australia, b.1892, d.1984)

Self-portrait 1948 oil on cardboard Collection: National Portrait Gallery, Canberra Purchased 2002 © Estate of Grace Cossington Smith Grace Cossington Smith (Australia, b.1892, d.1984) The sock knitter, 1915 oil on canvas, 61.6 x 50.7 cm Art Gallery of New South Wales Purchased 1960 Photo: AGNSW © Estate of Grace Cossington Smith OA18.1960 Grace Cossington Smith (Australia, b.1892, d.1984) The curve of the bridge, 1928-1929 oil on cardboard, 110.5 x 82.5 cm Art Gallery of New South Wales Purchased with funds provided by the Art Gallery Society of New South Wales and James Fairfax AO 1991 Photo: AGNSW © Estate of Grace Cossington Smith 1.1991 Jessie Traill (Australia, b.1881, d.1967) Building the Harbour Bridge IV: the ants' progress, November 1929 from the series Building the Harbour Bridge, 1929 etching , paper, 39.8 x 25.2 cm Art Gallery of New South Wales Purchased 1975 Photo: AGNSW © Jessie Traill Estate 201.1975

Grace Cossington SMITH Australian 1892–1984 The Bridge in-curve 1930 tempera on cardboard 83.6 x 111.8 cm National Gallery of Victoria, Melbourne Presented by the National Gallery Society of Victoria, 1967 NGV © Estate of Grace Cossington Smith Gwen Barringer Australia, 1882 -1960 Sydney Harbour Bridge from North Sydney, c. 1932, Adelaide South Australian Government Grant 1984 Art Gallery of South Australia, Adelaide Margaret Preston (Australia; England; France, b.1875, d.1963) Sydney Bridge circa 1932 woodcut, printed in black ink, hand coloured with gouache on cream Japanese laid paper, 19 x 23.2 cm Art Gallery of New South Wales Purchased 1964 Photo: AGNSW © Margaret Rose Preston Estate DA30.1964 Licensed by Viscopy Adelaide Perry 1891 Australia – 1973 The Bridge, October 1929, 1930 linocut, printed in black ink, from one block printed image 32.8 x 44.5 cm


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National Gallery of Australia, Canberra Gift of John Brackenreg 1978 © Adelaide Perry Jessie Traill 1881 Australia – 1967 The great arch, 1932 etching and aquatint, printed in sepia ink, from one plate plate-mark 27.8 x 25.1 cm sheet 37.8 x 33.6 cm National Gallery of Australia, Canberra Purchased 2007 © Estate of Jessie Traill. Licensed by Viscopy Margaret Preston 1875 Australia – 1963 Flying over the Shoalhaven River, 1942 oil on canvas 50.6 x 50.6 cm National Gallery of Australia, Canberra Purchased 1973 © Margaret Rose Preston Estate. Licensed by Viscopy Margaret Preston (Australia; England; France, b.1875, d.1963) Self portrait, 1930 oil on canvas, 61.3 x 51.1 cm Art Gallery of New South Wales Gift of the artist at the request of the Trustees 1930 © Margaret Rose Preston Estate. Licensed by Viscopy Photo: AGNSW © AGNSW 937 Margaret Preston

(Australia; England; France, b.1875, d.1963) Australian legend, number 2: The terrible story, circa1957 colour woodcut on tan laid Japanese paper, 29.4 x 29 cm Art Gallery of New South Wales Gift of W.G. Preston, the artist's widower 1967 Photo: AGNSW © Margaret Rose Preston Estate. Licensed by Viscopy DA61.1967 Tom Roberts 1856 England – Australia 1931 An Australian native, 1888 oil on canvas 127.2 x 76.2 cm National Gallery of Australia, Canberra Purchased through the Joseph Brown Fund 1979 Grace Cossington Smith Neutral Bay, New South Wales, Australia 1892 – Sydney, New South Wales, Australia 1984 The Bridge in building, 1929 Painting, oil on pulpboard 75.0 h x 53.0 w cm Framed 884 h x 664 w x 47 d mm National Gallery of Australia, Canberra Gift of Ellen Waugh 2005 © Estate of Grace Cossington Smith Jason Wing An Australian government initiative, 2010

