hoip10 presentacion cambios de color_univ_granada
DESCRIPTION
Presentación de la Universidad de Granada sobre cambios de color en escenarios naturales debidos a la interacción entre luz y atmósfera, realizada durante las jornadas HOIP 2010 organizadas por la Unidad de Sistemas de Información e Interacción TECNALIA. Más información en http://www.tecnalia.com/es/ict-european-software-institute/index.htmTRANSCRIPT
COLOR CHANGES IN A NATURAL SCENE DUE TO THE INTERACTION BETWEEN THE LIGHT
AND THE ATMOSPHERE
Colour Imaging LaboratoryDepartment of OpticsUniversity of Granada (SPAIN)
Javier RomeroProfessor
Javier Hernández-AndrésAssociate Professor
Raúl LuzónPh.D. student
Juan L. NievesAssociate Professor
COLOR CHANGES IN A NATURAL SCENE DUE TO THE INTERACTION BETWEEN THE LIGHT AND THE ATMOSPHERE
• Motivation and State of the Art
• Physical model
• Experiment
• Colour changes with distance
• Conclusions and future work
Motivation
distance
size decreases
spatial frequency increases
blur increases
Light is degraded due to its interaction with molecules and particles in the atmosphere.
Degradation depends on the range (distance) and on the wavelength.
Motivation
• Multiple Scattering :
Incident Beam
First Order
Third Order
Second Order
• Single Scattering :
Incident Beam
Size: 0.01 μm Size: 0.1 μm Size: 1 μm
( Mie 1908 )
Motivation
Light is degraded due to its interaction with molecules and particles in the atmosphere.
* reduction in visibility and contrast* color changes:
-less saturated colors,-hue change,
Reversibility?
Motivation
Are color and spectral degradation reversible?
“De-weathering” images?
Color, size, shape, texture are the main features for pattern recognition...
...in addition to spectral information which can influence surveillance and identification.
Clear Day Image
Foggy Day Image
Current image enhancement algorithms
1) Non-physics-based algorithms:• Based on statistical information of the image,• ... using no information about the imaging physics.
2) Physics-based models:• Using the underlying physics of the atmospheric
degradation process...• ...and then to compensate for it with appropriate
image processing.
State of the Art
Histogram equalization and its variations (Pitas and Kiniklis [1996], Pizer et al. [1987]). •RGB channels as separate channels•Certain improvement on HSI space.
Advantages DrawbacksStraightforward technique False colorsNot intensive computation Undesirable effects
Increase the global contrast
State of the Art1) Based on statistical information of the scene:
OriginalHistogram equalized
Light interaction with particles and molecules of different sizes in the atmosphere:
• Absorption-Emission; • Scattering:-Attenuation
-Airlight
State of the Art
McCartney [1976]
2) Physics-based models:
The best physical based models are those constructed over the dichromatic atmospheric scattering model (Tan and Oakley [2001], Narasimhan and Nayar [2000]).
These models are based on single-scattering.
State of the Art
Narasimhan and Nayar (2003)
Assuming the same β for all color channels…
…the color of a scene point is a linear combination of the direction of airlight and the direction of direct transmission (attenuated by scattering)
2) Physics-based models:
Advantages DrawbacksExploit the underlying
physics of the degradation process
Usually needs information about meteorological
conditionsGood color recuperation Some images taken under
different weather conditionsApplicable for different
distancesIdentify some points on the
sceneSimplification of real process
State of the Art2) Physics-based models:
From Tan and Oakley [2001]
Original Enhanced with physical model
RGB HSI
State of the Art
Simple and fast algorithm to recover color information (and spectral information)... for clear days and overcast days.
Only one image: no distance information, and no scattering coefficients values.
But, we need first to analyze and to quantify the color changes due to the atmosphere.
