henry lascelles - architecture & installation portfolio 2016

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Page 1: Henry Lascelles - Architecture & Installation Portfolio 2016

PORTFOLIO

Henry Lascelles

Page 2: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

Central equipment store: for farm equipment to serve 5 farms.

Craft workshop: provides vocational carpentry and craft training including useful skills for the farm.

Classrooms: for tuition in a wide range of areas determined by the inmates.

Yoga and work-out spaces for inmates providing calming exercise in addition

to the physical work of farming.

Mechanics’ workshop: provides vocational training with specific relevance to farm work as well as transferable skills for other jobs.

Central security office and accommodation: with admin, tracking

and emergency response.

Mast: for the inmate tracking system and

communications.

SKILLS CENTRE | 1 FOR EVERY 5 FARMS

FARMHOUSE | 1ST FLOOR Inmates each have their own room with a shared bathroom

All bathrooms have a dry and a wet toilet to separate sewage to be used for fertiliser and irrigation

The entrance block contains the farm office (run by the inmates), laundry room, and a counselling/visitor space

The live-in guards (on rotation) have a private lounge and office

The farmhouse door is locked during non-work hours to keep inmates secure

The living space, including the courtyard garden, is entirely open-plan to allow

easy monitoring of inmates, while providing separate and distinct spaces

FARMHOUSE | SECTION

Lower level: service spaces including plant room, sewage tanks and farm storage

Upper level: Living spaces where inmates sleep and spend their

free time, arranged around a courtyard garden

5M 10M

Welcome to

You may have committed a crime but this does not make you a criminal for ever. The point of your time here is not to punish you for the sake of it, what would that achieve? It is to help you to better yourself and give you the confidence that when you leave, you will be able to sustain and look after yourself and others, and play a positive role in society.

Here you will be a member of a self-sufficient ‘family’ and given the responsibility of tending the land, caring for the others you work with, and for yourself. As you cultivate the land, you will cultivate yourself, developing the skills you need to re-enter the wider society aware of and prepared for the valued role you are able to play in your community.

SUSTAINABLE CONFINEMENT

DAILY LIFE6:00amWake and wash before sunrise - room unlocked.

12:00amLunch cooked on a rota and rest time within the confines of the farmhouse including bedrooms and central garden.

6:00pmEscorted back to house for pre-dinner chores and cooking on a rota.

8:00pmEvening social relaxation time within the confines of the farmhouse.

9:00pmReturn to individual rooms before lights off at 10.

6:30amPre-breakfast chores on a rota including supervised cooking.

7:00pmTo develop and encourage their connection to the outside world; visitors are able to join for dinner.

7:00amBreakfast and briefing by lead inmate on the days farming.

8:00amFarming and maintaining the 12 hectares of land surrounding the house, including solar-power systems and water retaining landscaping features. Skills are enchanged between inmates in addition to those taught by guards who closely supervise.

2:00pmInmates can to go to the skills centre, shared between 5 houses, to learn vocational skills including woodcraft and mechanics as well as classroom based courses.

The facility holds 500 inmates in total, with 10 people in each farmhouse. These are sited approximately 500m from each other in a network that follows the flow of a tributary along a desert valley.

Together you will be responsible for growing the food to sustain your cluster of 5 farmhouses, pooling and trading resources. You will then will be driven to the farmhouse in

which you will live permanently with 9 other inmates and 2 guards. They will be your ‘family’ for the duration of your time here.

At the entrance you will be issued with your geo-locating, anti-tamper anklet to be worn at all times to allow us to give you the freedom to work the land.

