hiroshi ishii pff 12 08 08

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© 2008 MIT Media Laboratory, Hiroshi Ishii 石井 裕 Hiroshi Ishii Tangible Media Group MIT Media Laboratory The Art of Tangible Bits Inspired by Engelbart's Vision The Program for the Future December 8, 2008 The Tech Museum of Innovation, CA © 2008 MIT Media Laboratory, Hiroshi Ishii 英雄 hero

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Page 1: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

石井�裕Hiroshi IshiiTangible Media Group MIT Media Laboratory

The Art of Tangible BitsInspired by Engelbart's Vision

The Program for the FutureDecember 8, 2008The Tech Museum of Innovation, CA

© 2008 MIT Media Laboratory, Hiroshi Ishii

英雄hero

Page 2: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Douglas Engelbart Augmenting Human Intellect

© 2008 MIT Media Laboratory, Hiroshi Ishii

1968December 9th, 1968

NLS (oN-Line System) demo at FJCC 68 in San Francisco

Page 3: Hiroshi Ishii Pff 12 08 08

2008g-speak

© 2008 MIT Media Laboratory, Hiroshi Ishii

Engelbart’s Beacon

1997TBits

1981Star1968

NLS FJCC

2054Minority Report

© 2008 MIT Media Laboratory, Hiroshi Ishii

1context

Page 4: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

MIT Media Lab

© 2008 MIT Media Laboratory, Hiroshi Ishii

MIT Media Lab

Page 5: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Future is not to predict, but to invent.

Alan Kay

© 2008 MIT Media Laboratory, Hiroshi Ishii

MIT Media LabMIT Media Lab

Page 6: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

2vision

© 2008 MIT Media Laboratory, Hiroshi Ishii

理念What drives creation?

Page 7: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

What drives Creation?

VisionConcepts, principles

Users’ needApplications

Technologies

© 2008 MIT Media Laboratory, Hiroshi Ishii

What drives Creation?

VisionConcepts, principles

Users’ needApplications

Technologies

Page 8: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

What drives Creation?

VisionConcepts, principles

Users’ needApplications

Technologies

BusinessHCI/usability

© 2008 MIT Media Laboratory, Hiroshi Ishii

What drives Creation?

VisionConcepts, principles

Users’ needApplications

Technologies

Our focus

Page 9: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

What drives Creation?

VisionConcepts, principles

Users’ needApplications

Technologies

art!

© 2008 MIT Media Laboratory, Hiroshi Ishii

Why? Life Span

VisionConcepts, principles

ApplicationsNeed, users, task, evaluation

Technologies

>100 y

~10 y

~1 y

Page 10: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

1981

© 2008 MIT Media Laboratory, Hiroshi Ishii

Graphical User Interface (GUI)Xerox Star

Graphical User Interface• Intangible representation

(pixels on a screen) +• Generic input devices as “remote-controllers”

Xerox Star

Page 11: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

1990ClearBoard

NTT Human Interface Labs

© 2008 MIT Media Laboratory, Hiroshi Ishii

視考Visual Thinking

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© 2008 MIT Media Laboratory, Hiroshi Ishii

My Art Work in 1959

© 2008 MIT Media Laboratory, Hiroshi Ishii

Shared Drawing 1992Collaborative Visual Thinking

Ref. Study on Shared Drawing and VideoDraw (PARC)Prof. Larry Leifer, Dr. John Tang, Dr. Scott Minneman,

speakgesturepointreadwritedraw

Page 13: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

ClearBoardNTT Human Interface Laboratories

Ishii and Kobayashi, 1992

© 2008 MIT Media Laboratory, Hiroshi Ishii

ClearBoardSeamless integration of interpersonal and shared drawing spaces

Ishii and Kobayashi, 1992 NTT Human Interface Laboratories

Page 14: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

3MIT

© 2008 MIT Media Laboratory, Hiroshi Ishii

1995Joined MIT Media Lab

Page 15: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

再起�Reboot

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible Bits

physical

digital

Page 16: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

有形tangible

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible Bits

Physical embodiment ofdigital information and computation

Page 17: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Eyes are in charge, but hands are underemployed.