Our goal
• Motivation and State of the Art
• Physical model
• Experiment
• Colour changes with distance
• Conclusions and future work
Physical ModelThe irradiance (E) in one pixel is proportional to the radiance of the scene (L), assuming there is no absorption and reflection inside the camera
For perfect Lambertian surfaces
πλλρλ )()()( d
OEL =
)()( λλ LE Ω=
Physical ModelRadiance from the object at the camera plane has two terms(Narasimhan and Nayar [2000], [2003]):
• one due to direct light coming from the object and attenuated by the atmosphere
• other term: airlight
where: L is the object radiance viewed from the observer planeL0 is the object radianceβtot = βsct + βabs , is the attenuation coefficient in the
atmosphereL∞ is the radiance of the horizond is the distance between the object and the detectorλ is the wavelength
Direct light Airlight
( ) ( )0( ) ( ) ( )(1 )tot totd dL L e L eβ λ β λλ λ λ− −
∞= + −
For clear skies, a Lambertian object receiving an irradiance Ed produces an irradiance on the detector :
Physical Model
( ) ( )( ) ( )( ) ( )(1 )tot totd ddt
EE e L eβ λ β λλ ρ λλ λπ
− −∞= Ω +Ω −
where: Ω is the solid angle subtended from the object into the
detectorEd is the irradiance over the objectρ is the spectral reflectance of the objectβtot is the attenuation coefficientd is the distance between the object and the detectorL∞ is the horizon radianceλ is the wavelength
For overcast skies, assuming an homogeneous distribution of the sky radiance [Gordon and Church [1966]) and a Lambertian object:
( ) ( ) ( ) ( ) ( ) ( )( )1tot totd dtE L e L eβ λ β λλ λ ρ λ λ− −
∞ ∞=Ω +Ω −
Physical Model
where: Ω is the solid angle subtended from the object into the
detectorρ is the spectral reflectance of the objectβtot is the attenuation coefficientd is the distance between the object and the detectorL∞ is the horizon radianceλ is the wavelength
• Motivation and State of the Art
• Physical model
• Experiment
• Colour changes with distance
• Conclusions and future work
Experiment
Color changesCIE 1931 (x,y,Y) and CIELAB (L*,a*,b*) values corresponding to 240 objects of the GretagMacbethColor-Checker DC, whose spectral reflectances are known
GretagMacbethColorChecker DC
SpectraScan PR-650 spectroradiometer
Experiment
Experiment
We know the scattering coefficient at 450, 550 and 700 nm and we can interpolate to the rest of visible spectrum assuming that (McCartney [1976]):
1sct ucteβ
λ=
Another assumption: the absorption coefficient is constant in the visible range.
Experiment
( ) ( )( ) ( )( ) ( )(1 )tot totd ddt
EE e L eβ λ β λλ ρ λλ λπ
− −∞= Ω +Ω −
Day βsct(550 nm) Mm-1 βabs(670 nm) Mm-1 u
15/March/2010 (dust) 50.21 7.83 1.7916/March2010 (clear) 42.06 17.78 1.8919/March/2010 (dust) 100.04 51.08 0.3716/April/2010 (overcast) 80.60 40.95 1.8820/April/2010 (overcast) 62.26 43.66 1.9328/April/2010 (clear) 56.76 65.44 1.59
Experiment
1sct ucteβ
λ=
• Motivation and State of the Art
• Physical model
• Experiment
• Colour changes with distance
• Conclusions and future work
Colour changes in the objectwith observation distance
Six days
240 objects
Distances from 0 to many km
Colour changes in the objectwith observation distance
Colour changes in the objectwith observation distance
Direct light from the object is attenuated
with the distance
For a specific distance, airlight
becomes more important.
Colour changes in the objectwith observation distance
Colour changes in the objectwith observation distance
Colour changes in the objectwith observation distance
20/Apr/2010 Overcast day
Colour changes in the objectwith observation distance
CIELAB
Colour changes in the objectwith observation distance
CIELABAre these colour changes reversible? Are we able to enhance visibility forbetter identification?
