his drawings, paintings, and relationship to sculpture...on northern italian painting. julian brooks...

2
Carmen C. Bambach is Curator of Prints and Drawings at the Metropolitan Museum of Art, where she has organized exhibitions including Leonardo da Vinci, Master Draſtsman in 2003 and e Drawings of Bronzino in 2010. She is author of Drawing and Painting in the Italian Renaissance Workshop: eory and Practice, 1300-1600 and is working on a book and exhibition about Michelangelo. Andrea Bayer is the Jayne Wrightsman Curator of European Paintings at the Metropolitan Museum of Art. Among the many exhibitions she has curated are Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo and Art and Love in Renaissance Italy. She has published extensively on northern Italian painting. Julian Brooks is Curator in the Department of Drawings at the J. Paul Getty Museum. He has published widely on Italian sixteenth-and seventeenth-century drawings and is the curator of Andrea del Sarto: e Renaissance Workshop in Action. Alessandro Cecchi is the former Director of the Galleria Palatina in Florence. He has published numerous articles and essays on Italian Renaissance artists, and is co-author of Andrea del Sarto: Catalogo Completo and one of the principal authors of Andrea del Sarto (1486-1530): Dipinti e Disegni a Firenze. Hugo Chapman is the Simon Sainsbury Keeper of Prints and Drawings at the British Museum. He was the curator of Michelangelo Drawings: Closer to the Master, and co-curator (with Marzia Faietti) of Fra Angelico to Leonardo: Italian Renaissance Drawings, the 2010 exhibition of 15th-century Italian drawings from the holdings of the British Museum and the Uffizi, Florence. David Ekserdjian is Professor of Art and Film History at the University of Leicester. He has published monographs on Correggio and on Parmigianino, and is currently working on a book about painting and drawing in the Italian Renaissance. He is a frequent consultant to museums, galleries, and auction houses. Marzia Faietti is Director of the Gabinetto Disegni e Stampe (Department of Drawings and Prints) at the Uffizi in Florence. Previously she directed the Department of Prints and Drawings at the Pinacoteca Nazionale in Bologna. Her many publications and curatorial projects on Italian Renaissance drawing include Le tecniche del disegno rinascimentale: dai materiali allo stile and Fra Angelico to Leonardo: Italian Renaissance Drawings (with Hugo Chapman). Michael Gallagher is the Sherman Fairchild Conservator in Charge of the Paintings Conservation Department at the Metropolitan Museum of Art. He was previously Keeper of Conservation at the National Galleries of Scotland. Davide Gasparotto is Senior Curator and Head of the Department of Paintings at the J. Paul Getty Museum. He was previously director of the Galleria Estense in Modena, Italy, and a curator at the Galleria Nazionale, Parma, Italy. He has published extensively on Tuscan, Venetian, Emilian and Lombard art from the 16th to the 18th century. Marcia Steele is Senior Conservator of Paintings at the Cleveland Museum of Art, and co-author of Van Gogh Repetitions. COVER IMAGES LEFT, Portrait of a Young Man (detail), about 1517–18. Andrea del Sarto (Italian, 1486–1530). Oil on canvas, 72.4 x 57.2 cm (28 1/2 x 22 1/2 in.). The National Gallery, London. Bought, 1862. © National Gallery, London RIGHT: Study of the Head of a Young Woman (detail), about 1523. Andrea del Sarto (Italian, 1486–1530). Red chalk, 21.7 x 17 cm (8 9/16 x 6 11/16 in.). Gabinetto Disegni e Stampe, Gallerie degli Uffizi, Florence. Su concessione del Ministero dei beni e delle attività culturali e del turismo. Photo: Scala/Art Resource, NY Text and design © 2015 J. Paul Getty Trust E d u c a t i o n The J. Paul Getty Museum at the Getty Center 1200 Getty Center Drive, Suite 1000 Los Angeles, CA 90049-1687 Tel 310 440 7322 Fax 310 440 7750 www.getty.edu His Drawings, Paintings, and Relationship to Sculpture J. Paul Getty Museum, Los Angeles Sunday, September 13, 2015 BIOGRAPHIES