© 2008 MIT Media Laboratory, Hiroshi Ishii

Orrery: Tangible Representation of Knowledge

Aesthetics which value haptic interaction with specialized physical objects ... but much richness has been lost.

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© 2008 MIT Media Laboratory, Hiroshi Ishii

計算Compute

© 2008 MIT Media Laboratory, Hiroshi Ishii

Abacus: Origin of Tangible Bits

Hiroshi ISHII, born 2/4/56 Alisa ISHII, born 9/1/04

Page 19: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible Bits• Giving physical forms to

digital information and computation, making bits –directly manipulable with

two hands• Supporting multi-user

collaboration and “tangible thinking”

© 2008 MIT Media Laboratory, Hiroshi Ishii

1997Tangible Bits paperpresented at CHI ‘97

Page 20: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

1997March 22-27, 1997

“Tangible Bits” paper presented at CHI ‘97 in Atlanta

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible Bits (TUI)

Graphical User Interface• Intangible representation

(pixels on a screen) +• Generic input devices as “remote-controllers”

Tangible User Interface• Tangible representation as interactive control

mechanism to manipulate the information and computation

• Continuity between physical and digital representation in design

Urp running on the Sensetable

Xerox Star

Page 21: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

4tangibles

© 2008 MIT Media Laboratory, Hiroshi Ishii© 2008 MIT Media Laboratory, Hiroshi Ishii

art& science

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© 2008 MIT Media Laboratory, Hiroshi Ishii

art& science

© 2008 MIT Media Laboratory, Hiroshi Ishii

“The Computer for the 21st Century”

“The most profound technologies are those that disappear. They weave themselves into the fabric of everyday life until they are indistinguishable from it.”

Mark Weiser July 23, 1952 - April 27, 1999

Page 23: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

musicBottles (jazz)

© 2008 MIT Media Laboratory, Hiroshi Ishii

musicBottles (classical)

Page 24: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

art& science

© 2008 MIT Media Laboratory, Hiroshi Ishii

PingPongPlus Ishii, Lee, Wisneski, Orbanes 1999

• Digital augmentation of ping pong play with "reactive table."

• Ball tracking using microphone array underneath table.

• “From competition to collaboration”

• ICC, Tokyo 2000• Centre Pompidou, Paris 2003• Victoria and Albert Museum, London 2005

Page 25: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

PingPongPlus at Centre Pompidou, Paris 2003

• Digital augmentation of ping pong play with "reactive table."

• Ball tracking using microphone array underneath table.

• “From competition to collaboration”

© 2008 MIT Media Laboratory, Hiroshi Ishii

Invisibleextension of body - good fit

• customize• personalize• adapt• co-evolve

Page 26: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii© 2008 MIT Media Laboratory, Hiroshi Ishii

art& science

painter = color maker

© 2008 MIT Media Laboratory, Hiroshi Ishii

I/O BrushKimiko Ryokai, Stefan Marti, & Hiroshi Ishii

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© 2008 MIT Media Laboratory, Hiroshi Ishii

Explore patterns of colors and textures through familiar materials

© 2008 MIT Media Laboratory, Hiroshi Ishii

I/O Brush History ModeKimiko Ryokai, Stefan Marti, & Hiroshi Ishii

• From where the ink came from?

