how does the portrayal of the romantic hero
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By Sebastian Bell
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A romantic hero is the protagonist of a literary workthat is either in love or discovering love throughout thecourse of the work.
Characteristics that are common within a romantichero include: Melancholy
Contemplative
Tortured Isolated
Prone to grand or obscene gestures of devotion.
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Romeo and Juliet (Shakespeare)
Don Juan (Lord Byron)
Jane Eyre (Bronte)
Twilight (Meyers)
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Act 2 (the chase)
O! Swear not by the moon, the inconstant moon, Thatmonthly changes in her circled orb, Lest that thy love
prove likewise variable all young men are fickle inlove.
Romeo abandoning his love for Rosaline because ithurts him and gives nothing back (dramatic irony at
its best) Paris who tries to win Juliet the conventional way is
never seen as a true rival for her affections.
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"Who Ever Loved, That Loved Not At First Sight. -Christopher Marlowe (Shakespearian contemporary)
Cedric Watts Harvester New Critical Introductions
to Shakespeare. Peter Holding Romeo and Juliet (Text and
performance)
John Mahoney and Stewart Martin Letts explore
Romeo and Juliet
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Cantos 1,2 and 4 are perhaps the most interesting, theyfeature a young Don Juan untutored in lovediscovering his way.
Donna Julia Haidee
Who chose to gowhere'er he had a mind, And neverdream'd his lady was concern'd About Don Jose,
Juans father and a prophecy of what the boy willbecome.
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Anne Crow Cynic or Romantic
Stephen Bygrave Reading Byron
James Wilson - Tirso, Molire, and Byron: The
Emergence of Don Juan as Romantic Hero Donald low Byron selected poetry and Prose
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Edward Rochester passionate but morally bankrupt
John Rivers moral but passionless
though rank and wealth sever us widely, I have
something in my brain and heart, in my blood andnerves, that assimilates me mentally to him.
this is not love at first sight or even love at sight at all.This is physical, carnal, love and its modality is action
and touch, smell, taste, more than the distant sense ofsight and hearing.
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Penny Vincenzi - Romantic heroes: here's to you, MrRochester
most connected with the grosser and more animal
portion of our nature; and that the detestable moralityof the most prominent character in the story isaccompanied with every sort of palliation short ofunblushing justification - Rambler (1848).
Sandra Gilbert - The Madwoman in the Attic: TheWoman Writer and the Nineteenth-Century LiteraryImagination.
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Edward Cullen
And so the lion fell in love with the lambWhat asick, masochistic lion.
Different species yet drawn together. Lust or love for Bella. She seems to be in love without
ever speaking to Edward. Keeps describing him asbeautiful.
Edward becomes moody and distant on falling in love,confused. Runs away at first.
Midnight sun.
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Love
Romeo
Edward Cullen
Don Juan for Haidee
Jane Eyre
Romeo
Bella
Edward (Thirst)
Lust
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For every character love is always forbidden in thesedifferent works. What divides can be a number of things;family, class, species or in Don Juans case other men havefirst claim.
There is always a character set aside who would be moresuitable, if the hero was not so keen to follow there heartinto misery.
This fight against public censor seems to be part of the
appeal for the lovers, either subconsciously or knowingly. Tamara Coble - Literary themes: Forbidden love in classical
literature
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That the Romantic hero has not changed all that muchover the last 500 hundred years.
That society wants the search for love to be a struggle.
When the conflict that the lovers must endure isovercome, the love affair is no longer relevant to theaudience and the work always ends soon after.
We, the audience, want the hero to fly in the face of
social convention to woo there partner.Love matures all of the romantic heroes.
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(Do you have any questions in French, the language ofromance)