how to- aos1 english 3-4 text response

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  • 8/11/2019 How to- AOS1 English 3-4 Text Response

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    Sali Miftari, 2014

    How To: English 3/4 AOS1- Text Response

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    Sali Miftari, 2014

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    Brief example of an analysis of Literary Techniques and Features in a text

    For this example, Ive used Anna Funders Stasiland to demonstrate step 5. However, the basic principle of

    discussing and creating an interpretation is universal to all texts on the VCE English 3/4, and can be harked

    back upon in a text response.

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    Incorporating Social, Political and Historical Context in your Text Response

    SAC

    Anna Funders Stasiland, (2002), provides a condemning exposition into how the deplorable practices

    of thesocialist Stasi affected the lives of ordinary citizens in the former German DemocraticRepublic (GDR). Funders investigation uncovers the lingering impact of the Iron Curtain (and

    Berlin Wall) had on reunified Germany, illustrating how its existence symbolised a long lasting

    trauma that for some, cannot be forgotten.

    I introduce a key component of

    the historical context; in this case,

    the Stasi and its part in history.Here, a simple allusion to a part

    of the text - Mauer im Kopf - can

    be done by warming it up when

    providing a general overview. This

    is a cultural value.

    Social, Historical and Political

    context can also be alluded to

    when noting how the contexts

    have influenced the future.

    Ive merely highlighted a

    mere item that is

    highlighted in the text, and

    is the basis of discussion in

    it. This is an example of

    foreshadowing.

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    Metalanguage and Evidence in a Text Response SAC

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    By denying the truth and its e#ects, Stasiland reveals that while the past

    cannot be perpetually erased, it can be managed into the future. As a piece

    of literary journalism, Funder strives to interact with characters from both

    sides of the regime, however authorial biasis displayed in her discussion

    with Karl-Eduard Von Schnitzler. Through the uninviting tone employed in

    the dialogue, Von Schnitzler- a self proclaimed leading figure of the GDR

    is instantaneously portrayed as a nasty person who vehemently denies the

    extent of the regimes brutality. Von Schnitzlers belief that heis be-lov-ed

    by everyone directly exposes the ignorance he has about his place in the

    new German society, therefore appearing unfettered about his past.

    Furthermore, Von Schnitzlers unburdened appearance is challenged as

    Funder notices that the name at the doorbell to his apartment is not his,

    rather, his wifes. Prior to beginning the interview withSudel-ede (Filthy

    Ed), the absence of his name at the door can be interpreted as an

    acknowledgement of Von Schnitzlers fear of retribution for contributing to

    the trauma experienced by citizens, thus implying that his conscience in thepresent and future has indeed been a#ected by the actions of his past.

    Additionally, Funders interview with Klaus Renft- a victim of Orwellian-like

    structure in East German society- demonstrates his dependency on alcohol

    to numb the a#ects of traumatic ordeals from his own past. Whilst Funder

    notes that Klaus memory of not existing anymorehas somewhat

    withdrawn into the background, hisalcohol cushioned landings alludeto

    the idea that the past has in fact defined his present and future to the extent

    that his alcohol-dependency is the cathartic vehicle used to nullify his pain.

    Funders interaction with the contrasting characters Klaus and Karl-Eduard

    Von Schnitzler demonstrates that whilst present and future is greatly shaped

    by the past, the process of rehabilitation can occur by implementing coping

    mechanisms- be it through outright denial or forced ignorance- that slowlycauses one to withdraw and move on into the future.

    Quotation is

    warmed up by

    noting the context of

    who said it

    Quotation is used to

    both enhance my

    point, as well as

    make a reference to

    the historical

    context AND literary

    allusion (to Orwells1984)

    Use of

    Metalanguage is

    highlighted in green

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    The Study Design Broken Down:

    Area of Study One, Reading and Responding

    People often find the study design a little confusing. This is a shame, as teachers usually refer you to

    the study design when you want to know what is going on. Therefore, Ive broken it up. In the white

    cells youll find what VCAA prescribes in the document. In the grey cells, there is a simple explanation

    of what this means, and therefore, what you will be expected to do in the SAC.

    VCAA Study Design: http://www.vcaa.vic.edu.au/Documents/vce/english/English-ESL-SD-2007.pdf

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    The Assessment Criteria:

    Area of Study One, Reading and Responding

    Remember:- In all Unit 3/4 disciplines - including English 3/4 - in order for you to get a Satisfactory, you need

    to score a minimum of 30%. This means that in the SAC for this Area of Study (AOS1), you needto score a minimum of 9 out of 30.

    - This area of study is worth 30% of Unit 3, and 50% of Unit 4. All SAC marks make 50%of your study score, therefore, AOS1 for both U3 and U4 makes up 40% of your SAC

    score.