Upload: others

Post on 03-Apr-2020

3 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: His Drawings, Paintings, and Relationship to Sculpture...on northern Italian painting. Julian Brooks is Curator in the Department of Drawings at the J. Paul Getty Museum. He has published

Carmen C. Bambach is Curator of Prints and Drawings at the Metropolitan Museum of Art, where she has organized exhibitions including Leonardo da Vinci, Master Draftsman in 2003 and The Drawings of Bronzino in 2010. She is author of Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300-1600 and is working on a book and exhibition about Michelangelo.

Andrea Bayer is the Jayne Wrightsman Curator of European Paintings at the Metropolitan Museum of Art. Among the many exhibitions she has curated are Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo and Art and Love in Renaissance Italy. She has published extensively on northern Italian painting.

Julian Brooks is Curator in the Department of Drawings at the J. Paul Getty Museum. He has published widely on Italian sixteenth-and seventeenth-century drawings and is the curator of Andrea del Sarto: The Renaissance Workshop in Action.

Alessandro Cecchi is the former Director of the Galleria Palatina in Florence. He has published numerous articles and essays on Italian Renaissance artists, and is co-author of Andrea del Sarto: Catalogo Completo and one of the principal authors of Andrea del Sarto (1486-1530): Dipinti e Disegni a Firenze.

Hugo Chapman is the Simon Sainsbury Keeper of Prints and Drawings at the British Museum. He was the curator of Michelangelo Drawings: Closer to the Master, and co-curator (with Marzia Faietti) of Fra Angelico to Leonardo: Italian Renaissance Drawings, the 2010 exhibition of 15th-century Italian drawings from the holdings of the British Museum and the Uffizi, Florence.

David Ekserdjian is Professor of Art and Film History at the University of Leicester. He has published monographs on Correggio and on Parmigianino, and is currently working on a book about painting and drawing in the Italian Renaissance. He is a frequent consultant to museums, galleries, and auction houses.

Marzia Faietti is Director of the Gabinetto Disegni e Stampe (Department of Drawings and Prints) at the Uffizi in Florence. Previously she directed the Department of Prints and Drawings at the Pinacoteca Nazionale in Bologna. Her many publications and curatorial projects on Italian Renaissance drawing include Le tecniche del disegno rinascimentale: dai materiali allo stile and Fra Angelico to Leonardo: Italian Renaissance Drawings (with Hugo Chapman).

Michael Gallagher is the Sherman Fairchild Conservator in Charge of the Paintings Conservation Department at the Metropolitan Museum of Art. He was previously Keeper of Conservation at the National Galleries of Scotland.

Davide Gasparotto is Senior Curator and Head of the Department of Paintings at the J. Paul Getty Museum. He was previously director of the Galleria Estense in Modena, Italy, and a curator at the Galleria Nazionale, Parma, Italy. He has published extensively on Tuscan, Venetian, Emilian and Lombard art from the 16th to the 18th century.

Marcia Steele is Senior Conservator of Paintings at the Cleveland Museum of Art, and co-author of Van Gogh Repetitions.

cover images left, Portrait of a Young Man (detail), about 1517–18. Andrea del Sarto (Italian, 1486–1530). Oil on canvas, 72.4 x 57.2 cm (28 1/2 x 22 1/2 in.). The National Gallery, London. Bought, 1862. © National Gallery, London right: Study of the Head of a Young Woman (detail), about 1523. Andrea del Sarto (Italian, 1486–1530). Red chalk, 21.7 x 17 cm (8 9/16 x 6 11/16 in.). Gabinetto Disegni e Stampe, Gallerie degli Uffizi, Florence. Su concessione del Ministero dei beni e delle attività culturali e del turismo. Photo: Scala/Art Resource, NY