Overhanging roofs: where there are large expanses of glass

Louvres: closest together on south-facing facades

Double-skin roofs: to prevent material hit by solar radiation transmitting directly to interior

Shaded undercroft: providing cool well-ventilated work and storage space

NATURAL COOLING

746870

ROUTE 160

COMPETITION - ARIZONA PRISON

Page 3: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

Standing seam zinc roofH74:110AStandard zinc mono-ridge

detail with ventilation routeH74:310A

Zinc cladding on ply withvented cavity

H74:120A

Ventilation via insect mesh

Ideal Combi window(fixed light) L10:410

Zinc copingH74:470

Outlets via formed chutes& hoppers (in zinc)

Wall build up as DD(0)101

Insulation & waterproofing to flat roof gutter J42:110

on ply deck

MF ceiling K10:220A

Service zone

Timber joists forming flat roof

Vertical insulation forming upstand

Electrical activation via remoteswitch to 50% of windows

This drawing is copyright. All rights described in Chapter IV of the Copyright, Designs and Patents Act 1988 have generally been asserted. Alldimensions to be checked on site. Do not scale. Any discrepancy between this drawing and other information to be reported to GFA. Thisdrawing shows Design Intent Only.

Drawing No Rev Drawn Date

Project

Title

Client

Scale

rev initials revisiondate

@/

checked

C a r d i f f & L o n d o n

Capital Tower | Greyfriars Road | Cardiff CF10 3AG | T: 029 2023 3993 | W: GauntFrancis.co.uk

Miff Chichester

Upper FarmCrendon Road, ShabbingtonAylesbury HP18 9HA

Flat Roof & Skylight Detail

13037 DD(0)552 HL Mar 2015 1:10 A3

Preliminary

Flat Roof & Skylight Detail

* 11/03/15 HL TENDER ISSUE TA

NOTES:

This drawing shows design intent only.Revisions needed for construction purposes.

Timber blocking indicative.

PROFESSIONAL - GAUNT FRANCIS ARCHITECTSPROFESSIONAL - GAUNT FRANCIS ARCHITECTS

+67.200 mProposed Screed Level

Service Zone

A-AGA(0)401

Specialised PPC aluminium double glazed atriumwalls & roof by Apropos or similar

13037_DD(0)501

Living / Dining / Kitchen

Master bed

Boots /Utility /Dogs

WC

Plant /Store EnsBalcony

A-AGA(0)401

Service Zone

Sitting room

13037_DD(0)551

13037_DD(0)551

13037_DD(0)501

B-BGA(0)401

D-DGA(0)411

PlantPlant

Flat Ceiling line

Steel positions

Ens EnsSitting roomLiving / Dining / Kitchen

Master bed

C-CGA(0)401

Denotes key detailsto be preparedfor construction

This drawing is copyright. All rights described in Chapter IV of the Copyright, Designs and Patents Act 1988 have generally been asserted. Alldimensions to be checked on site. Do not scale. Any discrepancy between this drawing and other information to be reported to GFA. Thisdrawing shows Design Intent Only.

Drawing No Rev Drawn Date

Project

Title

Client

Scale

rev initials revisiondate

@/

checked

C a r d i f f & L o n d o n

Capital Tower | Greyfriars Road | Cardiff CF10 3AG | T: 029 2023 3993 | W: GauntFrancis.co.uk

Miff Chichester

Upper FarmCrendon Road, ShabbingtonAylesbury HP18 9HA

Proposed Sections

13037 GA(0)401 HL Nov 2014 1:50 A1

TENDER

Proposed Sections

* 12/03/15 HL TENDER ISSUE TA

A-A C-C

B-B

Page 4: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

36oHAMMAM

(Turkish Bath)

30oAXIAL PASSAGEWAY

28oTREATMENT ROOM

70oSAUNA

10oPLUNGE POOL

36oTROPICAL GREENHOUSE

SCENTED ZONE #1RENDERED DETAIL SECTION AA

1:25

1:10 HEATED STONE FLOORS & SURFACESThe monumental yet intimate tectonic uses rough dark concrete for the walls and

smooth warm marble for the surfaces that one touches.

1:5 OLFACTIC STEAM VENTSTo communicate the experience of the Spa to the outside world, the perfumed air from each of the two ever changing scented zones is exhausted to the surface through the

facade. At the same time this ventilates the space.