…if so, some kind of colour constancycould be achieved.
...and what does “color constancy”mean?
…finding both a color mapping and the color of the sceneilluminant are equivalent problems.
Colour appearance can chage dramatically underdifferent illumination conditions…
CC
T =
2760
KC
CT
= 51
90K
Incandescent lamp
Day-light
…but the human visual system is able tocompensate for those chages.
...and what does “color constancy”mean?
Colour appearance can chage dramatically underdifferent illumination conditions…
What about the images degradated by the atmosphere?
...and what does “color constancy”mean?
Cones excitations changeregularly with illumination
( ) ( )( ) ( )( ) ( )(1 )tot totd ddt
EE e L eβ λ β λλ ρ λλ λπ
− −∞= Ω +Ω −
( ) ( ) ( ) ( ) ( ) ( )( )1tot totd dtE L e L eβ λ β λλ λ ρ λ λ− −
∞ ∞=Ω +Ω −
Clear daysClear days
Overcast daysOvercast days
For a particular object: L viewed under different distances
versus L under the E illuminant (flat spectrum)
Same for M and S cones or for just R, G, B
...and what does “color constancy”mean?
20 objects from the Color Checker
For a zero distance we should expect a linear relation:
L
LE
...and what does “color constancy”mean?
Other distances?Other cones (M or S)?Other broad band sensors (R,G,B)?
20 objects from the Color Checker
For a zero distance we should expect a linear relation:
...and what does “color constancy”mean?
Other distances?Other cones (M or S)?Other broad band sensors (R,G,B)?
It`s clear that visibility of objects depends on weather conditions and changes in the objects’ color can influence identification.
Conclusions and future work
Colour constancy approaches could be applied in bad weather conditions to restore the colour appearance of objects.
?
Javier RomeroProfessor
Javier Hernández-AndrésAssociate Professor
Raúl LuzónPh.D. student
Juan L. NievesAssociate Professor
Thank you for your attention!
References
1. W. E. K. Middleton, “Vision through the atmosphere”, 2nd Edition, University of Toronto Press, 1952 2. I. Pitas and P. Kiniklis, “Multichannel Techniques in Color Image Enhancement and Modeling”, Image Processing, IEEE Transactions, Vol 5,No. 1, pp. 168-171, 1996.3. Stephen M. Pizer, E. Philip Amburn, John D. Austin, Robert Cromartie, Ari Geselowitz, Trey Greer, Bart ter Haar Romeny, John B. Zimmerman and Karel Zuiderveld, “Adaptive histogram equalization and its variations”, Computer Vision, Graphics and Image Processing Vol 39, 355-368, 1987.4. K. Tan and J.P. Oakley, “Physics-Based Approach to Color Image Enhancement in Poor Visibility Conditions”, Journal of the Optical Society of America, Vol. 18, No. 10, pp. 2460-2467, 2001.5. S. G. Narasimhan and S. K. Nayar, “Chromatic Framework for Vision in Bad Weather”, Conference onComputer Vision and Pattern Recognition, IEEE Proceedings. Vol. 1, pp. 598-605, 2000.6. S. G. Narasimhan and S. K. Nayar, “Contrast Restoration of Weather Degraded Images”, Pattern Analysis And Machine Intelligence, IEEE Transactions, Vol. 25, No. 6, pp. 713-724, 2003.7. S. G. Narasimhan and S. K. Nayar, “Vision in Bad Weather”, Seventh IEEE International Conference in Computer Vision, IEEE Proceedings, Vol 1, pp. 820-827, 2000.8. Earl J. McCartney, “Optics of the atmosphere, scattering by molecules and particles”, Wiley-Interscience, 1976.9. Nascimento SMC, Ferreira FP, Foster DH. “Statistic of spatial cone excitation ratios in natural scenes. J Opt Soc Am A ;19:1484–1490 (2002).