holo'space language part seven
DESCRIPTION
Just as the life form draws energy from the environment and transforms it into order, and thus is more organized than the environment around it, Holo’Qubistic Art has a dimensional order greater than the viewer’s ambient organization and so is alive relative to the viewer’s psycho-energetics.TRANSCRIPT
1 Philip Randolph Lilien [email protected]
Simplicity as a Philosophical Base
• Consider the amazing complexity of computer technology. All is based on a language with two digits, 0 and 1, on and off.
The complexity of organic life based on 4 leHers in two pairs organizing only a few elements.
• Profound intelligence at work ingeniously assembling complex systems from a fundamentally simple set of principles and elements.
• The universe shows that on the deepest level this tendency towards simplicity that is the guiding principle towards crea3on.
• Examples: – Endless variety of tastes from 4 sensa3ons (taste) – Few primary colors (spectrum) – God created the universe from nothing -‐ Bible (pic—history) 2
Holo’Space Principles
• Based on the simplest of principles Principles arise to express crea3on
– Contrac3on – Symmetry Contracts
– Expansion – Harmonics Expand
– Equilibrium mediates to express intelligent life
– Expansion, Contrac3on and Equilibrium conjoin to create the founda3ons of evolu3on and ground
– Fundamental Realms of Space
– The complex geometry of ALL Space arises from core principles. 3
Nonlinear Mixing of Informa3on
• Nonlinear mixing accomplishes transducing from coherent space into the subjec3ve space via coherent modula3ons. Cascading of resonators with nonlinear thresholds or switching, shi] high frequency energy down the spectrum into lower frequencies with aHendant amplitude increase.
• Living systems do this through their nonlinear cellular and nerve structures.
• Formalize our Subjec3ve Images of Space • Qubism make Real Space and Coherent Space experien3ally real to the ar3sts and scien3st.
• Experience Crea3on Whole from the Source that is the Creator eternal to the Real Space of the Mother of all Manifes3ng Poten3al through Material Space as Subjec3ve Space reorganiza3on. 4
• Modern media is Wormhole in nature, “holo” to the fractal evolu3on of Material Space. It connects through another Space. Shi]ing from Fractal to Holo-‐Fractal Evolu3on is the Threshold of Human Consciousness. Co-‐Holo-‐Fractal Evolu3on, which is the invoking into the world through Technics a Evolu3on that is Collec3ve and Enlightened.
• From a Subjec3ve perspec3ve, there is no Space! • The concepts or understanding we hold about space is
subjec3ve space. Space is the most fundamental aHribute of Subjec3ve Space. From our Subjec3ve Space concepts come our purposes, visions, goals, ac3ons and manifesta3on. We are invented by our Space . We conceive Space as an ar3fact of our culture and language.
• Through subjec3ve space, Coherent Space can express its interest in Material Space.
• A Coherent Space is a posi3ve pole of Subjec3ve Space. • Material Space is the nega3ve pole. • Coherent Space manifests Electro-‐material Space through
Harmonic Vortexing. 5
Sacred Geometry
6
Higher Order as Life
• Just as the life form draws energy from the environment and transforms it into order, and thus is more organized than the environment around it, Holo’Qubis3c Art has a dimensional order greater than the viewer’s ambient organiza3on and so is alive rela3ve to the viewer’s psycho-‐energe3cs.
7
Manifestos • Here’a list of a few of the most interes3ng and famous Manifestos in recent history.
• Russell Einstein Manifesto A great Manifesto which asked world leaders to consider other alterna3ves before nuclear weapons when dealing with world conflicts. “Think before you shoot” is a great way to sum up this thoughjul and 3mely declara3on by Bertrand Russell and Albert Einstein.
• John F. Kennedy’s Manifesto JFK’s manifesto from 1961. His manifesto of, “before this decade is out, of landing a man on the moon and returning him safely to the earth.”
• Julia Bu8erfly Hill’s Manifesto One of our personal favorites. Julia saved the life of a nearly 1000 year old Redwood in defense of the forest near the MaHole river on the coast of northern california. Julia is an inspira3on to ac3vists and pioneers everywhere. Her work in the environmental movement is a high point for many advocates of direct-‐ac3on and civil disobedience.
• John Lennon’s Manifesto Controversial, and generally misunderstood, John Lennon’s work towards interna3onal peace s3ll rings in the worldwide collec3ve consciousness.
• The Communist Manifesto Not nearly as dark as many would have you believe, this Manifesto was an important moment in history. Widely respected as one of the most prolific and controversial manifestos ever wriHen.
8
Manifestos • The Student DemocraCc Society’s ‘Port Huron Statement’
WriHen in 1962, the Port Huron Statement is o]en credited as an essen3al building block of 1960's counterculture.