Vertical concrete screen

5mm Dark Marblefacing stone benches

and massage table

Adhesive and screed layer with underfloor heating pipes set in

Cast concrete Hammam massage

table

200mm rigid insulation

Surface water drain with waterproof

housing and sealant

250mm Reinforced concrete slab

Triple Glazed Windows

Perforated brass mesh for ventilation and water drainage

Electrically controlled vent with closing shutters and fan

Water condensation channel and drip

flashing

25mm steel angle support structure

with attachment

200mm Reinforced concrete slab

2mm Standing seam golden brass

cladding on 12mm ply supported with

aluminium brackets, giving 90mm

ventilation space.

Essential oils created in the labratories are brought to one of the two scented zones. These are used to scent the water and steam

used in the Hammams, Steam rooms and Saunas, changing periodically with the seasons.

Steam Vent Location Diagramon Exterior Elevation

Foundations:

Largely strip foundations with 250mm concrete slab floor

Along central axis where there are large point loads due to heavy

equiptment pile foundations to theshallow bedrock are used.

External Surface:

Limestone pavering slabs set in gravel on 200mm structural insulation with bituminous waterproofing membrane.

Greenhouse Structure:

340mm deep steel sections with brass electroplating.

Anchored to thermal walls with steel connections.Supporting double glazed windows.

MASTERS THESIS - SUSTAINABLE LUXURY IN MONACOA SCENTED SPA & PERFUME GROWING LANDSCAPE

Page 5: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

400m

500m

600m

700m

300m

200m100m

GREEN URBAN RUNWAYA glamorous promenade that

shifts the focus of luxury

1 : 2000

Phase 1(Current Proposal)

Luxury Shopping

The Runway

Luxury Hotels / Casino

Phase 2(Future extention)

F1 Grand Prix Track

Marina

Old Town

New District of Fontvieille(Reclaimed from sea)

Station

MONACO

BEAUSOLEIL(FRANCE)

Beach

Wonder of Early Modern City,

Modernism and Mass Consumption

‘Glamour’(use in

books as % of total

words)

Monaco GDP per Capita

(constant 2000 US$)

Hollywood

Death of Marilyn Monroe

Marriage of Grace Kelly and Prince

Rainier III

Rise of Television

Globalisation, and the search for Identity in Postmodern

society

First Photographic Advertisement

Industrial Revolution and

Birth of Capitalism

Glamour is an imaginative process that creates a specific, emotional response: a sharp mixture of projection, longing, admiration, and aspiration. It evokes an audience’s hopes and dreams and makes them seem attainable, all the while maintaining enough distance to sustain the

fantasy.” - Virginia Postrel

Status as Glamourprofessional, spiritual or class aspirations: wealth, beautiful

fashion, luxurious ‘high culture,’

Grit as Glamouralternative culture,

creativity, and urbanity

Glitz as Glamourbright lights, extravegance,

garish fantasy

DESIRETRANSFORMATION(via consumption)

ENVIOUS GLAMOROUS

PUBLICITY

THE STATE OF BEING ENVIED IS GLAMOUR.IT IS AN ENVY OF APPARENT HAPPINESS ACHIEVED THROUGH A

RICHNESS OF LIFESTYLE AND POSSESSIONS.

THE DESIRE FOR GLAMOUR IS A TRANSFORMATIVE FORCE FOR CHANGE. IT AFFECTS WHAT WE WANT AND BUY, WHAT GOVERNMENTS AND

BUSINESSES USE AND PROVIDE, AND HOW ALL OF US TREAT EACH OTHER AND THE ENVIRONMENTS IN WHICH WE LIVE

GLAMOUR IS A POWERFUL GLOBAL

FORCE

IN MONACO

GLAMOUR = LUXURY

DEMOCRATISATION AND MASS LUXURYWith a globalized consumer society, the internet and the

democratisation of fashion, the desire for glamorous luxury has diffused from the rich to the aspiring middle class masses.

MONACO SHOWCASES THE GLAMOUR OF LUXURY TO THE WORLD

HOWEVER CURRENTLY

LUXURY MAKES A CULTURE OF WASTEFUL CONSUMPTION

GLAMOROUS

Fast Cars, Yachts and Helicopters burn huge quantities of non-renewable fuel.

The low cost and high volume business model of mass luxury and consumerism creates a culture where a cycle of acquiring and disposing

of goods is encouraged. The goods themselves are the product of limited resources, wasteful and exploitative process of production and transportation in order to

provide them.