digital photograph on metallic fuji flex paper 150 x 100cm each Photograph by Adam Hollingworth Image courtesy the artist © Jason Wing Liam Benson & Manize Abedin Ned and Fatima, 2006 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson & Manize Abedin Liam Benson Ocha Envy, 2004 video lyrics by Banjo Patterson Courtesy the artist & Artereal Gallery NSW © Liam Benson Episode Three Rosemary Laing Jim C Type photograph (H) 110 x (L) 237.5 cm 2010 © Rosemary Laing John Glover 1767–1849 At Matlock - mist rising, 1814 oil on canvas Tom Roberts born Great Britain 1856, arrived in Australia 1869, died 1931 Shearing the rams 1888-90 oil on canvas on composition board 122.4 x 183.3 cm

National Gallery of Victoria, Melbourne Felton Bequest, 1932 Arthur Streeton 1867 Australia – 1943 The selector's hut (Whelan on the log) 1890 oil on canvas 76.7 x 51.2 cm National Gallery of Australia, Canberra Ken Done Australian Flag Design © Ken Done Frederick McCubbin Down on his luck 1889 oil on canvas 114.5 x 152.5 cm State Art Collection, Art Gallery of Western Australia Purchased 1896 Charles Alphonse Doudiet Swearing allegiance to the “Southern Cross”, 1854 watercolour, pen and ink Charles Meere (b.1890, d.1961) Australian beach pattern, 1940 oil on canvas, 91.5 x 122 cm Art Gallery of New South Wales Purchased 1965 © Charles Meere Estate Photo: AGNSW OA20.1965 Max Dupain 1911 Australia – 1992


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Rescue & resuscitation I, Manly 1940s Image courtesy Jill White Max Dupain 1911 Australia – 1992 Surf race start, 1940 gelatin silver photograph printed image 27.3 x 32.3 cm National Gallery of Australia, Canberra Purchased 1982 Max Dupain 1911 Australia – 1992 Sunbaker, 1937 gelatin silver photograph printed image 38.6 x 43.4 cm sheet 52.8 x 55 cm National Gallery of Australia, Canberra Purchased 1976 Max Dupain 1911 Australia – 1992 At Newport Baths, 1952 gelatin silver photograph printed image 45 x 40 cm National Gallery of Australia, Canberra Purchased 1976 Unknown maker The flag of the Southern Cross (Eureka Flag), 1854 wool & cotton Collection: Art Gallery of Ballarat Gift of the King family, 2001 David Olteneau

Inverted Southern Crucifix Tattoo Courtesy Lindsay McDougall Ludwig Hirschfeld Mack 1893 Germany – Australia 1965 Desolation, Internment camp, Hay, N.S.W. 1940-41 woodcut, printed in black ink, from one block printed image 21.8 x 13.1 cm sheet 31.8 x 25.6 cm National Gallery of Australia, Canberra Gift of Olive Hirschfeld 1979 © Hirschfeld Mach Estate Rosemary Laing and artworks by Rosemary Laing - courtesy Tolarno Galleries, Melbourne Rosemary Laing Studio Working Drawings © Rosemary Laing from the 2004 series to walk on a sea of salt Rosemary Laing After Heysen C Type photograph (H) 110 x (L) 252 cm 2004 © Rosemary Laing Rosemary Laing welcome to Australia C Type photograph (H) 110 x (L) 224 cm 2004 © Rosemary Laing

Rosemary Laing 5:10 am, 15th December 2004 C Type photograph (H) 85 x (L) 169.5 cm 2004 © Rosemary Laing Rosemary Laing and you can even pay later C Type photograph (H) 85 x (L) 140 cm 2004 © Rosemary Laing from the 2010 series leak Rosemary Laing Aristide C Type photograph (H) 110 x (L) 223 cm 2010 © Rosemary Laing Rosemary Laing Jim C Type photograph (H) 110 x (L) 237.5 cm 2010 © Rosemary Laing Jason Wing Captain James Crook, 2013 (incorrectly titled in program as Australia Was Stolen By Armed Robbery) Bronze 60 x 60 x 30cm Photograph by Garrie Maguire Image courtesy the artist © Jason Wing Jason Wing