• Banksy’s Manifesto One of my favorite non-‐literal manifestoes. Read it. Some Manifestos, like Banksy’s seem almost like an accident.
• The Futurist Manifesto The Manifesto of the Italian poet F.T. Marinep, published in 1909. This manifesto launched an ar3s3c movement which baHled against the laissez faire nature of Italian literature and society at the 3me. The futurist manifesto is regarded as one of the most relevant avante-‐garde wri3ngs.
• The Surrealist Manifesto Conceived by french writer André Breton in 1924, the surrealist manifesto helped to lead a movement as well. Surrealism is/was a nonconformist methodology which aimed to create art from the wells of the unconscious mind.
• Shepard Fairey’s Manifesto Manifesto of ar3st / pop culture guru Shepard Fairey. This Manifesto includes all the best elements of a modern manifesto. It challenges the audience while making them ques3on the en3re point of the experiment in the first place. Let’s face it, Shepard Fairey could easily be your ‘dad.’
9
• If one arranges a pattern, it is found that the pattern itself has properties irrespective of the materials themselves.
10
Language of Holo’Space
• Coherent Space automa3cally manifests as life when the systemic condi3ons are met.
• Space as Life exceeds anything we have imagined.
• Our habits are a lower dimensional space.
11
From Space
• Formalize our Subjec3ve images from Space • Material Space and Subjec3ve Space are inadequate to express our Contemporary Experience and is incapable of awakening our Collec3ve Intelligence.
• Space is our fundamental resource
• Holo’Qubism makes Holo’Space real to the ar3st, the culture and the scien3st.
12
Evolving Space
13
Evolu3onary Order
• Holo’Dimensional Qubism shows how evolu3onary order can emerge out of any kind of chaos.
• Life is inherently encoded to appear everywhere. Hardwired into Existence!
14
Art through Incarna3ons 1
15
Art Through Incarna3ons 2
16
Art through Incarna3ons 3
17
Art through Incarna3ons 4
18
Art Through Incarna3ons 5
19
Art through Incarna3ons 6
20
Art through Incarna3ons 7
21
Holo’Qubis3c Evolu3on • Holo'Qubis3c pieces evolve by evolving evolu3on using holographic self-‐emerging principles. The projec3on converges linear and non-‐linear fields of space and frame as projec3ons of hyperdimensional percep3on.
• The par3cipant perceives not forms but fields of Emergent Principle. The frame of art becomes a window of percep3on into a space becoming alive via the energe3cs of percep3on revealing spontaneous living presences. 22
Evolu3onary Art
23
Evolving Life
24
Evolu3onary Art
25
Qubis3c Art’s Super-‐aHrac3ve Global Orbit
• Qubis3c Art’s super-‐aHrac3ve global orbit is op3mally stable, because it is media3ng between two op3mally unstable local repelling fixed points of the linear and the non-‐linear, the fixed parameters and chance, the global design and local flavor, the quantum and rela3vis3c.
• Space-‐3me itself can be found in the Edge of Chaos Region.
• This is Visionary Art Space. 26
Nega3ve Resistor Effect • This is a nega3ve resistor effect reordering the surface space poten3al.
• The dipole field of the complex space ini3ates harmonic densifica3on.
• Energy organized decreases entropy. Living systems do this and is the revela3on of Life.
• Syntropy is the stacking of order increasing meaning.
• Such Art is Itself. It is not a symbol or a rendering of something else.
27
Colors that are holographic • Holo’Dimensional Qubism can create colors that are holographically
rather than spectrally related. Colors condense spa3ally and manifest dimensionally and whole.
• Colors of the material lens are related as the spectrum; red, orange, yellow, green, blue, violet. Art has been spectral art. Colors related spectrally.
• Holo'Dimensional Art deconstructs Material Colors, re-‐concentra3ng and redistribu3ng them holographically, through a chromo alchemical process.
• The colors become related dimensionally as they are combined and recombined through holo’dimensional space.
• Holo’dimensional processes liberate the spectrum free colors to be related to the whole rather than each other.
• Color channels embed holo’harmonic informa3on. • Qubis3c Space rotates around mul3ple axes simultaneously
embedding through holo’dimensional separated color fields.
28
Holographic Colors
29
Holographic Colors
30
• Holo’Dimensional Qubism treats the surface of the art as inherently frameless. The surface is a projec3on of space with complex mul3dimensional proper3es.
• Holo’Qubism is the explora3on and discovery of forms of principles.
• Principles are the root of the Creator's Original Design Science.
• Holo’Qubism strives to express the space of principles themselves. Rendering of principle reveal original oscilla3ons of crea3ve potency. Principles are everywhere, yet take up no material space. Material and Subjec3ve Space emerges from principle.
31