A systemic shift from materialistic to the experiencial luxury is needed

EXCLUSIVITY

GREEN URBAN RUNWAY

GLAMOROUSDESIRES

ETHICALSOCIAL

ENVIRONMENTALDESIRES

=

MASS DESIRE BRINGS MASS CHANGE

PROVIDES SOLUTIONS:

1. URBAN SOLUTIONMakes the city walkable and enjoyable for locals and

tourists.Connects disperate areas.

2. SOCIAL SOLUTIONProvides informal park space, promenade and facilities

for socialising and recreation for both Monaco and Beausoleil.

3. ENVIRONMENTAL SOLUTIONSustainable infrastucture reduces environmental impact.

Reduces the need for cars.Makes visable the positive impact and so changes

behaviour.

4. BRANDING SOLUTION By using a strong urban intervention a powerful positive

image of the luxury industry and Monaco is created.This can be marketed to benifit tourism, and the wider

economy.

5. GLOBAL SOLUTIONBy directly involving the luxury industry in the creation of

the runway they themselves become more responcible and less wasteful.

As well as showing how improvements can be achieved elsewhere, by making sustainabilty luxurious and

therfore glamourous and desirable, it provides the catalyst for global cultural change.

Shifting the focus of luxury from the materialistic to the experiencial reduces the desirability of wasteful and

unethical consumerism.

LUXURY SUSTAINABLITY

MONACO HAS THE POWER TO MAKE THE LUXURY INDUSTRY SUSTAINABLE BY ADDRESSING ITS ATTITUDES TO WASTE IN AN URBAN

AND SOCIAL CONTEXT

IF IN DOING SO SUSTAINABILITY CAN BE MADE LUXURIOUS AND THEREFORE GLAMOROUS AND DESIRABLE, THEN MONACO CAN HAVE A

TRANSFORMATIVE AFFECT ON THE WORLD.

Creating easier pedestrian and cycle

access across Monaco

LUXURY INDUSTRY

( INVESTORS )

€217 bil

CONSUMERCULTURE

GOVERNMENT OF MONACO

PUBLIC WORKS, THE ENVIRONMENT &

URBAN DEVELOPMENT

PUBLIC WORKSOFFICE

COMMUNITY INTEREST COMPANY

€1.13 bil GUCCI

LOUISVUITTON

Non-profit social venture run by a quasi-autonomous non-governmental organisation (quango),

for the specific purpose of developing the master plan

and running the spa as a continuing social

enterprise

GLOBAL GLAMOURINDIRECT

TOURISM RETURNS

INDIRECT

PUBLICITY RETURNS

GLOBAL CULTURE SHIFT

ETC

SPONSOREDSOCIAL

ENVIRONMENT

INCREASED SUSTAINABILITY AND

EMPHASIS ON EXPERIENCES

CURRENTCONSUMERISM

MATERIAL=

UNSUSTAINABLE

EXPERIENCIAL=

SUSTAINABLE

FUTURECONSUMERISM

LUXURY

MASS LUXURY

MASS CONSUMPTION

DESIRABILITYEXCLUSIVITY

GLAMOUR

CREATING GLOBAL IMPACTUSING A HIGHLY VISUAL URBAN

INTERVENTION TO SHIFT TOWARDS SUSTAINABLE LUXURY

Page 6: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

THERMAL MASS GARDEN WALLSIn order to create the growing conditions needed for a large variety

of plant species to be grown year round a system of walls contain botanical gardens.These walls are massive dark concrete retaining walls to absorb and store thermal

energy to release at night. They contain pipes that allow water to flow through them.

NORTH - SOUTH WALL ORIENTATION

By orientating the walls North - South over the largest possible area this achieves the best growing conditions. This is because both sides of the walls see an equal amount

of direct sunlight allowing maximum growth on each.

E

AM

W

PM

Limestone Pavers set in sand within

removable concrete wall cap pieces.

This allows future access to the pipes.