Year of the Snake, 2007 Image courtesy the artist © Jason Wing Jason Wing An Australian government initiative, 2010 digital photograph on metallic fuji flex paper 150 x 100cm each Photograph by Adam Hollingworth Image courtesy the artist © Jason Wing Jason Wing Self portrait, 2009 cement and acrylic paint 120 x 20cm Photograph by Jason Wing Image courtesy the artist © Jason Wing Jason Wing Between Two Worlds, 2012 Kimber Lane, Haymarket Jason Wing Parramatta River Dreaming, 2010 Spray paint on aluminium, 147x230cms Photograph by Jason Wing Image courtesy the artist © Jason Wing Jason Wing Wing Dynasty, 2009 digital print on metallic paper, edition 1/5 84 x 119cm Photograph by Adam Hollingworth Image courtesy the artist © Jason Wing


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Jason Wing Grandfathers, 2009 (Incorrectly titled in program as 2 Pops) Photograph by Adam Hollingworth Image courtesy the artist © Jason Wing Jason Wing ABC (Aboriginal Born Chinese), 2007 Image courtesy the artist © Jason Wing Jason Wing Tree change, 2013 Jason Wing None Left Turn and No Rights Turn, 2012 digital print on metal plate 70 x 35cm each Jason Wing Migration Image courtesy the artist Jason Wing I am Flora and Fauna, 2010 Jason Wing Image courtesy the artist © Jason Wing Jason Wing Walk all over me, 2010 digital print on paper 400 x 200cm overall Image courtesy the artist Additional photography of Jason Wing by Ashley Wing

Raymond Zada Racebook, 2011 Image courtesy the artist © Raymond Zada Liam Benson images courtesy the artist & Artereal Gallery NSW Liam Benson A Christian Country, 2011 Photograph C type print assisted by Steven Cook 61 x 91cm Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Mrs Boss Slays the Malevolent Scoundrel, 2011 Photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Mrs Boss Slays the Malevolent Scoundrel, 2011 Video Courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson The Bowerbird Queen, 2012 (photograph by Jasmine Robertson) Pigment in ink on cotton rag paper Edition of 5 80 x 80cm and 146.5 x 146.5cm

Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Coat Of Arms, 2009 photograph C type print 61 x 91cm Exhibition: Head On Photo Festival (2011) Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson & Manize Abedin Ned and Fatima, 2006 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson & Manize Abedin Liam Benson I BELIEVE IN YOU, 2006 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Glitterface, 2010 C Type print assisted by Noami Oliver 61 x 91cm Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Jail mate, 2010 C Type print assisted by Naomi Oliver

61 x 91cm Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson The Flag, 2011 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Ocha Envy, 2004 video lyrics by Banjo Patterson Courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson Untitled [Jesus], 2008 photograph Image courtesy the artist & Artereal Gallery NSW © Liam Benson Liam Benson The Opal Queen, 2012 (photography by Jasmine Robertson) Pigment in ink on cotton rag paper Edition of 5 80 x 80cm and 146.5 x 146.5cm Exhibition: Motherland (2012) Image courtesy the artist & Artereal Gallery NSW © Liam Benson John Glover 1767–1849 My Harvest Home, 1835 oil on canvas


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Tom Roberts Australia, 1856 - 1931 The Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (later H.M. King George V), May 9, 1901 / The Big Picture, 1903 oil on canvas

Daniel Boyd images courtesy of the Artist, Roslyn Oxley9 Gallery NSW & Kalimanrawlins Art Gallery Victoria Daniel Boyd We Call Them Pirates Out Here, 2006 oil on canvas H 226 W 276 D 3.5cm Museum of Contemporary Art, Australia

Joan Ross The claiming of things, 2012 Video Courtesy of the Artist, Michael Reid Gallery Sydney & Bett Gallery Hobart John Glover Britain/Australia, 1767 – 1849 A corroboree of natives in Mills Plains, 1832 Deddington, Tasmania

Morgan Thomas Bequest Fund 1951 Art Gallery of South Australia, Adelaide Sue Kneebone For better or for worse, 2009 Giclee Print © Sue Kneebone Courtesy the artist

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