Page 28: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

I/O Brush History ModeKimiko Ryokai, Stefan Marti, & Hiroshi Ishii

• Capturing and weaving the (hi)story for every stroke

© 2008 MIT Media Laboratory, Hiroshi Ishii

The World as the Palette Colors in Barcelona

Page 29: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

感動inspire

© 2008 MIT Media Laboratory, Hiroshi Ishii

光影digital light & shadow

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© 2008 MIT Media Laboratory, Hiroshi Ishii

I/O Bulb and Luminous Room Underkoffler and Ishii, 1997 - 1999

• I/O Bulb–High resolution output, two-way

information• Luminous Room

–Multiple I/O bulbs illuminating architectural space

© 2008 MIT Media Laboratory, Hiroshi Ishii

Urp: Urban Planning Workbench (an I/O Bulb AP)Underkoffler and Ishii, 1997 - 1999

light reflections

shadows

wind

Page 31: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Urp: Urban Planning WorkbenchUnderkoffler and Ishii, 1997 - 1999

© 2008 MIT Media Laboratory, Hiroshi Ishii

Luminous Room with multiple I/O BulbsUnderkoffler and Ishii, 1997 - 1999

Distributed Illuminating Light

Page 32: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible Bits• Giving physical forms to

digital information and computation, making bits –directly manipulable with two

hands• Continuity between physical and

digital representation in design• Supporting multi-user

collaboration and “tangible thinking”

© 2008 MIT Media Laboratory, Hiroshi Ishii

Painted Bits (GUI) andTangible Bits (TUI)

Graphical User Interface• Intangible representation

(pixels on a screen) +• Generic input devices as “remote-controllers”

Tangible User Interface• Tangible representation as interactive control

mechanism to manipulate the information and computation

• Continuity between physical and digital representation in design

Urp running on the Sensetable

Xerox Star

Page 33: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Tangible User Interface

physical

digital

© 2008 MIT Media Laboratory, Hiroshi Ishii

5future

Page 34: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

2054

© 2008 MIT Media Laboratory, Hiroshi Ishii

Minority © 2008 MIT Media Laboratory, Hiroshi Ishii

Minority

Page 35: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Minority Report

© 2008 MIT Media Laboratory, Hiroshi Ishii

© 2008 MIT Media Laboratory, Hiroshi Ishii

Future

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© 2008 MIT Media Laboratory, Hiroshi Ishii

SF

© 2008 MIT Media Laboratory, Hiroshi Ishii

2008December 8th, 2008

Program for the FutureThe Tech Museum, San Jose

http://programforthefuture.org/

Page 37: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

2008Future is now

© 2008 MIT Media Laboratory, Hiroshi Ishii

Ggesture

© 2008 MIT Media Laboratory, Hiroshi Ishii

Ggesture

Page 38: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

g-speak

Oblong Industries

© 2008 MIT Media Laboratory, Hiroshi Ishii

Airborne Warning And Control System

© 2008 MIT Media Laboratory, Hiroshi Ishii

Airborne Warning And Control System

Early Warning System

Page 39: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Early Warningsfor the Future

MIT Media Lab

© 2008 MIT Media Laboratory, Hiroshi Ishii

Future is not to predict, but to invent. Alan Kay

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© 2008 MIT Media Laboratory, Hiroshi Ishii

The Future is Already Here - It's Just Not Evenly Distributed.

William Gibson

© 2008 MIT Media Laboratory, Hiroshi Ishii

何故Why?

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© 2008 MIT Media Laboratory, Hiroshi Ishii

哲学philosophy

© 2008 MIT Media Laboratory, Hiroshi Ishii

未来Future

Page 42: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

Today

Today

© 2008 MIT Media Laboratory, Hiroshi Ishii

2050

today 2050

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© 2008 MIT Media Laboratory, Hiroshi Ishii

2100

today 2050 2100

© 2008 MIT Media Laboratory, Hiroshi Ishii

2200

today2050 2100

2200

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© 2008 MIT Media Laboratory, Hiroshi Ishii

How do you want to be remembered by people living in 2200? What will you leave for them? �

today2050 2100

2200

© 2008 MIT Media Laboratory, Hiroshi Ishii

死後memento mori

Page 45: Hiroshi Ishii Pff 12 08 08

© 2008 MIT Media Laboratory, Hiroshi Ishii

未来Future

© 2008 MIT Media Laboratory, Hiroshi Ishii

Thanks!

Hiroshi IshiiTangible Media Group MIT Media Laboratoryhttp://tangible.media.mit.edu/