500mm reinforced concrete retaining

walls

Shingle and sand fill

Multiple water pipes close to surface to

maximise heat gain

Coarse aggregate bed

Leveling rubble

Water Pump20kW

FilterAuto -

ChlorinatorHeater

(backup)Air and Water

Heat exchangers116kW

WATER & AIR

Water heating and ventilation diagram showing the holistic nature of the system

PV Array605 panels = 142kW

Warm outHot return

Warm Pool30o

Hot to Processing

70o

Hot to Changing / Labs / Sanitation

70o

Cold Pool10o

WALLS

Cold outWarm return

GREENHOUSE

POOL

Air In30o

Air Out30o

Air to Building22o

RESEARCH

GROWING

OLFACTORYSPA

PICKING &PROCESSING

THE PERFUME CYCLE

The various programatic parts for perfume production and use work together to allow and enhance each other in a

symbiotic system

(Heat)Produced

Made in to essential oils

Used in scented zones

SPA AXIAL CORRIDORShowing the celebrated services hung from the ceiling contrasting

the rough concrete walls and smooth, warm marble floors

Page 7: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

UNDERGRADUATE - LYON THEATRE & ARCHIVE

Page 8: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

PROFESSIONAL - DUS ARCHITECTSLARGE SCALE 3D PRINTING

In 2013 Amsterdam based DUS Architects began a practical research project to test the potential of 3D printing at an architectural scale. I was invited to join their small team as a 3D printing technician, testing new materials and processes while developing a new design language with a new technology, pushing the boundaries of architectural innovation.

While pursuing the goal of 3D printing the first full building using the 6m high ‘Kamermaker’ printer I also jointed a team of 4 to design an interactive installation.

Over the course of 3 months and in collaboration with game design studio Monobanda we developed from concept to completion an immersive experience which challenges the users relationship with their environment and each other in the digital age.‘3RD’ has since continued to be a great success touring worldwide including featuring in the 2013 Shenzhien Biennale and winning an ‘Excellence’ award at the 18th Japan Media Arts Festival 2015.

Page 9: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

Find a nice large piece of cardboard.

Go to the copyshop and enlarge this image 10x. Use the enlarged map as a template.

Lay the paper template on top of the cardboard and cut out the shape. then gently score the folding lines.

Fold into shape. Then glue the mask together with help of the tabs.

Cut out the headbands and shape them around your head until you have a perfect fit. Glue into a headcover.

Balance the mask on your head. Mark the spot where it is in balance. Then glue the headcover to that spot inside the mask.

Cut out the two phone-holder parts and glue the pieces together. Put two rubber bands around the phone holder. Then trim and put into place at approx. 18 cm. away from your face inside the mask. Glue it with help of the tabs.

mask3RD D.I.Y. MANUAL

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449

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452

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62

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446

240

90

50

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90

3RD is a project by: DUS architects & Monobanda & Rajiv Krijnen

Cut and fold the counterweight part and glue it into the back of the helmet with help of the tabs.

Place your phone into the phone holder.

Screw bolts onto the counterweight until it balances out the weight of the phone.

Put on the mask.

Have fun and explore your 3RD dimension!

fold-out map scale 1:10

300

100

240

60

100

700

40

1 4 523

#1THE DANCER

#4THE HELPER

#5THE ROMANTIC

#2THE NETWORKER

#3THE JOKER

‘ 3RD ’ - Spacial and social interactions in the 3rd person

A screen inside each helmet shows you a 3rd person perspective of yourself, now its up to you to make friends in your strange new world!

PROFESSIONAL - DUS ARCHITECTS‘ 3RD ’ - INTERACTIVE IMMERSIVE INSTALLATION

Page 10: Henry Lascelles - Architecture & Installation Portfolio 2016

Henry Lascelles - Portfolio

INSTALLATION - BAMBOO BEACONBLUE LAGOON FESTIVAL 2015

A playful pavilion that created a centre of activity for festival goers of all ages, the Bamboo Beacon became a fun focal point.It was space to chill out in and play around that lit up at night and even became an 8 person impromptu club! Made of locally sourced bamboo and shimmering ribbons, it’s sculptural form was animated by the wind.

Designed and built in collaboration with Connor Waters.