Text and design © 2015 J. Paul Getty Trust

EducationThe J. Paul Getty Museumat the Getty Villa

EducationThe J. Paul Getty Museumat the Getty Center

EducationThe J. Paul Getty Museum6/8 point

7/9 point

EducationThe J. Paul Getty Museumat the Getty Center

EducationThe J. Paul Getty Museumat the Getty Villa

EducationThe J. Paul Getty Museum

8/10 point

EducationThe J. Paul Getty Museum

EducationThe J. Paul Getty Museumat the Getty Center

EducationThe J. Paul Getty Museumat the Getty Villa

9/11 point

EducationThe J. Paul Getty Museum

EducationThe J. Paul Getty Museumat the Getty Center

EducationThe J. Paul Getty Museumat the Getty Villa

10/12 point

EducationThe J. Paul Getty Museumat the Getty Center

1200 Getty Center Drive, Suite 1000Los Angeles, CA 90049-1687Tel 310 440 7322Fax 310 440 7750www.getty.edu

EducationThe J. Paul Getty Museum

1200 Getty Center Drive, Suite 1000Los Angeles, CA 90049-1687Tel 310 440 7331Fax 310 440 7750www.getty.edu

EducationThe J. Paul Getty Museumat the Getty Villa

1200 Getty Center Drive, Suite 1000vLos Angeles, CA 90049-1745Tel 310 440 7322Fax 310 440 5119www.getty.edu

His Drawings, Paintings, and Relationship to Sculpture

J. Paul Getty Museum, Los Angeles

Sunday, September 13, 2015

BIOGRAPHIES

Page 2: His Drawings, Paintings, and Relationship to Sculpture...on northern Italian painting. Julian Brooks is Curator in the Department of Drawings at the J. Paul Getty Museum. He has published

9:00

9:30

2:00

2:30

3:15

3:45

4:15

10:00

10:30

11:00

11:30

12:00

morning session Moderator: Carmen C. Bambach, Curator of Prints and Drawings, the Metropolitan Museum of Art

afternoon session Moderator: Julian Brooks, Curator, Department of Drawings, the J. Paul Getty Museum

September 13, 2015Museum Lecture Hall, J. Paul Getty MuseumSYMPOSIUM

On the occasion of the exhibition Andrea del Sarto: The Renaissance Workshop in Action, the first major gathering of the artist’s drawings and paintings from the world’s major collections, scholars and specialists from across Europe and North America will explore the work of this key Florentine artist. With insights into aspects of del Sarto’s draftsmanship, fresh evidence concerning his studio practice, a new study of his crucial relationship to the sculptor Jacopo Sansovino, and an examination of his activities during the Siege of Florence (1529–30), the group will explore multiple facets of this complex and fascinating artistic personality.

Check-in

Welcome Timothy Potts, Director, the J. Paul Getty Museum

Andrea del Sarto and Jacopo Sansovino Davide Gasparotto, Senior Curator of Paintings and Department Head, the J. Paul Getty Museum

The Borgherini Holy Family

Andrea Bayer, Jayne Wrightsman Curator, Department of European Paintings, the Metropolitan Museum of Art

Michael Gallagher, Sherman Fairchild Conservator in Charge of the Paintings Conservation Department, the Metropolitan Museum of Art

Portrait Drawings by Andrea del Sarto and his Contemporaries David Ekserdjian, Professor of Art and Film History, University of Leicester

Discussion

Closing Remarks

Marzia Faietti, Director, Gabinetto Disegni e Stampe, Gallerie degli Uffizi

Carmen C. Bambach, Curator of Prints and Drawings, the Metropolitan Museum of Art

Andrea del Sarto and the Eclipse of Metalpoint Hugo Chapman, Simon Sainsbury Keeper of Prints and Drawings, the British Museum

Andrea del Sarto and the Siege of Florence Alessandro Cecchi, former Director, Galleria Palatina, Florence

New Research on the Sacrifice of Isaac Marcia Steele, Senior Conservator of Paintings, Cleveland Museum of Art

Discussion

Break for lunch